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DAY 1<br />

www.ScreenDaily.com Editorial (852) 2582 8959 Advertising (852) 5439 4741<br />

John Woo<br />

Woo pushes<br />

1949 to 2013<br />

BY SEN-LUN YU<br />

John Woo’s epic about lovers torn<br />

apart during the Chinese Civil War<br />

has been postponed until early<br />

2013 due to actor-scheduling confl<br />

icts, and sources say Woo is planning<br />

to take advantage of the delay<br />

by shooting his long-cherished<br />

remake of Jean-Pierre Melville’s<br />

1967 classic Le Samourai this year.<br />

Woo’s producer and Lion Rock<br />

Production partner Terence Chang<br />

would not reveal much about the<br />

English-language film, which he<br />

hopes to announce in the next few<br />

weeks.<br />

Meanwhile, Zhang Ziyi and<br />

Song Hye-kyo are still lined up to<br />

star in the love story, tentatively<br />

titled 1949, which already has most<br />

of its budget in place, with backers<br />

including Beijing Galloping Horse,<br />

Zhejiang Huace Film and TV Corporation,<br />

and China Film Group.<br />

Lotte sells<br />

Ghastly horror<br />

BY JEAN NOH<br />

South Korean sales company Lotte<br />

Entertainment is launching sales<br />

here on horror film Ghastly starring<br />

Hyo-min, of popular girl<br />

group T-ara, in her acting debut.<br />

Directed by Ko Suk-min, the fi lm<br />

also stars Han Eun-jung and Lee<br />

Hyung-suk. Ghastly follows a family<br />

that goes through a twisted kidnapping,<br />

birth and death.<br />

Lotte has also started sales on<br />

romantic drama Architecture 101,<br />

starring Suji from girl group Miss<br />

A and Lee Je-hoon. Produced by<br />

Myung Films (Cyrano Agency), the<br />

film follows a man and a woman<br />

who fi nd each other again 15 years<br />

after they fell in love at fi rst sight.<br />

“The response to the fi lm’s previews<br />

has been hot,” said Lotte’s<br />

head of international investment &<br />

distribution Juyoung Park.<br />

MONDAY, MARCH 19 2012<br />

DW lands with Tycoon, Rose<br />

BY LIZ SHACKLETON<br />

Distribution Workshop, the Hong<br />

Kong-based sales arm of Chinese<br />

studio Bona Film Group, is at Filmart<br />

with a slate of hot projects<br />

including gangster thriller The<br />

Last Tycoon starring Chow Yun Fat.<br />

To be directed by Wong Jing, the<br />

fi lm tells the story of real-life gangster<br />

Du Yuesheng who built his<br />

crime empire in Shanghai in the<br />

1920s and 1930s. Infernal Affairs<br />

director Andrew Lau will produce<br />

Wanda Media has acquired<br />

mainland China distribution rights<br />

to war epic Warriors Of The<br />

Rainbow: Seediq Bale, directed by<br />

Taiwan’s Wei Te-sheng. The release<br />

is scheduled for early April. Wanda<br />

Media is the film production and<br />

distribution arm of Chinese realestate<br />

conglomerate Wanda Group<br />

and the sister company of cinema<br />

circuit Wanda Cinema Line,<br />

and Peter Pau is on board as DoP.<br />

The cast will also include martialarts<br />

maestro Sammo Hung. The<br />

project, previously known as Grand<br />

Shanghai, is in pre-production.<br />

Also new on Distribution Workshop’s<br />

slate is Christmas Rose, the<br />

directorial debut of Hong Kong star<br />

Charlie Yeung, which was selected<br />

as a HAF project in 2009. Aaron<br />

Kwok, Xia Yu and Kwai Lun-mei<br />

will star in the fi lm which has Wing<br />

Shya on board as production<br />

Wanda to unleash Warrior in China<br />

The film has yet to receive a<br />

screening permit from China’s State<br />

Administration of Radio, Film and<br />

Television (SARFT) but has been<br />

cleared on the reviewing process by<br />

Chinese censors, according to<br />

sources near Wanda and producer<br />

Jimmy Huang, who handles rights in<br />

Chinese-speaking regions on behalf<br />

of Wei’s ARS Film Productions.<br />

Wei has edited a 150-minute<br />

<strong>AT</strong> <strong>FILMART</strong><br />

designer and Henry Chung as DoP.<br />

At the time of its HAF selection,<br />

Oxide Pang was on board as producer,<br />

but Tsui Hark and Jacob<br />

Cheung will now produce the<br />

$3.5m project. Pre-production is<br />

scheduled to start in April.<br />

In addition, Distribution Workshop<br />

will introduce David Hsunwei<br />

Chang’s action comedy Double<br />

Trouble at a press conference here<br />

tomorrow. In post, the film stars<br />

Jaycee Chan, Xia Yu and Jessica C.<br />

Khoo fills Urn, engages Apprentice<br />

BY LIZ SHACKLETON<br />

Gorylah Pictures, one of two production<br />

labels run by Singapore<br />

fi lm-maker and Asian Film Awards<br />

jury president Eric Khoo, is joining<br />

forces with Clover Films and MM2<br />

Entertainment to co-produce<br />

supernatural thriller Inside The<br />

Urn (working title), to be directed<br />

by Gilbert Chan.<br />

The three companies previously<br />

collaborated on Chan’s hit horror<br />

film 23:59. His new project,<br />

scripted by Tan Fong Cheng, tells<br />

the story of a family haunted by a<br />

child spirit, known in South-East<br />

Asia as a Toyol, which has been<br />

invoked by a witch doctor from a<br />

dead human foetus. Production is<br />

scheduled to start in June for a<br />

year-end theatrical release in Singapore<br />

and Malaysia.<br />

Meanwhile, Khoo’s other Singapore-based<br />

production label, Zhao<br />

Wei Films, is developing Boo Junfeng’s<br />

Apprentice with Singapore’s<br />

Peanut Pictures and Akanga Film<br />

Asia. The film, tentatively scheduled<br />

to start shooting from the end<br />

of the year, tells the story of a<br />

Malaysian prison officer who<br />

strikes up a friendship with the<br />

prison’s chief executioner.<br />

Khoo will executive produce<br />

with Raymond Phathanavirangoon,<br />

Fran Borgia and Zhao Wei’s<br />

Gary Goh producing. Boo’s debut<br />

feature Sandcastle premiered in<br />

Critics’ Week at Cannes in 2010.<br />

Donnie Yen and Keanu Reeves were<br />

among the special guests at the<br />

inaugural Power Of Film Gala. The<br />

event took place last night at the<br />

Grand Hyatt to raise funds for FilmAid<br />

Asia, which uses the power of film to<br />

bring information and relief to<br />

refugees and other strife-torn<br />

communities around the globe.<br />

Reeves was an honouree at the gala<br />

alongside activist Duncan Jepson,<br />

while Yen is a member of the FilmAid<br />

Global Artist Council.<br />

version of the film for the mainland<br />

release, different from the version<br />

that premiered at Venice last year; a<br />

few of the brutal battle scenes have<br />

been taken out. The film took $29m<br />

in Taiwan in late 2011. Several<br />

mainland distributors showed<br />

interest in the film but Wanda<br />

Group’s strength in the exhibition<br />

sector is believed to have clinched<br />

the deal. Fortissimo Films handles<br />

sales for the film outside China.<br />

Sen-lun Yu<br />

TODAY<br />

Nicholas Tse<br />

NEWS<br />

Fighting fires<br />

Emperor Motion Pictures backs firefighting<br />

drama with Nicholas Tse<br />

» Page 6<br />

Universe launches big titles<br />

Chan to direct untitled police<br />

actioner, Pang shooting Conspirators<br />

» Page 7<br />

REVIEWS<br />

Love In The Buff<br />

Pang’s sequel to Love In A Puff is a<br />

relentlessly entertaining romance<br />

» Page 10<br />

SCREENINGS<br />

What’s screening today<br />

» Page 18<br />

Fortissimo goes<br />

Full Circle<br />

BY LIZ SHACKLETON<br />

Fortissimo Films has picked up<br />

international rights outside China<br />

to Zhang Yang’s upcoming feature<br />

Full Circle.<br />

In post-production, the film<br />

revolves around a group of lively<br />

senior citizens in a nursing home<br />

who compete in a television variety<br />

show. Veteran Chinese actors Wu<br />

Tianming, Xu Huanshan, Li Bin<br />

and Yan Bingyan head the cast.<br />

Produced by Ann An, Li Li and<br />

Zhang Qiang with the involvement<br />

of China Film Group and Desen<br />

International Media, the fi lm is set<br />

for a wide commercial release in<br />

China later this year. Founded in<br />

2006 by Ann An, Desen is a Beijing-based<br />

production and distribution<br />

outfit with production<br />

credits including 14 Blades, Ip Man<br />

2 and Lee’s Adventure.<br />

Meanwhile, Fortissimo has also<br />

sealed sales deals on other titles on<br />

its slate with new distributors in<br />

Korea and India.<br />

Korea’s JoyNContents Group<br />

has acquired Wei Te-sheng’s Warriors<br />

Of The Rainbow: Seediq Bale<br />

and Yonfan’s Bugis Street Redux,<br />

which recently screened in the<br />

Panorama section at Berlin. Both<br />

titles are being lined up for a<br />

Korean theatrical release.<br />

Start-up Indian distributor DAR<br />

Media Group acquired two horrorsuspense<br />

titles handled by Fortissimo,<br />

The Shock Labyrinth and<br />

Tormented, both directed by<br />

Takashi Shimizu. DAR plans to<br />

release the fi lms theatrically in 3D<br />

and 2D formats throughout India<br />

this summer.


