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Christie's leadership takes flight with HFR and IMB - Christie Digital ...

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Increasing frame ratesprovide more framesto better represent fastmoving objects. It alsoprovides increased imagedetail as the camerashutter is openfor less timeper frame.To learnmore abouthigh frame rates<strong>and</strong> upcoming <strong>Christie</strong>events <strong>and</strong> demonstrations visitchristiedigital.com/highframerates.2<strong><strong>Christie</strong>'s</strong> <strong>leadership</strong> <strong>takes</strong> <strong>flight</strong><strong>with</strong> <strong>HFR</strong> <strong>and</strong> <strong>IMB</strong>Story continues from page 1their cinematic offerings by providing premiummovie experiences <strong>and</strong> alternative contentoptions. <strong>Christie</strong> continues to lead the evolutionof cinema solutions <strong>and</strong> offers studios, directors<strong>and</strong> exhibitors the software, firmware <strong>and</strong>equipment they need to give audiences the mostcompelling cinema experiences.Fast motion action shots, camera panning,<strong>and</strong> the elimination of strobing artifacts are nowpossible <strong>with</strong> higherframe rates (<strong>HFR</strong>) <strong>and</strong><strong>Christie</strong> Solaria ® Series2 projectors. “It’s aboon to the industryto have advanced,upgradeable projectortechnology from<strong>Christie</strong> to solve partof the frame ratepuzzle,” notes JamesCameron, chairman<strong>and</strong> CEO, LightstormEntertainment Inc.“3D shows you awindow into reality,the higher frame rate<strong>takes</strong> the glass out ofthe window.” Workingclosely <strong>with</strong> JamesCameron's LightstormEntertainment <strong>and</strong>Park Road, bothpremiere productionfacilities, <strong>Christie</strong>ensures they will have the right solutions when themarket needs them.Are you ready?“With the support <strong>and</strong> the initiative that visionaryleaders like James Cameron <strong>and</strong> Peter Jacksonhave shown for <strong>HFR</strong>, we foresee this becomingthe next 3D-type of experience where audienceswill actually see a difference — somethingastonishing <strong>and</strong> stunning,” comments Jack Kline,president <strong>and</strong> COO, <strong>Christie</strong> <strong>Digital</strong> Systems, USA.Kline believes that <strong>with</strong> <strong>HFR</strong>, “the promise ofdigital cinema will be fully realized.”Previewed at ShowEast in October 2011<strong>and</strong> launched at CinemaCon 2012, <strong><strong>Christie</strong>'s</strong>Integrated Media Block (<strong>IMB</strong>) server technologyprovides the performance <strong>and</strong> security thatexhibitors dem<strong>and</strong>. The <strong>IMB</strong> has become arequirement for the amount of data encryption<strong>and</strong> b<strong>and</strong>width that 4K resolution requires, <strong>and</strong>creates a secure, high-b<strong>and</strong>width connectionthat manages <strong>HFR</strong> <strong>and</strong> 4K content <strong>with</strong>outcompromising image quality.Ready. Set. Go.<strong>Christie</strong> is ready. As the pioneer <strong>and</strong> expert in <strong>HFR</strong>projection capabilities, they have put another toolin the directors’ <strong>and</strong> studios’ toolboxes. <strong>Christie</strong> isset to exp<strong>and</strong> its <strong>leadership</strong> role <strong>and</strong> expertise in<strong>HFR</strong> <strong>with</strong> the introduction of <strong>Christie</strong> Previsto<strong>HFR</strong> technology, among other firmware upgrades,for an enhanced 2D <strong>and</strong> 3D experience. And now<strong>Christie</strong> goes the extra mile <strong>with</strong> the developmentof the advanced technology designed to deliver<strong>HFR</strong> <strong>with</strong> its new, more powerful <strong>and</strong> versatileserver technology — the <strong>Christie</strong> <strong>IMB</strong>.<strong>Christie</strong> is set. They can provide the optimalperformance solution for their Solaria Series2 projectors, <strong>with</strong> the introduction of thefuture-proof <strong>Christie</strong> <strong>IMB</strong>. “Our projectors arecapable of supporting up to 60 frames persecond (fps) per eye, a decoding bit rate ofup to 500 MBIT/sec (more than double theDCI st<strong>and</strong>ard), <strong>and</strong> the capability for higherb<strong>and</strong>width 4K <strong>and</strong> 3D content,” states Dr. DonShaw, director, product management, <strong>Christie</strong>Entertainment Solutions.<strong>Christie</strong> is ready to go. “We can propose to theexhibitor a safe haven — from both the projector<strong>and</strong> the <strong>IMB</strong> st<strong>and</strong>points — that they are notgoing to be made obsolete,” Kline assures. “Thisis a pledge we make to our customers because ofour history in the business.”“<strong>Christie</strong> is the single source for technologysolutions, expertise, <strong>and</strong> service. Whetherexhibitors need support for streamingalternative content, the ability to upgradeeasily or to switch back <strong>and</strong> forth from 24fpsto 48fps or 60fps, to dual stacked-projector3D setups for special presentations on a bigscale, <strong>Christie</strong> is committed to digital cinemafor the long term,” notes Dr. Shaw. He adds,“<strong>with</strong> <strong>Christie</strong>’s cost-effective, more reliable <strong>and</strong>robust solutions, film makers, post-productionstudios <strong>and</strong> exhibitors can also embrace thenew technology now.”> See back page for story on Technology Co-operation <strong>with</strong> Park Road Post Production, Weta <strong>Digital</strong> <strong>and</strong> <strong>Christie</strong>.<strong>Christie</strong> <strong>IMB</strong> makes its debut worldwideAsia is an early adopterfor <strong>Christie</strong> <strong>IMB</strong>Countries throughout Asia Pacific are often earlyadopters of <strong>Christie</strong> DLP Cinema ® technology.Shanghai-based Shimao Group, a leadingChinese property, retail <strong>and</strong> entertainmentcompany, was the first to purchase the all-new<strong>Christie</strong> integrated <strong>IMB</strong> solution.