EJS I I TOMMY BANKS WAY - Yardbird Suite

EJSI I TOMMY BANKS WAY(Corner of 102 St & 86 Ave)EDMONTON AB T6E 2M2

Glr AlltGR0rT rnnVancouver based guitarist Ken ALdcioft bnrgshis trio to th€ Yadbnd Suit." to showcase matenatfrom hjs new cD hjs misbess never steeps" - a tnbuteto th€ htu and music of Duke Ettingtor - as w€ttas sons torm and fiee tom jmprcvised musicthrough originals and standads in the s!r'te of K€iihJanett, PauL Bl€y, Johf Zorn and Dare Doughs.Atddoft is a gEduate of both the 5t. Fcncisxavier University and Grant MacEwan CommurityCotles€jaz proqrams. Since movjns to the lowermaintand seveEt y€ars ago, he has perform€dwjth Hlgh Fcs€r, Don Thonrpson, Tom Foster JimPinchin ard drummer,"xtraordinane CbudeRanger. othercDs avaitabLe jnclude F€atunnq...'and 'Big Pictur€".With a goatto find a batance betlveen bothcomposjtion and i'nprovisation aid traditjonand expe.imentabon, Atdooft cites other unconventiorattriosuchas Thideen Ways f€atunngFred He6ch, flichaet [1ooe, Gerry Nemingwayand Dave Dougtass Tiny Bett Trio as enmples offfiEdmontons pr€miere trumpeter, Bob Tildestey,and drummer Ron Samsom. Look foMard to anjght ofexprcssion, int€ndion and musician-Ken Aldcroft - guitarBob Titdestey - trumpetRon Samsom - drlnsCanadian Publication Mail ProductSales Agre€ment # l516698

P.I. PTRRY P1AYS INIBUTT T||GHANff PARIfiRChanie "Yadbird"Pa*er was ore of the mostjnfluentiatjazz musicians of the 1940! and 50!.Bo'n and raised jn Kansas ciw llissoud, Pa erbegan ptaying atto sa( jn with a variety of btuesandjaz grcups. Lil(e mostjaz musician, ofhjstime, Park€r devetop€d his craft taryeLy throushpradicat upedence, And known as a supemetycreative improviser, the force and oriqifatjty ofhis styte evotved so much that many tistenercr€jected hk musjc as notbeins dNsjcatjazz. lsour nam€ eke we pay trjbute to him rear theannjv€rsary of hjs deaih, |larch 12, 1955.To c€lebEt€ our tourth tribute to ChadieParke/s musjc the Sujte eagedy wetcomes PJ.tory, Canada's and Edmontonl own premie€atto exophonkt. Just when you think the accolrdeshave peaked, such as'Juno award winner,'Jaz Report Magazine's' Critics choice "award fofHltltiltcililtAtlfi@Sljde-guiladst ertraordjfaire Ettentlcltwajne wil( be performjng soto and acousiic,and ptaying both quitar and piano, when sheplays the Yardbjrd Suiie on Fnday, Ilarch 24.Ner soto and acoustic shows have been abig success etsewhere jn Atberta; she rccenttype offied to sotd-out houses jn the CamaUnptuqged Seri€s at the Engjneered AirTheatre of the tatqary Arts Certre and at theBanff Arts Centie. These shows give her achance to djrplay her tittle-known prowess onpiano as $/ett as herfamous guitar chops; theyEtten's 1987 atbum'Lookinq for Troubte,recoded if Toronto (where she then tived),cane out on Edmonton! Stofy PLain Label,and in 1996 Stony Ptain rcteased two ofheratbums together on on€ CD,'The Reat EttenI4cltwaine,' ofiqjnaLLy rccorded for UnitedArtists in 1975, and'Everybody Needs It,'an atbum that originalty came out on theBIind Pis tabetin 1982 and featuresJackBruce (ronnedy of crcam) oi bass and back-bdng her vocats frcrt and centre.A lonstjme rcsjdent of Catgary, Ettenl4cltwaine has pefomed rctatjvety rarety jnEdmonton clubs, and jt js twetve years sinceshe played atthe Yardbnd suite. She has beena frequent performer and audjence favourite,how€ver, atihe Edmoiton FoLk Music Festivat.ELLei MclLwajne has been a pro'njnent figureon the btues scene since she tanded a