Festival Committee - Indonesia Kreatif

08101112192528Friends of JIFFestOpening FilmClosing FilmPremiereWorld CinemaWorld Cinema:DocumentaryA View From The SEA32384044464858S-ExpressInternational ShortsIndonesian FeatureFilm CompetitionJIFFest EventsTicket & MembershipScheduleIndexAll screenings are held inBlitzmegaplex (BLZ) Pacific Placeand Kineforum (KF).Pre-Sale JIFFest Tickets(for screenings in Blitzmegaplex only)• November 18-24 +- Blitzmegaplex Pacific Place, Pacific Place Mal Lt. 6, Jl. Jend. Sudirman Kav.52-53 Jakarta Selatan (Phone (021) 51400800,- Online at www.blitzmegaplex.com (for Blitzcard holders only)Ticket Price:World Cinema, World Cinema Documentary, A View From the SEA:@ IDR 25,000/ticketBlitzcard users can enjoy 10% off of ticket price during pre-sale period only.During Festival(for screenings in Blitzmegaplex)• November 25 - December 4- Blitzmegaplex Pacific Place, Pacific Place Mal Lt. 6, Jl. Jend. Sudirman Kav.52-53 Jakarta Selatan (Phone (021) 51400800,- Online www.blitzmegaplex.com (for Blitzcard holders only)Ticket Price:World Cinema, World Cinema Documentary, A View From the SEA:@ IDR 25,000/ticket. No discount s applicable during this period.(for screenings in Kineforum)• November 27 - December 5- Kineforum, Taman Ismail Marzuki (TIM), Jl. Cikini Raya 73, Jakarta. Phone(021) 3162780.All tickets in Kineforum are available one hour before screening time duringthe festival dates. Donations are required at IDR 10,000/ticket.The program guide is accurate at the moment ofprinting. For changes in screening schedule, JIFFestevents, or other queries, please call JIFFest at (021)31925115, email us at info@jiffest.org, and follow ourTwitter @jiffest.Buku program ini benar saat dicetak. Perubahan jadwalfilm dan acara dapat diketahui dengan menghubungiJIFFest di (021) 31925115 email kami di info@jiffest.org,dan melalui akun Twitter @jiffest.Enjoy special promotions with your JIFFest tickets atparticipating tenants in Pacific Place. Please check ourTicket & Membership page (p. 46) for detailsDapatkan penawaran menarik dengan menunjukkan tiketJIFFest anda di beberapa outlet terpilih di Pacific Place.Informasi lengkap ada di halaman Ticket & Membership(hal. 46).

SPONSORED & SUPPORTED BYEMBASSIES & CULTURAL CENTERSPARTNERS

MEDIA PARTNERSSUPPORTING TENANTS

AcknowledgmentALENIA PICTURES, Nia Sihasale Zulkarnaen, Ari Sihasale, Ade | ALLIANZ, Budi Santosa | Amna Kusumo| Andi Sadha | AREA MAGAZINE, Fauzia Damayanti, Setyorini, Reza Puspo | ASEF + Culture360.org, Valentina Riccardi | ASKRINDO, Merri Gunawan, Hilda Kartikasari, Tias Kristianti | BABI BUTAFILM, Meiske Taurisia | BALINALE, Deborah Gabinetti, Inneke Indriyani | BEOSCOPE, Galih Wismoyo,Purwanto Hasan |BESTIKA SARANA UTAMA, Yozar Wira Bestari, Ika Harini | BINUS INTERNATIONAL,Wenda M, Tito Imana, Ekky Imanjaya, Burhanunddin | BLITZMEGAPLEX, Ananda Siregar, David Hilman,Donnie Chan, Dian Sunardi, Michael Sim, Kenny Santana, Iskandar Liem, Nadia Saraswati, SantiRivai | BLOCKBUZZTER, Benhard Subiakto, Yoris Sebastian, Dilla Amran, Imelda Sagita | CANADIANEMBASSY, Tricia MacDonald, Fajar Harisantoso | CARAT INDONESIA, Alfitrianto Zulnaini, Wirda Haryany| Chand Parwez Servia | CHARLES & KEITH | CHIC, Ika Syifa, Tessa | DAPUR SUNDA | DEMI GISELA CITRASINEMA, Giselawati Wiranegara, Zairin Zain, Deddy Mizwar, Hakim | DEPARTEMEN PERDAGANGAN,Dea Sudarman, Cokorda Dewi, Nani Buntaran, Agus Purwanto, Aryo Pambudi, Theo Sutarto | DERMAPRESCRIPTIVE | DETIK.COM, Yulia Dian, Dyahayu | DEWAN KESENIAN JAKARTA, Firman Ichsan,M.Abduh Azis, Alex Sihar, Noviami Dewi, Cecilia Banowati, Harjuni Rochajati, Anita Dewi Puspita, RantiDradjat | DIREKTORAT JENDERAL BEA DAN CUKAI, Bahaduri Wijayanta, Andi Rosmalina | DIREKTORATPERFILMAN, Ukus Kuswara, Indar | DW-Akademie, Padharaic O’Dochartaigh | FEMINA GROUP, SvidaAlisjahbana, Rifatka Ridwan, Baslir Djamal, Didin Ambardini, Intan Ferisha, Zornia Harisantoso, MyraSuraryo, Petty Fatimah, Rena Tanti | FLICK, Titis Sapto Raharjo, Purwanto Hasan | FRENCH EMBASSY,Frederic Allioid | GADIS, Didin P. Ambardini | GLOBAL RADIO JAKARTA & BANDUNG, Robby Gozal |GNC | GOETHE-INSTITUT, Frank Werner, Lanny Tanulihardja | HAI, Theresia Kusumaningrum | HARDROCK FM, Dinia Widodo, Rizdania Herlendita | Hatoek Subroto | HERS, Andri Parulian, Ade Tyas,Riani Handasari | HIVOS, Felencia Hutabarat | HUBERT BALS FUND, Iwana Chronis | IN STYLE, AmyMerissa, Widya Aryo Damar, Putri Vea D.S | INDIKA FM, Juju Margono | IN-DOCS, Chandra Tanzil, SofiaSetyorini, Mia Indreswari | INVESTORE | Jajang C. Noer | JAPAN FOUNDATION, Kanai Atsushi, MarikoMugitani, Yui Rieko, Nurul Komari, Diana Sahidi Nugroho | Jeremy Segay | JIVE MOVIES, Michael Sim,Trisiska Putri, Mohammad Djafar | John Badalu | JWT, Reza Fitriano, Rasus Subarkah, Fitriyani Afini |KALYANA SHIRA FILM, Constantin Papadimitriou, Nia Dinata | KALYANA SHIRA FOUNDATION, VivianIdris, Sandy Monteiro, Vithatya Moniqa | KINEFORUM, Lisabona Rahman, Amalia Sekarjati, Dimas Hary,Arief Rachmat Haqiki | KLEO | KONFIDEN, Agus Mediarta, Lintang Gitomartoyo | KORAN JAKARTA,Eko Hendri Irawan | LA FLORET | LEMBAGA SENSOR FILM, Mukhlis Paeni, Puji Rahayu | Linda Hoemar|MAXIM, Adam Sriadi, Sari Nurulita, Tati Gobel | METRO TV, Kioen Moe, M. Reza |MILES FILM, RiriRiza, Mira Lesmana, Andanari Yogaswari |MINIKINO, Tintin Wulia, Edo Wulia | Mirwan Andan | MIZANPRODUCTIONS, Haidar Baqir, Putut Widjanarko, Gangsar Sukrisno, Avesina Soebli, Benni Setiawan,Aditya Gumau, Adenin Adlan, Ani Ema Susanti | MORE, Naomi Juliandary, Miranty | MULTIVISIONPICTURES, Irwansyah, Aris Muda |NARRADA, Rico J. Sihak, Romanus Sumaryo, Mike Oktalina, Adi S.Noegroho, Ilya Alexander Surapati, Dyah Larung Sekar | NETHERLANDS EMBASSY + ERASMUS HUIS,Paul Peters, Bob Wardhana | NOKIA INDONESIA, Ari Fadyl, Triari Senawirawan | NORWEGIAN EMBASSY,Herborg Fiskaa Alfsaker, Heidi Tofteberg, Lily Maramis | NOW JAKARTA, Dyah Mustika Wati, Alistair G.Speirs | O CHANNEL, Olivia Susanti, Titi Aisyah | Orlow Seunke | OUCH, Otriana Permatasari, MuhajirEsya Putra | OZ GROUP, Rudi Cahyadi | PACIFIC PLACE, Markus Barata, Renee Tang, Jane Hugeng,Nasya Marissa, Belinda Luis | PAN O | PANORAMA | Penny Purnawaty | PIC [K] LOCK PRODUCTIONS,Sabrang Mowo Damar Panuluh, Dewi Umaya Rachman, Lola Amaria, Titien Wattimena |PREMIO, WineKriswandini | Prima Rusdi | PUTERA SAMPOERNA FOUNDATION, Nenny Soemawinata, Alda F. Siregar,Muntohar, Dino V. Prayoga | Raam Punjabi | Ranjana Singh | Ricky Pesik | Ronny P. Tjandra |RUMAHFILM, Hikmat Darmawan, Krisnadi Yuliawan, Ifan Ardiansyah | Sari D. Mochtan | SERUNYA SCRIPTWRINGWORKSHOP, Perdana Kartawiyudha | S-EXPRESS | Sheila Timothy | SIMMONS | SINAR HARAPAN,Olivia Sinaga | Switzerland Embassy, Melinda Djohansjah | THEBROTHERSMO, Timo Tjahjanto, KimoStamboel, Delon Tio, Fredie Yeo, James Toh, Greg Chew | Thomas Chia | TNT, Nurhayati Sukanda,Barbara Sinay, Arief Sanusa, M. Adriansyah | TOTAL FILM, Jonathan Lesmana | TRAX FM, Denny J.Sompie, Karina Soegarda | TURKISH EMBASSY, Yunus Emre Kocak | U FM | URBANESIA, Lydia Novi |VIDEOEZY, Linda Teresia | WUNDERMAN, Miranti Daniar, Rahadian Agung | Yayasan TIFA, R. Kristiawan,Renata Arianingtyas | Yohana WidjayaSpecial Note7

Friends of JiFFestFriends of JIFFestOn October 14, 2010, JIFFest held a press conference in Galeri Cipta 3, Taman Ismail Marzuki (TIM), Jakarta.The press conference was held to declare that the festival is at the danger of being cancelled indefinitely due to thelack of substantial funding.Around 100 people from media and film industry showed up to support JIFFest. In addition, Facebook and Twitterusers had showed their support by adding the hash-tag of #SaveJIFFest prior to the press conference, and thiscontinued for days and weeks afterwards.Everybody was shocked to learn that JIFFest, the first and foremost international film festivals in Indonesia, was onthe edge of being gone for good. The festival not only launched careers of several prominent Indonesian filmmakers,but also has opened up and expanded knowledge of local filmgoers on the world of film beyond mainstreamoffering in local cinema.Everybody shared their good memories on JIFFest for the past 11 years. Some are good, some filled with laughter,but all the recollection gave assurance that JIFFest has become one of a very few precious elements that makesJakarta worth living.A public donation drive was launched following the press conference. Everyone can make their donations to :Yayasan Masyarakat Mandiri Film Indonesiaaccount no. 7420030091BCA Percetakan NegaraYayasan Masyarakat Mandiri Film Indonesiaaccount no. 122-000-565035-6Bank Mandiri Teuku Cik DitiroThe donation helps to ensure that the festival will be running in years to come. This is the reason why we want tocontinue the donation without any time limits.On the following page, you can see the names of donors who have made their contribution as of November 10, 2010.We humbly thank you all for making JIFFest this year, and many years to come, happen.You are indeed FRIENDS OF JIFFEST.Sahabat JiFFestPada tanggal 14 Oktober 2010, JIFFest mengadakan konferensi pers di Galeri Cipta 3, Taman Ismail Marzuki (TIM),Jakarta.Konferensi pers ini diadakan untuk mengumumkan bahwa festival film ini terancam batal diselenggarakan karenakurangnya dana yang dibutuhkan.Sekitar 100 orang dari media dan para pelaku industri film hadir untuk memberikan dukungan mereka untuk JIFFest.Bahkan sebelum konferensi pers ini digelar, para pengguna Facebook dan Twitter telah menunjukkan dukunganmereka dengan menggunakan tanda pagar #SaveJIFFest, dan hal ini terus berlanjut sampai hari-hari berikutnya.Semua orang terkejut mendengar bahwa JIFFest, festival film internasional pertama di Indonesia, terancam bataluntuk selamanya. Festival ini tidak hanya membantu meluncurkan karir bagi beberapa pembuat film ternamaIndonesia, tapi juga telah membuka pengetahuan para pecinta film Indonesia tentang film-film bermutu di luar apayang ditayangkan oleh bioskop lokal.Teman-teman sempat berbagi kenangan tentang JIFFest selama 11 tahun terakhir. Kenangan manis yang penuhdengan tawa dan air mata, semuanya meyakinkan kami bahwa JIFFest telah menjadi salah satu elemen penting yangmembuat kota Jakarta ini nyaman untuk ditinggali.Sebuah gerakan pengumpulan donasi diluncurkan bersama dengan konferensi pers tersebut. Semua orang dapatmengirimkan donasi ke:Yayasan Masyarakat Mandiri Film IndonesiaNo. Rek. 7420030091BCA cabang Percetakan NegaraYayasan Masyarakat Mandiri Film IndonesiaNo. Rek. 122-000-565035-6Bank Mandiri cabang Teuku Cik DitiroDonasi tersebut meyakinkan kami bahwa festival ini dapat terus berjalan di masa depan. Hal inilah yang membuatkami akan terus membuka kesempatan bagi yang ingin mendukung tanpa ada batasan waktu.Di halaman berikut, teman-teman dapat melihat nama-nama para donatur kami yang telah memberikankontribusinya sampai tanggal 10 November 2010.Dari lubuk hati yang paling dalam, kami ucapkan terima kasih untuk semua yang telah memungkinkan JIFFestterselenggara tahun ini dan di tahun-tahun berikutnya.Kami bangga memiliki SAHABAT JIFFEST seperti kalian.

Friends of JiFFestAde CandraAditya Imannudin S.Aditya NovriansyahAli MensanAli Satri Efendi B.Amalia SekarjatiAmanda MarahiminAmelia DevinaAmerta KusumaAndreas Novendi P.Anis SuryoAriani DarmawanAstu PrasidyaAti AmanatyAulia KhairinaAyu RirisAyumurti BulandiniBambang Heru SulaksonoBeby AprilianaBernardin Andara F.Bestika Sarana UtamaBobby BataraChandra RatnawatiDaniel GiovaniDeassy ApriliaDesiana SariDewi HandayaniDwi IndartyEkky ImanjayaEko Prio HCEric LiunardusErika Haryanti P.Erry GunarsoErry Noertjahjo W.Erwin Indrawan H.Evita SasantiniFarahFarishad Ibrahim L.Febriando SulgaFellexandro Ruby H.Ferdinand ZebuaFerdyan NugrohoFina KhairatyFitrah RhomadhaniaGenta Gantina H.Glory EkasariGrace WanggeGregorius RonaldoHaffez AliHandoko AndiHatoek SubrotoHazmi Hermaini I.Hendarsetiani IstiHendriati TrianitaHerita EndrianaHeriyadi JanwarHijah Sahara Nur S.I Komang Hardi W.Ignatius Andy A.Illiana WijanarkoInggita S NotosusantoInong ArmynIrwan WijayaIta AlyanaIte Iren & Irma KusumaIwan Yulianto HIyan Hendrik SusanJive CollectionJohn Badalu M.Jurist TanKartika RSR PanggabeanKaryanto WirosuharKeluarga RahmanKevin Reinaldo A.LauraLenny MeilinawatiLidia TanodLinda WarniLisabona Z. RahmanLucky Man KuswandiLynda IrawatiMaeraMahasiswa Advertising UI 2008Margaret Rose A.Maria Agustin T.Maria Christina S.Maria Naziyah M.MarkusMaryjane Kathlyn AMeilani SutjiadjiMeliana GunawanMelindaMichael RatnadwijantiMiLes ProductionMitra LabMoh. HartantyoMohammad FarhanMona Sylvia Raja G.Natasha HotnidaNayla MajestyaNicko SilfidoNirwan A ArsukaNovita Dyah UtamiNur AinunNurmalia NilamsariOlin Monteiro & Lulu RatnaOlivia SulistioOngston BheartoOni SuryamanOsman WijayaPaladin AnsharullaPark So HyunPitta Sekar WangiPrasetyo Nomo S.PrasydiantoPratiwi WeyantiPratiwo SardjunoPriscillaPT. Lifelike PicturesPutri Iva IzzatiPutri Laksmi M.Putri Prima P.Putut WidjanarkoR Galuh KesumanjatiRaden Rangga A.Rahabi MandraRahayu SaidRamondo GaskaroReny WulansariRetno Dwi RahayuRicky Joseph PesikRicky PolimRiezma Gees I.Rista FauziahRitvima DefintaRizal IwanRobert RonnyRohayaRosliwaty MarbunRoy LiandoRudy SoedjarwoSakinahSakti Salulinggi PSalman AristoSantosaSasmito Adi S.Sastha Sunu W.Satrio Nindyo I.Shanti NurfiantiShanti Widiyanti H.Sigit NugrohoSiska Cresenda H.Sri HartiniStarvision PlusStephanus SulaimanSusanSuyadi Novianda A.Syafitri PusparaniTaveshalaTim GigglingTino SaroengalloTriatman MM IRTuhu Nugraha DewanTuti KiranaVashti, Danny & ViggoVeronica KusumaryaVictoria DelaniVidya PravitasariWahyu AdityaWanda Dianita S.William WiriawanXandega TahajuansyahYani RihastiYoga PrakasaYulius IndraYulyanti HertessaYuska Roly VonitaYuwantoZaki MuzakirZulynda Ibrahim

