The Archaeology of Celtic Art

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LIST OF COLOUR PLATES(The colour plates are located between pages 144 and 145)1 Later Bronze Age ceremonial ‘hats’2a The Dresden–Dobritz hoard2b Open-work gold of Schwarzenbach bowl3 The Klein Aspergle grave-group4a The Glauberg gold torc4b The Glauberg flagon: detail of lid5a The Rodenbach arm-ring5b The Waldalgesheim torc and arm-rings6a The Erstfeld torcs and arm-rings6b The Erstfeld torc: detail7a The Amfreville helmet7b The Agris helmet8a The Broighter torc8b The Aurillac arm-ring9 The Battersea shield10a The electrum torc from Snettisham Hoard E10b Snettisham Hoard L in situ11 The Book of Durrow, f. 3 v12 The Book of Durrow, f. 192 v13 The Book of Kells, f. 7 v14 The Book of Kells, f. 291 v15a The Hunterston brooch: front view15b The ‘Tara’ brooch: back view16a The Ardagh chalice: detail16b The Monymusk reliquaryvii
Page 2: THE ARCHAEOLOGY OF CELTIC ARTTemper
Page 5 and 6: First published 2007by Routledge2 P
Page 10 and 11: LIST OF FIGURES2.1 Late Bronze Age
Page 12: LIST OF FIGURES9.4 Celto-Ligurian s
Page 15 and 16: PREFACEillustration, as the publish
Page 18 and 19: 1DEFINITIONS, MATERIALAND CONTEXTFe
Page 20 and 21: DEFINITIONS, MATERIAL AND CONTEXTMo
Page 22 and 23: DEFINITIONS, MATERIAL AND CONTEXTth
Page 24 and 25: DEFINITIONS, MATERIAL AND CONTEXTim
Page 26 and 27: DEFINITIONS, MATERIAL AND CONTEXTex
Page 28 and 29: DEFINITIONS, MATERIAL AND CONTEXTin
Page 30 and 31: DEFINITIONS, MATERIAL AND CONTEXTwh
Page 32 and 33: DEFINITIONS, MATERIAL AND CONTEXTTu
Page 34 and 35: 2‘AN ART WITH NO GENESIS’Later
Page 36 and 37: LATER BRONZE AGE AND HALLSTATT ORIG
Page 42 and 43: Figure 2.4 Hallstatt period animal
Page 48 and 49: Figure 2.6 A: late Bronze Age cuira
Page 52 and 53: Figure 2.7 Images from decorated po
Page 56 and 57: THE LA TÈNE EARLY STYLESFigure 3.1
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Figure 3.2 Italic imports north of
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Figure 3.3 Palmette and lotus in ea
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THE LA TÈNE EARLY STYLESHochscheid
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THE LA TÈNE EARLY STYLEShandle wit
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THE LA TÈNE EARLY STYLESneck-guard
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THE LA TÈNE EARLY STYLESmatched by
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Figure 3.6 Continued.
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Figure 3.7 Face masks in early La T
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THE LA TÈNE EARLY STYLESsuggested,
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THE LA TÈNE EARLY STYLESFigure 3.9
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THE LA TÈNE EARLY STYLESeyebrows,
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THE LA TÈNE EARLY STYLESsimple app
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4THE LA TÈNEDEVELOPED STYLESIn lat
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THE LA TÈNE DEVELOPED STYLESFigure
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Figure 4.4 Engraved decoration of t
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Figure 4.5 Developed Style in the C
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Figure 4.6 Ornament from Waldalgesh
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THE LA TÈNE DEVELOPED STYLESbracel
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THE LA TÈNE DEVELOPED STYLESsome u
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THE LA TÈNE DEVELOPED STYLESand Ar
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THE LA TÈNE DEVELOPED STYLESfrom s
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Figure 4.9 Continued.
