ANDREW GIAMBRONEexperiences in his autobiographical works. <strong>The</strong> French educational system attempted tomold good citizens by emphasizing egalitarian, rational, and secular values that harkenedback to both <strong>the</strong> Enlightenment and <strong>the</strong> Revolution. Through France’s policy of assimilation,such a system extended to <strong>the</strong> colonies, including Camus’s home of Algeria. Zaretsky depictshow <strong>the</strong> dissemination of Republican ideology played out on <strong>the</strong> ground. “<strong>The</strong> vanguard ofthis massive effort at civil pedagogy — in a sense, <strong>the</strong> missionaries of this new secularreligion — were <strong>the</strong> primary school teachers,” he writes. “Known as instituteurs, <strong>the</strong>y fannedout to <strong>the</strong> provinces to carry <strong>the</strong> gospel of <strong>the</strong> republic.” 89 Thus, Camus’s primary school on<strong>the</strong> rue Aumerat was “typical of <strong>the</strong> [French] Third Republic,” where “classes in history,geography, and civics hammered into <strong>the</strong> students <strong>the</strong> idea of France as a maternal power.” 90Camus likely felt indebted to <strong>the</strong> French system of education and its egalitarianvalues, given <strong>the</strong> fond memories of primary school he recounts in Le Premier homme andrelated correspondences. <strong>The</strong> author repeatedly describes going to school as escape <strong>from</strong> <strong>the</strong>ennui and poverty of living at home, a place that is deprived of both material goods andlanguage itself. As a writer, words were Camus’s weapons, but he did not learn to wieldmany of <strong>the</strong>m until he ventured into <strong>the</strong> world:In fact, what had struck [Jacques] when he had discovered o<strong>the</strong>r homes, whe<strong>the</strong>rthat of a friend <strong>from</strong> lycée or later on that of a more fortunate world, was <strong>the</strong> numberof vases, plates, statues and tables that crowded <strong>the</strong>ir rooms. At his home, one said,“<strong>the</strong> vase that’s on <strong>the</strong> fireplace,” <strong>the</strong> pot, <strong>the</strong> bowls, while <strong>the</strong> few objects onecouldn’t find didn’t have names. At his uncle’s, on <strong>the</strong> o<strong>the</strong>r hand, one admired <strong>the</strong>fiery Vosges sandstone, and one ate using fine pottery. 91 He had always grown up ina poverty as naked as death, among things named with common nouns; at hisuncle’s, he discovered <strong>the</strong> proper names of things. 92School thus represented an opportunity for <strong>the</strong> young Camus to imagine and explorea wider universe than <strong>the</strong> one he came home to each day. It was <strong>the</strong> space where he couldfinally learn all that his mo<strong>the</strong>r — who, though loving, was illiterate and partially mute —never could teach him; for she “could not even have any idea of history or geography,knowing only that she lived on land near <strong>the</strong> sea; that France was on <strong>the</strong> o<strong>the</strong>r side of thissea which she too had never crossed, France being an obscure place lost in <strong>the</strong> indistinctnight.” 93 At school, France became real for Camus, in <strong>the</strong> sense that he learned, throughlanguage and ideas, what it meant. 9489ibid. p. 1090supra Todd, Olivier. Camus: A Life. p. 1091 This was Camus’s middle-class uncle, Gustave Acault, who took him in after he contracted tuberculosis at <strong>the</strong>age of seventeen. See <strong>the</strong> chapter entitled “La Maladie” for fur<strong>the</strong>r discussion of Acault’s role in Camus’spersonal and intellectual development. p. 5492supra Camus, Albert. <strong>The</strong> First Man. trans. by David Hapgood, p. 6093ibid. p. 67, with minor changes made to translation.94 Here, it is apt to mention that <strong>the</strong> sixth chapter of Le Premier homme begins with a grammatical error madeby Jacques’s mo<strong>the</strong>r, illustrating <strong>the</strong> degree of linguistic difference for Camus between school and home: “Ah !141
