2008 Program guide - Victoria Film Festival
2008 Program guide - Victoria Film Festival
2008 Program guide - Victoria Film Festival
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VICTORIA<br />
FILM<br />
FESTIVAL<br />
FEBRUARY<br />
1-10, <strong>2008</strong>
MAP AND ADDRESSES<br />
A<br />
B<br />
C<br />
D<br />
E<br />
F<br />
G<br />
H<br />
I<br />
E<br />
F<br />
H<br />
VICTORIA FILM FESTIVAL OFFICE<br />
808 View St, <strong>Victoria</strong>, BC, (V8W 1K2)<br />
p. (250) 389 0444<br />
e. festival@victoriafilmfestival.com<br />
w. www.victoriafilmfestival.com<br />
Cineplex Odeon Theatre, 780 Yates St.<br />
Community Arts Gallery, 6G – 1001 Douglas St<br />
(Sussex building courtyard)<br />
Empire Theatre, Capitol 6, 805 Yates St.<br />
Fairmont Empress Hotel, 721 Government St.<br />
Artisan Wine Shop, 1007 Government St.<br />
Plan B, 1318 Broad St.<br />
Jellyfish Lounge, 1140 Government St.<br />
Platinum Restaurant, 757 Yates St.<br />
NOT ON MAP:<br />
Caprice Theatre, 777 Goldstream Avenue, Langford<br />
Satellite Box Office: Bolen Books, Hillside Mall<br />
G<br />
C<br />
I<br />
B<br />
D<br />
A<br />
TABLE OF CONTENTS<br />
Map of Venues ..................................................... 1<br />
<strong>Festival</strong> Personnel .................................................. 3<br />
<strong>Program</strong>ming Committee ...................................... 3<br />
Ticket Information ................................................ 5<br />
Membership Information ...................................... 5<br />
End of <strong>Festival</strong> Bash .............................................. 5<br />
Welcome .............................................................. 9<br />
Sponsors .......................................................... 9/11<br />
Messages of Welcome ................................ 9/13/15<br />
Opening Gala ..................................................... 18<br />
Feature <strong>Film</strong>s ....................................................... 19<br />
<strong>Film</strong> Schedule Grid ......................................... 38/39<br />
Short <strong>Film</strong>s .......................................................... 51<br />
My <strong>Victoria</strong> ......................................................... 53<br />
Family <strong>Program</strong>ming ........................................... 65<br />
InVision: Student Work ....................................... 67<br />
<strong>Film</strong>CAN: Student Work ...................................... 67<br />
Art Exhibit ........................................................... 69<br />
<strong>Victoria</strong> <strong>Film</strong> Producers Association Screening...... 71<br />
Sips ‘n Cinema .................................................... 73<br />
Empire Theatres Lounge at Platinum .................. 73<br />
<strong>Festival</strong> Events Throughout the Year .................... 75<br />
Index by <strong>Film</strong> Title ............................................... 76<br />
WWW.VICTORIAFILMFESTIVAL.COM<br />
CHECK WEBSITE FOR UPDATES<br />
TABLE OF CONTENTS<br />
01
Telefi lm Canada, 40 years of stories<br />
and so many more to tell<br />
I feel incredibly blessed to be working in a country<br />
that supports its artists. Without public funding from<br />
agencies like Telefi lm, I would have never gotten my<br />
small, personal fi lm made. I can appreciate it all the<br />
more when I travel to festivals in the U.S. and I see how<br />
privileged I am. I’ve met so many U.S. fi lmmakers who<br />
want to move to Canada!<br />
JULIA KWAN<br />
Writer, director<br />
TF07123 pubCorpo_VFF07.indd 1 11/27/07 10:05:42 AM
FESTIVAL PERSONNEL<br />
<strong>Festival</strong> Director: ...................................................................Kathy Kay<br />
Operations Manager: ............................................................ Jill Moran<br />
Head <strong>Program</strong>mer: ....................................................Donovan Aikman<br />
Communications: .........................................................Sandra Dukarm<br />
Graphic Designer / Communications: ................................. Paul Wilson<br />
Volunteer Coordinator: ......................................................Sarah Facini<br />
Event Coordinator: .................................................... Nathalie Vigeant<br />
Advertising Sales: ..................................................Rosalinde Compton<br />
Transportation / Distribution: ........................................ Soyna Teuwen<br />
<strong>Program</strong> notes by <strong>Program</strong>ming Committee<br />
BOARD OF DIRECTORS<br />
President: ...................................................................David Simmonds<br />
Vice President: .................................................................Wendy Floyd<br />
Secretary: ....................................................................Jo-Ann Richards<br />
Treasurer: ............................................................................Alan Penty<br />
Directors at Large: ......... Pat Ferns, Richard Gray, Sheena Macdonald<br />
PROGRAMMING COMMITTEE<br />
Scott Amos is an internationally screened, award winning fi lmmaker who<br />
incorporates found footage and a range of media into his narrative work,<br />
including animation and experimental techniques. He recently completed a<br />
Bravo! funded short fi lm as well as a silent fi lm for the <strong>Victoria</strong> Symphony’s<br />
Reel Music, and is now working on a music video with Hank and Lily.<br />
Maureen Bradley, originally from Montreal, is a media artist, fi lmmaker<br />
and writer living in both Saskatchewan and BC. She has directed 27<br />
shorts, three video installations and two web art projects. Her award<br />
winning productions have screened at festivals in North America, South<br />
America, Europe, Asia, Australia and the Middle East.<br />
Shirley Goldberg began teaching at Malaspina in 1972. Shirley is<br />
hooked on the potential of alternate, international, independent<br />
fi lm as contemporary art form and medium for social and political<br />
communication. She has experience programming, serving on fi lm juries,<br />
and writing regular columns for Humanist Perspectives.<br />
David Lemieux has been the audiovisual archivist for the San Francisco<br />
rock group the Grateful Dead since 1999, where he produces archival<br />
releases from the band’s extensive archives. Lemieux completed his BFA<br />
in <strong>Film</strong> Studies from Concordia University in Montreal in 1997. He curated<br />
the Philip Borsos Tribute at the VFF in 1999.<br />
Brian MacDonald fi nds language, narrative, fi lm conventions, and live<br />
performance are concepts that he continues to explore through video.<br />
His work has screened at many fi lm and media art festivals internationally,<br />
including a solo program, Volte-Face, at the 2007 FIFA - International<br />
<strong>Festival</strong> of <strong>Film</strong>s on Art in Montreal.<br />
Pamela Madoff has enjoyed a fi lm addiction from a very early age. She has<br />
written fi lm reviews, program calendars, worked and managed repertory fi lm<br />
theatres in Vancouver. Pamela currently serves on <strong>Victoria</strong> City Council where<br />
she holds the Arts & Culture portfolio. Regrettably this does not leave as<br />
much time as she would like to indulge in movie marathons.<br />
Rachel Moore has been an active member of the animation community,<br />
teaching children’s animation workshops, directing, and animating a<br />
handful of shorts that have won awards and screened to an international<br />
audience. She currently is working with a story teller adapting a story<br />
called the Jackal’s Lawsuit for screen.<br />
<strong>Program</strong>ming Committee includes<br />
<strong>Festival</strong> Director & Head <strong>Program</strong>mer<br />
FESTIVAL PERSONNEL<br />
03
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TICKET INFORMATION<br />
ADVANCE TICKETS AVAILABLE BEGINNING:<br />
Thursday, January 11, 2007 on-line only.<br />
Regular box office opens Monday, January 14.<br />
Advance tickets cannot be bought on the day of the show.<br />
Same day tickets will be on sale at the door thirty minutes before the show<br />
(subject to availability and cash only). Please note that some rush seats are<br />
always available at the door for all screenings.<br />
LOCATIONS & TIMES:<br />
FESTIVAL OFFICE<br />
808 View St. 11:00 AM – 5:00 PM Monday – Saturday<br />
BOLEN BOOKS<br />
Hillside Mall 11:30 AM – 5:30 PM Monday – Saturday<br />
BY PHONE<br />
250 389 0444 11:00 AM – 5:00 PM Monday – Saturday<br />
ONLINE AT WWW.VICTORIAFILMFESTIVAL.COM<br />
Visa and MasterCard accepted for advance tickets.<br />
Cash only accepted at the door.<br />
FILM:<br />
<strong>Film</strong> <strong>Festival</strong> Membership (mandatory for entrance to fi lms) ..........$2.00<br />
Feature <strong>Film</strong>s .................................................................................$9.00<br />
Shorts ............................................................................$7.00/program<br />
5 Feature <strong>Film</strong> Tickets ..................................................................$43.00<br />
10 Feature <strong>Film</strong> Tickets ................................................................$82.00<br />
PASSES:<br />
<strong>Film</strong> Pass: .......................................................................................$120<br />
Admits holder to all regular fi lm screenings (excludes Opening Gala & special event fi lms)<br />
VIP pass .........................................................................................$195<br />
Admits holder to all fi lm screenings, Opening Gala & End of <strong>Festival</strong> Bash<br />
Please note: A generous allotment of seats at every screening is reserved for<br />
passholders. While a pass does not guarantee seating, passholders are allowed<br />
priority entry up to 20 minutes before showtime or until the passholder seat<br />
allotment has been reached. Passholders are strongly encouraged to arrive 30<br />
minutes before showtime. All passes are strictly nontransferable and photo ID<br />
must be shown at the theatre.<br />
SPECIAL EVENTS:<br />
Empire Theatres Lounge at Platinum (entry with any VFF fi lm ticket) .. Free<br />
End of <strong>Festival</strong> Bash ....................................................................$15.00<br />
InVision Screening .........................................................................$9.00<br />
Opening Gala Reception .............................................................$25.00<br />
Sips ‘n Cinema ............................................................................$20.00<br />
Family <strong>Program</strong>ming .....................................................................$7.00<br />
<strong>Victoria</strong> Producers Association Screening .......................................$9.00<br />
Ticket prices include GST. GST #883954026RT0001. All sales are fi nal, no refunds.<br />
END OF FESTIVAL BASH & AWARDS<br />
SUNDAY, FEBRUARY 10TH 9:00 PM JELLYFISH LOUNGE<br />
The <strong>Festival</strong> fi lms are juried and, of the works accepted to the <strong>Festival</strong>,<br />
several are selected to receive an award. These will be announced<br />
at the End of <strong>Festival</strong> Bash.<br />
The Categories are:<br />
Star!TV Best Feature <strong>Film</strong><br />
Yellow Pages Award for Best Canadian First Feature <strong>Film</strong><br />
Best Documentary<br />
Best Short<br />
Cineplex Entertainment Award for Best Short Animation<br />
Audience Favourite<br />
FILM FESTIVAL MEMBERSHIP<br />
Membership has its privileges. Do you know that all the movies you<br />
normally see at the theatre have been classifi ed?. You know – rated PG<br />
or R or G by the B.C. <strong>Film</strong> Classifi cation board. In British Columbia the<br />
only way to view unclassifi ed fi lms is to be a member of the Society<br />
showing the fi lms and over the age of 18 – that’s the law.<br />
The <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong> screens unclassifi ed fi lms.<br />
That’s why you have to have a membership, which costs $2.<br />
Once you’re a member of the <strong>Festival</strong> Society, you can get in to see any<br />
of the fi lms at the <strong>2008</strong> <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong>.<br />
TICKET INFORMATION<br />
05
Global Rhythms Concert Series<br />
Coming in Winter <strong>2008</strong>!<br />
Le Mystère<br />
des Voix Bulgares<br />
“Gorgeous<br />
Ethereal<br />
Otherworldly”<br />
THURSDAY JANUARY 31 8pm<br />
A Compás!<br />
Primal Pulse<br />
Paco Peña<br />
SUNDAY FEBRUARY 10 7:30pm<br />
Angelique<br />
Kidjo<br />
Africa’s<br />
passionate<br />
diva!<br />
SPECIAL GUEST ALEX CUBA<br />
Flamenco Dance Company<br />
presents<br />
SATURDAY FEBRUARY 23 8pm<br />
UVic Centre, Farquhar Auditorium<br />
UVic Ticket Centre 250-721-8480<br />
www.auditorium.uvic.ca<br />
See all 3 concerts for a series price of only $94.50*<br />
Single show tickets also available<br />
*plus service charges and tax<br />
www.globalartsconcerts.com<br />