Smuggler<br />

CAR takes<br />

US rights to<br />

Smuggler<br />

By Liz ShacKLEToN<br />

US-based Cinema Asia Releasing<br />

(CAR) has acquired North American<br />

rights to Japanese cult hit<br />

Smuggler, which premiered in the<br />

Midnight Madness section of last<br />

year’s Toronto film festival.<br />

The film, directed by Katsuhito<br />

Ishii (The Taste Of Tea), is based on<br />

a manga franchise of the same<br />

name created by Shohei Manabe.<br />

CAR’s recent acquisitions also<br />

include Korean titles Bedevilled,<br />

which played in Cannes’ Critics<br />

Week in 2010; Iris, starring Lee<br />

Byung-hung, and Rotterdam 2009<br />

Tiger Award winner Breathless. The<br />

distribution outfit has also acquired<br />

Thai mystery thriller Mindfulness<br />

And Murder, directed by UK-Thai<br />

film-maker Tom Waller.<br />

CAR was launched at Filmart<br />

last year by Los Angeles-based distribution<br />

veteran Ko Mori of Eleven<br />

Arts and producer Tim Kwok of<br />

Convergence Entertainment. The<br />

company plans to release eight to<br />

10 films a year theatrically in the<br />

North American market, while its<br />

other acquisitions will be positioned<br />

as VoD and DVD releases.<br />

all about M-Line’s Wife<br />

South Korean sales company M-Line<br />

Distribution is launching sales here at<br />

Filmart on romantic comedy All About<br />

My Wife. Directed by Min Kyu-dong<br />

(Antique, Memento Mori), the film<br />

stars Lee Sun-kyun from Oki’s Movie<br />

and Paju, and Lim Soo-jung from<br />

Come Rain, Come Shine.<br />

Tired of his wife’s nagging, Lee’s<br />

character schemes with a womanising<br />

neighbour to encourage her to have<br />

an affair so he can begin divorce<br />

proceedings.<br />

M-Line has also picked up Asian<br />

sales right for Yoo Ha’s wolf-hound<br />

thriller Howling starring Song Kang-ho<br />

(The Host) and Lee Na-young<br />

(Maundy Thursday). The company is<br />

also selling historical mystery<br />

melodrama Gabi and doing pre-sales<br />

on the Kim Jee-woon and Yim Pil-sung<br />

co-directed Doomsday Book.<br />

n 6 Screen International at Filmart March 19, 2012<br />

Emperor fights fires with<br />

Derek Kwok, Nicholas Tse<br />

By Liz ShacKLEToN<br />

Hong Kong-based Emperor<br />

Motion Pictures (EMP) is launching<br />

a big-budget fire-fighting<br />

drama at Filmart, to be directed by<br />

up-and-coming film-maker Derek<br />

Kwok with Nicholas Tse heading<br />

the cast.<br />

The as-yet-untitled project is<br />

scheduled to start shooting in the<br />

third quarter of this year for<br />

release in 2013. Tse, who is famous<br />

for performing his own stunts, will<br />

play a firefighter in a series of dramatic<br />

set pieces. Kwok, who has<br />

spent half a year researching the<br />

story, previously co-directed mar-<br />

tial-arts parody Gallants, which<br />

won best film at the Hong Kong<br />

Film Awards.<br />

Hong Kong’s Universe Films is<br />

also planning a disaster film about<br />

fire-fighting, a subject that has not<br />

been tackled in Hong Kong cinema<br />

since Johnnie To’s Lifeline in 1997.<br />

EMP is also launching sales on<br />

The Bullet Vanishes, a suspense<br />

thriller directed by Law Chi-leung<br />

and produced by Derek Yee, which<br />

also stars Tse along with Lau<br />

Ching Wan. Produced by China’s<br />

Le Vision Pictures, the film<br />

revolves around a series of mysterious<br />

murders in China’s largest<br />

armoury during the Republic era.<br />

The film is in post-production.<br />

EMP, whose parent company<br />

Emperor Group is celebrating its<br />

70th anniversary this year, is also<br />

selling new projects from Huang<br />

Lei, son of veteran Chinese filmmaker<br />

Huang Jianxin, and fastrising<br />

film-maker Daniel Chan.<br />

Huang Lei is making his directing<br />

debut with Angry Kid, on<br />

which his father serves as producer.<br />

EMP is also selling Heiward<br />

Mak’s Diva, starring Joey Yung<br />

and produced by Chapman To,<br />

which is tentatively scheduled for<br />

a summer release.<br />

Showbox sends Choi’s Thieves around Asia<br />

By JEaN Noh<br />

South Korean sales company<br />

Showbox has pre-sold Macau diamond<br />

heist film The Thieves to<br />

Dream Movie Entertainment for<br />

Singapore and Malaysia, Queen<br />

International Pictures for Indonesia<br />

and Catchplay for Taiwan.<br />

Directed by hit-maker Choi<br />

Dong-hoon (Tazza: The High Rollers<br />

and Woochi), The Thieves is<br />

expected to be released wide in<br />

each territory following its Korean<br />

release this summer. The film’s<br />

A-list ensemble cast includes Kim<br />

Yun-seok (The Yellow Sea), Kim<br />

Hye-soo (Tazza), Lee Jung-jae<br />

(The Housemaid), Gianna Jun<br />

“Howling has had good box office<br />

and this is its first Asian market so<br />

there’s a lot of interest, especially from<br />

Japan and China, and we expect to<br />

close deals on other territories as well,”<br />

said Nahie J Kim, manager at M-Line.<br />

“Gabi just opened in Korea and<br />

there’s a lot of interest from Asia and<br />

Europe. Since it stars Joo Jin-mo, it’s<br />

almost needless to say,” she said<br />

about the heart throb who stars as a<br />

Joseon Dynasty king in peril with a<br />

new-found taste for coffee.<br />

Doomsday Book is due for an April<br />

12 local release. The film stars Kim<br />

Kang-woo (Marine Boy), Ryoo Seungbum<br />

(The Unjust) and Song Sae-byuk<br />

(Meet The In-laws) in a sci-fi film<br />

made up of three short stories about<br />

a robot, a zombie invasion and a<br />

meteor crash.<br />

Jean Noh<br />

The Thieves<br />

(Snow Flower And The Secret Fan),<br />

Simon Yam (Ip Man) and Derek<br />

Tsang (Dream Home).<br />

The company is also launching<br />

sales on Take Off and 200 Pounds<br />

Beauty director Kim Yong-hwa’s<br />

all about My Wife<br />

Mr Go 3D. Budgeted at more than<br />

$20m, the film is about a gorilla<br />

that is trained to play pro-baseball.<br />

In production, the film is being<br />

shot in stereoscopic 3D, aiming for<br />

a summer 2013 release locally.<br />

Showbox is also having the<br />

market premiere of music<br />

romance Love On Air and has<br />

From Seoul To Varanasi screening<br />

at both Filmart and the Hong<br />

Kong International Film Festival.<br />

Its slate also includes local boxoffice<br />

hit Nameless Gangster: Rules<br />

Of The Time and upcoming action<br />

thrillers Confession Of Murder and<br />

A Company Man, as well as erotic<br />

thriller The Scent.<br />

Blind Detective,<br />

Switch make<br />

Media Asia bow<br />

By Liz ShacKLEToN<br />

Hong Kong’s Media Asia is introducing<br />

two high-profile projects at<br />

Filmart: Johnnie To’s crime drama<br />

Blind Detective and Jay Sun’s action<br />

drama Switch.<br />

Starring Andy Lau and Sammi<br />

Cheng, Blind Detective tells the<br />

story of a detective, forced to leave<br />

the service after turning blind, who<br />

tries to make a living by solving<br />

cold cases. It marks the first pairing<br />

of Lau and Cheng since Yesterday<br />

Once More in 2004. Media Asia has<br />

worldwide rights to Blind Detective,<br />

which is scheduled to start shooting<br />

in the next few weeks.<br />

Switch, formerly known as<br />

Dwelling In The Fuchun Mountains,<br />

is a $20m action adventure<br />

which is in post-production after<br />

shooting in several international<br />

locations including Dubai. Andy<br />

Lau, Zhang Jingchu and Lin Chiling<br />

head the cast.<br />

The story revolves around the<br />

famous Chinese landscape painting<br />

Dwelling In The Fuchun<br />

Mountains by Huang Gongwang,<br />

which was split in two 300 years<br />

ago. The film imagines the painting<br />

is to be put back together, and<br />

follows gangs of thieves as they<br />

scramble to steal it.<br />

Media Asia has South-East Asia<br />

rights to the film, with China Film<br />

Group holding rights in the rest of<br />

the world. Media Asia is also selling<br />

Pang Ho Cheung’s HKIFF<br />

opener Love In The Buff, To’s<br />

Romancing In Thin Air and Derek<br />

Tsang and Jimmy Wan’s Lacuna.<br />

Golden Sun hot<br />

for library deal<br />

By SEN-LuN yu<br />

Golden Sun Films had closed a<br />

package deal with Chinese stateowned<br />

TV giant CCTV-6 for IPTV-<br />

VoD rights to 500 titles worth an<br />

estimated $4.4m (rmb30m).<br />

Golden Sun Films has a library<br />

of more than 300 Chinese-language<br />

films featuring stars such as<br />

Jet Li, Jackie Chan, Donnie Yen<br />

and Andy Lau. China Central TV<br />

Corporation’s CCTV 6 is a specialist<br />

movie channel co-owned and<br />

managed by China’s state-owned<br />

studio China Film Group.<br />

Golden Sun is also looking to<br />

remaster its library titles into the<br />

HD format. “This is to ensure the<br />

quality of our films and also to<br />

take advantage of new distribution<br />

opportunities,” said Kathy Lan,<br />

chairwoman of Golden Sun Films.


New Pangs, Chan films<br />

headline Universe slate<br />

By Liz ShaCkLEtoN<br />

Hong Kong’s Universe Films Distribution<br />

is unveiling a slate of<br />

action films at Filmart, headed by<br />

new projects from the Pang brothers<br />

and Benny Chan.<br />

Chan’s as-yet-untitled project is a<br />

$16m police action film, revolving<br />

around the Narcotics Division of<br />

the Hong Kong Security Bureau.<br />

Pre-production is scheduled to start<br />

in August for delivery in the third<br />

quarter of 2013. Negotiations are<br />

underway for the cast, which will<br />

be revealed in the next few months.<br />

Oxide Pang, one half of the<br />

Pang brothers duo, is directing<br />

suspense action title Conspirators,<br />

starring Aaron Kwok and Nick<br />

Cheung. The story, which is a spinoff<br />

from Pang’s 2007 The Detective<br />

C+, follows Kwok’s character, a<br />

private detective based in Thailand,<br />

as he travels to Malaysia to<br />

unravel the truth behind his parents’<br />

death. Cheung plays a Malay-<br />

Conspirators<br />

sian detective. The $5m picture is<br />

currently shooting in Thailand,<br />

Malaysia and mainland China,<br />

with delivery expected towards the<br />

end of the year.<br />

The Pang brothers are also<br />

gearing up to direct a big-budget<br />

fire-fighting disaster movie,<br />

Inferno, starring Louis Koo, Lau<br />

Ching-wan and Angelica Lee.<br />

Universe’s slate also includes<br />

James Yuen’s romantic comedy My<br />

Sassy Husband, starring Ekin<br />

Cheng and Charlene Choi, which<br />

is in pre-production for release<br />

towards the end of the year.<br />

Meanwhile Danny Pang’s police<br />

thriller Fairy Tale Killer, starring<br />

Lau Ching Wan, is scheduled for<br />

local release on May 10.<br />

By SEN-LUN yU<br />

China’s leading internet TV site<br />

Youku Inc has launched Beautiful<br />

2012, its third annual original content<br />

campaign since 2010.<br />

The first titles in the campaign<br />

will be four ‘micro movies’ from<br />

award-winning Asian directors Gu<br />

Changwei, Tsai Ming-liang, Ann<br />

Hui and Kim Tae-yong, which<br />

have their world premieres at the<br />

Hong Kong International Film<br />

Festival (HKIFF) on March 22.<br />

NEWS<br />

Youku launches Beautiful programme<br />

By Liz ShaCkLEtoN<br />

Turkish cinema will have a presence<br />

for the first time at Filmart<br />

this year, through a booth organised<br />

by Turkey’s Izmir Cinema<br />

Association (ICA).<br />

ICA will be promoting new Turkish<br />

cinema which has been released<br />

or screened at film festivals over the<br />

past year, as well as films that are<br />

currently in production. Turkey’s<br />

regional cinema organisations have<br />

been increasing efforts to market<br />

Turkish films overseas following<br />

their recent success at the world’s<br />

The micro movies — a term<br />

coined in China for short films<br />

made for online viewing — will be<br />

released exclusively on Youku’s<br />

online platform over the next year.<br />

This is the first time HKIFF has<br />

showcased micro movies. The success<br />

of online-only movies, such<br />

as Xiao Yang’s Old Boys which was<br />

viewed 20 million times in two<br />

months on Youku, has seen<br />

increasing interest in the format<br />

from high-profile directors.<br />

turkey gets first Filmart push<br />

top film festivals. Notable titles<br />

being promoted on the Turkish Filmart<br />

stand include Nuri Bilge Ceylon’s<br />

Cannes favourite Once Upon A<br />

Time In Anatolia, Rasit Celikezer’s<br />

Sundance prize-winner Can and<br />

Reis Celik’s Night Of Silence, a Crystal<br />

Bear winner in Berlin.<br />

“Turkish cinema is promoted<br />

every year at Cannes and Berlin, but<br />

the large Far East market has not<br />

been included in this effort. Therefore<br />

it has become indispensable to<br />

represent Turkish cinema in Filmart,”<br />

said ICA’s Nesim Bencoya.<br />

March 19, 2012 Screen International at Filmart 7 n


HKTDC RAYMOND YIP<br />

■ 8 Screen International at Filmart March March19, 19, 2012<br />

Welcome<br />

On behalf of the Hong Kong Trade Development Council (HKTDC), welcome to<br />

the Hong Kong International Film & TV Market 2012 (<strong>FILMART</strong>). The 16th edition<br />

of <strong>FILMART</strong> features some 640 exhibitors from 31 countries and regions, a new<br />

exhibitor record.<br />

More than 5,200 buyers from over 50 countries and regions are expected to take part<br />

in the four-day event, from March 19-22.<br />

I am pleased to welcome more than 30 group pavilions this year, including fi rst-time pavilions from Hungary,<br />

Mexico and Turkey, and the return of the Independent Film and TV Alliance from the US. Given that the Chinese<br />

mainland has just expanded its annual quota of foreign movies from 20 to 34, more US fi lm companies are likely<br />

to turn to the China market, using Hong Kong as their gateway. Indeed, this year’s US pavilion is 25% larger than<br />

last year’s, thanks to sponsorship under the Pacifi c Bridge Initiative.<br />

Highlights this year include the return of the ACE Co-production Lab Hong Kong. About 20 Asian and European<br />

producers will participate in the four-day, project-based workshop organised by ACE-European Producer Network<br />

(Ateliers du Cinéma Européen). The European Union’s Media International, together with the Hong Kong – Asian<br />

Film Financing Forum, and the HKTDC, are lending support to the lab, which will offer panel discussions, market<br />

presentations, individual pitching and consulting sessions.<br />

A series of <strong>FILMART</strong> thematic conferences will also take place, spotlighting four topical themes: digital<br />

entertainment, new media, Asian TV programming, and screenwriting and the growth of Asian themes.<br />

