threemonthly edition july_august_september 2003 issue 7 ... - Teclux

threemonthly editionjuly_august_september 2003issue 7modular lighting magazine

Editorial01 SnowWhite and the Magnificent 7 by Peter01_CONTENT05_PRODUCT SPECIALnomad, lotis, giro, boxlite and flush dynamix09_MMMODULARModular dishes13_SLUTFairy tale comic02_EDITORIALBye, bye, Zinetta ...06_ANGELO & ANGELINOHot studs being waterproof but not beerproof10_LOOKING FOR MOTIVATED PEOPLEdie Ortlahner Schuhplattlergruppe14_AGENDAExhibitions and events03_PROJECTSThis chapter shows a grasp of recently finished projects07_MODUNEWSRecent news of fairs and exhibitions11_GREGOIRFairy tale04_ELEVEN QUESTIONS ...... to Benjamin Demeyere08_ŒUVRESofie Muller12_MODU REVIEW PAGEBeen here, seen this?FAR LEFT DWARF:DOMINIQUE MEERSMANDWARF NEXT TO FAR LEFT DWARF:BERNARD ROMMENSTHIRD DWARF FROM THE LEFT:BRAM COUVREURDWARF IN THE MIDDLE:LAURENT GERMONPREZFEMALE DWARF:LIESELOT VANDEMAELECOOL DWARF:PETER WILLEMSDWARF ON THE RIGHT:TOON STOCKMANZinetta 07Zinetta is published three monthly by Modular Lighting Instruments NV.Zinetta editions are entirely made by RotoR.Printed on 30.800 copies. Not to be sold. Distributed by a localModular Lighting Instruments Dealer or by a local fan club.Although Zinetta has endeavoured to ensure that all information iscorrect, all info in this magazine may be subject to change.Zinetta would like to thank the following contributing players:Editorial Office: RotoR crew & associated Modular membersLayout, illustrations and concept: RotoRContributing photographers: Studio Boa, RotoRContributing illustrators: Benjamin Demeyere, Pieter De PoortereFor subscriptions contact our website:www.supermodular.com/zinetta.Editorial office and other enquiries: Ms. Zinetta,Rumbeeksesteenweg 258-260, B-8800 Roeselare, Belgium,phone +32 51 25 27 25, zinetta@supermodular.com.2

Bye, bye, Zinetta ...“Hey dreamer boy” she said, waving her hand in front of my eyes, “How far awayare you?” I couldn’t have been more lost in my daydream as I was gazing at one ofScotland’s most beautiful pieces of countryside. Zinetta had booked a “murder andmystery” trip and had asked lucky me to accompany her. This was our first nightthere and we were having a Bloody Mary on one of Castle McManaman’s mostbeautiful terraces.“Well”, she continued, “I was reading this book on fairy tales and modern daythrillers and what their actual meaning was in the olden days compared to today.After I finished my reading, I picked up the phone and booked us this trip. “Oh? Ididn’t know you were so impulsive...” I grinned. She didn’t even pay attention to myplayful remark. “To hell with sunny beaches and traditional holidays, we’re here forsome pure spine-tingling mystery, my dear Watson. The brochure says that we justhave to check in at the hotel and that the rest will be taken care of!”At that very moment, a waiter arrived with an envelope on a silver plate with myname written on it in red ink. “They’re in quite a hurry to murder somebody”, Ilaughed. But my laughter didn’t last long as I read the old-fashioned handwriting:“ONE OF THE PEOPLE ON THE TERRACE WILL SHORTLY BE BEHAVINGSTRANGELY - PAY CLOSE ATTENTION”. Zinetta grasped the envelope from myhands, read the message and couldn’t help herself from becoming almosthysterical. “Oh, don’t you find this game so exciting!!”The Sherlock in me woke up as I started studying the five other couples around us.Surprisingly, nothing happened in the hour that followed except for the wonderfulmeal we were served. “Oh, if only Francis were here to taste this gorgeous piece oflamb and sip this super wine”. I didn’t have enough time to get nervous thinkingabout her lovely “Jamie Oliver” Francis, as all of a sudden the guy sitting at the tablenext to us shouted, “Well, I’ve had enough of this. I’ve tried everything to solve ourproblems but you do nothing but complain. I’m going to my room, enjoy my desert!”Quite a good piece of acting, I thought, as I closely observed what was happening.The guy’s wife just stared in front of her as he left the table very abruptly andbumped into me, knocking over a glass of wine on my shirt. “Oh damn”, he said. “Putthe cleaning bill on my account”, and just left without apologizing.What happened shortly afterwards was just like in a movie, because the murder andmystery part now really started taking off. In the few minutes that I needed to get tomy room and change my shirt, I heard a loud bang that seemed to come from theroom next door. I was the very first person to get there and found the door and thebedroom window wide open. Mr nice guy from a few minutes ago had opened hisroom’s window and had apparently jumped out, falling for what surely must havebeen 30 metres. Or had he been pushed? Seconds later, I heard shouting and theother guests were soon looking down with me at the silhouette of a tiny man in apuddle of blood. The guy’s wife, or the actress that played her, collapsed and wasimmediately looked after by the hotel staff. Very realistic acting once again...Zinetta and I decided that it was time for bed, and in our case this unfortunately stillmeant separate rooms. But to hell with that, many other men would have paidmoney to be this close to my favourite girl. While taking off my pants, I feltsomething unusual in my pocket. “Strange”, I thought, since I didn’t recall having putsomething in it. It was a small piece of cardboard with the following messagescribbled on it: “MY MURDERER WILL BE AFTER YOUR GIRLFRIEND TOO!!!”It must have been the guy that left the table who slipped this into my pocket! Ithought that this whole mystery thing was starting to get out of hand, but decidednot to tell Zinetta until the following morning.In the middle of the night, I was woken up by what I thought were voices comingfrom Zinetta’s room. I switched on the bedside lamp and immediately went over tohave a look and found the door open. All the lights were out except for the lightcoming from under the bathroom door. “Zinetta?” I called while giving a tap on thedoor. No answer, except for what sounded like whispers. “Zinetta?!”, and a secondknock. I thought I heard her say “Help me”, and forcefully opened the door. What Ithen saw was the most dreadful sight of my whole life. Zinetta sat upright in thebathtub with blood splattered all over the walls and floor. SURPRISE SURPRISE!!was written on the mirror in Zinetta’s lip stick. I started shouting for help as loud asI could while trying to resuscitate Zinetta’s lifeless body.Very soon afterwards, nearly the whole group was at the room door, but apparentlynot to help... One of them was carrying a bloody butcher’s knife and very slowlycame towards me. I tried to do something to defend myself, but had no chance inthe tiny bathroom. Soon, three of the attackers were holding me tightly as the killerdrew nearer. They all started grinning and whispering “who’s next, who’s next, who’snext...?”“No! No! No!!” “Hey what’s up with you, silly boy? I’ve never heard you complainwhen getting suntan lotion put on. Did you fall asleep maybe?” As I opened myeyes, I saw my beautiful Zinetta smiling over me and rubbing sun lotion on my chest.“Did my baby boy have a bad dream maybe, huh? Didn’t you know that a mix ofholiday murder and mystery books, one too many cocktails and this Greek sun canaffect your dreams?”I needed about five minutes to recover from this dreadful nightmare. I urgently calledthe waiter, ordered a double gin and tonic and enjoyed Zinetta playing in the pearlyblue waves... Hah, life can be hard sometimes...3

Projects03 recently finished projects by PeterPlaystation bus - CopenhagenArchitect: D-Func Photo: Tue Schiørringfeatured product: nomad 4x AR1114

Sushi bar - MilanoArchitect: Otto Bani & Acciaro Jacopofeatured products: square moon + haloscan5

Provinciehuis - LeuvenArchitect: Studiebureau Partners & Gançalo Byrnepicture below: 2flat2cpictures bottom: multiple trimless 1xAR1111 + 1xCDM-T6

picture below: multiple trimless + SL149picture bottom: 2flat2c + SL1497

Teinturerie - LilleArchitect: Jean-marc Vinckierfeatured product: diablo9

Café Parti - GhentArchitect: Architectenbureau Egusfeatured product: multiple trimless10

BizLink - SingaporeArchitect: BizLinkfeatured product: square moonLampe Textiles - TieltInterior Architect: Francis Billietfeatured product: downut + miniwall11

Eleven Questions ...04 Benjamin Demeyere by ToonBelgian artist, Benjamin Demeyere, started his career painting fairy tales. Until now, he stillis inspired by all kind of ‘tales’, so enough reasons to ask him our eleven questions. And,yes, we did asked him twelve questions, because we had some good laughs during thisinterview. He even made us order hot soup on a hot day, which was refreshing after all…1) Barbapapa, Pollux and Casimir are all animation icons created in the 1960s and 70swhich you collect and find fascinating. Are there any “contemporary” animation figureswhich interest you?Much of my work is based on giving life back to something from the past, and in this sense, I find thesefigures captivating and they therefore continue to exist for me. I do watch contemporary cartoons,such as, for example, the Simpsons and South Park, but then only for laughs. I really don’t feel thesame connection with these shows. Objectively speaking, I don’t think that Barbapapa is any better,but I just don’t have the same nostalgic ties with the other figures.2) A few typical personality questions: what is your favourite colour, what flower do youlike best, and which other artist do you admire the most?I really like transparent as a colour, and my favourite flower is cauliflower. I’m not someone who looksat someone else’s work for a long time at exhibitions, but if I really have to mention names, then I wouldsay Giotto, Picasso, Leger, and, for more contemporary artists, Boltanski.3) When people first look at your work, I have noticed that their first question is often whyall your figures have big noses and large teeth. Why is that? (And if you painted nudes,would you also paint other body parts larger than usual ;-))I’ve toned it down a bit, but it is true that the nose has continued to be quite prominent. Regardingpaintings of nudes, I’ve already made some and the body parts are relatively normal, and sometimesmaller than the nose. So basically you can project what you want on the painting. But perhaps youshould show my work to a psychologist or psychiatrist, because maybe I do have a “part” whichmeasures 5 cm or 3 metres. Just let your imagination loose.4) You teach children, but do you learn anything from them?Actually, not that much, but I do find it incredibly fascinating. Although my work appeals to children,I’m not inspired by children’s drawings. I’m more impressed by “l’art brut”, work created by mentallyhandicapped people. This touches me more because it has the spontaneity associated with childrenbut deals with mature topics which appear very spontaneously.5) You find inspiration in fairy tales, creatures of the forest and other fanciful stories inwhich you use a lot of colour. Does this mean you find the real world boring?I don’t find it necessary to go and paint things as I perceive them. Many things in the world are verydull, sad or dramatic, but that’s not a reason for me to go and paint a war or all the other horrors ofthe world. I think that that’s a little too easy, even somewhat vulgar. At first sight, my work is gearedtowards children and very colourful, but on the other hand I also often feel tormented. Those who lookat my work can see the drama in it if they look hard enough. I don’t see myself as a caricaturist whoonly looks at the humorous side of things. However, I do find it positive that depending on their mood,people can experience my work in a completely different manner. One person can see the work asquite funny while another sees it as sad. What I found so exciting about fairy tales is that even afteryears, or even centuries, they are still told to children while they were originally meant for adults. Thesefairy tales are just as equivocal.10) You no longer limit yourself to paint and canvas and are using different materials moreand more often (broomsticks, papier-mâché, spoons, plastic, etc.). Is “digital” art your cupof tea, or do you prefer “analogue” work?It’s highly dependent on how my work is produced. I see something, it appeals to me, and I dosomething with it. Thus, I can see a spoon or something else and make a whale out of it. With digitalart, you have to work differently: you want to make something and then you have to use the computerto do it. For my last exhibition, we made a film for which the costumes and décor were made with brica-brac.Nevertheless, we filmed and edited it digitally. I just look for the materials I need. If, for example,I want to glue two spoons to each other, I won’t go looking for glue from the 1970s, I’ll just use today’sordinary regular glue.6) What animal language do you speak fluently? People say that you can communicatewith wolves, whales and birds. Is this true and if so, what do you talk about with them?11) This is a holiday edition. What is your favourite way to travel and to which destination?Actually, yes, I do speak animal language really well. Before, I couldn’t do this at all because as a childI even had difficulties just speaking. Basically, it was a question of circumstance and involved mymodels. When, for example, you bring a whale to your studio to pose, then you have to be able tocommunicate. My vocabulary is limited to professional matters, but I can clearly tell whales how theyhave to pose. I’m now studying ant language and have learned to use a type of Assimil method in orderto speak their language. I generally recruit my models from a modelling agency, but I find it better towork without an interpreter. I remember that I once had a penguin and, since I couldn’t speak penguin,had to hire an elephant that could speak penguin. Well, that was just too complicated. The result isthat there are animals that I’ve never painted because I don’t speak their language.7) If you could actually have one of your subjects as a real-life friend (for example SnowWhite, the whale, Little Red Riding Hood, etc.), who would you chose?It really depends on the period. I have recently worked a lot with whales, and now they are myfavourite. It’s even become an obsession, because now I see whales everywhere. But if I look backthrough time, then my choice would be Little Red Riding Hood. It might be possible that Little RedRiding Hood will come back some day.I don’t particularly feel the need to travel far away. Yet once I’m there, I don’t want to leave anymore.My absolute favourite is driving around France with my family in a minibus. We just leave without afixed itinerary and sleep, eat and drink in the “camionette” parked down by rivers.12) You were born in Mouscron. Do you paint in French?I did in fact grow up as a French speaker and now live in Antwerp, a city where you pretty much “have”to speak Dutch. On certain works, there is text, and it is often in both languages. I begin a sentencein French and finish it in Dutch. I look at how the words sound in their language more from the pointof view of a poet. As is the case for my exhibitions’ names; I don’t translate things just because it’sthe done thing, I just like to play with the words. That’s something I really like in Belgium: the richnessand craziness of the two languages. The two languages are enriching and each has its own features.As a result, there are words which only sound good in Dutch and vice-versa. To get back to how Ipaint, it depends on whether I’m alone, who I last saw, whether I spoke French or Dutch... It really isthe Belgian way, everything mixed up together.www.benjamindemeyere.be8) I have always wondered if an artist can still have a hobby?I play golf and tennis in Braschaat.Maison de la Culture Tournai: October 2003Galerij de Zwarte Panter: summer 20049) What is your opinion of St. Nicholas?I’ve been a big fan of his for years. I think that what he does for children is great.12