spotopenifg for bLuestars at the Cafe au co Goin Greenwich vittage jn 1966, a position thatted to herjoininq forces for some m0nths withthen-unkrown Jimi Hendrix. She fomed herown band, with the apt titLe Fear Itsetf and,the nexi year'in 1969, moved to Woodstock,New York, where she reteased her first atbum,Since then, she has recorded eightatbums, jn both soto aid bafd settjngs, andbest atto sax for the list six years, CJ. reachesa neu/ t€vet of excettence as wjtnessed byhn few C.D. recorded tive at the WinspearCenter wjth th€ Edmonton Symphony.Joined by Canadian master EobbyCairns on guitaL Vancouve/s busiestdrumnrer Etajne Wykjord, as wett asCanada s prcnrier bassist llike Lent, this Ishow is sure to be an event ever Parler t IhimseLf would rcgret mksinql \Eobby Cairns - guitarshe has toufed constantly and has peFformed tive wiih a who! who of the musicatscene of the past thjty-ptus yea6: figur€ssuch as Howtin' Wotf, Son House, Royguchaian, Johnny Winter, Laura Nyrc, TajMahat, John Nammond, 6eoge Thoroqood,Koko Taytor, Iom Wajts, Eruce Sprjngsteen,Her most recentatbum is the poweduttiverecording,'Etten Mcltwaine: Women in(E)motion,'r€corded jn 1997 atthe Women in(E)motion F€shvatin Bremen, Germany. There,accompanied onty by bass and drums and h€rown stide guitar she fays down some toughbtues-tunes tike "CGwtjns Kjrgsnake" and"I'nr a Woman -and closes with the BiLtWitherstandard "Lean on I1e."ELLen is alsofeatured perfomins tive in theone-houry documentary broadcast jr 1997by Canada's Bravo channeL,'A Stide thrcughTimer Etler llcltwaine Live!"Come and find out why 'Le Joumat deli'lontrcaL' says of Etten t"lclt$/aine, IL faut taMARCH.APRIL 2OOO poge 3

IHT STTUT IAGY/R||SWHI RUIIII |IUARIIISteve Lacl is the jaz wo{dl prc-emjnents0prano saxophonisr Thjs js exemptjfied by hnpercnniatfirst ptace position in the soprano saxophonecategory of the Downbeat Internationatcntics Pbtt. He is considered to be the fdther ofthe modem sopnno saxophone and, tor overforty yea6, he has been ore ofthe most disbnctiveand proUficomposeE and conlummate perInitiaLty inspned by the first g€at sopranosaxophonist, sjdney Bechet, Lacy worked for severatyea6 jn the 1950t wjth avant gade pianistcecjt Taytor. His g€atest influenc€ wasThetorious i\4onk - Monk'structure and simpLiatyfalcirated him; the music "fit" him and hishorn. Ne work€d with l4onk for a shod time in1960 and even staited a grcupthat ptayed nothingbut l,1oik. Lacy is abo credited with turningJohn CoLtane or to th€ sopEno laxophone.He also has a tong-standing perfomjng reta"tionshjp with pianist MaL Waldron. His mostrccent major project js ajaz opera entitted "Thecry" which tuatures mlsic, visuals and poetryThroughout ft bdLtiant career, Lacy hasremajned committed to keeping his musjc renHundreds of tive peformances and dozens ofrecodings attest to the depth of his creativity.Eased in Europ€ sjnce the late 60s, Lacy tastperform€d u/ith hjs trio at the Suite jn November1997. Bassist Jean-Jacques AveneL and drumrnerJohn B€tsch retun as the ythm sedion.To make this evening even morc specjal,lombonist Roswetl Rudd joins Steve Lacy tofoBe a dynamjc quart€i that js guaranteed to bea memorabte expenence br €veryore in atten-Atur atmostwenty yea6 out of the pubticeye Rudd returned to the scenein the tate 1990sand perfoflned at the Yadbnd Sujte in February1999 as part of the David Haney Cotlectjve withRob scheps.Ih€ dynamism and sheer exubennc€of his pedonnance $/as tiving testjmony to hisreputation as one of the giants of post-bop trom-Roswett Rudd is a poud part of the taditionthat has given us such jaz tombone g€ats asJack Teasaden, Kjd Oy and J.J. Johnson.However, he has extended the tadition with hisown extm!