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Ned Kelly's in Town previsit information. - ACT Museums and Galleries

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NED KELLY’S IN TOWN![K – 2 Program]Discover the Australian artist Sidney Nolan, <strong>and</strong> learn about hisunique vision <strong>and</strong> fasc<strong>in</strong>ation with the bushranger <strong>Ned</strong> Kelly.Where’s <strong>Ned</strong>? F<strong>in</strong>d the figure that hides <strong>in</strong> the l<strong>and</strong>scape <strong>and</strong> learnabout the ways Nolan uses l<strong>in</strong>e, shape, colour, texture <strong>and</strong> pattern.Inspired by the Kelly series, children will respond creatively us<strong>in</strong>g avariety of media <strong>in</strong> the studio at the Canberra Museum <strong>and</strong>Gallery. This program is an engag<strong>in</strong>g <strong>in</strong>troduction to various artmak<strong>in</strong>gtechniques.


INFORMATION FOR TEACHERS<strong>Ned</strong> Kelly’s <strong>in</strong> <strong>Town</strong>! Is an early childhood program for children <strong>in</strong> years K – 2. Theprogram aims to:Introduce children to the work of Sidney Nolan, to learn about his uniquevision <strong>and</strong> fasc<strong>in</strong>ation with the bushranger <strong>Ned</strong> Kelly.Explore the figure <strong>in</strong> the l<strong>and</strong>scape as subject matter.Investigate visual elements such as l<strong>in</strong>e, colour, shape, texture <strong>and</strong> pattern.Experiment with various media <strong>and</strong> techniques such as draw<strong>in</strong>g, pa<strong>in</strong>t<strong>in</strong>g,collage, <strong>and</strong> pr<strong>in</strong>tmak<strong>in</strong>g.School classrooms are full of visual material on display, but exposure to orig<strong>in</strong>alartworks br<strong>in</strong>gs an added dimension. Led by one of <strong>ACT</strong> <strong>Museums</strong> <strong>and</strong> <strong>Galleries</strong>Education Officers, children encounter orig<strong>in</strong>al works of art by the Australian artistSidney Nolan.Children are engaged <strong>in</strong> lively discussions about the subject matter <strong>and</strong> visualelements of Sidney Nolan‟s pa<strong>in</strong>t<strong>in</strong>gs. Draw<strong>in</strong>g activities <strong>in</strong> the gallery furtherencourage susta<strong>in</strong>ed, focused look<strong>in</strong>g <strong>and</strong> foster imag<strong>in</strong>ative activity. Thisexperience is further enhanced by a practical art-mak<strong>in</strong>g session <strong>in</strong> the CMAGstudio.Where is CMAG located?Corner of London Circuit <strong>and</strong> Civic Square, Canberra City.Time frame10.00 – 10.05am <strong>in</strong>troduction (5 m<strong>in</strong>utes)10.05 – 10.55am art appreciation (50 m<strong>in</strong>utes)10.55am morn<strong>in</strong>g tea (20 m<strong>in</strong>utes)11.15am – 12.15pm art-mak<strong>in</strong>g (60 m<strong>in</strong>utes)12.15pm conclusion <strong>and</strong> goodbyeWhat will happen dur<strong>in</strong>g the program?There are two components to the program; art appreciation <strong>and</strong> art-mak<strong>in</strong>g.On arrival, children‟s hats, coats <strong>and</strong> morn<strong>in</strong>g tea are stored away. Follow<strong>in</strong>g an<strong>in</strong>troduction <strong>in</strong> the foyer, children will move <strong>in</strong>to the gallery for a guided tour, ledby one of <strong>ACT</strong> <strong>Museums</strong> <strong>and</strong> <strong>Galleries</strong> Education Officers.Dur<strong>in</strong>g the art appreciation component (approximately 50 m<strong>in</strong>utes) children areencouraged to look closely at, <strong>and</strong> discuss, pa<strong>in</strong>t<strong>in</strong>gs <strong>in</strong> the Nolan CollectionGallery.This is followed by a morn<strong>in</strong>g tea <strong>and</strong> toilet break of approximately 15 – 20 m<strong>in</strong>utes.