plug-in basedmodupoint echo yamm spike stick definitif infinitif flipp 50 drum caesar 50 cc tecta rhumba tango cocktail spocksuper modupoint EQsuper modupoint EQ + M3super modupoint X EQsuper modupoint XX recessed box (accessory)504648,5Ø: 23 h: 504648,5Ø: 23 h: 505378Ø: 42 h: 6077156white:10000001black: 10000002white: 10000201black: 10000202white: 10000101black: 10000102white: 10001101black: 10001102alu: 10000005chrome: 10000007alu: 10000205chrome: 10000207alu: 10000105chrome: 10000107alu: 10001105chrome: 10001107gold: 10000008gold: 10000208gold: 10000108gold: 10001108input: 12Vinput: 12Vinput: 12Vinput: 12Vmodupoint surface EQ Imodupoint surface EQ IIecho TI I 1x 50W squareecho TI 2x 50W / 3x 50W rectangular45344550569036901001904010032040white: 10000701black: 10000702white: 10000801black: 10000802white: 10010101white: 10010201white 10010301alu: 10000705chrome: 10000707alu: 10000805chrome: 10000807alu: 10010105alu: 10010205alu: 10010305gold: 10000708gold: 10000808input: 12Vinput: 12Vlamptype: max.1x 50W 230Vlamptype: max.2x 50W / 3x 50W 230Vecho TI 4x 50W squareyamm TI Ix 50W squareyamm TI 2x 50W / 3x 50W rectangularyamm TI 4x 50W190 1904038114 114381162043811633438204 204white: 10010401white: 10020101white: 10020201white: 10020301white: 10020401alu: 10010405alu: 10020105alu: 100220205alu: 10020305alu: 10020405lamptype: max.4x 50W 230Vlamptype: max.1x 50W 230Vlamptype: max.2x 50W / 3x 50W 230Vlamptype: max.4x 50W 230Vspike TI Ix 50Wspike A TI Ix 50Wdefinitif stick - 5cm / 10cm / 20cm / 30 cmdefinitif stick - 5cm / 10cm / 20cm / 30 cm87122871325010020030050white: 10040101 5 cm10040201 10 cm10040301 20 cm10040401 30 cmblack: 10040102 5 cm10040202 10 cm10040302 20 cm10040402 30 cmchrome: 10040107 5 cm10040207 10 cm10040307 20 cm10040407 30 cmgold: 10040108 5 cm10040208 10 cm10040308 20 cm10040408 30 cmalu: 10030105alu: 10030205white: see rightalu: see rightgold: see rightblack: see rightchrome: see rightalu: 10040105 5 cm10040205 10 cm10040305 20 cm10040405 30 cmlamptype: max.1x 50W 230Vlamptype: max.1x 50W 230Vinput: 12Vinput: 12Vdefinitif stick II - 10cm / 20cm / 30 cmdefinitif stick II - 10cm / 20cm / 30 cmc-stickc-stick II - 30 cm / 60 cm10020030050white: 10040601 10 cm10040701 20 cm10040801 30 cmblack: 10040602 10 cm10040702 20 cm10040802 30 cmchrome: 10040607 10 cm10040707 20 cm10040807 30 cmgold:10040608 10 cm10040708 20 cm10040808 30 cm60050300585white: see rightalu: see rightgold: see rightblack: see rightchrome: see rightalu:10040605 10 cm10040705 20 cm10040805 30 cmwhite: 10041201alu: 10041205white: 10041301 30 cm10041401 60 cmblack: 10041302 30 cm10041402 60 cmalu:10041305 30 cm10041405 60 cmchrome:10041307 30 cmgold: 10041308 30 cminput: 12Vinput: 12Vinput: 12Vinput: 12Vdefinitifdefinitif tunnel glassdefinitif handledefinitif louvreinfintif1203730643730white: 10050101black: 10050102alu: 10050205white: 10050301white: 10050401white: 10060101black: 10060102alu: 10050105chrome: 10050107black: 10050302black: 10050402alu: 10060105chrome: 10060107gold: 10050108alu: 10050305gold: 10060108lamptype: 1x HRGI / Gu 5.3 max.50W 12Vlamptype: 1x HRGI / Gu 5.3 max.50W 12Vlamptype: 1x HRGI / Gu 5.3 max.50W 12Vflipp 50drumdrum IIcaesar stick - 75 cm / 100 cm / 125 cm4160731117311175010001250white: 10080101alu: 10080105gold: 10080108black: 10080102chrome: 10080107white: 10070101black: 10070102alu: 10070105chrome: 10070107lamptype: 1x HMG / G53 max.50W 12Vwhite: 10070201alu: 10070205black: 10070202lamptype: 1x HMG / G53 max.50W 12Valu:10041505 75 cm10041605 100 cm10041705 125 cmlamptype: 1x HRGI / Gu5.3 max.50W 12Vmax. 75W when using low pressure HMG / G53 lampmax. 75W when using low pressure HMG / G53 lampinput: 12Vcaesar50cctecta AR 70tecta MR 169410595130 8213076150alu: 10090105white: 10100101black: 10100102white: 10110201black: 10110202white: 10110101black: 10110102alu: 10100105alu: 10110205alu: 10110105gold: 10100108lamptype: 1x HRGI / Gu 5.3 max.50W 12Vlamptype: 1x HRGI / Gu 5.3 max.50W 12Vlamptype: 1x HMG / Ba15d max.50W 12Vlamptype: 1x HRGI / Gu 5.3 max.50W 12V14

humbatangococktail - 10 cm / 20 cmspock 30 cm / 50 cm50150100200300 / 500166626680Ø59white: 10120101alu: 10120105lamptype: 1x HRGI / Gu5.3 max.50W 12Vwhite: 10130101alu: 10130105lamptype: 1xHRGI / Gu5.3 max.50W 12Vwhite: 10140101 10 cm10140201 20 cmblack: 10140102 10 cm10140202 20 cmalu:lamptype: 1x HRGI / Gu 5.3 max.50W 12V10140105 10 cm10140205 20 cmalu:lamptype: 1x HRGI / Gu 5.3 max.50W 12V10150105 30 cm10150205 50cmsurface mountedaton multiple surface nomad nomad minimal nova giro ninety omnis oscar beam guidelinegriffon nude downie perplex aaah lab parede index lumiflat format miniwall boxlite cardeaaton 2x ARIII TI/IN vertical flooraton 4Lx ARIII TI/IN vertical flooraton 4Lx ARIII vertical wallaton 2x ARIII vertical wall630870640320160260160 259160143160143black: 10221202black: 10221302black: 10220602black: 10220502alu: 10221205alu: 10221305alu: 10220605alu: 10220505lamptype: 4x HMG / G53 max. 50W 12Vlamptype: 2x HMG / G53 max. 50W 12Vlamptype: 2x HMG / G53 max. 50W 230Vlamptype: 4x HMG / G53 max. 50W 230Vmax. 75W when using low pressure HMG / G53 lampmax. 75W when using low pressure HMG / G53 lampaton 2x ARIII TI/EX verticalaton 3x ARIII TI/EX verticalaton 4Lx ARIII TI/EX verticalaton 4x ARIII TI/EX vertical320480640320160158160158160 158320 158black: 10220102black: 10220402black: 10220302black: 10220202alu: 10220105alu: 10220405alu: 10220305alu: 10220205lamptype: 2x HMG / G53 max. 50W 230Vlamptype: 3x HMG / G53 max. 50W 230Vlamptype: 4x HMG / G53 max. 50W 230Vlamptype: 4x HMG / G53 max. 50W 230Vaton 2x ARIII TI/EX horizontalaton 4x ARIII TI/EX horizontalaton 4x ARIII horizontal wallaton 2x ARIII TI/IN wall206 320366 320386320469155230390320221black: 10220702black: 10220802black: 10220902black: 10221002alu: 10220705alu: 10220805alu: 10220905alu: 10221005lamptype: 4x HMG / G53 max. 50W 12Vlamptype: 2x HMG / G53 max. 50W 230Vlamptype: 4x HMG / G53 max. 50W 230Vmax. 75W when using low pressure HMG / G53 lamplamptype: 2x HMG / G53 max. 50W 230Vaton 4Lx ARIII TI/IN wallaton 2x ARIII suspensionaton 4Lx ARIII suspensionaton 4x ARIII SQ suspension789 155max. 2mmax.2mmax. 2m221160320160640320320black: 10221102black: 10221402black: 10221602black: 10221502alu: 10221105alu: 10221405alu: 10221605alu: 10221505lamptype: 2x HMG / G53 max. 50W 12Vlamptype: 4x HMG / G53 max. 50W 12Vlamptype: 4x HMG / G53 max. 50W 12Vlamptype: 4x HMG / G53 max. 50W 230Vmax. 75W when using low pressure HMG / G53 lampmax. 75W when using low pressure HMG / G53 lampmax. 75W when using low pressure HMG / G53 lampaton 2x ARIII TI/EX suspensionaton 4x ARIII TI/EX suspensionaton 2x ARIII TI/IN suspensionaton 4Lx ARIII TI/IN suspensionmax. 2mmax. 2mmax. 2mmax. 2m160320320 320160470160790black: 10221902black: 10222002black: 10221702black: 10221802alu: 10221905alu: 10222005alu: 10221705alu: 10221805lamptype: 2x HMG / G53 max. 50W 230Vlamptype: 4x HMG / G53 max. 50W 230Vlamptype: 2x HMG / G53 max. 50W 230Vlamptype: 4x HMG / G53 max. 50W 230Vmultiple surface 2x ARIIImultiple surface 4x ARIIImultiple surface TI 2x ARIII / 2x TImultiple surface 4x ARIII / 4x TI/ 4x TI130130130130175350350 350175350350 350alu: 10230105alu: 10230205alu: 10230305alu: 10230405lamptype: 2x HMG / G53 max. 50W 12Vlamptype: 4x HMG / G53 max. 50W 12Vmax. 75W when using low pressure HMG / G53 lampmax. 75W when using low pressure HMG / G53 lamplamptype: 2x HMG / G53 max. 50W 230Vlamptype: 4x HMG / G53 max. 50W 230V15

nomad 2x MR16nomad 4x MR16nomad 2x MR16/1x 1Tinomad 4x MR16/2x 1TI190128190205221184128223184205280280139280139280alu: 10200105alu: 10200205alu: 10200305alu: 10200405lamptype: 2x HRGI / Gu5.3 max.50W 12Vlamptype: 4x HRGI / Gu5.3 max.50W 12Vlamptype: 2x HRGI / Gu5.3 max.50W 230Vlamptype: 4x HRGI / Gu5.3 max.50W 230Vnomad 2x AR70nomad 4x AR70nomad 2x AR70/1x 1TInomad 4x AR70/2x 1TI223177280128177205280127221184280128127184205280alu: 10200505alu: 10200605alu: 10200705alu: 10200805lamptype: 2x HMG / Ba15d max.50W 12Vlamptype: 4x HMG / Ba15d max.50W 12Vlamptype: 2x HMG / Ba15d max.50W 230Vlamptype: 2x HMG / Ba15d max.50W 230V18nomad 2x ARIIInomad 4x ARIIInomad 2x ARIII / 1x 1TInomad 4x ARIII / 2x 1TI182321171182290321132221184171321132223184290321black: on requestblack: on requestalu: 10200905alu: 10201005alu: 10201105alu: 10201205lamptype: 2x HMG / G53 max. 50W 12Vlamptype: 4x HMG / G53 max. 50W 12Vmax. 75W when using low pressure HMG / G53 lampmax. 75W when using low pressure HMG / G53 lamplamptype: 2x HMG / G53 max. 50W 230Vlamptype: 4x HMG / G53 max. 50W 230Vnomad 4x ARIII / 1x 2TInomad 8x ARIII / 2x 2TInomad 2x PAR30 halogennomad 4x PAR30 halogen223184171312338332132290321603321180321180321black: on requestblack: on requestalu: 10201305alu: 10201405alu: 10201505alu: 10201605lamptype: 4x HMG / G53 max. 50W 230Vlamptype: 8x HMG / G53 max. 50W 230Vlamptype: 2x HEGPAR30 / E27 max.75W 230Vlamptype: 4x HEGPAR30 / E27 max.75W 230Vnomad 2x CDM-Tnomad 2x ES50 - ES63nomad 4x ES50 - ES63nomad xyz 4x AR111 / 2x 1TI171180180184290182321254279254279132321black: on requestalu: 10202005alu: 10202105alu: 10202205alu: 10202505input: 230Vinput: 230Vlamptype: 2x MT / G12 max. 70W 230Vlamptype: 2x HARI / Gu10 50W or 2x HARI / Gu10 75Wlamptype: 4x HARI / Gu10 50W or 4x HARI / Gu10 75Wlamptype: 4x HMG / G53 max. 50W 230Vnomad xy armnomad xyz arm 1000-1400 mmnomad 1x PLnomad 2x PL184272752321783789001000mm: L max=13001400mm: L max=2000178375alu: 10202610alu: 10202310 1000 mmalu: 10201757alu: 10201857alu: 10202410 1400 mmto be used with 230V nomads onlyto be used with 230V nomads onlylamptype: 1x FBT / E27 max.23W 230Vlamptype: 2x FBT / E27 max.23W 230Vnomad 4x PLnomad uplighter 2x TC-L 55Wnomad uplighter 1x CDM-TD 150Wnomad suspension PL1803876391000max. 3,5m375 375652602928260alu: 10201957alu: 10202705alu: 10202805alu: 10202905lamptype: 4x FBT / E27 max.23W 230Vlamptype: 2x FSDH / 2G11 55W 230Vlamptype: 1x MD / Rx7S-24 150W 230Vlamptype: 1x FBT / E27 max.23W 230Vnomad minimal E27 ultra shortnomad minimal E27 shortnomad minimal E27 tallnomad minimal desk90909060052062225225600Ø200alu: 10203405alu: 10203305alu: 10203505alu: 10203705always to be used with minimal shadelamptype: 1x IAA / E27 max.75W 230Vlamptype: 1x IAA / E27 max.75W 230Vlamptype: 1x IAA / E27 max.75W 230Vlamptype: 1x IAA / E27 max.75W 230V16

