30 THE COURIER Monday <strong>November</strong> 14 2011fi lthecourieronline.co.uk/fi l mc2.film@ncl.ac.ukmfeaturesTop 5Studio productiondisasters5) Terminator: SalvationIf you haven’t listened to Christian Bale’sswear-illed rant, as he ires excessiveabuse at a helpless crew member, You-Tube it now. It’s really quite unbelievable.Tarnishing the ilm as well as Bale’s reputation,this embarrassing and disgracefulmoment is one that he’ll want to forget.4) Passion of the ChristControversy is never far away from MelGibson, with the man being accusedof racism, sexism and homophobia inrecent years. <strong>The</strong>re was no exceptionduring the production of <strong>The</strong> Passionof the Christ, perceived as having anti-Semitic overtones, which damaged itscredibility, although not its box-oficesuccess.3) <strong>The</strong> CrowOnly eight days before the scheduledcompletion of the ilm, Brandon Lee wasshot and killed on set, due to a series ofshort-cuts taken by inexperienced crewregarding the preparation of a prop gun.Despite Lee’s untimely death, the moviewas completed and has since become acult classic.2) Twilight Zone: MovieVic Morrow and two child actors, aged6 and 7, died in a horriic helicopter accidentas the pilot struggled to navigatethrough pyrotechnics, causing the low-lying helicopter to spin out of controland crash, instantly killing the threeactors. This tragedy caused regulationsto be tightened concerning children andspecial effects.1) <strong>The</strong> ConquerorAlthough not conclusive, it is widelybelieved that thanks to the exterior locationsbeing shot near the US Government’satomic bomb testing facilitiesin nearby Nevada, radioactivity caused91 of the 220 cast members to contractcancer. This eventually claimed 46 lives,including director Dick Powell and thelegendary John Wayne.Zak BranchetteBlacklisted?Rod Lundgrendiscusses the mythsand realities ofstudio internshipsPress –Play has long been an importantcomponent of the North East, organisinga variety of special events in and aroundNewcastle. From <strong>November</strong> 17-20, theirlatest effort has produced a programmeof eclectic ilms ilms at the Tyneside Cinemaexploring interesting individualsand sub-cultures.<strong>The</strong> rich programme starts with twoilms ilms on the 17th: Crowdsuring, a practi-cal discussion advising young ilmmakersilmmakerson funding and distribution , with a varietyof industry talking heads in attendance,while Just Do It documents a groupof activists over a year as they tackle“Unpaid interns are usually too scaredto speak out [because] it will hurt theirchances of inding inding future jobs,” said attorneyAdam Klein. His clients Eric Glatt andAlex Footman are suing Fox Searchlightover their work as unpaid interns onthe international blockbuster ilm BlackSwan.<strong>The</strong> lawsuit claims they performedsecretarial and janitorial work. Furtherto taking out the trash and preparing coffee,only Mr. Glatt provides further detailsaying he prepared purchase orders andcash forms.<strong>The</strong> lawsuit claims that the beneits beneits tothe employer far outweigh the beneits beneitsto the intern. Mr. Footman, a productionintern, will graduate and becomea production assistant, the irst irst step tobecoming a producer. Likewise, Mr. Glatt,an accounting intern, will become anaccounting assistant before becomingan accountant. <strong>The</strong> tasks asked of themwere normal for their respective departments.If they’re entrusted with tasks apaid employee performs, it provides thema great resume point and a leg up overother candidates in the job market.Labor laws require internships to belearning experiences. Having interned atUniversal Pictures, I had many responsibilitiesincluding, but not limited to,copying scripts and updating productionsbinders. While these seem menial, photocopyingscripts allowed me the chance toread them and develop my own writing,likewise updating production bindersgave insight into changing budgets,updated ilming schedules, and locationchanges. This knowledge could be usedin my own ilm productions.Local film creates waves at TynesideEvery now and then a ilm comes out thatis quintessentially North Eastern, immortalisingthe region’s iconography andsettings, with Get Carter coming to mind.Rising Tide, not to be mistaken for anothermundane eco –documentary, is thelatest addition to this category followinga group of college students trappedon Lindisfarne ‘Holy Island’ plagued bya ghostly apparition. Described as a‘coming of age story of friendship, lossand revenge’ and shot around Northumberlandwith a cast of local young actors,the ilm’s beautiful aesthetics and freshconcept render it one of the more accomplishedrecent products of North-Eastilmmaking.Finishing college, a tight-knit groupof friends decide to go on ‘one last trip’together to a festival, with new memberof the gang Izzy tagging along. Beingkicked off the bus, they ind themselvesstranded on an island at high tide - andwhen tensions lare and people start todisappear, things