This is one of <strong>Victoria</strong>’s most popular<br />
spots! Whether it’s seafood, burgers or<br />
chicken, relax and enjoy the Olde English<br />
pub ambience of Bartholomew’s, with an<br />
upbeat atmosphere, live entertainment — and<br />
outdoor patio dining all summer long! Or<br />
enjoy the cosy setting of Doubles Oyster Bar.<br />
Complimentary appetizers during Appy Hour.<br />
388-5111<br />
In the Executive House Hotel,<br />
777 Douglas Street, <strong>Victoria</strong>, B.C. V8W 2B5
WELCOME TO THE<br />
14TH ANNUAL<br />
VICTORIA FILM FESTIVAL.<br />
Welcome to the 14th annual <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong>. Yes we dropped<br />
the ‘Independent’ and ‘Video’ because… well we’re getting old; life is<br />
short and who has time to spend on that tongue twister. Yes we can all<br />
breathe a sigh of relief. The fi lms are still independent and yes we still<br />
show some on video and DVD.<br />
It’s a fast paced world and as we bring you the best new fi lms it just<br />
seems to be getting faster. More fi lms to see from out of the way<br />
sources and remember if you don’t decide to leave the couch for the<br />
night you may never get to see them again.<br />
And to make the <strong>Festival</strong> even more fun, we’re continuing with our<br />
lounge where you can stop by and have a coffee, martini or a little food<br />
before or after the fi lms. <strong>Film</strong> <strong>Festival</strong>s come alive when people have the<br />
chance to meet others and chat about the fi lms. There will be live music<br />
from 8 - 10 PM. We’re calling our venue Empire Theatres Lounge at<br />
Platinum and yes it’s in Platinum Restaurant on Yates by the theatres.<br />
FESTIVAL SPONSORS<br />
PLATINUM<br />
GOLD<br />
SILVER<br />
BRONZE<br />
New this year is our launch into the Westshore. It’s such a growing<br />
community and we’re such a growing <strong>Festival</strong> how could we not want<br />
to pair up with the Caprice Theatre. Some of the wonderful people<br />
helping us fi nd our feet are Langford Mayor Stewart Young, councilors<br />
Lillian Szpak and Matt Sahlstrom, Economic Development CEO Peter<br />
Fibiger, Chamber leads Rosalind Scott and Angela Pollock, Brian Jupp<br />
and James Evans both with the Caprice, and arts afi cionado Cindy<br />
Moyer. What a pleasure it’s been to work with all of you!<br />
I want to thank Sheena Macdonald and Phil Schmitt for their incredible<br />
generosity – yet again – and <strong>Victoria</strong> Taxi for their continued support<br />
with <strong>Festival</strong> transportation.<br />
Enjoy your travels with the <strong>Film</strong> <strong>Festival</strong> this year. Indulge in the world’s<br />
best new fi lms for the short time they are here.<br />
Kathy Kay<br />
<strong>Festival</strong> Director<br />
PATRON VENUE<br />
WELCOME & SPONSORS<br />
09
CELINE STUBEL IN MY CHERNOBYL / PHOTO BY JO-ANN RICHARDS, WORKS PHOTOGRAPHY<br />
FEBRUARY 26 – MARCH 1, <strong>2008</strong><br />
ANY NIGHT<br />
LÉO<br />
PREMIERE<br />
WRITTEN AND PERFORMED BY Daniel Arnold AND Medina Hahn<br />
MARCH 4 – 8, <strong>2008</strong><br />
08<br />
FESTIVAL 08<br />
supported by<br />
WRITTEN BY Rosa Laborde<br />
MARCH 26 – APRIL 5, <strong>2008</strong><br />
MY CHERNOBYL PREMIERE<br />
WRITTEN BY Aaron Bushkowsky<br />
“LÉO IS A SMALL JEWEL...<br />
ONE THAT DESERVES TO<br />
BE TREASURED BY ANYONE<br />
LOOKING FOR SUPERB<br />
THEATRE.” TORONTO STAR<br />
A GREAT PLACE TO SEE GREAT THEATRE<br />
Belfry<br />
Theatre<br />
TICKETS 385-6815 from $18 – $21 Student discounts available<br />
1291 Gladstone at Fernwood www.BELFRY. BC.CA
MEDIA<br />
GOVERNMENT<br />
BENEFACTOR<br />
Greater<strong>Victoria</strong>.com<br />
FRIEND<br />
HOSPITALITY<br />
IRISH TIMES<br />
SPONSORS<br />
11
MESSAGE FROM TELEFILM<br />
From urban life and dramatic landscapes to inspiring heroes and<br />
personal struggles, all this – and more – makes for distinctive Canadian<br />
storytelling. Fittingly, the <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong> has put together a<br />
diverse program of works that spotlights Canada, and other cultures<br />
from around the world.<br />
Part of celebrating outstanding Canadian productions is also<br />
recognizing the talent behind them, and the <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong> plays<br />
a valuable role in showcasing Canada’s creators and their productions.<br />
Canadian cinema continues to evolve as an art form that remains vibrant<br />
and alive by relying on the energies and ingenuity of a new generation.<br />
On behalf of the Board of Directors and staff of Telefi lm, I would like<br />
to extend a warm welcome to you and invite you to discover what the<br />
<strong>2008</strong> edition of the <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong> has to offer.<br />
Congratulations!<br />
S. Wayne Clarkson<br />
Executive Director, Telefi lm Canada<br />
WELCOME<br />
13
C A P I L A N O<br />
Capilano<br />
<strong>Film</strong> Centre<br />
<strong>Film</strong> instruction by industry professionals<br />
Motion Picture Production<br />
One-, two- and three-year programs for independent<br />
filmmakers. Focus on all creative and business<br />
aspects of filmmaking, including screenwriting,<br />
directing, producing and entrepreneurship.<br />
<strong>Film</strong> Crafts<br />
Costuming for Stage and Screen <strong>Program</strong>s<br />
— the only program of its kind in Canada<br />
Cinematography<br />
— 1 year Certificate<br />
Documentary <strong>Film</strong> <strong>Program</strong><br />
Unique program offering intensive project-driven<br />
instruction in documentary filmmaking.<br />
FILM CENTRE<br />
OPEN HOUSE<br />
Saturday, March 8, <strong>2008</strong><br />
Noon to 4 p.m.<br />
Capilano College, North Vancouver Campus<br />
Join us for a <strong>Film</strong> Centre tour:<br />
• Meet the Faculty<br />
• See a studio shoot in action<br />
For more information:<br />
604.990.7868<br />
film@capcollege.bc.ca<br />
capcollege.ca/film<br />
Capilano College<br />
2055 Purcell Way, North Vancouver, BC<br />
GREAT TEACHING. GREAT PROGRAMS. GREAT FUTURE.<br />
FAMILIES AND MEMORIES<br />
ARE FOREVER<br />
BRING YOUR FAMILY TO<br />
THE GATSBY MANSION<br />
FOR A MEMORABLE EXPERIENCE<br />
Award Winning Restaurant<br />
Historic Houses in period fashion<br />
Wine & Beer Store and Spa On-site<br />
Short walk to Downtown Shops and Sightseeing<br />
Across the Street from the Clipper & Coho Ferries<br />
GATSBY MANSION HOTEL & RESTAURANT<br />
Overlooking <strong>Victoria</strong>’s Spectacular Inner Harbour<br />
309 Belleville St., <strong>Victoria</strong>, B.C. V8V 1X2 • 800-663-7557<br />
reservations@bellevillepark.com • www.bellevillepark.com
MESSAGE FROM<br />
MAYOR ALAN LOWE<br />
On behalf of the citizens of <strong>Victoria</strong>, I would like to welcome you to the<br />
14th annual <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong>. It is truly a pleasure to host fi lmmakers<br />
and industry players from around the world to join us for a fi lm event that<br />
blends local vision with international exposure in a unique showcase of<br />
artistic talent.<br />
This event provides attendees with an opportunity to exchange ideas,<br />
share information and work with others in the fi eld of fi lmmaking.<br />
The youth in Greater <strong>Victoria</strong> benefi t from the opportunity to access<br />
equipment and knowledge to create their own fi lms and express their<br />
own visions through the magic of movie making. This year’s array of<br />
screenings ensures that a new generation of fi lmmakers will be inspired to<br />
pursue their passion.<br />
<strong>Victoria</strong> is proud to host such a prestigious festival and I invite all attendees<br />
to take advantage of our city’s unique cultural offerings.<br />
See you at the movies!<br />
Sincerely,<br />
Alan Lowe<br />
MAYOR<br />
MESSAGE FROM<br />
STAN HAGEN<br />
As the Minister of Tourism, Sport and the Arts, it is my honour to welcome<br />
you to the <strong>2008</strong> <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong> in <strong>Victoria</strong>, British Columbia.<br />
This will be the 14th year for the festival, and with a new name and a new<br />
line-up of fi lms, we are looking forward to a world class event. During<br />
these next ten days we can expect to see 150 incredible fi lms, videos,<br />
shorts and documentaries from national and international participants.<br />
The government is pleased to support up and coming fi lmmakers from<br />
around the world, and we hope that their experience here will add to their<br />
repertoire and will be the launching pad into a fulfi lling career in the arts.<br />
It is our vision that fi lm remain a key component in British Columbia’s<br />
culture and that the arts be embraced as an important part of life for all<br />
British Columbians.<br />
I would like to thank everyone who had a hand in co-ordinating this<br />
festival and for making this event a success. The ongoing commitment<br />
demonstrated by the <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong> organizers and volunteers and<br />
participants serves as a model and inspiration to us all.<br />
I wish the best of luck to all of the people who submitted their fi lms for<br />
viewing. The audience in <strong>Victoria</strong> is enthusiastically waiting to view them. I<br />
hope you will enjoy your stay in beautiful British Columbia, and I invite you<br />
to explore the province while you are here.<br />
Sincerely,<br />
Stan Hagen<br />
Minister of Tourism, Sport and the Arts<br />
WELCOME<br />
15
Greetings from your South Island Opposition MLAs<br />
We applaud the staff, volunteers and fi lmmakers<br />
that make the <strong>2008</strong> <strong>Victoria</strong> Independent <strong>Film</strong> and Video <strong>Festival</strong> possible.<br />
Maurine Karagianis, MLA<br />
Esquimalt-Metchosin<br />
David Cubberley, MLA<br />
Saanich South<br />
Carole James, MLA<br />
<strong>Victoria</strong>-Beacon Hill<br />
John Horgan, MLA<br />
Malahat-Juan de Fuca<br />
Rob Fleming, MLA<br />
<strong>Victoria</strong>-Hillside
One night only!<br />
bODY_rEMIX/gOLDBERG_vARIATIONS<br />
Compagnie Maire Chouinard<br />
TUESDAY, APRIL 29 • 8 PM<br />
ROYAL THEATRE<br />
Tickets: 386-6121 or online at Dance<strong>Victoria</strong>.com<br />
“A hurricane of unbridled<br />
imaginativeness… a blend of<br />
the sensual and the cerebral”<br />
NY TIMES<br />
Warning: Not suitable for children<br />
SEASON SPONSOR
OPENING GALA<br />
18<br />
MOTOWN HIGH<br />
DIRECTOR: BARBARA HAGER<br />
VICTORIA<br />
2007 70 MINUTES BETASP<br />
PRODUCER: BARBARA HAGER<br />
World Premiere<br />
This is truly a made-in-<strong>Victoria</strong> fi lm not to be missed. The <strong>Victoria</strong><br />
High School band is profi led in this outstanding documentary about<br />
the band’s growth, its many personalities, and its remarkable journey<br />
to the heart of Motown to learn from the source. When the band<br />
travels east to play for a Detroit high school, it turns out that they’ll be<br />
performing for not only their American peers, but for Motown royalty:<br />
Martha Reeves, of Martha and the Vandellas, one of the defi ning<br />
voices of the Motown sound. After the performance, the <strong>Victoria</strong><br />
musicians are treated to a talk by Ms. Reeves in which she reminisces<br />
about her days in the recording studio and at the top of the charts.<br />
However, the best was yet to come: a visit to <strong>Victoria</strong> by Reeves, during<br />
which the superstar would perform with the <strong>Victoria</strong> High School band<br />
backing her up.<br />
With excellent concert footage from the Royal Theatre performance,<br />
interviews and candid takes of the student musicians and their<br />
teachers, it becomes hard to believe these are high school students.<br />
Not only did the band win the respect of their Detroit student peers<br />
and Martha Reeves, but they’ll also gain it from anyone who sees this<br />
amazing document of some of the most talented young R&B musicians<br />
out there today.<br />
Thursday • January 31 • Caprice • 7:15 PM<br />
Friday • February 1 • Capitol 6 - 6 • 6:45 PM<br />
OPENING GALA<br />
The <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong> is delighted to hold two Opening Galas<br />
for the very fi rst time, one in <strong>Victoria</strong> and one on the Westshore.<br />
There will be food, drink and dancing so bring out your party<br />
wear and get ready to boogie!<br />
Thursday, January 31<br />
7:15 PM - Caprice Theatre, 777 Goldstream Avenue<br />
9:00 PM Party - Location TBA<br />
Friday, February 2<br />
6:45 PM - Capitol 6 Theatre 6, 805 Yates<br />
9:00 PM Party - <strong>Victoria</strong> Conference Centre<br />
Included as a Special Presentation<br />
Westshore Opening Gala Only:<br />
LANGFORD 701<br />
Rob Kettner <strong>Victoria</strong> 15 minutes<br />
In 2004, Langford’s Fire Chief Bob Becket went to Afghanistan with<br />
two other fi remen, armed only with humanitarian aid and the need to<br />
educate and re-build. But what they have brought back is a standard for<br />
making change happen, one small action at a time.