<strong>FILMART</strong> is part of Entertainment Expo Hong Kong, the region’s annual leading entertainment industry gathering.<br />

This year’s expo presents nine multimedia events covering fi lm, television, digital entertainment and music.<br />

I wish you all the best of business at <strong>FILMART</strong> 2012 and a rewarding stay in Hong Kong.<br />

Raymond Yip<br />

Assistant Executive Director<br />

Hong Kong Trade Development Council


REVIEWS<br />

Reviews edited by mark Adams mark.adams@screendaily.com<br />

HKIFF IN bRIEF<br />

Woman In A Septic Tank<br />

Young Cinema Competition. Dir: Marlon<br />

Rivera. Phil. 2011. 90mins<br />

Filipino director Marlon Rivera’s freewheeling<br />

mockumentary about film-making in his<br />

country is a engagingly oddball jaunt<br />

through the slums of Manila and the homes<br />

of mega-rich performers. While at times it is<br />

scattershot in terms of the targets, there is a<br />

lot of fun to be had along the way — especially<br />

the wonderful performance by comedienne<br />

Eugene Domingo. The film blends<br />

outlandish comedy with musical numbers<br />

and has a little drama on the side. Initially a<br />

touch confusing, it finds its feet as the story<br />

draws on and ends on a real high.<br />

Mark Adams<br />

CONTACT QUANTUm FILmS jvalonso@<br />

yahoo.com<br />

About The Pink Sky<br />

Young Cinema Competition. Dir/scr: Keiichi<br />

Kobayashi. Jap. 2011. 113mins<br />

That old favourite the ‘coming-of-age’ story<br />

is dusted off to impressive effect in the entertainingly<br />

raw About The Pink Sky (Momoiro<br />

Sora O), charting the efforts of quirky high<br />

schooler Izumi (Ai Ikeda) to reunite a wallet<br />

she finds containing ¥300,000 (in the region<br />

of $4,000) to its rightful owner. Presented in<br />

black and white — but with a smart burst of<br />

colour at the closing credits — it is a thoroughly<br />

watchable and engaging indie Japanese<br />

film, driven by a confident and<br />

charismatic lead performance.<br />

Mark Adams<br />

CONTACT mICHAELGION PROdUCTIONS<br />

harada@michaelgion.jp<br />

The Look<br />

Gala Premiere. Dir: Angelina Maccarone. Fr.<br />

2011. 94mins<br />

Part biographical documentary and part a<br />

series of musings on life and art, this watchable<br />

film about actress Charlotte Rampling is<br />

a fascinating set of discussions between her<br />

and a series of photographers, writers and<br />

film-makers. It will intrigue those who are<br />

fans of her work and should appeal to festivals<br />

and niche arts broadcasters. For those,<br />

however, out for a look at her life and career,<br />

The Look might be rather unsatisfying given<br />

it features a series of head-to-head chats (or<br />

musings) rather than a plethora of film clips<br />

and gushing praise.<br />

Mark Adams<br />

CONTACT mK2 www.mk2-catalogue.film<br />

n 10 Screen International at Filmart March 19, 2012<br />

Love In The buff<br />

Reviewed by edmund Lee<br />

With 2010’s Love In A Puff, writer-director Pang<br />

Ho-cheung scored an unlikely triumph with a<br />

chain-smoking and chatty rom-com, almost<br />

through audience word-of-mouth alone. Latching<br />

on to its rapport with the audience, Love In The<br />

Buff is a Hong Kong-China co-production that<br />

partly forgoes its prequel’s quintessentially Hong<br />

Kong setting but makes up for this with its callous<br />

yet laugh-out-loud humour. The profanities also<br />

remain.<br />

The film opens the Hong Kong International<br />

Film Festival with its world premiere on March 21,<br />

before going on general release concurrently in<br />

late-March in Hong Kong, mainland China and<br />

various cities worldwide.<br />

Starting off with an absurdly funny short story<br />

included presumably just to parallel the original’s<br />

narrative structure, Love In The Buff quickly delves<br />

back into the relationship between cosmetic salesgirl<br />

Cherie (Miriam Yeung) and advertising executive<br />

Jimmy (Shawn Yue), which began at the end of<br />

Puff with a mutual vow to quit smoking.<br />

Jimmy turns out to be an immature workaholic<br />

who has an eye for beauties — all beauties — and<br />

Cherie a fed-up girlfriend who decides to move<br />

back to her mother. He jumps at his first job offer<br />

from China and the two’s affair fizzles out.<br />

The action then shifts to Beijing, where Jimmy<br />

hits it off with a gorgeous air hostess (Mimi Yang)<br />

Ace Attorney<br />

Reviewed by Mark Adams<br />

Manga meets video-gaming in the colourful, funny<br />

and thoroughly entertaining Ace Attorney<br />

(Gyakuten Saiban), a fantasy courtroom romp<br />

that sees always-busy Japanese director Takashi<br />

Miike show-off his appreciation for broad movie<br />

entertainment, and makes a nice contrast to<br />

his more recent heavyweight festival outings<br />

such as 13 Assassins and Hara-Kiri: Death Of A<br />

Samurai.<br />

Miike has never been one to rest on his laurels<br />

— his speedy follow-up to Hara-Kiri was Ninja<br />

Kids!!! — and his career has been based on variety<br />

rather sticking to one genre. A filmography that<br />

includes films as varied as Audition, Ichi The Killer,<br />

Zebraman and Sukiyaki Western Django speaks<br />

volumes about his interest in keeping things fresh<br />

and flexible.<br />

Ace Attorney is based on the popular Nintendo<br />

game (known as Gyakuten Saiban in Japan) set in<br />

2016, in which players take on the role of defence<br />

attorney in a futuristic courtroom setting.<br />

Clumsy young lawyer Phoenix Wright (Hiroki<br />

Narimiya) finds himself caught up in a complex<br />

series of court cases which all seem to be linked to<br />

a 15-year-old mystery known as the DL-6 case.<br />

When his boss Mia Fey (Rei Dan) is killed, Phoenix<br />

is called up to defend Mia’s young sister Maya<br />

(Mirei Kiritani), and finds himself up against<br />

WORLD pReMIeRe<br />

OpeNINg NIgHt FILM<br />

HK-Chi. 2012. 112mins<br />

director pang Ho-cheung<br />

Production company<br />

Making Film<br />

International sales Media<br />

Asia Distribution, www.<br />

mediaasia.com<br />

Producers pang<br />

Ho-cheung, Subi Liang<br />

Executive producer John<br />

Chong, Shi Dongming<br />

Screenplay pang<br />

Ho-cheung, Luk Yee Sum,<br />

based on characters<br />

created by pang<br />

Cinematography Jason<br />

kwan<br />

Editor Wenders Li<br />

Production designer<br />

Lok-Lam Ho<br />

music Alan Wong, Janet<br />

Yung<br />

main cast Miriam Yeung,<br />

Shawn Yue, Mimi Yang, Xu<br />

Zheng<br />

MARket<br />

Jap. 2012. 135mins<br />

director takashi Miike<br />

Production company/<br />

sales company Nippon<br />

television Network<br />

Corporation, www.ntv.co.jp<br />

Producer Okuda Seiji<br />

Screenplay takeshi Iida,<br />

Sachiko Oguchi, based on<br />

the Nintendo game<br />

Cinematography<br />

Masakazu Oka<br />

Editor kenji Yamashita<br />

music koji endo<br />

main cast Hiroki Narimiya,<br />

takumi Saitoh, Mirei<br />

kiritani, Akiyoshi Nakao,<br />

Shunsuke Daito, kimiko Yo,<br />

Ryo Ishibashi, Rei Dan,<br />

Fumiyo kohinata<br />

SCReenInGS, PAGe 18<br />

and moves in with her. Cherie will also move north<br />

— and finds a new admirer (Xu Zheng) — when her<br />

employer closes its Hong Kong business six months<br />

later. Their story settles into a pattern in which they<br />

repeatedly exchange text messages and meet up for<br />

romantic rendezvous behind the back of each other’s<br />

partner — a cycle the film dares its protagonists<br />

to break out from to find their happy ending.<br />

Though there are, as in the first film, naughty<br />

usages of Chinese slang that prove impossible to<br />

translate for English subtitles, and the movie’s three<br />

memorable cameos — of pop culture mainstays<br />

Ekin Cheng, Linda Wong and Huang Xiaoming —<br />

may not come across as funny for a foreign audience,<br />

Love In The Buff is still a relentlessly<br />

entertaining romance that should please more than<br />

a few viewers from any culture. The video that runs<br />

alongside this worthy sequel’s end credits, which<br />

documents Jimmy’s efforts to win back Cherie, has<br />

to be seen to be believed.<br />

super-cool prosecutor Miles Edgeworth (Takumi<br />

Saitoh), who had been a friend at school.<br />

Amazingly Phoenix wins the case, but things<br />

become even more complicated when Miles is<br />

accused of murder, and Phoenix is the only one who<br />

will defend him. He is assisted by Maya, along with<br />

schoolfriend Larry Butz (Akiyoshi Nakao) and plodding<br />

detective Dick Gumshoe (Shunsuke Daito).<br />

Together they tackle a complex case that also<br />

involves a white parrot called Polly and a giant<br />

inflatable Silver Samurai superhero character. Phoenix<br />

also has to face legendary prosecutor von Karma<br />

(Ryo Ishibashi), undefeated in court in 40 years.<br />

The actual courtroom battles are punctuated<br />

with the counsel’s ability to drag-down vast computer-generated<br />

screens to make their legal — or<br />

otherwise — points, and Takashi Miike has a lot of<br />

fun with his larger-than-life characters as they battle<br />

for truth and justice.


BETA CINEMA<br />

<strong>AT</strong> FILM ART 2012<br />

A FILM BY YASEMIN SAMDERELI – ASIAN PREMIERE<br />

Friday | March 30th | 7:30 p.m. | Macau Cultural Centre<br />

Tuesday | April 3rd | 9:30 p.m. | HK City Hall Theatre<br />

Sunday | April 8th | 5:00 p.m. | HK Arts Centre<br />

Hessen<br />

A NEW LOVE STORY<br />

FROM ACCLAIMED FILMMAKER DORIS DÖRRIE<br />

BASED ON THE BESTSELLING NOVEL „CRIME“ BY<br />

FERDINAND VON SCHIRACH<br />

A FILM BY M<strong>AT</strong>THIAS GLASNER<br />

BETA CINEMA PRESENTS A SCHWARZWEISS FILMPRODUKTION KNUDSEN & STREUBER MEDIENMANUFAKTUR OPHIR FILM AND NEOFILM PRODUCTION IN CO-OPER<strong>AT</strong>ION WITH ZDF AND ARTE<br />

BIRGIT MINICHMAYR JÜRGEN VOGEL HENRY STANGE ANE DAHL TORP MARIA BOCK STIG HENRIK HOFF IREN REPPEN<br />

DIRECTOR OF PHOTOGRAPHY JAKUB BEJNAROWICZ PRODUCTION DESIGN CLAUS RUDOLF AMLER COSTUME DESIGN SABINE KELLER FILM EDITOR HEIKE GNIDA SOUND DESIGN STEFAN SOLTAU & BJÖRN WIESE SOUND MIX DOMINIK RÄTZ MUSIC HOMESWEETHOME<br />

CO-PRODUCERS AAGE AABERGE DANIEL BLUM (ZDF) ANNE EVEN (ARTE) PRODUCED BY KRISTINE KNUDSEN M<strong>AT</strong>THIAS GLASNER ANDREAS BORN WRITTEN BY KIM FUPZ AAKESON DIRECTED BY M<strong>AT</strong>THIAS GLASNER<br />

JEROEN<br />

SPITZENBERGER<br />

NYNCKE<br />

BEEKHUYZEN<br />

KARL<br />

MARKOVICS<br />

A FILM BY RUDOLF VAN DEN BERG<br />

K<strong>AT</strong>JA<br />

HERBERS<br />

THE NEVER-TOLD STORY OF COURAGE, BETRAYAL AND SURVIVAL<br />

NASRDIN<br />

DCHAR<br />

BETA CINEMA PRESENTS A FU WORKS & CADENZA FILMS PRODUCTION BY SÜSKIND FILM FONDS IN CO-PRODUCTION WITH VARA UFILM TERRAS C.V.B.A. A FILM BY RUDOLF VAN DEN BERG “SÜSKIND”<br />