Follow<strong>in</strong>g the break, children move <strong>in</strong>to the studio for the art-mak<strong>in</strong>g component(approximately 1 hour). Each child will create their own pa<strong>in</strong>t<strong>in</strong>g, collage <strong>and</strong> apr<strong>in</strong>t <strong>in</strong> response to Sidney Nolan‟s pa<strong>in</strong>t<strong>in</strong>gs.What do I need to do before the visit?Please ensure that children are wear<strong>in</strong>g name tags, preferably ones with a safetyp<strong>in</strong>, on the day of the excursion. These labels help us to communicate with thechildren.Please ensure that children are divided <strong>in</strong>to 4 groups for the excursion. Thesegroups could be identified with a coloured sticker <strong>in</strong> the corner of each child‟sname tag.Adult help <strong>and</strong> supervision is essential to run the program. We require adults to helpout, especially with supervis<strong>in</strong>g rotations <strong>in</strong> the studio. Due to space limitations, nomore than 10 adults, (<strong>in</strong>clud<strong>in</strong>g teachers) should attend the visit.It would be appreciated if morn<strong>in</strong>g tea could be placed <strong>in</strong> a large basket ratherthan separate back packs to assist <strong>in</strong> the time management of the program.What do I need to br<strong>in</strong>g with me?Name tags, preferably ones with a safety p<strong>in</strong>Children divided <strong>in</strong>to 4 groupsParent helpersMorn<strong>in</strong>g tea basketEvaluationTeachers are asked to complete the evaluation form provided at the end of theprogram. We really appreciate your <strong>in</strong>put so that we can cont<strong>in</strong>ue to improve ourprograms. We also value your feedback so that we can ma<strong>in</strong>ta<strong>in</strong> those elementsof the program that you th<strong>in</strong>k work well.After the visitChildren‟s artworks are collated <strong>in</strong>to folios after the program. Allow up to fourweeks for <strong>ACT</strong> <strong>Museums</strong> <strong>and</strong> <strong>Galleries</strong> staff to arrange a time with you to collectyour students‟ work.Book<strong>in</strong>gs<strong>Ned</strong> Kelly’s <strong>in</strong> <strong>Town</strong>! is available Monday to Friday 10am - 12.30pm <strong>and</strong> is subject toavailability. An advance book<strong>in</strong>g is strongly recommended.If you have any queries or require further <strong>in</strong>formation about the program, pleasecontact <strong>ACT</strong> <strong>Museums</strong> <strong>and</strong> <strong>Galleries</strong> Nolan Education Officer on: 02 6207 3794To make a book<strong>in</strong>g, contact the Book<strong>in</strong>gs Officer: 02 6205 0916


PRE-VISIT <strong>ACT</strong>IVITIESThese activities are suggestions only <strong>and</strong> may be used to give your students an<strong>in</strong>troduction to some of the terms, concepts, materials <strong>and</strong> processes that they willexperience dur<strong>in</strong>g the program.Books to readBooks about Australia <strong>and</strong> Australian animals:Wombat Stew by Marcia K. VaughanThe Wombat Stole my Shoe by Katr<strong>in</strong>a GriffithsDiary of a Wombat by Jackie FrenchAnimals by Debbie Aust<strong>in</strong>Waddle Giggle Gargle by Pamela AllenAre We There Yet? by Alison LesterBooks about bushrangers:<strong>Ned</strong> Kelly <strong>and</strong> the Green Sash by Mark GreenwoodBig Bad Bushranger by Bob BrownBooks that <strong>in</strong>troduce children to look<strong>in</strong>g at works of art:The Shape Game by Anthony BrownThe Art Book for Children Book One <strong>and</strong> Book TwoBooks about hid<strong>in</strong>g <strong>and</strong> chas<strong>in</strong>g:Moon Man by Tomi UngererBooks about the visual elements of design:Shape by David GoodmanLook at the <strong>Ned</strong> Kelly pa<strong>in</strong>t<strong>in</strong>gsWorks of art from the Nolan Collection Gallery may be viewed onl<strong>in</strong>e at:www.museums<strong>and</strong>galleries.act.gov.auVocabularyChildren may encounter a number of unfamiliar words dur<strong>in</strong>g the program. Weencourage teachers to talk with students about their art work us<strong>in</strong>g ageappropriatelanguage. This discussion will help to develop children‟s underst<strong>and</strong><strong>in</strong>gof art <strong>and</strong> allow them to communicate new concepts about art. Some new wordschildren may encounter dur<strong>in</strong>g the program <strong>in</strong>clude:Museum Gallery Exhibition L<strong>and</strong>scape Victoria OutlawHorizon L<strong>in</strong>e Panorama Composition Foreground Background