become horrifyinglysurreal. Beautiful direction, a hauntingsound track from renowned Northumbrianmusician Kathryn Tickell, andstriking performances are amongstmany of Rising Tide’s assets, with severalcomedic moments complimenting theA coming ofage story offriendship,loss andrevengePress. Play. Enjoyhorror. However, it isn’t perfect, withthe fragmented plot and confoundingmystery, which director Philip Shottonconirmed ‘may have been a dream’,dropping this sigh-provoking revelationat the Tyneside Q&A.Nevertheless, for a ilm made on a shoestringbudget of £23,000 it is an impressiveeffort, and with a sequel continuingthe elliptical plot already shot (withthe same cast) and plans to release thetwo ilms as a double-bill, let’s hope theilm’s potential will be realised within afranchise.Chris Bindingclimate change. On the 19th, Australiandoc Shut Up Little Man explores the storyof a viral internet sensation producedfrom the secret recordings of two punks’lamboyant neighbours, while WinnebagoMan chronicles the impact of Jack Rebney,‘the angriest man in the world’, as ahistorical phenomenon in viral internetculture. Canadian ilm Beauty Day (Nov20) looks over the life of Ralph Zavadil,whose televised shenanigans inluencedMTV’s Jackass and the festivals closing filmVigilante takes an ironic look at a new breedof superhero, ‘the anti-graffiti vigilante’.With a playful mix of entertaining, bizarreand personal themes at the heart of theweekend programme, Press- Play have evidentlyworked their magic yet again.Chris BindingIllustration: Emma RawsthorneLawsuits by people other than overworkedchild actors or writerswith allegedly stolen ideas arerelatively new to Hollywood.In recent years, child starsfrom <strong>The</strong> Kite Runnerand Slumdog Million-aire have sued studiosfor being overworked andunderpaid. Likewise, writershave sued over similarities intheir works to such ilms ilms as <strong>The</strong>Hurt Locker,<strong>The</strong> Hangover Part IIand many more. Klein claims there willbe more lawsuits iled iled in the near futureover Hollywood’s internship practices.An internship is what you make of it.With a positive attitude and eficient eficientworking method, an intern becomesmemorable in the minds of busy executives.In my experience, executivesoffered guidance and introduced me toexecutives outside Universal. And, whilethese internships are very competitive,you can wow by polishing your resume toperfection, networking ‘til you’re numb,and being the anti-Debbie Downer.<strong>The</strong> plaintiffs worked on this AcademyAward winning ilm ilm with DarrenAronofsky and Natalie Portman. If theyclaim to have not had a ‘learning’ experiencethen it seems right to claim theydidn’t make the most of their internshipand that their lawsuit stems from theirdesire to cash in on this indie ilm’s $329million gross. In fact, Footman said the$13 million dollar budgeted ilm has nowearned more than enough money to paythe interns. It seems these audacious,opportunistic Hollywood hopefuls willbe walking away with no money andno hope of working in Hollywood againafter admitting the true motives of theirlawsuit.Not just since director Park Chan-Wook‘sthriller Oldboy won the Grand Prix at theCannes Film Festival in 2004, Koreancinema has grown in popularity andestablished itself amongst internationalaudiences; the fantasy drama Il Marewas remade with Sandra Bullock andKeanu Reeves in 2006, and the rom-comMy Sassy Girl from 2001 was the highestgrossing Korean comedy ilm ever made,outselling several Hollywood blockbustersand triggering a number of remakes.Despite the tremendous national andincreasing global success of its ilms,Korea is not yet regarded as one of theleading ‘movie meccas‘. <strong>The</strong> London KoreanFilm Festival, set up by the KoreanFilm Council, is thus aiming at introducinga broader audience to the country‘scinema, and in its sixth year of running,the festival will screen a variety of genresfrom animation to contemporary workin numerous venues in and outside ofLondon.<strong>The</strong> Tyneside Cinema in Newcastlewill host three ilms at the end of thismonth, the irst being Detective K: Secretof the Virtuous Woman on <strong>November</strong> 20,an Inspector Clouseau-inspired comedyabout the eponymous hero chasing aserial killer in 16th century Joseon. On<strong>November</strong> 22, Dance Town tells the storyof a woman who, after escaping to SouthKorea from the North, inds herself in astate of complete isolation and begins toight her loneliness. <strong>The</strong> third ilm willbe Ryoo Seung-wan‘s 2010 crime drama<strong>The</strong> Unjust on <strong>November</strong> 24, an intensecat and mouse game set in Seoul afterthe police fail to close a case of numerousmurders in the city and are forced to allywith a gangster in order to avoid publicattention.Lisa Bernhardt