FEATURE FILMS<br />
OPENING GALA ___________________________________ 18<br />
CANADIAN WAVE _________________________________ 20<br />
Our voices, our hearts<br />
WORLD PERSPECTIVE ______________________________ 25<br />
Step outside the Canadian-centric<br />
DOCUMENTARY __________________________________ 41<br />
The fun, the sadness and concerns of life
CANADIAN WAVE<br />
20<br />
THE TRACEY FRAGMENTS ALL HAT<br />
DIRECTOR: BRUCE MCDONALD<br />
ONTARIO<br />
2007 78 MINUTES 35MM<br />
PRODUCER: SARAH TIMMINS<br />
WRITER: MAUREEN MEDVED, BASED ON HER NOVEL<br />
Canadian maverick Bruce MacDonald has returned to the silver screen<br />
after three years with a fi lm that is completely unlike anything you<br />
have ever seen in theatres before. Shown almost exclusively in multiple<br />
split screens that shift and swirl like a kaleidoscope with a personality<br />
disorder, his newest vision is a surprisingly stylish, accessible and yet<br />
still a troubling look at teenage alienation that owes as much to the<br />
fresh nouvelle vague energy of the 1960s as it does the modern<br />
technology that makes his visuals so fascinating to watch.<br />
Tracey (played by amazing up-and-comer Ellen Page) is just your<br />
average naked teenager wrapped in a shower curtain on a bus circling<br />
the city. Granted, she may be responsible for the disappearance of<br />
her younger brother by hypnotizing him and convincing him he was<br />
a dog, but it wasn’t like her parents were ever really there physically<br />
much less mentally to stop her. And her natural response to imminent<br />
punishment was like that of any small-town girl with misplaced goals:<br />
she makes her way to Winnipeg for her “grand escape”.<br />
Now at the mercy of people much smarter and bitter than she is,<br />
things have naturally gone from bad to wrapped-in-a-shower-curtain.<br />
But Tracey still has her reasons and that fl eeting fl ickering shadow of<br />
her brother is somewhere just at the edge of the fragments that follow<br />
her everywhere she goes.<br />
Screened with<br />
PLAYGROUND<br />
Eve Spence Australia 21 minutes<br />
Struggling to balance their loyalties, three boys have come to play in<br />
the atmospheric surrounds of a building site. Our hero Milton draws<br />
upon the lessons learnt from his parents while Floyd, neglected by his,<br />
always fl ounders. However, somewhere in between lies the delicate<br />
roots of aggression, just waiting to burst through on them all.<br />
Wednesday • February 6 • Capitol 6 - 6 • 6:45 PM<br />
Saturday<br />
PRESENTED BY<br />
DIRECTOR: LEONARD FARLINGER<br />
ONTARIO<br />
2007 89 MINUTES 35MM<br />
PRODUCER: JENNIFER JONAS<br />
WRITER: BRAD SMITH, BASED ON HIS NOVEL<br />
Old fl ames and old feuds fl are up in Farlinger’s screen adaptation of Brad<br />
Smith’s neo-Western novel, gorgeously fi lmed in Ontario’s horse country.<br />
The fi lm opens on the suitably laconic hero, Ray Dokes, as he is released<br />
from prison after doing time for assault. He is picked up by lifelong<br />
friend Pete Culpepper (Keith Carradine), who’s as garrulous as Ray is<br />
taciturn (he’s addicted to wise pronouncements that even he doesn’t<br />
take too seriously). Returning home, he discovers the countryside of his<br />
youth transformed. Urban development crawls across the pastoral fi elds<br />
like a rash.<br />
Sonny Stanton (Noam Jenkins), the heir to a thoroughbred dynasty, is<br />
buying the entire concession of farmland to build a golf course. One<br />
of the farms he’s after belongs to Etta Parr (Lisa Ray), Ray’s old fl ame.<br />
Seems she’s the only one brave enough to stand in Sonny’s way. So<br />
before Ray knows it somehow he’s caught up in sneaky land deals,<br />
family farm problems and high-stakes horseracing shenanigans.<br />
This is a classic fi lm about the family farm and the values that go hand in<br />
hand with it yet also manages to be a comic fable about growing up.<br />
All Hat is a refreshing and much-needed glimpse of the world outside<br />
urban centers, a lifestyle that’s often ignored. Shot by cinematographer<br />
Paul Sarossy (Affl iction, The Sweet Hereafter), it features a musical score<br />
by Grammy award-winning jazz guitar legend Bill Frisell.<br />
Screened with<br />
BURGEON & FADE<br />
Audrey Cummings Ontario 15 minutes<br />
An attractive middle-aged woman comes out of social seclusion to<br />
attend her best friend’s 25th wedding anniversary, but her insecurities<br />
have another agenda.<br />
• February 2 • Capitol 6 - 6 • 6:45 PM<br />
Sunday • February 3 • Caprice • 7:15 PM
HANK & MIKE<br />
DIRECTOR: MATTHIEW KLINCK<br />
ONTARIO<br />
2007 82 MINUTES DIGIBETA<br />
PRODUCERS: THOMAS MICHAEL, NICHOLAS D. TABARROK, PIERRE EVEN<br />
WRITERS: PAOLO MANCINI, THOMAS MICHAEL<br />
Hank and Mike are best friends – and bunnies. Not just any bunnies,<br />
Easter bunnies! They’re a kind of yin-and-yang, Felix-and-Oscar duo.<br />
If Felix-and-Oscar made cameos on Jerry Springer, that is.<br />
Sure, they hand deliver baskets of Easter eggs to unsuspecting families<br />
and they have long standing positions at Pan Enterprises, a<br />
multi-national corporation that owns all holidays. But they’ve become<br />
a little too comfortable in their bachelor lifestyles, a quality not<br />
desirable in this job or even at home. So when there’s a corporate<br />
need to increase profi ts and “think outside the box”, the fi rm’s board<br />
of directors calls in Mr. Hubriss to trim the fat and get the company’s<br />
profi ts back in order. And before they know what’s hit ‘em, Hank and<br />
Mike are just former “tier 2 holiday” employees going where no Easter<br />
Bunny has gone before: the Welfare Offi ce.<br />
Hank and Mike is a refreshing change in the Canadian fi lmscape. Never<br />
afraid to offend, it’s a comedy that can be alternately raunchy and<br />
sweet without ever needing to be stupid in between. Its often caustic<br />
dialogue is never an excuse to skimp out on some witty scenarios,<br />
great set designs, and moments of cinematic purity.<br />
Screened with<br />
A LETTER TO COLLEEN<br />
Andy London, Carolyn London USA 9 minutes<br />
Andy London has been haunted by the events of his 18th birthday for<br />
years. In this short animated fi lm set in the early 90’s, he writes a letter<br />
to Colleen in an attempt to put his demons to rest.<br />
AMAL<br />
DIRECTOR: RICHIE MEHTA<br />
ONTARIO<br />
2007 101 MINUTES 35MM<br />
PRODUCERS: DAVID MILLER, STEVEN BRAY<br />
WRITERS: SHAUN MEHTA, RICHIE MEHTA<br />
Named in the Top Ten Canadian <strong>Film</strong>s for 2007<br />
In chaotic New Delhi, an aged and irascible man cheats everyone he<br />
meets. Amal, Rupinder Nagra an auto-rickshaw wallah, generously<br />
allows him to dodge his fare. When a beautiful client has her bag<br />
stolen from Amal’s auto-rickshaw, Amal chases after the young<br />
thief, but the little girl runs into traffi c and is struck by a car. Amal<br />
takes her to the hospital and assumes responsibility for her care – an<br />
expense he cannot afford.<br />
Meanwhile, the irritable old cheat has died, and his funeral reveals<br />
he was in fact the patriarch of a wealthy family. Disillusioned with his<br />
grasping children, he has willed his fortune to Amal. Now, within thirty<br />
days, the estate’s executor must fi nd one anonymous man in this city<br />
of fourteen million. Familial machinations descend to vicious levels as<br />
the search goes on.<br />
A delightful rags-to-riches-to-rags story: this is a very grown up and<br />
sophisticated fi rst fi lm. Amal deftly manages to play around with ideas<br />
about fate and free will (plus class and status), without ever leaving<br />
the characters fl oating in inertia. Now that’s a tricky balance! It’s a<br />
rich, fully populated story – full of affectionately drawn and cleverly<br />
portrayed characters. Amal has always known something that the rich<br />
man only just learned; we are defi ned as much by what we sacrifi ce as<br />
we are by what we possess.<br />
Saturday • February 2 • Capitol 6 - 1 • 2:30 PM<br />
Saturday • February 9 • Capitol 6 - 6 • 6:45 PM<br />
Friday • February 8 • Odeon • 7:00 PM Sunday • February 10 • Capitol 6 - 6 • 9:00 PM<br />
21<br />
CANADIAN WAVE
CANADIAN WAVE<br />
22<br />
COWARDICE (LA LÂCHÉTE) EGG FACTORY<br />
DIRECTOR: MARC GISAILLON<br />
QUEBEC<br />
2007 102 MINUTES 35MM<br />
PRODUCER: CHRISTINE FALCO<br />
WRITER: MARC GISAILLON<br />
BC Premiere<br />
Conrad is a gravedigger and family man who’s badly married. When he<br />
meets a beautiful woman by chance at a dance hall, his life is fl ipped<br />
upside down, and he fi nds himself at the center of a reprehensible act<br />
that involves abducting the young daughter of a local businessman.<br />
Liberally inspired by a real event that shook Quebec in the 1960’s,<br />
Cowardice recounts how a man, who could have had a quiet life,<br />
slowly slips into a dark world due to lack of courage and remorse<br />
that leave him overwhelmed. Extremely well written and acted, and<br />
shot beautifully in rural Quebec, Cowardice is a dramatic feature that<br />
delves deeply into one man’s soul and conscience. Set during the Quiet<br />
Revolution in 1962, it features characters with depth and history, and<br />
this terrifi c Quebecois fi lm is a worthy addition to the abundance of<br />
high quality feature fi lms emanating from the province.<br />
Screened with<br />
JEU<br />
Georges Schwizgebel Canada / Switzerland 3.5 minutes<br />
A metaphor for modern life’s non stop hustle and bustle and a series<br />
of shapes trick the senses again as they swirl and twist a playful<br />
dance. All the world is a stage and everyone a player, including the<br />
fi lmmaker himself.<br />
Sunday • February 3 • Capitol 6 - 6 • 2:15 PM<br />
DIRECTOR: WILLIAM FRUET<br />
VICTORIA, BC<br />
<strong>2008</strong> 90 MINUTES DIGIBETA<br />
PRODUCERS: PAUL RAYMAN, DON ENRIGHT<br />
WRITER: RAY HARTUNG<br />
World Premiere<br />
When boy genius Matt Hanson comes across two plots that can both<br />
be used for evil, and that will put his girlfriend in harm’s way, he teams<br />
up with his uncle, a former football great, to create one of cinema’s<br />
fi nest brain-and-brawn combinations. Working as a fellow at the world’s<br />
foremost research facility, Matt is on to something big, and he and his<br />
uncle must foil the plot to steal young Matt’s research before it is too<br />
late. Up against an equally dire deadline, Matt and his uncle must save<br />
