our extrasensory experiences. We can resolve this conflict by opening our awareness and integratinghow we evaluate external and internal information. To do this, we open our latent, or repressed,capacity for extrasensory experience, along with our capacity to be aware of and be able to articulate, ina descriptive sense, what we are experiencing in a given present moment. In this way we can trackchanges in our consciousness based on subtle shifts in awareness. For example, when you have aninsight, what do you experience? What is the contrast of that experience to your awareness just beforethe insight? We base our measure on a shift in our awareness indicated by a change in body sensation,feeling, or sense of self. In this way we can develop a scientific approach. The before experiencecontrasts to the after experience giving us an assessment of the intervening variable. The interveningvariable is some kind of event, insight or reflected information.The body is an electrochemical organism, nested in a morphic field. When we regard our bodyas symbol, we link the field nature of self and the body natureof self in our awareness. By so doing, we enhance thecommunication between the two. By imaging or symbolizingbody, we provide a means of sensory connection to the subtlelevels of experience and the physical, psychic, psychologicaland archetypal codes that inform those respective systems.When we see, hear, taste, smell or touch, we connect withthe field of our consciousness in a much more profound waythan just registering physical stimulus or unconsciouspsychosomatic reactions.Our hands are archetypal in themselves because ofthe role they play in the process of art-making. At first glance,we are aware of our hands manipulating the various media of the activity, i.e., paper, pastels, watercolors, pencils, etc. From an archetypal perspective, much more is occurring. When we draw a symbol,we are also connecting with the dimensional field of that symbol and initiating a conversation betweenthe meaning encoded in our unconscious field and the reflected pattern in our drawing. When wecenter in the unified field and grab the symbols of art with our hands, we activate a linkage between theart and the unconscious sphere. When we make art, we organize images into relationships that, thoughappearing on the paper, extend into their corresponding forms in the emotional, mental and archetypaldimensions of self. When we do this, we act as an agency of unity, expressing transformation and subtlechange in the way we inform reality. Whatever our state of psychological health, when we make art, theunity state will flow through the conflict, consternation and polarization of the issues and bring abouttransformation. The activity of art-making is a microcosm of our life, so as we transform through artmaking,we transform our life. This occurs because we can consciously intervene and changeinformation in the innate self-organizing activity of our consciousness.37
Unpacking KadmonArchetypal psychology is often pursued abstractly. This isan indirect approach which requires us to infer meaningand relationships. In the Mandala Process, we open thechannels of our perception and engage the archetypalreality directly, consciously. Our physical body is a portal toour greater self.The archetypal realm organizes using the same relationships as thephysical realm. We exist in the center and the realm in which we are aware exists as a context in whichwe have life. There is always a center and a circumference when we experience existence on any level.To understand this, we continually explore the relationship of the microcosm and macrocosm of life; asabove so below.As we unpack the Kadmon archetype, we begin with the now-familiar center and circumference.We are all discovering the meaning of self and life based on ourselves, so universal themes will alwaysbe understood and acted on idiosyncratically, in terms of the unique spin we each give to the universal.As our macrocosmic self, we are the archetypal person. Our self as physical typal, microcosmic, personflows from the archetypal construction. From center, Rudolf Steiner said, “Our soul approaches us fromthe horizon.” Our soul is also the deepest essence. Each episodic resolution adds substance to the primalimpulse to journey out of the void; to live, love, experience, and fulfill the best of our natures. The voidis not empty. It is the source from which all form unfolds. It is the implicate order that David Bohm saidis the constructor of local, physical reality. In his quantum reality, our only limitation is the movement ofthe whole. All form implies a deeper, causal reality. With the vertical line, we stand between earth andsky, heaven and earth. On the horizontal line, we reach out; our arms grasp life, give life, and reorganizelife into objects and creations. So, here we have the basic archetype of human kind.The Kadmon archetype begins with the symbol of the circle and cross, with the dot in the centerof the cross. This is the universal geography of all mandalas and the structure of perception. Throughouthistory, humanity used this configuration, with varying culturally-evolved symbology, to bridge into theinner reality and to engage and collaborate with transcendent forms and states. They did so out of asense of kinship and unity. In this we have an archetype for the universal pattern of humanconsciousness in its macrocosmic and microcosmic expression. The Kadmon was the first person, bothmale and female, and is the archetype upon which we function and elaborate our understanding of life.Creation myths illustrate their version of Kadmon in their various cultural scenarios for the primal,cosmic person. Adam and Eve lived in a garden—powerful archetype. The story that continues unfolds asequence of events that transferred their consciousness for an archetypal existence into the physicalworld: they name, curiosity leads them to self-consciousness and then they realize they have a body.This sounds somewhat like our own developmental journey in the first seven years of our lives. So, wehave ontology as a race and as an individual that unfolds from the movement of the whole.38
- Page 1 and 2: MANDALA OF THE SOULA Spiritual Appr
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27. Find yourself once again in the
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Although we may need this foundatio
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Afraid of the dark, I would force m
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Journeyingexperience. Does the heal
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Chapter SevenSANCTUARY OF SELFWe al
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accented with rolling clouds. Then,
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The practice of the Sanctuary of Se
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the transpersonal center through a
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3. Place your attention on the cent
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30. Open your spiritual vision. Giv
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Some feel that a strategy of potent
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time, I was unknowingly transmuting
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Chapter EightMYSTICAL MARRIAGECarl
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occurs inwardly, our outer reality
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5. Visualize your female nature or
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Example:Father God provides well fo
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We all have injuries and confusion
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1. Close the eyes and find a breath
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Chapter NineLABYRINTHLabyrinths hav
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inspiring awe, and connecting the p
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encoded in our deep structure. Our
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Light Body. This is the heart of li
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2. Hold the labyrinth diagram at a
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Chapter TenTHE STUDIOMy understandi
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accumulation of the interaction of
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a physical testament to the inner w
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choices. When a student chooses the
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archetypal sea. Without it, the jou
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from the “source”; a source I h
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imaginary friend/power animal in my
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PanelsThe representation of my conn
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If nothing else, the process decons
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Another student I had an “issue
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the anima and animus together.The m
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The final images I drew on my chara
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While in class we alsodiscussed how
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for that which is good and great wi
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were shot down by my father, who ma
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Well there are many ways to remembe
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unusual for me. I tend to finish an
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can now see these images as beautif
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eforehand or just ended up on the p
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loving and accepting of myself. In
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I SEE MY TRUE FACEThroughout the qu
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I find myself once again trying to
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during this most stressful and diff
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intention; drawing my dream/vision
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synonymous with coherent, congruent
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potentiality existing in the psyche
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artwork is always expressive and ab
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feel it tremendously, which issomet
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The next series of mandalas were th
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me with those feelings. It also mak
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FINDING THE WINGS TO FLY“I know I
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found? The symbols are all there: t
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parts of it according to intuitive
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Archetypal IntegrationThe first pie
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The next two pieces were fromthe as
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epresent the Rainbow Bridge - a con
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sound, just as the wind is invisibl
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REFRENCESBohm, D Wholeness and the