minimal shade medium / large (*) see bottom pageminimal disknomad linestra shortnomad linestra tall200:medium250:large2502229022290600600Ø200: mediumØ 250: largewhite:: 10203801 mediumred: 10203813 mediumblack: 10203802 mediumwhite: 10203901 largered: 10203913 largeblack: 10203902 largealu: 10203605Using minimal disk on Ultra Short, decreases inclinationTo be used with nomad minimal:Ultra Short, Short & Tallalu: 10203105lamptype: 1x IAT / S14d max.60W 230Valu: 10203205lamptype: 1x IAT / S14d max.60W 230Vnova 1nova 2nova 4Ø 54Ø54Ø54176176176133285285 285alu: 10810105alu: 10810205alu: 10810405lamptype: 1x HSG / Gy6,35 max.50W 12Vlamptype: 2x HSG / Gy6,35 max.50W 12Vlamptype: 4x HSG / Gy6,35 max.50W 12Vgiro 1x ARIII semi-recessedgiro 2xARIII TINgiroman PAR halogengiroman PAR halogen - adapter included6550235170210Ø 50162345195130130brushed alu: 10820124lamptype: 1x HMG / G53 max. 50W 12Vbrushed alu: 10820224lamptype: 2x HMG / G53 max. 50W 230Valu: 10950105lamptype: 1x HEGPAR20 / E27 max.50Wor1x HEGPAR30 / E27 max.75W 230Valu: 10950205lamptype: 1x HEGPAR20 / E27 max.50Wor1x HEGPAR30 / E27 max.75W 230Vninety ES50ninety ES63ninety PAR20 halogenninety PAR30 halogen808081105132143142178119118134184alu black: 10160252alu black: 10160352alu black: 10160452alu black: 10160552lamptype: 1x HRGI / Gz10 50W 230Vlamptype: 1x HRGI / Gz10 75W 230Vlamptype: 1x HEGPAR20 / E27 max.50W 230Vlamptype: 1x HEGPAR30 / E27 max.75W 230Vninety MR16ninety - adapter includedomnis lampholderomnis transfo 200VA80139110118,5133alu black: 10160152lamptype: 1x HRGI / Gu5.3 max.50W 12Valu black: 10160752 ninety ES50alu black: 10160852 ninety ES63alu black: 10160952 ninety PAR20 halogenalu black: 10161052 ninety PAR30 halogenL.S.M.: 10180218Orientable lampholder for an AR-III lamp, fitted with 2 pushbuttonsfor use with nickel-plated power feed Omnis-rods.These push-buttons provide both the electrical and mechanicalconnections by means of sliding clamps on the lamp.Finished in grey textured epoxy.L.S.M.: 10180118Cylindrical transformer housing fitted with two pushbuttonsfor use with omnis-rod.These push-buttonsprovide both the electrical and mechanical connections.With incorporated toroidal transformer of 200VA.Finished in grey textured epoxy.omnis rodomnis footoscar TIoscar dicrofront106xx = 300600441121451115070nickel: 10180310 30cm nickel: 10180410 60cmNickel-plated power feed rod.Lenght 30 cm or 60 cm.L.S.M.: 10180518Insulated clamp for attaching omnis rods.alu: 10170105chrome: 10170107alu: 10170205black chrome: 10170227Snap-on adapter for use with a HRGI / Gu5,3-lamp witha GX 5,3 fitting.lamptype: 1x HMG / G53 max. 50W 230Voscar flaposcar lamp-ringoscar baseplatebeamdesign by vincent van duysen114256895131619 Ø 7590black: 10170302Barn doors4-sidedMatt blackblack: 10170402Trim ring for ARIIIblack: 10170502alu: 10170505alu: 10840105lamptype: 1x FD / G13 36W 230Vbeam twindesign by vincent van duysenguideline 18Wguideline 36Wguideline 58W13161116284076123840761538407690alu: 10840205alu: 10830105alu: 10830205alu: 10830305lamptype: 2x FD / G13 36W 230Vlamptype: 1x FD / G13 18W 230Vlamptype: 1x FD / G13 36W 230Vlamptype: 1x FD / G13 58W 230V(*) minimal shade: only to be used in upright position.To be used with nomad minimal: ultra short, short, tall &desk17

griffon TInude PAR30 halogen design by joël claisse nude PAR20 halogendesign by joël claisse nude PAR20 halogen short design by joël claisseØ 6945Ø 6945Ø 6945max. 2000Max 4000Max 4000Max 400060Ø 103150Ø 70150Ø 50105white:: 10190101brushed alu: 10910324brushed alu: 10910224brushed alu: 10910124alu: 10190105lamptype: 1x HRGI / Gu5.3max.20W 230Vlamptype: 1x HEGPAR30 /E27 max.75W230Vlamptype: 1x HEGPAR20 /E27 max.50W230Vlamptype: 1x HEGPAR20 /E27 max.50W230Vdownie lowdownie highdownie suspensiondownie frosted glass + rubber153220Max 3500Ø 256220Ø 245Ø 245white: 10850101white: 1085020110850330alu: 10850105brushed: 10850124lamptype: 2x FSQ / G24q-3 26W 230Valu: 10850205brushed: 10850224lamptype: 2x FSQ / G24q-3 26W 230Vbrushed: 10850424lamptype: 2x FSQ /G24q-326W 230VFor a more diffuse light.Grade, GhentHugo Vanneste - nudeperplex275220chrome: 10550107lamptype: 1x HDG / R7s max. 200W 230Vaaah! interiorlab TI interiorlab interiorlab 2 interior9072395459045280729045120907245150alu: 10510105alu: 10520105alu: 10520205alu: 10520305lamptype: 1x IBT / E14 max. 25W 230Vlamptype: 1x HSG / Gy 6,35 max. 50W 230Vlamptype: 1x HSG / Gy 6,35 max. 50W 12Vlamptype: 1x HSG / Gy 6,35 max. 50W 12Vparede 1x CDM-Tparede 1x MR16 TIindex Bindex C13057080803715116630023030051120white: 10540101black: 10540102alu: 10530205alu: 10530105alu: 10540105alu: 10540205lamptype: 1x MT / G12 max.70W 230Vlamptype: 1x HRGI / Gu5,3 max. 50W 230Vlamptype: 1x HDG / R7s max. 200W 230Vlamptype: 1x HDG / R7s max. 200W 230Vlumiflat halogen directlumiflat halogen direct / indirectlumiflat HIT-DEformat 1x TC-S23014435230144351443203201502435035alu: 10930105alu: 10930205alu: 10930305alu: 10570105lamptype: 1x HDG / R7s max. 300W 230Vlamptype: 1x HDG / R7s max. 300W 230Vlamptype: 1x MD / Rx7s 70W 230Vlamptype: 1x FSD / G23 9W 230Vformat 1x TC-Lformat 1x T5miniwall TC-L 1x 55Wminiwall TC-L 2x 55W6021060970600 50118016021033016050alu: 10570205grey metal: 10570305alu: 10580105alu: 10580205lamptype: 1x FSD / 2G11 18W 230Vlamptype: 1x FDH / G5 21W 230Vlamptype: 1x FSDH / 2G11 max. 55W 230Vlamptype: 2x FSDH / 2G11 max. 55W 230Vboxlite halogencardea 2x 9W SQ surfacecardea TC-D 1x 18W surfacecardea TC-D 1x18W5524555240120 12021024521518520064alu: 10600105alu: 10610105alu: 10610205alu: 10610305conbox: 10610430lamptype: HEGBT / E27 max. 100W 230Vlamptype: 2x FSD / G23 max. 9W 230Vlamptype: 1x FSQ / G24d-2 18W 230Vlamptype: 1x FSQ / G24d-2 18W 230V20

ambientsquare moon diablosquare moon design by luc vincentsquare moon 4x 18Wsquare moon 3x 15Wsquare moon 2x 36Wsquare moon 4+4x 18W 90°63663648448455242124655636636 5555opal: 10630111red: 10630113opal: 10630211red: 10630213opal: 10630311red: 10630313opal: 10630411blue: 10630116yellow: 10630114blue: 10630216yellow: 10630214blue: 10630316yellow: 10630314royal blue: 10630117silver: 10630105royal blue: 10630217silver: 10630205royal blue: 10630317silver: 10630305lamptype: 4x FD / G13 18W 230Vlamptype: 3x FD / G13 15W 230Vlamptype: 2x FD / G13 36W 230Vlamptype: 8x FD / G13 18W 230Vsquare moon 3+1x 18W 90°square moon 2+2x 36W 270°square moon 2+2x 18W 90° longsquare moon 2+2x 18W 90° short63649655300124624268155636320 5524855opal: 10630511opal: 10630611opal: 10630711opal: 10630811lamptype: 4x FD / G13 18W 230Vlamptype: 4x FD / G13 36W 230Vlamptype: 4x FD / G13 18W 230Vlamptype: 4x FD / G13 18W 230V1.8 moon design by luc vincentcables / set suspension (*) see bottom pageflex connecting box / flexible feedsquare moon colours551816Ø25 45max.4m147Ø 19opal: 10631211 red: 106312132 cables: 10631430 4 cables: 10630930conn. box: 10631030 flex. feed: 10631130Suspension cables. Max. 4000 mm.lamptype: 1x FD / G13 70W 230Vopalblueroyal blueredyellowsilverdifferent colourson requestdiablo high TL5 8 x 24Wdiablo high TL5 10 x 21Wdiablo high TL5 12 x 28Wdiablo high dynamix64064017094094017012401240170640 6401708668661166 116614661466866 866opal: 10642011opal: 10642111opal: 10642211opal: 10642311lamptype: TL5 8 x 24W 230Vlamptype: TL5 10 x 21W 230Vlamptype: diablo high TL5 12 x 28W 230Vlamptype: TL5 4 x 24W + 4 x AR111 max.. 50W 230Vdiablo high TL5 4 x 24Wdiablo high TL5 4 x 35Wdiablo low wall 2 x FDH324324640170154017021126086655017665501051opal: 10642411opal: 10642511opal: 10642611lamptype: TL5 4 x 24W 230Vlamptype: TL5 4 x 35W 230Vlamptype: diablo high TL5 2 x 21W 230Vsquare moonChess Café GhentArch. bureau Return - square moon19

ecessed mountedimpact tecta LC intro K TCL-scan lotis LC max mini-haloscan haloscan W woofer wallwashmultiple dynamix multiple darklight multiple mini-multiple multiple PL slide flush gate flush dynamiximpactimpact adjustabletecta semi-recessedLC 1-2301231479282Ø: 65 h:95Ø: 80 h:659080Ø: 60 h: 4090Ø: 80 h:90white: 10240101white: 10240201white: 10110401black: 10110402matt white: 10250201black: 10250202alu: 10240105chrome: 10240107alu: 10240205chrome: 10240207alu: 10110405alu: 10250203lamptype: 1x HRGI / Gu5,3 max.50W 12Vlamptype: 1x HRGI / Gu5,3 max.50W 12Vlamptype: 1x HMG / Ba15d max.50W 12Vlamptype: 1x HRGI / Gu5,3 max.50W 12VintroK-035K-135K-0Ø 90757565756775Ø 70 h: 9080Ø 75 h: 100Ø: 60 h: 90Ø: 60 h: 90white: 10270001black: 10270002white: 10290101black: 10290102white: 10271001black: 10271002white: 10271101black: 10271102alu: 10270005chrome: 10270007alu: 10290105alu: 10271005chrome: 10271007alu: 10271105chrome: 10271107gold: 10270008PAN: 10270004 mattgold: 10271008gold: 10271108PAG: 10270003 brass mattinox 316L: 10270020lamptype: 1x HRGI / Gu5,3 max.50W 12Vlamptype: 1x HRGI / GU4 max. 35W 12Vlamptype: 1x HRGI / GU4 max. 35W 12Vlamptype: 1x HRGI / Gu5,3 max. 50W 12VK-1K-2K-3TC-L scan semi-recessed7590Ø 80 h: 9075Ø 70 h: 90807590180180138white: 10270101black: 10270102white: 10270201 black: 10270202Ø 80 h: 90Ø: 110 h:120alu: 10270105chrome: 10270107alu: 10270205chrome: 10270207white: 10270301black: 10270302white:gold: 10270108PAN: 10270104 mattgold: 10270208PAN: 10270204 mattalu: 10270305chrome: 10270307alu: 10260105PAG: 10270103 brass mattinox 316L: 10270120inox 316L: 10270220gold: 10270308inox 316L: 10270320lamptype: 1x HRGI / Gu5,3 max. 50W 12Vlamptype: 1x HRGI / Gu5,3 max. 50W 12Vlamptype: 1x HRGI / Gu5,3 max. 50W 12Vlamptype: 1x FBT / E27 max.23W 230Vlotis MR16lotis ARIIILC max CDM-R PAR 30mini-haloscan AR701071902227782Ø 76 h: 115Ø 216Ø 210 h: 220Ø 218Ø 200128Ø 110 h: 80matt white: 10880109black: 10880102matt white: 10880209black: 10880202white: 10870101white: 10300101black: 10300102alu: 10880105alu: 10880205polished alu: 10870125alu: 10300105lamptype: 1x HMG / G53 max. 50W 12Vlamptype: 1x HRGI / Gu5,3 max. 50W 12Vmax. 75W when using low pressure HMG/G53 lamplamptype: 1x MR30 / E27 max.70W 230Vlamptype: 1x HMG / Ba15d max. 50W 12Vmini-haloscan PAR20 halogenmini-haloscan PAR20 CDM-Rhaloscan AR111haloscan PAR30 CDM-R13013082182128128182129Ø 110 h: 135Ø 110 h: 135Ø 160 h: 100Ø 160 h: 190white: 10300201black: 10300202white: 10300301black: 10300302white: 10300401black: 10300402white: 10300501black: 10300502alu: 10300205alu: 10300305alu: 10300405alu: 10300505lamptype: 1x HMG / G53 max. 50W 12Vlamptype: 1x HEGPAR20 / E27 max. 50W 230Vlamptype: 1x MR20 / E27 35W 230Vmax. 75W when using low pressure HMG/G53 lamplamptype: 1x MR30 / E27 max. 70W 230Vhaloscan high CDM-R PAR 30haloscan high CDM-Thaloscan high SDW-Tmini haloscan convertor20020020030183Ø 160 h: 230183Ø 160 h: 230183Ø 160 h: 230136white: 10300601black: 10300602white: 10300701black: 10300702white: 10300801black: 10300802white: 10300901black: 10300902alu: 10300605alu: 10300705alu: 10300805alu: 10300905converter for reducing luminancelamptype: 1x MR30 / E27 max. 70W 230Vlamptype: 1x MT / G12 max. 150W 230Vlamptype: 1x SDW-t / PG12-1 max. 100W 230Vhaloscan convertorW50W35 PAR20 halogenW35 PAR20 CDM-R359518018018595Ø 80 h: 110127Ø 96 h: 200127Ø 96 h: 200white: 10301001black: 10301002alu: 10301005alu: 10310105chrome: 10310107alu: 10310205alu: 10310305converter for reducing luminancelamptype: 1x HRGI / Gu5.3 max.50W 12Vlamptype: 1x HEGPAR20 / E27 max.50W 230Vlamptype: 1x MR20 / E27 max.50W 230VW70 PAR30 halogenW70 PAR30 CDM-Rwoofer PAR30 halogenwoofer MR16 orientable180215145100177177158158Ø 140 h: 200Ø 140 h: 240Ø 140 h: 150Ø 140 h: 110alu: 10310405alu: 10310505alu: 10320505alu: 10320605lamptype: 1x HEGPAR30 / E27 max.75W 230Vlamptype: 1x MR30 / E27 max.75W 230Vlamptype: 1x HEGPAR30 / E27 max.75W 230Vlamptype: 1x HRGI / Gu5,3 max.50W 12V20