the girl and get her and her family out of harm’s way for good.<br />
This thriller from Canadian director William Fruet, who wrote the<br />
seminal Canadian fi lm Goin’ Down The Road, is fi lled with plot twists<br />
and comedic elements, while never losing focus on the two primary<br />
goals of the protagonists. Shot in and around <strong>Victoria</strong>, the fi lm has<br />
plenty of familiar images, and features several established and<br />
up-and-coming Canadian actors.<br />
Thursday • February 7 • Odeon • 9:30 PM
SLINGSHOT (TIRADOR) THE DEAD SLEEP EASY<br />
DIRECTOR: BRILLANTE MENDOZA<br />
CANADA / PHILIPPINES<br />
2007 86 MINUTES DIGIBETA<br />
PRODUCERS: RENATO ESGUERRA, ANTONIO DEL ROSARIO<br />
WRITER: RAISTON JOVER<br />
A tribute to the real potential of digital cinema, Slingshot is a slum<br />
epic on steroids. It weaves stories left and right into a shocking tableau<br />
about life for the lowest of the low in the Philippine’s poorest and most<br />
crime-ridden districts.<br />
National elections are coming up so in the usual attempt to appear<br />
“tough-on-crime”, The Big Boys have been sent in to crack down<br />
on the local squatters, thieves and miscreants who litter the fi lm<br />
like broken bottles. And since no sweep is ever a clean sweep, the<br />
cops’ brutal shock-force tactics quickly ripple outwards with jagged<br />
repercussions. Starting from the fi lm’s amazing night time raid and<br />
climaxing with a candle-lit vigil by those insulted by the empty words<br />
of the politicians, director Brillante Mendoza uses the camera’s<br />
apparent attention defi cit disorder to maximum effect, investigating<br />
lives at every turn and blending their true fi ctions right onto the city<br />
streets of Manila for a rich and incredibly immersive feel.<br />
Much of this effect might have been entirely impossible to capture if<br />
not for the ease of shooting made possible today. Mendoza is not only<br />
clearly aware of the technological revolution happening in his hands but<br />
he is able to seize it so well that he brings back to life the ensemble-cast<br />
movie on a level not seen since Robert Altman’s fi nest fi lms.<br />
Saturday • February 9 • Odeon • 1:15 PM<br />
Sunday • February 10 • Odeon • 7:00 PM<br />
DIRECTOR: LEE DEMARBRE<br />
CANADA / MEXICO<br />
2007 93 MINUTES DIGIBETA<br />
PRODUCER: ROBERT MENZIES<br />
WRITER: IAN DRISCOLL<br />
BC Premiere<br />
They call him “the Champ” and he once was the king of the Mexican<br />
Lucha Libre wrestling ring. But “once” was a very long time ago, on<br />
the other side of a debt he can never repay and down too many lines<br />
of coke to count. Nowadays, the Champ is just a deadly errand boy for<br />
a boss named Tlaloc who’s even married Maya, the Champ’s old fl ame.<br />
With nothing left to believe in, the Champ has all but given up on<br />
living and has taken to the world of the dead and its pale ghosts.<br />
However, the gang’s got a new interest that they’ve neglected to<br />
tell the good ol’ Champ about: pollero… AKA human smuggling.<br />
Now, one deal gone wrong and he’s trapped between overzealous<br />
Minutemen, his old boss, and his old love. But when you’re south of<br />
the border, sometimes it is better to be dead than alive.<br />
From the team that brought you the cult hit Jesus Christ Vampire<br />
Hunter, comes this surprisingly serious bright-light noir with a Mexican<br />
twist. More surprising is some of the true-to-life casting including<br />
Canadian born wrestling superstar Vampiro busting heads on the left<br />
as the Champ and world-renowned gangster-celeb Dave Courtney<br />
busts heads on the right. Talk about your method actors!<br />
CANADIAN WAVE<br />
Friday • February 8 • Odeon • 9:30 PM<br />
Sunday • February 10 • Odeon • 9:30PM 23
CANADIAN WAVE<br />
24<br />
ASWANG PORTAGE<br />
DIRECTOR: JORDON CLARK<br />
VICTORIA, BC<br />
2007 81 MINUTES DVCAM<br />
PRODUCER: JORDON CLARK<br />
WRITER: JORDON CLARK<br />
World Premiere<br />
When do myth and reality meet? How much can spiritual myths affect<br />
this reality? Aswang offers a unique perspective on the search of the<br />
past’s effect on how history is viewed in hindsight. This challenging,<br />
yet accessible, work of art explores this link, with a story that is,<br />
literally, right in our back yard. Writer Maria Villanueva is intrigued<br />
by the existence of ghosts, and upon returning to her hometown of<br />
<strong>Victoria</strong>, she becomes intrigued with the city history of prostitution<br />
in Chinatown. Maria proceeds to document the presence of<br />
apparitions at any cost, and her fi ndings validate her long-standing<br />
belief in the afterlife.<br />
Aswang brings together two elements of particular interest to <strong>Victoria</strong><br />
fi lmgoers: an exploration of a little-known aspect of our city’s history,<br />
and an examination of a unique moment from our past that relates<br />
to the city’s sizeable Filipino community. Shot throughout <strong>Victoria</strong>’s<br />
downtown, as well as in the Philippines, the fi lm offers a terrifi c view<br />
of the melding of myth and reality, and how the two, when combined,<br />
reveal a greater truth than either can refl ect on their own. Shot by<br />
<strong>Victoria</strong> fi lmmaker Jordan Clark, who produced the 2005 VFF fi lm<br />
Bangkok Girl, Aswang is a narrative accompaniment to the disturbing<br />
history of the exploitation of Asian women through prostitution.<br />
Thursday • February 7 • Odeon • 7:00 PM<br />
DIRECTORS: EZRA KRYBUS, MATTHEW MILLER,<br />
SASCHA DREWS<br />
ONTARIO<br />
2007 83 MINUTES BETASP<br />
PRODUCERS: JATY TAM, MATTHEW MILLER, NICHOLAS TABARROK<br />
WRITER: SASCHA DREWS<br />
Teenaged Stephie is sent camping in beautiful Ontario lake country<br />
with her big brother Jonah and her three best friends, the Juniper Girls,<br />
as a way to get past her traumatic fear of water. On the canoe trip,<br />
Jonah crosses a line he should not have, and in the ensuing mess, he<br />
dies. The four girls, divided by the transgression, must come together<br />
to deal with this tragedy under terribly diffi cult conditions as Stephie<br />
refuses to leave his body behind.<br />
This coming of age story is shot beautifully in remote, ragged<br />
Ontario, and the challenge of coping with the tragedy that befalls<br />
Jonah is heightened by the challenges wrought by this unforgiving<br />
environment. Through the experience, Stephie overcomes her fear of<br />
the water, reconciles with the past that haunts her, and becomes a<br />
strong young woman who fl ourishes under pressure and escapes the<br />
oppressive fear she has lived with for years.<br />
Wednesday • February 6 • Odeon • 9:30 PM<br />
Saturday • February 9 • Odeon • 3:30 PM
INTERVENTION<br />
DIRECTOR: MARY MCGUCKIAN<br />
UK<br />
2007 93 MINUTES 35MM<br />
PRODUCER: JEFF ABBERLEY<br />
Set in an exclusive and fashionable celebrity rehab clinic in New<br />
Mexico, Intervention explores the world of ‘relationship therapy’,<br />
pushing into the light those painful moments of our lives normally<br />
locked behind closed doors. Taken from a short story written by<br />
director Mary McGuckian who, collaborating with an amazing cast,<br />
creates a surprisingly eclectic group of people who fi nd themselves<br />
trapped under one roof with only one thing in common – addiction.<br />
Enter Mark (Rupert Graves), a former porn star-turned-producer,<br />
addicted to alcohol, drugs, gambling and sex; Joe (John Sessions), a Kiwi<br />
comedian with a drinking problem; Sara (Sara Stockbridge) a former<br />
model, muse and recovering heroin addict with anger and food issues;<br />
and Harry (Ian Hart), a prescription drug addict from a privileged family.<br />
But under the treatment of counselors Bill (Colm Feore) and his wife<br />
Kelly (Andie MacDowell), friends, family and signifi cant others join<br />
the ‘inmates’ for the family weekend program, where reality and<br />
reconstruction really begins. When Jane (Jennifer Tilly) – Mark’s wife,<br />
Pamela (Donna D’Errico) – Mark’s lover and Kate (Kerry Fox) – Joe’s<br />
best friend, arrive the process of group therapy, rebuilding and<br />
resolving confused relationships becomes all-consuming, taking their<br />
personal meltdowns to the rock bottom before anyone can even hope<br />
to begin again.<br />
Screened with<br />
SHUTTER<br />
Jessica Joy Wise Ontario 16 minutes<br />
The story of a dysfunctional need for love between two photographers<br />
with very different occupations, despite a creeping dread that<br />
humanity is not inclined to love one another.<br />
Monday • February 4 • Odeon • 7:00 PM<br />
UNDER THE SAME MOON<br />
DIRECTOR: PATRICIA RIGGEN<br />
MEXICO / USA<br />
2007 109 MINUTES 35MM<br />
PRODUCER: PATRICIA RIGGEN<br />
WRITER: LIGIAH VILLALOBOS<br />
As evidenced by the rapturous standing ovation the fi lm received<br />
at its Sundance world premiere, director Patricia Riggen and writer<br />
Ligiah Villalobos touch some mighty powerful chords with their<br />
highly accessible story of a woman and her son separated by the<br />
U.S.-Mexico border.<br />
Under the Same Moon tells the parallel stories of nine-year-old<br />
Carlitos and his mother, Rosario. In the hopes of providing a better<br />
life for her son, Rosario works illegally in the U.S. while her mother<br />
cares for Carlitos back in Mexico. When his grandmother passes<br />
away Carlitos embarks on a journey in a desperate attempt to reunite<br />
with his mother.<br />
As Carlitos makes his way from Texas to California, Rosario – unaware<br />
that anything has gone wrong -– continues to mope about her<br />
dead-end situation, entertains the idea of marrying a hunky Chicano<br />
named Paco for green-card privileges, and is treated most unjustly by<br />
her rich, snooty (and not coincidentally, white) employer.<br />
This fundamentally simple, earnest tale about the love between a mom<br />
and her little boy is told in a fresh, unadorned way. The warm and<br />
appealing performances are absolutely absorbing, and the fi lm builds<br />
momentum and emotional heft as mother and son’s tales unfold.<br />
Riggen’s fi lm is not only a heartwarming story; she also offers subtle<br />
commentary on the much-debated issue of illegal immigration.<br />
WORLD PERSPECTIVE<br />
Friday • February 1 • Odeon • 9:30 PM<br />
Tuesday • February 5 • Odeon • 9:30 PM 25
WORLD PERSPECTIVE<br />
26<br />
THE COUNTERFEITERS<br />
