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DAY 3<br />
www.ScreenDaily.com Editorial (852) 2582 8959 Advertising (852) 5439 4741<br />
Filmart is<br />
rocked by 4D<br />
Sexecution<br />
BY LIZ SHACKLETON<br />
Hong Kong producer Stephen Shiu<br />
Jr has one of the most popular<br />
booths at Filmart thanks to his<br />
slate of hot 3D movies and a teaser<br />
demonstration of a 4D Sex And Zen<br />
sequel.<br />
Shiu produced 3D Sex And Zen:<br />
Extreme Ecstasy which was the topgrossing<br />
local fi lm in Hong Kong<br />
last year, taking more than $5m. He<br />
is now prepping the sequel, Sex And<br />
Zen II: 4D Sexecution, which is<br />
being made for D-Box cinemas<br />
with motion simulators in the seats.<br />
“Golden Harvest has already<br />
installed D-Box in its Mongkok<br />
cinema and is planning to roll out<br />
the technology across its circuit of<br />
150 theatres,” Shiu explains. “We<br />
just have to prepare a special<br />
soundtrack that sends digital signals<br />
to the seats.”<br />
Before he unleashes 4D sex on<br />
the world, Shiu’s China 3D Digital<br />
Entertainment is producing<br />
another erotic film, Dong Guan<br />
Wood, based on the hit internet<br />
novel, which is being lined up for<br />
release over the National Day holidays<br />
in October.<br />
“This year the holiday lasts eight<br />
days so we hope mainland tourists<br />
will have time to come and see the<br />
fi lm,” Shiu said.<br />
Shiu is also developing several<br />
3D fi lms outside the erotic genre,<br />
including $20m action romance<br />
Iceman Cometh, to be co-directed<br />
by Donnie Yen and Sex And Zen<br />
director Christopher Sun. Yen will<br />
also star in the film, which is<br />
scheduled to start shooting in July.<br />
Beijing-based Wanda Media is on<br />
board as a co-producer.<br />
Singapore’s Media Development<br />
Authority (MDA) has announced the<br />
second edition of ScreenSingapore<br />
will move to December to take place<br />
at the same time as the Asia<br />
Television Forum (<strong>AT</strong>F).<br />
The co-organiser of the event is<br />
changing from Experia Events to<br />
WEDNESDAY, MARCH 21 2012<br />
NCM proposes remake<br />
of Japanese TV classic<br />
BY SEN-LUN YU<br />
Beijing-based New Classic Media<br />
(NCM) has partnered with Japan’s<br />
Fuji TV Network to co-fi nance and<br />
co-produce the Chinese film<br />
remake of 1991 hit Japanese TV<br />
drama 101st Marriage Proposal.<br />
The film will be called Say Yes,<br />
the title of the TV drama’s theme<br />
song. Taiwanese fi lm-maker Leste<br />
Chen (Love On Credit, Eternal Summer)<br />
will direct the $5.6m romantic<br />
drama with mainland actor Huang<br />
Bo (Crazy Racer) and Chiling Lin<br />
(Love On Credit, Red Cliff) starring.<br />
BY LIZ SHACKLETON<br />
Kadokawa Pictures has acquired<br />
all Japanese rights to Kevin Macdonald’s<br />
Bob Marley documentary<br />
Marley from Fortissimo Films.<br />
The fi lm is scheduled for theatrical<br />
release in North America and<br />
Say Yes is a Beauty And The<br />
Beast-style story about a down-onhis-luck<br />
man who has gone<br />
through 99 arranged dates to fi nd<br />
a future wife but all failed. He<br />
meets a beautiful cellist on the<br />
100th arranged date and immediately<br />
falls for her. But her heart is<br />
set on her ex-boyfriend. Without<br />
good looks or deep pockets, the<br />
man can only pursue his love with<br />
a sincere heart and perseverance.<br />
Former Beijing Galloping Horse<br />
executive Tina Shi and New Classic<br />
Media’s vice-president Zhang<br />
Kadokawa picks up Marley<br />
ScreenSingapore moves to December<br />
the UK on April 20, then will release<br />
worldwide throughout the summer<br />
to coincide with the 50th anniversary<br />
of Jamaican independence.<br />
The deal was brokered by Fortissimo’s<br />
executive vice-president<br />
Winnie Lau and Kadokawa’s Takeo<br />
Hong Kong director Ronny Yu at yesterday’s Saving General Yang press<br />
conference at Filmart. The $26m epic is produced by Pegasus Motion Pictures.<br />
Reed Exhibitions. Reed also<br />
organises the <strong>AT</strong>F which this year<br />
takes place December 4-7, while<br />
ScreenSingapore will be held<br />
December 5-7.<br />
Both events will take place at the<br />
Marina Bay Sands convention<br />
centre.<br />