THE COURIER Monday <strong>November</strong> 14 2011 31Film Editor: Chris BindingOnline Film Editor: Hayley HamiltonWuthering HeightsA film adaptation of Wuthering Heightsfocusing purely on Heathcliffe and Catherine’srelationship is brilliant in theory,however in practice Andrea Arnold’sattempt falls short.While dramatic shots of the Yorkshiremoors are visually stunning the phrase‘too much of a good thing’ comes to mind.Arnold turns one of the greatest works ofEnglish Literature into a nature documentary,and one which does not involvesharks attacking. By the thousandth shotof two animals roaming together I thinkany audience will have understood the‘subtle’ suggestion that Catherine andHeathcliffe are two wild animals. With thesymbolism and nature appreciation beingso overdone the story itself loses focus.Though most viewers would be familiarwith the novel, characters appear andsituations change without explanation,ultimately sparking a loss of interest.<strong>The</strong> first half of the film focuses onCatherine and Heathcliffe’s childhood relationship.Performances by newcomersSolomon Glave and Shannon Beer werefaultless but could not save this sectionfeeling drawn out, again due to copiousnature shots. <strong>The</strong> rare dialogue Arnoldallowed herself to include, rather than reassureaudiences of a good reason for itsabsence, actually alerted to the possibilitythat a decent script writer was out of thebudget. Stilted, unnaturally phrased linesbetween the adolescencents belonged inthe playgrounds of Waterloo Road, not onthe pages of Bronte.Tower Heist Straw Dogs In TimereviewsfilmKaya Scodelario’s Catherine is outshoneby James Howson’s intelligent portrayalof an adult Heathcliffe. However dueto the continued stilted and unnaturaldialogue provided, Scodelario’s performancecould be attributed to poor material.More scenes between the two weredefinitely needed to build up the chemistry,and would have probably saved thefilm.Triumphs include Arnold’s decisionto focus on Heathcliffe and createan understanding of him, aided by bothWhoseline is itanyway?Glave and Howson’s performances. Bothactors create sympathy for the characterin a way Ralph Fiennes never did. Andthe lighting and sound are particularlyinspired ,especially the rain, emphasisethe novels gothic elements. <strong>The</strong> camerawork could have made this list, the firstfew shots of an object or person out offocus brought into focus are artisticallystunning but after a while it began to feellike the cameraman had just discoveredthe focus slide on the camera.Andrea Arnold tried to create somethingedgy, so far so that she even searched aRomany camp to find unknown actorsfor her cast. However the final result hasleft me unconvinced, and possibly evenArnold, who places the most famous castmember with the least screen time, top ofher credits (Scodelario).Verdict:If you liked Terrence Malick’s <strong>The</strong>New World, you will probably enjoy thisfilm, ditto if you are a Wuthering Heightsdevotee, otherwise you may be watchingthe clock instead. One for the eyes but notthe ears.Mallory McdonaldSnow Flower and theSecret FanIn a role that evokes the actions of BernieMadoff, Alan Alda plays a slimy investorand hotel owner who has embezzled thepension fund of his employees. Ben Stillerand other lowly workers therefore plan tosteal back the money from his exclusiveNew York apartment.One of the most enjoyable aspects ofTower Heist is its eclectic cast. AssistingStiller with the heist is a hapless downtroddenMatthew Broderick. Althoughalways good to watch, his dialogue sadlydoesn’t match the quality of his lines in1999’s superior comedy Election. <strong>The</strong>arrival of Eddie Murphy as a professionalcrook was met with trepidationdue to his recent work which has beenvery poor. Luckily though he brings someenergy to the screen and his livelinessleads to some of the funnier scenes.Much use is made of photogenic Manhattan,with overhead shots of the skylineused liberally. Events coincide with theThanksgiving Day parade which providesan interesting backdrop, even if the heistitself only begins halfway into the film’sruntime.Whilst Tower Heist is fun and enjoyable,the quality of the jokes varies hugely, withcertain scenes being much stronger thanthe film as a whole. <strong>The</strong> story essentiallyconcerns the little guys taking on theclichéd greedy banker. That in itself ishard to disagree with, but it would havegreatly benefited from a sharper satiricaledge and wittier dialogue to make it amore enduring and original comedy.Verdict: Whilst it offers nothing particularlyoriginal, Tower Heist is an entertainingand enjoyable comedy with an interestingcast list. However, it needed to have amuch sharper script and greater consistencyin the quality of the jokesIt doesn’t take long to form an opinion onStraw Dogs. This remake of a controversial1971 classic readily lacks the intelligenceof the original through the posteralone. Almost identical to the original, thenew poster makes the grotesque additionsof a disgustingly obtrusive bad guyand tag line. But any hope that this wasjust tastelessness on the studio’s part islost in the film’s opening five minutes.Unlike the original, this remake patronisesthe audience into boredom, with everyaction explicitly explained. This is quitespectacular, given the film still managesto be almost a shot-for-shot remake.Moving the action from a British villageto a town in the American south, DustinHoffman’s character, David Sumnerplayed by James Marsden who moves tohis wife Amy’s (Kate Bosworth) hometownfor some whilst writing a movie.Despite trying their hardest to fit in withthe locals they end up at odds with them,driven by their intolerance of a mentallyhandicapped individual<strong>The</strong> two leads, Marsden and Bosworth –who seem to latch on to any blockbusterthey can – have pretty average actingtalent, which is not helped by a lacklustrescript from writer/director Rod Lurie.