mandalaofsoul

We have seen that in the ‘quantum’ context, the order of every immediately perceptible aspectof the world is to be regarded as coming out of a more comprehensive implicate order, in whichall aspects ultimately merge in the indefinable and immeasurable holomovement…any form ofrelative autonomy (and heteronomy) is ultimately limited by holonomy, so that in a broadenough context such forms are seen to be merely aspects, relevated in the holomovement, ratherthan disjointed and separately existent things in interaction. (Bohm, 156-157)When we explore transformation through the Mandala Process, we are enabled to do sothrough the power of limits as an application of quantum physics, as an expression of Husserl’stranscendental phenomenology, and the geometry of consciousness. When we draw on the paper, weare also drawing in the implicate dimensions of the whole, and by so doing, activating transformationalcomputations.We have looked upon the face of God within creation for countless years and haven’t known it.We see the beauty of nature as we look at the forests, across the fields, down from the mountaintops,because it lives within us. The “face” within reflects the “face” without. How could we not respond toour world with the greatest care? Now we are looking consciously. Perception is our key. When wevisualize proportions and ratios, we form a communication with the forces of creation. These forces livewithin us: in our physical bodies and in our metaphysical light bodies. The spiritual scientists areresearching ways by which we can activate our light nature, and awaken a new phase of evolution.These basic geometric formulae are the mathematics of sacred symbols. Symbols and imagesare our means of engaging the forces of spirit and creation. How we use this gift is a function of thematurity of our hearts and minds. When we make art, we are exercising the mathematics ofconsciousness.Transcendental PhenomenologyWe respond to the geometry of life so deeply because we are intimately interwoven into the quantumcoherency (all implicating all) through which creation conducts itself. When we respond to art, we areresponding to the geometry of life. As we explore, we become increasingly conscious of our relationshipto the all, and how that reality functions. Perception is the integral experience that gives usconsciousness and creates the reality of which we are conscious. It is the activity of quantum physicsand quantum metaphysics within our personal sphere of influence. Art-making transforms perception.Bohm describes, from the view point of physics, how form occurs. The structure of reality is suchthat a non-local cause unfolds into a local event or form. Edmund Husserl in his search for a science ofphilosophy, discovered that the structure of reality forms from the relationship of intentionality andform, and developed a protocol by which we could use the power of limits to explore his liberatingdiscovery. Art-making makes intentionality visible.Phenomenology describes the structure of experience as the relationship between the noemaand noesis. Noema is thing or form, and noesis is essence or intentionality. Phenomenon is best24