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DAY 3<br />

www.ScreenDaily.com Editorial (852) 2582 8959 Advertising (852) 5439 4741<br />

Filmart is<br />

rocked by 4D<br />

Sexecution<br />

BY LIZ SHACKLETON<br />

Hong Kong producer Stephen Shiu<br />

Jr has one of the most popular<br />

booths at Filmart thanks to his<br />

slate of hot 3D movies and a teaser<br />

demonstration of a 4D Sex And Zen<br />

sequel.<br />

Shiu produced 3D Sex And Zen:<br />

Extreme Ecstasy which was the topgrossing<br />

local fi lm in Hong Kong<br />

last year, taking more than $5m. He<br />

is now prepping the sequel, Sex And<br />

Zen II: 4D Sexecution, which is<br />

being made for D-Box cinemas<br />

with motion simulators in the seats.<br />

“Golden Harvest has already<br />

installed D-Box in its Mongkok<br />

cinema and is planning to roll out<br />

the technology across its circuit of<br />

150 theatres,” Shiu explains. “We<br />

just have to prepare a special<br />

soundtrack that sends digital signals<br />

to the seats.”<br />

Before he unleashes 4D sex on<br />

the world, Shiu’s China 3D Digital<br />

Entertainment is producing<br />

another erotic film, Dong Guan<br />

Wood, based on the hit internet<br />

novel, which is being lined up for<br />

release over the National Day holidays<br />

in October.<br />

“This year the holiday lasts eight<br />

days so we hope mainland tourists<br />

will have time to come and see the<br />

fi lm,” Shiu said.<br />

Shiu is also developing several<br />

3D fi lms outside the erotic genre,<br />

including $20m action romance<br />

Iceman Cometh, to be co-directed<br />

by Donnie Yen and Sex And Zen<br />

director Christopher Sun. Yen will<br />

also star in the film, which is<br />

scheduled to start shooting in July.<br />

Beijing-based Wanda Media is on<br />

board as a co-producer.<br />

Singapore’s Media Development<br />

Authority (MDA) has announced the<br />

second edition of ScreenSingapore<br />

will move to December to take place<br />

at the same time as the Asia<br />

Television Forum (<strong>AT</strong>F).<br />

The co-organiser of the event is<br />

changing from Experia Events to<br />

WEDNESDAY, MARCH 21 2012<br />

NCM proposes remake<br />

of Japanese TV classic<br />

BY SEN-LUN YU<br />

Beijing-based New Classic Media<br />

(NCM) has partnered with Japan’s<br />

Fuji TV Network to co-fi nance and<br />

co-produce the Chinese film<br />

remake of 1991 hit Japanese TV<br />

drama 101st Marriage Proposal.<br />

The film will be called Say Yes,<br />

the title of the TV drama’s theme<br />

song. Taiwanese fi lm-maker Leste<br />

Chen (Love On Credit, Eternal Summer)<br />

will direct the $5.6m romantic<br />

drama with mainland actor Huang<br />

Bo (Crazy Racer) and Chiling Lin<br />

(Love On Credit, Red Cliff) starring.<br />

BY LIZ SHACKLETON<br />

Kadokawa Pictures has acquired<br />

all Japanese rights to Kevin Macdonald’s<br />

Bob Marley documentary<br />

Marley from Fortissimo Films.<br />

The fi lm is scheduled for theatrical<br />

release in North America and<br />

Say Yes is a Beauty And The<br />

Beast-style story about a down-onhis-luck<br />

man who has gone<br />

through 99 arranged dates to fi nd<br />

a future wife but all failed. He<br />

meets a beautiful cellist on the<br />

100th arranged date and immediately<br />

falls for her. But her heart is<br />

set on her ex-boyfriend. Without<br />

good looks or deep pockets, the<br />

man can only pursue his love with<br />

a sincere heart and perseverance.<br />

Former Beijing Galloping Horse<br />

executive Tina Shi and New Classic<br />

Media’s vice-president Zhang<br />

Kadokawa picks up Marley<br />

ScreenSingapore moves to December<br />

the UK on April 20, then will release<br />

worldwide throughout the summer<br />

to coincide with the 50th anniversary<br />

of Jamaican independence.<br />

The deal was brokered by Fortissimo’s<br />

executive vice-president<br />

Winnie Lau and Kadokawa’s Takeo<br />

Hong Kong director Ronny Yu at yesterday’s Saving General Yang press<br />

conference at Filmart. The $26m epic is produced by Pegasus Motion Pictures.<br />