(DIE FÄLSCHER)<br />
DIRECTOR: STEFAN RUZOWITZKY<br />
AUSTRIA/GERMANY<br />
2007 99 MINUTES 35MM<br />
PRODUCERS: JOSEF AICHHOLZER, NINA BOHLMANN, BABETTE SCHRÖDER<br />
WRITERS: STEFAN RUZOWITZKY FROM ADOLF BURGER’S BOOK<br />
Operation Bernhard was the Nazi plan to forge millions of British<br />
pounds and US dollars, with which to fl ood their enemies’<br />
economies while fi lling their own fl agging war chest. In the biggest<br />
counterfeiting scam ever, Jewish printers, typographers and others<br />
in the Sachsenhausen concentration camp forged £130 million. But<br />
their work in the so-called ‘golden cage’ of Sachsenhausen presented<br />
these prisoners with a terrible moral dilemma: the more money they<br />
produced, the longer they stayed alive - and the more they bolstered<br />
the Nazi war effort.<br />
The fi lm is told as the reminiscences of gaunt yet spirited Salomon<br />
“Sally” Sorowitsch (Karl Markovics), who looks back on the Second<br />
World War while on a gambling binge at Monte Carlo. In the Weimar<br />
era, he was a libertine living the good life thanks to his considerable<br />
counterfeiting abilities, but he was eventually arrested and sent to the<br />
Mauthausen concentration camp. Always looking out for number one,<br />
Sorowitsch keeps his nose clean and even becomes the camp’s resident<br />
artist. Years later, he is unceremoniously sent to Sachsenhausen, where<br />
it is announced that he is to forge bills with a group of inmates.<br />
Played with extraordinary subtlety by Markovics, Sorowitsch is a<br />
complex fi gure: a bona fi de artist who would rather forge than paint;<br />
a pragmatist whose willingness to do whatever it takes to stay alive<br />
belies a genuine compassion. Ruzowitzky’s direction is equally subtle.<br />
Just as the conspirators are shielded from the full cruelty of the camp,<br />
so too is the audience. Yet we know full well it’s right outside their<br />
cushioned existence.<br />
Friday • February 8 • Capitol 6 - 6 • 6:45 PM<br />
CALIFORNIA<br />
DREAMIN’ ENDLESS<br />
DIRECTOR: CRISTIAN NEMESCU<br />
ROMANIA<br />
2007 155 MINUTES 35MM<br />
PRODUCER: ANDREI BONCEA<br />
WRITERS: TUDOR VOICAN, CRISTIAN NEMESCU<br />
In the early summer of 1999 the Kosovo War is in its last stages.<br />
Aboard a train that transports NATO equipment and army personnel<br />
through Romania, US army Captain Doug Jones (Armand Assante) is in<br />
charge. One of their stops is at an apparently insignifi cant train station<br />
not even worthy of that name, though local station agent Doiaru<br />
(Razvan Vasilescu) might disagree.<br />
Though orally authorized by Bucharest offi cials, Doiaru insists on<br />
receiving all the necessary export documentation on paper before<br />
letting the convoy pass. “Rules are rules” seems to be his mantra,<br />
though his own bending of them in order to advance his activities as<br />
a shopkeeper of products that “fell off the wagon” shows that he is<br />
really only after massaging his ego and fi lling his pockets.<br />
As the hours become days, the soldiers are invited by the local mayor<br />
to attend a celebration, where he tries to rally them for his cause,<br />
as much as local workers at a factory try to attract the foreigners’<br />
attention for a proposed strike. The local girls, including the daughter<br />
of Doiaru also seem rather interested in the train full of fi t lonely men<br />
with barely a thing to do.<br />
California Dreamin’ Endless is chock-full of characters, incidents and<br />
themes, including a larger exploration of the relationship between<br />
Romania and the USA. The debut of Romanian director Cristian<br />
Nemescu who died, at the age of 27 in a car accident, while the fi lm<br />
was in postproduction won the top prize of the Un certain regard<br />
section at the Cannes <strong>Film</strong> <strong>Festival</strong>.<br />
Friday • February 1 • Capitol 6 - 1 • 9:30 PM<br />
Monday • February 4 • Odeon • 9:30 PM
FIERCE PEOPLE STARTING OUT<br />
DIRECTOR: GRIFFIN DUNNE<br />
IN THE EVENING<br />
USA<br />
2006 107 MINUTES 35MM<br />
PRODUCERS: GRIFFIN DUNNE, NICK WECHSLER<br />
WRITER: DIRK WITTENBORN, FROM HIS BOOK<br />
PRINT: COURTESY OF MAPLE PICTURES<br />
A mock-anthropological context is the vehicle for this deliciously<br />
dark, cutting satire that poses the notion that perhaps how we defi ne<br />
savages should have less to do with the third world than it does with<br />
America’s rich and famous.<br />
Trapped in his mother’s Lower East Side apartment, sixteen-year-old<br />
Finn (Anton Yelchin) wants nothing more than to escape New York and<br />
spend the summer in South America studying the Iskanani Indians, or<br />
“Fierce People,” with the anthropologist father he’s never met. But<br />
Finn’s dreams are shattered when he is arrested in a desperate effort to<br />
help his drug-dependent mother, Liz (Diane Lane). Determined to get<br />
their lives back on track, Liz moves the two of them into a guesthouse<br />
on the vast country estate of her ex-client, the aging billionaire,<br />
Ogden C. Osbourne (Donald Sutherland). In Osbourne’s close world<br />
of privilege and power, Finn and Liz encounter a tribe fi ercer and<br />
more mysterious than anything they might fi nd in the South American<br />
jungle: the super rich. While Liz battles her substance abuse and<br />
struggles to win back her son’s love and trust, Finn falls in love with<br />
Osbourne’s beautiful granddaughter, Maya. When a shocking act of<br />
violence shatters Finn’s ascension within the Osbourne clan, the golden<br />
promises of this lush world quickly sour.<br />
Fierce People also derives added fascination from the fact that<br />
screenwriter Dirk Wittenborn based this scornful exposé on his own<br />
experience living on the Johnson and Johnson palatial Jersey estate.<br />
The public record of that notorious dynasty is rich with eccentricity<br />
and scandal.<br />
DIRECTOR: ANDREW WAGNER<br />
USA<br />
2007 111 MINUTES 35MM<br />
PRODUCERS: GARY WINICK, JOHN SLOSS, NANCY ISRAEL, JAKE ABRAHAM<br />
WRITER: ANDREW WAGNER, FRED PARNES (NOVEL BY BRIAN MORTON)<br />
PRINT: COURTESY OF MAPLE PICTURES<br />
A mutually dependent relationship unfolds between Leonard Schiller,<br />
an old-school writer of the Bellow-Roth-Howe generation of realists,<br />
and Heather, the eager-beaver Brown University grad who worms<br />
her way into Leonard’s life, and tries to persuade him that her<br />
forthcoming master’s thesis on his work will put a new shine on the<br />
old man’s dusty reputation.<br />
Intelligent, involving and conspicuously adult, Starting Out in the<br />
Evening is almost shocking in its distinctiveness, and its ability to create<br />
high drama from an unlikely source.<br />
Making this happen is the presence of a trio of top actors, Frank<br />
Langella, Lili Taylor and Lauren Ambrose as the half-forgotten writer<br />
Leonard Schiller, his daughter, Ariel, and the ambitious graduate<br />
student Heather Wolfe. You won’t see more convincing acting by a<br />
committed ensemble anywhere this year.<br />
Determined to avoid distractions, Schiller is initially cautious, telling<br />
the young woman, “You have embarked on a project of questionable<br />
merit.” You feel Schiller’s dignity, his uncertainty, but until he keeps<br />
a breakfast appointment with Heather Wolfe, you don’t sense his<br />
vulnerability. But Wolfe, who in addition to everything else is a wily and<br />
persistent manipulator, simply will not rest until the writer agrees to be<br />
interviewed about his work.<br />
Though Langella’s acting will deservedly get the lion’s share of the<br />
attention, Heather Wolfe is the fi lm’s trickiest role, and Ambrose,<br />
Emmy-nominated for her work in Six Feet Under, expertly brings out<br />
the young woman’s unsettling mixture of sincerity and connivance.<br />
Friday • February 1 • Odeon • 7:00 PM<br />
Sunday • February 3 • Capitol 6 - 6 • 6:45 PM<br />
Wednesday • February 6 • Caprice • 7:15 PM Monday • February 4 • Caprice • 7:15 PM 27<br />
WORLD PERSPECTIVE
WORLD PERSPECTIVE<br />
28<br />
THE SUBSTITUTE THE HAMMER<br />
DIRECTOR: OLE BORNEDAL<br />
DENMARK<br />
2007 93 MINUTES 35MM<br />
PRODUCER: MICHAEL OBEL<br />
WRITERS: OLE BORENDAL, HENRIK PRIP<br />
BC Premiere<br />
An alien - with the body of a tall blonde and the bedside manner of<br />
a Nazi - barks up a storm, indulges in mind control and sadistically<br />
taunts her students in this thrilling new black comedy by Danish<br />
director Ole Bornedal.<br />
Carl (Jonas Wandschneider) has been severely affected by the death<br />
of his mother, though he tries to keep his spirits up for the sake of his<br />
little sister and his anthropologist father. When Ulla Harms (Paprika<br />
Steen), shows up to teach Carl’s sixth-grade class, she makes an<br />
immediate impression.<br />
Ulla quickly sets about whipping the children into shape for a<br />
mysterious international competition in Paris. Not only is she cold and<br />
disparaging to her students as she puts them through a merciless<br />
battery of tests, but it appears that she can read their minds as well.<br />
No matter how vigorously the kids try to explain to their parents that<br />
something is fi shy about Ulla, the adults won’t believe a word of it.<br />
Clearly the children’s minds have been pickled by too many video<br />
games and television shows if they cannot tell that Ulla is the best<br />
teacher in the world. The adults fail to grasp the truth of the matter,<br />
however: Ulla Harms is on a mission from outer space, and she needs<br />
something that only earthlings can provide.<br />
Paprika Steen gives a wickedly over-the-top performance in the title<br />
role, pumping diabolical energy into this thriller. The fantastic elements<br />
of the story are only cosmetic, and the fi lm isn’t about aliens with<br />
strange powers, but rather about what our society is changing into.<br />
Saturday • February 9 • Capitol 6 - 6 • 12:00 PM<br />
Sunday • February 10 • Capitol 6 - 6 • 6:45 PM<br />
DIRECTOR: CHARLES HERMAN-WURMFELD<br />
USA<br />
2007 90 MINUTES HDCAM<br />
PRODUCERS: ERIC GANZ, HEATHER JUERGENSEN, EDEN WURMFELD<br />
WRITER: KEVIN HENCH, ADAM CAROLLA<br />
Canadian Premiere<br />
Star and co-writer Adam Carolla, may be known for a lot edgier fare<br />
like Comedy Central’s trampoline and hop-fueled The Man Show but<br />
he’s striking a very different note here with The Hammer. Based in<br />