JEROEN SPITZENBERGER KARL MARKOVICS NYNCKE BEEKHUYZEN K<strong>AT</strong>JA HERBERS CASTING NETHERLANDS KEMNA CASTING CASTING ROMANIA CASTEL FILM COSTUME DESIGN LINDA BOGERS MAKE-UP IOANA MARIA SOUND DESIGN HERMAN PIEËTE CAS EXECUTIVE PRODUCER ROMANIA BOGDAN MONCEA MUSIC BOB ZIMMERMAN NANDO EWEG EDITING JOB TER BURG NCE PRODUCTION DESIGN HUBERT POUILLE DIRECTOR OF PHOTOGRAPHY GUIDO VAN GEMNEP NSC<br />

LINE PRODUCER MARDOU JACOBS CRE<strong>AT</strong>IVE PRODUCER ELS RIENTJES CO-PRODUCER ROBERT KIEVIT EXECUTIVE PRODUCERS ADRIAN POLITOWSKI GILLES W<strong>AT</strong>ERKEYN PIERRE SPENGLER PRODUCED BY SAN FU MALTHA JEROEN KOOLBERGEN REINIER SELEN WRITTEN BY CHRIS W. MITCHELL RUDOLF VAN DEN BERG DIRECTED BY RUDOLF VAN DEN BERG<br />

LOUIS<br />

HOFMANN<br />

LEON<br />

SEIDEL<br />

HEIKE<br />

MAK<strong>AT</strong>SCH<br />

BENNO<br />

FÜRMANN<br />

JOACHIM<br />

KRÓL<br />

PETER<br />

LOHMEYER<br />

DIRECTED BY HERMINE HUNTGEBURTH BASED ON THE BESTSELLING NOVEL BY MARK TWAIN<br />

BETA CINEMA PRESENTS A BORIS SCHÖNFELDER PRODUCTION BY NEUEN SCHÖNHAUSER FILMPRODUKTION IN CO-PRODUCTION WIT MAJESTIC FILMPRODUKTION FILMAUFBAU LEIPZIG ARD DEGETO NORDDEUTSCHER RUNDFUNK ARTE BAYERISCHER RUNDFUNK A FILM BY HERMINE HUNTGEBURTH<br />

“TOM SAWYER” LOUIS HOFMANN LEON SEIDEL HEIKE MAK<strong>AT</strong>SCH BENNO FÜRMANN JOACHIM KRÓL PETER LOHMEYER HINNERK SCHÖNEMANN THOMAS SCHMAUSER SYLVESTER GROTH ADNAN MARAL CASTING SIMONE BÄR CHILDREN’S CASTING JACQUELINE RIETZ MAKE UP BARBARA KREUZER JEANETTE KELLERMANN<br />

COSTUME DESIGN SABINE BÖBBIS SET DESIGN COLIN TAPLIN VFX SUPERVISORS MARKUS HAUF STEFAN KESSNER MAX STOLZENBERG MUSIC BIBER GULL<strong>AT</strong>Z ANDREAS SCHÄFER MORITZ FREISE SOUND MAX MEINDL SOUND DESIGN KAI TEBBEL MIX MARTIN STEYER MONTAGE EVA SCHNARE COMPOSITION NGO THE CHAU<br />

EXECUTIVE PRODUCER SUSA KUSCHE CO-PRODUCERS JÖRN KLAMROTH JEANETTE WÜRL ANDREAS SCHREITMÜLLER CORNELIUS CONRAD MICHAEL KÖLMEL WRITTEN BY SASCHA ARANGO BASED ON THE NOVEL BY MARK TWAIN CO-PRODUCER BENJAMIN HERRMANN PRODUCED BY BORIS SCHÖNFELDER DIRECTED BY HERMINE HUNTGEBURTH<br />

HONG KONG CONTACT 1C-D16 – EFP Umbrella Booth<br />

HEAD OFFICE Gruenwalder Weg 28d / D-82041 Oberhaching / Phone +49 89 673469 - 828 / beta@betacinema.com / www.betacinema.com