Opening FilmOpening Film10Waiting for “Superman”Dir.: Davis GuggenheimUSA. 2010. 111 min. Documentary/Education. Color. 35 mm. English.NOV 25 / BLZ 1 / 19:00 (by invitation only) • NOV 25 / BLZ 1 / 21:30 (by invitation only) •NOV 27 / BLZ 7 / 16:45 • NOV 30 / BLZ 7 / 16:45For a nation that proudly declared it would leave no child behind, America continues to do so at alarming rates. Despiteincreased spending and politicians’ promises, America’s public-education system, once the best in the world, is now fallingand failing the nation’s children.Filmmaker Davis Guggenheim reminds us that education has names: Anthony, Francisco, Bianca, Daisy, and Emily, fivechildren who deserve better education and whose stories make up the engrossing foundation of the film. As he follows ahandful of promising kids through a system that inhibits, rather than encourages, academic growth, Guggenheim undertakesan exhaustive review of public education, surveying “drop-out factories” and “academic sinkholes,” methodically dissectingthe system and its seemingly intractable problems.Untuk sebuah negara yang berikrar tidak akan membiarkan anak-anak terlantar, sistem pendidikan di Amerika Serikat, yangpernah menjadi yang terbaik di dunia, sekarang malah di ambang kehancuran dan menghancurkan masa depan anak-anak.Sutradara Davis Guggenheim mengingatkan kita bahwa pendidikan mempunyai nama pada Anthony, Francisco, Bianca, Daisydan Emily, lima anak yang layak mendapatkan pendidikan lebih baik. Cerita kelima anak ini membuka mata sutradara dan kitasemua tentang berbagai masalah yang ada di sistem pendidikan Amerika Serikat sekarang ini.Davis Guggenheim is widely known as an award-winning documentary filmmaker. The groundbreaking AN INCONVENIENTTRUTH (screened in JIFFest 2006) won Best Documentary Feature in Academy Awards, and IT MIGHT GET LOUD (2008) wasdeclared as “insightful and musically satisfying” by influential website RottenTomatoes.com. The two documentaries, alongwith WAITING FOR “SUPERMAN”, are ranked within the top 100 highest-grossing documentaries of all time.Note: Audience Award for Documentary, Sundance Film Festival, 2010.The film is jointly presented by JIFFest and Putera Sampoerna Foundation.

Closing FilmClosing Film11BiutifulDir.: Alejandro González IñárrituSpain/Mexico. 2010. 147 min. Drama. Color. 35 mm. English/Spanish (with English subtitles).DEC 5 / BLZ 1 / 19:00 (by invitation only) • DEC 5 / BLZ 1 / 21:30 (by invitation only)This is a story of a man in free fall, Uxbal (Javier Bardem). An underworld figure in the margins of Barcelona, Uxbal is also afather, lover, friend, and seeker of the afterlife. These roles provide him the means to find redemption and reconciliation as hesenses his own death draws near.Film ini adalah cerita tentang Uxbal (Javier Bardem). Selain melakukan bisnis perdagangan gelap di Barcelona, Uxbal jugaseorang ayah, kekasih, teman dan penyuka hal-hal mistis. Semua ini memberikan jalan panjang bagi Uxbal untuk mendapatkanpengampunan dan kedamaian karena Uxbal sudah merasa bahwa kematiannya semakin dekat.BIUTIFUL is Alejandro González Iñárritu ‘s first directorial feature since BABEL (Opening Film, JIFFest 2006), and his first film inhis native Spanish since his debut feature AMORES PERROS (JIFFest 2001).Best Actor for Javier Bardem, Cannes 2010. Mexico’s Official Submission for Best Foreign Language category, 83rd AcademyAwards 2011.(France)Note: The film will be released exclusively in Blitzmegaplex.

Special Premiere12Special PremiereDEC 5 / IIC / 19:30 • DEC 7 / IIC / 17:00BelkibolangNOV 27 / BLZ 7 / 19:15 (by invitation only)S-Express (Philippines)(FREE Screening)Indonesia. 2010. Short Compilations. Digital. Total screening time: 87 min. Colors. Indonesian withEnglish subtitle.Nine nights knit together, stories of relationship, belief and thrills in Jakarta.Sembilan malam bercerita tentang cinta, hubungan, kepercayaan dan adrenalin di kota Jakarta.UmbrellaDir.: Agung SentausaWahyu is a typical working class man, with tired look. That nightrain pours heavily, adds up his hatred to the city, his life and himself.His meeting with Fitri turns the cold night into warm.Wahyu tampak lelah, ia adalah seorang pekerja kebanyakan.Malam itu hujan turun dengan derasnya, menambahkebenciannya pada kota tempat tinggalnya, kehidupannya dandirinya sendiri.Pertemuannya dengan Fitri, merubah malam menjadi hangat.Chit ChatDir.: Ifa IsfansyahA long conversation between Omen, a chef, and Nuri, hisneighbour. A conversation about relationship, choices andmotherhood. A conversation without a beginning nor an end.Sebuah percakapan panjang antar Omen, seorang koki, danNuri, tetangganya. Sebuah pembicaraan tentang hubungan,pilihan dan rasa keibuan. Percakapan tak berawal maupun akhir.MamaliaDir.: Tumpal TampubolonWati looks for an ojek (motorcycle tranportation). She hops inat Maman’s motorcycle and together they looks for an address.Until she ask Maman to stop because something gets into hereyes. She steps down and clean her eyes. Maman thrills.And the rest of the night belongs to Wati.Wati sedang mencari ojek, waktu maman menghampirinya.Akhirnya mereka sepakat dan mencari sebuah alamat bersama.Hingga mata Wati kelilipan dan ojek pun berhenti. Mamankesenangan dan malam itu menjadi milik Wati.Planet ElephantDir.: Rico MarpaungA fortune teller foresees, number 25 and 2010. Nathan sees itas a game, instead for Milli is a sign. Tonight is Nathan’s 25thbirthday and the year is 2010, and Milli is not ready to loseNathan. Finally, they meet to separate in the name of game.Sebuah ramalan menunjukkan angka 25 dan 2010. UntukNathan adalah sebuah permainan sedangkan untuk Mili adalahsebuah tanda-tanda.Malam ini adalah ulang tahun nathan ke 25 di tahun 2010, danMili tidak siap kehilangan Nathan.

Special PremiereDEC 5 / IIC / 14:30 • DEC 8 / IIC / 19:30S-Express (Malaysia)(FREE Screening)GeckoDir.:Anggun PriambodoPeronDir.: Azhar LubisEllaDir.: Wisnu Surya PratamaSpecial Premiere13A regular night, with a soap drama seriesplay on the TV. The room is cold by airconditioner. Edwin is busy working with hislaptop, while his wife is sleeping tightly.Suddenly, the electricity puts off. It’s darkand the room starts to heat. His wife sleepsstill and Edwin doesn’t know what todo. He listens and enjoys noises from hisneighbours making love.Sound of gecko interrupts him. Soon, thenight turns into an unusual night.Malam-malam biasa dengan tayangansinetron di TV. Edwin sibuk bekerjadikamarnya yang dingin, sementara istrinyatidur dengan lelap. Tiba-tiba, listrik mati.Rumah mereka digilir PLN malam ini.Kini kamar menjadi gelap, panas, danterisi suara-suara tetangga, dan Edwinmenikmatinya, hingga sebuah suaramenganggu kesenangan barunya.James always takes train to go backhome. He never listens to any soundsexcept his ipod and always busy with hisimaginations of girls at the train station.One day, his ipod broke downs.In front of him, sits a girl who is enjoyingthe loud and noisy sound in the station.That night, James listens to something thathe never hears before.James selalu pulang naik KRL setiap hariditemani ipodnya. Malam itu, ipodnya rusak.Dan dia menemukan suara-suara istimewayang jarang ia dengarkan.Tonite is the last day of moslem’ fastingmonth.Ella is a hooker from Surabaya who lives inJakarta. She befriends with Pak Gendut, agrilled duck seller from Madura, and sharehis food stall as her pick up place.That dusk, she returns home as a good girl.However, even a good girl is never perfect,especially Ella.Malam ini adalah malam terakhir di bulanpuasa. Ella seorang pelacur dari Surabayadan selalu berjualan di warung bebekMadura milik Pak Gendut.Subuh itu, Ella pulang kampung sebagaianak yang patuh, walaupun tidaksempurna.Roller CoasterDir.: EdwinFull MoonDir.: Sidi SalehOn a lazy day in Jakarta, a boy and a girl decide to seek somethrills. They have been friends for the longest time but havenever seen each other fully naked.Today this will change.They go to a seedy motel with no lobby, where cars drive up toa window to check in. Both are giddy with anticipation!When they finally start, it is intense and exciting, but beforethey know it, the moment is over.Sepasang sahabat, laki-laki dan perempuan berniat mencaritantangan. Mereka telah bersahabat sekian lama, tahusegalanya tapi tidak pernah melihat ketelanjangan masingmasing.Mereka sangat tegang, dan tanpa mereka sadari waktu telahberakhir.Premiere film ini didukung oleh Kementerian Perdagangan RIBobi is a cab driver who takes his wife for a ride on New Year’seve, not to celeberate but to express his long deppest will.Isna is the taxi driver’s wife, comes along with his husband andlooks for New year’s celebration.However, in a joyful celebration then she hears her husbandlong deepest will. Instead, she chooses to bury it deeply.Full moon keeps silence on New Year’s eve.Bobi seorang supir taksi dan isna istrinya, berjalan-jalan padamalam tahun baru. Bobi ingin mengutarakan keinginnya yangterpendam sedangkan Isna ingin merayakan keriaan tahun baru.Dalam kegembiraan, Isna mendengar keinginan suaminya. Bulanpurnama terdiam merayakan tahun baru.

Special PremiereSpecial Premiere14Diujung JalanDir.: Tony TrimarsantoIndonesia. 2010. Documentary. 75 minutes. Color. Digital. Indonesian (with English subtitles).DEC 2 / BLZ 7 / 16:30 (by invitation only)A story of the families in Flores who lost their family members who were working in Malaysia. Being a migrant worker iscommon in Flores, as common as their suffering because of violence, death, even forces to change their names, all done inthe name of money. Noel, Santi and Epen are three children whose parents are still working in Malaysia. When Easter comes,they are waiting for their parents to come home, because Easter is the time for the Larantukas who work abroad to comehome and be together again, in such a rare time, with their families.Kisah tentang keluarga-keluarga yang kehilangan saudara, suami, istri, anak yang merantau di Malaysia. Menjadi buruh migransudah mentradisi di wilayah Flores. Namun kekerasan, penganiayaan, kematian, bahkan penggantian nama demi uang, harusmereka lakukan. Noel, Santi dan Epen, tiga orang anak yang merindukan kedatangan orangtuanya yang menjadi buruh migran diMalaysia, pada sebuah perayaan Paskah. Noel, Santi dan Epen terus menunggu, karena perayaan Paskah adalah momen mudikbagi masyarakat di Larantuka untuk saling bertemu, berkumpul dan melepas kerinduan.Tonny Trimarsanto is a graduate of the Jakarta Arts Institute. Since beginning his career he has made more than 20documentary films. His film GERABAH PLASTIK (2002) won the prize for Best Film at the 2002 Indonesian Doc Film Festival.His film DREAM LAND won the the Prize for Excellence at the Twelfth Earth Vision, Global Environment Documentary FilmFestival in Tokyo in 2004 and was also awarded ‘Competition Selection’ at the Green Film Festival in Seoul, Korea in 2004. Hiscollaborative effort in feature-length documentary SERAMBI was screened in JIFFest 2006.Premiere film ini didukung oleh Kementerian Perdagangan RI

Special PremiereSpecial Premiere15HipHopDiningratDir.: Muhammad Marzuki and Chandra HutagaolIndonesia. 2010. Documentary. 65 minutes. Color. Digital. Indonesian (with English subtitles).NOV 28 / BLZ 7 / 19:15 (by invitation only)This is a unique story about hip-hop culture from Yogyakarta, where urban culture meets Javanese tradition to createa contemporary work. A travelogue piece made by founders of Jogja Hip Hop Foundation, Moh Marzuki / Kill The DJ /Chebolang, from 2003 to 2009, we get to see the true spirit of Javanese in accepting new culture and blend it with their rootsto make a new and accessible work of art.Inilah sebuah cerita unik tentang kultur hip hop dari kota Jogja, dimana kebudayaan urban bertemu dengan tradisi Jawa untukmenciptakan produk kesenian kontemporer. Rangkuman perjalanan yang disusun sendiri oleh pendiri Jogja Hip Hop Foundation,Moh Marzuki / Kill The DJ / Chebolang, dari tahun 2003 sampai 2009, film ini memperlihatkan gambaran jelas tentang mentalitasaseli orang Jawa dengan semangat sinkretisme-nya; keterbukaan untuk menerima semua hal yang datang dari luar tradisinya,kemudian dicampurkan dengan akar kebudayaan dantradisi mereka.Muhammad Marzuki was born in Klaten, Central Java, and is a self-taught musician who delved into hip-hop in 1991, laterestablishing the Jogja Hip-Hop Foundation in 2003. Chandra Hutagaol edited documentary MENGGELAR INDONESIA (2010)by Jennifer Lindsay.Premiere film ini didukung oleh Kementerian Perdagangan RI

Special PremiereSpecial Premiere16Jakarta Maghrib (Jakarta Twilight)Dir.: Salman AristoIndonesia. 2010. Drama/Comedy. 75 minutes. Color. Digital. Indonesian (with English subtitles).DEC 4 / BLZ 7 / 19:15 (by invitation only)This is an effort to capture the contemplating big city. The time of Maghrib is the borderline of all relationships, and thatis the thread that binds all 6 stories in the film. A married couple (Indra Birowo & Widi Mulia) want to make love in IMANCUMA INGIN NUR, while a thug and a mosque’s caretaker (Asrul Dahlan & Sjafrial Arifin) have an interesting juxtaposition inADZAN. In the meantime, residents of a housing complex (Lukman Sardi, Ringgo Agus Rahman, Dedi Mahendra Desta, FannyFabriana, Lilis) meet for the first time while waiting for their favourite food seller in MENUNGGU AKI. A couple (Reza Rahadian& Adinia Wirasti) are busy looking for a shortcut in JALAN PINTAS, and a little boy (Aldo Tansani) is scared to death in CERITASI IVAN. Finally, all characters eventually meet in BA’DA.Jakarta Maghrib adalah sebuah usaha untuk menangkap suasana metropolitan saat sedang menuju kontemplasinya. Semuahubungan manusia menemui ambang batasnya di waktu Maghrib, itulah benang merah dari 6 cerita yang ada. Sepasang suamiistri yang ingin bercinta (Indra Birowo & Widi Mulia) dalam IMAN CUMA INGIN NUR, seorang preman dan penjaga musholla (AsrulDahlan & Sjafrial Arifin) dalam ADZAN, penghuni kompleks perumahan (Lukman Sardi, Ringgo Agus Rahman, Dedi MahendraDesta, Fanny Fabriana, Lilis) yang menunggu tukang nasi goreng langganan mereka dalam MENUNGGU AKI, sepasang kekasih(Reza Rahadian & Adinia Wirasti) yang mencari jalan pintas dalam JALAN PINTAS, anak kecil yang ketakutan (Aldo Tansani) dalamCERITA SI IVAN, dan pertemuan dari semua tokoh tersebut dalam BA’DA.Salman Aristo won Best Script in JIFFest Script Development Competition in 2006, the competition that saw him in tutor’sposition three years later. A productive writer, he wrote two biggest Indonesian box office hits of all-time, Ayat-Ayat Cinta(Verses of Love) and Laskar Pelangi (The Rainbow Troops). JAKARTA MAGHRIB is his directorial debut.Premiere film ini didukung oleh Kementerian Perdagangan RI