part on his own life, he had this project made independently from his<br />
normal Hollywood connections and it shows. It glows with moments<br />
of real humanity and quirky wry humour that you’re just not going to<br />
fi nd in his more mainstream work.<br />
Jerry Ferro’s 40th birthday has brought his life into sharp relief and it’s<br />
not a pretty picture. A once-promising amateur boxer - who quit so he<br />
wouldn’t risk his perfect record of underachievement - Jerry has been<br />
knocking around in meaningless jobs and relationships, just waiting to<br />
eventually getting his life together.<br />
His last connection to the fi ght game is the evening boxing class he<br />
teaches to middle-aged, middle class, middle management types<br />
at a gym in Pasadena, where he also works as a handyman. When<br />
venerable boxing coach Eddie Bell asks Jerry if he’d like to spar a<br />
couple of rounds with Malice Blake, an up-and-coming pro, Jerry<br />
reluctantly steps into the ring. Despite a bad near-beat-down, a<br />
one-punch knockdown of Blake convinces Jerry that it’s time to make<br />
his return to competitive boxing. Thus ends a 20-year layoff and begins<br />
an off-beat fi sh-out-of-water quest for Olympic gold.<br />
Screened with<br />
HEAD, HEART AND BALLS<br />
Peter Foldy USA 15 minutes<br />
Smoking pot may not be the best way to overcome your anxieties but<br />
for one Woodstock-era teen, it is going to make sure his anxieties can<br />
get him where it really counts.<br />
Friday • February 1 • Capitol 6 - 1 • 9:00 PM<br />
Saturday • February 2 • Caprice • 7:15 PM
BAB’AZIZ MILKY WAY (VIA LACTEA)<br />
DIRECTOR: NACER KHEMIR<br />
TUNISIA<br />
2007 96 MINUTES 35MM<br />
PRODUCERS: CYRIAC AURIOL, ALI REZA SHOJA-NURI<br />
WRITERS: TONINO GUERRA, NACER KHEMIR<br />
BC Premiere<br />
Young Ishtar is traveling across the desert with her aged grandfather<br />
Bab ‘Aziz en route to a ceremony of dervishes. On their journey, the<br />
delight is not just in the interesting people who cross their paths but<br />
in the stories Bab ‘Aziz tells his young angel, including one of a Prince<br />
who abandons everything to contemplate his soul. Through their<br />
journey, the young, impatient Ishtar learns about others, how to have<br />
patience and about independence. In order for Ishtar to reach the<br />
destination, Bab ‘Aziz makes a sacrifi ce to ensure his granddaughter<br />
will arrive at the event she’s so eager to attend.<br />
This wonderful Tunisian epic fi lm is shot mostly in the desert, and in<br />
towns with bazaars and ceremonial spaces. The imagery is visually<br />
stunning throughout, whether it’s the expansive desertscape or the<br />
interior of the tents in which the dervishes twirl and meditate. This fi lm<br />
is one of the grandest to grace the screen at the VFF. With so many<br />
layers of the present, the past and myths, the fi lm offers a depth of<br />
perspective on another culture not regularly seen in cinema.<br />
DIRECTOR: LINA CHAMIE<br />
BRAZIL<br />
2007 88 MINUTES 35MM<br />
PRODUCER: LINA CHAMIE<br />
WRITERS: ALEKSERI ABIB, LINA CHAMIE<br />
BC Premiere<br />
After Heitor has a fi ght with his girlfriend Julia, he drives the streets<br />
of Sao Paolo, a drive that fi nds him stuck in traffi c. This allows Heitor<br />
to refl ect on the fi ght, his relationship with Julia, and his love for his<br />
young, beautiful girlfriend. Through Heitor’s thoughts and memories,<br />
we learn the history of their relationship, seemingly doomed from the<br />
start. Julia, the young performance artist/actress, lives and works in a<br />
world of other men, and Heitor’s jealousies soon take over all aspects<br />
of their lives.<br />
With an ambiguous ending that reveals that Julia’s love for Heitor<br />
is real, the fi lm is an excellent Brazilian feature that examines the<br />
inner struggle that love can create. Heitor’s emotions are wonderfully<br />
portrayed by Marco Ricca, and the rest of the cast is pitch-perfect.<br />
Screened with<br />
SUNDAY AFTERNOON<br />
Kaveh Nabatian Quebec 15 minutes<br />
It’s Sunday afternoon in the universe when a mysterious musical force<br />
causes scorching heat, tornadoes, and raging fi re that devastate our<br />
planet. But it’s hard to get a global perspective on impending disaster<br />
from the local corner store.<br />
Friday • February 1 • Capitol 6 - 1 • 7:15 PM<br />
Saturday • February 2 • Capitol 6 - 6 • 12:00 PM Saturday • February 2 • Capitol 6 - 6 • 4:30 PM 29<br />
WORLD PERSPECTIVE
WORLD PERSPECTIVE<br />
30<br />
FALKENBERG FAREWELL THE CLASS (KLASS)<br />
DIRECTOR: JESPER GANSLANDT<br />
SWEDEN<br />
2006 91 MINUTES 35MM<br />
PRODUCER: ANNA ANTHONY<br />
WRITERS: JESPER GANSLANDT, FREDRIK WENZEL<br />
BC Premiere<br />
The town of Falkenberg is dying.<br />
But it is dying a poet’s death unlike any other: gorgeously and without<br />
ceremony. Its only citizens are the vacationers who can’t be bothered<br />
to stay year-round, the senior citizens who have forgotten how to<br />
leave and the miscellaneous few who were born there on the tail end<br />
of an echo.<br />
For Jesper, David, John and Helger, the death of the town couldn’t<br />
have been more timely or metaphoric. Fresh from high school, young,<br />
virile and handsomely masculine in every believable way, their teen<br />
years are fading behind them more rapidly than they can admit to each<br />
other. Each of them is now only too aware that they are only one short<br />
summer away from having to face a drastic choice they’ve delayed<br />
their whole life: stay or go. Stay and you’re forever trapped in a dying<br />
town. Go and you betray everything you ever were.<br />
First time director Jesper Ganslandt owes a huge debt to his<br />
cinematographer Fredrik Wenzel for Falkenberg Farewell’s stunning<br />
visuals. Gansladt’s work here with non-professional actors on a largely<br />
improvised script is solid, deeply engaging and incredibly thoughtful,<br />
but Wenzel’s cinematography is utterly AMAZING and raises<br />
Falkenberg to otherwise impossibly lyrical levels. Fans of American<br />
photographer William Eggleston should not miss this.<br />
Screened with<br />
NO BIKINI<br />
Claudia Morgado Escanilla BC 9 minutes<br />
Not up for uncomfortable swimwear? Gender-bending is a lot easier<br />
and more fun than you might think.<br />
Saturday • February 9 • Capitol 6 - 6 • 9:00 PM<br />
DIRECTOR: ILMAR RAAG<br />
ESTONIA<br />
2007 97 MINUTES 35MM<br />
PRODUCERS: ILMAR RAAG, RIINA SILDOS<br />
WRITER: ILMAR RAAG<br />
Canadian Premiere<br />
TV has taught us certain things about high school: impossibly gorgeous<br />
young things will always bumble their way through a series of usually<br />
inconsequential hijinks only to be saved in the end by a well-timed<br />
musical montage. That’s just the way it is.<br />
Well, not really, but it’s much nicer to believe that than to remember<br />
high-school for the nasty, brutish and devastatingly long hook-to-thegroin<br />
that it is. Thankfully, Ilmar Raag is here to set us straight with The<br />
Class, a surprising and refreshingly raw look at teenage reality that you<br />
just won’t be able to take your eyes off of.<br />
Joosep is the awkward and unwanted outcast from frame one. Kaspar,<br />
on the other hand, is a seemingly uncomplicated jock until a soft spot<br />
for a girl named Thea leads him to do something that almost, sort-of,<br />
kinda looks like standing up for Joosep. Bad move for Kaspar. Now,<br />
neither friends nor enemies, the two are marked as together in a<br />
dangerously petty gauntlet of violence and rumour that’s all the more<br />
frightening for how it manages to sidestep the radar of even the most<br />
aware and intelligent adults.<br />
It’s an easy movie to compare to Gus Van Sant’s devastating Elephant<br />
but The Class has far more power and emotion as it builds towards its<br />
complex conclusions.<br />
Friday • February 8 • Capitol 6 - 6 • 9:00 PM<br />
Saturday • February 9 • Capitol 6 - 6 •4:30 PM
THE BOTHERSOME MAN<br />
(DEN BRYSOMME MANNEN)<br />
DIRECTOR: JENS LIEN<br />
NORWAY<br />
2006 95 MINUTES 35MM<br />
PRODUCER: JØRGEN STORM ROSENBERG<br />
WRITER: PER SCHREINER, FROM HIS RADIO PLAY<br />
Forty-year-old Andreas arrives in a strange city with no memory of how<br />
he got there. He is presented with a job, an apartment - even a wife.<br />
But before long, Andreas notices that something is wrong.<br />
The antiseptic metropolis’ stark, desert environs are a perfect match<br />
for the personalities of its emotionally barren inhabitants. This carefully<br />
planned utopia is a world without kids where food has no taste and<br />
alcohol can’t get you drunk. In fact, you can’t even hurt yourself, as<br />
Andreas learns when he accidentally chops off a fi nger only to have it<br />
magically grow back.<br />
Surrounded by somber automatons who appear content with<br />
their zombied lifestyle, Andreas feels isolated, despite an arranged<br />
relationship with a cute, if cold, interior decorator (Petronella Barker)<br />
with not much of a personality. Then, when he can’t generate any<br />
passion in a co-worker (Birgitte Larsen) who’s a little too willing to be<br />
his mistress, our frustrated fi sh out of water gets fed up and simply<br />
wants out of his harrowing nightmare.<br />
But that is easier said than done in this surreal dystopia, where even<br />
if a Norwegian would, he couldn’t commit suicide. A deliberate,<br />
thought-provoking, existential meditation on the curse of creating a<br />
never-ending heaven on Earth.<br />
Screened with<br />
OVERNIGHT, A ROSE<br />
Ching-Yao Koh Taiwan 17 minutes<br />
A Taiwanese teenager, Xiao Mei, and her youthful but spirited<br />
grandmother struggle to co-exist through the series of lies that every<br />
family makes. But love, above all else, shines through, however quietly.<br />
THE VANISHED<br />
(AME NO MACHI)<br />
DIRECTOR: MAKOTO TANAKA<br />
JAPAN<br />
2006 95 MIN. 35MM<br />
PRODUCER: TSUYOSHI MATSUURA<br />
WRITERS: HIDEYUKI KIKUCHI, MAKOTO TANAKA<br />
Canadian Premiere<br />
Thirty-fi ve years ago, a group of young school children disappeared<br />
in the Japanese woods. In present day Japan, a lazy young reporter is<br />
tasked to write a story on a child who is found dead with gory injuries<br />
and inexplicable missing organs. Suddenly, the child rises from the<br />
dead, and takes the journalist on a journey into the woods to unravel a<br />
decades-old mystery of what happened to these missing children. With<br />