at <strong>FILMART</strong> 2012<br />

COLD WAR<br />

Directed by: Longman LEUNG and Sunny LUK<br />

Casting: (in alphabetical order)<br />

Aaron KWOK, Andy LAU, Tony LEUNG Ka-Fai,<br />

Eddie PENG, Aarif RAHMAN, Charlie YEUNG<br />

Asia’s safest city is about to be tested<br />

An edge-of-your-seat, grand scale police action film featuring the<br />

biggest names in Asian cinema<br />

Genre: Police Action<br />

Production Year: 2012<br />

Language: Cantonese/Mandarin<br />

Delivery: Summer 2012<br />

FIRST TIME<br />

Directed by: HAN Yan<br />

Casting: Angelababy, Mark CHAO, WEN Zhang,<br />

BAI Baihe, TIAN Yuan<br />

Though time can make a memory fade<br />

The feeling of the first love lasts forever<br />

A touching tale of first love between two of Asia’s most popular<br />

young stars<br />

Genre: Romantic Drama<br />

Production Year: 2012<br />

Language: Mandarin<br />

Delivery: Summer 2012<br />

1212, Tower 2, Admiralty Centre. 18 Harcourt Road, Hong Kong


BOOTH: 1D-B09, 1D-C10<br />

Contact:<br />

NIGHTFALL<br />

Directed by: CHOW Hin Yeung<br />

Casting: Nick CHEUNG, Simon YAM,<br />

Janice MAN, Kay TSE<br />

World Market<br />

Premiere<br />

In revenge, there’s a fine line between<br />

love and hate.<br />

A crime thriller pitting two screen giants against each other in a<br />

tense murder investigation<br />

Market Screening:<br />

March 20 (Tues), 18:00, HKCEC Meeting Room N202-N203<br />

March 21 (Wed), 15:30, HKCEC Meeting Room N201B<br />

Genre: Crime, Suspense, Thriller<br />

Production Year: 2012<br />

Language: Cantonese/Mandarin<br />

Delivery: Ready<br />

June WU<br />

Head of International Sales and Distribution<br />

Mobile: +852-9225-7233<br />

Direct: +852-2528-8046<br />

wujune@edkofilm.com.hk<br />

LOVE IS NOT BLIND<br />

Directed by: HENG Tengtao<br />

Casting: WEN Zhang, BAI Baihe<br />

Sometimes, breaking up means<br />

giving love a chance<br />

The box office hit of 2011, breaking $100 million RMB ($16M USD)<br />

in its first four days of release<br />

Market Screening:<br />

March 19 (Mon), 16:00, HKCEC Meeting Room N102-N103<br />

March 20 (Tues), 10:00, HKCEC Meeting Room N202-N203<br />

Genre: Romantic Comedy<br />

Production Year: 2011<br />

Language: Mandarin<br />

Delivery: Ready<br />

Tel: (852) 2529 3898 Fax: (852) 2529 5339 Email: info@edkofilm.com.hk


HAF ProFiLes<br />

The Vicious Criminal<br />

Dir Kazuya Shiraishi<br />

Country of origin Japan<br />

Japanese director Kazuya Shiraishi’s sophomore film —<br />

about a journalist who becomes obsessed with helping a<br />

death-row murderer to track down his even more psychotically<br />

violent mentor — may sound far fetched, but<br />

The Vicious Criminal is based on a true-life Japanese case.<br />

Based on the story of two men who killed seniors for<br />

money — which spawned a bestselling book — the crime<br />

film marks new territory for Shiraishi, whose idiosyncratic<br />

2009 debut Lost Paradise In Tokyo saw positive festival<br />

reviews in Japan, Busan, Dubai, Sao Paulo and Rotterdam.<br />

“It is a challenge but I’ll view the human characters<br />

with the same eye I did on Lost Paradise. I’m very excited,”<br />

says Shiraishi, who started out as an assistant director. He<br />

has enlisted the backing of veteran Nikkatsu producer<br />

Yoshinori Chiba, who masterminded the studio’s genre<br />

label Sushi Typhoon and whose producing credits<br />

include Takashi Miike’s Fudoh: The New Generation.<br />

“I was sure of his talent after seeing Lost Paradise In<br />

Tokyo,” says Chiba who has teamed up with Flamingo’s<br />

Satoshi Akagi to produce The Vicious Criminal. “I also<br />

think it takes too long for experienced assistant directors<br />

in Japan to make their directing debuts. I hope ADs like<br />

Shiraishi come up through the industry.”<br />

Shiraishi been influenced by directors he has worked<br />

with, including Koji Wakamatsu on Cycling Chronicles:<br />

Landscapes The Boy Saw, which played the Hong Kong<br />

International Film Festival in 2006. “Wakamatsu’s creative<br />

process in reflecting his views and criticisms of society<br />

through cinema was a great influence,” says Shiraishi,<br />

who is directing from a script by Takahashi Izumi.<br />

The producers hope to fill out the budget with financial<br />

partners looking to walk on the wild side of Japanese<br />

cinema. “We believe The Vicious Criminal is strong<br />

enough to sell to the global market,” says Chiba.<br />

Jason Gray<br />

The Vicious Criminal<br />

Budget $1.5m<br />

Finance raised to date $700,000<br />

Contact Naoko Komuro, Nikkatsu Corporation<br />

nkomuro@nikkatsu.co.jp<br />

n 14 Screen International at Filmart March 19, 2012<br />

A Night of Their own<br />

Dir Zhao Ye<br />

Country of origin China<br />

Zhao Ye has proved himself to be one of the more versatile<br />

independent film-makers in China, with credits<br />

including animation short Cai Wei, social drama Ma Wu<br />

Jia, the 2008 Pusan Fipresci prize-winner Jalainur and<br />

2010 family drama Last Chestnuts (produced by the<br />

renowned Japanese film-maker Naomi Kawase) under<br />

his belt.<br />

His fourth feature will be a low-budget drama about<br />

coincidence and irony, based on an original story by his<br />

long-term film-making partner and cinematographer<br />

Zhang Yi, which centres around two police detectives<br />

who cross paths with a man in love on a chilly night in a<br />

northern Chinese city. Their lives are changed forever<br />

when a gun is fired accidentally.<br />

“The shooting is intended to be on a cold winter night.<br />

Ideally I want it to be in the China/Russia border city<br />

Harbin. The cold and lonely atmosphere will create a<br />

nice contrast to the life sparkles that happen on that particular<br />

night,” says Zhao, who has written the script<br />

which he describes as a “simple but powerful story in<br />

which the three male actors will play important roles in<br />

the main drama of the story”.<br />

Currently in pre-production, the budget is set at a<br />

modest $315,000, with $80,000 already secured via<br />

Beijing-based Beijing Creative Art Talent Corporation,<br />

which is the production company behind the film.<br />

Charles Law and Li Shanshan are producing, with the<br />

team hoping to secure the rest of the budget over the<br />

next few months before the scheduled shooting date in<br />

November.<br />

Sen-lun Yu<br />

A Night of Their own<br />

Budget $315,000<br />

Finance raised to date $80,000 from the Beijing<br />

Creative Art Talent Corporation<br />

Contact Li Shanshan, Beijing Creative Art Talent<br />

Corporation hejshan@hotmail.com<br />

» The Vicious Criminal p14<br />

» A Night of Their own<br />

p14<br />

» Love: 1984 p14<br />

Love: 1984<br />

Dirs Peter Kerekes, Kazuhiro Soda<br />

Countries of origin Japan-Czech Republic-Slovokia<br />

New York-based Japanese director Kazuhiro Soda and<br />

Slovak director Peter Kerekes met at the 2011 edition of<br />

the DOX:LAB workshop in Copenhagen, Denmark,<br />

which pairs European Union and non European Union<br />

film-makers together to co-direct documentaries.<br />

“We are from very different histories and cultures but<br />

we wanted to work on something we could both relate<br />

to. One of Peter’s graduate students was half Japanese<br />

and half Slovak. That sparked the idea for Love: 1984,”<br />

says Soda of the documentary, exploring Japanese-Slovak<br />

love during the Communist era — a time that saw<br />

some Japanese students and their Slovak lovers risk<br />

crossing borders to escape oppression, while others were<br />

not reunited until after the Velvet Revolution.<br />

“During our long discussions we came up with other<br />

topics we had in common, but this one was something<br />

only a Japanese and a Slovak director could make,” adds<br />

Kerekes, whose 2009 documentary Cooking History won<br />

prizes at Toronto’s HotDocs, Chicago and Vienna.<br />

Meanwhile, Soda is no stranger to Hong Kong, having<br />

won the outstanding documentary prize for Mental at<br />

HKIFF in 2009 and best documentary for Peace two<br />

years later.<br />

Project initiator Patricia Drati of DOX:LAB believes<br />

HAF is the perfect home for the feature. “We have partnerships<br />

with various co-production markets. As Kazuhiro<br />

Soda is an Asian director, HAF was a natural choice.”<br />

Shooting is scheduled to begin in Japan in March and<br />

the Slovak portion in April and May. With a modest<br />

budget of $50,000, Soda and Kerekes agree the project<br />

feels like “going back to our film school days”. The pair<br />

are hoping the project will appeal to co-producers and<br />

buyers keen to bring to the screen a unique aspect of<br />

Asian-European history.<br />

Jason Gray<br />

Love: 1984<br />

» red Umbrella p16<br />

» Monsters p16<br />

» The MacLennan Affair<br />

p16<br />

Budget $50,000<br />

Finance raised to date $17,000 from Copenhagen’s<br />

DOX:LAB<br />

Contact Patricia Drati DOX:LAB patricia@cphdox.dk


HAF ProFiles<br />

red Umbrella<br />

Dirs Andri Cung, Edward Gunawan<br />

Country of origin Indonesia<br />

Disillusioned by what they saw as the trend in Indonesia<br />

for cheapened horror films with low production values,<br />

local film-makers Andri Cung and Edward Gunawan<br />

decided to make a short film that offered a different kind<br />

of horror. “Andri and I started working together when<br />

we co-wrote a feature-film screenplay at a year-long<br />

workshop in Jakarta, Indonesia. Midway through the<br />

workshop, we directed a short film together — the short<br />

film of Red Umbrella,” says Gunawan.<br />

It was selected for several international festivals and<br />

won the Best Asian Short Film prize at Screen Singapore<br />

which helped the pair develop the film into a feature.<br />

Centring around a taxi driver who picks up a beautiful<br />

woman who turns out to be a ghost, the feature is a murder<br />

mystery that eventually endangers the driver’s wife.<br />

Inspired by Indonesia’s heritage of realistic supernatural<br />

cinema, the co-directors plan to shoot mostly at<br />

night and entirely on location, with minimal light in<br />

order to capture the authentic Indonesian atmosphere.<br />

Gunawan, whose first short film was the award-winning<br />

Laundromat, made as part of Film Independent’s<br />

project fellowship programme in Los Angeles, is also<br />

producing for his company Add Word Productions<br />

(AWP), which he set up in 2006 to produce concerts,<br />

theatre productions and short films by young directors<br />

including fellow HAF entrant Lucky Kuswandi.<br />

AWP has also started producing feature films including<br />

Nia Dinata’s Arisan! 2 and Germany-Indonesia coproduction<br />

Children Of Srikandi, which premiered at the<br />

Berlinale Panorama in February.<br />

Originally a fashion and commercial photographer,<br />

Cung worked as an assistant director for television before<br />

directing commercials and music videos. Red Umbrella<br />

was his first short, and popular Indonesian actors Atiqah<br />

Hasiholan and Rio Dewanto will reprise their roles in the<br />

feature project. In pre-production, Red Umbrella will be at<br />

HAF looking for funds, co-producers and pre-sales.<br />

Jean Noh<br />

red Umbrella<br />

Budget $500,000<br />

Finance $150,000<br />

Contact Edward Gunawan edward@<br />

addwordproductions.com<br />

n 16 Screen International at Filmart March 19, 2012<br />

Monsters<br />

Dir Kim Baek-jun<br />

Country of origin South Korea<br />

Director Kim Baek-jun was inspired to write Monsters<br />

after hearing about ‘Bbang Shuttles’ — a slang term for<br />

victims of habitual bullying in contemporary Korean<br />

schools.<br />

The film will centre around an 18-year-old highschool<br />

student who enlists a mentally ill girl to help him<br />

escape his life being bullied by another student.<br />

“I think it will be important to follow the emotional<br />

changes of the main character. But not just as a personal<br />

story — bullying isn’t just an issue of a high-school riteof-passage.<br />

It is part of a bigger problem of structural<br />

violence in society,” says Kim, who thinks the film will be<br />

in the same vein as his previous feature Farewell, which<br />

also dealt with problems in Korean society, and was<br />

selected for the Butterfly competition at the Cinema Digital<br />

Seoul Film Festival last year.<br />

A graduate of Kyungsung University’s Department of<br />

Theater and Film, Kim’s debut feature My Dear Diary<br />

played in competition at the 2008 Jeonju International<br />

Film Festival.<br />

Monsters is being produced by Korean outfit JK Film,<br />

best known for commercial hits such as the 2009 tsunami<br />

blockbuster Haeundae, which sold more than 10<br />

million tickets at the Korean box office, and Harmony,<br />

starring Yunjin Kim. But CEO Kil Yeong-min is also<br />

keen to work on smaller budget films and decided to<br />

produce Monsters after reading the script, which Kim<br />

finished last year.<br />

While the project may not be a typically commercial<br />

one, Kim hopes to keep mainstream audiences in mind.<br />

With plans to set the film in Busan, the team will be at<br />

HAF looking for funds, sales agents and pre-sales. Casting<br />

is due to take place after HAF.<br />

Jean Noh<br />

Monsters<br />

Budget $750,000<br />

Finance $100,000 from private funds<br />

Contact Kil Yeong-min merroo@hanmail.net<br />

jungle1212@empal.com<br />

The Maclennan Affair<br />

Dirs Derek Tsang, Jimmy Wan<br />

Country of origin Hong Kong<br />

Based on a true story that occurred in Hong Kong in<br />

1980, The MacLennan Affair revolves around the death<br />

of Scottish police inspector, John MacLennan, who was<br />

found dead in his room as officers arrived to arrest him<br />

for soliciting male prostitutes.<br />

However, a local councillor received a tip informing<br />

her that his death was part of a cover-up to hide the identity<br />

of homosexuals among high-ranking civil servants.<br />

The ensuing scandal and media storm led to the most<br />

expensive commission of inquiry in Hong Kong history,<br />

and eventually resulted in the decriminalisation of<br />

homosexuality in Hong Kong.<br />

“What drew me most to this story is how few people in<br />

Hong Kong are aware that it ever happened. I’ve asked<br />

lots of people older than me and none of them can<br />

remember,” says Derek Tsang, who is co-directing with<br />

Jimmy Wan. “This was a big case and it’s a story that<br />

should be told.”<br />

Tsang and Wan are in the process of pulling together<br />

research and hope to find a co-writer for the mostly English-language<br />

script. They also hope to cast Western<br />

actors with international appeal.<br />

Tsang continues: “It is difficult to shoot Hong Kong in<br />

the 1980s, so we might have to shoot somewhere like<br />

Malaysia. We also need to build a lot of sets.”<br />

The film will be produced by Hong Kong-based producer<br />

Lorna Tee, one of the producers on the duo’s debut<br />

feature, portmanteau drama Lover’s Discourse, which was<br />

released early last year. Tee also recently produced Indonesian<br />

film-maker Edwin’s Berlin competition entry<br />

Postcards From The Zoo.<br />

Tsang and Wan also have a second feature in postproduction,<br />

romantic comedy Lacuna, set in Beijing and<br />

produced by Pang Ho Cheung, about a couple who wake<br />

up in bed together oblivious to what happened the night<br />

before.<br />

Liz Shackleton<br />

The Maclennan Affair<br />

Budget $5m<br />

Finance $20,000 private funds for development<br />

Contact Lorna Tee, Afterimage Production lorna.tee@<br />

gmail.com


SCreeningS<br />

edited by paul lindsell paul.lindsell@gmail.com<br />

Market<br />

screenings<br />

10:00<br />

The AdopTed<br />

See box, below<br />

ChinA new MediA<br />

CoMpAny online TV<br />

ShowreelS<br />

(China)<br />