“We are confident that <strong>Christie</strong>’s <strong>IMB</strong> will workwell <strong>with</strong> the <strong>Christie</strong> Solaria Series 2K <strong>and</strong> 4Kprojectors we have deployed in our cinemas. Afterviewing the <strong>HFR</strong> <strong>and</strong> <strong>IMB</strong> solution, which made itsfirst appearance at the <strong>Christie</strong> booth at CineAsia,we are convinced that the <strong>IMB</strong> solution will offerus a more complete projection system because itis integrated <strong>with</strong>in the projector. This is definitelya value-add for exhibitors like Shimao who isalways eager to embrace the latest innovationsin digital cinema,” commented Liu Ming, generalmanager, Shimao Cinema Investment Co., Ltd.Prototype <strong>Christie</strong> laser-engine projector showsJames Cameron High Frame Rate demo reelIn April, <strong>Christie</strong> hosted a <strong>HFR</strong> Summit at <strong>Christie</strong>’s worldwide center forengineering, research <strong>and</strong> development in Kitchener, Ontario, providingcinema-industry luminaries the first-ever laser projection of high framerate cinema <strong>and</strong> alternative content on to a 30-foot white screen.Matt Cowan, chief scientific officer, RealD; Douglas Trumbull, arecent Gordon E. Sawyer Academy Award winner; Ian Bidgood,technical director, Park Road Post Production; Bert Dunk,director at the Screen Industries Research <strong>and</strong> Training Centre;Demetri Portelli, stereographer, <strong>and</strong> John Helliker, also directorat the Screen Industries Research <strong>and</strong> Training Centre, met <strong>with</strong><strong>Christie</strong> engineering <strong>and</strong> product development staff for a vibrantinformation sharing session <strong>and</strong> discussion on high frame rates,laser projection, <strong>and</strong> the future of 3D <strong>and</strong> 4K projection.Most current installationsuse a media block in anexternal server that is linkedby cables to the projector.This can create limitationsfor displaying alternativecontent <strong>and</strong> for displayingimages at <strong>HFR</strong>. <strong>Christie</strong>’sShaw explained, “by havingthe <strong>IMB</strong> integrated in theprojector, <strong>Christie</strong> has madethe <strong>IMB</strong> an integral partof the projector, creating asecure connection that can manage the highb<strong>and</strong>width required for <strong>HFR</strong> <strong>and</strong> 4K content<strong>with</strong>out any compromise to pixel quality.”Shimao Group, one of the top five exhibitorsin China, completed the digitalization of at least75 screens at 10 cinemas at the end of 2011<strong>and</strong> will increase the number of multi-functionalcinemas to 60 <strong>with</strong> 500 screens by 2015.<strong>Christie</strong> hosts cinema industry heavyweightsat first-ever <strong>HFR</strong> laser projection demoBig, bright <strong>and</strong> crystal clear will spark cinemaindustry renaissanceThe consensus of the assembled industry experts was that the industryneeds to differentiate itself from the plethora of varied viewing options,from tablets to home theaters <strong>and</strong> all manner of exhibitor setups. DougTrumbull said, “Spectacular movies delivered at high-frame rates, on tobig <strong>and</strong> vividly bright screens, will enable the production <strong>and</strong> exhibitionof amazingly immersive cinema experiences that will be far morepowerful than any other medium.”Echoing Mr. Trumbull’s sentiments, Ian Bidgood suggested that“…3D images must be awe-inspiring to bring back the crowds totheaters worldwide, <strong>and</strong> the higher brightness levels that are requiredto do justice to these images, along <strong>with</strong> higher frame rate material,will be delivered by <strong>Christie</strong>’s technology in the laser field, <strong>with</strong> newprojector <strong>and</strong> cinema solutions for today <strong>and</strong> the future.”<strong>Christie</strong>’s commitment to <strong>HFR</strong>The <strong>Christie</strong> <strong>IMB</strong> seamlesslyintegrates into the <strong>Christie</strong>Solaria Series of digitalcinema projectorsThe two main goals of <strong>Christie</strong>’s <strong>HFR</strong> activities are to help the industrydevelop the best <strong>HFR</strong> content <strong>and</strong> the best delivery system for <strong>HFR</strong>content. The first goal involves assisting leading-edge filmmakers <strong>and</strong>post-production companies in perfecting <strong>HFR</strong> movie creation for themost engaging, entertaining content possible. The second goal is toassist exhibitors in showing 3D <strong>HFR</strong> movies in all their glory. To theseends, <strong>Christie</strong> is helping create the st<strong>and</strong>ards for 3D <strong>HFR</strong> movies <strong>with</strong>current DLP <strong>and</strong> new laser technologies. through formal <strong>and</strong> informaltechnology-development alliances <strong>with</strong> major producers <strong>and</strong> directors,post-production facilities, studios <strong>and</strong> technology partners.3


Widespread adoption of <strong><strong>Christie</strong>'s</strong>4K <strong>and</strong> 3D solutions continues worldwideOne of W<strong>and</strong>a Group's cinemasin BeijingThe Asia Pacific region is the most rapidly growingcinema market <strong>and</strong> exhibitors enthusiasticallyadopt <strong>Christie</strong> ® 4K <strong>and</strong> 3D technology. <strong>Christie</strong>,the pioneer of digital cinema projectiontechnology <strong>and</strong> the first OEM licensee of TexasInstruments’ DLP Cinema ® chip, is now the firstto present total digital solutions based on 4K.“The dem<strong>and</strong> for 4K will continue to increase,especially in Asia where the cinema industry isexperiencing a dynamism that has not been seenfor a long time,” says Lin Yu, vice president,<strong>Christie</strong> Asia Pacific.<strong>Christie</strong> has deployed its DCI-certified<strong>Christie</strong> CP4220 <strong>and</strong> CP4230 projectors invarious markets in Asia. The <strong>Christie</strong> awardwinningSolaria ® Series which now includes afully integrated media block (<strong>IMB</strong>) solution canmanage higher frame rates (<strong>HFR</strong>) <strong>and</strong> 4K content<strong>with</strong>out compromising image quality <strong>and</strong> security.Rapid 4K expansionin China<strong>Christie</strong> has four offices throughoutChina to provide sales <strong>and</strong> servicesupport. According to Jack Kline,president <strong>and</strong> COO of <strong>Christie</strong> <strong>Digital</strong>Systems USA, “we really see China asthe future <strong>and</strong> they see us as a leaderin the cinema space. We are helpingexhibitors find the path through thatnext technological advancement.”