wallwash dynamix 2MR16+PAR20 CDM-Rslide squareslidetwin slide909090160270 33013090130140130160308x248 h: 16082x70 h: 130130x70 h: 130150x70 h: 130alu: 10340105alu: 10480105alu: 10480205alu: 10480305lamptype: 2x HRGI/ Gu5,3 max.50W 12Vconbox / gypkit: 10490130 / 10500130conbox / gypkit: 10490230 / 10500230conbox / gypkit: 10490230 / 10500330lamptype: 1x MR20 / E27 35W 230Vlamptype: 1x HRGI / Gu5,3 max.50W 12Vlamptype: 1x HRGI / Gu5,3 max.50W 12Vlamptype: 2x HRGI / Gu5,3 max.50W 12Vdouble slideslide square clockworkflush gate 1x 18Wflush gate 2x 18W90130180100100 10030989100309100169170x70 h: 130Ø 92 h: 13093x313 h: 150173x313 h: 150white: 10890101white: 10890201alu: 10480405alu: 10480505conbox / gypkit: 10490230 / 10500430recessed frame / conbox: included / 10890530recessed frame / conbox: included / 10890630lamptype: 1x HRGI / Gu5,3 max.50W 12Vlamptype: 1x HRGI / GU5,3 max. 50W 12Vlamptype: 1x FSD / 2G11 18W 230Vlamptype: 2x FSD / 2G11 18W 230Vflush gate 2x 36Wflush gate 2x 55Wflush dynamix 1x T5C + 1x AR111flush dynamix 2x T5C + 2x AR111509100609100282,5282,5150,5533,5282,5150,5169169255255255506173x513 h: 150173x613 h: 150256x256 h: 250507x256 h: 250white: 10890301white: 10890401white: 10900101white: 10900201recessed frame / conbox: included / 10890730recessed frame / conbox: included / 10890830lamptype: 1x T5 circuline / 2GX13 22W 230Vlamptype: 2x T5 circuline / 2GX13 22W 230Vlamptype: 2x FSD / 2G11 36W 230Vlamptype: 2x FSD / 2G11 55W 230Vlamptype: 1x HMG / G53 max.50W 230Vlamptype: 2x HMG / G53 max.50W 230Vflush dynamix 4x T5C + 4x AR111multiple 2x PL 24W533,5533,5383188188185185150,5506 506507x507 h: 250white: 10900401lamptype: 4x T5 circuline / 2GX13 22W 230Vlamptype: 4x HMG / G53 max.50W 230V140383370x370 h: 180alu: 10353305lamptype: 2x FSD / 2G11 24W 230V197 1971x SDW-T / PG12-1max.50W 230V1973522x SDW-T / PG12-1max.50W 230V159 159170x170 h: 220 325x170 h: 220160x160 h: 210 315x160 h: 210multiple 1x SDW-T multiple 2Lx SDW-T multiple trimless1x SDW-Tmultiple trimless2Lx SDW-Talu:10353105 / c.alu on request alu:10353205 / c.alu:on request blk:10362402 / alu on req. blk:10362502 / alu on req.gypkit: 10410130gypkit: 10410230rec. frame: 10450130 rec. frame: 104502301x SDW-T / PG12-1max.50W 230V1593142x SDW-T / PG12-1max.50W 230V197197352103188352188495188352188352352366 3661241201692multiple dynamixalu / complete alu /lamptype / 12V (*)lamptype / 230V325x170 h: 220 470x170 h: 220 325x325 h: 220 325x325 h: 220 340 x 340 h: 1351681x110 h: 1301x AR111+ 1x PAR30 CDM-R10330305 / on request2x AR111+ 1x PAR30 CDM-R10330105 / on requestSQ 2x AR111+ 2x PAR30 CDM-R10330405 / on requestSQ 3x AR111+ 1x PAR30 CDM-R10330205 / on request2x AR111 + 2x TC-L10330505 / on requestmini mult. dynamix2x AR70 + 1x T510330605 / on request1x HMG / G53 max.50W 2x HMG / G53 max.50W2x HMG / G53 max.50W3x HMG / G53 max.50W2x HMG / G53 max.50W 2x HMG / Ba15d max.50W1x MR30 / E27 max.70W 1x MR30 / E27 max.70W 2x MR30 / E27 max.70W 1x MR30 / E27 max.70W 2x FSD / 2G11 24W 1x FD / G5 35W1978319783197197352834951978335235283197638 837811971979248383 1210multiple170x170 h: 110 325x170 h: 220 470x170 h: 110 325x325 h: 110 615x170 h: 110 755x170 h: 110 900x170 h: 110 1180x170 h: 1101x AR111 2Lx AR111 3Lx AR111 4SQx AR111 4Lx AR111 5Lx AR111 6Lx AR111 8Lx AR111alu / complete alu10350105 / on request10350205 / on request10350305 / on request10350405 / on request10350505 / on request10350605 / on request10350705 / on request10350805 / on requestconbox / gypkitlamptype (*)10390130 / 104101301x HMG / G53max.50W 12V10390230 / 104102302x HMG / G53max.50W 12V10390330 / 104103303x HMG / G53max.50W 12V10390430 / 104104304x HMG / G53max.50W 12V10390530 / 104105304x HMG / G53max.50W 12V10390630 / 104106305x HMG / G53max.50W 12V10390730 / 104107306x HMG / G53max.50W 12V10390830 / 104108308x HMG / G53max.50W 12V8015915980159314804571598031431480159600 8074315915988680159117280multiple trimless160x160 h: 110 315x160 h: 110 458x160 h: 110 315x315 h: 110 601x160 h: 110 744x160 h: 110 887x160 h: 110 1173x160 h: 1101x AR111 2Lx AR111 3Lx AR111 4SQx AR111 4Lx AR111 5Lx AR111 6Lx AR111 8Lx AR111black / alu10360102 / on request10360202 / on request10360302 / on request10360402 / on request10360502 / on request10360602 / on request10360702 / on request10360802 / on requestconbox / recessed framelamptype (*)10430130 / 104501301x HMG / G53max.50W 12V10430230 / 104502302x HMG / G53max.50W 12V10430330 / 104503303x HMG / G53max.50W 12V10430430 / 104504304x HMG / G53max.50W 12V10430530 / 104505304x HMG / G53max.50W 12V10430630 / 104506305x HMG / G53max.50W 12V10430730 / 104507306x HMG / G53max.50W 12V10430830 / 104508308x HMG / G53max.50W 12V188188188197 197197352197495multiple darklight170x170 h: 220 325x170 h: 220 470x170 h: 2201x ARIII 2Lx AR111 3Lx AR111alu / complete alu10350905 / on request10351005 / on request10351105 / on requestgypkitlamptype (*)104101301x HMG / G53max.50W 12V104102302x HMG / G53max.50W 12V104103303x HMG / G53max.50W 12VSupergeil, CopenhagenArch.: Johannes Torpe - multiple(*) max. 75W when using low pressure HMG/G53 lamp21

188188188188188197 197197352197495352 352197638multiple170x170 h: 220 325x170 h: 220 470x170 h: 220 325x325 h: 220 615x170 h: 2201x CDM-R PAR30 2Lx CDM-R PAR30 3Lx CDM-R PAR30 4SQx CDM-R PAR30 4Lx CDM-R PAR30alu / complete alu10352105 / on request10352205 / on request10352305 / on request10352405 / on request10352505 / on requestgypkitlamptype104101301x MR30 / E27max.70W 230V104102302x MR30 / E27max.70W 230V104103303x MR30 / E27max.70W 230V104104304x MR30 / E27max.70W 230V104105304x MR30 / E27max.70W 230V185185185185185159 159159314159457314 314159600multiple trimless160x160 h: 210 315x160 h: 210 458x160 h: 210 315x315 h: 210 601x160 h: 2101x CDM-R PAR30 2Lx CDM-R PAR30 3Lx CDM-R PAR30 4SQx CDM-R PAR30 4Lx CDM-R PAR30black / alu10361402 / on request10361502 / on request10361602 / on request10361702 / on request10361802 / on requestrecessed framelamptype104501301x MR30 / E27max.70W 230V104502302x MR30 / E27max.70W 230V104503303x MR30 / E27max.70W 230V104504304x MR30 / E27max.70W 230V104505304x MR30 / E27max.70W 230VTrioptic, TurnhoutArch.: DMVA David Driesen, Tom Verschueren - mini multiple trimless188188188188188197 197197352197495352 352197638multiple170x170 h: 220 325x170 h: 220 470x170 h: 220 325x325 h: 220 615x170 h: 2201x PAR30 halogen 2Lx PAR30 halogen 3Lx PAR30 halogen 4SQx PAR30 halogen 4Lx PAR30 halogenalu / complete alu10351605 / on request10351705 / on request10351805 / on request10351905 / on request10352005 / on requestgypkitlamptype104101301x HEGPAR30 / E27max.75W 230V104102302x HEGPAR30 / E27max.75W 230V104103303x HEGPAR30 / E27max.75W 230V104104304x HEGPAR30 / E27max.75W 230V104105304x HEGPAR30 / E27max.75W 230V185185185185185159 159159314159457314 314159600multiple trimless160x160 h: 210 315x160 h: 210 458x160 h: 210 315x315 h: 210 601x160 h: 2101x PAR30 halogen 2Lx PAR30 halogen 3Lx PAR30 halogen 4SQx PAR30 halogen 4Lx PAR30 halogenblack / alu10360902 / on request10361002 / on request10361102 / on request10361202 / on request10361302 / on requestrecessed framelamptype104501301x HEGPAR30 / E27max.75W 230V104502302x HEGPAR30 / E27max.75W 230V104503303x HEGPAR30 / E27max.75W 230V104504304x HEGPAR30 / E27max.75W 230V104505304x HEGPAR30 / E27max.75W 230Vmini multiple trimlessmultiple197 197188188352197 197495188352 352170x170 h: 220 325x170 h: 220 470x170 h: 220 325x325 h: 220 615x170 h: 2201x CDM-T 2Lx CDM-T 3Lx CDM-T 4SQx CDM-T 4Lx CDM-T188197638188alu / complete alu /10352605 / on request10352705 / on request10352805 / on request10352905 / on request10353005 / on requestgypkitlamptype104101301x MT / G12max.70W 230V104102302x MT / G12max.70W 230V104103303x MT / G12max.70W 230V104104304x MT / G12max.70W 230V104105304x MT / G12max.70W 230V185185185185185159159159314159457314 314159600multiple trimless160x160 h: 210 315x160 h: 210 458x160 h: 210 315x315 h: 210 601x160 h: 2101x CDM-T 2Lx CDM-T 3Lx CDM-T 4SQx CDM-T 4Lx CDM-Tblack / alu10361902 / on request10362002 / on request10362102 / on request10362202 / on request10362302 / on requestrecessed framelamptype104501301x MT / G12max.70W 230V104502302x MT / G12max.70W 230V104503303x MT / G12max.70W 230V104504304x MT / G12max.70W 230V104505304x MT / G12max.70W 230VMer du Nord, GhentArch.: Troisième Bureau - multiple trimless103120120103120220103325120103220220mini-multiple110x110 h: 130 210x110 h: 130 315x110 h: 1301x ES50-ES63 2Lx ES50-ES63 3Lx ES50-ES63210x210 h: 1304SQx ES50-ES63alu / complete alu10351205 / on request10351305 / on request10351405 / on request10351505 / on requestconbox / gypkitlamptype10400130 / 104201301x HRGI / Gz1050W or 75W 230V10400230 / 104202302x HRGI / Gz1050W or 75W 230V10400330 / 104203303x HRGI / Gz1050W or 75W 230V10400430 / 104204304x HRGI / Gz1050W or 75W 230V181181206206203 203203 203232 232232 232alu204x204 h: 210 204x204 h: 210 210x210 h: 240multiple trimless multiple trimless multiple2x 18W TCD2x 18W TCD + louvre 2x 18W TCD103626051036270510354105210x210 h: 240multiple2x 18W TCD + louvre10354205recessed frame / gypkitlamptype10450930 rec. frame2x FSQ / GX24d-218W 230V10450930 rec.frame2x FSQ / GX24d-218W 230V10410930 gypkit2x FSQ / GX24d-218W 230V10410930 gypkit2x FSQ / GX24d-218W 230Vmultiple trimless22

