ANDREW GIAMBRONEWith all this reading, it comes as little surprise that Camus received several awardsfor his academic work in high school. 166 In Le Premier homme, he describes an end-of-yearacademic ceremony at which he was given first prize in French composition, second prize inphilosophy, and a third prize in history. But it was not so much <strong>the</strong> honor of <strong>the</strong> awards<strong>the</strong>mselves as it was his family’s presence at le lycée — a rare occasion indeed — that stuckout so vividly in Camus’s mind:And as for his mo<strong>the</strong>r and grandmo<strong>the</strong>r, <strong>the</strong>y never came to <strong>the</strong> lycée, except once ayear, when awards were given. On that day, <strong>the</strong>y would enter by <strong>the</strong> monumentaldoor, in a crowd of dressed-up parents and students. <strong>The</strong> grandmo<strong>the</strong>r put on <strong>the</strong>black dress and scarf she wore for major outings; Ca<strong>the</strong>rine Cormery wore a hatadorned with brown net and black waxen grapes, a brown summer dress, and <strong>the</strong>only pair of shoes with heels that she owned…Jacques sniffed <strong>the</strong> lotion on hismo<strong>the</strong>r, which she had applied for <strong>the</strong> occasion, <strong>the</strong> grandmo<strong>the</strong>r walking erect andproud, scolding her daughter when she complained about her feet…while Jacquespersisted in showing <strong>the</strong>m stores and shopkeepers that had come to have such animportant place in his life. At <strong>the</strong> lycée, <strong>the</strong> monumental door was open, pottedplants adorned <strong>the</strong> monumental stairs <strong>from</strong> top to bottom…<strong>the</strong> Cormerys naturallybeing far ahead of time, as <strong>the</strong> poor always are, for <strong>the</strong>y have few social obligations167 168and pleasures, and are afraid of not being punctual for those few.We have already seen earlier in his memoir that Camus had an acute understandingof <strong>the</strong> psychology of <strong>the</strong> poor. Here, he communicates that understanding in <strong>the</strong> mostpersonal terms possible, by explaining his family’s attempts to conform to what <strong>the</strong>y perceiveas societal norms. For <strong>the</strong> Sintès-Camuses, special occasions like school ceremonies requireddressing up and arriving ahead of time precisely because <strong>the</strong>y did not want to appear out ofplace. Still, Camus’s emphasis on <strong>the</strong> “monumental doors and stairs” of le lycée, in additionto <strong>the</strong> pomp and circumstance of <strong>the</strong> ga<strong>the</strong>ring, suggests that his mute mo<strong>the</strong>r and illiterategrandmo<strong>the</strong>r likely felt out of place. Everything related to school was new for <strong>the</strong>m, whereas“<strong>the</strong> teachers in <strong>the</strong>ir square caps and long gowns trimmed in colors that differed accordingGod’s assassins, [Kirilov] ends in madness. But this is a risk worth running.” (p. 106, 109) Camus looked toNietzsche as an intellectual authority and perhaps even as an inspirational muse. We might say this comprisedhis own kind of ‘anxiety of influence.’166 What is surprising is that Camus makes few if any direct references to Gide, Nietzsche, and Proust in LePremier homme, since he would have been reading those authors at this point in his life. Was <strong>the</strong> older Camus(i.e., <strong>the</strong> narrator) trying to conceal his “more refined” tastes? Was he trying to make himself seem more downto earth as an adolescent? <strong>Or</strong> did he simply not want literary allusions and <strong>the</strong>ory to get in <strong>the</strong> way ofexperience?167 “a. and those whom fate has poorly endowed cannot help thinking that <strong>the</strong>y are responsible, and <strong>the</strong>y feel<strong>the</strong>y must not add to this culpability by any small failings…”168supra Camus, Albert. <strong>The</strong> First Man. trans. by David Hapgood. p. 251-2157
THE STRANGER, OR THE BOY FROM BELCOURTto <strong>the</strong>ir discipline” had probably participated in such ceremonies many times before. 169 Highschool — like <strong>the</strong> “stores and shopkeepers” on <strong>the</strong> commute between <strong>Belcourt</strong> and Bugeaud— “had come to have such an important place in [Camus’s] life.” <strong>The</strong> poignant irony of thisscene emerges <strong>from</strong> <strong>the</strong> fact that Camus’s family could never fully understand <strong>the</strong> symbolicmeaning of <strong>the</strong> school’s rituals and signs. <strong>The</strong>se included <strong>the</strong> singing of <strong>the</strong> “Marseillaise”and speeches made by officials about France and education. “<strong>The</strong> grandmo<strong>the</strong>r could hear,but she did not understand very much,” Camus writes. “When [she] spoke to her neighborsduring <strong>the</strong> awards ceremony, he felt himself meanly blushing…he was squirming.” 170What <strong>the</strong> adolescent author feared most was being perceived as an O<strong>the</strong>r. It wasenough that he came <strong>from</strong> a poor neighborhood and did not have a fa<strong>the</strong>r as his friends did;now, he had to watch uncomfortably as his mo<strong>the</strong>r and grandmo<strong>the</strong>r attended an importantevent in his academic life without seizing its meaning. For everyone else in <strong>the</strong> room, <strong>the</strong>spectacle was <strong>the</strong> ceremony itself — a time of celebration and pride; for Camus, it waswitnessing his grandmo<strong>the</strong>r pretend to know what was going on — a source of physicaldiscomfort and personal shame. 171Despite Camus’s self-consciousness about his family’s ignorance, his mo<strong>the</strong>r andgrandmo<strong>the</strong>r display a heartwarming amount of pride over his academic accomplishments.When Camus goes to receive his awards, consisting of certificates and book prizes, hisgrandmo<strong>the</strong>r “flush[es] with excitement” and his mo<strong>the</strong>r “gaz[es] at him with a sort ofastonished joy.” 172 At home, <strong>the</strong> grandmo<strong>the</strong>r even has Camus dog-ear <strong>the</strong> pages of <strong>the</strong>award list where his name appears, so she can show it later to <strong>the</strong>ir neighbors and relatives.“You did good work,” Camus’s mo<strong>the</strong>r tells him with pride. 173 His family may not haveknown what that “good work” entailed, but <strong>the</strong>y certainly recognized that <strong>the</strong>ir Albert had agift.LA MALADIE“At <strong>the</strong> hospital. <strong>The</strong> tubercular patient who is told by <strong>the</strong> doctor that he has fivedays to live. He anticipates and cuts his throat with a razor. Obviously, he can’t waitfive days…One of <strong>the</strong> male nurses tells <strong>the</strong> journalists: ‘Don’t mention it in yourpapers. He’s suffered enough already.” 174169ibid. p. 253170ibid. p. 253-4171 Still, Camus notes that his mo<strong>the</strong>r and grandmo<strong>the</strong>r were not <strong>the</strong> only members of <strong>the</strong> audience who did notfully understand what was being said at <strong>the</strong> ceremony. When a young teacher, “newly arrived that year <strong>from</strong>France,” delivers a formal address “stuff[ed] with cultural allusions and humanist subtleties,” <strong>the</strong> speechbecomes “utterly intelligible to [<strong>the</strong>] Algerian audience.” (p. 254) Thus, Camus illustrates how <strong>the</strong> educationgap within <strong>the</strong> French colonial system kept ignorant not only his own family but also many of <strong>the</strong>ir peers.172supra Camus, Albert. <strong>The</strong> First Man. trans. by David Hapgood. p. 255173ibid.174 Camus, Albert. Notebooks 1935-1951. trans. by Philip Thody. New York: Marlow & Co., 1998. Print. p. 107158
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