Meeting room n202-n203,<br />

hKCeC<br />

ModeST reCepTion<br />

(Hong Kong, China)<br />

Drama, 100mins. HKIFF<br />

Industry Screenings<br />

@ Filmart. Dir: Mani<br />

Haghighi. Key cast:<br />

Taraneh Alidousti, Mani<br />

Haghighi, Esmail Khalaj<br />

A man and a woman<br />

drive through a war-torn<br />

mountain road in their<br />

SUV. The vehicle is stuffed<br />

with plastic bags full of<br />

cash. The man and the<br />

woman are giving the<br />

money away to the poor<br />

souls they encounter on<br />

the road. Is this a goodwill<br />

mission? A game of<br />

honour and temptation?<br />

A psychotic gamble? As<br />

the car ploughs through<br />

the icy terrain, answers<br />

become increasingly elusive<br />

and tension is built up to<br />

an unbearable pitch.<br />

Theatre 1, hKCeC<br />

n+n<br />

(Hong Kong) Drama,<br />

109mins. HKIFF Industry<br />

Screenings @ Filmart.<br />

Dir: Mo Lai Yan Chi. Key<br />

cast: Ricky Yeung, Mok<br />

Chiu Yu, Joyceln Kan<br />

Meeting room n102-n103,<br />

hKCeC<br />

priV<strong>AT</strong>e SCreening<br />

Meeting room n206-207,<br />

hKCeC<br />

repliCAS<br />

(Canada) Horror/<br />

Suspense, 100mins.<br />

Celluloid Dreams. Dir:<br />

Jeremy Power Regimbal.<br />

Key cast: Selma Blair,<br />

Joshua Close, James<br />

D’Arcy<br />

The Hughes’ cottage<br />

vacation is violently<br />

interrupted by a family on<br />

a murderous and identity-<br />

Market<br />

10:00<br />

n 18 Screen International at Filmart March 19, 2012<br />

The AdopTed<br />

(France) Drama,<br />

Romance, 100mins.<br />

Studiocanal.<br />

Dir: Melanie Laurent.<br />

Key cast: Melanie<br />

Laurent, Bruno<br />

Menochet, Marie<br />

Denarnaud<br />

Lisa and her adoptive<br />

sister Marine have been<br />

inseparable since they<br />

were 10 years old. With<br />

Lisa’s mother Millie, they<br />

stealing journey, in search<br />

of the ‘perfect’ life.<br />

Meeting room n101B, hKCeC<br />

SexuAl ChroniCleS of A<br />

frenCh fAMily<br />

(France) Drama, 82mins.<br />

Wide Management. Dir:<br />

Pascal Arnold, Jean-Marc<br />

Barr. Key cast: Philippe<br />

Duquesne, Adeline<br />

Rebeillard, Valerie Maes<br />

The daily life of a family is<br />

shaken suddenly when the<br />

youngest child, Romain, is<br />

caught masturbating and<br />

filming himself with his<br />

mobile phone, in biology<br />

class at school.<br />

Meeting room n204-n205,<br />

hKCeC<br />

The TAll MAn<br />

(France) Horror/<br />

Suspense 100mins. SND<br />

Groupe M6. Dir: Pascal<br />

have forged a deep bond<br />

that protects them from<br />

life’s hardships. Together,<br />

the three women offer<br />

Lisa’s young son, Leo,<br />

security and affection.<br />

When one of them falls<br />

in love, however, the<br />

quirky family’s balance<br />

is thrown off. Before they<br />

figure out how to start<br />

listening to each other,<br />

fate takes a tragic turn.<br />

Meeting room n104-n105,<br />

hKCeC<br />

Laugier. Key cast: Jessica<br />

Biel, Jodelle Ferland,<br />

Stephen McHattie<br />

Julia, is a nurse living in<br />

Cold Rock who does not<br />

believe in legends. Until<br />

one night, waking up<br />

with an eerie feeling, she<br />

goes to her son’s bedroom<br />

and finds his bed empty.<br />

Rushing downstairs she<br />

stops dead in her tracks:<br />

a huge dark figure stands<br />

in the entrance holding<br />

her son, David. Driven by<br />

pure instinct Julia rushes<br />

after them, willing to do<br />

whatever it takes to get her<br />

son back.<br />

Theatre 2, hKCeC<br />

10:30<br />

god SAVe My ShoeS<br />

(US, France)<br />

Documentary, 73mins.<br />

All Rights Entertainment.<br />

Dir: Julie Benasra. Key<br />

cast: Kelly Rowland,<br />

Fergie, Dita Von Teese<br />

Explores the intimate<br />

relationship women have<br />

with their shoes.<br />

Meeting room n209-n210,<br />

hKCeC<br />

Ken & MAry<br />

(Japan) Comedy, Drama,<br />

87mins. HKIFF Industry<br />

Screenings @ Filmart.<br />

Dir: Kenta Fukasaku. Key<br />

cast: Naoto Takenaka, Fu<br />

Bing, Kie Kitano<br />

Ken Katakura, a typical<br />

Japanese businessman,<br />

is on his way to Kuala<br />

Lumpur to break off<br />

the engagement of his<br />

daughter Yukari, whose<br />

wedding ceremony is<br />

scheduled in two days.<br />

However, his plane makes<br />

an emergency landing at<br />

a tiny airport in a remote<br />

part of Malaysia. By some<br />

coincidence, he becomes<br />

acquainted with a Chinese<br />

truck driver who speaks a<br />

little Japanese and says he<br />

knows Yukari. They set out<br />

together towards Kuala<br />

Lumpur. Can this rough<br />

pair, whose nationality,<br />

culture and character are<br />

different, arrive before the<br />

wedding ceremony?<br />

Meeting room n101A, hKCeC<br />

nAKed huMAn n<strong>AT</strong>ure<br />

(Hong Kong) Drama;<br />

Horror/Suspense;<br />

Organised Crime,<br />

Romance, 73mins. All<br />

Rights Entertainment.<br />

Dir: Anastasia Tsang,<br />

Ches Yim, Lee Siu Lung,<br />

Nip Ling. Key cast:<br />

Louise Wong, Grace<br />

Kam, Derek Wong<br />

Composed of three stories<br />

based on true events.<br />

The theme is to examine<br />

human nature with<br />

alternative perspectives<br />

— how the tortured,<br />

rejected and distorted<br />

souls, exposed to miserable<br />

circumstances, struggle to<br />

find a way out.<br />

Meeting room n111-n112,<br />

hKCeC<br />

11:00<br />

ToKyo newCoMer<br />

(China/ Japan) Drama,<br />

102mins. HKIFF Industry<br />

Screenings @ Filmart.<br />

Dir: Jiang Qinmin. Key<br />

cast: Qin Hao, Chieko<br />

Baisho, Zhang Jun-Ning<br />

Meeting room 201B, hKCeC<br />

TrouBleShooTerS!<br />

(China) Animation<br />

12mins. Reach Glory<br />

Communication. Dir:<br />

Luke Allen, Robert Nie<br />

In a small town called<br />

Mododo on a tiny planet<br />

on the other side of<br />

the galaxy, people<br />

encounter all kinds<br />

of funny and strange<br />

problems every day. Six<br />

kids have started their<br />

own business in their<br />

very cool clubhouse to<br />

help the children in<br />

their school and all the<br />

people in their village.<br />

They call themselves The<br />

Troubleshooters!, because<br />

they can help fix any<br />

problem. From finding a<br />

naughty goldfish in the<br />

bathroom to reaching the<br />

end of the rainbow, no<br />

problem is too big or too<br />

small for them to solve.<br />

Meeting room n211-n212,<br />

hKCeC<br />

12:00<br />

All in good TiMe<br />

(UK) Comedy, Romance,<br />

93mins. Studiocanal.<br />

Dir: Nigel Cole. Key cast:<br />

Reece Ritchie, Amara<br />

Karan, Meera Syal<br />

It is Atul and Vina’s<br />

wedding day but, as usual,<br />

Atul’s father Eeshwar<br />

upstages the happy couple.<br />

He is the life and soul<br />

of the party. Eeshwar’s<br />

boisterous presence and<br />

a booby-trapped bed<br />

sabotage Atul and Vina’s<br />

attempt to consummate<br />

their marriage. And when<br />

their honeymoon in Goa is<br />

cancelled, a slight problem<br />

is turning into a major<br />

issue. Soon, the news slips<br />

out that Atul has not<br />

honoured his beautiful<br />

bride. Their marriage is<br />

in meltdown… until help<br />

arrives from an unlikely<br />

source.<br />

Theatre 1, hKCeC<br />

AlMoST perfeCT<br />

(US) Comedy, Drama,<br />

Romance 106mins.<br />

Eleven Arts. Dir: Bertha<br />

Bay-Sa Pan. Key cast:<br />

Kelly Hu, Ivan Shaw,<br />

Christina Chang<br />

Busy with a nonprofit<br />

arts job and her<br />

dysfunctional family,<br />

34-year-old Vanessa barely<br />

has time for a life of her<br />

own. Things may finally<br />

change when an old friend<br />

re-emerges — an almost<br />

perfect man who just<br />

might be perfect for her.<br />

As sparks fly, her family<br />

starts to go up in flames.<br />

Will Vanessa remain in<br />

her family saviour role —<br />

or give romance a chance?<br />

Meeting room n104-n105,<br />

hKCeC


Cheers From heaven<br />

(Japan) Drama,<br />

114mins. Asmik Ace<br />

Entertainment. Dir:<br />

Makoto Kumazawa.<br />

Key cast: Hiroshi<br />

Abe, Mimura, Nanami<br />

Sakuraba<br />

An emotional drama,<br />

based on an incredible true<br />

story about a man who,<br />

knowing he doesn’t have<br />

much time left for himself,<br />

decides to build a music<br />

studio for local high-school<br />

kids so they can pursue<br />

their dreams.<br />

meeting room n211-n212,<br />

hKCeC<br />

GaTTU<br />

see box, above<br />

here, Then<br />

(China) Drama, 86mins.<br />

HKIFF Industry<br />

Screenings @ Filmart.<br />

Dir: Mao Mao. Key cast:<br />

Huang Tang Yijia, Li<br />

Ziqian, Wang Yizheng<br />

meeting room n102-n103,<br />

hKCeC<br />

JoyFUl reUnion<br />

(Taiwan) Drama,<br />

110mins. Creative<br />

Century Entertainment<br />

Co. Dir: Jui-Yuan Tsao.<br />

Key cast: Ah Lei Gua,<br />

Lan Ching Lung, Siyan<br />

Huo<br />

People once said love is<br />

like flavour: once you<br />

have a taste of it, you<br />

will never forget. Wa’er’s<br />

father runs a well-known<br />

vegetarian restaurant in<br />

Hangzhou. Wa’er herself<br />

is a successful manager of<br />

a luxurious health resort.<br />

Her boyfriend, Zhang<br />

Quan, is a computer-game<br />

designer from Taipei, who<br />

loves Wa’er but spends too<br />

much time in the virtual<br />

world.<br />

meeting room n101B, hKCeC<br />

sleepless Fashion<br />

(Thailand, China)<br />

Action/Adventure,<br />

Comedy, Drama,<br />

Romance, 60mins. Artop<br />

International Co. Dir: Yin<br />

Lichuan. Key cast: Vic<br />

Chou, Vivian Hsu, Alan<br />

Tam<br />

Alex is the chief editor<br />

of renowned fashion<br />

magazine Ming Shang.<br />

Zhou Xiaohui is a rising<br />

market<br />

12:00<br />

GaTTU<br />

(India) Action/<br />

Adventure, Children’s,<br />

Comedy, Drama,<br />

80mins. All Rights<br />

Entertainment. Dir:<br />

Rajan Khosa. Key cast:<br />

Mohammad Samad,<br />

Naresh Kumar<br />

In a small town in<br />

central India, kids and<br />

adults are obsessed<br />

with flying kites. The<br />

airspace is dominated<br />

by a black kite called<br />

star who won recognition<br />

from Alex and joined<br />

Ming Shang three years<br />

ago. However, Alex<br />

gradually feels exposed<br />

to threats from Zhou<br />

Xiaohui, so sets him up.<br />

Zhou Xiaohui is so angry<br />

that he leaves Ming Shang<br />

and starts his own fashion<br />

magazine called Modern,<br />

which is financed by his<br />

best friend Wuyang.<br />

meeting room n209-n210,<br />

hKCeC<br />

12:15<br />

lee’s advenTUre<br />

(China) Action/<br />

Adventure, Drama,<br />

Romance, Sci-fi,<br />

Fantasy, 91mins. Desen<br />

International Media<br />

(Beijing) Co. Dir: Frant<br />

Gwo, Yang Li. Key cast:<br />

Kali with mysterious<br />

origins. Street kid Gattu<br />

dreams of defeating Kali<br />

but fails. He discovers<br />

that the local school has<br />

a roof which will give<br />

him a vantage point.<br />

Inpersonating a student,<br />

he sneaks into the school<br />

and must now pretend to<br />

study. The only problem<br />

is that he is illiterate.<br />

meeting room n204-n205,<br />

hKCeC<br />

Jaycee Chan, Fiona Wang<br />

Lee suffers from Time<br />

Perception Disorder<br />

(TPD), a rare illness that<br />

makes one unable to judge<br />

the length of time. He has<br />

a boring job and likes to<br />

play video games in his<br />

spare time. Everything<br />

changes when Wang Qian<br />

steps into his life. Wang<br />

also suffers from TPD so<br />

understands Lee well. They<br />

fall in love but tragedy<br />

soon strikes. Wang Qian is<br />

killed in a traffic accident<br />

and Lee blames himself.<br />

Lee soon begins a journey<br />

through time trying to<br />

save his love.<br />

meeting room n202-n203,<br />

hKCeC<br />

roadside FUGiTive<br />

(Japan) Drama, 110mins.<br />

Picture Department Co.<br />

ltd. Dir: Yu Irie. Key cast:<br />

Eita Okuno, Ryusuke<br />

Komakine, Toshiya<br />

Nagasawa<br />

Down and out in his<br />

hometown of Saitama,<br />

the wannabe rap artist<br />

Mighty can only wallow<br />

in his misery. One day,<br />

he bumps into his former<br />

best friends when least<br />

expected. Unlike him, who<br />

has turned into a veritable<br />

fugitive, Ikku and Tom<br />

are still trying to become<br />

musicians. What will<br />

happen to their dreams,<br />

and to their future?<br />

meeting room n101a, hKCeC<br />

We noT naUGhTy<br />

(Singapore) Comedy,<br />

Drama, 137mins. mm2<br />

Entertainment Pte. Dir:<br />

Jack Neo. Key cast:<br />

Daniel Chan, Xiang Yun,<br />

Shawn Lee<br />

A poignant movie that<br />

examines the problems<br />

faced by parents and<br />

teenagers in Singapore’s<br />

current society.<br />

Theatre 2, hKCeC<br />

12:30<br />

17Th iFva hiGhliGhTs —<br />

The asCension<br />

(Hong Kong) Drama,<br />

7mins. Hong Kong Arts<br />

Centre. Dir: Stanley<br />

Leung, Gershon Sng,<br />

Matthew Tung, William<br />

Hall-Jones<br />

When a beggar happens<br />

upon a box with the power<br />

to change his life for the<br />

better, he demonstrates this<br />

ability to other beggars.<br />

However, to his horror,<br />

upon witnessing the box’s<br />

power, the others plot<br />

against him to obtain it.<br />

Eventually, they realise that<br />

the box is more than what<br />

it seems. What follows<br />

leaves the group in pure<br />

and utter awe.<br />

meeting room n206-n207,<br />

hKCeC<br />

17Th iFva hiGhliGhTs —<br />

demon Kills<br />

(Hong Kong) Drama,<br />

5mins. Hong Kong Arts<br />

Centre. Dir: Mak Yingping<br />

Troubled by hallucinations<br />

of demons around him,<br />

a boy decides to stand up<br />

and expose them. Bullied<br />

and isolated, the boy<br />

becomes more mentally<br />

unstable and goes into<br />

hiding. Upon discovering<br />

more demons lurk in<br />

the city, he decides to<br />

find out where they come<br />

from and embarks on a<br />

journey into the far north<br />

wilderness.<br />

meeting room n206-n207,<br />

hKCeC<br />

17Th iFva hiGhliGhTs<br />

— meeTinG oF The halF<br />

moons<br />

(Hong Kong) Drama,<br />

EvEntS, pagE 22<br />

20mins. Hong Kong Arts<br />

Centre. Dir: Ng Ho-yin<br />

meeting room n206-n207,<br />

hKCeC<br />

17Th iFva hiGhliGhTs —<br />

The TrUe sTory oF ah<br />

poon<br />

(Hong Kong) Drama,<br />

30mins. Hong Kong Arts<br />

Centre. Dir: Tsim Ho-tat,<br />

Suen Ching, Lam Honfung,<br />

Chak Hoi-ling<br />

meeting room n206-n207,<br />

hKCeC<br />

The Field oF<br />

enChanTmenT<br />

(France) 81mins. Wild<br />

Bunch. Dir: Claude<br />

Nuridsany, Marie<br />

Perennou. Key cast:<br />

Simon Delagnes, Lindsey<br />

Henocque, Jean-Claude<br />

Ayrinhac<br />

Two lonely children<br />

fall under the spell of<br />

a deserted pond that<br />

draws them closer to each<br />

other and gives them the<br />

strength to cope with life.<br />

Seen through their eyes<br />

and their imaginations,<br />

the pond becomes a secret<br />

kingdom, both marvellous<br />

and frightening,<br />

thronging with creatures<br />

born from dreams or<br />

nightmares.<br />

meeting room n111-n112,<br />

hKCeC<br />

12:45<br />

17Th iFva hiGhliGhTs —<br />

oh! Give me sTrenGTh<br />

(Hong Kong) Animation,<br />

Children’s, 3mins. Hong<br />

Kong Arts Centre. Dir:<br />

Pang Pui-yee<br />

Bill starts his journey to<br />

become stronger. How does<br />

he achieve his hope?<br />

meeting room n206-n207,<br />

hKCeC<br />

13:30<br />

parTy QUeen<br />

(Hong Kong) Animation,<br />

Drama, 10mins. Bubble<br />

Mon Licensing & Media<br />

Group/Bubble Mon<br />

Licensing (Int’l) Co. Dir:<br />

Wilson Lee, Andy<br />

Animation about some<br />

unexpected affairs faced by<br />

Party Queen and her loyal<br />

buddy Mr P, the adorable<br />

and friendly dog.<br />

meeting room n204-n205,<br />

hKCeC<br />

March 19, 2012 Screen International at Filmart 19 n<br />

»