103120120103120220103325120103220220103120423 103521120mini-multiple110x110 h: 130 210x110 h: 130 315x110 h: 130 210x210 h: 130 415x110 h: 130 510x110 h: 1301x AR70 2Lx AR70 3Lx AR70 4SQx AR70 4Lx AR70 5Lx AR70alu / complete alu /10370105 / on request10370205 / on request10370305 / on request10370405 / on request10370505 / on request10370605 / on requestconbox / gypkitlamptype10400130 / 104201301x HMG / Ba15dmax.50W 12V10400230 / 104202302x HMG / Ba15dmax.50W 12V10400330 / 104203303x HMG / Ba15dmax.50W 12V10400430 / 104204304x HMG / Ba15dmax.50W 12V10400530 / 104205304x HMG / Ba15dmax.50W 12V10400630 / 104206305x HMG / Ba15dmax.50W 12V100102102100102202100294102100202202100392102100490102mini-multiple trimless103x103 h: 130 203x103 h: 130 295x103 h: 130 203x203 h: 130 393x103 h: 130 491x103 h: 1301x AR70 2Lx AR70 3Lx AR70 4SQx AR70 4Lx AR70 5Lx AR70black /alu10380102 / on request10380202 / on request10380302 / on request10380402 / on request10380502 / on request10380602 / on requestconbox / recessed framelamptype10440130 / 104601301x HMG / Ba15dmax.50W 12V10440230 / 104602302x HMG / Ba15dmax.50W 12V10440330 / 104603303x HMG / Ba15dmax.50W 12V10440430 / 104604304x HMG / Ba15dmax.50W 12V10440530 / 104605304x HMG / Ba15dmax.50W 12V10440630 / 104606305x HMG / Ba15dmax.50W 12V103120120103120220103325120103 220220103423120103521120mini-multiple110x110 h: 130 210x110 h: 130 315x110 h: 130 210x210 h: 130 415x110 h: 130 510x110 h: 1301x MR16 2Lx MR16 3Lx MR16 4SQx MR16 4Lx MR16 5Lx MR16alu / complete alu10370705 / on request10370805 / on request10370905 / on request10371005 / on request10371105 / on request10371205 / on requestconbox / gypkitlamptype10400130 / 104201301x HRGI / Gu5,3max.50W 12V10400230 / 104202302x HRGI / Gu5,3max.50W 12V10400330 / 104203303x HRGI / Gu5,3max.50W 12V10400430 / 104204304x HRGI / Gu5,3max.50W 12V10400530 / 104205304x HRGI / Gu5,3max.50W 12V10400630 / 104206305x HRGI / Gu5,3max.50W 12V100102102100102202100294102100202202100392102100490102mini-multiple trimless103x103 h: 130 203x103 h: 130 295x103 h: 130 203x203 h: 130 393x103 h: 130 491x103 h: 1301x MR16 2Lx MR16 3Lx MR16 4SQx MR16 4Lx MR16 5Lx MR16black / alu10380702 / on request10380802 / on request10380902 / on request10381002 / on request10381102 / on request10381202 / on requestconbox / recessed framelamptype10440130 / 104601301x HRGI / Gu5,3max.50W 12V10440230 / 104602302x HRGI / Gu5,3max.50W 12V10440330 / 104603303x HRGI / Gu5,3max.50W 12V10440430 / 104604304x HRGI / Gu5,3max.50W 12V10440530 / 104605304x HRGI / Gu5,3max.50W 12V10440630 / 104606305x HRGI / Gu5,3max.50W 12V188188188188188188188197 197197 197197 197197 197197 197197 197197 197multiple170x170 h: 240 170x170 h: 240 170x170 h: 240 170x170 h: 240 170x170 h: 240 170x170 h: 2401x PL 13W elec. 1x PL 18W elec. 1x PL 26W/32W elec. 1x PL 42W elec. 1x PL 13W conv. 1x PL 18W conv.170x170 h: 2401x PL 26W conv.alu10353705103538051035390510354005103534051035350510353605gypkitlamptype / 230V104101301x FSM-E / GX24q-113W 230V104101301x FSM-E / GX24q-218W 230V104101301x FSM-E or 1x FSM-H /GX24q-3 26W or 32 W104101301x FSM-H / GX24q-442W 230V104101301x FSQ / G24d-113W 230V104101301x FSQ / G24d-218W 230V104101301x FSQ / G24d-326W 230Vsignalisation & orientationagrus quova ledargusargus for plexiquova housing 1200quova cover 120045705580555827Ø 80 h: 65Ø 80 h: 6590x 30 h: 60white: 10590101alu: 1059020510621330alu: 10621405 circlesalu: 10621505 squaresblack: 10590102alu: 10590105conbox: 10622630lamptype: HRGI / Gu5,3 max. 50W 12Vlamptype: HRGI / Gu5,3 max. 20W 12Vlamptype: HSG / G4 max. 5W 12Vquova cover 1200quova housing 114quova cover 114quova cover 11475507590x78 h: 55alu: 10621605 verticalalu: 10621705 horizontal10621830alu.: 10621905 cicrlesalu.: 10622005 squaresalu: 10622105 rectanglesalu: 10622205 roundlamptype: 1x FSQ / G24d-1 max 13Wconbox: 10622730lamptype: HSG / G4 max. 5W 12V23

downut

quova housing 2470 PLquova housing 2470 E14quova cover 2470quova cover 24707020270202525210620130210x 55 h: 7510620230210x 55 h: 75alu: 10620305 circlesalu: 10620405 squaresalu: 10620505 verticalalu: 10620605 horizontalconbox: 10622430 conbox: 10622430lamptype: 1x FSD / G23 max. 7W 230Vlamptype: 1x IBT / E14 max. 15W 230Vquova housing 225 2x PLquova housing 225 2x E14quova cover 225quova cover 225202202142142707010620730210x 150 h: 7510620830210x 150 h: 75alu: 10620905 circlesalu: 10621005 squaresalu: 10621105 rectanglesalu: 10621205 round2conbox: 10622530lamptype: 2x FSD / G23 max. 7W 230Vconbox: 10622530lamptype: 2x IBT / E14 max. 15W 230Vquova 5000mono led clear glassmono led PC highmono led frosted glass77545586158590324658.558.558.5555x35 h: 80Ø 44 h: 70Ø 44 h: 70Ø 44 h: 70alu: 10622305alu: 10920105 white ledalu: 10920205 amber led*alu: 10920505 white ledalu: 10920605 amber led*alu: 10920305 white ledalu: 10920405 amber led*lamptype: FDH / G5 max. 13W 230Vlamptype: 1x LED white star / - amber star / -*lamptype: 1x LED white star / - amber star / -*lamptype: 1x LED white star / - amber star / -*Wine & Dine, OudenaardeArch.: Stellamans - quovaparede ledled square857545 40537560x 60 h: 49alu: 10921105 white ledalu: 10921205 amber led*alu: 10921305 white ledlamptype: 1x LED white star / - amber star / -*lamptype: 1x LED white star / -exteriorfred una hybrid woody argus exterior beamer jules hit-me flashback flasher apostrophevector aaah! exterior lab exterior instant boxlite exterior downie exterior eruption grannosfred very low GY 6,35 TIfred low TCD 1x 13Wfred low GY 6,35 TIfred high GY 6,35 TI135350350750110110110110wood: 10970323wood: 10970223wood: 10970423alu ext.: 10970119alu ext.: 10970319alu ext.: 10970219alu ext.: 10970419lamptype: 1x HSG / Gy 6,35 max. 50W 230Vlamptype: 1x FSQ / G24d-1 max. 13W 230Vlamptype: 1x HSG / Gy 6,35 max. 50W 230Vlamptype: 1x HSG / Gy 6,35 max. 50Wfred high TCD 1x 13W aluuna 50 - 75W / TI*hybrid maxi TIhybrid TI808075076076030011065 654040wood: 10970523dark grey: 10660106alu ext.: 10650219alu ext.: 10650119alu ext.: 10970519*dark grey: 10660206*alu ext.: 10660219lamptype: 1x FSQ / G24d-1 max. 13Wlamptype: HRGI / Gu5,3 max. 50W 12V *230Vlamptype: 1x HSG / Gy 6,35 max. 50W 230Vlamptype: 1x HSG / Gy 6,35 max. 50W 230Vbasebase flangemounting tube unalouvre hybridwoody A TIwoody TI359059050075178200 200dark grey: 10660306 unablack: 10660502 una10660430black: 10650502wood: 10670323wood: 10670123alu: 10660319 una black: 10650402 hybridalu: 10650319 hybridFor an ultra solid fixing to the floorFor a more solid fixing tothe floorluminance-reducing louvrefor hybrid.Or for aesthetic use.alu ext.: 10670319lamptype: 1x HSG / Gy 6,35 max 50W 230Vlamptype: 1x HSG / Gy 6,35 max 50W 230V26

woody TI alubig woody TIargus exteriorbeamer exterior stake 1x50 W3590500359010005511094450200 20075200 200115Ø 80 h: 110alu ext.: 10670119wood: 10670223alu ext.: 110750119dark grey: 10720106alu ext.: 10670219lamptype: 1x HSG / Gy 6,35 max. 50W 230Vlamptype: 1x HSG / Gy 6,35 max. 50W 230Vlamptype: 1x HRGI / Gu5.3 max.. 20W 230Vlamptype: 1x HRGI / Gu5,3 max. 50W 230Vbeamer exterior stake 2x 50Wjules footjules pin 50Whit-meØ 130941004501494201260Ø 55dark grey: 10720206dark grey: 10730106dark grey: 10730206alu ext.: 10940119lamptype: 2x HRGI / Gu5,3 max. 50W 230Vlamptype: 1x HRGI / Gu5,3 max. 50W 12Vlamptype: 1x HRGI / Gu5,3 max. 50W 12Vlamptype: 1x FDH / G5 21W 230Vflashbackflasherapostropheapostrophe TI2802000310120 1201856535°1251256535°200 2006565alu ext.: 10760119alu ext.: 10960119dark grey: 10740106dark grey: 10740206lamptype: 1x MR30 / E27 35W 230Vlamptype:1x HRGI / Gz10 max. 50W 230V1 x FSD / 2G11 18W 230Vlamptype: 1x HRGI / Gu5,3 max. 50W 12Vlamptype: 1x HRGI / Gu5,3 max. 50W 230Vvector 1x MR16vector 2x MR16vector TI 1xMR16vector TI 2x MR161056011060707060451056016660 166 60alu ext.: 10700119alu ext.: 10700219alu ext.: 10700419alu ext.: 10700519lamptype: 1x HRGI / Gu5,3 max. 50W 12Vlamptype: 2x HRGI / Gu5.3 max. 50W 12Vlamptype: 1x HRGI / Gu5.3 max. 50W 230Vlamptype: 2x HRGI / Gu5.3 max. 50W 230Vvector TI wallbase 30 - 60vector 1x MR16 oriëntableaaah! exteriorlab exterior300or60070103729072120801006045 60395 459045alu ext.: 10700619 30 cmalu ext.: 10700319inox 316 L: 10690120inox 316 L: 10680120alu ext.: 10700719 60 cmlamptype: 1x HRGI / Gu5.3 max.50W 230Vlamptype: 1x HRGI / Gu5.3 max.50W 12Vlamptype: 1x IBT / E14 max 25W 230Vlamptype: 1x HSG / Gy 6,35 max 50W 12Vlab 2 exteriorlab TI exteriorinstant 1x E14instant plus 1x E14721509072280160601609045456045105inox 316L: 10680220inox 316 L: 10680320alu ext.: 10710119alu ext.: 10710219lamptype: 1x HSG / Gy 6,35 max 50W 230Vlamptype: 1x HSG / Gy 6,35 max 50W 230Vlamptype: 1x IBB / E14 max 25W 230Vlamptype: 1x IBB / E14 max 25W 230Vinstant plus 2x E14boxlite CDM-R PAR30boxlite CDM-TCdownie low 26W exterior3003803801704560120 120120 120Ø 255alu ext.: 10710319alu ext.: 10780119alu ext.: 10780219 35Walu ext.: 10860119alu ext.: 10780319 70Wlamptype: 2x IBB / E14 max 25W 230Vlamptype: MR30 / E27 max:.70W 230Vlamptype: 1x MT / G8.5 35W 230V 35W1x MT / G8.5 70W 230V70Wlamptype: 2x FSQ / G24q-3 26W 230Vdownie high 26W exterioreruptiongrannos fix basic 1x 20Wgrannos fix rect 2x 20W23540013040090130110220130Ø 255405x 405 h: 125 mmØ 90 h: 150110x220 h: 150alu ext.: 10860219alu: 10770105alu: 10790105 clear glassalu: 10790305 clear glassalu: 10790205 frosted glasslamptype: 2x FSQ / G24q-3 26W 230Vlamptype: MR30 / E27 35W 230Vlamptype: 1x HRGI / Gu5,3 max: 20W 12Vlamptype: 2x HRGI / Gu5,3 max: 20W 12V27

grannos fix square 1x 20Wgrannos fix rect 1x 20W TIgrannos fix round 1x 20Wgrannos orient rect 2x 20W110 110110220110110220130130130130110x110 h: 150110x 220 h: 150Ø 110 h: 150110x 220 h: 150alu: 10790405 clear glassalu: 10790505 frosted glassalu: 10790605 clear glassalu: 10790705 frosted glassalu: 10790805 clear glassalu: 10790905 frosted glassalu: 10791105 clear glasslamptype: 1x HRGI / Gu5,3 max. 20W 12Vlamptype: 1x HRGI / Gu5,3 max. 20W 230Vlamptype: 1x HRGI / Gu5.3 max. 20W 12Vlamptype: 2x HRGI / Gu5,3 max. 20W 12Vgrannos orient basic 1x 20Wgrannos orient square 1x 20Wgrannos orient rect 1x 20W TIgrannos orient round 1x 20W90110 110110220110130130130130Ø 90 h: 150110x 110 h: 150110x 220 h: 150a110x 220 h: 150alu: 10791005 clear glassalu: 10791205 clear glassalu: 10791305 clear glassalu: 10791405 clear glasslamptype: 1x HRGI / Gu5,3 max. 20W 12Vlamptype: 1x HRGI / Gu5,3 max. 20W 12Vlamptype: 1x HRGI / Gu5,3 max. 20W 230Vlamptype: 1x HRGI / Gu5,3 max. 20W 230Vgrannos louvergrannos colorfiltergrannos recessed boxgrannos trans. IP68 50vaOnlyto be used with orient fix !10791502red.: 1079171310800130: grannos square10791630Luminance reducing louver.Only to be used withgrannos fix !yellow: 10791714green: 10791715blue: 1079171610800230: grannos rect.10800330: grannos roundChessCafé, GhentArch.: Arch. bureau Return - Michiels & Laureys - grannoslighting profiles2C or 02C 2FLAT2C small 2FLAT2C 45 only 5 lineaero I aero IIbaseline freeway SL 100 SL 149 multiple(x) N10 CT2C or 02C2FLAT2Csmall 2FLAT2C45 only2056,828,234,534,534,5217299 (*)299 (**)34,534,534,5144226(*)226(**)6648(*) with lateral triangular side profile(*) with lateral rectangular side profile(**) with lateral rectangular side profile(**) with lateral triangular side profile5 lineaero Iaero IIbaseline42,759058,5965191118,2516554,2(*)67(**)300208102(*) 5 line out(**) 5 line 30°8484(***) 5 line in(****) 5 line 1/2 in54(***)54(****)freewaySL 100SL 149multiple(x)122,513013023185149149,5100(*) cover superior(*) with cover superior130185 (*)149 (*)N10 CT322,5 (*)165162325 (**)(*) N10CT out(**) N10CT infreewayVorselmans, LoenhoutArch.: DMVA Daivid Driesen, Tom Verscheren - 5line28