€rted gut'bucket stytjngs, passjonatetyricism and largerthan tife indivjdualism.He has p€rfomed with Herbie Nichols, ArchieSh€pp and Gnn Bby and also, Like Steve Lac!,wiih Cecil Taytor. 1,5 a csuLt, he js a major influ'ence on a whoLe seneEtion ofjazz trcmbonjsts.In recent yea6, he has recorded a coupte of CDspaSe 4for Cll,4P tuaturing unpubkhed materialof the hjghLy underated pianist HerbjeNichob.Steve Lacy and Roswetl Ruddu,o*ed together in the ea y 19603durjng whjch time they both devotedsignificaft tjme and energy toThetonious l4oiks music, even makinga tonq out'of-pdnt recording.Reunited tast year,they touredtogetherand are reteasinq a disc onV€we/Frarce €ntitled "l40nr5 Dream'. Some ofthat material witt n0 doubt be tuature dLrnnsthejr performance at the sujte.Ihjs is a speciat opportunity to hear iheabsotute mastery and accessibjfity of Steve Lacyand Rosw€tL Rudd in af intinrate ctub setting."The wa6t0H sfEvE ucf,.,lMng ewno pldyer.,,". Ann Aftor NeB"01oll llvlng sdxophonlsa, Lo.y nostpede.dy coptarcs the essence of J.zzas I llnl ets hodzon ,., Purc, stong,frern qnd Dasslonate, hE Instunenulsound is the benchnd* agolnst whkholl young:er soxophonkts neosurc- fhe Georyld Sttdwt"In the hlstoty ol lotz nusk, IEw nusl-.tons how erte.l seh o .lonlianthrce on theh ahosen lnsuunent osSteve Ldcy has on tle sopmno ssxo.- Now lorcnto"SEve Locy ]s the 'ost lnslskttt, orlglnalsopmno somphone tylst of thepost-Bechet efi, ,l/th a dch bulbousaou,tal anal d lentent hamonk lnoglnrtlonthot should glve pouse to thoseIlstene'i veone.l on the wlnry nosoltlylings oJ bddy's sopftno .unu.ht"-l4uslclon l4tgonrc",.. n0tbtly snuui 4 tte eptdto tu,.."-lomnta Storst€ve Lacy - soprano sarophoneRos$ell Rudd - tromboneJean-Jacques Avenel - bassJohn Betsch - drunsON ROSWELL RUDD,,.",.,o tonbonlst ol su'lt sweeplngpowet ond nojesty thot he tmnsaenals- John wlbon, New lo* fines"Rutkl geb non uonbone out of hlsiasuunent thon rny colleogue, post or. Whitte! Bdlfiet, llew Yo*et"nudd is d nasE y sololsL"- Iruck Btket"Rudd ertdctt sounds ,nn the vonbonethot go bock to llew 0 edns andlufther ohead thon snyone hos Ft- Not llentotlMARCH.APRIL 2OOO

wil[ woiltt]t Alilr s0ltGDianne Donovan, who is set to rctease hersecond C.D. in the spdng of 2000, has sungon stages thmughout North Amedca to cdticatacctai'n. 0ianne is an accomptish€d .iazz singerwho has a stmng voice and an uncanny senseof phEsing. Her performance of "Body andSouf at P.J. Perys htt conced was sensationalforits phrasins and simpticity.Rhonda WjthneLL does it aLL. "Big Band"jazz with Tommy 8anks, music theatre withthe ALbeda open Touring Company, and seventiesfunk with Th€ Craft, exemptjfo the tat"ent and velsatitity that keeps Rhondat theforcfront of Edmonton! musicommunity. is wett known for her tastefutDrawing ftom Etta FjtzgeraLd, Sheita Jordan jazl vocatizing and hds tou?d witf qreat V $anne oonovan,and Shnby Hom, Rhonda has been a knockoutpefomer sjnce her earLiest days at Etondheim and lt1ary Witson.wlth Trlo kd by Rob Thompsonjazz ptalers ptayeG tike like John Stetch, stekh, 6eoqe George I Rhonda Wlrhnetl Wilhnetl, Anfla BeaumoniGlant llcEwan Cottege.Speciat guest Anna Eeaumont is anaccomplished singer-sonqwriter