Reed Exhibitions. Reed also<br />

organises the <strong>AT</strong>F which this year<br />

takes place December 4-7, while<br />

ScreenSingapore will be held<br />

December 5-7.<br />

Both events will take place at the<br />

Marina Bay Sands convention<br />

centre.<br />

ScreenSingapore was held for<br />

the first time in June 2011 and<br />

incorporated a trade show,<br />

conference and red carpet<br />

premieres of US and Asian films.<br />

This year’s edition will have a similar<br />

format and also tie up with<br />

UniFrance to host the premiere of a<br />

French film.<br />

Liz Shackleton<br />

<strong>AT</strong> <strong>FILMART</strong><br />

Wenbo will serve as producers of<br />

the fi lm. Shooting will start in May<br />

in Shanghai, Tokyo and Okinawa.<br />

The two Japanese actors from the<br />

original TV version, Atsuko Asano<br />

and Tetsuya Takeda, have indicated<br />

they will make cameo<br />

appearances. The release date is<br />

planned for February 2013.<br />

New Classic Media is a Beijingbased<br />

entertainment company<br />

which has made investments in<br />

films such as Mr And Mrs Single<br />

and Zhang Yimou’s Under The<br />

Hawthorn Tree.<br />

Kodera, general manager acquisitions,<br />

co-productions & sales international<br />

operations.<br />

The film was produced by<br />

Shangri-La Entertainment and<br />

Tuff Gong Pictures in association<br />

with Cowboy Films, which produced<br />

Macdonald’s The Last King<br />

Of Scotland.<br />

Panel shines<br />

light on script<br />

BY JEAN NOH<br />

Two writers and a producer from<br />

Hollywood stressed the importance<br />

of script development and<br />

structure in Asian cinema at a<br />

panel titled ‘Screenwriting for the<br />

global market’ here yesterday.<br />

To succeed in the global market,<br />

Kung Fu Panda screenwriter<br />

Glenn Berger advised scriptwriters<br />

and producers to keep their<br />

fi lms “as universal as possible on<br />

an emotional level and as specifi c<br />

as possible on a cultural level”.<br />

The panel also discussed the<br />

Hollywood and Asian screenwriting<br />

and development processes,<br />

with Hollywood having a more collaborative<br />

process than Asia where<br />

directors are often the scriptwriters<br />

and projects are greenlit more<br />

quickly with fl uid fi nancing.<br />

“You have to be able to take constant<br />

feedback, rewrite and find<br />

people who can help you with<br />

notes,” said screenwriter Rita Hsiao<br />

(Mulan, Toy Story 2).<br />

TODAY<br />

Review: Beautiful 2012<br />

NEWS<br />

French connection<br />

How fruitful has the 2010 China-<br />

France co-production treaty been<br />

for each side?<br />

» Page 4<br />

REVIEW<br />

Beautiful 2012<br />

Four singular and absorbing madefor-internet<br />

movies from four top<br />

Asian directors<br />

» Page 12<br />

Screen’s digital dailies<br />

View the Filmart daily on<br />

www.ScreenDaily.com<br />

This is Screen’s final Filmart print<br />

edition for 2012. Please follow our<br />

continuing Filmart news and<br />

reviews at ScreenDaily.com.<br />

Clover sets<br />

six-film slate<br />

BY LIZ SHACKLETON<br />

Singapore’s Clover Films is gearing<br />

up to release a slate of six productions<br />

before the end of the year, as it<br />

responds to growing demand in<br />

Singapore and Malaysia for locally<br />

produced fi lms.<br />

Scheduled to start shooting in<br />

the next few months, Jack Neo’s Ah<br />

Boys To Men is a two-part comedy<br />

about Singapore’s National Service.<br />

The fi rst part will be released<br />

towards the end of this year and<br />

the second part during Chinese<br />

New Year 2013.<br />

Currently in production, Give Me<br />

Four Numbers is a comedy drama<br />

about a dog who can predict lottery<br />

numbers. Clover is co-producing<br />

with MM2 Entertainment and<br />

Daniel Yun’s Homerun Pictures.<br />

Clover, which is also a buyer for<br />

Singapore, has three fi lms in postproduction:<br />

comedy horror Greedy<br />

Ghost, youth drama Imperfect and<br />

romantic comedy The Golden Couple.<br />

All three are co-productions<br />

with MM2 and other partners in<br />

Malaysia and Singapore.<br />

Clover is also co-producing previously<br />

announced horror film<br />

Inside The Urn, directed by Gilbert<br />

Chan, which starts shooting in June.<br />

Singapore films have recently<br />

found a new market in neighbouring<br />

Malaysia, where Clover co-production<br />

The Wedding Diary grossed<br />

$1.3m earlier this year.<br />

“Between Singapore and Malaysia<br />

we can now recoup a $1m<br />

budget, so other territories are extra<br />

revenue,” said Clover’s Lim Teck.

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