<strong>Christie</strong> has the most 4K installationsin China including more than350 projectors <strong>with</strong> the W<strong>and</strong>a Group,Asia’s largest cinema chain, <strong>with</strong> 71premium cinemas <strong>and</strong> more than 600screens across China. W<strong>and</strong>a has plansfor adding another 120 cinemas <strong>and</strong> more than400 screens in 2012. “With <strong>Christie</strong>’s 4K projectorsfilling our cinema screens, we are able to providea complete 3D experience unequaled in quality,brightness, image accuracy <strong>and</strong> alignment — <strong>and</strong>ultimately — a total cinema immersion for ourclients,” remarked Ye Ning, general manager ofW<strong>and</strong>a Cinema Group.United Circuit, the cinema operator underShanghai Film Group, China’s largest cinemacircuit, <strong>and</strong> one of the most comprehensive filmgroups in China, recently purchased 200 <strong>Christie</strong>digital cinema projectors, including the <strong>Christie</strong>CP4230. Xu Xiaoping, general manager of UnitedCircuit, said the 4K digital cinema projectors arepart of the company’s next step in providingindustry-leading solutions for bigger screens <strong>and</strong>selected 3D releases. To date, United Circuit hasinstalled more than 600 <strong>Christie</strong> digital cinemaprojectors across China.India <strong>and</strong> Indonesia embrace 4KAt the Urvashi Cinema in Bangalore, India — thecountry’s first 3D cinema — the <strong>Christie</strong> CP4230digital cinema projector made possible the 3Dscreening of “Transformers: Dark of the Moon.”“4K is a premium experience, even going byworldwide st<strong>and</strong>ards. Urvashi prides itself on itscommitment to give our patrons the best viewingquality, said Amit R Gowda, CEO of Urvashi Cinema.“We pursue excellence <strong>and</strong> that is the reason whywe took such a bold move <strong>with</strong> the installation ofthe <strong>Christie</strong> CP4230 digital cinema projectors.”Ranjit Thakur, CEO of Scrabble Entertainment,<strong>Christie</strong>’s deployment partner in India, agreed,stating, “The way in which India is progressing onthe digital cinema platform is astonishing. Urvashi’smove to 4K digital cinemaprojection has set the barfor cinemas everywhere.This is the onset of a newrevolution <strong>and</strong> I’m sure inthe near future, we will seea lot of conversions fromthe cinema operators herein India.”In Indonesia, <strong>Christie</strong> is installing close to 200digital cinema projectors, including several 4Kmodels. Other Asia markets using <strong>Christie</strong> 4KDLP Cinema projection technology include Japan,Korea, Hong Kong, Singapore <strong>and</strong> Taiwan.Massive digital rolloutin the PhilippinesDCinema Alliance (DCA), a wholly ownedsubsidiary of Array’s Technologies Inc., is theleading supplier of cinema projection equipment<strong>and</strong> services in the Philippines. Set up to digitizethe Filipino cinema market, DCA has targeted aminimum of 400 screens in 60 sites, in additionto the 109 screens already converted. <strong>Christie</strong> hashad a very good working relationship <strong>with</strong> Array’sfor the last fifteen years.The contract for DCI-compliant <strong>Christie</strong> CP2220<strong>and</strong> <strong>Christie</strong> CP2230 <strong>Digital</strong> Cinema ® projectors<strong>with</strong> installations beginning in Metro Manilabefore fanning out nationwide, began in January2012, <strong>and</strong> is scheduled for completion <strong>with</strong>intwo years. “<strong>Digital</strong> cinema is revolutionizing thecinema-going experience everywhere. We hopethis deployment, which will see a minimum of400 screens digitized, will support the goalsof our exhibitors to provide a more engagingcinematic experience fortheir patrons,” commentedRey Del Poso, president,DCinema Alliance Corp.ArcLight gets head starton <strong>HFR</strong> movie projectionArcLight Cinemas, part of the Pacific Theatresgroup, <strong>with</strong> 33 auditoriums <strong>and</strong> 61 screens,completed the digital conversion of its fourlocations in California. They installed <strong>Christie</strong>Solaria ® Series 2K <strong>and</strong> 4K projectors to providethe best in both conventional <strong>and</strong> premier movieexperiences. All auditoriums <strong>with</strong>in the ArcLightbr<strong>and</strong> are premium presentation auditoriums,focusing on a “black box” design aesthetic, whichemphasizes undistracted viewing <strong>and</strong> features thebest in sight <strong>and</strong> sound technology.“<strong>Christie</strong>’s Solaria series will make it possible forus to present the latest technological advancesto our patrons, such as 3D <strong>and</strong> big-screenexperiences, as well as high frame rate moviesscheduled to launch later this year, beginning <strong>with</strong>epics such as Peter Jackson’s “The Hobbit,” saidJoe Miraglia, director of design, construction <strong>and</strong>facilities for ArcLight. “Since we offer a range ofmovies <strong>and</strong> theaters to suit distinct audiences, weneeded digital projection that could adapt to anyneed, <strong>and</strong> <strong>Christie</strong> gave us the best solution.”ACS Enterprises Inc., who h<strong>and</strong>led the installation,chose <strong>Christie</strong> because of its winningcombination of product <strong>and</strong> support excellence.“At ACS, we care about our clients, their theaters<strong>and</strong> their continued success,” saidJose Alvarado, chief executive officerof ACS. “<strong>Christie</strong> is a partner thatshares our philosophy <strong>and</strong> wanted tomake sure we succeeded in our digitalcinema transitions. In addition toproviding first-rate technology, <strong>Christie</strong>collaborated in installation design,setup <strong>and</strong> testing through its <strong>Christie</strong>Managed Services group, which hasbeen extremely helpful in quickly <strong>and</strong>efficiently providing the assistancewe needed for ArcLight’s uniquerequirements,” says Alvarado.The ArcLight chain includes the famous ArcLightHollywood, <strong>with</strong> its historic <strong>and</strong> unique CineramaDome — one of only three such theaters in theworld today. The Dome now features <strong>Christie</strong>Duo technology, a configuration of twoprojectors, advanced software <strong>and</strong> a space-savingframe that delivers a completely seamless, premiummovie experience for the world’s largest screens.Cannes Film Festival renews<strong>Christie</strong> partnership for three yearsIn its 65th year, the Cannes International FilmFestival signed <strong>with</strong> <strong>Christie</strong>, a technical partnersince 2006, to provide all the digital projectionequipment <strong>and</strong> the entire digital projectionplatform over the next three years.As technical partner, <strong>Christie</strong> provided 2K <strong>and</strong>4K DLP Cinema ® projectors for screening theworks shown in 20 digital auditoriums at theFestival, that took place in May of this year.Each year, the main projection rooms inthe Cannes Palais des Festivals are equipped<strong>with</strong> projectors from the <strong>Christie</strong> Solaria ®Series meeting <strong>Digital</strong> Cinema Initiatives (DCI)recommended st<strong>and</strong>ards.