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Figure 4.10 Scabbards with ‘Veget
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THE LA TÈNE DEVELOPED STYLESfinish
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Figure 4.12 The Prunay ‘Les Comme
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THE LA TÈNE DEVELOPED STYLESeviden
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5THE ART OF THE SWORDSMITHJacobstha
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THE ART OF THE SWORDSMITHseemed an
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Figure 5.1 Hungarian and related sc
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THE ART OF THE SWORDSMITHsimplified
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Figure 5.4 Hungarian and related sc
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Figure 5.5 Dragon-pairs and their d
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Figure 5.6 Finds from the site of L
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THE ART OF THE SWORDSMITHLaddering
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THE ART OF THE SWORDSMITHFigure 5.8
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THE ART OF THE SWORDSMITHlater dati
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THE ART OF THE SWORDSMITHscabbard.
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THE ART OF THE SWORDSMITHobvious, b
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THE ART OF THE SWORDSMITHreliable a
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THE LA TÈNE LATER RELIEF STYLESWal
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THE LA TÈNE LATER RELIEF STYLESwor
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Figure 6.2 Relief style arm- and an
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Figure 6.3 Open-work mounts from Br
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Figure 6.4 The stone sculpted head
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THE LA TÈNE LATER RELIEF STYLESFig
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Figure 6.6 Silver ring with bull’
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THE LA TÈNE LATER RELIEF STYLESexp
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Figure 6.8 Bull’s (A) and owl’s
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Figure 6.9 The Wandsworth ‘face-m
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THE LA TÈNE LATER RELIEF STYLESMos
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INSULAR BRITISH ART TO THE ROMAN CO
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Figure 7.2 The Witham sword and sca
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Figure 7.4 The Wandsworth circular
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Figure 8.1 Beehive querns and the I
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Figure 8.2 Regional distributions o
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LA TÈNE AND NON-LA TÈNE IN IRELAN
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9SOUTH-WEST EUROPE ANDTHE CELTIBERI
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SOUTH-WEST EUROPE AND THE CELTIBERI
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Figure 9.3 Celto-Ligurian sanctuari
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Figure 9.7 Celtiberian brooches. 1,
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Figure 9.9 The Celtiberian warrior
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10LATER STYLES ANDROMANIZING INFLUE
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LATER STYLES AND ROMANIZING INFLUEN
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Figure 10.2 Trans-alpine trade in t
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Figure 10.3 Late La Tène cult figu
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Figure 10.4 Late La Tène cult figu
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Figure 10.7 Native art in Northern
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Figure 10.9 Native art in Roman Bri
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LATER INSULAR ART IN BRITAIN AND IR
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Figure 11.5 Symbol stone art. 1, Ab
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Figure 11.6 Animal imagery in later
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Figure 11.8 ‘Ultimate La Tène’
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Figure 11.9 The Book of Durrow, f.
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CONCLUSIONSin the intervening centu
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CONCLUSIONSsurvive. Animal and bird
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CONCLUSIONSHallstatt Fürstengräbe
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CONCLUSIONSHallstatt C-D sword typo
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CONCLUSIONSrepresented in the Celti
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CONCLUSIONSthe west Hallstatt zone
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BIBLIOGRAPHYAntJArchJBARBRGKBSPFCAr
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BIBLIOGRAPHYBrailsford, J. W. (1975
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BIBLIOGRAPHYDietler, M. (1990) ‘D
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BIBLIOGRAPHYand Historical Linguist
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BIBLIOGRAPHYJ-L., Hincker, V. and F
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BIBLIOGRAPHYSeptentrionale, Études
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BIBLIOGRAPHYPlanck, D. (1982) ‘Ei
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BIBLIOGRAPHYStead, I. M. (1985a) Ce
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INDEXItalics denotes Figures; bold
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INDEXBýčí Skála 25Cabezo de Mon
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INDEXgaesatae 29, 212, 215Gallarus
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INDEXLouernius 12Lough Neagh 240, 2
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INDEXRudston 142Rynkeby 158, 159Ryn
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INDEXXerxes 58yoke fittings 73, 74,
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The Archaeology of Celtic Art

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