market<br />

14:00<br />

love on-Air<br />

(Korea) Romance,<br />

120mins. Showbox/<br />

Mediaplex. Dir: Kwon<br />

Chil-in. Key cast: Lee<br />

Min-jung, Lee Jung-jin<br />

Jin-ah, the former<br />

leader of once-popular<br />

14:00<br />

Best of the Best from<br />

hKAfs — triBute to<br />

John sinArwi<br />

(Hong Kong) Animation<br />

60mins. Hong Kong<br />

Animation Filmmaker<br />

Society<br />

Showcases the selected<br />

and award-winning<br />

works by the members<br />

of the Hong Kong<br />

Animation Filmmaker<br />

Society.<br />

meeting room n211-n212,<br />

hKCeC<br />

Bye Bye Blondie<br />

(France) Drama, 98mins.<br />

Wild Bunch. Dir:<br />

Virginie Despentes. Key<br />

cast: Emmanuelle Beart,<br />

Beatrice Dalle, Soko<br />

Gloria is 40. With no job<br />

and no fixed address, she<br />

spends her time boozing<br />

in her local bar. Frances<br />

is also 40. Back in the<br />

1980s, Gloria and Frances<br />

met in a psychiatric<br />

hospital and ran away<br />

together. Back then they<br />

n 20 Screen International at Filmart March 19, 2012<br />

girl band Purple, hosts<br />

a radio show called<br />

Wonderful Radio. When<br />

the producer of the<br />

programme is sacked<br />

over low ratings, a new<br />

guy fills his shoes.<br />

meeting room n109-n110,<br />

hKCeC<br />

loved each other the way<br />

you love at 16: intense,<br />

wild. Sex, drugs and punk<br />

rock. Then life pushed<br />

them apart. Frances left<br />

Gloria — her first true<br />

love, her first broken heart.<br />

Now, 20 years later, their<br />

paths are about to cross<br />

again.<br />

meeting room n104-n105,<br />

hKCeC<br />

first Kiss<br />

(Thailand) Romance,<br />

104mins. Five Star<br />

Production Co. Dir:<br />

Kirati Nakintanon.<br />

Key cast: Khanungnij<br />

Jaksamithanont, Thakrit<br />

Hamannopjit, Tin<br />

Chokkamolkij<br />

Sa, 25 and single, meets<br />

Best, a grade-12 student<br />

on a bus. Fate plays tricks<br />

on them when, minutes<br />

after they meet, they kiss<br />

for the first time on that<br />

bus when they both stick<br />

out their heads to watch<br />

a roadside accident. Best<br />

is now determined to win<br />

Sa’s heart, despite his<br />

inexperience and the age<br />

difference.<br />

meeting room n206-n207,<br />

hKCeC<br />

love in the Buff<br />

(Hong Kong) Romance,<br />

111mins. HKIFF Industry<br />

Screenings @ Filmart.<br />

Dir: Pang Ho Cheung.<br />

Key cast: Miriam Yeung,<br />

Shawn Yu<br />

When two ex-lovers from<br />

Hong Kong cross paths<br />

in Beijing, they realise<br />

they still have feelings<br />

for each other and start<br />

orchestrating trysts and<br />

assignations behind their<br />

partners’ backs.<br />

theatre 1, hKCeC<br />

love on-Air<br />

see box, above<br />

night #1<br />

(Canada) Drama, 91mins.<br />

Wide Management.<br />

Dir: Anne Emond. Key<br />

cast: Catherine De Lean,<br />

Dimitri Storoge<br />

A bold and intimate study<br />

of a one-night stand.<br />

Clara and Nikolai meet<br />

at a sweat-soaked rave<br />

and end their night at his<br />

apartment.<br />

meeting room n204-n205,<br />

hKCeC<br />

nine-mile frAgrAnCe<br />

(China) Romance,<br />

98mins. Film Nine-Mile<br />

Fragrance. Dir: Wang<br />

Xing Jun. Key cast: Yu<br />

Na, Shi Xiao Hong<br />

A romantic but<br />

sentimental love story<br />

in Qiang and Tibetan<br />

villages in western China<br />

after the ‘5.12’ Wenchuan<br />

Earthquake.<br />

meeting room n202-n203,<br />

hKCeC<br />

ourAn high sChool<br />

host CluB<br />

(Japan) Comedy,<br />

Drama, 104mins. Tokyo<br />

Broadcasting System<br />

Television (TBS).<br />

Dir: Hang Chul. Key<br />

cast: Haruna Kawaguchi,<br />

Yusuke Yamamoto,<br />

Shunsuke Daito<br />

meeting room n101B, hKCeC<br />

ryuJin mABuyer the<br />

movie<br />

(Japan) Action/<br />

Adventure, 96mins.<br />

Mabuyer Planning.<br />

Dir: Tomoki Sano.<br />

Key cast: Shintaro<br />

Yamada, Issa, Judy<br />

Sachiko Fukumoto<br />

A live-action superhero<br />

TV series that has aired in<br />

Okinawa Island prefecture<br />

since 2008, makes its bigscreen<br />

debut<br />

meeting room n209-n210,<br />

hKCeC<br />

tAd, the lost explorer<br />

(Spain) Animation,<br />

89mins. Studiocanal.<br />

Dir: Enrique Gato<br />

Tad is a celebrity<br />

archeologist and<br />

adventurer just like his<br />

hero Max Mordon — in<br />

his dreams! In reality, Tad<br />

is a Chicago construction<br />

worker. One day, however,<br />

he is mistaken for a real<br />

professor and takes his<br />

place on a flight to Peru<br />

in search of the Lost City<br />

of Paititi.<br />

meeting room n111-n112,<br />

hKCeC<br />

ufo in her eyes<br />

(China) Drama, 110mins.<br />

HKIFF Industry<br />

Screenings @ Filmart.<br />

Dir: Xiaolu Guo.<br />

Key cast: Shi Ke, Udo<br />

Kier<br />

One very hot afternoon,<br />

the life of an anonymous<br />

Chinese village woman<br />

abruptly changes when<br />

she believes that she<br />

has just witnessed a<br />

UFO flying through the<br />

sky. The village chief<br />

takes advantage of this<br />

unexpected event to boost<br />

the poverty-stricken local<br />

economy.<br />

meeting room n102-n103,<br />

hKCeC<br />

14:30<br />

red teArs<br />

(Japan) Action/<br />

Adventure, Horror/<br />

Suspense, 87mins. All<br />

Rights Entertainment.<br />

Dir: Takanori Tsujimoto.<br />

Key cast: Natsuki Kato,<br />

Yuma Ishigaki, Yasuaki<br />

Kurata<br />

A serial killer leaves<br />

behind a trail of headless<br />

bodies.<br />

meeting room n101A, hKCeC<br />

15:00<br />

twisted<br />

(Singapore) Comedy,<br />

Horror/Suspense,<br />

94mins. mm2<br />

Entertainment Pte.<br />

Dir: Chai Yee Wei.<br />

Key cast: Mark Lee, Zhu<br />

Mi Mi, Linda Liao<br />

Is it karma, or just bad<br />

luck? The story revolves<br />

around a drug dealer<br />

who jailed a young girl,<br />

a pair of con men who<br />

want to turn over a new<br />

leaf, and four cabin-crew<br />

members whose lives were<br />

turned upside down over<br />

a fateful night of drugs<br />

and drink. This is a story<br />

of individuals with fates<br />

intertwined and how<br />

their paths clash. A series<br />

of twisted events that is<br />

both a study on cause<br />

and effect, and how our<br />

actions affect the people<br />

around us.<br />

theatre 2, hKCeC<br />

16:00<br />

Clip<br />

(Serbia) Drama, 102mins.<br />

Wide Management. Dir:<br />

Maja Milos. Key cast:<br />

Isidora Simijonovic,<br />

Katarina Pesic, Sonja<br />

Janicic<br />

Jasna is a beautiful girl in<br />

her mid-teens, leading the<br />

crude life of the post-war<br />

generation in Serbia. With<br />

a terminally ill father<br />

and dispirited mother,<br />

she is disillusioned and<br />

angry with everyone and<br />

everything, including<br />

herself. Having a huge<br />

crush on a boy from<br />

school, she goes on a spree<br />

of sex, drugs and partying,<br />

constantly filming on<br />

her mobile phone. In that<br />

very harsh environment,<br />

love and tenderness<br />

emerge.<br />

meeting room n204-n205,<br />

hKCeC<br />

girls for Keeps<br />

(Japan) Drama, 124mins.<br />

Tokyo Broadcasting<br />

System Television,.<br />

(TBS). Dir: Yoshihiro<br />

Fukagawa. Key cast:<br />

Karina, Kumiko Aso,<br />

Michiko Kichise<br />

Yukiko, Seiko, Yoko and<br />

Takako live in different<br />

worlds.<br />

meeting room n101B, hKCeC<br />

go! Boys’ sChool drAmA<br />

CluB<br />

(Japan) Comedy, Drama,<br />

85mins. HKIFF Industry<br />

Screenings @ Filmart.<br />

Dir: Tsutomu Hanabusa<br />

meeting room n104-n105,<br />

hKCeC<br />

love is not Blind<br />

(China) Comedy,<br />

Romance, 110mins. Edko<br />

Films Limited. Dir: Teng<br />

Huatao. Key cast: Wen<br />

Zhang, Bai Baihe<br />

Suddenly dumped by her<br />

boyfriend of seven years,<br />

Xiaoxian doesn’t think<br />

she can go on until her<br />

sassy, but jaded, co-worker<br />

forces her to realise how<br />

little she understands<br />

about love.<br />

meeting room n102-n103,<br />

hKCeC<br />

mAydAy 3dnA<br />

(Taiwan) Drama;