265ready made2C or 02C 2FLAT2C small 2FLAT2C baselineready made 2flat2c TL5 2x54W SQready made 2flat2c TL5 2x54W polyready made 2flat2c TL5 2x54W BAP Cat3ready made small 2flat2c TL5 2x54W SQ10511320113613201136132010512100down: 93164001up/do: 93164002 +po.i.c.suspension twin set +230-240V cable includeddown: 93164011up/do: 93164012 +po.i.c.suspension twin set +230-240V cable includeddown: 93164021up/do: 93164022 +po.i.c.suspension twin set +230-240V cable includeddown: 93154001up/do: 93154002 +po.i.c.suspension twin set +230-240V cable includedlamptype: 2x FDH / G5 54W 230-240Vlamptype: 2x FDH / G5 54W 230-240Vlamptype: 2x FDH / G5 54W 230-240Vlamptype: 2x FDH / G5 54W 230-240Vready made small 2flat2c TL5 2x54W polyready made small 2flat2c TL5 2x54W BAP Cat3ready made 2C or 02C TL5 2x54W wabe sideready made baseline TL5 1x24W up650113621001136210010631320down: 93154011up/do: 93154012 +po.i.c.suspension twin set +230-240V cable includeddown: 93154021up/do: 93154022 +po.i.c.suspension twin set +230-240V cable includeddown: 93254001up/do: 93254002up: 93254001logo / text on requestlamptype: 2x FDH / G5 54W 230-240Vlamptype: 2x FDH / G5 54W 230-240Vlamptype: 2x FDH / G5 54W 230-240V lamptype: 1x FDH / G5 24W 230-240Vnew product linedownut - crosslink - multiple mask - square moon backlithalfpipe - thubdownut 1x T5C8035511030109: downut 1x T5Caperture: Ø 356 h: 120lamptype: T5 circline 55Wgear: incorporated, electronicdownutOptiek Brilcenter, WondelgemArch.: downuthalf pipecrosslinkmultiple masksquare moon backlit9516024515 122805550630636max. 37∞max. 37∞11040101: crosslink 4x PLlamptype: 4x FBT / E 2710631511: square moon backlit 4x18W10631616: filter blue 10631617: filter royal blue10631613: filter red 10631614: filter yellowgear: not requiredavailable for Multiple Trimless: 1L, 2L, 3Llamptype: 4x FD / G13gear: incorporated, electronicthub 2x AR111thub 2x AR111 + 2x TC-L 18Wthub 2x TC-L 18W18018018021836121836121836121836111020401: thub 2xAR111aperture: 362 x 219 h: 195lamptype: 2x HMG max. 50Wtransfo: incorporated, electronicthub 1x AR11111020601: thub 2xAR111 + 2xTC-L 18Waperture: 362 x 219 h: 195lamptype: 2x FSD 18W gear: incorporated, electroniclamptype: 2x HMG max. 50W transfo: incorporated, electronicthub 1x AR111 + 2x TCD 26W11020201: thub 2xTC-L 18Waperture: 362 x 219 h: 195lamptype: 2x FSD 18Wgear: incorporated, electronicthub 2x TCD 26W19519519528021921921921911020301: thub 1x AR111aperture: Ø 220 h: 205lamptype: 1x HMG max. 50Wgear: incorporated, electronic11020501: thub 1xAR111 + 2xTCD 26Waperture: Ø 220 h: 205lamptype: 2x FSQ / G24q3 26W gear: incorporated, electroniclamptype: 1x HMG max. 50W transfo: incorporated, electronic11020101: thub 2x TCD 26Waperture: Ø 220 h: 205lamptype: 2x FSQ / G24q3 26Wgear: incorporated, electronic29

ProductSpecial05 nomad, lotis, boxlite, giro by Dominiquenomad blacksFormerly only available on request, we will be adding 4 standard black Nomad versions to the range. Theblack versions offer a very stylish alternative to the standard aluminium range or can be perfectly combinedwith them. The Nomad black version will be available in the following standard versions: 2XPAR30,4XAR111, 2XAR111/1X1TI, 4XAR111/1X2TI.nomad 2xPAR30 Blacknomad 2x AR111 Blackblack: 10201502black: 10200902lamptype: 2x HEGPAR30 / E27 max.75W 230VCommercial release date to be communicated soon171lamptype: 2x HMG / G53 max. 50W 12VCommercial release date to be communicated soon171180182321321nomad 2xAR111 Black/1x1TInomad 4xAR111 Black/1x2TIblack: 10201502lamptype: 2x HMG / G53 max. 50W 230VCommercial release date to be communicated soon221black: 10201102lamptype: 4x HMG / G53 max. 50W 230VCommercial release date to be communicated soon22318417133829013232113232130

oxlite halogen exterioran exterior version of our boxlite halogen will soon see the light, as this smallest and most elegant versionof our boxlite range has been redesigned to also meet exterior appliances. This new IP43 fitting is made fora 75W HEGBT halogen light source which is safely covered by a protection glass.giro on jackshortly we will be adding a new Giro fitting to the range. The other existing multi ortientable Giro's alreadyare a success, offering a single version without transfo as well as a double version with incorporatedtransfo. With the new version it will be able to plug in the Giro into the standard Modupoint keeping thesame orientability.boxlite halogen Black Ext.giro 1xAR111 jackblack: 10780412lamptype: 1xHEGBT max. 75WCommercial release: 15/12/2003black: 10820324lamptype: HMG max. 50WCommercial release: 13/10/2003183120120225165lotis CDM-TC White Mattlotis cdmtcThe Lotis range will also be enlarged by adding a CDM-TC version. As with the Other Lotis fittings, this onealso offers the advantage of the recessed light source, thus avoiding unpleasant blinding. This new versionwill come with a 35° reflector, possibly to be extended by other reflectors to come.alu: 10880302 lotis CDM-TC Blacklamptype: 1xMT G8.5 max. 75W 35°Commercial release date to be communicated soonØ 210 h: 245alu: 10880305 lotis CDM-TC AluCommercial release date to be communicated soon252alu: 10880309 lotis CDM-TC White MattCommercial release date to be communicated soon216lotis MR16 Dark Chrome finishlamptype: 1xHRGI / Gu 5,3 max. 50W 12VCommercial release date to be communicated soon10782Hotel Messeyne ‘The Office’arch.: Stefanie Laporte - lotis31

FLUSH MANUAL01 & 02 & 03Remove the pots by releasing long buttons04 & 07 & 08 & 09Unscrew frame and install it into the ceiling05 & 06Unscrew the cover of the unit10 & 11If needed, finish ceiling with filler and paint.12Connect power supply cable to unit using a doublecircuit. Mount and screw on cover13Push body into frame and fasten with short buttons14Install FDH lamps15Run cables through pots Install the glass with the matside inwards. Run pots through glass and refasten withlong buttons16Remove the wire springs on the lampring. ConnectAR111 lamps to secondary cables and snap on lampswith wire springs01 02 0332

04 05 060708091011121314151635

Angelo & Angelino06 Hot studs being waterproof but not beerproof by Angelo & AngelinoFor Angelo, this was probably the most stupid bet that we ever did, but like in any good cowboymovie, one of us had to lose, and this time it was Angelo. Mr. Modular asked us to deliver to allthe ladies in the house of Modular a present because it was their official celebration day forbeing a lady-co-worker. This was of course the perfect job for us, because this was the perfectreason to give kisses to all the girls in Modular. Angelo yelled he would receive the most kissesbecause the girls will find him so mature, while Angelino just kept buzzing about his all new girlattractingeau- de-toilette.Anyway, too make a long history short; we decided to have a bet. Since, once again, all ourmoney was spent on car-magazines, cigarettes and booze, we decided to bet for a haircut. Theone who had received the most kisses could choose the haircut of the other one. Needless tosay it was Angelino who won with 234 kisses (against 154 kisses of Angelo), probably becausehe spoiled one bottle of girl-attracting eau-de-toilette on his breast-chest. The bet was done,and so was the haircut.disappointed in all the traffic-jam our Modular agents and co-workers had to deal with every day,and that we might have found a solution for this. All we needed was a small budget to rent thisnew transportation vehicle so we could test-drive it and write a rapport on it, so he could decidethat this was a good solution for all the time being lost by Modular members.Mr. Modular really liked the fact that we took some initiative and he decided to give us a chance.(Which we found very normal, because transport-managing was kind of our job in Modular)Anyway, Angelo’s was after all very happy with his refreshing haircut, because until so far wehad a very hot pre-summer weather here in Belgium, especially during the weekdays. But wethought that this hot sunny weather was kind of a bummer because we had to work and wemore had the idea of getting boozed on a sunny terrace. We had to find a plan to legally escapefrom Modular, enjoying the sun, have some booze, and still doing our job. When it comes tothinking, we knew we needed Miguel to help us out. As always, he was smoking cigarettes onthe parking lot. We called him on his new mobile phone (a brand-new Nokia4332 that he hadworked for the last three week-ends as a helping throwing-out-jumper in Dancing Extase) for aspecial meeting between the Modular carton boxes. Miguel only had to hear the words ‘special& meeting’ and he knows enough. Five minutes later Miguel came to our self-made hiddenmeeting-room, while smuggling in some beers and some John Player Special cigarettes he hadbought occasionally.We told him that the sun was hot these days and that we wanted some reasons to convince Mr.Modular that we could work outside. After a few laughs, some loud farmers, and a couple ofbeers our ideas quickly became to come. Afterwards we ate some chicklets, so that Mr. Modularwould not smell our beer-breath and we went to his office. We said to him that we are veryAngelino is shaving Angelo’s face Angelo is pissed.Angelino, kissing the ladies a lot and smelling good.Going for the mullet.Angelo, kissing the ladies, looking good.A very nice mullethead.Angelo making the ladies smile.Angelo screamed to keep this rattail, but a no go forAngelino.34

After leaving Mr. Modular’s office, we returned to our secret meeting place. Meanwhile Miguel hadbought some boat-books and we continued our meeting. Our search for the perfect boat couldstart. We emptied our third half-litre beer and started mentally preparing for our test. “If all worksfine on the sea, I’m sure it will work even finer on all the canals we have here in Belgium, so it isbetter to test-drive the boat in the hardest condition.” We all agreed with Angelo’s words so wedecided to float the boat at Zeebrugge-Harbour.We quickly noticed that the boat would be better off with more horsepower, and a new claxon, butthat was a minor problem that could easily be tuned. Also needless to say that we did notencounter any traffic jams, so that this boat, in combination with the very widespread canalsituationhere in Belgium you can go wherever you want. We still don’t understand why nobodyuses boats instead of cars, but maybe that will change after they have seen our approach on boats.We were very proud on each other that we had dealt with this traffic-matter like real professionalproblem solvers and we even started daydreaming that we would win the Nobel Price for trafficjam-solving.Needless to say we would spend all of our price-money to overpowered boats, andtuned cars to drive in our spare-time. Off course we did not win that particular Nobel Price, sincethey still have to invent it for us. Anyway we will call mr. Nobel and tell him what we think of him.Having our breakfast in one of the coolest truckstops we know.Angelo checking out some sexy mags.Trailing our boat.Three real captains posing in the sun.Angelo is hot, and wants to cooldown already.Angelo on the wheel.Cruising in the harbour, while Angelino is sniffing some sea-breezes.A very disappointend Angelino, because Angelo does not give him thesteering wheel.Angelino cruising in the sea and looking for some ladies around toimponate.‘No-Fear-Miguel’ sitting dry, while Angelo and Angelino did someswimming.Miguel and Angelo are waiting for Angelino, while he ischecking out the girls on the beach.Enjoying a beer.Enjoying another beer.Blowing out on the beach.Enjoying a beer and real zwam-saussicen.Working hard to put the boat backon the trailer.Looking for a beer-tent to celebrate our greatday at the sea.Angelo sitting on the top.Going home, with a car.(What a bummer)35

ModuNews12 fairs and exhibitions by DominiqueINTERNI MILANO 200336

EUROLUCE / Interni - MilanoFor this biennial celebration of international design, Modular chose not to attend the Euroluceexhibition and instead participated in the side event “Interni”. During the entire fair, people visitingEuroluce could alternatively follow a circuit through Milan during which exhibitors invited them toprivate showings. Modular’s concept was built around the theme of 70’s tennis. After having workedtheir way through a mini labyrinth, visitors were given the opportunity to enjoy a sports drink or arefreshing draught beer.UPCOMING FAIRSBatimat, 3 - 8 november 2003, hall 7.2/G/51, ParisDecocontract, 6 - 9 september, hall 12, stand F16-G17CONSTRUMAT - BarcelonaModular once again amazed visitors at its joint stand with the Spanish subsidiary. A professionalactor was hired to lead an everyday life on this year’s Construmat stand. “Bertrand” had a wholeseventies house at his disposal, which included a kitchen, bathroom, bedroom and living room, allworked out in detail. As people visited Bertrand’s home, they could admire Modular’s latest products,all perfectly incorporated into the stand’s concept. More than one eyebrow was lifted when Bertrandstarted drinking more beer than was obviously good for him, when he enjoyed a good siesta in thecouch or in his bed, and when he energetically started playing his electric guitar in the living room.Rumours have it that Bertrand might be back for more in the future...CONSTRUMAT BARCELONA 200337