whose latestCha es Austin has been the inspintion ofmany a student jn his 26 years of teachjng atGEnt llacEwan CoLtege. Ar a teacher of l€yboards,jaz theory, eartrainjng and mor€, jts nowonder his pliying is const ntLy deveLoping intosomething bigger and b€tter each year.Chadie hoLds both a BI4US fnm UBCftr peiformanceand t4llus educatjon degr€e fiomUniversity if Vjctona, as wetL as an ARCI dipLoma.He has delrtoped jaz hamoni€ nudy methodsand pnctjcat approaches to chord playing andcompjns, inctuding an orisinat veatment of typ"GHIRITS AU$IIIIQUIRITTical left hand piano voicinq, and hamonicapprcaches to m€tody. He has compos€d andpubtished a 450 piece progressive style/readingmethod jn att kEr of pjano, and is cunendy writingajaz iano teaching method for use at GnntMacEwan College.His vast perbrmancerpenence incLdesCBgs Tom Bank! show the IIV €onced serietwoi( wiih Second Cjty IV, and dates with SamNoto, and Nat Adde{y. Austin wins the h€art ofeach vo€atjst he accompanier hjs musjcat offeFings gacing the vojces of Trudy Desmond, JayClryton and Sh€ila Jordan, as w€tt as a hvorjte atthe Bantr Centers vocatjaz woichop.Ptease jojn us for an evening of standardtand oriqinals fiom one of Canada's best and definjt€tyone of Edmonton's fdvorjt€s.Chartes Aultin " planoJenotd Dlbyk - saxDoug Berner - bassJohn l{eelin - drunsMARCH.APRII 2OOO page 5

SilU SlAGlT |IUARITTIts been many years sjnce Steve Stagte tast appeared at the Yardbidsuite. In F€bruary 1987, he was a member of Mike Siem's band at whjchtim€ Roger Levesque ofthe Edmontor JoumaL described his ptayirg N "aswamirg, supeFcharged ... but possessed of consjderabLe tyncisn'.A graduate of Berktee in Bonon, Steve has a stettaresum€ ii over 25yeds as a profe$ionat musician. Eesjdes his wo* with Mike Stern, hespent consid€rabte time with st€ve Kuhn in the tate 70!, Woody Nermanin the eaity 80s, Cdla Etey in the mid'80\ and Ray Banetto in th€ tate80s. Since 1991, he has be€n the Lead altoist and chief ananger with thel4inqus Bjg Bard, corsidered by many to be the finest big band on theStagt€ is a rctenttessbumer who mnks in theupper echeton of atto saxpuye6 on rne sc€ne- BitL xilkowski.1".'0ther musicians with whom he has worked and tourcd iidude JolrnSconeu, Joe Lovano, Joey Baron. lr4achito, Lionet Hampion, Broth€r JackI4cDufi, Chartie Haden, Jaco Panonus afd evei stevie Wonder.H-" has ret€ar€d five discs on the Steeplechas€ tab€I, nost r€c€ntty'StagtePtays l4onk'. Hk performanc€ in Edmonton witt no doubt jndldesome Mingus, some Monk but also considerable 5ta9t€ as he has a tong tjstof his own onqinat cornpositjons.Shgte ako co leads and records wjth a qroup featurifg guiiarist Dav€Slryker so it is v€rl appropnate for hjm to be working with on€ of theyoufg t€adeB of th€ Edmonton jazz scene, narirety guitaristJim Nead.ste!€ Slagt€'s playinq is impa$jon€d afd spontaieous and swings ashard as anyon€ etse of th€ contemporary scene today. Ne combines th€time shift ptastjcjty ofOrnette Coteman with theboppjsh abandon of Jackie lr4cL€an. This we€k-€nd shoutd be a special treat for fans of hardbop and post-bop j.zz.N€w York Times InteftetSleve Slagle allo and soprano sax, lluleJmHead'guitarI/ike Lenl - bassSandro Dominelli - drumsLocal Heroeslnternational FilmFestivalllr0 G0dm 0l lffirr BnalCanada, 1999, 1?0 minutes Director: Emily NuqhesLlve n$lc befon and after the ffln!mln|i||im0unIIBoo to Gnadian .oliby music nnqe6, Leniv BEaustirred out pLying @ufrt'y jn a ephisti.ated mdnner Anoutstaidins jaz impoiser who pedDmed on both acoustj.and ete.nic sultau, B@u s nsht hand dw on .b$i6l flaren.o,and ounw frnqeDidinq techniques. He was amonsthe fiEt guitadst5 to diged the inprc$ionisti., post-bop chod voicings ol pianist 8iUEvaE. B@u dwtoped the abiLiry to ,inultaneo6Ly omp chods and inplwjs sinslestdig melodis, crcatinq the i[usion of n|o suibn5E pbyinq toqeu.