the help of a beautiful young city offi ce clerk, he soon discovers that<br />
the children are undead, and have not aged in the 35 years since their<br />
disappearance, haunting their families who are intent on ending this<br />
cycle of violence.<br />
In the tradition of the Japanese horror fi lms of recent years, The<br />
Vanished is shockingly scary from its opening sequence, in which<br />
an adult attempts to do away with one of the undead children. As<br />
the fi lm moves forward, a unifying vision is kept intact, as the fi lm is<br />
grounded in a realistic story, with a horrifi c undertone that is so typical<br />
of the best Japanese horror and monster fi lms. Truly a perfect fi lm for<br />
horror fi lm fans, as well for fans of Japanese cinema.<br />
Screened with<br />
HARRACHOV<br />
Matt Hulse & Joost van Veen Netherlands/UK 10 minutes<br />
A strange and ominous machine assembles itself.<br />
Tuesday • February 5 • Capitol 6 - 6 • 9:00 PM<br />
Thursday • February 7 • Capitol 6 - 6 • 9:00 PM<br />
Sunday • February 10 • Capitol 6 - 6 • 12:00 PM Sunday • February 10 • Capitol 6 - 6 • 4:30 PM 31<br />
WORLD PERSPECTIVE
WORLD PERSPECTIVE<br />
32<br />
VANAJA ADAM’S APPLES<br />
DIRECTOR: RAJNESH DOMALPALLI<br />
USA / INDIA<br />
2007 111 MINUTES 35MM<br />
PRODUCER: LATHA R. DOMALAPALLI<br />
WRITER: RAJNESH DOMALPALLI<br />
In rural Southern India, where social barriers stand stronger than fort<br />
walls, Vanaja explores the chasm that still divides classes as a young girl<br />
struggles to come of age.<br />
Vanaja is the 14 year-old daughter of a poor fi sherman being crushed<br />
by mounting debt. When a clairvoyant predicts that she will be a great<br />
dancer, her father gets her work in the house of the local landlady,<br />
Rama Devi, in the hopes of her learning Kuchipudi dance while still<br />
earning him a keep.<br />
Vanaja’s liveliness soon catches the landlady’s eye and she begins to<br />
climb socially inside the house of Rama Devi. But it winds up being<br />
the game board rather than the social ladder that secures her the<br />
landlady’s mentorship for dance and music once and for all. Finally,<br />
given the chance to sway on the dance fl oor for the fi rst time, Vanaja<br />
quickly grows into her own with the art and seems to be dead set<br />
for fame when Shekhar, Rama Devi’s 23 year old son returns home<br />
unannounced. Shekhar is as ripe with insecurity from his unearned<br />
entitlements as the teenage Vanaja is blooming with talents and<br />
sexuality. Their lives quickly intertwine but not for the better.<br />
Not your typical Bollywood blockbuster despite its musical moments,<br />
Vanaja is instead a thoughtful piece of social drama that will move<br />
you deeply.<br />
Tuesday • February 5 • Odeon • 7:00 PM<br />
(ADAM’S ÆBLER)<br />
DIRECTOR: ANDERS THOMAS JENSEN<br />
DENMARK<br />
2006 89 MINUTES. 35MM<br />
PRODUCER: TIVI MAGNUSSON<br />
WRITER: ANDERS THOMAS JENSEN<br />
BC Premiere<br />
All neo-Nazi Adam (Ulrich Thomsen) wants to do is fi nish his<br />
community service as soon as possible and get back to his job<br />
terrorizing the Danish populace. But Ivan (Mads Mikkelsen), the<br />
minister whose job it is to supervise his rehabilitation, insists that<br />
Adam will have to pull his weight. When Adam jokingly suggests that<br />
he bake a pie, Ivan puts him in charge of taking care of an apple tree<br />
until the fruit is ripe for the baking. From that slim setup, a marvelous<br />
black comedy from the pen of the great Anders Thomas Jensen<br />
(Wilbur Wants to Kill Himself) arises.<br />
Ivan’s goodness and his imperturbability drive Adam bonkers; the<br />
whole set up in the rectory makes him crazy. He fi nds himself sharing<br />
a house with the reverend; Gunnar, a fat and cheerful sex offender;<br />
and most repugnant to him, Khalid, an Afghan thief given to holding<br />
up gas stations. The situation is lunatic, and Adam gets angrier and<br />
angrier as he realizes that he is the only one who sees it that way. His<br />
plan is simply to bolt but when he discovers that Ivan has not been<br />
strictly honest with him, he decides to embark on a new project and<br />
break the man physically and emotionally.<br />
Jensen has a real gift for black humour but he’s never simply<br />
interested in getting laughs, and for all the black humour, he has a<br />
warm heart. He is fond of these characters and wants to see them<br />
redeemed, and not just the blackguard Adam, but the pious Ivan as<br />
well who is almost spooky in his serene cheerfulness.<br />
Saturday • February 2 • Capitol 6 - 6 • 9:00 PM<br />
Sunday • February 3 • Capitol 6 - 6 • 4:30 PM
OWL AND THE SPARROW THE GOODTIMESKID<br />
DIRECTOR: STEPHANE GAUGER<br />
VIETNAM / USA<br />
2007 97 MINUTES 35MM<br />
PRODUCERS: QUAN VAN NGUYEN, NAM NHAT DOAN<br />
WRITER: STEPHANE GAUGER<br />
BC Premiere<br />
A beautiful and touching story of love blooming on the streets of<br />
modern-day Saigon, where most people are just trying to keep up with<br />
the pace.<br />
Young and attractive, Lan is a fl ight attendant who appears to live<br />
completely alone, only ever touching her feet on the ground for the<br />
small comforts of a family-run hotel. Quiet and thoughtful, Hai is<br />
an elephant-caretaker living inside the heart of the city’s zoo. While<br />
Lan is wasting away her time being both distant and “complicated”,<br />
heartbroken Hai is recently fi ancé-less and has all but given up<br />
venturing into the city that surrounds him. It is Thuy, a fearless<br />
10 year-old runaway and postcard salesgirl, who will draw Lan and Hai<br />
from the delicate shells in which they’ve cocooned themselves and out<br />
into Saigon’s ever-lit and noisy street life together. That is, if Thuy can<br />
stay out of the way of her uncle’s wrath and the authorities who see<br />
her only as a nuisance to be fi led away in the city’s orphanage.<br />
Owl and the Sparrow is a rare delight in the Asian cinemascape that<br />
makes it to North America. It is a movie almost completely free of<br />
Vietnam’s weighty history and instead just revels in the very<br />
extra-ordinariness of ordinary people.<br />
DIRECTOR: AZAZEL JACOBS<br />
USA<br />
2007 77 MINUTES 35MM<br />
PRODUCER: RICHARD ABRAMOWITZ<br />
WRITERS: GERARDO NARANJO, AZAZEL JACOBS<br />
BC Premiere<br />
Normally, stealing from Hollywood is just a bad idea for any<br />
independent fi lmmaker. But for director Azazel Jacobs, stealing fi lm<br />
from a Hollywood blockbuster’s truck to make a movie about stolen<br />
identities and stolen hearts, couldn’t have been a more perfect allegory<br />
for The Goodtimeskid.<br />
Filled with some of the most endearing deadpan humour since Peter<br />
Sellers and Buster Keaton, this is the story of two Rodolfo Canos. One<br />
Rodolfo Cano lives alone on a sailboat by the docks and the other<br />
lives with his soon-to-be-estranged girlfriend. Neither knew the other<br />
existed until one day the army misdelivers a Call-for-Service letter<br />
for Rodolfo-with-a-girlfriend to Rodolfo-with-a-boat. Thinking he<br />
only needs to explain the mistake to the offi ce, Rodolfo-with-a-boat<br />
accidentally crosses paths with an oblivious Rodolfo-with-a girlfriend<br />
at the recruitment offi ce. Intrigued and confused, he follows his<br />
unknowing namesake back home, only to stumble awkwardly into the<br />
lovelorn life of a woman that’s about to be left behind.<br />
Leave your conceptions behind about what a comedy can be and The<br />
Goodtimeskid will deliver. Its characters are deep and complicated<br />
without ever needing to over-explain them. Its setups are sometimes so<br />
perfect you never see a laugh-out-loud moment coming until you’ve<br />
already spilled your popcorn on your date.<br />
Monday • February 4 • Capitol 6 - 6 • 6:45 PM<br />
Sunday • February 3 • Capitol 6 - 6 • 12:00 PM<br />
Sunday • February 10 • Capitol 6 - 6 • 2:15 PM Monday • February 4 • Capitol 6 - 6 • 9:00 PM 33<br />
WORLD PERSPECTIVE
WORLD PERSPECTIVE<br />
34<br />
BEAUTY IN TROUBLE THE BAND’S VISIT<br />
DIRECTOR: JAN HREBEJK<br />
CZECH REPUBLIC<br />
2006 110 MININUTES 35MM<br />
PRODUCER: ONDREJ TROJAN<br />
WRITER: PETR JARCHOVSK<br />
In Prague, a series of events leads to a chance meeting between<br />
Marcela and the much-older Mr. Benes. Marcela is in a troubled<br />
marriage made worse by sudden fi nancial problems. When Marcela’s<br />
husband Jarda is arrested while running a stolen car ring she moves<br />
in with her mother and her mean-spirited, strict husband Risa (one<br />
of the greatest characters seen on screen in a long time). Jarda’s last<br />
victim, Mr. Benes, soon falls for Marcela, and takes her and her kids<br />
away to his Italian villa. Back in Prague, Marcela must still contend with<br />
her mother’s husband’s boorish ways, and Mr. Benes must deal with<br />
extortion attempts at the house he owns in Prague. Both deal with<br />
their respective problems with an understanding of human nature and<br />
the need to take a fi rm hand when push comes to shove.<br />
As good as the best Eastern European cinema of recent years,<br />
Beauty in Trouble focuses on characters, and not action or plot.<br />
While there most certainly are several compelling stories to follow in<br />
this remarkably confi dent fi lm, the focus is on the characters, each<br />
of whom has depth not typical of a narrative fi lm with such strong<br />
plotlines. With a uniquely Eastern European sensibility, Beauty in<br />
Trouble is a well-crafted fi lm that leaves a powerful impression due to<br />
mastery of a tone that is perfectly suited to the story being told.<br />
Saturday • February 2 • Capitol 6 - 1 • 7:15 PM<br />
Wednesday • February 6 • Capitol 6 - 6 • 9:00 PM<br />
DIRECTOR: ERAN KOLIRIN<br />
ISRAEL<br />
2007 89 MINUTES 35MM<br />
PRODUCERS: EILON RATZKOVSKY, EHUD BLEIBURG, YOSSI UZRAD,<br />
KOBY GAL-RADAY, GUY JACOEL<br />
WRITER: ERAN KOLIRIN<br />
Once, not long ago, a small Egyptian Police band arrived in Israel.<br />
They came to play at an initiation ceremony but due to bureaucracy,<br />
bad luck or bad organization, they were left stranded at the airport.<br />
They try to manage on their own and head off on a bus but that<br />
leads to the problem of well... going in the wrong direction. Soon<br />
the band fi nds themselves in a desolate almost forgotten Israeli town,<br />
somewhere in the heart of the desert. A lost band in a lost town. Two<br />
of the members stay with the self-assured and witty café proprietress,<br />