Special PremiereSpecial Premiere17KickStart! – PaluIndonesia. 2010. Documentary. Total screening time: 75 minutes. Color. Digital. Indonesian (with English subtitles).NOV 29 / BLZ 7 / 16:45 (by invitation only)In-Docs (Indonesian Documentaries), a documentary organization that conducts documentary filmmaking and distributeslocal documentary films, put together four films made by first time filmmakers from Palu, Central Sulawesi.In SERUPA TAPI TAK SAMA (15’), director Dewi Yanti observes the struggle of Yuliana raising her daughter, Yana, who suffersfrom down syndrome. In TADULAKO MILD (15’), director Nur Soima Ulfa presents a case of a cigarette company re-brands acollege. In SENANDUNG IKAN BARU (25’), directors Nurhuda and Wahdania compare the lives of two young boys who sell fishfor living: one still goes to school, the other is forced not to. In MENAMBANG DI PIRING PETANI (20’), director Syafaat Ladanushows how farmers in one village are united together to fight against big mining company.In-Docs (Indonesian Documentaries) mempersembahkan empat film dokumenter karya sutradara pemula dari Palu, SulawesiTengah.Di cerita SERUPA TAPI TAK SAMA (15 menit), Dewi Yanti menghadirkan kisah ibu Yuliana membesarkan putrinya, Yana, yangmenderita penyakit down syndrown. Sementara itu, Nur Soima Ulfa memperlihatkan bagaimana sebuah perusahaan rokokmengubah tampilan kampus di TADULAKO MILD (15 menit). Dua sutradara, Nurhuda dan Wahdania, membandingkan nasib duaanak penjual ikan dengan pendidikan mereka pada kisah SENANDUNG IKAN BARU (25 menit). Terakhir, di cerita MENAMBANG DIPIRING PETANI (20 menit), sutradara Syafaat Ladanu memperlihatkan perjuangan sekelompok petani agar sawah mereka tidakditambang oleh perusahaan yang telah mendapat izin dari pemerintah.Premiere film ini didukung oleh Kementerian Perdagangan RI

Special PremiereSpecial Premiere18Working Girls(Perempuan Pencari Nafkah)Dir.: Sammaria Simanjuntak & Sally Anom Sari, Yosep Anggi Noen, Nitta Nazyra C. Noer &Daud SumolangIndonesia. 2010. Omnibus Documentary. 123 minutes. Color. Digital. Indonesian (with English subtitles).DEC 1 / BLZ 7 / 19:15 (by invitation only)The omnibus documentary gives us the lives of exemplary women who contribute significant changes to their society. In 5MINUTES TO FAME AH AH AH, directors Sammaria & Sally bring us to Ayu Riana, 14 year-old girl who, after winning a dangdutcontest in national TV, has to become a breadwinner for her whole family. In WINDLESS RHAPSODY, director Yosep gives us aportrait of women who have given their lives to performing arts while still having to make ends meet. In ULFIE GOES HOME,directors Nitta and Daud follow the journey of Ulfie, a transvestite from Aceh who, upon returning home, finds out thatpeople in her hometown has little idea about HIV/AIDS. Against all odds, Ulfie and her fellows in the film give us remarkablestories on their hardship to bring better lives for others.Tiga film dokumenter pendek ini mengangkat kisah perempuan-perempuan yang membawa perubahan di lingkunganmereka. Dalam 5 MENIT LAGI AH AH AH, sutrada Sammaria & Sally membawa kita pada Ayu Riana, yang pada usia 14 tahunsudah memenangkan kontes idola dangdut di TV nasional, sekaligus menjadi tulang punggung keluarga. Di ASAL TAK ADAANGIN, sutradara Yosep menampilkan para perempuan yang setia pada profesi mereka di pertunjukan ketoprak. Sementara diULFIE PULANG KAMPUNG, sutradara Nitta & Daud mengikuti perjalanan Ulfie, waria asal Aceh yang berusaha membuat wargakampungnya mengerti bahaya HIV/AIDS. Meskipun dihadang berbagai kesulitan, Ulfie dan semua perempuan dalam film iniberusaha untuk bertahan hidup sambil terus bertekad membawa kebaikan bagi lingkungan sekitar mereka.Sammaria Simanjuntak & Sally Anom Sari won Best Original Screenplay in Festival Film Indonesia for their debut work in “cin(T)a”,which also won Audience Award in JIFFest 2009. Yosep Anggi Noen received a scholarship from Asian Film Academy in Pusan in 2007,and his short film It’s Not Raining Outside has been traveling to worldwide film festivals. Nitta Nazyra C. Noer graduated from FilmDirecting Studies, Jakarta Arts Institute, in 1999, & Daud Sumolang scripted Dajang Soembi that was screened in Museum of ModernArt (MoMA). WORKING GIRLS is their debut in feature-length documentary.Premiere film ini didukung oleh Kementerian Perdagangan RI

World CinemaWorld Cinema19For 80 Days (80 egunean)Dir.: Jon Garaño & José María GoenagaSpain. 2010. 104 min. Drama. Color. Digital. Basque (withEnglish subtitles).NOV 29 / KF / 17:00 • DEC 5 / KF / 14:15In this moving drama, we see two women, Axun and Maite,who have not seen each other for more than fifty years. Fatebrings them together when they take care of their respectiverelatives at a hospital. The differences in their present livesbring them closer than before, as now they revisit feelingsthat once flourish between them in the past.Dalam drama yang menyentuh ini, kita melihat duaperempuan, Axun dan Maite, yang sudah tidak bertemuselama lebih dari 50 tahun. Takdir menemukan mereka lagisaat mereka harus mengurus keluarga mereka yang sakit disebuah rumah sakit. Perbedaan yang ada di kehidupan duaperempuan ini malah menjadikan mereka semakin dekat,terutama saat mereka mengurai lagi kisah manis yang pernahterjadi di antara mereka di masa lalu.Jon Garaño & José María Goenaga previously directed manyaward-winning short and feature length documentaryand animation films. Directing from their own script, 80EGUNEAN is their first foray into dramatic feature.The VIth City of San Sebastián Film Commission Award, SanSebastian International Film Festival, 2010.Asleep In The Sun(Dormir al Sol)Dir.: Alejandro ChomskiArgentina. 2010. 83 min. Drama. Color. Digital. Spanish (withEnglish subtitles).NOV 27 / KF / 14:15 • DEC 4 / KF / 17:00The film is anything but ordinary. The following synopsismay easily fool us: Lucio is forced to commit his depressedwife to mental institution. Much to his surprise, she returnssoon after, seemingly completely healed. But somethingseems different to Lucio and he’ll go to any lengths to findout what happened to his wife. As we follow Lucio’s journey,we enter the world where reality is not as simple as what weperceive in the eyes.Sebuah film yang tidak biasa. Sinopsis yang kami tawarkanmalah mungkin menipu anda: Lucio terpaksa memasukkanistrinya yang depresi ke rumah sakit jiwa. Tak lama kemudian,istri Lucio sudah kembali pulang, dan terlihat sudah sembuh.Namun ada hal aneh yang Lucio lihat pada istrinya. Luciomelakukan segala cara untuk mengetahui apa yang terjadipada istrinya, dan bersama dengan Lucio, kita melihat sebuahdunia yang tidak semudah apa yang kita lihat dengan matakita sendiri.Alejandro Chomski is the subject of a documentary WHOIS ALEJANDRO CHOMSKI? (2002), although as a directorhimself, he has made award-winning debut TODAY &TOMORROW (2003), and a dance film FEEL THE NOISE (2007,produced by Jennifer Lopez).

World CinemaWorld Cinema20Turk’s Head (Tête de turc)Dir.: Pascal ElbéFrance. 2010. 87 min. Drama/Crime. Color. 35 mm. French(with English subtitles).Honey (Bal)Dir.: Semih KaplanoğluTurkey/Germany. 2010. 103 min. Drama. Color. 35 mm.Turkish (with English subtitles).DEC 2 / BLZ 7 / 19:15 • DEC 3 / BLZ 6 / 22:00A 14 year old boy, an ER doctor, a cop looking for revenge,a mother fighting for her children and a man distraught bythe death of his wife see their destinies come together. Asthe doctor spends several days in a coma, events keep onhappening amidst Marseille’s immigrant suburbs and all willbe swept by the shock waves.Seorang remaja berusia 14 tahun, seorang dokter bagian gawatdarurat, seorang polisi yang menyimpan dendam, seorang ibuyang berjuang untuk anaknya dan seorang laki-laki yang putusasa karena istrinya meninggal. Semua cerita ini terjalin dalamsatu benang merah yang mempertemukan mereka. Saat sangdokter berada dalam keadaan koma, semua kejadian tersebutberjalan dan semuanya akan dikejutkan di akhir film yangmenegangkan ini.The critically acclaimed TURK’S HEAD was inspired by thereal-life incident in 2006 in Marseille where a group ofimpoverished teenager torched a bus, severely burning afemale passenger.The film marks the directorial debut of actor/screenwriterPascal Elbé.NOV 27 / BLZ 7 / 21:45Six-year old Yusuf has just started school, where he learnsto read and write. His father, Yakup, a beekeeper, regularlygoes into the forest to hang the beehives from the tallesttrees. The mountainous forest is packed with mysteries forYusuf, who loves accompanying his father. One day the beesdisappear. Yakup decides to make his way into the forest tofind out what has happened. A bizarre event awaits.Yusuf, bocah berumur 6 tahun, baru saja mulai sekolah.Ayahnya, Yakup, petani madu, sering pergi ke hutan untukmenggantungkan sarang lebah ke pohon-pohon yang tinggi.Keindahan alam di hutan memikat hati Yusuf yang seringmenemani ayahnya. Suatu hari, lebah-lebah ini menghilang.Yakup memutuskan untuk mencari tahu apa yang terjadi dihutan. Sebuah kejadian aneh ternyata menunggu mereka.HONEY is the last part of Kaplanoğlu’s autobiographical“Yusuf Trilogy”, named after the central character, precededby EGG (Yumurta, 2007, screened in JIFFest 2008) and MILK(Süt, 2008). The trilogy runs in reverse chronological order,and HONEY explores Yusuf’s early childhood.Golden Berlin Bear for Best Film, Berlin International FilmFestival, 2010. Turkey’s Official Submission for Best ForeignLanguage category, 83rd Academy Awards, 2011.

World CinemaIncendiesDir.: Denis VilleneuveCanada. 2010. 130 min. Drama. Color.35 mm. French/Arabic (with Englishsubtitles).DEC 3 / BLZ 7 / 16:30 •DEC 4 / BLZ 6 / 16:45At the reading of their mother’s will,twin siblings Simon (Maxim Gaudette)and Jeanne (Mélissa Désormeaux-Poulin) learn for the first time that theyhave a brother, and that their father,whom they thought was dead, is alive.Among their mother’s request is herfinal wish that the twins find both theirbrother and father, and deliver to themcertain sealed letters. Nawal (LubnaAzabal) was a mystery to her childrenand their relationship is a difficultone. Simon is angry and resistant, butJeanne feels compelled to respect hermother’s requests.Setelah membaca surat wasiat ibumereka, Simon dan Jeanne baru tahubahwa mereka mempunyai saudaralain, dan ayah mereka, yang merekakira sudah meninggal, ternyata masihhidup. Mereka berdua ditugaskan olehsang ibu untuk mengantarkan sebuahsurat bersegel untuk ayah dan saudaralaki-laki mereka. Simon merasa kesal,namun Jeanne merasa bahwa iaharus menghormati sang ibu denganmenunaikan keinginan terakhirnya.Starting in making short films, DenisVilleneuve went on to become one ofthe most prolific Canadian film directorand writer. He has won two Genieaward (Canada’s equivalent to Oscar)for Best Director in MAELSTROM (2001)and POLYTECHNIQUE (2010).Best Canadian Feature, TorontoInternational Film Festival, 2010.Canada’s Official Submission for BestForeign Language category, 83rdAcademy Awards 2011.JoyDir.:Mijke de JongNetherlands. 2010. 75 min. Drama.Color. 35 mm. Dutch(with English subtitles).DEC 4 / BLZ 7 / 16:45Joy lives on the fringes of society,getting by on benefits and earning alittle extra by playing the accordion inthe subway. In addition, she is a skilledshoplifter and has never been caught.She is also in the middle of her journeyto search for her biological mother.One day she finds an old woman whoresembles her mother. A spark of hopearises, Joy becomes more cheerful andmore alert, until she hears a name thatshocks her and brings her down.Joy tinggal di pinggiran kota, bertahanhidup dari uang tunjangan sosial danmengamen di stasiun kereta bawahtanah. Ia juga seorang pencuri yanghandal dan tidak pernah sekalipuntertangkap. Joy juga sedang mencariibu kandungnya. Suatu hari ia bertemudengan seorang perempuan tua yangmenurutnya sangat mirip dengan ibukandungnya. Harapan baru muncul, Joymerasa bahagia, sampai sebuah namamembuat Joy kecewa.Mijke de Jong has been active indirecting television drama, features,short films, documentaries andtheatre plays since the early 1980s.Among her recent achievement iswinning Golden Calf for Best Directorin the Netherlands Film Festival forTUSSENSTAND (2007).Golden Calves for Best Film, BestScreenplay and Best SupportingActress for Coosje Smid, NetherlandsFilm Festival, 2010.Outrage(Autoreiji)Dir.: Takeshi KitanoJapan. 2010. 109 min. Action/Drama.Color. 35 mm. Japanese (with Englishsubtitles).DEC 3 / BLZ 7 / 21:45 •DEC 4 / BLZ 4 / 22:00The story begins with Sekiuchi, boss ofthe Sannokai, a huge organised crimesyndicate controlling the entire Kantoregion, issuing a stern warning to hislieutenant Kato and right-hand manIkemoto. Kato orders Ikemoto to bringthe unassociated Murase-gumi gangin line, and he immediately passesthe task on to his subordinate Otomo(Beat Takeshi), who runs his own crew.This is a story about a ruthless, violent,and brutal battle in a corrupt worldwhere there are no heroes but constantbetrayal and vengeance.Sekiuchi, pimpinan Sannokai, sebuahorganisasi kejahatan besar yangmenguasai area Kanto, mengeluarkanperingatan kepada Kato dan tangankanannya, Ikemoto. Kato memerintahkanIkemoto untuk membereskan kelompokMurase-gumi, namun pekerjaan ini pundilimpahkan pada bawahannya, Otomo(Beat Takeshi), yang mempunyai krusendiri. Ini adalah cerita tentang kejamdan kerasnya dunia kejahatan dimanatidak ada pahlawan, tapi hanya adapengkhianatan dan balas dendam.OUTRAGE marks the return of TakeshiKitano to yakuza genre that made himfamous in 1980s through the earlyyears of 2000s. For JIFFest audiences,Takeshi Kitano is familiar for hisworks in ZATOICHI (2003, screened inJIFFest 2005), and ACHILLES AND THETORTOISE (screened in JIFFest 2008).Official Selection, Competition, CannesFilm Festival, 2010.World Cinema21

World CinemaWorld Cinema22Scott Pilgrim vs The WorldDir.: Edgar WrightUSA/UK/Canada. 2010. 112 min. Action/Adventure/Comedy/Fantasy. Color. 35 mm. English.DEC 1 / BLZ 7 / 21:45 • DEC 2 / BLZ 7 / 21:45 •DEC 4 / BLZ 7 / 21:45Son of BabylonDir.: Mohamed Al DaradjiIraq/UK/France/Netherlands/United Arab Emirates/Egypt/Palestine. 2009. 100 min. Drama. Color. Digital. Arabic/Kurdish (with English subtitles).NOV 30 / BLZ 7 / 19:15 • DEC 2 / BLZ 6 / 19:30Scott Pilgrim (Michael Cera) is the bass player for the bandSex Bob-omb. Although he had already dated KnivesChau (Ellen Wong), the mysterious Ramona Flowers (MaryElizabeth Winstead) managed to capture his heart. Scott willdo anything to be able to date Ramona, including having towin battles against Ramona’s 7 evil exes, each with their ownsuper power.Scott Pilgrim (Michael Cera) adalah pemain bass band SexBob-omb. Meskipun dia sudah pacaran dengan KnivesChau (Ellen Wong), tapi kehadiran Ramona Flowers (MaryElizabeth Winstead) yang misterius malah memikat hatinya.Scott akan melakukan segalanya untuk dapat berkencandengan Ramona. Untuk itu, Scott harus memenangkan setiappertandingan melawan tujuh mantan pacar Ramona yangjahat dan memiliki kekuatan super sendiri-sendiri!This is what one can find in Edgar Wright’s films: deadpanhumor in fast-paced moments, fast action style editing, andrepeated lines or snippets of dialogue for comedic effect. Inshort: you’ll never get bored watching his films!In 2003, three weeks after the fall of Saddam Hussein,12-year old Ahmed travels with his grandmother to findhis father, a soldier missing since the Gulf War. From themountains of Kurdistan to the sands of Babylon, they crosspaths with others who are on an all too similar quest. Asshe struggles to accept an awful truth, Ahmed retraces thefootsteps of a father he never knew. This is a journey thatwill not only connect them to the past, but will determinetheir lives forever.Tahun 2003, tiga minggu setelah jatuhnya rejim SaddamHusein, Ahmed pergi bersama neneknya untuk mencari ayahAhmed, seorang tentara yang hilang sejak Perang Teluk.Dari pegunungan Kurdistan ke gurun pasir Babylon, merekabertemu banyak orang yang melakukan hal yang sama.Pelan-pelan sang nenek mulai menerima kenyataan pahit,dan Ahmed menelusuri lagi jejak sang ayah yang tidak pernahAhmed temui.Mohammed Al-Darraji is a Dutch-Iraqi filmmaker. He studiedtheatre directing in Baghdad and fled to The Netherlandsin 1995, where he specialized as a cameraman. Later hegraduated with an MA in cinematography in Leeds. Hecreated many several short films and commercials.Amnesty International Film Prize and Peace Film Award,Berlin International Film Festival, 2010. Iraq’s OfficialSubmission for Best Foreign Language category, 83rdAcademy Awards, 2011.