€i His h.jlity withartificiat hamoniG €main, tle enw of many suit isB.In thk engaging 6edni Award-winninq frlm, EmiLy Hugh6 taks an €xtruhe clo*-up look at her lbLler, Lanny 8ftau. th. unheralded genius of the guitar who died underfi!6tedous orcunrtires in 1934, lr4Eny ot guita/s gEatest muriciai! pay hoftge to3€au, in.Uding Chet Atlint Ptt ,4etheney, Stew Vaj, and Liona Boyd. Featunnq n*rbeforc *en archi€l tootaqe or Leniy in peftfmn.e the frlm js a mu$cal and emo,tionat jour€y tur an one who has an apprc.iation of sEat musi.,Local Heroos International Screen Festiualand the Yardbird Suite are prouil to present:loxh P nE:nro [[dos[USA, 1999, 90 dinutes Djrector Don l4.GlynnCrsr Louis Pnna, (eelySnith, San EuteEliE nusir lsbte.nd .fter the fil'n:MruYstf fi|f,oUrXrEHailey symington - guitar, vo6tBob Titdesley - trunpet Chis Andew - pianoA rcmping m6ic.l dodmentary tlrat is a5 energehc a jts subject, wtaEn fiLnmakerMcctynnt (the dnecto of Chades l,iingus: Tnumph of the Undedog, whichplayed at bst yea/s Lodt Netoes) lrtest wo* @ptues the subeErce of one ofjazlpop musids lildiest pefomer of the 40s aid tos, Mixing intewjews andrcmembEner most notabty fron fomer wile and mskat padnd Keely smith,with absolutely wild con.eft fooiage this film wju noc than stisfu the aficionadoswhite Mnning new conwfts. Many of Pdma-s qreatest hib like ' that old Bllckl{agic','lve Got You Und6 My Skin', ioh Mane aid Just a 6igolo' are featuredprcnjnently, sMng, baby, sMng!page 6MARCH.APRIL 2OOO

BIG G1ABA MoIIAIIIE1uitnilG Grilam GuestBondBjg Clara l'4cDaniet is a 45-year-otd powertuLbtuesinger who witL be making her firstappeardrce jn Canada when she pefoms at theYadbid suite Aprit 28 and 29.Long a mainstay on the btuescene in 5t.Loujs, Big Clira has been rcceivjng jnternationatacctajm jn the past foui or five yeaff. InNovember, 1995, she was a headtiner at theElues Estatutte tustival in Hottand and recei!€dnve rcvievE-the teading Bdtjsh btu€s masatne,'Blu€5 & Rh!,thm,' tan a cover story on herwith the headLine, "Discovery of the Yea*-andjn 1996 and 1997 she tou€d Englind, FEnce,Switzerland,Greece.Meanwhite, Big Clan €corded and reLeasedher frst CD,'Unwant€dChitd,'on the HjghTonetabelin 1997, and that led to evenoleacclrim. In 1998, the leading U.5. btues magazine'Livinq Btues,' made her a nomjnee tor jtsFemate Blues Artist of the Ye Awatd.8ig Clm was Eised in Pontiac, itlichigan,whel€ sh€ sarg in a qospeL choi and pb!€d pjanoin chuich ftom an eady age. After moving to 5tLouis in her teens, she beqan sinqingbl]jesctubs whene!€r she couu, pertormjng with thetegends of th€ pon\,var btu scene in Si. Louis:Ahed Knq, Ik Tumer, olivs Sain, Ljttl€ li'litton,David De€, and Biq 8ad Smiity, amonq otheE.The lite and great ALbei. King, in fuct, madeClan hjs protegee. She toured the southemltates with him many tim€r acting as hjs openjngact and back-up vocatkt. she u/as rajsing ahmiLy and pl"ying the btues 0n weel€nds furth€ pastwent yea6-as weLt as hotding downtwo jobs. At one pojnt she managed for seventyea6 Alb€d Kinq s tuet of tad-cabs jn St. Louis.Big Cbrand her band, the Maqnatones,became the town's hvouriie blues band and in€cent !