Talk about the Australian artist Sidney Nolan. Children could ask parents <strong>and</strong>gr<strong>and</strong>parents about Sidney Nolan. What do they know about his work? Sharef<strong>in</strong>d<strong>in</strong>gs with the class.Who was he?When did he live?What do artists do?What are the names of some other Australian artists?Where would you f<strong>in</strong>d more of Sidney Nolan‟s pa<strong>in</strong>t<strong>in</strong>gs on display?Visit the Heide Museum of Modern Art onl<strong>in</strong>e where Sidney Nolan oncelived <strong>and</strong> worked: www.heide.com.auTalk about the Australian bushranger <strong>Ned</strong> Kelly. Children could ask parents <strong>and</strong>gr<strong>and</strong>parents about <strong>Ned</strong> Kelly. What do they know about his life <strong>and</strong> times? Sharef<strong>in</strong>d<strong>in</strong>gs with the class.Who was he?When did he live?Which country did he live <strong>in</strong>?What are the names of some other Australian bushrangers?Where is „Kelly Country‟? See if you can f<strong>in</strong>d it on a map of Australia.What is <strong>Ned</strong> Kelly‟s armor made from?Visit the State Library of Victoria onl<strong>in</strong>e where the <strong>Ned</strong> Kelly armor is ondisplay: www.slv.vic.gov.auCreative Writ<strong>in</strong>gDisplay the pa<strong>in</strong>t<strong>in</strong>g Kelly 1946 by Sidney Nolan <strong>in</strong> the classroom. Record the classcontributions under the head<strong>in</strong>gs, I see, I th<strong>in</strong>k, I wonder. At the end ask thechildren, „what can we write‟?Make a ModelChildren can make a 3D model of <strong>Ned</strong> Kelly us<strong>in</strong>g playdough or plasticene.Alternatively, use recycled materials or air-dry clay (this product does not needfir<strong>in</strong>g) <strong>and</strong> pa<strong>in</strong>t with acrylic pa<strong>in</strong>t when dry.Mapp<strong>in</strong>g MePa<strong>in</strong>t a large scale map of the local area. Children can put themselves <strong>in</strong> thepicture by collag<strong>in</strong>g their photographs <strong>and</strong> favourite th<strong>in</strong>gs to the map.Larger than LifeCollect images of Australian animals or bushrangers. Turn the photocopies <strong>in</strong>totransparencies. Us<strong>in</strong>g an overhead projector, enlarge the images onto large sheetsof paper, cut from a roll, so that they are larger than life. Children can work <strong>in</strong>groups to pa<strong>in</strong>t <strong>and</strong> cut out the shapes.StorytimeGo to the library <strong>and</strong> ask children to f<strong>in</strong>d a book with an Australian theme. Whatparts of the story do they like most? Children can retell their favourite parts of thestory to a friend, who could then illustrate it us<strong>in</strong>g a storyboard or booklet format.


POST-VISIT <strong>ACT</strong>IVITIESL<strong>in</strong>eUs<strong>in</strong>g a variety of media such as pencil, pens, crayons, pa<strong>in</strong>t <strong>and</strong> charcoal,children can explore different types of l<strong>in</strong>e (such as thick, th<strong>in</strong>, wiggly, happy,gentle, angry etc). After experiment<strong>in</strong>g with l<strong>in</strong>e, children create monopr<strong>in</strong>ts or„one-off‟ pr<strong>in</strong>ts. This is a simple method of pr<strong>in</strong>tmak<strong>in</strong>g that does not require anyspecial equipment. First, roll a layer of block pr<strong>in</strong>t<strong>in</strong>g <strong>in</strong>k or pa<strong>in</strong>t onto a smoothsurface such as sheet of glass, perspex, mirror, lam<strong>in</strong>ex or a w<strong>in</strong>dow perhaps. Havechildren draw <strong>in</strong>to the <strong>in</strong>k with the end of a pa<strong>in</strong>tbrush. Place a piece of paperover