World CinemaSoul BoyDir.:Hawa Essuman & TomTykwerKenya/Germany. 2010. 61 min. Drama.Color. 35 mm. Swahili (with Englishsubtitles).DEC 1 / BLZ 7 / 16:45 •DEC 4 / BLZ 6 / 19:30In Kibera, Nairobi, Kenya, one of thelargest slums in East Africa, 14 year-oldAbila wakes up to find his father ill anddelirious. Apparently, someone hasstolen his father’s soul. Abila is shockedand confused. Supported by his friendShiku who accompanies him in findingthe cure, Abila learns that his father hasgambled his soul away in the companyof a spiritual woman.Di Kibera, Nairobi, Kenya, salah satudaerah termiskin di Afrika Timur, Alibabangun dan mendapati ayahnya sakit.Seseorang telah mengambil ruh ayahAbila. Dalam kebingungan, Abilaberusaha mencari pengobatan bersamatemannya, Shiku. Abila pun sadar bahwaayahnya telah menggadaikan jiwanyauntuk bersama seorang perempuan.SOUL BOY is a first film by Ghanian-Kenyan young female film makerHawa Essuman. The film evolvedfrom a film workshop initiated by theGerman association One Fine Day withfilmmaker Tom Tykwer, known forhis blockbuster films RUN LOLA RUN(JIFFest 1999), HEAVEN (2002), andmany others. This is the result of theircollaboration.Dioraphte Audience Award, RotterdamInternational Film Festival, 2010.(screened together with THE CALLER)Storm In My Heart(Jernanger)Dir.: Pål JackmanNorway. 2009. 96 min. Drama. Color. 35mm. Norwegian (with English subtitles).NOV 29 / BLZ 7 / 19:15This is a heartfelt story of life’srelationships, with Eivind who isn’tscared of anything - except love. Helives aboard a boat in the South ofNorway. Thirty years ago Eivind left hishomestead and his teenage sweetheartbehind, and he has not been back since.Then young Kris appears. This manwants to travel the world but didn’tget any longer than to the lifeboat ofJernanger. The two men eventually findone another and together they hatch agreat plan.Kisah mengenai Eivind yang pemarahdan tidak takut pada apapun, kecualicinta. Elvind hidup di perahu di bagianselatan Norwegia. Tiga puluh tahun yanglalu, ia meninggalkan kota kelahirannyadan tidak pernah kembali lagi. Suatuhari, seorang anak muda bernama Krismuncul. Kris ingin berkeliling dunia,namun tidak bisa berbuat banyak untukmemenuhinya. Keduanya saling bertemudan membuat sebuah rencana besar.Pål Jackman has directed shorts andadvertising films and received largeattention for his first short film, BENNY- a playful and easygoing film in bothstyle and content. Jackman made hisfeature debut in 2000 with awardwinningDETECTOR.Won Audience Award for Best Film atthe Tromsø International Film Festival,Norway, 2009.Together(Sammen)Dir.: Matias Armand JordalNorway. 2009. 100 min. Drama. Color.35 mm. Norwegian (with Englishsubtitles).NOV 26 / BLZ 6 / 22:00A family of a father, a mother andtheir son is looking forward to goon vacation. On their way, theyexperience a life-changing accident.This is a story about a father and hisson’s journey after they tragically losethe one person they love the most,and how the two get past through thesorrow to eventually be a family again.Sebuah keluarga yang terdiri dari ayah,ibu dan anak laki-laki mereka sudahlama menantikan liburan kali ini. Ditengah perjalanan terjadi kecelakaanyang mengubah hidup mereka. Inilahcerita tentang seorang ayah dan anakkehilangan seseorang yang sangatmereka cintai, dan bagaimana merekamengatasi kesedihan untuk menjadisebuah keluarga yang utuh kembali.Norwegian Matias Armand Jordal,born in 1970, studied at theDramatiska Institutet in Stockholm.For the last eight years he has workeddirecting award-winning commercialsand short films. Sammen is his featurefilm debut.The Church of Iceland Award,Reykjavik International Film Festival,2009. Special Mention from the NewDirectors Awards Jury, San SebastianInternational Film Festival, 2009.World Cinema23

World CinemaWorld Cinema24The Wedding Photographer(Bröllopsfotografen)Dir.: Ulf MalmrosSweden. 2009. 113 min. Comedy/Drama/Romance. Color.Digital. Swedish (with English subtitles).When We Leave (Die Fremde)Dir.: Feo AladagGermany. 2010. 119 min. Drama. Color. 35 mm. German/Turkish (with English subtitles).NOV 28 / BLZ 7 / 21:45 • DEC 2 / BLZ 6 / 22:00NOV 27 / BLZ 6 / 22:00 • NOV 30 / BLZ 7 / 21:45Robin, a rock-’n-roll wedding photographer from a remotespot in Värmland is appointed to photograph an upper-classwedding in Djursholm. He falls in love with the bride’s sisterand goes through a head-turning makeover trying to fitinto the posh world. The result is hilarious, unexpected, andRobin finds a new part of him in the making.Robin, fotografer pernikahan dari kota kecil di Värmland,ditunjuk menjadi fotografer pernikahan keluarga kelas atasdi Djursholm. Dia jatuh cinta pada saudara perempuanpengantin wanita. Mau tidak mau, Robin harus menjalani“makeover” agar bisa diterima di dunia barunya ini.Ulf Malmros directed his first film for television aged 19. In2006, he won Best Director award in Guldbagge Awards(Swedish equivalent to Oscar) for GOD SAVE THE KING.Best Supporting Actor and Best Screenplay, GuldbaggeAwards, 2010.Umay (Sibel Kekili) is a young woman of Turkish descent,fighting for an independent and self-determined life inGermany against the resistance of her family. For her son,Cem, Umay is willing to go extra miles, although she neverrealizes how dangerous her struggle for self-determinationhas become.Umay (Sibel Kekili), seorang perempuan keturunan Turki,berjuang keras untuk menjalani kehidupan yang bebas danmandiri di Jerman, meskipun orang tua Umay menentangnya.Demi anak satu-satunya, Cem, Umay rela melakukan apa aja,meskipun Umay tidak sadar bahwa pergulatan Umay akanmembahayakan dirinya.Feo Aladag began her film career as an actress. She is also asuccessful scriptwriter and commercial film director.WHEN WE LEAVE is her feature directorial debut.Best Narrative Feature and Best Actress, Tribeca Film Festival,USA, 2010. Germany’s Official Submission for Best ForeignLanguage category, 83rd Academy Awards, 2011.

World Cinema - DocumentaryArmadilloDir.: Janus Metz PedersenDenmark. 2010. 119 min. Documentary/War. Color. Digital.Danish (with English subtitles).BhuttoDir.: Duane Baughman & Johnny O’ HaraUSA/UK. 2010. 111 min. Documentary/Biography. Color.Digital. English.World Cinema25DEC 3 / BLZ 6 / 19:30In February 2009, Janus Metz Pedersen followed the livesof Danish soldiers in Afghanistan. He captured everythingas a journey into the inner realm of war, as a mixture ofboredom in the camp, and as the real fighting is close by.The business of killing during assignments make the soldiersexposed directly to the feeling of extended fear and also tothe lust for “action”, the rush of blood, of wanting to kill. Thispsychologically explosive conflict situation fundamentallyalters the mental balance of the soldiers.Bulan Februari 2009, Janus Metz Pedersen merekam kehidupansehari-hari tentara Denmark di Afghanistan. Ia menangkapsemua emosi yang terpancar, mulai dari rasa bosan merekasaat menunggu “briefing” dan “debriefing”, saat-saattegang penuh aksi dimana mereka terlibat baku tembakdan merasakan takut sekaligus senang. Konflik psikologisyang dialami para prajurit tersebut cukup mengganggukeseimbangan mental mereka.Janus Metz Pedersen has a degree in communication studiesand international development. The film ARMADILLOprovoked furious debate in Denmark concerning thecontroversial behavior of certain Danish soldiers during ashootout with Taliban fighters.Grand Prix Semaine de la Critique (Critics Week), Cannes FilmFestival, 2010. Best Documentary, BFI London Film Festival,2010.NOV 28 / BLZ 6 / 22:00 • NOV 29 / BLZ 7 / 21:45The film is a gripping documentary of the assassinatedBenazir Bhutto, the first woman to lead an Islamic nation.Following in her father’s footsteps as a pillar for democracy,Bhutto was expected to dominate Pakistan’s 2008 electionsbut the assassination sent Pakistan politics into turmoil. Theevent shocked the world and transformed her from politicalmessiah into a martyr for the common man. This fast-paceddocumentary also pulls together rare archival footage andemotional interviews with close family members.Film dokumenter yang sangat menggugah perhatian tentangBenazir Bhutto, wanita pertama yang menjadi pemimpinnegara Islam. Menyusul jejak ayahnya, Bhutto diharapkanmenjadi pemenang pemilihan umum Pakistan tahun 2008,namun pembunuhan terhadap dirinya membawa Pakistanke kekacauan. Peristiwa yang mengejutkan seluruh dunia inimembawa nama Bhutto menjadi simbol martir perjuanganrakyat biasa. Film ini menampilkan arsip dokumentasi yangbelum pernah ditayangkan sebelumnya, berikut wawancaradengan keluarga dekat Benazir Bhutto.Duane Baughman spent nearly 3 years, directing, producingand funding BHUTTO. Johnny O’Hara wrote FUEL, thewinner of the Sundance 2008 Audience Award for BestDocumentary.Nominated for Grand Jury Prize (Documentary), SundanceFilm Festival, 2010.

World Cinema - DocumentaryWorld Cinema26BudrusDir.: Julia BachaThe CallerDir.: Endah Wahyu SulistiantiIsrael/Palestine/USA. 2009. 70 min. Documentary/War/Action. Color. Digital. Arabic/Hebrew/English (with Englishsubtitles).NOV 28 / KF / 14:15 • DEC 4 / KF / 14:15At the border between Israel and the Palestinian territories,the Israeli government is building a separation wall thatsnakes through several Palestinian villages. Budrus,population 1,500, stands to lose 300 acres and 3,000 ofthe olive trees that are crucial to the town’s survival. Buthusband and father Ayed—whose acts as an activist havelanded him in prison before—is determined to act, togetherwith his 15 year-old daughter and the rest of the town.Di perbatasan Israel dan Palestina, pemerintah Israelmembangun dinding pemisah yang menerobos masukbeberapa desa di Palestina. Budrus, populasi 1.500 orang,terancam kehilangan 300 hektar dan 3.000 pohon zaitunyang merupakan sumber utama penghasilan banyak orangdi Budrus. Tetapi seorang ayah dan suami, Ayed, yang pernahdipenjara sebagai seorang aktivis, siap melawan agresi inibersama dengan putrinya dan seluruh penduduk Budrus.Julia Bacha edited and co-wrote CONTROL ROOM (2004), anaward-winning documentary about Al-Jazeera. In 2006, sheco-directed the acclaimed ENCOUNTER POINT that depictslives of families affected by the violence in Israel.Directing Award, World Cinema Documentary, SundanceFilm Festival, 2010. Best Photography, Beldocs InternationalDocumentary Film Festival, 2010.USA. 2010. 27 min. Documentary/Religion/Short. Color.Digital. English.DEC 1 / BLZ 7 / 16:45 •DEC 4 / BLZ 6 / 19:30It doesn’t have to be the same, the call for prayers is alwayssomething meaningful and beautiful to many religions.In this ‘city of angels’, where nowadays religion is onlysomething artificial for most people, the callers (from threedifferent religions) become something important. They notonly try to keep their existences, but also struggle to definetheir own faith in life.Panggilan untuk beribadah bagi banyak agama adalahsesuatu yang agung dan indah. Di kota Los Angeles, di manaagama terkadang menjadi sesuatu yang artificial bagikebanyakan orang di sini, pemanggil ibadah menjadi profesipenting. Mereka tidak hanya mempertahankan eksistensiprofesi, namun harus berjuang untuk menemukan jati dirikeyakinan mereka.Endah WS’s previous film, THE LAST JOURNEY, wasdeveloped in JIFFest Script Development Competition 2007,had its world premiere in JIFFest the following year, andeventually won Best Short Documentary in Festival FilmIndonesia 2009.(screened together with SOUL BOY)

World Cinema - DocumentaryA Good ManDir.: Safina UberoiAustralia. 2009. 79 min. Documentary. Color. Digital. English.NOV 26 / BLZ 7 / 16:45Space TouristsDir.:Christian FreiSwitzerland. 2010. 98 min. Documentary/Adventure/History.Color. 35 mm. English/Russian/Romanian (with Englishsubtitles).World Cinema27Chris Rohrlach is an ordinary man from Australia withan extraordinary story: fourteen years ago, his pregnantgirlfriend Rachel had a massive stroke that left her incurablyquadriplegic. Undeterred, the couple got married shortlyafter their son was born. Years on, with another baby onthe way, the couple decided they needed a second incometo overcome the mounting bills. The solution? Open alegal brothel in their conservative country town. This is acompelling and sensitive film about love, commitment andresilience.Chris Rohrlach adalah pria dengan cerita luar biasa: empatbelas tahun lalu, kekasihnya yang sedang hamil Rachelmengalami stroke yang menyebabkannya lumpuh. Merekamenikah tak lama setelah anak mereka lahir. Beberapa tahunberikutnya, dengan kehadiran bayi lagi, pasangan ini harusmencari pendapatan tambahan. Caranya? Membuka tempatpelacuran legal di tempat tinggal mereka yang konservatif.Sebuah film yang mengharukan tentang cinta, komitmen danketeguhan hati.Safina Uberoi’s previous documentary, MY MOTHERINDIA, is an autobiographical film that won eleven majorinternational awards including the Australian Film CriticsCircle Award for best Australian documentary.One of the Top 10 Audience Award, InternationalDocumentary Film Festival (IDFA) Amsterdam, 2009.Best Documentary and Audience Award, Sydney FilmFestival, 2010.NOV 26 / BLZ 7 / 19:15 • NOV 30 / BLZ 6 / 19:30In this awe-inspiring film, Christian Frei turns to an age-olddream of man: to leave our planet as a “normal person” andtravel into outer space. For 20 million dollars, the AmericanAnousheh Ansari was able to fulfill this childhood dream.This documentary follows her journey into space as the firstfemale outer-space tourist, and shows everyday life as it is onthe International Space Station.Sutradara Christian Frei menghadirkan kisah penuh inspirasitentang bagaimana kita bisa meninggalkan planet ini sebagai“manusia biasa” dan berkelana ke luar angkasa. Dengan 20juta dollar, warga negara Amerika Anousheh Ansari dapatmewujudkan impian masa kecilnya pergi ke luar angkasa. Filmini merekam perjalanan Anousheh sebagai turis perempuanpertama di luar angkasa.For loyal JIFFest audiences, the name Christian Frei issynonymous with his groundbreaking work, the Academy-Award nominated WAR PHOTOGRAPHER, screened topacked venues in JIFFest 2002. He followed this with awardwinningdocumentary THE GIANT BUDDHAS (2005).Directing Award, World Cinema Documentary, SundanceFilm Festival, 2010. Eurodok Award, European DocumentaryFilm Festival, Oslo, 2010. Best Photography, BeldocsInternational Documentary Film Festival, 2010.