SofieMuller08 Oeuvre by PeterGhent, 21/6/2003On the Graaf van Vlaanderenplein, in an unfinished loft opposite the park, we find the workplace aswell as the exhibition space of Sofie Muller, an all-round artist who is currently concentrating onphotography and three-dimensional art.Upon entering the studio, we are confronted by an imposing two-headed figure, a symbiosis of manand woman, a sexless being that stares up into the heavens. Next to it, there is a group of pictures;rotated silhouettes of the human body, constantly repeating themselves.The two-headed figure and the pawns are ceaselessly watched by strange pairs of eyes. Wheneverthe observer looks more carefully at these photographs, the eyes appear both open and shut. Apartfrom these photographs, we find a number of black and white pictures on which both sexes haveevolved towards hermaphroditic beings.Finally, there is a series of colour photographs on the same theme of transsexuality, but portrayed ina much more playful manner. These are in the form of photo collages.The general constant in all theseworks is ambiguity, surprise, strangeness, oppression; a picture behind the picture. As an observer,you are actually obliged to cast a second, more careful glance at Sofie’s work, so as not to be misled,and to enter into this bizarre, yet aesthetic world.Sofie Muller (28 years of age), lives and works in Ghent, and is currently a lecturer in painting at theSaint Lucas Academy. She holds diplomas in painting, free graphics and three-dimensional sculpture.Graslei 12, 9000 Gent, tel. **32 497881824Gallery de Buck, Mai 200438

main office belgiumphone: ++ 32 (0) 51 26 73 73www.fractal.beParc d'aventures scientifiquesFrameriesfeatured products06090511C2-PROFIELCONTOURH2-PROFIELWAVE ALU PERFO43

Mmmodular09 something ‘s cooking by FrancisFROGS’ LEGS IN RIESLING WITHBEWITCHED HERBSWHOOSH!!SERVES 4- 24 frogs’ legs- 2 to 3 finely chopped shallots- 1 finely chopped clove of garlic (if desired)- 400 ml cream- 200 ml Riesling- Flour- Butter- Parsley- Chives- Tarragon- Salt and pepper- 500 g flour- 30 g yeast- 300 g lukewarm water- 2 tablespoons olive oil- 10 g salt- 10 g sugar- 25 g mixed chilli peppers (green, red and yellow)- 50 g dried tomatoes- 25 g pickled ginger (shusi)- 15 g dried mushrooms(preferably black chanterelles/trompette de la mort)- Extra olive oil and coarse saltFirst season the frogs’ legs generously with salt and pepper and then roll in flour.Fry in butter until brown.When nicely browned on all sides, add the shallots (and garlic if desired).Add a splash of Riesling to bring down the heat in the pan, bring back to the boil, and continue to add the rest of the winegradually until the liquid has reduced almost completely. Add the cream and allow to thicken in the heat.Season to taste with salt and pepper and finally stir in the green herbs.When served with a glass of chilled Riesling, this is a frog the Princess will definitely want to kiss!Firstly, make a small ball of dough in a deep bowl, using a quarter of the flourtogether with the water, the sugar and the yeast. Let this rise for 20 minutes ina warm place. Then add the rest of the flour, the salt and the olive oil. Kneadfor 10 minutes or so until the dough becomes smooth and elastic. Cover withcling film and allow to rise for 45 minutes.Meanwhile, soak the mushrooms in warm water for about 20 minutes, thendrain well.Now knead the chilli peppers, tomatoes and ginger into the dough.Allow to rise again for about 20 minutes.Then knock down the dough and place it on a flour-covered baking tray. Usingyour fingertips, work the dough flat until it covers the entire surface and is about1 or 2 cm thick.Allow to rise again for an hour under the cling film.Just before the dough goes in the oven, sprinkle it with olive oil and coarse salt.Bake at 220°C for 20 to 30 minutes until golden-brown and crispy.When done, remove from oven and sprinkle again with olive oil while still warm.40

FROG LEGS WITH WHITCHES’ BREAD41

MotivatedPeople10 die Ortlahner Schuhplattlergruppe by Peter“Die Ortlahner Schuhplattlergruppe” was set up in Wommelgem in 1975. Since that date, thisBelgian dance group has adopted a wide range of typical Austrian dances. The group consists of 18young men and women, decked out in the original and characteristic finery of the Tyrol. In the last 25years, the group has produced a whole series of successful “Original Tyrolian Evenings” throughoutBelgium, as well as in the Netherlands, Germany and of course, Austria. Even Austrian newspapershave been high in their praise of these appearances. The guys specialise in the schuhplattler (“thighslapping”), this involves the rhythmic slapping on the thighs (wearing lederhosen) and feet, whichrequires no small amount of skill. Through their capers and leaps, they try to impress a girl, who spurnstheir advances, remaining elegantly aloof yet charming. This she does by means of the dirndldrehen,which is spinning around, quite quickly and evenly, on her own axis. An appearance consists of 14dances, with no end of props and attributes used. The Mühlradl turns the dancers into millers withwhite, flour-covered faces, while the Holzhakerbuam turns the dancers into lumberjacks, with waterand splinters flying around everywhere. The Bergknappentanz plays out in the deepest of mines withflickering lights, fireworks and miners’ tools, and the Kuahglockenplattler is performed by the girls withthe playful peals of cowbells. In the Watschenplattler, competition among the guys results in firm clipsaround the ears and in the Tiroler Figurenländler, one complex figure follows another. When the publicis involved, the result can sometimes be uncontrollable outbursts of laughter! Between dances,yodelling is performed and/or Austrian folk songs are sung.42

Gregoir11 fairy tale by Toon StockmanOnce upon a time... there was a really old tree, with really old branches, and on the left of its trunk - at leastif you were looking at it from behind the bilberry bush - there stood a ramshackle hovel. During fierce storms,when all the other trees would bend, weave and snap, this tree didn’t twist at all, not one single bit.And during the winter, - and certainly if you were looking on from behind the bilberry bush, from where thebare surface made the hovel look even more ramshackle, the pair took on a morose aspect. Stripped of allits leaves, completely naked, that’s when you could really see the inky black of the thick branches with thesmall, ramshackle hovel beneath.Gregoir wasn’t sure if they were oak or chestnut branches above his hovel, but he didn’t think it was thatimportant anyway, because the tree protected him from everyone who lived in the village further on. Thevillagers hated Gregoir just because he had the ugliest of faces. Everybody was afraid of the tree, not justbecause of its enormous dimensions and strong branches, but also because the trunk was so misshapedthat it looked like a witch’s face.The three pitch-black birds that lived in the tree confirmed the villagers’ suspicion that the tree and alsoGregoir were haunted, and so everybody gave Gregoir’s hovel a wide berth and left him alone. Of course,Gregoir was very pleased with his tree, his guardian angel. He had an ugly face, and in those days, an uglyface was more than enough reason for giving somebody a kicking.Until one day, when Gregoir was by chance standing behind the bilberry bush looking at his tree and hovel.He had just extracted another bilberry skin from between his teeth when his tree caused him a shiver offear. The heavy branches were hanging menacingly over the hovel, ready to give it a bashing. He ignoredthat shiver for a moment, it was his tree after all, but a second shiver went down his spine when he sawthe thick branches again, laying low over his hovel. He wasn’t afraid that the tree would completely smashhis hovel to pieces, he knew that trees couldn’t do that sort of thing, but he was afraid that one of thebranches might break off and plummet heavily to the ground.These enormous branches, even the smallest, could completely demolish his poor hovel. Even during thatsame autumn, when the tree had dropped its fruit, or was it vegetables, he wasn’t quite sure, he had beentrembling with fear. The fruit slammed down onto his hovel and with each thud, he feared the fatal branchthat would destroy it. He tried not to think about what would happen to him when the fatal blow came tohis hovel, and whether he might be asleep or maybe even eating frogs’ legs for all he knew. He just triednot to think about it.But he did think about it. Every day.Since then, every morning, when he came back from his morning foraging, before entering his hovel, he wouldgive the trunk a good kick. Just to make sure that all the branches were still firmly attached, so he wouldn’tget a nasty surprise when skinning a rabbit, catching a frog or just having an afternoon nap.After a while, not even the three black pigeons that lived at the top of the tree were bothered by Gregoir’skicks any more. “Of course they are black pigeons,” said Gregoir, briefly winking at each of the three birds.“They have orange beaks, and that’s typical of pigeons.” Sometimes he quite felt like roast pigeons washeddown with beer, but he was just too sympathetic towards the three birds.But the safety he got from his daily kick became vague and doubtful. “Perhaps I just don’t kick hardenough,” he thought. He wasn’t able to kick any harder, he was already stamping with all his might.He soon found a solution: a second kick, just before going to bed. The three black birds looked at oneanother rather bemused: “hey, what? Is it morning already?” The cleverest of the three looked up to the sunvanishing into the dusk and saw that it was getting dark: “It’s just another kicking spree, it will soon pass.”The three birds adjusted quickly, the extra kick in the evening was their signal to go to sleep, just as thekick in the morning was their alarm clock.When the three of them noticed a slight shudder, bang in the middle of the day, they looked down and sawGregoir kicking the trunk. The dumbest bird asked: “Is he angry at us?” and the cleverest bird replied: “Ofcourse not, he put some bread out for us this morning,” and the middle bird said, “He’s probably afraid thata branch will come crashing on his head when having an afternoon nap.”The three saw this as a signal to grab forty winks themselves.“That’s it, I’m off, I’m not putting up with this any longer,” screeched the cleverest bird as Gregoir had justdelivered his fifty-fifth kick to the trunk, and according to his normal daily schedule, was to dish outanother fourteen.“Oh, stay a little longer, you’re such good company.”“No, I’m fed up with this everlasting kicking, that’s all he ever does, and it’s our trunk too. I just want to restnow, and not just when he’s eating, sleeping or skinning filthy rabbits. I want to rest.”The middle bird thought about it and said, “You’re right, let’s go, I know a good tree.”“This can’t go on,” thought Gregoir, looking at the roof while devouring his cold rabbit, fearing that a branchwould pulverise his hovel. He wrenched away his old stove and dragged it outside, and looked around tosee where he could place it. “Yes, perfect!” he said. “Over there, by the trunk, then I don’t have to go farwhen I’m hungry.” And so, he warmed up his cold rabbit on his old stove.“Oh yes, my table.” He rushed inside, dragged his table and chair outside and placed them neatly next tohis old stove. He slumped into his chair and enjoyed his hot rabbit and the respite from the constant threatabove his head. He postponed his midday nap so as to be in his hovel as little as possible.That night, Gregoir lay trembling and kicking in his bed. He jumped up, leapt outside and delivered a soundkick to the trunk. “Phew, everything’s OK, I thought for a second that a branch was about to fall off.” A warmwind from the wood tingled his nose. “Hmm, it’s not all that cold outside, I’d be better off dragging my bedoutside, then maybe I’ll sleep better.” Gregoir rushed inside, picked his mattress off the ground, grabbedthe sheets and put everything down next to his table, chair and old stove. He immediately found relaxationin the muggy coolness and fell asleep.“Let’s have a look at our kicker,” said the dumbest bird. “Yes, we are just getting bored today,” the othertwo screeched in harmony.It was a great relief to see that they had not left their tree without reason. “He is still kicking like a madman.”“But why is he still kicking?” asked the dumbest bird aloud. “After all, his bed, table and old stove are stilloutside. He no longer has to be afraid of the stupid branches that are not going to fall onto his roof anyway.”“Indeed,” said the cleverest, dryly.The middle bird agreed with him: “Indeed,” pointing with his feathers to the dark rain clouds above him.It was pouring down. Gregoir had kicked eighteen times in succession, so he could easily seek shelter inhis hovel. He was nervous. Maybe a branch would come loose due to the storm after all.Gregoir fled outside. He kicked his own hovel briefly, however, he was by now so good at it that it shookand the four walls fell apart and the roof thudded to the ground. A drop of mud splattered against one ofthe dumbest bird’s wings. “Hey, you messy thing,” he shouted, but the others immediately silenced him.Meanwhile the rain was pouring over Gregoir, but he was able to skilfully install two walls around his table,bed, mattress and old stove. He fixed the third and fourth walls to them in three blows. The roof was moredifficult, but he managed. By the time the roof was ready, the last drop of rain had fallen.The three birds kept looking at the doorway, but Gregoir did not come back out.“Hey, look, he’s stopped kicking,” shouted the dumbest bird.“No,” shouted the cleverest bird.“Of course not,” said the middle bird, “He’s moved his hovel, he’s got nothing more to be afraid of.”“So, can we go back to our tree?”“Yes, we can.”The three flew off to their favourite branch. This was now situated right above his hovel. “Let’s move to theother side of the tree, so we don’t have to sit and stare at his ramshackle hovel.”…Once upon a time... there was a really old tree, with really old branches, and on the right of its trunk - atleast if you were looking at it from behind the bilberry bush - there stood a ramshackle hovel. During fiercestorms, when all the other trees would bend, weave and snap, this tree didn’t twist at all, not one single bit…43