“The Cannes CST, the body responsible forprojection’s technical aspects at the CannesFestival, is delighted to be working <strong>with</strong><strong>Christie</strong>. The partnership between <strong>Christie</strong> <strong>and</strong>the Festival helps us guarantee an outst<strong>and</strong>ingquality of projection,” said Pierre WilliamGlenn, chairman of the CST (SupervisoryTechnical Committee for Sound <strong>and</strong> Image).Pascal Gervais, Manager of <strong>Christie</strong> France,added, “This renewed three-year TechnicalPartnership <strong>with</strong> the Cannes Festival confirms<strong>Christie</strong>’s high reputation in the film industry <strong>and</strong>— because of the dem<strong>and</strong>ing qualification processdeployed by the CST — proves our commitment tooffering nothing but the best in terms of image forone of film’s most prestigious events.”Technical ParTner DigiTal cinema2007 | 2008 | 2009 | 2010 | 2011 | 2012ArcLight Cinemas representan evolution in the moviegoing experience35mm | DigiTal cinema | 2K | DigiTal cinema 3D | 4K | hFr DigiTal cinemaCelebrating the 65th Anniversary of the Cannes Film Festivalthe past, present & future of cinema.www.christieatcannes.comCD0150_2012_Guide Marché du Film_65th-Cannes_2012_Fv.indd 1 16/04/2012 12:274 5


6The <strong>Christie</strong> Duo solutionfor large format 3D cinema<strong>Christie</strong> achieves firstdual-stacked 4K demo in ChinaOn a giant screen 62ft x 33ft (19m by 10m), in atheater in Shanghai, attended by more than 70cinema owners <strong>and</strong> exhibitors in China, <strong>Christie</strong>made its initial demonstration of true DLP ® 4Kresolution in 3D.They achieved an incomparable brightness levelof 68,000 ANSI lumens, using two <strong>Christie</strong> CP4230digital cinema projectors. With highly definedcolor contrast <strong>and</strong> superior 3D images, attendeesgot a sneak preview of what the next generation,large-screen premium movie experience promisesto deliver.<strong>Christie</strong>’s Advanced Program DevelopmentChief Scientist, Terry Schmidt, explained how thedual-stacked 4K digital cinema solution workson large cinema screens <strong>and</strong> how they achievehigh brightness for superior 3D applications. Healso conducted a technology preview of <strong>Christie</strong>’sauto-aligning software that helps to adjust imagesto gain perfect pixel precision.“With the rapid <strong>and</strong> significant increase inthe screening of 3D movies, theater owners <strong>and</strong>exhibitors are increasingly dem<strong>and</strong>ing dual-stackprojector solutions that allows for very clear <strong>and</strong>bright 3D displays. This demonstration proved that<strong>Christie</strong> is committed to push conversion to digital4K as a digital projection option for facilitating3D movies,” said Frank Xiao, general manager,<strong>Christie</strong> China.Poised to deliver the premiummovie experienceThe <strong>Christie</strong> Duo solution enables exhibitors todeliver the brightest 2K or 4K movie experiencesin 2D or 3D on the largest screens. Coupled <strong>with</strong>automated features that easily calibrate, align <strong>and</strong>optimize the images from both <strong>Christie</strong> Solaria ®Series 2K or 4K digital cinema projectors, <strong>Christie</strong>Duo delivers a completely seamless, premiummovie experience to moviegoers worldwide.When combined <strong>with</strong> world-leading 3D systems,exhibitors can achieve 3D image brightness levelsup to twice as high as what can be achievedusing the current large-format marketleader — at a significant overall cost savingCameron's Titanic 3Dworld premiere projectedby <strong>Christie</strong> Duo solutionIn co-operation <strong>with</strong> James Cameron’sLightstorm Entertainment, Inc., <strong>Christie</strong>supplied its <strong>Christie</strong> Duo dual-projector solution tobring the bright, vivid scenes of Titanic in 3D to life atits world premiere at The Royal Albert Hall in London.“I’m pleased to have <strong>Christie</strong> continuing toaccompany me on my ‘journey of discovery,’which will see studios <strong>and</strong> theater ownersproviding stirring 3D <strong>and</strong>, in due course, highframe rate movies, to fully immerse theiraudiences in experiences that best representthe creative excellence of today’s producers <strong>and</strong>directors,” said James Cameron.The multi-party effort included Fox FilmedEntertainment, Bell Theatres Services, Britannia RowAudio <strong>and</strong> a full orchestra, <strong>with</strong> Jon L<strong>and</strong>au appearingonstage <strong>with</strong> James Cameron at the premiere.“The Hobbit” brought to lifein <strong>HFR</strong> on massive silver screen<strong>Christie</strong> Duo combined <strong>with</strong> the new RealDXL-DP Cinema System projected Warner Bros.Pictures’ “Sneak Peek” of “The Hobbit” in 3D, athigh frame rates (<strong>HFR</strong>) of 48 frames per second,achieving an unprecedented combination ofuniformity <strong>and</strong> brightness. <strong>Christie</strong>, <strong>and</strong> RealD,a leading global licensor of 3D technologies,powered the presentation in the Colosseum atCaesars Palace during CinemaCon.In the setup for the presentation, projectionengineers calibrated the system using brightnessmeasurements taken towards the edges of thescreen, rather than at the center. By combiningthe <strong>Christie</strong> Duo <strong>and</strong>the RealD XL-DP3D Cinema System,exhibitors can actuallyachieve double thelight output over theprevious leading largeformat solutions, <strong>and</strong>at a significant overallvalue during regular, commercial movie showings.“With the new RealD XL-DP Cinema System,there is a technical solution for achieving 3Dbrightness at 2D light levels on some of the largestmovie theater screens in the world,” says RodArcher, vice-president of Cinema Products, RealD.”Don Shaw, senior director, <strong>Christie</strong>’sEntertainment Solutions product managementgroup noted that “The incredible experiencedelivered by RealD <strong>and</strong> <strong>Christie</strong> was achieved ona silver screen, using <strong>Christie</strong>’s Pureformity Color Technology to ‘control’ the center brightness,allowing us to obtain the most uniform imagepossible across this large screen.”“Theater of the Future” bringsluxury, hi-tech, low maintenancedigital cinema technology to U.S.Cinépolis Luxury Cinemas launches boothless projectionsystem <strong>with</strong> <strong>Christie</strong> Managed ServicesLocated in the Del Mar Highl<strong>and</strong>s Town Centerin Carmel Valley, Cinépolis Luxury Cinemasfeatures two traditional auditoriums <strong>and</strong> six <strong>with</strong>boothless projection systems, seating up to 74guests, 3D <strong>and</strong> surround sound technologies,reserved seating options, <strong>and</strong> high back recliningleather chairs for the ultimate in viewing comfort.