<strong>The</strong>ir dialogue seems to switch inexplicablyfrom kooky out-of-towners to overlyserioussometimes in the same sentence;not a pleasant experience on a film that isalready quite grating.Verdict:Though it could be regarded asfairly average if it were an original film,this remake hardly deserves a star, takinga masterpiece and mutating it into an unsubtle,disturbingly Hollywood-style movie,and bringing about as much excitement astaking a turd.Good old Justin Timberlake, or J-Timbz asI like to call him, continues his foray intoHollywood having tried his hand at theOscar-bait drama (<strong>The</strong> Social Network)and a few rom-coms (Bad Teacher andFriends With Benefits), turning his sexybackon those genres in favour of sci-fithriller In Time.In a world where time is literally money,Will Salas (J-Timbz) lives day to day –working the 9-5 to get an extra 24 hoursof life. At 25 years old, all citizens stopageing and are given one extra year of lifein which to earn more time to live. Shouldthe neon-green countdown geneticallyengineered into your arm strike zero,you’ll immediately drop dead.It’s a set-up which works better thanyou’d expect, and the first hour of In Timeactually does a great job of setting itselfup. In taking a ‘show, don’t tell’ approachto its central idea, this dystopian alternativeuniverse makes for a surprisinglyexciting place to explore.However, once the plot sets itself inmotion the film’s second half never livesup to the promise of its opening, insteadopting for a standard on-the-run-andagainst-the-systemnarrative as Salas andSylvia Weis (Amanda Seyfried) take on aRobin Hood-esque mission to distributetime from the immortal bankers to thosein the slums. How very topical.Timberlake does alright in his firstleading action role, faring better thanAlex Pettyfer who cements his title as theworst actor in Britain with a woeful turnas a gangster.Verdict: In Time makes for a surprisinglyentertaining ride, it’s just a shame thatthe second half lets down what could havepotentially been a much more memorablefilm. Although it’s still fun to see J-Timbztrying to be Karl Marx for two hours.David Sumner:<strong>The</strong>re is onething in the biblei do believe.Charlie: Oh,whats that?David Sumner:Thou shall notcovet thy neighbour’swife.Charlie: Whathappens whenthy neighbour’swife covets you?Straw Dogs<strong>The</strong> averageapartment inthe Tower costs5.6 million dollars.We havethe best views,the most advancedsecuritysystems, butyou know whatthese peopleare reallybuying? RickMalloy: Whiteneighbours?Tower HeistOne of the most common themes in filmhistory is friendship, especially the friendshipbetween women; which seems tobe an equally fascinating and mysteriousphenomenon for writers and directors.While it is mainly depicted in a superficial, cliché-loaden manner found in aplethora of predictable rom-coms, SnowFlower and the Secret Fan, loosely basedon a novel by Lisa See, deals with the conceptof ‘laotong‘, a relationship within theculture of the Chinese province Hunan,bonding two girls together for eternity.In present day Shanghai, the successfulbusiness woman Nina (Li Bing Bing) beginsto reconsider her past and disturbedrelationship with her laotong Sophia (GiannaJun) who has fallen into a coma aftera car accident; the modern day narrative iscontrasted with the story of the women‘sancestors Snow Flower and Lily (againBing Bing and Jun) in 19th century Chinaand their struggle to maintain their deeprootedbond through times of hardship.Despite the three stories being coherentand logically connected, the constantflashbacks make keeping track a bittricky on occasion and weaken the ‘arc ofsuspense‘. <strong>The</strong> bland tone could also becaused by the plot which is admittedly notthe most original piece of writing on themarket. But then again, it is a nice, veryunintrusive narrative within a beautifulsetting that even features an awkward, butsomewhat funny Hugh Jackman cameo.Verdict: A refreshing unusual approachto friendship that refutes the actuallyoutworn, but unfortunately existent stereotypesof relationships between women.Nevertheless, it will probably fail to hook abroader audience or anyone without an interestin Chinese culture and history.Jeremy Trotter Patrick Mchugh Ben Travis Lisa Bernhardt