Reviewpage12 been here, seen this? by Peter & ToonThis quartet is what you might need for a splendidholiday. All you should do during your welldeservedsummer break is party, relax, party, relax...so voilà, this is what we have selected for you.MISS KITTIN – RADIO CAROLINENot the newest album in this selection, but oneyou can’t miss if you like today’s dance-scene.Maybe Miss Kittin is hyped too much, but let’sforget this and concentrate on the music sheselected and mixed on this album… Well, this iswhat we can say: she’s a bomb and she’s madein ‘Sweetzerland’. Bravo.www.misskittin.comDAVID GUETTA – F*** ME I’M FAMOUSIf your ‘garden-aperitif’ is about to change into awild party, because everybody drank to much‘rosé’, drag the loudspeakers into your garden,put on David Guetta, call some more friends,start making Caipirinha’s, and you’re set to partyall day long. A swimming pool would ad very niceto this scene.www.davidguetta.comCHARLIE HUNTER QUINTET – RIGHT NOW MOVEYou don’t remember anymore when you boughtyour last jazz-record? Try Charlie Hunter Quintet,and you probably will start your old habit again.For best result, use in combination with hotweather, a parasol, grilled lobsters, white wine(cold), and good companion.www.ropeadope.comSVEN VAN HEES – INTO BLUEThis album is mixed and compiled by Sven VanHees, and is a very gentle mix of Blue Notetracks. Nothing new you would say, enough BlueNote records have been compiled the last years,but not so for Sven Van Hees. The chosen tracksare perfect for lazy summer days, and have thesame atmosphere as the photography on thesleeve: a tender day at the beach.***** ***** ***** *****ZIVILE OPERATIONEN / CIVIL OPERATIONS –WALTER NIEDERMAYR Franz Xaver Baier & Marion Piffer-Damiani*****This music-chart is compiled by Bertostoro, a DJduothat only plays occassional and mostly for avery intimate crowd. The main goal of their set isdual; they want to amuse themselve, and they liketheir dancefloor filled. Rumour has it they onlydrink the finest of wines when they play, and thebetter the wine, the better the set.This chart is not the typical 1-10 hit chart, as intheir eyes, number one is as good as number 10.It is a mix of what they play currently in their car.It is not the newest stuff, and it is certainly not ablueprint of their DJ-ing stuff (although manysongs may by very dance-able). Like said, it is justwhat they like and play at this very moment.Most of the tracks are taken from a full album, andit is only that perticular track that has made theBERTOSTORO car-chart, not the whole album.Artist: Miss KittinFrom track 3 to 4, and from 8 to 12(with some extra points for track 12)Taken from: Radio Caroline, 2003(BERTOSTORO)Artist: L’usineTrack 5: HazeComment: Dance. Best played with a lot of bass.Taken from: The love we share, 2002 (TOSTO)Artist: Ellen AllienTrack 8 (CD1): StadtkindComment: Electro.Taken from: Futurism, 2002 (TOSTO)Artist: AgoriaTrack: Sky is clearComment: For speeding. (BERRO)Artist: Shakedown (Kid Creme Club mix)Track: At night (BERRO)Artist: PlaceboTrack: Special NeedsComment: For ‘Guitar’ Moods (BERRO)Artist: Freaks (Losoul remix)Track: Turning OrangeTaken from: Musicforfreakspresent some freakystuff (BERRO)Whether Walter Niedermayr takes pictures in the openness of a lonely alpine landscape or in the tightlycontrolled, cramped conditions of a closed institution, the concrete topographical references in his picturesalways evaporate. Characterized by a diffuse light that illuminates spaces and colors, stretched betweenthe visible and the invisible, his photographs reveal the various subtle qualities of spaces, from sobereeriness to poetic delimitation. The artist confronts the viewer with the expansive imagery of a photographicseries that has neither beginning nor end, offering views of space as seen through the life of passengersand inmates, hospital workers and waiting room attendants. This new book of Niedermayr's photographsfeatures, for the first time, a selection of works from different series, including his views of hospitals, prisons,motorways, and construction sites, and the alpine vistas that first brought him to international attention.Artist: Nick Cave and the Bad SeedsTrack 1: wonderfull lifeTaken from: Nocturama, 2003. (TOSTO)Artist: Quasistereo feat. ACL (chicks on speed mix)Track 8: AccelleratorComment: No way you will sleep.Taken from: Dan Ghenacia, no way you cansleep, 2003 (TOSTO)Artist: C++Track: Angie’s fuckedTaken from: Musicforfreakspresent some freakystuff (BERRO)156 pageshardbackISBN 3775712607***** *****WORLD WITHOUT WORDS –MICHAEL EVAMYA voyage through the visual shorthand of modern life, World Without Words argues that we are relying lesson words for navigating the world than on images and graphic devices. It shows designers’ attempts tocondense words and data down to their simplest equivalents. The book illustrates the familiar, the peculiarand the confusing visual language that we are asked to interpret (symbols, graphs and charts, maps), mixedup with the more graphic examples of data storage and identification that is read not by humans but bymachines (such as barcodes, magnetic strips, holograms). Featuring airport signs, road markings,pictograms, maps, diagrams, packaging, logos and symbols, World Without Words shows not only thenorms of wordless graphic communication but also how these vary around the world when interpreted bylocal individuals for different cultures.160 pagespaperbackISBN 1 85669 319 8www.laurence-king.comSMALL HOUSES –NICOLAS POPLESmall houses are no longer synonymous with cheap houses and lack of privilege. Instead, they symbolizea range of culturally coded values: compactness, efficiency, discrimination, discreteness, minimalism.Opening with a detailed exploration of the social and historical background behind compact housing in thetwentieth century, this book goes on to feature 37 illustrated case studies that represent some of the bestexamples of small houses built worldwide within the past decade. Plan areas range from 7 to 150 squaremetres (75 to 1615 square feet) and each project embodies a particular design approach towardscompact accommodation. The case studies are organized into three chapters – Rural Retreats; Urban andSuburban Bases; and Small Clusters and Multiples – and include work by such architects as Toyo Ito,Lacaton & Vassal, LOT/EK and Kazuyo Sejima.208 pagesISBN 1 85669 296 5hardbackwww.laurence-king.com44

SONY HUMANISED ROBOTJapan's Sony Corporation has unveiled a prototype robot that can sing and dance. Thehuman-shaped SDR-4X can sing in four-part harmony, shake its hips and wave its arms intempo. This robot will cost as much as one car, a luxury car. Sony Corporate Executive VPToshitada Doi The company says the robot can also recognise faces, voices and names,hold simple conversations and pick itself up when it is pushed over. But it is an expensivetoy that a company executive says will cost as much as a luxury car.Company officials say they hope the robot will be able to provide entertainment andcompanionship for its owners.www.sony.comSHOCK TOWERThe Shock Tower is hydrofoiling's most exciting and imaginativeinnovation since the birth of the sport. With the air/oil shock you canvary the amount of travel by using the pump to increase or decreasethe amount of air pressure in the shock. This will allow anyone of anysize to realize the benefits of riding with suspension! The Shock Towerwas brought to life with two things in mind:1) To increase pop off the wake by "pre-loading" as you leave thewater the shock will actually kick you further into the air.2) Decrease the impact and make the landings as soft as possible.www.SkySki.comVENTURA V-TEC ALPHAWith the v-tec Alpha, ventura design on timeintroduces a totally new generation of luxurydigital watches. The contemporary design ofSwiss star architect Hannes Wettstein isenhanced by select materials: the case and,depending on the version, the bracelet consist ofDurinox hardened, scratch-resistant stainlesssteel, a ventura exclusivity; the crystal is made ofequally scratch -resistant sapphire. The excellentreadability of the liquid crystal display is achievedwith newly developed fonts and a very highcontrast. Two rows of digits assist the intuitiveEasySkroll operation.© sonywww.ventura.chHITACHI CLEANING ROBOTHitachi presents a new extremly small (250mm)Home Cleaning Robot Prototype.The robot can chart out a room automatically andvaccuums the floor when cruising around.The robot automatically empties the dust containerin the loading station. The Robot also goes back tothe loading station when it's battery starts to getlow on power.www.hitachi.comTANKS FOR SALETanksforsale is a joint Czech English company thatsupplies surplus de-activated oldtimer militaryvehicles to Collectors, Army Surplus Dealers,Museums and the Film Industry. They arespecialized in ex Warshaw Pact military vehicles &equipment sourced directly from Army surplusstocks. The company also holds a stock of spareparts, and a library of technical information.www.tanksforsale.co.ukFORD MODEL UThe ultimate recyclable car. You can eat it, uh, purge it and use the fertilizerto grow it again. Inspired by Henry the First's soybean-based car body of theearly '40s, this basic, small F-150-styled urban utility vehicle is powered by ahydrogen-fuel 2.3L internal combustion I-4 with the same electric-hybridsystem that will find itself into the 2004 Escape. The interior features a "slot"system that lets you remove and replace seats and part of the instrumentpanel. The interior is made of a recyclable polyester, with soybean-basedseat-foam and tailgate, a sunflower seed motor oil, and a corn-based canvassunroof.A 2.3-liter, four-cylinder supercharged, intercooled hydrogen internalcombustion engine, coupled with a hybrid electric transmission, propelsModel U. It offers enhanced fuel economy - the equivalent of 45 miles pergallon and about 300 miles of range - plus near-zero regulated emissions anda 99-percent reduction in carbon dioxide. The powertrain also features Ford'sadvanced Modular Hybrid Transmission System, a way to simplify hybridelectric vehicle (HEV) technology in manufacturing, while contributing tosignificant fuel economy improvements. This vehicle can meet PZEVemissions.www.ford.comFord Motor Co.HIDDEN CAMERA DETECTORKeep yourself and your loved ones safe anywhere! The ultimate, non-lethalprotection device fits in your pocket, has six security functions you canactivate with one touch(1) Check to see if Big Brother is watching you--wavethe 6-in-1 hidden camera detector around a room or office and it will let youknow if you're being secretly taped.www.havegadgets.comINNESPACE SUBSInnespace is a design and fabrication company that was set up to further the development of submersible watercraft.Innespace was founded with the initial aim of designing and building two Bionic Dolphins for recreational andcommercial use. These positively buoyant vessels use their forward momentum and the downward lift of their wingsto literally fly below the water's surface. This radical departure from the typical method of sinking below the surfaceallows the dolphin's to achieve an unparrallelled level of freestyle performance.www.innespace.com39

Slut13 a fairy tale by Pieter De Poortere46

Agenda14 exhibitions by ToonBELGIUMY.I.R.M.; Young Independent Road MuseumThe museum can be visited at least two weeks in the same city. The museum can only be visited onSaturdays between 11 a.m. and 12.30 a.m., 1.30 p.m. and 3 p.m. and 3.30 pm and 5 p.m.For more information: www.jomos.be - phone: **32 472 713 626- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Poeziezomer 2003Poeziezomer 2003 in Watou is curated by Jan Hoet & Michel Dewilde. 25 artists are confrontedwith 35 poets. The works are shown all over the village, in basements, attics, barns fields, ponds,Poëziezomer Watou 2003Watou, BelgiumUntil 07/09/03www.poeziezomerswatou.be- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -‘Beaufort 2003' Art at seaOver a period of six months - from 5 April 2003 to 28 September 2003 - the Belgian coast will be thestage for numerous contemporary, multidisciplinary art events. This project, 2003 Beaufort, which hasthe sea and life by the sea as its theme, will take place in a variety of places. For an exhibition at thePMMK, Museum of Modern Art in Ostend, celebrated contemporary artists from home and abroadhave been invited to paint the sea. These artists' modern-day seascapes will be contrasted againstworks by their illustrious predecessors, such as William Turner, Gustave Courbet, Claude Monet,James Ensor, Constant Permeke, Leon Spilliaert, Jean Brusselmans, Paul Maas and Henri-VictorWolvens.Over 100 contemporary artists will be responsible in the coastal towns for producing a fabulouscircuit of artworks, inspired not only by the interplay of light, water and clouds but also by thesurrounding cultural inheritance of the region. Beacons, projects, billboards and exhibitions will beappearing along the coastal landscape, taking visitors to both familiar and less familiar places by thesea!Between De Panne and Knokke-Heist there are 65 km of coastal resorts: long boulevards, livelypavement cafés, enticing restaurants and jolly bistros, rest and recreational activities, nice shops andart galleries. Accommodation is plentiful and varied: from hotels to holiday apartments and cottages.And there is still more: behind the dunes, not far from the sea and beach, lie hushed villages, hiddenaway in the natural landscape, noteworthy for their rich historic past. The abundance of nature andculture guarantees a fantastic time by the sea. For more information visit: www.2003beaufort.beFor further information Tel: **32 70 22 50 04 - e-mail: info@2003beaufort.be - www.2003beaufort.be- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -LONDONWolfgang Tillmans‘If one thing matters, everything matters’Tillmans' figurative photographs present us with a compelling alternative to conventional ideas aboutbeauty - his landscapes, still-lifes and portraits have a distinctive energy, often appearing spontaneousand improvisatory when in fact they are carefully planned. He also recently began to make abstractcompositions by manipulating the effects of light on photo-sensitive paper. While continuing to explorethe potential of the still image Tillmans has begun to work with video, collaborating with the pop group,the Pet Shop Boys, on a music video and making a large-scale video installation, Lights (Body) 2000-2. He will make a new film to be premiered at Tate Britain during this exhibition.Tate Britain++ 6 June until 14 September +++- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -The National GalleryTrafalgar Square++ 6 June until 14 September +++Take One Picture: An exhibition of work by primary schools, inspired by Uccello’s 'SaintGeorge and the Dragon'- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -47

Main office - BelgiumModular Lighting Instruments NV Rumbeeksesteenweg 258-260 8800 Roeselare BelgiumTel: **32 (0)51 26 56 56 Fax: **32 (0)51 22 80 04 Email: welcome@supermodular.comAustralia, South-East AsiaModular Lighting Australasia 189a St. Johns Road Glebe N.S.W. 2037 AustraliaTel: **61 295 71 88 00 Fax: **61 295 71 88 11 Email: welcome@jsblighting.com.auItalyModular Lighting Italy Via Machiavelli 9, 34132 Trieste ItalyTel: **39 040 347 61 65 Fax: **39 040 348 37 91 Email: info@modularitalia.itJapanModular Lighting Japan Terrace House B 1-9-7 Nishi azabu, Minato-ku Tokyo 106-0031 JapanTel: **81-357 75 25 11 Fax: **81-357 75 25 12 Email: welcome@modularjp.comThe NetherlandsModular Lighting Nederland BV Bouwerij 54 1185 XX Amstelveen The NetherlandsTel: **31 (0)20 347 30 47 Fax: **31 (0)20 347 30 48 Email: info@modular.nlSpainModular Lighting Spain PG. Sant Joan 10, 08010 Barcelona SpainTel.: **34 93 244 43 43 Fax: **34 93 265 59 63 Email: modularspain@ca2l.comUnited KingdomModular Lighting U.K. 22-24 St. Giles High Street London WC2H 8LN United KingdomTel: **44 (0)20 7681 9933 Fax: **44 (0)20 7681 9943 Email: all@modular-lighting.co.ukGermanyModular Lighting Germany GmbH Lichtstraße 43 G 50825 Köln GermanyTel: **49 (0)221 88884 0 Fax: **49 (0)221 88884 444 Email: info@modularlighting.desupermodular.comfor a complete international dealerlist please log on to our website