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The Stranger Or the Boy from Belcourt

The Stranger Or the Boy from Belcourt

The Stranger Or the Boy from Belcourt

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THE STRANGER, OR THE BOY FROM BELCOURTBut school was not without personal struggle for Camus. <strong>The</strong> French-Algerian child<strong>from</strong> <strong>the</strong> poor district of <strong>Belcourt</strong> had to navigate between two worlds: “one of materialpoverty, which clung to <strong>the</strong> spare and tattered possessions [of his family], <strong>the</strong> o<strong>the</strong>r ofspiritual wealth, found in <strong>the</strong> waves breaking in <strong>the</strong> distance and star-strewn sky sweepingover his head.” 95 96 This kind of double consciousness (to borrow <strong>from</strong> W.E.B. Du Bois)between scarcity and fullness, silence and clamor, defined much of Camus’s early life. 97School taught Camus to ponder his identity and to think in binaries because it was <strong>the</strong> firsttime he had to venture beyond <strong>the</strong> four walls of his home. “Only school gave Jacques and[his friend] Pierre <strong>the</strong>se joys,” Camus writes. “And no doubt what <strong>the</strong>y so passionately lovedin school was that <strong>the</strong>y were not at home, where want and ignorance made life harder andmore bleak, as if closed in on itself; poverty is a fortress without drawbridges.” 98Louis Germain was one of <strong>the</strong> gatekeepers to this wider world. As <strong>the</strong> ten-year-oldCamus’s primary instituteur, Germain also played <strong>the</strong> role of a fa<strong>the</strong>r-figure to an o<strong>the</strong>rwisefa<strong>the</strong>rless child. (Germain too, was a soldier during World War I, except that he survived.)Camus says as much in a chapter entitled “School” (“L’école”) in Le Premier homme, whereJacques Cormery is to Albert Camus as Monsieur Bernard is to Louis Germain:This man had not known his fa<strong>the</strong>r, but he had often spoken to [Jacques] of him in ara<strong>the</strong>r mythological way, and, in any case, at a critical moment, he had known how toreplace this fa<strong>the</strong>r. That is why Jacques had never forgotten him, as if, having neverreally felt <strong>the</strong> absence of a fa<strong>the</strong>r he had not known, he had recognized none<strong>the</strong>lessunconsciously, first as a child, <strong>the</strong>n all throughout his life, <strong>the</strong> only fa<strong>the</strong>rly gesture,both thoughtful and decisive, which had intervened in his childhood life. ForMonsieur Bernard [Louis Germain], his final instituteur in primary school, hadthrown in all his weight, at a given moment, to shape <strong>the</strong> destiny of this child whomhe was responsible for, and whom he had changed indeed. 99To Germain, Camus was not like o<strong>the</strong>r students; 100 he both excelled in class and wasable to win <strong>the</strong> affection of his comrades. Meanwhile, Camus thought Germain projected alui fit sa mère, je suis contente quand tu es là.” “She never used a subjunctive,” <strong>the</strong> author remarks in anannotation to <strong>the</strong> manuscript. (p. 91) We might say for Camus, <strong>the</strong>n, that home was <strong>the</strong> realm of <strong>the</strong> concreteand real (<strong>the</strong> past), while school represented <strong>the</strong> possible and abstract (<strong>the</strong> future).95supra Zaretsky, Robert. Albert Camus: Elements of a Life. p. 1196 To Zaretsky’s description of “<strong>the</strong> spiritual” we might add <strong>the</strong> symbolic and abstract; that is, <strong>the</strong> linguistic,historical, ma<strong>the</strong>matic, and scientific concepts Camus learned in school.97 In <strong>The</strong> Souls of Black Folk, a collection of essays on race published in 1903, African American intellectualW.E.B. Du Bois defined double consciousness as “a peculiar sensation…this sense of always looking at one’sself through <strong>the</strong> eyes of o<strong>the</strong>rs, of measuring one’s soul by <strong>the</strong> tape of a world that looks on in an amusedcontempt and pity.” Although Du Bois’s term applied specifically to <strong>the</strong> psychological challenge of reconcilingan African heritage with a European upbringing and education, it resonates strongly with <strong>the</strong> French-AlgerianCamus’s experience of poverty and social mobility achieved via education.98supra Camus, Albert. <strong>The</strong> First Man. trans. by David Hapgood, p. 14599ibid. p. 136, with minor changes made to translation100 If he had been, <strong>the</strong>n Camus’s name might be lost to history.142

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