the design, <strong>and</strong> then peel off to reveal the reversed image on the paper. Re<strong>in</strong>kfor subsequent pr<strong>in</strong>ts.ShapeWhat were Sidney Nolan‟s favourite shapes? Children can list all of the shapes thatSidney Nolan used <strong>in</strong> his pa<strong>in</strong>t<strong>in</strong>gs. Our shadow is a shape which changesdepend<strong>in</strong>g on the time of day due to the position of the sun <strong>in</strong> the sky. Childrencan trace around the shadows of their friends with thick sticks of pavement chalkat three different times of the day; morn<strong>in</strong>g, midday <strong>and</strong> late afternoon.ColourWhat were Sidney Nolan‟s favourite colours? Children can list all of the colours thatSidney Nolan used <strong>in</strong> his pa<strong>in</strong>t<strong>in</strong>gs. Do you notice that the colour of the skychanges depend<strong>in</strong>g on the time of day? Pa<strong>in</strong>t large pieces of cartridge paperwith acrylic pa<strong>in</strong>t <strong>in</strong> the same colours as those found <strong>in</strong> the pa<strong>in</strong>t<strong>in</strong>gs. Allow theseto dry. Children can create their own Australian l<strong>and</strong>scape collage by tear<strong>in</strong>g thecoloured paper <strong>in</strong>to shapes <strong>and</strong> glu<strong>in</strong>g them onto a support such as card, thickpaper or canvas. Add details with black markers when dry.TextureLook at the way Sidney Nolan created texture with pa<strong>in</strong>t. Children can describe allof the textures that Sidney Nolan pa<strong>in</strong>ted. Make a small viewf<strong>in</strong>der for each childby cutt<strong>in</strong>g a 4cm x 4cm square from the middle of a sheet of A4 paper. Providecolour reproductions of Sidney Nolan‟s pa<strong>in</strong>t<strong>in</strong>gs. Children can move theirviewf<strong>in</strong>ders over the image until they f<strong>in</strong>d an area with an <strong>in</strong>terest<strong>in</strong>g pa<strong>in</strong>tedtexture. Children can closely observe the selected area with a magnify<strong>in</strong>g glass<strong>and</strong> make an enlarged pa<strong>in</strong>t<strong>in</strong>g of what they see on a large square piece ofpaper us<strong>in</strong>g acrylic pa<strong>in</strong>t. Provide different tools for apply<strong>in</strong>g pa<strong>in</strong>t, such astoothbrushes, spatulas, cardboard squeegees, toothpicks, sticks <strong>and</strong> feathers.PatternFold a piece of paper <strong>in</strong> half <strong>and</strong> then halve it aga<strong>in</strong>. Cut out a shape from thefolded corner <strong>and</strong> unfold the paper. The result will be a symmetrical shape.Children can use these cut-outs as stencils to make a pattern of repeated shapeson a large piece of paper with acrylic pa<strong>in</strong>t <strong>and</strong> sponge rollers.L<strong>in</strong>e, Colour, Shape, Texture <strong>and</strong> PatternGo on an adventure down a wombat hole! What‟s down there? What does it smelllike, sound like, look like? Would there be lots of rooms, any furniture or stairs? Arethere curta<strong>in</strong>s, comfy couches <strong>and</strong> artworks on the wall? Children can use pa<strong>in</strong>t,mixed media <strong>and</strong> collage materials to make an artwork about their adventuredown the wombat hole.


Students will experiment with draw<strong>in</strong>g, pa<strong>in</strong>t<strong>in</strong>g, collage <strong>and</strong> pr<strong>in</strong>tmak<strong>in</strong>gtechniques <strong>in</strong> age-appropriate art-mak<strong>in</strong>g activities. A wide range of art materialswill be provided.ENGLISHELA 8THE STUDENT LISTENS AND SPEAKS WITH PURPOSE AND EFFECT8.EC.1Students have opportunities to underst<strong>and</strong> <strong>and</strong> learn about good listen<strong>in</strong>g <strong>and</strong>speak<strong>in</strong>g behaviours <strong>and</strong> the need to take turns.Students will participate <strong>in</strong> lively discussions <strong>and</strong> take turns at contribut<strong>in</strong>g theirideas. This requires that they listen attentively, speak clearly to get their ideasacross, consider the op<strong>in</strong>ions of others <strong>and</strong> to