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Final Rahilly.qxp - The Wadsworth Atheneum

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W i l l e m d e K o o n i n g<br />

American, born in Rotterdam, 1904– 1997<br />

Montauk I, 1969<br />

Oil on canvas<br />

<strong>The</strong> Ella Gallup Sumner and<br />

Mary Catlin Sumner Collection Fund,<br />

1973.46<br />

E X H I B I T I O N S<br />

Faith and Fortune: Five Centuries<br />

of European Masterworks<br />

Through October 18, 2009<br />

Presented by the Beatrice Fox Auerbach<br />

Foundation Fund at the Hartford<br />

Foundation for Public Giving.<br />

Lead Sponsorship provided by the Larsen Fund,<br />

the Decorative Arts Council of the <strong>Wadsworth</strong><br />

<strong>Atheneum</strong> Museum of Art, Genomas, Inc.,<br />

and the David T. Langrock Foundation.<br />

at the <strong>Wadsworth</strong> <strong>Atheneum</strong> Museum of Art<br />

This year’s calendar included focused exhibitions highlighting the <strong>Wadsworth</strong><br />

<strong>Atheneum</strong>’s permanent collection. <strong>The</strong>se exhibitions spanned a wide range of art<br />

history and included works by some of the world’s most celebrated artists.<br />

Director’s Choice: Abstract Expressionism to Color Field Painting featured<br />

masterworks previously unseen for almost a decade, including renowned paintings<br />

by Jackson Pollack, Willem de Kooning and Robert Motherwell.<br />

<strong>The</strong> Ballets Russes: Celebrating the Centennial provided visitors the<br />

opportunity to view costume and set designs from one of the most significant<br />

artistic and cultural movements of the twentieth century—in tandem with world<br />

wide celebrations honoring the 1909 founding of the Ballets Russes.<br />

Those who attended What Lies Beneath: Revealing Painters’ Secrets experienced<br />

the rare chance to look beneath the painted surface and gain deeper<br />

insight into the artistic process of geniuses such as Monet, van Gogh and Renoir.<br />

<strong>The</strong> museum also presented At Home with Gustav Stickley: Arts & Crafts<br />

from the Stephen Gray Collection, which offered a unique opportunity to showcase<br />

Stephen Gray’s distinguished collection of Arts and Crafts furniture by<br />

Gustav Stickley and his designers. This special exhibition also included pictorial<br />

photographs, Edward Curtis photogravures, and Native American baskets<br />

from the <strong>Wadsworth</strong>’s own collection.<br />

<strong>The</strong> Amistad Center for Art & Culture organized three exhibitions that<br />

continued the conversation about race and identity in the context of history and<br />

the present day. <strong>The</strong>se included; Bare Walls, No Boundaries, Young Americans:<br />

Photographs by Sheila Pree Bright, and Lincoln: Man, Myth, and Memory.<br />

Boundless Beauty<br />

Closed September 21, 2008<br />

Pop to the Present:<br />

New Questions, New Responses<br />

Closed November 9, 2008<br />

9

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