<strong>Christie</strong> Managed Services has implementedcost effective boothless projection systems,powered by low-maintenance <strong>Christie</strong> digitalcinema projectors, the most powerful <strong>and</strong>most trusted name for exhibitors joining thedigital revolution. Designed <strong>and</strong> installed by<strong>Christie</strong> Managed Services as part of a completecustomized solution, the boothless systemseliminate the need for traditional projectionistbooth space <strong>and</strong> require no human operator.They also free up space for an additional row ofseating that would normally have been taken upby the projection booths.“While we are South America’s largest theaterchain, this is our first entry into the U.S. market,<strong>and</strong> it was critical that every aspect of ourpatrons’ movie-viewing experience was as perfectas possible,” said Carlos Wellman, managingdirector of Cinépolis Luxury Cinemas. “Weselected <strong>Christie</strong> because they bring more than80 years in the exhibition industry, <strong>and</strong> perfectlyunderst<strong>and</strong> the old-world traditions of the finestmovie houses <strong>and</strong> the next generation of digitaltechnology to meet the sophisticated dem<strong>and</strong>s oftoday’s moviegoers.”<strong>Christie</strong> end-to end solutions<strong>Christie</strong> provided an all-inclusive, turnkeysolution for a special lift system that enablesthe <strong>Christie</strong> CP2220 DLP Cinema ® projectorsto be positioned out of the way during normaloperation <strong>and</strong> lowered for maintenance.Matthew Heyman, a Cinépolis consultant on thisproject notes, “<strong>Christie</strong>’s boothless lifts create thespace for Cinépolis to transform its theaters into aunique movie-going experience. These boothlessconcepts, like the ones <strong>Christie</strong> designs <strong>and</strong> installs,are transforming the digital cinema environment.”“Exhibitors are looking for solutions thatenable them to reduce construction costs,while offering the design flexibility to transformolder facilities to the look <strong>and</strong> feel of the luxurycinema,” explained Sean James, vice presidentof Managed Services for <strong>Christie</strong>. “Ourcustomers need thebenefit of technology<strong>with</strong>out the complexityof integration or theburden of support toaccomplish their design<strong>and</strong> cost reductiongoals. We designed <strong>and</strong>built boothless systemsthat provide the rightenvironment for theprojector <strong>and</strong> isolatesthe audience from thenoise <strong>and</strong> heat theprojector <strong>and</strong> servergenerate while allowingthe projection booth tobe removed.”Recently, an additionalsix auditoriums wereinstalled <strong>with</strong> <strong>Christie</strong>boothless projectionsystems at the CinépolisLuxury Cinemas La Costalocation in Carlsbad.<strong>Christie</strong> Managed Services team alsoinstalled the audio system, screens,processing equipment, lighting,drapes, library management systems,playback <strong>and</strong> projection systems,in addition to designing <strong>and</strong>deploying the boothless capability.7


<strong>Christie</strong> DLP Cinema ® projectors ignite screens around the globe<strong>Christie</strong> surpasses 28,000 digital cinema projector milestone“The versatility <strong>and</strong>convenience ofour one-stop shopping approach, based on our deepunderst<strong>and</strong>ing ofexhibitor needs,has won us newcustomers acrossthe globe.”Jack KlinePresident <strong>and</strong> Chief Operating Officer,<strong>Christie</strong> <strong>Digital</strong> Systems USA, Inc.Texas Instruments (TI) announced that in the12-month period between December 1, 2010<strong>and</strong> November 30, 2011, the number of DLPCinema ® screens worldwide grew to a total of51,620 for an increase of 84 percent. <strong>Christie</strong>was the first manufacturer to surpass the5,000 digital cinema milestone in Spring 2009,followed by the 7,500 milestone in the Fall ofthat year. At the Cine Asia 2011 conferencein Hong Kong, TI awarded a commemorativeplaque to <strong>Christie</strong> customer, United CircuitCinemas, Shanghai Film Group, to commemoratethe 50,000th 3-chipset manufactured.At CinemaCon 2012 in April, <strong>Christie</strong> reportedthat they shipped <strong>and</strong> installed more than28,000 digital cinema projectors to date. Ledby the DCI-compliant <strong>Christie</strong> Solaria ® Series 2K<strong>and</strong> 4K projectors — from the popular <strong>Christie</strong>CP2220 <strong>and</strong> CP2230 workhorses to the CP4220<strong>and</strong> CP4230 thoroughbreds — <strong>Christie</strong> now hasmore than half of the world’s marketshare.“The versatility <strong>and</strong> convenience of ourone-stop shopping for fully integrated solutions<strong>and</strong> our end-to-end approach based on ourdeep underst<strong>and</strong>ing of exhibitor needs has wonus new customers across the globe.<strong>Christie</strong> continues to be the exhibitors’choice for financing options like ourinnovative Virtual Print Fee (VPF)program in North America, leadingedge-hardware <strong>and</strong> software <strong>and</strong>unparalleled support from <strong>Christie</strong>’sManaged Services,” said Jack Kline,president <strong>and</strong> chief operating officer,<strong>Christie</strong> <strong>Digital</strong> Systems USA, Inc.EMEA region sees record growthThe first 4K DLP Cinema projector in Russia wasinstalled in Summer 2011 by Asia Cinema, along st<strong>and</strong>ing <strong>Christie</strong> partner, in Cherepovets— the largest city of Vologda region. It marksan important stage in the development of theRussian cinema industry. A <strong>Christie</strong> CP4230Solaria Series projector was installed in the largesthall of the Kinomir cinema, <strong>with</strong> a 16.2m (53 ft)screen <strong>and</strong> a seating capacity of 570.Since then, the interest in <strong>Christie</strong> 2K <strong>and</strong>4K digital projectors in Russia as well as acrossthe EMEA region continues unabated. As theundisputed leader in this field, <strong>Christie</strong> is continuouslypushing the boundaries for its integrationpartners <strong>and</strong> cinema exhibitors, to further exp<strong>and</strong>its dominance in the cinema area.”We are seeing significant investment in amajority of territories in EMEA, in particular inGermany, France <strong>and</strong> Russia, where we havebeen number one in terms of active digitalcinema installations for years,” comments DaleMiller, vice president, <strong>Christie</strong> EMEA. ”Our<strong>Christie</strong> CP4230 is proving particularly popular,<strong>and</strong> the fact that we are always a step aheadwhen it comes to the future trends of cinema— <strong>with</strong> the development of Higher Frame Rates(<strong>HFR</strong>) or <strong>IMB</strong> solution — is a strong sign ofsupport to our cinema exhibitors who know theyare investing in high end performance <strong>and</strong> futureproofdigital projection systems.”