A View From The SEAA View From The SEA28The Blue MansionDir.: Glen GoeiSingapore. 2009. Comedy. 107 min.Color. 35 mm. English.NOV 27 / BLZ 6 / 19:30 •NOV 30 / BLZ 6 / 22:00A wealthy Asian tycoon dies suddenlyunder mysterious circumstances andreturns as a ghost to try to uncoverthe secret of his death. Two eagerdetectives investigate the deathchasing all leads and suspects,including the dead man’s threechildren. The ghost witnesses his ownfuneral wake, attended by jealousrelatives and business competitors aswell as the police investigation thatunveils hidden family secrets.Seorang konglomerat tiba-tibameninggal dengan cara yang misterius,dan dia kembali lagi sebagai hantuyang berusaha mencari tahu penyebabkematiannya sendiri. Dua detektif datangmenyelidiki kasus ini dan menginterogasisemua tersangka, termasuk ketiga anakkonglomerat. Hantu ini menyaksikansendiri bagaimana pemakamannyadihadiri oleh saudara-saudaranya yangdengki, pesaing bisnis, dan akhirnyasebuah rahasia keluarga yang terpendamselama ini.Glen Goei’s first feature film FOREVERFEVER (aka THAT’S THE WAY I LIKE IT)which he wrote, directed and produced,premiered at the Sundance Film Festivalin 1999. In between developing newideas for film, he continues his workin theatre. THE BLUE MANSION is hissecond feature film.Opening Film, Asian Hot Shots FilmFestival, Berlin, 2010.Don’t Burn(Dung dot)Dir.: Đặng Nhật MinhVietnam. 2009. Drama. 100 min. Color.35 mm. Vietnamese (with Englishsubtitles).NOV 29 / BLZ 4 / 22:00In the spring of 2005, an old diary isfound. The diary carries the notesof a young woman doctor, DangThuy Tram, who worked at a nationalliberation front hospital in 1968 untilher death. Her diary speaks poignantlyof her devotion to family and friends,the horrors of war, her yearning forher high school sweetheart, and herstruggle to prove her loyalty to hercountry. The diary was first discoveredby a US military officer, who kept it for35 years. The diary was then publishedin Vietnam and caused a sensation.Di musim semi 2005, sebuah buku harianditemukan. Buku ini berisi catatan doktermuda, Dang Thuy Traim, yang bekerjadi rumah sakit pergerakan nasionalliberal selama dua tahun sampai saatdia meninggal. Catatan ini menunjukkankesetiannya pada keluarga, teman,dan negara. Ditemukan pertama kalioleh seorang tentara Amerika yangmenyimpannya selama 35 tahun, bukuini menimbulkan sensasi saat diterbitkandi Vietnam untuk pertama kalinya.Đặng Nhật Minh is one of Vietnam’sforemost film directors. He beganmaking documentary films around1965 and is the first Vietnamese personto be awarded the Nikkei Asia Prize forCulture, in 1999.Audience Award, FukuokaInternational Film Festival, 2009.ForeverDir.: Wee Li LinSingapore. 2010. 90 min. RomanticComedy. Color. 35 mm. Mandarin (withEnglish subtitles).DEC 1 / BLZ 6 / 19:30Joey, a video consultant from W.E.D(wedding education department),dedicates herself to promoting romanceand lasting marriages to youngSingaporeans through her uniquevideos. Now she is about to fulfill herown dream with Gin, a handsomemusic teacher whom she has been in awhirlwind romance with after castinghim along side with her in a W.E.Dvideo. But agirl, Cecilia, claims to beGin’s real fiancée while Gin claims thathis affection for her was strictly for thevideo. Not letting her dream go, Joeypursues Gin to make him see that she ishis true bride as she sees his true heart.Will Joey’s perseverance finally pays off?Joey bekerja membuat video tentangpernikahan untuk warga Singapura.Tinggal selangkah lagi Joey membuatvideo tentang pernikahannya sendiridengan Gin, guru musik yang tampandan pernah berakting bersama Joeydi sebuah video pernikahan. Tetapigadis lain, Cecilia, mengaku sebagaitunangan Gin, dan Gin pun mengakubahwa perasaannya ke Joey hanyalahakting semata. Tak mau impiannyauntuk menikahi Gin hancur, Joey punmelakukan segala cara untuk merebutGin. Berhasilkah dia?FOREVER marks the second featurefilm of Wee Li Lin whose debut GONESHOPPING competed for the NewTalents award at the 11th ShanghaiInternational Film Festival (2008). Weeis also best known as the most prolificfemale short filmmaker in Singapore.World Premiere.

A View From The SEAInhalationDir.: Edmund YeoMalaysia/Japan. 2010. 17 min. Short/Drama. Color. Digital.Chinese (with English subtitles).Miss SaigonDir.: Ron NguyenVietnam/Singapore. 2010. 27 min. Short. Color. Digital.Vietnamese (with English subtitles).A View From The SEA29NOV 26 / BLZ 6 / 19:30Inhalation is a short spin-off of The Tiger Factory, andfeatures the same characters from the latter film. Ping’sfriend Mei, who gets deported from Japan, spends a nightquarreling with her boyfriend who comes to pick her up atthe harbor.Film pendek ini merupakan bagian dari film THE TIGERFACTORY dan masih menampilkan karakter yang sama. Mei,teman Ping yang diusir dari Jepang, menghabiskan malambertengkar dengan pacarnya yang datang menjemput dipelabuhan.(screened together with THE TIGER FACTORY)NOV 28 / BLZ 6 / 19:30On the way to his motherland in Vietnam, Kelvin, a halfbloodedSingaporean screenwriter comes across Anh, thelocal girl and her brother, Cu. riding along a country dirtpath, both crying. At that very moment, Kelvin has a feelingthat something bad has happened to this girl’s family. In theend, Kelvin saved Anh’s family from a tricky game of destinywith his sense of benevolence.Dalam perjalanan pulang ke Vietnam, Kevin berpapasandengan Anh dan adiknya, Cu, yang sedang menangis. Kevinmerasa ada sesuatu yang tidak beres yang terjadi di keluargaAnh. Akhirnya, Kelvin menyelamatkan keluarga Anh dari suatukejadian yang nyaris tak dapat dielakkan.(screened together with S-Express Singapore and S-ExpressIndonesia)

A View From The SEAA View From The SEA30Pinoy SundayDir.: Wi Ding HoTaiwan/Philippines. 2009. 85 min. Comedy. Color. 35 mm.Tagalog/Mandarin/English (with English subtitles).The Tiger FactoryDir.:Woo Ming JinJapan/Malaysia. 2010. 84 min. Drama. Color. 35 mm. Malay/Cantonese/Mandarin (with English subtitles).DEC 1 / BLZ 6 / 22:00 • DEC 3 / BLZ 7 / 19:15Manuel Imson and Dado Lopega are two friends fromPhilippines who are working in a factory in Taipei. One daythey find an abandoned red couch on the street. They decideto take the couch home by carrying it themselves. Theseemingly simple journey becomes an adventure for Manuel,Dado, and the couch, all around Taipei.Manuel Imson dan Dado Lopega sama-sama berasal dariFilipina dan bekerja di sebuah pabrik di Taipei. Suatu harimereka menemukan sofa merah teronggok di jalan. Merekamemutuskan untuk membawa sofa itu pulang. Pekerjaan yangsepertinya mudah menjadi pengalaman unik tersendiri olehManuel, Dado, dan sofa itu sendiri!Taiwan-based Malaysia-born Wi Ding Ho graduated from thefilm school at New York University. His breakthrough shortfilm, RESPIRE, premiered at the International Critics’ Week,Cannes Film Festival in 2005. PINOY SUNDAY is his featurelength debut.Industry Award for Narrative Feature and Special MentionAward, Taipei International Film Festival, 2010.NOV 26 / BLZ 6 / 19:30Ping Ping, 19, who is under the guardianship of her aunt,Madame Tien, works in a pig farm and as a dishwasher ina restaurant. She’s saving to go to Japan to work in a carparts company. Unbeknownst to Ping Ping, her aunt alsoruns a clandestine “baby factory” in which migrant workersare used to impregnate young woman and the babies aresold for money. Ping Ping gradually learns the shockingtruth about her aunt.Ping Ping, 19, yang diasuh oleh bibinya, Madame Tien, bekerjadi peternakan babi dan sebagai pencuci piring di restoran.Ping Ping menabung agar dapat pergi ke Jepang dan bekerjadi perusahaan suku cadang mobil. Tanpa sepengetahuanPing Ping, bibinya menjalankan usaha perdagangan bayi.Ping Ping pun akhirnya mengetahui rahasia ini.Born in Malaysia, Woo Ming Jin’s work as a filmmaker andphotographer has garnered him a reputation as one ofSouth East Asia’s most promising talent. His films mostlyfocus on the interaction between human and nature. Lastyear he directed one segment in 15 MALAYSIA, screened inJIFFest 2009.Official Selection, Directors’ Fortnight, Cannes FilmFestival, 2010.

A View From The SEAUncle Boonmee Who CanRecall His Past LivesDir.: Apichatpong WeerasethakulThailand/UK/France/Germany/Spain/Netherlands. 2010.114 min. Fantasy. Color. 35 mm. Thai (with English subtitles).Ways of the Sea (Halaw)Dir.: Sheron DayocPhilippines. 2010. 78 min. Drama. Color. Digital. Tagalog(with English subtitles).NOV 28 / BLZ 6 / 19:30A View From The SEA31NOV 26 / BLZ 7 / 21:45 • NOV 29 / BLZ 6 / 19:30The film centers on the last days in the life of UncleBoonmee. Together with his loved ones – including theghost of his dead wife and his lost son who has returned ina non-human form – Boonmee explores his past lives as hecontemplates the reasons for his illness.Film ini berkisah tentang hari-hari terakhir Uncle Boonmeedi dunia. Bersama dengan orang-orang yang dia sayangi,termasuk arwah istrinya yang telah wafat dan anaknya yanghilang namun sekarang kembali bukan sebagai manusia,Boonme mengingat-ingat kembali kehidupan yang pernah dialalui, sambil menelusuri ulang asal muasal penyakitnya.Apichatpong Weerasethakul, or Joe to his close friends, is aprolific independent Thai director. Asides from successiveprizes in Cannes for both his films BLISFULLY YOURS(2002) and TROPICAL MALADY (2004), his previous filmSYNDROMES AND A CENTURY (2006) is also notable forbeing the first Thai film to be entered into competition in theVenice Film Festival of the same year.Palme D’Or for Best Picture, Cannes Film Festival, 2010.Thailand’s Official Submission for Best Foreign Languagecategory, 83rd Academy Awards, 2011.The film centers on an illiterate Badjao, Jahid and his 9-yearolddaughter Daying as they illegally cross the border of thePhilippines and Malaysia through the southern backdoor.Determined to reunite with his wife, he leaves behindeverything they have to search for his lost wife in Sabah,Malaysia, where an uncertain future awaits him.Film ini berkisah tentang seorang ayah dan anak yang relamelakukan apa saja, termasuk secara ilegal melintasi garisperbatasan Filipina dan Malaysia, agar mereka dapat bersatulagi dengan sosok istri dan ibu yang mereka cintai.Sheron R. Dayoc is a filmmaker, writer, editor,cinematographer and painter. His first short narrative,ANGAN-ANGAN (DREAMS) won special jury Citation at theCinemalaya Film festival 2008. The film is also in competitionin 7ème Festival Signes de Nuit Paris 2009.Best Feature, Best Director, Best Actor, Best Editing,Cinemalaya Philippine Independent Film Festival, 2010.

DEC 3 / KF / 17:00Variety: S-Express (Indonesia)Curated by Varadila/MinikinoScreening Format: DigitalS-Express is an active Southeast Asian network for short filmexchange. Initiated in 2001 by programmers Yuni Hadi (Substation,Singapore), Chalida Uabumrungjit (Thai Film Foundation), andAmir Muhammad (Malaysian Shorts), the group has expandedto involve Indonesia (Minikino) since 2004, and the Philippines(Alexis Tioseco) and China (Maggie Lee) since 2005. In its 8thyear, owing to its steady touring for exchange of short films,the group is conducive to a regional networking of filmmakers.S-Express adalah jaringan kerja pertukaran film pendek antarnegara-negara Asia Tenggara. Dimulai tahun 2001 oleh programerYuni Hadi (Substation, Singapore), Chalida Uambrungjit (Thai FilmFoundation) dan Amir Muhammad (Malaysian Shorts), kelompokini kemudian mengundang Indonesia (Minikino) sejak 2004, sertaFilipina (Alexis Tioseco) dan Cina (Maggie Lee) sejak 2005. Sampaisaat ini, berkat kesinambungan pertukaran film-film pendeknya,S-Express tetap berperan penting dalam membuka jaringan kerjaantar para pembuat film pendek di negara-negara anggotanya.VarietyThe AddressDir.: Harvan AgustriansyahIndonesia/Thailand. 2010. 17 min.Titik NolDir.: Nicholas YudifarIndonesia. 2010. 12 min.The TielmansDir.: Ekky ImanjayaIndonesia. 2010. 21 min.32A foreigner meets a simple Thai family:the father, the mother and their littledaughter, all of whom are going tothe cultural festival. He asks the familyto help him looking for a particularaddress which in the end he forgetsone small thing about the family thathelps him.Seorang warga asing bertemu dengankeluarga Thai yang sedang menujuperayaan kebudayaan. Dia memintabantuan keluarga ini mencari satualamat, namun dia malah melupakansatu hal tentang keluarga yang sudahmembantunya.Sukran (Abdul), a 12 year-old boy,seeks his father after the death of hismother around Banda Aceh and finallyarrives in Kota Sabang, Weh Islan. Hefinds many things different from whathe believes from his mother’s tale.Eventually, Sukran finds himself.Sukran (Abdul), 12 tahun, seorang anaklaki-laki, mencari keberadaan ayahnya,setelah ibunya meninggal dunia. Iapergi dari kampung halamannya kekota Banda Aceh hingga ke kota Sabang(Pulau Weh). Sukran menemukan adanyaperbedaan keadaan antara apa yangdiceritakan ibunya dengan yang ia lihatdan alami sekarang. Pada akhirnyaSukran menemukan dirinya sendiri.In 1945, Andy Tielman with hisbrothers, sister, and parents, foundeda family band in Surabaya, Indonesia.In 1957, they became The TielmanBrothers, and that’s how Nederpop(popular music in Holland) and a genrecalled Indo-rock began. In 1981, TheTielman Brothers stopped playingmusic. But Andy Tielman, the frontman,still performs, this time with his newfamily: Carmen the wife/manager andLoraine Jane the daughter. This is aboutThe Tielmans, and this is about Andy asfamily man.Tahun 1945, Andy Tielman bersamasaudara dan orang tuanya membentukband keluarga di Surabaya, Indonesia.Tahun 1957, mereka mengubah namamenjadi The Tielman Brothers, dan disinilah Nederpop (jenis musik populer diBelanda) dan Indo-rock bermula. Tahun1981, grup ini berhenti bermain musik.Namun Andy Tielman, pemimpin band,masih terus bermain music bersamaCarmen, istri dan manajernya, danLoraine Jane, putrinya. Inilah ceritatentang The Tielmans dan Andy sebagaikepala rumah tangga.A discussion session with all filmmakers in S-Express Indonesia will be conducted after the screening.Screened together with MISS SAIGON.

Variety: S-Express (Malaysia)DEC 5 / IIC / 14:30 • DEC 8 / IIC / 19:30NOV 29 / KF / 14:15 (screened together with S-Express Chinese)(FREE Screening)Curated by Amir MuhammadScreening Format: DigitalTotal Screening Time: 44 min.Focal PointDir.: Alireza Khatami & AliSeiffouriMalaysia/Iran. 2009. Short. 12 min.An old photographer has a magicalcamera, a legacy from his ancestors.People come to him to find out who theirsoul mate is. It is not always a happy storywhen a couple discovers that they are notmeant for each other.Seorang fotografer tua memilki kameraajaib peninggalan leluhurnya. Banyakorang mendatangi fotografer ini untukmengetahui siapa jodoh mereka. Saatharapan tidak sesuai dengan kenyataan,banyak orang yang merasa kecewa.You and Me Put the‘You’ and ‘Me’ in ‘Youand Me’Dir.: Chi TooMalaysia. 2010. Short. 9 min.Part of an ongoing series, these arewhimsical sketches that emphasizephysical distances (in Kuala Lumpur, theMalaysian East Coast and Bangkok). Willlove keep us together or will love tear usapart?Sketsa yang memperlihatkan betapapentingnya jarak dari sebuah hubungan(di Kuala Lumpur, East Coast di Malaysiadan Bangkok). Apakah cinta dapatmempersatukan kita, atau malahmenjauhkan kita?Kiamu!!!Dir.: Anwari AshrafMalaysia. 2009. Short. 8 min.Nature is constantly being destroyedby man’s technology. The effects ofnatural disasters worsen the situation.Far from being a simplistic ‘green’ film,the film remains philosophical aboutthe problems created from the coexistenceof man and nature.Teknologi selalu merusak alam.Pengaruh dari bencana alam punsemakin memperburuk keadaan. Jauhdari sekedar film tentang “penghijauan”,film ini menghadirkan pandanganfilosofis tentang masalah-masalah yanghadir dalam kehidupan manusia danalam.Variety33Petra BondDir.: Chin YewMalaysia. 2010. Short. 7 min.‘Kiamu!!!’ is set in a boarding school—or, more specifically,in the hyperactive mind of one of the boys, as he takes usthrough the place. What does a guy have to do to fit in?Film ini mengambil lokasi di sebuah sekolah berasrama, ataulebih tepatnya lagi, di pikiran hiperaktif salah satu penghuniasrama. Apa yang harus ia lakukan agar bisa diterima dilingkungan sekolah ini?The Colour of IdeasDir.: Low WeiyanMalaysia. 2010. Short. 7 min.Quirky, stop-motion work set in the context of political agitation,but with an underlying humanist agenda. The colour-coded blobsrepresent the main Malaysian political parties, as well as the coloursof the flag.Film yang dibuat dengan konteks politis, namun masih menampilkansisi humanis. Warna-warna sepanjang film ini melambangkan partaipartaipolitik Malaysia, sekaligus warna-warna di bendera Malaysia.