ScreenSingapore was held for<br />
the first time in June 2011 and<br />
incorporated a trade show,<br />
conference and red carpet<br />
premieres of US and Asian films.<br />
This year’s edition will have a similar<br />
format and also tie up with<br />
UniFrance to host the premiere of a<br />
French film.<br />
Liz Shackleton<br />
<strong>AT</strong> <strong>FILMART</strong><br />
Wenbo will serve as producers of<br />
the fi lm. Shooting will start in May<br />
in Shanghai, Tokyo and Okinawa.<br />
The two Japanese actors from the<br />
original TV version, Atsuko Asano<br />
and Tetsuya Takeda, have indicated<br />
they will make cameo<br />
appearances. The release date is<br />
planned for February 2013.<br />
New Classic Media is a Beijingbased<br />
entertainment company<br />
which has made investments in<br />
films such as Mr And Mrs Single<br />
and Zhang Yimou’s Under The<br />
Hawthorn Tree.<br />
Kodera, general manager acquisitions,<br />
co-productions & sales international<br />
operations.<br />
The film was produced by<br />
Shangri-La Entertainment and<br />
Tuff Gong Pictures in association<br />
with Cowboy Films, which produced<br />
Macdonald’s The Last King<br />
Of Scotland.<br />
Panel shines<br />
light on script<br />
BY JEAN NOH<br />
Two writers and a producer from<br />
Hollywood stressed the importance<br />
of script development and<br />
structure in Asian cinema at a<br />
panel titled ‘Screenwriting for the<br />
global market’ here yesterday.<br />
To succeed in the global market,<br />
Kung Fu Panda screenwriter<br />
Glenn Berger advised scriptwriters<br />
and producers to keep their<br />
fi lms “as universal as possible on<br />
an emotional level and as specifi c<br />
as possible on a cultural level”.<br />
The panel also discussed the<br />
Hollywood and Asian screenwriting<br />
and development processes,<br />
with Hollywood having a more collaborative<br />
process than Asia where<br />
directors are often the scriptwriters<br />
and projects are greenlit more<br />
quickly with fl uid fi nancing.<br />
“You have to be able to take constant<br />
feedback, rewrite and find<br />
people who can help you with<br />
notes,” said screenwriter Rita Hsiao<br />
(Mulan, Toy Story 2).<br />
TODAY<br />
Review: Beautiful 2012<br />
NEWS<br />
French connection<br />
How fruitful has the 2010 China-<br />
France co-production treaty been<br />
for each side?<br />
» Page 4<br />
REVIEW<br />
Beautiful 2012<br />
Four singular and absorbing madefor-internet<br />
movies from four top<br />
Asian directors<br />
» Page 12<br />
Screen’s digital dailies<br />
View the Filmart daily on<br />
www.ScreenDaily.com<br />
This is Screen’s final Filmart print<br />
edition for 2012. Please follow our<br />
continuing Filmart news and<br />
reviews at ScreenDaily.com.<br />
Clover sets<br />
six-film slate<br />
BY LIZ SHACKLETON<br />
Singapore’s Clover Films is gearing<br />
up to release a slate of six productions<br />
before the end of the year, as it<br />
responds to growing demand in<br />
Singapore and Malaysia for locally<br />
produced fi lms.<br />
Scheduled to start shooting in<br />
the next few months, Jack Neo’s Ah<br />
Boys To Men is a two-part comedy<br />
about Singapore’s National Service.<br />
The fi rst part will be released<br />
towards the end of this year and<br />
the second part during Chinese<br />
New Year 2013.<br />
Currently in production, Give Me<br />
Four Numbers is a comedy drama<br />
about a dog who can predict lottery<br />
numbers. Clover is co-producing<br />
with MM2 Entertainment and<br />
Daniel Yun’s Homerun Pictures.<br />
Clover, which is also a buyer for<br />
Singapore, has three fi lms in postproduction:<br />
comedy horror Greedy<br />
Ghost, youth drama Imperfect and<br />
romantic comedy The Golden Couple.<br />
All three are co-productions<br />
with MM2 and other partners in<br />
Malaysia and Singapore.<br />
Clover is also co-producing previously<br />
announced horror film<br />
Inside The Urn, directed by Gilbert<br />
Chan, which starts shooting in June.<br />
Singapore films have recently<br />
found a new market in neighbouring<br />
Malaysia, where Clover co-production<br />
The Wedding Diary grossed<br />
$1.3m earlier this year.<br />
“Between Singapore and Malaysia<br />
we can now recoup a $1m<br />
budget, so other territories are extra<br />
revenue,” said Clover’s Lim Teck.