<strong>Christie</strong> acquires $40 milliondigital cinema projector orderfor India marketScrabble Entertainment Pvt. Ltd., a subsidiaryof UFO Moviez India Ltd, <strong>and</strong> India’s largestDCI-compliant digital deployment entity,announced its commitment to purchase <strong>Christie</strong>digital cinema projectors valued at approximately$40 million for rollout in the Indian market.Scrabble is the only aggregator of DCI-compliantscreens in India <strong>with</strong> VPF agreements <strong>with</strong> majorHollywood studios. The order includes the awardwinning<strong>Christie</strong> CP2210, <strong>Christie</strong> CP2220 <strong>and</strong><strong>Christie</strong> CP2230 digital cinema projectors fromthe <strong>Christie</strong> Solaria Series. The installation ofthese projectors has begun <strong>and</strong> is slated to becompleted by the end of 2012. “<strong>Christie</strong> hasproven to be a reliable br<strong>and</strong> for the cinemaindustry for many years. Scrabble partnered <strong>with</strong><strong>Christie</strong> four years ago for the first phase of DCIrollout <strong>with</strong> the installation of 300 screens acrossIndia. In the second phase, we plan to rollout anadditional 1200 screens across premium Indianmultiplex <strong>and</strong> single screen properties, furtherreinforcing the confidence we have in <strong>Christie</strong>.<strong>Christie</strong>’s digital cinema projectors are not onlyreliable, but unrivalled in terms of resolution,brightness <strong>and</strong> performance,” said Ranjit Thakur,CEO, Scrabble Entertainment.According to Kapil Agarwal, Joint ManagingDirector, UFO Moviez, “We have very aggressiveplans for the next phase of our DCI rollout inIndia. Riding on the strength of our innovativebusiness model, the UFO-Scrabble combinationwill exponentially increase the number ofDCI-compliant cinemas from our existing 400 to1500 by the end of 2012, providing Hollywoodcontent owners unparalleled reach in theIndian subcontinent. This transition is especiallysignificant as UFO has over 2,750 non-DCI digitalscreens in India.”“We are delighted to work <strong>with</strong> <strong>Christie</strong> forthis significant deployment. It is a well-knownfact that <strong>Christie</strong> is leading on many fronts indigital cinema technology, including 4K <strong>and</strong>screening movies at higher frame rate thanthe current st<strong>and</strong>ard. Through this partnership<strong>with</strong> <strong>Christie</strong>, we hope to leverage on theseadvancements in digital cinema solutions <strong>and</strong>bring them to cinemas in India,” says Agarwal.Harkins Theatres selects <strong>Christie</strong>for 400+ projectors in the U.S.Celebrating 78 years, Harkins Theatres is thelargest privately owned theatre chain in thecountry <strong>and</strong> the premier movie exhibitor ofthe Western U.S. operating over 420 screens.Featuring a large selection of film, snacks, <strong>and</strong>innovative amenities to moviegoers since 1933,Harkins Theatres, based in Arizona, is renownfor its commitment <strong>and</strong> passion for offering theUltimate Moviegoing ® experience. Founded byrenowned showman, inventor, <strong>and</strong> communityleader Dwight “Red” Harkins, Harkins Theatres hashistorically been a trailblazer for advancements inthe motion picture exhibition industry.<strong>Christie</strong> provided Harkins Theatres <strong>with</strong> morethan 400 <strong>Christie</strong> Solaria Series 2 digital cinemaprojectors deployed at the end of 2011. The chainhas also subscribed to <strong>Christie</strong>’s VPF program.“Harkins Theatres is both an entertainment<strong>and</strong> a cultural destination for the manydiverse communities it serves throughout theSouthwest,” said George Scheckel, director,Business Development, Entertainment Solutionsat <strong>Christie</strong>. “As a major supporter of so manycharitable organizations <strong>and</strong> community-basededucational programs, Harkins is committedto providing the highest quality movie-viewingexperience to its patrons. <strong>Christie</strong> is pleasedthat its new generation of DLP Cinema ®projectors will now help contribute to theirinspiring legacy that includes groundbreakinginnovations in cinema.”China’s Great Hall of The Peoplechooses <strong>Christie</strong> CP Series digitalcinema projectorsLocated on the western side of TiananmenSquare, in Beijing, the Great Hall of the Peopleis the political hub of China <strong>and</strong> home to theNational People’s Congress <strong>and</strong> the ChinesePeople’s Political Consultative Conference, heldannually in March. It is also usedfor ceremonial events <strong>and</strong> in recentyears, this historic venue has hostedseveral non-political conventions<strong>and</strong> concerts. According to FrankXiao, general manager, <strong>Christie</strong>China, the Great Hall of the Peoplehas inked an agreement <strong>with</strong><strong>Christie</strong> to install two <strong>Christie</strong> CPseries digital cinema projectors inone of its auditoriums, slated tobegin as early as 2012.“The Great Hall of the Peopleis one of the most important <strong>and</strong>prestigious government buildings inChina. <strong>Christie</strong> is extremely honoredto be associated <strong>with</strong> such an exalted organization<strong>and</strong> even more honored that our latest CP seriesdigital cinema projectors have been selected forthis momentous deployment. We are immenselypleased that the Great Hall of the People hassupported <strong>Christie</strong> all these years,” said Lin Yu,vice president, <strong>Christie</strong> Asia Pacific.8 9