Variety: S-Express (Philippines)DEC 1 / KF / 14:15“I wish we had more regional feature films,and more support for regional filmmakers.”– Alexis TiosecoCurated by Francis Cruz, Dodo Dayao,Richard BolisayScreening Format: DigitalTotal Screening Time: 78 min.The Philippines, while mistakenly attributed mostly to what’s happening in the capital city, is a country composed of several islands andregions, with several dialects and cultural traditions. With the advent of digital filmmaking, many filmmakers from these regions that werelong marginalized in the film community during the days of celluloid, are proving their creative mettle, coming up with several works thatmatch if not outdo their Manila counterparts. It was Alexis’ wish that support be given to these filmmakers, many of whom came up withtheir feature films or are currently preparing for their feature films, and it is our fervent tribute to Alexis to curate a program of short filmsthat represent what the Philippines, as a country that is diverse and multi-faceted, truly is.– Francis Cruz, Dodo Dayao, Richard Bolisay (Curators)Mouth (Boca)Dir.: Zurich ChanTo Siomai LoveDir.: Remton ZuasolaFilm Roll (Rolyo)Dir.: Alvin YapanVariety34Philippines. 2010. Short. 17 min.Charlemagne Alejandro lost hismother when he was 3 months old. Hecompensates his lack of motherly love withchain smoking. He doesn’t think much ofhis job and spends most of his free timesmoking in front of a convenience store.One day, he finds something better to dowith his lips than smoking.Philippines. 2009. Short. 20 min.Marvin is forced to use a love potion sothat his aching heart would be cured. Whiledining at a dumpling stall, he meets apretty nursing student. After having a shortconversation, he feels mysteriously drawnto her and thus tries to use the love potionto win her heart. Will the potion work, orwill his charm works even without it?Philippines. 2008. Short. 17 min.Somewhere in Bicol, rural folks surroundtheir farmlands with film negatives to wardoff palay-eating birds.Di suatu area di Bicol, orang-orangmelindungi tanah perkebunan merekadengan rol film untuk mengusir burung yangmemakan tanaman mereka.Charlemagne Alejandro ditinggal ibunyasaat baru berusia 3 bulan. Untuk mengatasikesepiannya, dia selalu merokok danmenghabiskan waktu di depan tokokelontong untuk merokok. Suatu hari, diamenemukan cara lain untuk menggunakanbibirnya selain untuk merokok.Marvin dipaksa menggunakan ramuanpemikat cinta agar dia tak bersedih lagi.Saat makan di kedai siomai, dia bertemumahasiswi sekolah perawat. Marvin merasatertarik dan mulai menggunakan ramuanitu. Apakah ini berhasil, atau malah Marvinsebenarnya tidak memerlukan ramuan itu?Because of You (Dahil Sa’yo)Dir.: Gym LumberaPhilippines. 2010. Short. 7 min.An old man has an almost humanrelationship with his banana tree. Heserenades it with his guitar and even crieswhen he cuts up its heart, or “puso ngsaging”.Seorang pria tua memiliki hubungankhusus dengan pohon pisangnya. Diabersenandung dengan gitar pada pohon itu,bahkan menangis saat dia merasa sakit hati.AppleDir.: Sherad Anthony SanchezPhilippines. 2005. Short. 7 min.Shot around the Bangkerohan River, anarea of poverty, a young girl works as a“mananaptan”, singing for the dead atfunerals. Occasionally, more servicesare expected of her. Her indifferentsurroundings let it all happen.Seorang gadis bekerja sebagai penyanyidi pemakaman. Kadang dia harusmenjalankan pekerjaan lain, lebih darisekedar menyanyi.We Don’t Care forDemocracy (Wala KamingPakialam sa Demokrasya)Dir.: John TorresPhilippines. 2010. Short.10 min.Seemingly apathetic teens discuss thepossibility of infidelity while cuddling inbed in this Visayan-language film.Beberapa remaja apatis mendiskusikankemungkinan arti ‘ketidaksetiaan’ sambilbermesraan di tempat tidur. Film inimenggunakan bahasa Visayan.

DECDEC5 //IICIIC//14:3019:30••DECDEC87//IICIIC//19:3017:00DEC 2 / KF / 14:15Variety: S-Express (Singapore)(FREE Screening)Screening Format: DigitalTotal Screening Time: 84 min.Bold, new works from Singapore to challenge your perception of Singapore cinema and the nation itself.Nobody’s HomeDir.: Nelson YeoSingapore. 2010. Short. 21 min.My Home (RumahSendiri)Dir.: Daniel HuiDurai and SaroDir.: Prema MenonSingapore. 2010. Short. 28 min.Variety36“You will need two pennies, insteadof one, to pay the ferryman.” Afterreceiving a bunch of money from hisagent, a man decides to visit the peopleclose to him...“Kau perlu dua peni, tidak hanya satu,untuk membayar awak kapal.” Setelahmenerima uang dari agennya, seorangpria mengunjungi orang-orang yangdekat dengannya.Singapore. 2010. Short. 20 min.A Balinese housemaid works in ahome that is not her own. She is theinvisible class in Singapore, an unseenpopulation for whom the land is merelytransitory.Seorang pembantu rumah tanggadari Bali bekerja di rumah yang bukanmiliknya. Dia termasuk dalam golonganyang tak terlihat di Singapura, bagiandari populasi yang menganggap negaraini hanyalah tempat singgah sementara.Durai is an Indian construction worker,working in Singapore. Trying his bestto make ends meet and provide for hisfamily back home, he doubles up as acar washer at night. While washing athis usual neighbourhood carpark onenight, he meets a foreign domesticworker, Saro, and he welcomes thisnewfound friendship.Durai adalah buruh bangunan dariIndia yang bekerja di Singapura.Untuk memenuhi kebutuhannya dankeluarganya di India, dia mempunyaipekerjaan tambahan sebagai pencucimobil di malam hari. Saat melakukanpekerjaan tersebut, dia bertemu sesamapekerja asing, Saro, dan keduanyamenjalin hubungan pertemanan.A Day Alone (Sehari Sendiri)Dir.: Haidar AfandiSingapore. 2010. Short. 5 min.A visual poetry about my father and how I resolve our distantrelationshipPuisi visual tentang ayahku dan bagaimana aku mengatasihubungan kami yang jauh ini.TicketsDir.: Sherman OngSingapore. 2010. Short. 10 min.This film centres on Xiao Jing, a ticket seller in an old cinemain Singapore. Coming from China to study acting in Singapore,her ambition is to break into the Singapore film industry asan actress.Film ini mengisahkan Xiao Jing, penjual tiket di sebuah bioskoptua di Singapura. Datang dari China untuk belajar akting, ambisiXiao Jing adalah menjadi aktris di industri perfilman Singapura.

Variety: S-Express (Chinese)DECDEC 5//IICIIC//14:3019:30••DECDEC87//IICIIC//19:3017:00NOV 29 / KF / 14:15 (screened together with S-Express Malaysia)S-Express (Philippines) (Malaysia) (FREE (FREE Screening)Curated by Maggie LeeScreening Format: DigitalTotal Screening Time: 47 min.HomecomingDir.: Kwok Zunehongkong. 2009. Short. 29 min. hongkongSong of SolomonDir.: Nuo MengChina. 2009. Short. 18 min. China.Twenty years ago, Charlie came to Hong Kong to work as adomestic helper. Not only did she leave her home countryPhilippines, she also left her husband and her six-year-old son.Close to her retirement, she looks forward to going back home andliving with her son again. However, her dream does not work outas she wishes…“Do you really have to go?!” Six words. Two stories aboutmemories, perseverance, hope and facing reality.“Apakah kamu harus pergi?” Empat kata. Dua cerita tentangkenangan, perjuangan, harapan dan menghadapi kenyataan.VarietyDua puluh tahun yang lalu, Charlie datang ke Hong Konguntuk bekerja sebagi pembantu rumah tangga. Charlie tidakhanya meninggalkan negara asalnya, Filipina, namun dia jugameninggalkan suami dan anaknya yang berumur enam tahun.Menjelang pensiun, Charlie sangat antusias untuk pulang dantinggal bersama putranya lagi. Namun impian kadang tak sesuaidengan kenyataan.37

Variety: International S-Express (Malaysia) ShortsDEC 5 / IIC / 14:30 • DEC 8 / IIC / 19:30DEC 3 / KF / 14:15 • DEC 5 / KF / 12:00(FREE Screening)Variety38KainDir.: Kristof HoornaertBelgium. 2009. 16 min. Color. Digital. Dutch (with Englishsubtitles).Two young men wander in a quiet forest. Suddenly, withoutany clue, a young man kills the other in a gruesome,physical act. The murderer flees in complete panic.Exhausted, he falls asleep in a wide field. He awakes andrealizes what horror he has committed.Dua pria menyusuri hutan yang sepi. Tiba-tiba, salah satu darimereka menyerang dan membunuh yang lain. Pembunuhlari dan panik. Kelelahan, dia tertidur. Saat bangun, dia sadarakan peristiwa mengerikan yang dialaminya.Nominated for Best Short Film, Berlinale, 2009. Best ShortFilm, Patras City International Film Festival, Greece, 2010. BestDirector, Bueu Short Film Festival, Spain, 2010.Vaishnav Jan Toh (Children ofthe Most High)Dir.: Kaushal OzaIndia. 2009. 10 min. Color. Digital. Hindi (with Englishsubtitles).1944. On a night when Mahatma Gandhi is visiting a village,Ba has an unexpected visitor: Pratap, a thief, who has justshot a man and is seeking shelter. As “Vaishnav Jan toh” issung in a distant prayer meeting, Ba’s own conviction inGandhi’s message will be put to test.1944. Di suatu malam saat Mahatma Gandhi berkunjung kesebuah desa, Ba kedatangan Pratap, seorang pencuri yangbaru saja menembak orang tak dikenal dan sedang mencariperlindungan. Saat mantra “Vaishnav Jan Toh” mulai terdengar,keyakinan Ba akan petuah Gandhi teruji malam itu.Best Debut Non Feature Film of a Director, Indian NationalFilm Awards, India, 2010. Nominated for Best Short Film, AsianFestival of First Films, Singapore.Hayerida(The Descent)Dir.: Shai MiedzinskiIsrael. 2010. 20 min. Color. Digital. Hebrew (with Englishsubtitles).A moving portrait of a family dealing with grief andtransition as they search for a perfect gravestone for theirson in the dusty and atmospheric Israeli desert.Potret menyentuh bagaimana sebuah keluarga berusahamencari makam yang sempurna untuk putra mereka ditengah padang pasir di Israel.Silver Berlin Bear for Best Short Film, Berlinale, 2010. Best DebutFilm and Best Short Film, Timishort Film Festival 2010, Romania.Bailarino e o Bonde (TheDancer and The Tram)Dir.: Rogerio NunesBrazil. 2009. 10 min. Color. Animation. Digital. No dialogue.Oh, those good old times when we used to take the tramto school, to work, to wherever, before those noisy busescame through. This is a tale that pits progress againstnormal people lives and its consequences in the future.Masa lalu yang indah saat kita masih bisa naik trem kesekolah, ke kantor, kemanapun kita mau, sebelum bis yangbising hadir. Inilah cerita yang tidak beriringan sejalandengan kemajuan orang-orang dan masa depan.

Indonesian Feature Film Competition (FREE Screening)Minggu Pagi diVictoria Park(Sunday Morning inVictoria Park)Dir.: Lola AmariaRumah Dara(Macabre)Dir.: The Mo BrothersIndonesia. 2009. 95 min. horror. Color. 35mm. Indonesian (with English subtitles).Sang Pemimpi(The Dreamer)Dir.: Riri RizaIndonesia. 2010. 120 min. Drama. Color. 35mm. Indonesian (with English subtitles).IFFC42Indonesia. 2010. 100 min. Drama. Color. 35mm. Indonesian (with English subtitles).NOV 28 / BLZ 6 / 17:00Mayang left Indonesia to work as adomestic worker in Hong Kong withone mission: to find Sekar, her longlost sister. Sekar had been workingthere for 2 years, but has recentlyvanished without a trace. The filmportrays the lives of many unsungheroes who dream of better livesand go to extra length to make thedreams come true.Mayang meninggalkan Indonesiauntuk bekerja sebagai tenagakerja wanita (TKW) di Hong Kongdengan misi khusus: mencariSekar, kakak kandungnya. Sekartelah bekerja selama dua tahun,namun tiba-tiba menghilang. Filmini menggambarkan kehidupanmereka yang berjuang keras dan relamelakukan apapun demi kehidupanyang lebih baik.This is Lola Amaria’s second directorialeffort. Her previous film, BETINA, wasscreened in this competition in 2006.DEC 2 / BLZ 6 / 17:00Adjie and Astrid, a young couplewho soon will have their first child,embark on a trip to Bandung tomend Adjie’s relationship with hissister, Ladya. Together with fourother friends, they have a smoothride until a woman, Maya, stopthem and ask for their help. Mayasays that she has just been robbed.The group gives her a lift to herhouse that resembles an old castle.In the house, they are served by amysterious lady, Dara. Meeting Darawill give them a night to remember… if they can escape from thehouse.Adjie dan Astrid, pasangan mudayang akan dikaruniai anak pertama,pergi ke Bandung agar Adjie bisamemperbaiki hubungan denganadiknya, Ladya. Bersama empatteman lainnya, perjalanan merekaterhenti saat seorang perempuanbernama Maya meminta bantuandengan alasan dirinya barudirampok. Dengan niat baik,mereka mengantar Maya pulang. Dirumahnya, ada seorang perempuanmisterius bernama Dara yangmelayani mereka. Bencana itupundimulai.This is the debut feature of The MoBrothers. The film has been travelingextensively to worldwide festivals,including winning Best Actress award forShareefa Danish in Puchon InternationalFantastic Film Festival, Korea, 2009.vDEC 1 / BLZ 6 / 17:00The sequel to Indonesia’s biggestbox-office hit in history, TheRainbow Troop, the film nowfocuses on the teenage lives of ourthree favorite characters: Ikal, Araiand Jimbron. The charismatic butunreliable Arai instills them all withthe need to pursue their dream, andone day to study in Paris. Ikal wantshis distant but loving father to beproud of him; Arai is determined towin the heart of snooty schoolgirlZakia Nurmala; and Jimbron tries tobe a devout Muslim. Life may not beeasy for them, but their friendshipremains unbroken.Kisah lanjutan dari film Indonesiaterlaris sepanjang masa, LaskarPelangi, film ini berkisah tentangkehidupan Ikal, Arai dan Jimbrondi saat remaja. Arai menularkansemangat untuk meraih impianyang tinggi pada teman-temannya,sekaligus cita-cita untuk kuliah diParis. Ikal ingin ayahnya banggapadanya, Arai ingin memenangkanhati Zakia Nurmala, gadis pujaandi sekolah, dan Jimbron berusahamenjadi Muslim yang taat.Kehidupan mereka memang susah,namun persahabatan mereka takakan pernah pudar.This is the first Indonesian film ever toopen the festival last year. Riri Riza’s 3 DAYSTO FOREVER won Best Indonesian Featurein this competition in 2007.