be patient whilst wait<strong>in</strong>g their turn.SOCIAL SCIENCESELA 21THE STUDENT UNDERSTANDS ABOUT AUSTRALIA AND AUSTRALIANS21.EC.1GeographyStudents have opportunities to underst<strong>and</strong> <strong>and</strong> learn about Australia as a largel<strong>and</strong> mass with a variety of environments.Students view a map of Australia <strong>and</strong> learn about „Kelly Country‟, which provides asett<strong>in</strong>g for Sidney Nolan‟s Kelly pa<strong>in</strong>t<strong>in</strong>gs. They will also explore Nolan‟s ability tocapture unique qualities of the Australian l<strong>and</strong>scape <strong>in</strong> his pa<strong>in</strong>t<strong>in</strong>gs.21.EC.4HistoryStudents have opportunities to underst<strong>and</strong> <strong>and</strong> learn about the stories of somepeople <strong>and</strong> events <strong>in</strong> Australia’s past.Students hear some biographical <strong>in</strong>formation about the famous Australian artistSidney Nolan <strong>and</strong> the equally <strong>in</strong>famous Australian bushranger <strong>Ned</strong> Kelly. They mayrealise that Sidney Nolan <strong>and</strong> <strong>Ned</strong> Kelly have some th<strong>in</strong>gs <strong>in</strong> common.21.EC.7Contemporary SocietyStudents have opportunities to underst<strong>and</strong> <strong>and</strong> learn about some official <strong>and</strong>unofficial symbols used to represent Australia <strong>and</strong> Australians.Students exam<strong>in</strong>e the Australian flora <strong>and</strong> fauna as depicted by Sidney Nolan <strong>in</strong>Policeman <strong>in</strong> Wombat Hole, 1946 <strong>and</strong> discover the fictitious boomerang trees.Nolan‟s depiction of <strong>Ned</strong> Kelly himself as big black square has become anunofficial Australian symbol that is at once both recognisable <strong>and</strong> memorable. Itwas Nolan‟s iconic <strong>Ned</strong> Kelly that was used to represent Australia <strong>and</strong> Australiansdur<strong>in</strong>g the Open<strong>in</strong>g Ceremony of the 2000 Sydney Olympic Games.


A SIDNEY NOLAN ART TRAIL IN CANBERRAThere are many places <strong>in</strong> Canberra to see the works of Sidney Nolan (1917 - 1992).The follow<strong>in</strong>g venues are suggestions only, circumstances change <strong>and</strong> the worksmay not always be on view. Please r<strong>in</strong>g to verify <strong>in</strong>formation before mak<strong>in</strong>g yourvisit.Nolan Collection Gallery at the Canberra Museum <strong>and</strong> Gallery (CMAG)The Foundation Collection of twenty-four pa<strong>in</strong>t<strong>in</strong>gs by Sidney Nolan <strong>in</strong>cludes theearliest Kelly pa<strong>in</strong>t<strong>in</strong>gs (1945) <strong>and</strong> first Burke <strong>and</strong> Wills pa<strong>in</strong>t<strong>in</strong>g (1948). Works otherthan the Foundation Collection will be exhibited elsewhere <strong>in</strong> CMAG. They <strong>in</strong>clude:two series of draw<strong>in</strong>gs - For the term of his Natural Life <strong>and</strong> the Rimbaud/Cezanneseries, pa<strong>in</strong>t<strong>in</strong>gs from the Illum<strong>in</strong>ations series, works from the Birds series <strong>and</strong> worksfrom Remembrances of My Youth series.Nolan Collection Gallery at CMAG, Cnr London Cct <strong>and</strong> Civic Square, CanberraCity.Open<strong>in</strong>g Hours: Monday - Friday 10am - 5pmWeekends dur<strong>in</strong>g summer 12 - 5 pmWeekends dur<strong>in</strong>g w<strong>in</strong>ter 12 - 4pmAdmission free02 6207 3968www.museum<strong>and</strong>galleries.act.gov.auNational Gallery of AustraliaThe National Gallery of Australia holds many important works by Sidney Nolan. Akey group of works is the twenty-six pa<strong>in</strong>t<strong>in</strong>gs that comprise the Kelly series 1946 -1947, given to the National Collection by Sunday Reed <strong>in</strong> 1977. The NationalGallery Shop has a selection of books, postcards <strong>and</strong> other material relat<strong>in</strong>g toSidney Nolan <strong>and</strong> his work.The National Gallery of Australia, Parkes Place, Parkes.Open<strong>in</strong>g Hours: Daily 10am - 5pm except Christmas DayRecorded <strong>in</strong>formation 02 6240 6501 General <strong>in</strong>formation 026240 6411Admission freewww.nga.gov.auAustralian National University CollectionThe Australian National University holds <strong>in</strong> its collection Sir Sidney Nolan's Riverbend1964 – 1965. A monumental n<strong>in</strong>e panel pa<strong>in</strong>t<strong>in</strong>g stretch<strong>in</strong>g for over 11 metres it waspa<strong>in</strong>ted while Nolan was liv<strong>in</strong>g <strong>in</strong> London. It is both a cont<strong>in</strong>uation of the artist‟sKelly series, depict<strong>in</strong>g the <strong>in</strong>famous shoot out at Str<strong>in</strong>gy Bark Creek, as well as anostalgic recollection of the Murray <strong>and</strong> Goulburn Rivers that Nolan knew fromchildhood holidays.The Drill Hall Gallery, K<strong>in</strong>gsley St Acton, <strong>ACT</strong> (off Barry Drive)Open<strong>in</strong>g Hours: Wednesday - Sunday 12 - 5pm02 6125 5832Admission Freehttp://www.anu.edu.au/mac/content/dhg/


National Portrait Gallery„Art is a dialogue between the artist <strong>in</strong>side himself <strong>and</strong> the exterior world. On theother h<strong>and</strong>, art as a career is a public exposure. These two po<strong>in</strong>ts of view must besynchronized.‟ Sidney Nolan, 1965.The National Portrait Gallery holds a Sidney Nolan self-portrait, considered to bethe last self-portrait he pa<strong>in</strong>ted, created <strong>in</strong> the year he was made a Companion ofthe Order of Australia (AC), <strong>in</strong> 1988. Also on display is a 1974 portrait of the surrealistpoet <strong>and</strong> <strong>in</strong>tellectual Max Harris by Nolan, with whom he co-established (with JohnReed) the literary journal Angry Pengu<strong>in</strong>s <strong>in</strong> 1940. Andrew Sayers, Director, NationalPortrait Gallery writes that “To some extent the f<strong>in</strong>al self-portrait of 1988 is anaddress to those critics who saw him as hav<strong>in</strong>g achieved noth<strong>in</strong>g of greatness afterKelly”.The Portrait Store has a selection of books, postcards <strong>and</strong> other material relat<strong>in</strong>g toSidney Nolan <strong>and</strong> his work. Listen to Andrew Sayers‟ commentary on Sidney Nolanself-portraits onl<strong>in</strong>e at: www.portrait.gov.au/portrait/oct06/nolan.swfNational Portrait Gallery, K<strong>in</strong>g Edward Terrace, Parkes, <strong>ACT</strong> 2600.Open<strong>in</strong>g Hours: Daily 10am - 5pm except Christmas Day02 6102 7000Admission freewww.portrait.gov.auParliament House Art CollectionThere are four pa<strong>in</strong>t<strong>in</strong>gs <strong>in</strong> the Parliament House Art Collection by Sidney Nolanpurchased between 1983 <strong>and</strong> 1992. The works are Burke <strong>and</strong> Wills 1964, Antarctica1964, Kelly <strong>and</strong> Riverbend 1965 <strong>and</strong> M<strong>in</strong>er with Dog 1972. Works by Sidney Nolanmay be <strong>in</strong>cluded <strong>in</strong> temporary exhibitions that are held <strong>in</strong> Parliament House.Parliament House, Capital Hill, Canberra.Open to the public: Daily 9am - 5 pm02 6277 5399Admission freewww.aph.gov.au/visitorsAustralian War MemorialThe Australian War Memorial holds a large collection of the work of Sidney Nolan.Any number of these may be on exhibition at any one time. In 1978 Nol<strong>and</strong>onated 252 works from his Gallipoli series of pa<strong>in</strong>t<strong>in</strong>gs <strong>and</strong> works on paper to theNation. These were to be held at the Australian War Memorial as a tribute to allthe Australians killed <strong>in</strong> war <strong>and</strong> <strong>in</strong> particular <strong>in</strong> memory of his young brotherRaymond, a soldier who drowned <strong>in</strong> a tragic accident <strong>in</strong> Cooktown, Queensl<strong>and</strong>just before the end of the Second World War. View Nolan‟s Gallipoli works onl<strong>in</strong>eat: www.awm.gov.au/exhibitions/nolan/<strong>in</strong>dex.aspThe Australian War Memorial, Anzac Parade, Campbell.Open<strong>in</strong>g Hours: Daily 10am - 5pm02 6243 4211Admission freewww.awm.gov.au

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