Apex Entertainment hasreceived several honors<strong>and</strong> awards for itsdedication in exhibitionIndependents in North Americavalue <strong>Christie</strong> equipment,services <strong>and</strong> VPF ProgramSmaller independent exhibitors play an importantrole <strong>and</strong> provide local audiences a connection totheir communities. <strong>Christie</strong> has helped regional<strong>and</strong> local exhibitors move into the 21st centuryof entertainment by providing the world’s mostpreferred DLP Cinema ® projectors <strong>and</strong> dependablecustomer service. Along <strong>with</strong> the <strong>Christie</strong> VirtualPrint Fee (VPF) Program, independents can nowafford their digital conversions <strong>and</strong> continueto operate the way they always have, <strong>with</strong>outunwieldy fees <strong>and</strong> restrictions.Apex Theatres, Louisville, KYLocally owned by a group ofinvestors, Apex Entertainment, LLC,currently operates 16 screens inLouisville, Kentucky, including BaxterAvenue Filmworks Theatre (Baxter).Opened in 1996, Baxter is far froma typical multiplex. It offers first-run,foreign, <strong>and</strong> independent fare <strong>and</strong>most recently, 3D movies, on eightwall-to-wall screen auditoriums.In addition to state-of-theartprojection equipment <strong>and</strong>sound systems, Baxter's mostshow-stopping assets are itsaesthetic allure, including amultimedia video wall above theconcession st<strong>and</strong>, lighted moving sculptures, <strong>and</strong>vintage posters <strong>and</strong> h<strong>and</strong>-painted murals by localartists throughout.“We have always had the highest regard for<strong>Christie</strong> equipment, even before we startedinstalling their digital projectors,” says LeslieAberson, President, Apex Theatres. CurrentlyBaxter has five <strong>Christie</strong> Solaria ® Series digitalprojectors installed <strong>with</strong> the remaining threescreens scheduled for conversion by mid-2012.“We appreciate <strong><strong>Christie</strong>'s</strong> reliability <strong>and</strong> economicaloperation that provide savings day in <strong>and</strong> day out.According to Gary Engvold, president ofIntegrity Entertainment Solutions, LLC, a certified<strong>Christie</strong> partner, who h<strong>and</strong>led the installation,“We recommend <strong>Christie</strong> projectors becausethey typically use a lamp size smaller than thecompetition on the same screen, providing morelight <strong>and</strong> using less electricity. They are known forthe brightest <strong>and</strong> highest performance projectors<strong>and</strong> the lowest cost of ownership.”<strong>Christie</strong> VPF — best return oninvestmentAfter much research, Baxter contracted <strong>with</strong><strong>Christie</strong> for their VPF Program because theyconsidered it to be the most friendly. “The<strong>Christie</strong> VPF Program is straight forward, <strong>and</strong>in comparison to others, it is the best deal outthere. In terms of simple economics, we get thebest return on our money because the VPFs arepaid faster <strong>and</strong> we have the ability to depreciatethe equipment under <strong>Christie</strong>’s self-financingprogram,” explains Aberson. “We didn’t haveto jump through hoops <strong>and</strong> deal <strong>with</strong> all sortsof restrictions.”In response to exhibitors, <strong>Christie</strong> has exp<strong>and</strong>ed itsVPF Program until September 30, 2012.Canadian exhibitors embrace<strong>Christie</strong> total solutionsL<strong>and</strong>mark selects <strong>Christie</strong>for full digital conversionL<strong>and</strong>mark Cinemas of Canada Inc.(L<strong>and</strong>mark) iswestern Canada’s largest independent exhibitor.They operate 31 cinema complexes, <strong>with</strong> acombined total of 111 screens, in 28 locationsin the four western provinces <strong>and</strong> the Yukon.Privately owned <strong>and</strong> operated since 1965, thepartners who make up the ownership group ofL<strong>and</strong>mark have strong roots to film exhibition.The digital conversions for 100+ screens —including a range of DCI-compliant <strong>Christie</strong>Solaria ® Series projectors installed by KingCinema — is to be completed over the next sixmonths <strong>with</strong> no disruption in service. L<strong>and</strong>markwill provide state-of-the-art entertainment in allits markets, including 2D <strong>and</strong> 3D movies, liveevents <strong>and</strong> other alternative content.“<strong>Christie</strong> guarantees us the twin pillars ofsuperior product <strong>and</strong> the best people,” says NeilCampbell, chief operating officer, L<strong>and</strong>markCinemas. “The team at <strong>Christie</strong> is highly responsive.I can find the managers I need whenever I needthem, <strong>and</strong> they’re always focused on meeting theunique requirements of each cinema.”<strong>Christie</strong> Managed Services<strong>and</strong> VPF ProgramSigning onto <strong>Christie</strong> Managed Services enables<strong>Christie</strong> to remotely monitor <strong>and</strong> manageL<strong>and</strong>mark’s digital cinema environments in realtime <strong>and</strong> to reap the full benefit of digitization.Included <strong>with</strong> the hardware will be <strong>Christie</strong>’sLibrary Management Servers for playing onmultiple L<strong>and</strong>mark screens. They also subscribeto <strong>Christie</strong>’s simplified <strong>and</strong> customized VirtualPrint Fee (VPF) Program that provides financialsupport for exhibitors seeking the greatestindependence in making the move to DLPCinema ® digital cinema projection systems.“The program offers L<strong>and</strong>mark expert support<strong>and</strong> flexible options for all phases of the digitalconversion process, including <strong>Christie</strong>’s NetworkOperations Center (NOC) services, providing24/7 /365 technical support,” added Muscat.Cinémas Guzzo goes100% digital <strong>with</strong> <strong>Christie</strong>One of Canada’s leading independent chains,Les Cinémas Guzzo (“Guzzo”) is the largestprivately owned cinema chain in Quebec. Partof the Quebec cinema scene since 1974, it wasfounded by Angelo Guzzo, <strong>and</strong> currently hasmore than 140 screens, mainly in the Montrealarea. Angelo Guzzo <strong>and</strong> his son Vincenzo work asa team to bring moviegoers the best that cinemahas to offer, including installation of <strong>Christie</strong>Solaria ® Series Series 2K projectors as well asthe upgrading of 27 screens to <strong>Christie</strong>’s nextgeneration Solaria 4K DLP Cinema ® projectors.“In addition to the terrific image quality offeredby digital projection, the conversion will give usmore flexibility in the types of presentation we canoffer, such as 3D, <strong>and</strong> more personalized pre-show<strong>and</strong> alternative content,” says Vincenzo Guzzo,executive vice president <strong>and</strong> chief operating officer,Cinémas Guzzo. The conversion of all 142 Guzzoscreens, managed in-house <strong>and</strong> supported by<strong>Christie</strong>, is planned for completion by April 2012.