Indonesian Feature Film Competition (FREE Screening)Sang Pencerah(The Enlightened One)Dir.: Hanung BramantyoIndonesia. 2010. 112 min. Drama/comedy . Color. Digital.Indonesian (with English subtitles).NOV 29 / BLZ 6 / 17:00After returning home from his pilgrimage in Mecca,Darwis, who changed his name to Ahmad Dahlan, grewmore concerned with Javanese practices not justifiedby Islamic teachings. He proposed the creation of areformed Islamic learning more in step with the modernworld. His effort was met with great opposition from oldclerics who established the traditional Islamic values.With the help from his wife and devoted disciples,Ahmad Dahlan established Muhammadiyah in 1912, anorganization aims to educate Muslims in line with theprogress of modern times. Today, Muhammadiyah is thesecond largest Muslim organization in Indonesia.Sekembalinya dari ibadah haji di Mekkah, Darwis, yangmengganti namanya menjadi Ahmad Dahlan, semakinkhawatir dengan tradisi Jawa yang tidak sesuai denganajaran Islam. Dia mengajukan usul untuk mengajarkanIslam yang lebih modern, namun hal ini mendapattentangan dari ulama lain yang mensahkan ajaran Islamyang tradisional. Dengan bantuan istri dan pengikutsetianya, Ahmad Dahlan mendirikan Muhammadiyahtahun 1912, organisasi yang bertujuan mendidik kaumIslam dengan ajaran modern. Sekarang Muhammadiyahadalah organisasi Islam kedua terbesar di Indonesia.Hanung Bramantyo started the surge in religious-romancegenre with his film, AYAT-AYAT CINTA (Verses of Love). The filmwas seen by 3.8 million audiences during its theatrical releasein February 2008.Tanah Air Beta (My Motherland)Dir.: Ari SihasaleIndonesia. 2010. 95 min. Drama/comedy . Color. Indonesian (withEnglish subtitles).NOV 26 / BLZ 6 / 17:00When East Timor recently separated from Indonesia, twosiblings were also separated. Merry had to live with hermother in Kupang, Indonesia, while Mauro lived with hisuncle in East Timor. With fate of life in play, could theyever see each other again?Saat Timor Timur baru berpisah dari Indonesia, dua kakakberadik juga harus terpisah. Merry harus tinggal bersamaibunya di Kupang, Indonesia, sedangkan Mauro harustinggal bersama pamannya di Timor Timur. AkankahMerry dan Mauro akan bersatu lagi?This is the second directorial effort of Ari Sihasale. His previousfilm, KING, was selected in the competition in 2009, but prior tothat, he produced DENIAS, the winner of Best Feature when thecompetition was held for the first time in 2006.IFFC43

JIFFest EventsBALINALE – JIFFEST FILM INDUSTRY FORUMVenue : Hotel Atlet Century ParkDate : Friday, November 19, 2010Time : 08.00 – 10.00The two international film festivals in the country, BALINALE International Film Festival and Jakarta International FilmFestival (JIFFest), jointly present expert workshops and forums provided to aspiring and established filmmakers to helpfurther develop career opportunities and inspire creative learning.Visiting international film executives from Sony Pictures, Walt Disney Studios, Time Warner, United International Pictures,20th Century Fox and Motion Picture Association will discuss alongside local film professionals the current state ofIndonesian films in an international marketplace, the need for infrastructure and a trained workforce to support the industry.Speakers: Matt Cheetham (MPA), Brett Hogg (Sony/Disney), Alvin Lee (Time Warner), Han Seng Lim (UIP), Kurt Rieder (ArtisanGateway/MPA), Fox: TBCThis event is supported by:Serunya Scriptwriting “Apa Yang Kau Cari, Produser?” (What Are You Looking For, Producers?)Venue : R 206-207 JWC, Binus International JakartaDate : Sunday, November 27, 2010Time : 13.00 - 14.30S - Express (Indonesia)Indonesian film producers.SERUNYA SCRIPTWRITING and JIFFEST present a special talk-show with notableThese producers will share their wish to participants on what they are actuallylooking for the most in our local film industry. Is merely good story enough?How does one define “sell-able” ideas? It is a great opportunity for novicefilmmakers who want to break in and make big in the nation’s film scene.Serunya Scriptwriting Workshop is a regular scriptwriting workshop and clinic for anyone wanting to write screenplays foraudio-visual media. With this project, Perdana Kartawiyudha won the first prize in International Creative Young Entrepreneur(IYCE) British Council Indonesia 2010.Speakers: 3 Indonesian film producers (to be discussed)Moderator: Perdana Kartawiyudha (Chairman of Serunya Scriptwriting)This event is supported byJiFFest Events44Film Financing Forum (by invitation only)Venue : R 206-207 JWC, Binus International JakartaDate : Sunday, November 27, 2010Time : 15.00 - 18.00Using the S speed-dating - Express concept, invited projects (Indonesia)of feature films will be pitched to a panel of local producers/financiers inonly a few minutes per pitch-dating session. This is a chance for each feature project to assess its own strength, quality andpossible financing upon completion of the concept.This event is supported byFilm School Launch, Open Lecture & Lifetime Achievement AwardVenue : R.310, lt. 3 JWC, Binus International JakartaDate : Wednesday, December 1, 2010Time : 19.00 – 21.00This event focuses on film archive particularly on the works of Misbach Yusa Biran andthe role of Sinematek Indonesia. Dr. Gaik Cheng Khoo (Australian National University) willgive an open lecture on the topic , and Binus School of Film will give lifetime achievementaward to Misbah Yusa Biran. It is also an official launch of Binus School of Film.This program is free of charge and open for public.Speaker: Dr. Gaik Cheng Khoo (Australian National University)Moderator: Ekky Imanjaya & Tito Imanda

Launching of FILMINDONESIA.OR.IDVenue : R.310, lt. 3 JWC, Binus International JakartaDate : Friday, December 3, 2010Time : 13.00 – 15.00S - Express (Indonesia)FILMINDONESIA.OR.ID is a website that functions as Indonesian film industry catalogue and directory. This websiteis the new publication format of Indonesian film data that has been compiled by JB Kristanto through his threebook editions. Besides database, this website also provides various film news, interviews, analysis, and research.It is expected that we and the world can see, learn, and appreciate the development of Indonesian film, theaters,audience, communities, practitioners, and other infrastructures.Speakers: JB Kristanto (Founder of www.filmindonesia.or.id), Lisabona Rahman (Editor of www.filmindonesia.or.id),Eric Sasono (film observer)Double Book Launch: Asian Cinema Journal (special edition: Indonesian Cinema) &“Hendak Dibawa Kemana Sinema Kita? Beberapa Wacana seputar Film Indonesia”Venue : R.310, lt. 3 JWC, Binus International JakartaDate : Friday, December 3, 2010Time : 15.30 – 17.30S - Express (Indonesia)The book is published by Temple University (USA) and led by John Lent, the journal is very special because it focuseson Indonesian Cinema and written by Indonesian and non Indonesian film scholars. The editors are Gaik Cheng Khoo(Australian National University) and Thomas Barker (National University of Singapore).Some of the writers are Budi Irawanto, Intan Paramaditha, Katinka van Heeren, Maimunah Munir, and Eric Sasono.The editor of Indonesian edition is Ekky Imanjaya (Binus International). At JIFFest 2010, both books will be launchedand discussed with the editors.Speakers: Gaik Cheng Khoo (Australian National University) and Thomas Barker (National University of Singapore),Ekky Imanjaya (Binus International).Public Lecture ”The Past in the Present: Producing Films in Indonesia”Film screening and discussion: BelkibolangVenue : R.310, lt. 3 JWC, Binus International JakartaDate : Saturday, December 4, 2010Time : 14.00 – 16.00The newest omnibus project with 9 young filmmakers. This film screening is open for public and will be continued bydiscussion with the filmmakers.Speakers: Agung Sentausa, Ifa Isfansyah, Tumpal Tampubolon, Rico Marpaung, Anggun Priambodo, Azhar Lubis,Wisnu Kucing, Edwin, and Sidi SalehHost : Tito ImandaJiFFest Events45Venue : R.310, lt. 3 JWC, Binus International JakartaDate : Saturday, December 4, 2010Time : 17.00 – 18.00Amongst the euphoria of reformasi and the rebirth of the Indonesian filmindustry over the past decade, the past is often forgotten. This seminar seeksto understand how the past continues to manifest in and structure the present.As a case study, I look at the Chinese and Indian producers who, by virtue oftheir race, are regarded as being commercially orientated and good at makingmoney. I challenge these racist assumptions and argue that their structuralposition in the film industry aided their rise and dominance, and that thiscontinues as an informal oligopoly in the contemporary film industry.Speakers: Thomas Baker (PhD Candidate, Department of Sociology, NationalUniversity of Singapore)Moderator: Ekky Imanjaya

TicketingScreenings in Blitzmegaplex Pacific Place• In compliance with regulations from the Film Censorship Board (LSF), audiences are required to bring along JIFFestMember Card. The card can be obtained in JIFFest Info Desk at both Blitzmegaplex Pacific Place and Kineforum.• For all screenings in Blitzmegaplex Pacific Place, you can obtain JIFFest tickets through Blitzmegaplex ticketingsystem.• The price for all JIFFest tickets for paid screenings is IDR 25,000.• During pre-sale period (18th – 24th of November 2010), Blitzcard users can enjoy 10% discount from the above price.• Discount is not applicable for non Blitzcard users during the pre-sale period.• No discount applicable for purchase during the festival period (26th of November – 5th of December 2010). This appliesto both Blitzcard users and non Blitzcard users.• Blitzcard owners can buy JIFFest tickets through www.blitzmegaplex.com.• Public/non Blitzcard users can only buy JIFFest tickets from Blitzmegaplex Pacific Place ticket counter.• All screenings in Indonesian Feature Film Competition section are free. Tickets can be obtained one hour before thescreening times. One person is entitled to one ticket only.• Tickets for Kineforum screenings cannot be purchased through Blitzmegaplex ticketing system. Please refer to theKineforum screening explanation below.Film Sections in Blitzmegaplex:• World Cinema• World Cinema Documentary• A View From the SEA• Indonesian Feature Film CompetitionYour JIFFest tickets for screenings in Blitzmegaplex are entitled for special promotions in the following shopsin Pacific Place:• Pan-O (10% off on F&B)• Dapur Sunda (10% discount)• Simmons (free lucky dip every IDR 1,000,000 purchase)• La Floret (additional 5% off for all discounted items)• Inve Store (discount 30% Accessories any purchase below Rp 500,000• Derma Prescriptive S - Express (10 % discount, sampling (Indonesia)slimming powder 10 packages (15 pieces))• Charles & Keith (voucher IDR 100,000 for purchase of bags (selected items) to all customers who show their JIFFesttickets. Voucher is valid until December 5, 2010)• Kleo (20% off for hairwash & blow + coloring services)Simply show your ticket stubs to the above stores to enjoy the promotions during JIFFest period (November25 – December 5, 2010). Additional promotions will be listed in our website at www.jiffest.org and our Twitteraccount (@jiffest).For more information,Blitzmegaplex, Pacific Place Mall Lt 6, Jl. Jend. Sudirman Kav. 52-53 Jakarta. Phone: (021) 51400800.More information on Blitzcard at www.blitzmegaplex.com------------------------------------------------------------------------------------------------------------------------------Ticketing46Screenings in Kineforum• In compliance with regulations from the Film Censorship Board (LSF), audiences are required to bring along JIFFestMember Card. The card can be obtained in JIFFest Info Desk at both Blitzmegaplex Pacific Place and Kineforum.• Tickets can only be obtained one hour before the screening time of each film with a donation of IDR 10,000.• There are no pre-sale periods to get tickets for films screened in Kineforum.• Tickets will be sold on a daily basis.• Tickets for Blitzmegaplex Pacific Place screenings cannot be purchased in Kineforum. Please refer to the Blitzmegaplexscreenings explanation above.Film Sections in Kineforum :• World Cinema• World Cinema Documentary• VarietyFor more informationKineforum, Kompleks Taman Ismail Marzuki (TIM), Jl. Cikini Raya 73, Jakarta Pusat 10310.Phone: (021) 3162780. More information on Kineforum at www.kineforum.com

TiketPemutaran Film di Blitzmegaplex Pacific Place• Berdasarkan ketentuan dari Lembaga Sensor Film (LSF), semua penonton JIFFest wajib mendapatkan kartu anggota.Kartu ini bisa didapatkan di Info Desk JIFFest di Blitzmegaplex Pacific Place dan Kineforum.• Untuk semua pemutaran di Blitzmegaplex, tiket bisa didapat melalui sistem penjualan tiket Blitzmegaplex.• Harga tiket JIFFest untuk semua kategori film berbayar adalah Rp. 25.000.• Selama masa pre-sale (18 – 24 November 2010), pemilik Blitzcard dapat menikmati diskon 10% dari harga di atas.• Diskon tidak berlaku bagi mereka yang tidak memegang Blitzcard.• Selama masa festival (26 November – 5 Desember 2010) tidak ada diskon yang diberikan baik untuk pemilik Blitzcardmaupun bukan pemilik Blitzcard.• Pemilik Blitz Card dapat membeli tiket melalui www.blitzmegaplex.com.• Tiket untuk umum hanya dapat dibeli di tempat penjualan tiket Blitzmegaplex Pacific Place.• Semua pemutaran film untuk kategori Indonesian Feature Film Competition adalah gratis. Tiket dapat diperoleh satujam sebelum waktu penayangan. Satu orang hanya berhak mendapatkan satu tiket.• Tiket untuk pertunjukan di Kineforum tidak dapat dibeli melalui sistem penjualan tiket Blitzmegaplex. Silahkan lihatpenjelasan pemutaran film di Kineforum di bawah iniKategori Film yang diputar di Blitz Megaplex Pacific Place :• World Cinema• World Cinema Documentary• A View From the SEA• Indonesian Feature Film CompetitionInformasi lebih lanjutBlitzmegaplex, Pacific Place Mall Lt 6, Jl. Jend Sudirman Kav 52-53 Jakarta. Phone: (021) 51400800. Informasi lebih lanjuttentang Blitzcard dapat dilihat di www.blitzmegaplex.comTiket JIFFest anda dapat digunakan untuk menikmati penawaran spesial di beberapa toko dan tempat makan diPacific Place, seperti:• Pan-O (10% off on F&B)• Dapur Sunda (10% discount)• Simmons (free lucky dip every IDR 1,000,000 purchase)• La Floret (additional 5% off for all discounted items)• Inve Store (discount 30% Accessories any purchase below Rp 500,000• Derma Prescriptive (10 % discount, sampling slimming powder 10 packages (15 pieces))• Charles & Keith (voucher Rp 100,000 untuk pembelian tas (selected items) kepada setiap customer yang membawatiket JIFFest. Voucher berlaku sampai dengan tanggal 5 Desember 2010)• Kleo (20% off for hairwash & blow + coloring services)Tunjukkan tiket JIFFest anda ke tempat-tempat di atas untuk menikmati promosi khusus selama masapelaksanaan JIFFest (25 November 25 – 5 Desember 2010). Apabila ada promosi lain akan kami umumkan lewatwebsite kami www.jiffest.org dan Twitter @jiffest.------------------------------------------------------------------------------------------------------------------------------Pemutaran Film di Kineforum• Berdasarkan ketentuan dari Lembaga Sensor Film (LSF), semua penonton JIFFest wajib mendapatkan kartu anggota.Kartu ini bisa didapatkan di Info Desk JIFFest di Blitzmegaplex Pacific Place dan Kineforum.• Tiket bisa didapat satu jam sebelum waktu penayangan dengan memberikan donasi sebesar Rp.10.000.• Tiket untuk pemutaran film di Kineforum tidak dijual dalam masa pre-sale.• Tiket hanya akan dikeluarkan per hari. Tidak ada sistem reservasi.• Tiket untuk pemutaran film di Blitzmegaplex Pacific Place tidak bisa dibeli di Kineforum. Silahkan lihat penjelasanuntuk pemutaran film di Blitzmegaplex Pacific Place di atas.Kategori Film yang diputar di Kineforum :• World Cinema• World Cinema Documentary• VarietyInformasi lebih lanjutKineforum, Kompleks Taman Ismail Marzuki (TIM), Jl. Cikini Raya 73, Jakarta Pusat 10310.Phone: (021) 3162780. www.kineforum.comTiket47

ScheduleThursday – November 25, 2010Monday – November 29, 2010BlitzPP Audi 119:00 WAITING FOR “SUPERMAN” - p. 10(Opening Film, by invitation only)21:30 WAITING FOR “SUPERMAN” - p. 10(Opening Film, by invitation only)BlitzPP Audi 6(128 seats)BlitzPP Audi 7(186 seats)Kineforum(45 seats)17:00 Sang Pencerah (FREE) - p. 4319:30 Uncle Boonmee Who Can Recall HisPast Lives - p. 3122:00 Don’t Burn - p. 2816:45 KickStart! (by invitation only) – p. 1719:15 Storm In My Heart - p. 2321:45 Bhutto - p. 2514:15 S-Express Malaysia + Chinese - p. 33 &p. 3717:00 For 80 Days - p. 19Friday – November 26, 2010Tuesday – November 30, 2010BlitzPP Audi 6(128 seats)17:00 Tanah Air Beta (FREE) - p. 4319:30 The Tiger Factory - p. 3022:00 Together - p. 23BlitzPP Audi 117:00 Alangkah Lucunya Negeri Ini (FREE)p. 4119:30 Space Tourists - p. 2722:00 The Blue Mansion - p. 28BlitzPP Audi 7(186 seats)16:45 A Good Man - p. 2719:15 Space Tourists - p. 2721:45 Uncle Boonmee Who Can RecallHis Past Lives - p. 31BlitzPP Audi 7(186 seats)Kineforum(45 seats)16:45 Waiting for “Superman” – p. 1019:15 Son of Babylon - p. 2221:45 The Wedding Photographer - p. 2414:15 S-Express Thailand - p. 35Saturday – November 27, 2010Wednesday – December 1, 2010BlitzPP Audi 6(128 seats)BlitzPP Audi 7(186 seats)17:00 3 Hati 2 Dunia 1 Cinta (FREE) - p. 4119:30 The Blue Mansion - p. 2822:00 The Wedding Photographer - p. 2416:45 Waiting for “Superman” - p. 1019:15 Belki Bolang (by invitation only) - p. 1221:45 Honey - p. 20BlitzPP Audi 6(128 seats)BlitzPP Audi 7(186 seats)17:00 Sang Pemimpi (FREE) - p. 4219:30 Forever - p. 2822:00 Pinoy Sunday - p. 3016:45 Soul Boy – p. 2319:15 Working Girls (by invitation only)p. 1821:45 Scott Pilgrim Vs. The World - p. 22Kineforum(45 seats)14:15 Asleep In the Sun - p. 19Kineforum(45 seats)14:15 S-Express Philippines - p. 34Sunday – November 28, 2010Thursday – December 2, 2010BlitzPP Audi 6(128 seats)17:00 Minggu Pagi di Victoria Park (FREE) - p. 4219:30 Halaw - p. 3122:00 Bhutto - p. 25BlitzPP Audi 6(128 seats)17:00 Rumah Dara (FREE) - p. 4219:30 Son of Babylon - p. 2222:00 When We Leave - p. 24Schedule48BlitzPP Audi 7(186 seats)Kineforum(45 seats)16:45 Special Screening “Mengejar Impian”19:15 Hiphopdiningrat (by invitation only)p. 1521:45 When We Leave - p. 2414:15 Budrus - p. 26BlitzPP Audi 7(186 seats)Kineforum(45 seats)16:30 Di Ujung Jalan (by invitation only)p. 1419:15 Turk’s Head - p. 2021:45 Scott Pilgrim Vs. The World - p. 2214:15 S-Express Singapore - p. 36

