Final Rahilly.qxp - The Wadsworth Atheneum

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European Decorative Arts D u t c h probably Rotterdam Oval Plaque, c. 1700 –1710 Tin-glazed earthenware The Evelyn Bonar Storrs Trust Fund, 2009.4.1 G e r m a n Augsburg and Nuremberg Rock Crystal Goblet, c. 1662–1670 Rock crystal, gilded silver, enamel The Douglas Tracy Smith and Dorothy Potter Smith Fund, and Purchased through the gift of Henry and Walter Keney, 2009.5.1 28 G e r m a n Augsburg and Nuremberg Rock Crystal Goblet, c. 1662–1670 Rock crystal, gilded silver, enamel The Douglas Tracy Smith and Dorothy Potter Smith Fund, and Purchased through the gift of Henry and Walter Keney, 2009.5.1 D u t c h Probably Rotterdam Oval Plaque, c. 1700–1710 Tin-glazed earthenware The Evelyn Bonar Storrs Trust Fund, 2009.4.1 Objects De-accessioned from the Collection American Art M i l t o n A v e r y W i l l i a m G e d n e y B u n c e C h a r l e s B u r c h f i e l d A r t h u r B . D a v i e s R e g i n a l d M a r s h Early-20th century A group of seven (7) watercolors and drawings 1935.468, 1935.470, 1954.163, 1960.129, 1961.159, 1973.71, 1973.73 European Art A u s t r i a n I t a l i a n F l e m i s h F r e n c h G e r m a n S p a n i s h R o m a n 2nd century–early-20th century A group of sixty-nine (69) sculptures by various makers 1900.5, 1900.6, 1900.7, 1910.7, 1910.8, 1917.174, 1917.175, 1917.176, 1917.228, 1917.229, 1917.231, 1917.235, 1917.236, 1917.237, 1917.238, 1917.239, 1917.240, 1920.974, 1920.975, 1920.1008, 1922.123, 1925.789, 1930.185, 1931.366, 1935.261, 1936.450, 1936.451, 1938.194, 1938.195, 1940.659, 1942.321, 1944.335, 1949.122, 1949.124, 1949.125, 1949.176, 1949.177, 1949.178, 1949.179, 1949.182, 1949.212, 1949.226, 1952.396, 1952.397, 1952.450, 1954.197, 1954.198, 1955.341, 1955.359, 1955.360, 1956.619, 1957.200, 1959.10, 1959.87, 1962.439, 1962.440, 1962.442, 1962.604, 1964.158, 1966.63, 1971.52.130, 1971.52.135, 1971.52.138, 1975.168, 1979.260, 1995.24.1, 2002.44.1, 2002.44.2, 2002.44.3 European Decorative Arts C h i n e s e J a p a n e s e K o r e a n V i e t n a m e s e 15th century –early-20th century A group of eighty-six (86) pieces of ceramics by various makers 1905.671, 1908.420, 1918.388, 1918.391, 1918.411, 1918.418, 1918.527, 1918.975, 1919.54, 1920.628, 1920.638, 1920.643, 1920.663, 1920.710, 1920.711, 1920.1171, 1925.412, 1926.2917, 1934.245, 1934.246, 1934.247, 1937.359, 1949.561, 1949.562, 1951.314a, 1951.322, 1951.326, 1951.331, 1951.335, 1953.131, 1953.134, 1956.721a-d, 1957.767, 1959.237, 1959.238, 1959.240, 1959.241, 1961.244, 1961.245, 1961.246, 1961.247, 1961.250, 1961.251, 1961.252, 1961.254, 1961.255, 1961.260, 1961.261, 1961.262, 1961.263, 1961.265, 1961.266, 1961.267, 1961.269, 1961.272, 1961.274, 1961.275, 1961.278, 1961.280, 1961.281, 1965.422, 1965.423, 1965.429, 1967.805, 1967.806, 1969.236, 1969.237, 1978.18, 1978.19, 1978.20, 1978.22a,b, 1978.23, 1978.24, 1978.25, 1978.26, 1927.27, 1927.28, 1978.29, 1978.30, 1978.31, 1978.34, 1978.35, 1978.37, 1978.38, 1978.40, 1978.42 29
M a r t i n P u r y e a r American, b. 1941 Kiruna, 1982 Paint, gesso, and pine The Douglas Tracy Smith and Dorothy Potter Smith Fund, the African-American Art Purchase Fund, and the Alexander A. Goldfarb Contemporary Art Acquisition Fund, 2009.3.1 P E O P L E , D O N O R S & G I F T S at the Wadsworth Atheneum Museum of Art The following pages reflect the names of the numerous individuals, foundations, corporations, and volunteers who have contributed in some way to the museum over this past year. What these lists do not reflect, however, is the full extent of their generosity, care and passion, which make the Wadsworth a thriving and viable institution— accessible to all. The gifts recorded below have enabled the museum to offer free admissions the last Saturday of every month, expand our educational programming, and enhance our collection through new acquisitions. But most importantly—these gifts have ensured that the Wadsworth remains at the forefront of art and culture both in Hartford and beyond. To those listed below and to all of our supporters—named and unnamed— we express our heartfelt gratitude and thanks. O f f i c e r s P r e s i d e n t Susan A. Rottner P a s t P r e s i d e n t Coleman H. Casey V i c e P r e s i d e n t s Cheryl A. Chase David W. Dangremond Tr e a s u r e r Thomas A. McEachin S e c r e t a r y Marjorie E. Morrissey B o a r d o f Tr u s t e e s Thomas J. Anathan Duffield Ashmead, IV Howard L. Carver Coleman H. Casey Cheryl A. Chase David W. Dangremond Vincent J. Dowling, Jr. Michele U. Farley Anita A. Ferrante Barbara L. Flynn Mary C. Fox Laura R. Harris Marcia Kalayjian Robert Kamerschen Christopher Larsen Edward Lewis Jeffrey G. Marsted Henry R. Martin Thomas McEachin Marjorie E. Morrissey Kathleen O’Connor Susan A. Rottner Gualberto Ruaño Hy J. Schwartz Karen Cronin Wheat Linda Cheverton Wick Henry M. Zachs H o n o r a r y Tr u s t e e s Carole P. Bailey John P. Britton Emilie de Brigard Mary G. Dowling Clare Edwards Mary P. Gibbons Helen B. Gray Arnold C. Greenberg Nancy D. Grover Joan J. Kohn James B. Lyon Conrad L. Mallett Stephen B. Middlebrook John Motley Claire M. Pryor Robert H. Smith, Jr. 31
Page 1 and 2: W A D S W O R T H A T H E N E U M M
Page 3 and 4: Susan L. Talbott, Director and CEO
Page 5 and 6: Pop to the Present: New Questions,
Page 7 and 8: September Musicians: The Kenny Reed
Page 9 and 10: Exoticism in Western Couture, Lynne
Page 11 and 12: T h o m a s C o l e American, 1801-
Page 13: C l a e s O l d e n b u r g America
Page 17 and 18: B o a r d o f E l e c t o r s Elect
Page 19 and 20: Herman and Letty Fonteyne Mr. Natha
Page 21 and 22: Table Hosts Duff Ashmead and Eric O
Page 23 and 24: Beverly P. Greenberg Dagmar Gunther
Page 25 and 26: 50 E d u c a t i o n D i v i s i o
Page 27 and 28: F I N A N C I A L R E P O R T the W

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