€ars has become the ttaditronat openingact at the St Loujs Blues Festivat on Labour DayHer CD,'Unwanted Chjld,' displr!6 her raw,raspy, and lowdown bues vocals-and also heroot5 on the 5L Louis bhes sceie. JohnnieJohnson, the 5t Louis piano-pliyer that qaveChuck Betry hjs slalL plata on the C0, as w€[ a5tegendary hannonica-man Athn Wi[ians (who€coded widr Fnnk Fron in the sixties and 8isBad Smitty ii the eiglties and ninetiet and thehrner Albert King ftltlm sectrbn of Gus l'omtonon bass and lGnny Rice on d ms. Guitansbchades Jone, and Tom Maloney fil out the band.Thjs €xpanded wlsion of the l,4aqnatonespedbnned on th€ CD tor a t"sic reason: ClaE shusband, Abnm "FaLstaff Foster, her keyboardist,songM'ting padner, and band-Lead€r, died of canc€r shortty betorc the CDwas recoded. The CD is dedicated to him.Clnra mo!€d the next y€ar to Arkansas andgave bidh to twins in June of 1998-butshe ir stjlttounng, having pertomedccently at Buddy Guys ctub Leqends inchicago, and she is tooking torwardher frd tnp to Gnada.clard sa!s, 'l sjns att kindr ofsonqs, btues, souL and R & S, and itwouldbe a thrill to peftrm a coupl€ of gospel sonqsjn my showin Edmonton.'She is a strong songwriter,and her sonqs a€ written out of her ownexperience. For instance the titte tune on theCD, "Unwanted Chitd," which beqins wjth thetine "Tett me, what do you do when you 6ndout youte an unwanhd chitd?", tleats a subjectshe tuels strongty about. over th€ years, she hasserv€d as a fosler pacit to many unwantedchitdren and has adopted severat.At the Yadbird Suite, Cbta witt be backedbyThe Graham Guest Eand,joined fDl thjs occasionbv the fieN and souttut Edmonton harmoniEDMONTON JAZ SOCIETYmembershipYour Edmonton Ju Socl.t/ l,lomb.Bhlp !upponsa varlott of acdvltl.! and .nsures thatthe b.st of llw iu wlll condnue to have ahom6 ln our.lry wqll Into the next c.ntury.Purchsc D.e -Cxdry Dle -Amount patd lor h.mb€6hipAmouii ofd dedudibl. doMdon t-a_t_Blg Clara McDanlet - vocatGraham Guest - planoJin culbo.he - gultarDav€ lrldges - bassGrant Stovel - drumsca-pkyer Crawdad. The tour rcgulrr membeE ofthe band, whjch djd such a greatjob ea jer this'ye at the Yadbird backing up btues artisbJimmy Bums and Lazy Lester, aie Graham Gueston pjano, Jim Guiboche on gujtar, Dav€ Bidg€son bass, and 6rant Sto!€L on drums.I -cord c.rdazOO u 6lpt & lru.dhl$lonioron.Fr,,,,,,,,,,....,.,,..$367.25t e|%r cId_ rn. rdnkdon for on. y.ir .......t137.25R€8!|f,,,,,,,,,,,,,,,,,.......$32.00Studod o. S.nlor ,,...........,.. $22,00d vls,AlctNo-O |4ASTERCARD O Ch€qu.Make cnequd payable .nd n.ilio:Edmonbn JE soci.q| | Tomnv BrnlswbtEdmonbnAS T6E 2M2B.inging th€ best in liv€ J.zz toEdmonton slncc | 973MARCH.APRIT 2OOO Poge 7

ALL SHO\^/S BEGINAT 9PM UNLESS OTHERWISE STATEDv /rl i(raI8 9 KEN)CROFTEUGENEcHADTOU!YERTNEKt2t3 t5 t6 I PJ. PERT',PLAYS INIBUTE TOICHARLIE PARIGI20 22 2tIrlclLwalNEI!ELLENIi.Js27 29 30w[{E,wol{El{ & toNGTEVE IACYROSWEtJ.RUDDQUAiTETt9253t0 l2 t35MOMENTUM' 8lll filhnt & th.tlux Putphtg:m*r*Ep,[!IOCIT HCNOI DIITiNA'IONAL FIT}I FCSIIVALIsr6lhiltfLE t6l7 t9 20 2t ,^ l) 2223^trS1 ctosEDKmroR EASTER24@26 27BIG CTARAMcDANIEL30FRIDAY NIGHTSARENON-SMOKING NIGHTSATTHE SUITE!YARDEIRD SUITE IS A CONCERTVENUE.DurinS th€ show, please ttrin ofi your cell phones and pag€rs.lfyou n€€d to talk - rcmemb€r that other patrons cameto LISTEN to the oerformanc€.