ScheduleFriday – December 3, 201017:00 Emak Ingin Naik Haji (FREE) - p. 41BlitzPP Audi 6(128 seats)BlitzPP Audi 7(186 seats)Kineforum(45 seats)BlitzPP Audi 6(128 seats)19:30 Armadillo - p. 2522:00 Turk’s Head - p. 2016:30 Incendies – p. 2119:15 Pinoy Sunday - p. 3021:45 Outrage - p. 2114:15 International Shorts - p. 3817:00 S-Express Indonesia - p. 32Saturday – December 4, 201016:45 Incendies - p. 2119:30 Soul Boy - p. 2322:00 Outrage - p. 21Vote for your favoriteIndonesian film to win JIFFestAudience Award!Watch all Indonesian films inIndonesian Feature FilmCompetition, submit your“Like” or “Dislike” votes at theend of each screening, and wewill announce the winning filmin our Closing Night.BlitzPP Audi 7(186 seats)Kineforum(45 seats)16:45 Joy – p. 2119:15 Jakarta Maghrib (by invitation only)p. 1621:45 Scott Pilgrim Vs. The World - p. 2214:15 Budrus - p. 2617:00 Asleep in the Sun - p. 19Flip to page 40 on synopses,schedule and other informationon all films selected in thiscategory. You will also get tomeet the directors, cast and crewof these films at each screeningtime.Sunday – December 5, 2010Kineforum(45 seats)12:00 International Shorts - p. 3814:15 For 80 Days - p. 19Note: all screenings in thiscategory are FREE!BlitzPP Audi 119:00 BIUTIFUL - p. 11(Closing Film, by invitation only)21:30 BIUTIFUL - p. 11(Closing Film, by invitation only)Schedule49

Print SourcesPrint Source503 Hati 2 Dunia 1 CintaEmak Ingin Naik HajiContact: Ani EmaMizan ProductionsJalan Mochamad KahfiI No 7AJagakarsa, JakartaSelatan 12620T: 021-78884231F: 021-78884231E: mizan.productions@gmail.comA Good ManContact: Safina UberoiE: safina.uberoi@gmail.comAlangkah LucunyaNegeri IniContact: HakimDemi Gisela Citra SinemaKompleks Rukan TamanPondok Kelapa Blok B7-8Jl. Pondok Kelapa Raya,Jakarta 13450, IndonesiaT: 869 04064, 869 03830ArmadilloContact: Claus WBerthelsenDanish Film InstituteGothersgade 55, DK 1123Copenhagen KT: +4533743573F: +4533743445E: festivalkd@dfi.dkAsleep in The SunContact:AlejandroChomskiE: chomskiale@gmail.comBelki BolangContact: Meiske TaurisiaBabibuta FilmJl. Puri Mutiara no 35A,Cilandak barat, jakarta12430.E: babibutafilm@gmail.comBhuttoContact: Nicole ABronson, MelindaCardwellYellow Pad Productions1782 Union St, 2nd FlrSan Francisco, CA 94123T: 415-673-7466F: 415-673-7468E:mcardwell@baughmancompany.comBiutifulContact: MichaelJive EntertainmentJl. Patra Kuningan VII/14Jakarta 12950IndonesiaT: +62 21 520 2687F: +62 21 529 20310E: michael@blitzmegaplex.comBudrusContact: Jessica DevaneyJust Vision119 W 23rd Street, Ste.409New York, NY 10011T: +1 561-373-4701E: jessica@justvision.orgChildren of The MostHighContact: Kaushal OzaE: rebel4akosh@gmail.comCiao BarbiesContact: Claire AllanicE: contact@cheeseconcept.comDeafnessContact: MyroslavSlaboshpytskiyE: myrek@mail.ruDi Ujung JalanContact: DodidWidjanarkoE: dodid@rumahpohon.netDon’t BurnContact: NGUYEN ThiBao MaiVietnam MediaCorporation - BHD Co.,Ltd18th Flr., Prime Centre,53 Quang Trung Street,Hanoi, VietnamT: 84 4 39434133F: 84 4 39434135E: baomai@bhdvn.comW: www.vietnammediacorp.comFor 80 DaysContact: Miren AperribayT: (+34) 629308378E: fest@80egunean.comW: www.80egunean.comForeverContact: Silvia WongE: screenasia@yahoo.comHiphopdiningratContact: MarzukiMohammadE: mrzooki@yahoo.comHoneyContact: Yunus EmreKocakKedutaan Besar TurkiJl HR Rasuna Said Kav1 Dki Jakarta, 12950,IndonesiaT: 021-.525.6250E: emre.kocak@mfa.gov.trI Rule HereContact: MichalBrozonowiczE: michal@centrumswiata.plIncendiesContact: Deanne SowterEntertainment OneCanadaE: festivals@rogers.comJakarta MaghribContact: Salman AristoE: salman.aristo@gmail.comJoyContact: ClaudiaRudolph-HartmannBavaria FilmInternationalBavariafilmplatz 7,Building 782031 Geiselgasteig,GermanyT: +49 (89) 6499-3506F: +49 (89) 6499-3720E: Claudia.Rudolph@bavaria-film.deW: www.bavaria-filminternational.comKainContact: Marc GoyensE: marc@mindsmeet.beKickStart!Contact: Sofia SetyoriniIn DocsJl. Sutan Syahrir 1CBlok 3-4Jakarta Pusat 10350,IndonesiaT: 62-21-31925113 / 115F: 62-21-31925360E: sofie@in-docs.orgMinggu Pagi di VictoriaParkContact: Dewi UmayaRachmanPic[k]Lo ck Pro du c ti o nsJl. Cipete Dalam Rayano. 37 Cipete, JakartaSelatan,12410.T: 021-75904958E: dewiumaya@gmail.comMiss SaigonContact: Thomas ChiaE: thomas@lhp.com.sgOutrageContact: LaurenceBerbonTamasa Distribution63 rue de Ponthieu75008 Paris - FRANCET: +33 1 43 59 01 01F: +33 1 43 59 64 41E: c-ducinema@wanadoo.frW: www.tamasadiffusion.comwww.tamasainternational.comPinoy SundayContact: NatachaDevillersLes Petites LumiËres38 rue Servan, 75011Paris, France

T: +86 137 88 9060 27E: devillers.natacha@gmail.comRumah DaraContact: KimoStamboelE: thebrothersmo@gmail.comSang PemimpiContact: AndanariMiles FilmsJl. RC Veteranno. 55Unit FJ, BintaroPesanggrahan,TangerangT: 021-73889880E: milespublicist@yahoo.comSang PencerahContact: IrwansyahMultivisionPicturesRoxy Mas. Jl. KHHasyim AshariKav. 125 Blok C-30-34 Jak ar ta BaratT: 021-6335050E: irwansyah@mvppictures.co.idScott Pilgrim VSThe WorldContact: NellyPanigoroUnitedInternationalPictures IndonesiaJl. K.H. WahidHasyim No. 96,Jakarta 10340T: +62 21 3190 0022E: nelly_panigoro@uip.comS-Express ChineseContact: MaggieLeeE: maggnet@netvigator.comS-ExpressIndonesiaContact: VaradilaE: varadila@googlemail.comS-Express MalaysiaContact: AmirMuhammadE: kancah2001@yahoo.comS-ExpressPhilippinesContact: FrancisCruzE: oggsmoggs@yahoo.comS-ExpressSingaporeContact: NoraishahAbu BakarE: aishah@substation.orgS-Express ThailandContact: SanchaiChotirosseraneeE: xbom999@yahoo.comShadows of SilenceContact:PradeepanRaveendranE: exilimage@gmail.comSon of BabylonContact: KathrynWilsonHuman FilmADP House, 35Hanover Square,Leeds, LS3 1BQ, UKT: +44 (0) 113 2438880E: kathryn@humanfilm.co.ukSoul BoyWhen We LeaveContact: LannyTanulihardjaGoethe-InstitutJakartaJl. Sam Ratulangi9-15, MentengJakarta PusatT: +62-21-23550208F: +62 21 23550021E: tanulihardja@jakarta.goethe.orgW: www.goethe.de/jakartaSpace TouristsMelindaDjohansjahEmbassy ofSwitzerlandJl. H.R. RasunaSaid Blok X 3/2,Kuningan, Jakarta12950, IndonesiaT: +62 21 525 60 61(ext. 319)F: + 62 21 520 22 89Storm in My HeartTogetherContact: KnutSkinnarmoNorwegian FilmInstituteFilmens Hus,Dronningens gate16, Oslo, NorwayT: +47 22 47 45 00†E: ks@nfi.noF: +47 22 47 45 99Tanah Air BetaContact: AdeAlenia PicturesJl. Prapanca Rayano 35 GedungObor lantai 3,Kebayoran JakartaSelatanT/F. 7228251E: aleniapro@yahoo.comThe Blue MansionContact: AndrewNgE: biznautic@gmail.comThe CallerContact: EndahWahyu SulistiantiE: endah.ws@gmail.comThe Dancer andThe TramContact: RogerioNunesE: karmatique@gmail.comThe DescentContact: ShaiMiedzenskiE: shai.miz@gmail.comThe Secret FriendContact: FlavioAlvesE: FLALVES@AOL.COMThe Tiger FactoryInhalationContact: EdmundYeoE: eswiftfire@gmail.comThe WeddingPhotographerContact: GunnarAlmerSwedish FilmInstituteBox 27126 /Borgvaegen 1-5SE-102 52StockholmT: 46 8 665 1208E: gunnar.almer@sfi.seweb: www.sfi.seTurk’s HeadContact: FredericAlliodKedutaan BesarPerancisJalan Panarukanno. 35, Jakarta10310, IndonesiaT: (62-21) 3193 1795F: (62-21) 310 37 47E: frederic.alliod@diplomatie.gouv.frUncle BoonmeeWho Can Recall HisPast LivesDavid BauduinThe Match FactoryGmbHBalthasarstrasse79-8150670 Cologne,Germany.T: +49221539709-0F: +49221539709-10E: festivals@matchfactory.deW: www.thematch-factory.comWaiting for“Superman”Contact: NellyPanigoroUnitedInternationalPictures IndonesiaJl. K.H. WahidHasyim No. 96,Jakarta 10340Tel: +62 21 31900022E: nelly_panigoro@uip.comWorking GirlsContact: Nia DinataPT Kalyana ShiraFilmJl. Bunga MawarNo. 9Cipete SelatanJakarta - IndonesiaP: +62 21 750 3225F: +62 21 769 4318E: kalyanashira@yahoo.comPrint Sources51

Venue Guide12th Jakarta Int’l Film Festival 2010Festival CommitteeFOUNDERSNatacha DevillersShanty HarmaynYMMFI BOARDMEMBERSHarris LasmanaShanty HarmaynDitta AmahorseyaEric SasonoAdiyanto SumardjonoDaniel BudimanADVISORY BOARDChandra TanzilLorna TeeChristine HakimFelia SalimGoenawan MohamadFESTIVAL DIRECTORLalu RoisamriNauval YazidWORKING COMMITTEEVaradilla (Programming Officer)Penny Sylvania Putri (Operational Coordinator)Teddy Satrio (Website Officer)1Blitz MegaplexPacific PlaceJl. Jendral Sudirman Kav 52-53Jakarta SelatanPhone: +62-21-51400800Taufik Arrasyid Prayitno (Hospitality Coordinator)Pauna Atria Wanitri (Events Coordinator)Riezsa Gees (Membership &Ticketing Coordinator)Rizka Amalia (Invitation Coordinator)Nicko Silfido (Technical Coordinator)Mohammad Ideng Rusni (Film Traffic Coordinator)Venue Guide5223BINUS InternationalUniversityJl. Hang Lekir I / No.6Jakarta SelatanPhone: +62-21-7202222KineforumKomp.Taman Ismail Marzuki(TIM)Jln.Cikini Raya 73Jakarta Pusat 10310Phone: +62-21-3162780Adhizeza Nandra (Distribution Coordinator & Publicity Assistant)Husna Fauzi (Media Relations Officer)Sugar Nadia Azier (Operational Coordinator’s Assistant)Arie Kartikasari (Assistant of Programming Officer)Firza Fauzia (Assistant of Media Relations Officer)Andrie Noviantoro & Dipa Praga Andanu (Graphic Designers)Reuben Tourino (Audio Visual Editor)Ika Harini (Accountant)Lenny Meiluniawati (Finance Manager)Ferry Firmansyah (IT Officer)Syaifuddin, Sunardi, Husein (Office Assistants)Supriyono (Transportation)

Index3 Hati 2 Dunia 1 Cinta – p. 41*************************Address, The – p. 32Alangkah Lucunya Negeri Ini– p. 41Apple – p. 34Armadillo – p. 25Asleep in the Sun – p. 19**************************************************Incendies – p. 21Inhalation – p. 29*************************Ja Tu Rzadze (I Rule Here) – p.39Jakarta Maghrib – p. 16Joy – p. 21*************************Tanah Air Beta – p. 43Tickets – p. 36Tielmans, The – p. 32Tiger Factory, The – p. 30Titik Nol – p. 32To Siomai Love – p. 34Together – p. 23Turk’s Head – p. 20*************************Index58Bailarino e o Bonde(The Dancer and The Tram)– p. 38Because of You (Dahil Sa’yo)– p. 34Belki Bolang – p. 12Bhutto – p. 25Biutiful – p. 11Blue Mansion, The – p. 28Budrus – p. 26*************************Caller, The – p. 26Censored – p. 35Ciao Barbies – p. 39Colour of Ideas, The – p. 33*************************Day Alone, A(Sehari Sendiri) – p. 36Di Ujung Jalan – p. 14Don’t Burn – p. 28Durai and Saro – p. 36*************************Emak Ingin Naik Haji – p. 41*************************Film Roll (Rolyo) – p. 34Focal Point – p. 33For 80 Days – p. 19Forever – p. 28Four Boys, White Whiskeyand Grilled Mouse –p. 35*************************Glukhota (Deafness) – p. 39Good Man, A – p. 27*************************Hayerida (The Descent) – p. 38HipHopDiningrat – p. 15Homecoming – p. 37Honey – p. 20*************************Kaïn – p. 38Karaoke: Think Kindly – p. 35Kiamu!!! – p. 33KickStart! – p. 17*************************Minggu Pagi di Victoria Park– p. 42Miss Saigon – p. 29Mouth (Boca) – p. 34My Home (Rumah Sendiri) –p. 36*************************Nirvana – p. 35Nobody’s Home – p. 36*************************Outrage – p. 21*************************Petra Bond – p. 33Pinoy Sunday – p. 30Prisoner – p. 35*************************Rumah Dara – p. 42*************************Sang Pemimpi – p. 42Sang Pencerah – p. 43Scott Pilgrim vs The World –p. 22Secret Friend, The – p. 39Shadows of Silence – p. 39Sink [Vi] – p. 35Son of Babylon – p. 22Song of Solomon – p. 37Soul Boy – p. 23Space Tourists – p. 27Storm In My Heart – p. 23Uncle BoonmeeWho Can Recall His Past Lives– p. 31Vaishnav Jan Toh(Children of the Most High)– p. 38*************************Waiting for “Superman” – p. 10Ways of the Sea (Halaw) – p.31We Don’t Care for Democracy(Wala Kaming Pakialam saDemokrasya) – p. 34Wedding Photographer, The– p. 24When We Leave – p. 24Working Girls – p. 18*************************You and Me Put the ‘You’ and‘Me’in ‘You and Me’ – p. 33