“With <strong>Christie</strong>, we get first-class service <strong>and</strong> greatafter-sale support. We’ve been <strong>with</strong> <strong>Christie</strong> fromour first installs in 2008, so we know they’re themost reliable choice for this project,”Guzzo added.Services, systems <strong>and</strong> supportGuzzo is working <strong>with</strong> <strong>Christie</strong> Managed Servicesin support of sourcing,integrating <strong>and</strong> validatinghardware that enablesremote monitoring <strong>and</strong>management of Guzzo’sdigital cinema projectionenvironments. Included <strong>with</strong>the hardware are LibraryManagement Servers thathold the feature films,advertisements, trailers <strong>and</strong>other digital content forplaying on multiple screens.Cinémas Guzzo will also use<strong>Christie</strong> ACT , a theaterautomation controller toautomate presentations insome of its theaters.Dave Muscat, senior director of sales, <strong>Christie</strong>Canada, noted, “<strong>Christie</strong> has helped CinémasGuzzo make this pivotal transition to digital, <strong>with</strong>best-in-class product <strong>and</strong> flexible, customized service.Today we have more than 85 percent of Canada'sdigital cinema market through our commitment tolong-term partnership <strong>with</strong> our customers.”“<strong>Christie</strong> guaranteesus the twin pillarsof superior product<strong>and</strong> the bestpeople.”Neil CampbellChief Operating OfficerL<strong>and</strong>mark Cinemas1011


Projection, post-production <strong>and</strong>visual effects leaders to exchangeideas, test results <strong>and</strong> evaluationson current industry directions<strong>Christie</strong> ® signed a technology co-operationagreement <strong>with</strong> Park Road Post Production Ltd.(“Park Road”) <strong>and</strong> Weta <strong>Digital</strong> Ltd. (“Weta”) towork together to advance the state of the art ofdigital cinema production <strong>and</strong> projection, <strong>with</strong> anemphasis on high frame rate (<strong>HFR</strong>) delivery — theindustry's most exciting new technology.For its part, <strong>Christie</strong> will supply a combinationof ‘direct to engineering’ technical support,<strong>Christie</strong> Solaria ® Series DLP Cinema ® projectors<strong>and</strong> early access to prototype projectiontechnologies, including laser projectors, that<strong>Christie</strong> is developing.As part of the agreement, Park Road <strong>and</strong> Wetawill upgrade their current facilities <strong>with</strong> <strong>Christie</strong>projectors <strong>and</strong> provide <strong>Christie</strong> <strong>with</strong> review,testing <strong>and</strong> feedback on new hardware <strong>and</strong>software developments related to high-b<strong>and</strong>widthinterfaces <strong>and</strong> <strong>HFR</strong> technology. In addition, theywill sample movie content (consistent <strong>with</strong> thecontent owner’s permission) for <strong>Christie</strong> to use intesting its projectors <strong>and</strong> integrated media block(<strong>IMB</strong>) units.“The team at Park Road has a strong <strong>and</strong>long-st<strong>and</strong>ing relationship <strong>with</strong> <strong>Christie</strong> <strong>and</strong>we are delighted that this will continue intoThe move to <strong>HFR</strong> is thefuture of movie-goingFor over eight decades, <strong>Christie</strong> has been dedicated to leadingthe development for advanced cinema technologies. With deepties to the motion picture community, along <strong>with</strong> its long-termpartnership <strong>with</strong> James Cameron’s Lightstorm Entertainment,<strong>Christie</strong> will enable exhibitors to deliver a new level ofenhanced viewing experiences as well as an opportunity forpremium pricing.For more information about <strong>HFR</strong>, go to: www.christiedigital.com/highframeratesthe future,” said Cameron Harl<strong>and</strong>, generalmanager, Park Road, a premier post-productionfacility located in Wellington, New Zeal<strong>and</strong>. “Wehope that our joint research <strong>and</strong> knowledgeexchange on high frame rates in particular willbenefit filmmakers, studios, exhibitors <strong>and</strong> mostimportantly the movie-going audience.”Weta <strong>Digital</strong> is a five-time Academy Award ®winning visual effects facility based in Wellington,New Zeal<strong>and</strong>. Kathy Gruzas, chief informationofficer, Weta said “<strong>Christie</strong> shares a commonvision <strong>with</strong> our facility <strong>and</strong> Park Road — thatis, to be on the leading-edge of world-classdevelopments in digital cinema — <strong>and</strong> we lookforward to combining the sum total of ourcollective experience <strong>and</strong> knowledge to thrillcinema audiences in the upcoming, new world of3D <strong>and</strong> <strong>HFR</strong>.”“We are delighted to be teaming up <strong>with</strong> thesetwo legends in the post-production <strong>and</strong> visualeffects world,” said Don Shaw, senior director,Product Management, <strong>Christie</strong> EntertainmentSolutions, “<strong>and</strong> look forward to pushing theenvelope <strong>with</strong> Park Road <strong>and</strong> Weta on thisexciting endeavor.”Contact usVisit our website at:www.christiedigital.comCorporate offices<strong>Christie</strong> <strong>Digital</strong> Systems USA, Inc.USA – Cypressph: 714 236 8610<strong>Christie</strong> <strong>Digital</strong> Systems Canada Inc.Canada – Kitchenerph: 519 744 8005Worldwide officesUnited Kingdomph: +44 118977 8000Germanyph: +49 2161 664540Franceph: +33 (0) 1 41 21 44 04Spainph: +34 91 633 9990Eastern Europe <strong>and</strong>Russian Federationph: +36 (0) 1 47 48 100United Arab Emiratesph: +971 (0) 4 299 7575Indiaph: +080 41468941 – 48Singaporeph: +65 6877 8737China (Shanghai)ph: +86 21 6278 7708China (Beijing)ph: +86 10 6561 0240Japan (Tokyo)ph: +81 3 3599 7481Korea (Seoul)ph: +83 2 702 1601Independent salesconsultant officesItalyph: +39 (0)2 9902 1161South Africaph: +27 (0) 317 671 347We welcome your comments, questions, storysubmissions, updates <strong>and</strong> installation inform ation.Send correspondence to:Kati Bujnakati.bujna@christiedigital.comKinoNotes is published 3x a year by <strong>Christie</strong><strong>and</strong> distributed in print to our cinema partners<strong>and</strong> customers. We wish to thank our customersfor their support in producing this newsletter.No part of this newsletter may be reproducedin whole or in part <strong>with</strong>out the written consentof <strong>Christie</strong>.© 2012 <strong>Christie</strong> <strong>Digital</strong> Systems USA, Inc. All rightsreserved. All br<strong>and</strong> names <strong>and</strong> product names aretrademarks, registered trademarks or tradenames of theirrespective holders. Printed in Canada on recycled paper.CHRI9510 KinoNotes Summer 12.pdf12

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