THE STRANGER, OR THE BOY FROM BELCOURTBut school was not without personal struggle for Camus. <strong>The</strong> French-Algerian child<strong>from</strong> <strong>the</strong> poor district of <strong>Belcourt</strong> had to navigate between two worlds: “one of materialpoverty, which clung to <strong>the</strong> spare and tattered possessions [of his family], <strong>the</strong> o<strong>the</strong>r ofspiritual wealth, found in <strong>the</strong> waves breaking in <strong>the</strong> distance and star-strewn sky sweepingover his head.” 95 96 This kind of double consciousness (to borrow <strong>from</strong> W.E.B. Du Bois)between scarcity and fullness, silence and clamor, defined much of Camus’s early life. 97School taught Camus to ponder his identity and to think in binaries because it was <strong>the</strong> firsttime he had to venture beyond <strong>the</strong> four walls of his home. “Only school gave Jacques and[his friend] Pierre <strong>the</strong>se joys,” Camus writes. “And no doubt what <strong>the</strong>y so passionately lovedin school was that <strong>the</strong>y were not at home, where want and ignorance made life harder andmore bleak, as if closed in on itself; poverty is a fortress without drawbridges.” 98Louis Germain was one of <strong>the</strong> gatekeepers to this wider world. As <strong>the</strong> ten-year-oldCamus’s primary instituteur, Germain also played <strong>the</strong> role of a fa<strong>the</strong>r-figure to an o<strong>the</strong>rwisefa<strong>the</strong>rless child. (Germain too, was a soldier during World War I, except that he survived.)Camus says as much in a chapter entitled “School” (“L’école”) in Le Premier homme, whereJacques Cormery is to Albert Camus as Monsieur Bernard is to Louis Germain:This man had not known his fa<strong>the</strong>r, but he had often spoken to [Jacques] of him in ara<strong>the</strong>r mythological way, and, in any case, at a critical moment, he had known how toreplace this fa<strong>the</strong>r. That is why Jacques had never forgotten him, as if, having neverreally felt <strong>the</strong> absence of a fa<strong>the</strong>r he had not known, he had recognized none<strong>the</strong>lessunconsciously, first as a child, <strong>the</strong>n all throughout his life, <strong>the</strong> only fa<strong>the</strong>rly gesture,both thoughtful and decisive, which had intervened in his childhood life. ForMonsieur Bernard [Louis Germain], his final instituteur in primary school, hadthrown in all his weight, at a given moment, to shape <strong>the</strong> destiny of this child whomhe was responsible for, and whom he had changed indeed. 99To Germain, Camus was not like o<strong>the</strong>r students; 100 he both excelled in class and wasable to win <strong>the</strong> affection of his comrades. Meanwhile, Camus thought Germain projected alui fit sa mère, je suis contente quand tu es là.” “She never used a subjunctive,” <strong>the</strong> author remarks in anannotation to <strong>the</strong> manuscript. (p. 91) We might say for Camus, <strong>the</strong>n, that home was <strong>the</strong> realm of <strong>the</strong> concreteand real (<strong>the</strong> past), while school represented <strong>the</strong> possible and abstract (<strong>the</strong> future).95supra Zaretsky, Robert. Albert Camus: Elements of a Life. p. 1196 To Zaretsky’s description of “<strong>the</strong> spiritual” we might add <strong>the</strong> symbolic and abstract; that is, <strong>the</strong> linguistic,historical, ma<strong>the</strong>matic, and scientific concepts Camus learned in school.97 In <strong>The</strong> Souls of Black Folk, a collection of essays on race published in 1903, African American intellectualW.E.B. Du Bois defined double consciousness as “a peculiar sensation…this sense of always looking at one’sself through <strong>the</strong> eyes of o<strong>the</strong>rs, of measuring one’s soul by <strong>the</strong> tape of a world that looks on in an amusedcontempt and pity.” Although Du Bois’s term applied specifically to <strong>the</strong> psychological challenge of reconcilingan African heritage with a European upbringing and education, it resonates strongly with <strong>the</strong> French-AlgerianCamus’s experience of poverty and social mobility achieved via education.98supra Camus, Albert. <strong>The</strong> First Man. trans. by David Hapgood, p. 14599ibid. p. 136, with minor changes made to translation100 If he had been, <strong>the</strong>n Camus’s name might be lost to history.142
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