Documentary,<br />

96mins. Double Edge<br />

Entertainment. Dir:<br />

Kung Wen-Yen. Key cast:<br />

Mayday, Richie Ren,<br />

Rene Liu<br />

Combines live<br />

performances from the<br />

group’s DNA concert tour<br />

in Taiwan, Hong Kong,<br />

Singapore and China<br />

2010, integrating three<br />

fictional stories.<br />

Meeting Room N206-N207,<br />

HKCEC<br />

N<strong>AT</strong>IoNAL bASE FoR<br />

INTERN<strong>AT</strong>IoNAL CuLTuRAL<br />

TRADE PRoGRAMME<br />

Meeting Room N211-N212,<br />

HKCEC<br />

VIoLET AND DAISy<br />

(US) Organised Crime,<br />

88mins. Wild Bunch.<br />

Dir: Geoffrey Fletcher.<br />

Key cast: Saoirse Ronan,<br />

Alexis Bledel, James<br />

Gandolfini<br />

Screenwriter Geoffrey<br />

Fletcher’s visually<br />

adventurous directorial<br />

debut is a brutal fable<br />

about a pair of teenage<br />

assassins who believe<br />

they have landed a<br />

straightforward assignment<br />

but find themselves thrown<br />

off their game when their<br />

latest target is not who they<br />

expected.<br />

Meeting Room N111-N112,<br />

HKCEC<br />

WH<strong>AT</strong> THE…?<br />

(Korea) Drama, 120mins.<br />

Film Factory Nu:n. Dir:<br />

Kim Eu-Jin, Shim Sung-<br />

Bo. Key cast: Jung Yeon-<br />

Ju, Lee Yun-Soo<br />

Meeting Room N209-N210,<br />

HKCEC<br />

16:15<br />

THE FouRTH ST<strong>AT</strong>E<br />

(Germany) Action/<br />

Adventure, Drama,<br />

110mins. Celluloid Dreams.<br />

Dir: Dennis Gansel<br />

Action thriller set in<br />

Moscow. A reporter falls<br />

in love with an activist. A<br />

chain of events will tear<br />

his life apart, confronting<br />

him to secrets of his past.<br />

Meeting Room N201b, HKCEC<br />

GAbI<br />

(Korea) Action/<br />

Adventure 115mins.<br />

M-Line Distribution.<br />

Dir: Chang Youn-hyun.<br />

Key cast: Joo Jin-mo, Kim<br />

So-yeun, Park Hee-soon<br />

In 1896, when coffee was<br />

market<br />

16:30<br />

DANCING QuEEN<br />

(Korea) Comedy,<br />

Drama, 124mins.<br />

CJ Entertainment.<br />

Dir: Lee Seok-hoon.<br />

Key cast: Hwang Jungmin,<br />

Uhm Jung-hwa<br />

Jung-hwa is offered the<br />

first introduced to Korea,<br />

the Emperor of Chosun<br />

Dynasty falls in love with<br />

the bittersweet taste only<br />

to become involved in<br />

a conspiracy set up by<br />

Russia and Japan.<br />

Meeting Room N101A, HKCEC<br />

SNoWFLAKE<br />

(Japan) Drama,<br />

Romance, 74mins. Mode<br />

Films. Dir: Masaaki<br />

Taniguchi. Key cast:<br />

Mirei Kiritani<br />

A college girl, Mano,<br />

carries with her the<br />

memory and emotionally<br />

unresolved tragedy of<br />

losing her childhood friend,<br />

with whom she had made<br />

an unfulfilled promise.<br />

Meeting Room N109-N110,<br />

HKCEC<br />

16:30<br />

DANCING QuEEN<br />

See box, above<br />

18:00<br />

bLooD LETTER<br />

(Vietnam) Action/<br />

Adventure, 100mins.<br />

opportunity of becoming<br />

a singer-dancer. But<br />

chasing her dream<br />

comes to a halt by her<br />

husband’s declaration:<br />

He’s running for mayor<br />

of Seoul.<br />

Theatre 1, HKCEC<br />

Vietnam Media<br />

Corporation. Dir: Victor<br />

Vu. Key cast: Huynh<br />

Dong, Van Trang, Midu,<br />

Khuong Ngoc, Minh<br />

Thuan<br />

Meeting Room N206-207,<br />

HKCEC<br />

FRoM SEouL To VARANASI<br />

(Korea) Drama, 98mins.<br />

HKIFF Industry<br />

Screenings @ Filmart.<br />

Dir: Jeon Kyu-hwan. Key<br />

cast: Yoon Dong-hwan<br />

Meeting Room N104-N105,<br />

HKCEC<br />

uNIJAPAN SHoRT FILMS<br />

by youNG CRE<strong>AT</strong>oRS<br />

(Japan) Drama, 60mins.<br />

UNIJAPAN. Dir:<br />

Katsumata Yu, Morioka<br />

Ryu, Tazaki Megumi,<br />

Yoshino Kohei, Izuki<br />

Hajime. Key cast: Nitta<br />

Eri, Katsuo Mayuna, Iida<br />

Kaoru<br />

Meeting Room N102-N103,<br />

HKCEC<br />

youNG DuDES<br />

(Taiwan) Comedy, Sci-fi,<br />

Fantasy, 80mins. HKIFF<br />

Industry Screenings @<br />

Filmart. Dir: DJ Chen<br />

Yin-jung. Key cast:<br />

Edison Wang Po-chieh,<br />

Abe Tsuyoshi, Larisa<br />

Angela Burokova<br />

As the prophecy of<br />

the 2012 Apocalyse<br />

approaches, 30-yearold<br />

loser Adam Wu<br />

accidentally starts a<br />

revolution on Facebook,<br />

calling for people to<br />

join the world as one.<br />

Soon, his mission<br />

spreads like wildfire,<br />

and becomes a global<br />

phenomenon as reported<br />

by the media.<br />

Meeting Room N111-N112,<br />

HKCEC<br />

18:15<br />

Robo-G<br />

(Japan) Comedy, 111mins.<br />

Pony Canyon. Dir:<br />

Shinobu Yaguchi. Key<br />

cast: Shinjiro Igarashi,<br />

Yuriko Yoshitaka, Gaku<br />

Hamada<br />

Three flunky employees<br />

of Kimura Electric —<br />

Kobayashi, Ota and<br />

Nagai — are ordered by<br />

the company president<br />

to develop a bipedal robot<br />

to promote the company<br />

in an upcoming Robot<br />

Expo. But just one<br />

week before the big<br />

event, the robot-inproduction<br />

is smashed to<br />

smithereens.<br />

Meeting Room N101A, HKCEC<br />

PRIV<strong>AT</strong>E SCREENING<br />

Meeting Room N101b, HKCEC<br />

19:00<br />

NEVER ENDING SToRy<br />

(Korea) Romance<br />

114mins. 9Ers<br />

Entertainment. Dir:<br />

Joung Yong-Ju. Key cast:<br />

Uhm Tae-Woong, Jung<br />

Ryeo-Won<br />

A man and a woman are<br />

diagnosed with a terminal<br />

illness and they begin to<br />

plan the last ceremony of<br />

their life.<br />

Theatre 1, HKCEC<br />

WALK AWAy RENEE<br />

(France) Documentary<br />

90mins. Wild Bunch.<br />

Dir: Jonathan Caouette.<br />

Film-maker Jonathan<br />

Caouette embarks on<br />

a road trip to move his<br />

mentally-ill mother across<br />

the country.<br />

Theatre 2, HKCEC<br />

20:45<br />

bEAuTIFuL 2012<br />

(Hong Kong, China)<br />

Drama, 84mins. HKIFF<br />

Industry Screenings<br />

@ Filmart. Dir: Gu<br />

Changwei, Tsai Ming<br />

Liang, Kim Tae yong<br />

What is beautiful? Three<br />

Chinese-speaking filmmakers,<br />

plus South Korea’s<br />

Kim Tae-yong, give their<br />

singular visions to this<br />

eternal question.<br />

Meeting Room N101b, HKCEC<br />

SCREENINGS<br />

Editorial office: Room G202,<br />

second floor, Hong Kong<br />

Convention and Exhibition<br />

Centre, 1 Expo Drive, Wanchai,<br />

Hong Kong<br />

Filmart stand: Hall 1E, G26<br />

Editorial<br />

Tel (852) 2582 8959<br />

Editor<br />

Mike Goodridge, mike.<br />

goodridge@screendaily.com<br />

Asia editor<br />

Liz Shackleton,<br />

lizshackleton@gmail.com<br />

Reviews editor<br />

Mark Adams, mark.adams@<br />

screendaily.com<br />

Reporter<br />

Jean Noh, hjnoh2007@gmail.<br />

com<br />

Researcher<br />

Sen-lun Yu<br />

Group head of production<br />

and art<br />

Mark Mowbray, mark.<br />

mowbray@screendaily.com<br />

Sub-editors<br />

Medina Lau, Paul Lindsell<br />

Translator<br />

Arthur Chin<br />

Screenings<br />

Kelly Gibbens<br />

Photographer<br />

Andrew Ross, andrewross.biz<br />

Group editor<br />

Conor Dignam<br />

Advertising<br />

Tel (852) 2582 8958<br />

Sales consultants<br />

Ingrid Hammond (852) 5439<br />

4741, ingridhammond@mac.<br />

com<br />

Gunter Zerbich<br />

(44) 7540 100 254, gunter.<br />

zerbich@screendaily.com<br />

Production manager<br />

David Cumming (44) 7739<br />

302 136, david.cumming@<br />

emap.com<br />

Commercial director<br />

Alison Pitchford<br />

Printer<br />

Rising Sun Offset Printing Co<br />

Ltd, Flat A and B, 13/F, Wing<br />

Wah Industrial Building, 677<br />

King’s Road, North Point,<br />

Hong Kong<br />

Tel: (852) 2811 4632<br />

Fax: (852) 2561 7889<br />

Email: risingsunprinting@<br />

gmail.com<br />

Screen International,<br />

London<br />

Greater London House,<br />

Hampstead Road, London<br />

NW1 7EJ, UK<br />

Subscription enquiries<br />

Tel: (44) 1858 438 847<br />

Fax: (44) 1858 461 739<br />

sci@subscription.co.uk<br />

March 19, 2012 Screen International at Filmart 21 n


EvEnts<br />

SeminarS<br />

and eventS<br />

monday 19<br />

10.00<br />

nEw MEdia: nEw<br />

ProsPEcts for<br />

onlinE distribution<br />

of EntErtainMEnt<br />

contEnts<br />

venue Stage, Hall 1, Hong<br />

Kong Convention &<br />

Exhibition Centre<br />

conference moderator Mike<br />

Goodridge, editor, Screen<br />

International<br />

introduction Xinyu Huang,<br />

senior vice-president of<br />

Greater China, comScore<br />

Panel speakers Geng Xiao<br />

Hua, operations vicepresident,<br />

QIYI; Zhu<br />

Huilong, vice-president<br />

of film operations and<br />

corporate development,<br />

Youku.com; Amit<br />

n 22 Screen International at Filmart March 19, 2012<br />

Malhotra, vicepresident<br />

of program<br />

distribution, Disney<br />

Media Distribution (Asia<br />

Pacific), The Walt Disney<br />

Company; Anthony<br />

Zameczkowski, head of<br />

music, YouTube APAC;<br />

Pierre Cheung, vicepresident<br />

and general<br />

manager, Greater China,<br />

BBC Worldwide.<br />

Content producers<br />

and distributors are<br />

making remarkable<br />

returns from distributing<br />

their TV and film<br />

programmes through<br />

online VoD channels.<br />

This panel will examine<br />

the opportunities and<br />

challenges for online<br />

content distribution.<br />

11.30<br />

‘wu dang’ PrEss<br />

confErEncE<br />

venue Event Room,<br />

Hall 1, Hong Kong<br />

Convention & Exhibition<br />

Centre<br />

12.30<br />

Haf wElcoME luncH<br />

venue Port Café, level 2,<br />

Hong Kong Convention<br />

& Exhibition Centre. By<br />

invitation only<br />

13.00<br />

crEativE MarkEting<br />

solution: learn how to<br />

promote your production<br />

through facebook with a<br />

$10m incentive<br />

risk ManagEMEnt in tHE<br />

MEdia industry<br />

venue Studio, Hall 1,<br />

Hong Kong Convention<br />

& Exhibition Centre<br />

14.00<br />

EntErtainMEnt ExPo<br />

Hong kong (EE) 2012<br />

venue Stage, Hall 1, Hong<br />

Kong Convention &<br />

Exhibition Centre<br />

Press conference and<br />

event launch<br />

14.30<br />

‘francE-cHina, towards<br />

a strongEr crEativE<br />

PartnErsHiP?’ sEMinar<br />

venue Event Room,<br />

Hall 1, Hong Kong<br />

Convention & Exhibition<br />

Centre<br />

conference moderator<br />

Patrick Frater, CEO, Film<br />

Business Asia<br />

Panel speakers Wang<br />

Fang-Hui, producer,<br />

Bayoo; Barbie Tung,<br />

producer; Juliette<br />

Grandmont, producer,<br />

Clandestine Films;<br />

Isabelle Glachant,<br />

producer; Philippe<br />

Muyl, director; Olivier-<br />

René Veillon, executive<br />

director, Ile de France<br />

Film Commission<br />

15.00<br />

taiwan Party<br />

venue Studio, Hall 1,<br />

Hong Kong Convention<br />

& Exhibition Centre<br />

16.00<br />

2012 MEdia asia<br />

PrEsEntation<br />

venue Stage, Hall 1,<br />

Hong Kong Convention<br />

& Exhibition Centre. For<br />

press and selected guests<br />

only<br />

17.00<br />

‘son of tHE stars’ PrEss<br />

confErEncE<br />

venue Event Room,<br />

Hall 1, Hong Kong<br />

Convention & Exhibition<br />

Centre<br />

18.00<br />

tHE 6tH afa rEd carPEt<br />

and cocktail rEcEPtion<br />

venue Expo Drive, Hong<br />

Kong Convention &<br />

Exhibition Centre. By<br />

invitation and RSVP only<br />

20.00<br />

tHE 6tH asian filM<br />

awards PrEsEntation<br />

cErEMony<br />

venue Grand Hall, Hong<br />

Kong Convention &<br />

Exhibition Centre. By<br />

invitation only<br />

22.00<br />

tHE 6tH aftEr awards<br />

Party<br />

venue Pool Podium,<br />

Grand Hyatt. By<br />

invitation and RSVP only


Meet the Brits<br />

and visit UK companies at the<br />

UK Film Centre<br />

Filmart stand 1D-E07<br />

Organised by Supported by<br />

Film Export UK: T +44 800 756 5616 E info@filmexportuk.com

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