Dina (Ronit Elkabetz), whose casual sensuality can’t help but challenge<br />
the men’s ideas about womanhood. Through the connections<br />
they forge, the band members and the villagers fi nd their cultural<br />
assumptions shaken – with one especially memorable scene taking<br />
place in a roller disco.<br />
The Band’s Visit is easily the most charming and delightful movie ever<br />
to come out of the Egyptian-Israeli confl ict. That may seem like an easy<br />
task given how little competition there’s been but don’t let that fool<br />
you. The Band’s Visit sets a high standard that all others who come<br />
after will have to work hard to reach. Kolirin has a playful eye for detail<br />
and an ear for real dialogue. He elicits wonderful performances from<br />
his ensemble cast – a mix of newcomers and veterans.<br />
Screened with<br />
COME AGAIN IN SPRING<br />
Belinda Oldford Canada 12 minutes<br />
Old Hark is a creature of habit. He enjoys living in his weather-beaten<br />
house set down amidst the meadows. His greatest joy is feeding the<br />
birds that have wintered over and have come to depend on him. One<br />
day, a black-robed spectre materializes out of the fi elds, brandishing<br />
the Book of Time. But it’s too soon.<br />
Thursday • February 7 • Capitol 6 - 6 • 6:45 PM
LET OTHERS SUFFER HINDSIGHT<br />
DIRECTOR: TODD PETERS<br />
USA<br />
2007 87 MINUTES DIGIBETA<br />
PRODUCERS: MATTHEW GOSSIN, SCOTT SHELLEY<br />
BC Premiere<br />
When aspiring fi lmmaker Todd looks for inspiration, he turns to<br />
Eastern European fi lmmaker Ivan Libragi and his many fi lmmaking<br />
how-to books. Todd soon decides to make a fi lm, and hires Ivan to<br />
fi lm a documentary about the making of an independent fi lm in<br />
America today. Ivan and his crew follow Todd and his crew through<br />
the fi lmmaking process. Todd’s fl awed hiring process is shown through<br />
a series of hilarious encounters with barely-competent crewmembers.<br />
Soon, heartache, fi rings, family drama, abandonment and apathy set<br />
in to destroy the fi lm Todd set out to make, while creating a new work<br />
of art and opening doors for all of the crew members.<br />
This remarkably adept mockumentary on the fi lmmaking process<br />
features a terrifi c ensemble cast that emulates the dynamics of many<br />
typical low budget independent fi lms; anyone who has been on such<br />
a fi lm crew or set will recognize these characters very clearly. With a<br />
running commentary by the jaded Ivan Libragi, who rejoices in ripping<br />
Todd’s fi lm apart, Let Others Suffer offers a wonderful depiction of the<br />
near-impossibility of getting a low budget indie made today.<br />
Screened with<br />
THE NAUTICAL EDUCATION<br />
Christian Laurence Ontario 2.5 minutes<br />
The sea-life is not for everyone. You need training. No, not that kind.<br />
Sunday • February 3 • Capitol 6 - 1 • 2:30 PM<br />
Saturday • February 9 • Odeon • 9:30PM<br />
DIRECTOR: PAUL HOLAHAN<br />
USA<br />
2007 92 MINUTES DIGIBETA<br />
PRODUCERS: JULIE SANDOR, FRANCEY GRACE<br />
WRITER: BROOKE PURDY<br />
World Premiere<br />
Desperate for cash but unwilling to earn it, Ronnie and Dina have<br />
the one thing they can easily turn into money, a baby on the way.<br />
Paul and Maria have plenty of what it will take to get the baby they<br />
so desperately want but are unable to have themselves. What seems<br />
like a perfect match soon turns into a nightmare for both couples, as<br />
greed, ulterior motives, petty jealousies and distrust lead to unalterable<br />
consequences. Both couples will stop at nothing to get what they<br />
want on their own terms. With a mix of cunning, strength and<br />
determination, both couples fi ght to the bitter end to come out on top<br />
of this dangerous game.<br />
Shot in southern California and told mostly in fl ashback by Dina, who<br />
is befriended by a kindly older gentleman who patiently and quietly<br />
listens to her tale of how she got to this point, Hindsight is a very taut<br />
thriller that boasts strong characters with substantial depth and history,<br />
and an extremely well-written script. As the plot, and the scheme,<br />
develop, we learn the motivations and strategy of Ronnie and Dina as<br />
they attempt to sell their unborn child to a couple largely blinded due<br />
to their singular obsession. Maria refuses to see beyond the scheme,<br />
but ultimately proves to be the most resolute of the bunch.<br />
WORLD PERSPECTIVE<br />
Saturday • February 9 • Odeon • 7:00 PM<br />
Sunday • February 10 • Odeon • 1:15 PM 35
WORLD PERSPECTIVE<br />
36<br />
HOLLYWOOD DREAMS THE WALKER<br />
DIRECTOR: HENRY JAGLOM<br />
USA<br />
2007 100 MINUTES 35MM<br />
PRODUCER: ROSEMARY MARKS-CARR<br />
WRITER: HENRY JAGLOM<br />
From critically acclaimed director Henry Jaglom comes Hollywood<br />
Dreams, an inside look at the nature and façade of fame in Hollywood.<br />
With one of the most neurotic and manic performances on screen<br />
since Gena Rowlands starred in A Woman Under The Infl uence,<br />
Tanna Frederick plays aspiring starlet Margie Chisek. Margie’s<br />
unapologetic social climbing pays immediate dividends when she is<br />
taken under the wing of Hollywood producer Kaz and his partner<br />
Caesar (a magnifi cent, at times tortured, performance by David<br />
Proval). Tanna enters their world like a hurricane, and in the process<br />
meets gay Hollywood icon Robin (Justin Kirk, Weeds). She falls for this<br />
unattainable object, although not everything is as it seems.<br />
Tanna Frederick gives a stunning performance in her fi rst leading role.<br />
Her discomfort with her surroundings is parlayed to the audience,<br />
to truly exceptional cinematic effect. At the same time, she ably slips<br />
into any situation in order to achieve her goals of making it to the top<br />
of the Hollywood pecking order. With a supporting cast of Seymour<br />
Cassel, Eric Roberts, Proval, Kirk, and Karen Black, Hollywood Dreams<br />
is a magnifi cent portrayal of the Hollywood star-making machine.<br />
Jaglom’s honest writing and his characters’ half-hearted deceptions<br />
make this one of the fi nest inside looks at Hollywood and the people<br />
who populate tinseltown since Altman’s The Player.<br />
Saturday • February 2 • Capitol 6 - 1 • 12:15 PM<br />
DIRECTOR: PAUL SCHRADER<br />
USA / UK<br />
2007 107 MINUTES 35MM<br />
PRODUCER: DEEPAK NAYAR<br />
WRITER: PAUL SCHRADER<br />
PRINT: COURTESY OF THINKFILM<br />
Embarking on his 1993 adaptation of The Age of Innocence, Scorsese<br />
insisted that the tea-set terrain of Edith Wharton was really just as<br />
vicious as the badlands of GoodFellas, the only difference being that<br />
they killed you with a smile as opposed to a gun. You get a similar<br />
impression from The Walker’s reactionary Washington backdrop.<br />
Society ladies have very busy husbands and very busy schedules. So<br />
sometimes a gentleman of taste, distinction and proper breeding<br />
who poses no romantic threat is called on to accompany the rich and<br />
powerful to must-attend events. Witty conversationalists, snappy<br />
dressers and etiquette snobs, these “walkers” have old-fashioned<br />
scruples – which, in the case of Carter Page III (Woody Harrelson), lead<br />
to an accusation of murder and the potential ruin of his family’s honour.<br />
Page, all southern-gentry drawl, surrounds himself with the smartest<br />
women of a certain age, who are themselves married to the most<br />
powerful men in Washington, D.C. Natalie Van Miter (Lauren Bacall),<br />
Abigail Delorean (Lily Tomlin) and Lynn Lockner (Kristin Scott Thomas)<br />
protect and scold him at weekly card games and various parties.<br />
However, Page’s idle life is thrown into turmoil when Lockner fi nds her<br />
lover stabbed to death. The chivalrous Page agrees to report the murder.<br />
In this whirl of backslapping cocktail receptions and rapier-duel canasta<br />
parties, the weak and vulnerable are always doomed to fl ounder.<br />
Thursday • February 7 • Caprice • 7:15 PM<br />
Saturday • February 9 • Capitol 6 - 6 • 2:15 PM
FILM SCHEDULE<br />
SCREENING TIMES<br />
CAPITOL 6<br />
THEATRE 6,<br />
805 YATES STREET<br />
CAPITOL 6<br />
THEATRE 1,<br />
805 YATES STREET<br />
ODEON<br />
THEATRE 2,<br />
780 YATES STREET<br />
PLAN B<br />
PLAN B LOUNGE,<br />
1318 BROAD STREET<br />
CAPRICE<br />
THEATRE, LANGFORD<br />
127-777 GOLDSTREAM AVE<br />
FILM SCHEDULE<br />
SCREENING TIMES<br />
CAPITOL 6<br />
THEATRE 6,<br />
805 YATES STREET<br />
CAPITOL 6<br />
THEATRE 1,<br />
805 YATES STREET<br />
ODEON<br />
THEATRE 2,<br />
780 YATES STREET<br />
PLAN B<br />
PLAN B LOUNGE,<br />
1318 BROAD STREET<br />
CAPRICE<br />
THEATRE, LANGFORD<br />
127-777 GOLDSTREAM AVE<br />
FRIDAY, FEBRUARY 1<br />
Motown<br />
High<br />
(GALA)<br />
6:45 PM<br />
70 Min<br />
Page 18<br />
Bab<br />
‘Aziz<br />
7:15 PM<br />
96 Min<br />
Page 29<br />
Fierce<br />
People<br />
7:00 PM<br />
107 Min<br />
Page 27<br />
Siberian<br />
Dream<br />
7:15 PM<br />
65 Min<br />
Page 42<br />
California<br />
Dreamin’<br />
Endless<br />
9:30 PM<br />
155 Min<br />
Page 26<br />
Under<br />
the Same<br />
Moon<br />
9:30 PM<br />
109 Min<br />
Page 25<br />
Bab<br />
‘Aziz<br />
12:00 PM<br />
96 Min<br />
Page 29<br />
Hollywood<br />
Dreams<br />
12:15 PM<br />
100 Min<br />
Page 36<br />
Siberian<br />
Dream<br />
1:15 PM<br />
65 Min<br />
Page 42<br />
Mosquito<br />
Problem<br />
and Other<br />
Stories<br />
2:15 PM<br />
100 Min<br />
Page 44<br />
Hank &<br />
Mike<br />
2:30 PM<br />
82 Min<br />
Page 21<br />
Autism:<br />
The<br />
Musical<br />
3:30 PM<br />
94 Min<br />
Page 48<br />
Opening Gala Canadian Wave World Perspective Documentary My<strong>Victoria</strong> Short <strong>Film</strong>s Special <strong>Program</strong>ming<br />
The Tracey<br />
Fragments<br />
6:45 PM<br />
77 Min<br />
Page 20<br />
My<br />
<strong>Victoria</strong><br />
7:15 PM<br />
70 Min<br />
Page 53<br />
Well Done<br />
7:00 PM<br />
102 Min<br />
Page 45<br />
Grand<br />
Hopes<br />
7:15 PM<br />
79 Min<br />
Page 59<br />
Fierce<br />
People<br />
7:15 PM<br />
107 Min<br />
Page 27<br />
The<br />
Hammer<br />
9:30PM<br />
90 Min<br />
Page 28<br />
WEDNESDAY, FEBRUARY 6<br />
Beauty in<br />
Trouble<br />
9:00 PM<br />
110 Min<br />
Page 34<br />
Rock,<br />
Paper,<br />
Scissors<br />
9:30 PM<br />
85 Min<br />
Page 44<br />
Portage<br />
9:30 PM<br />
83 Min<br />
Page 24<br />
Cultures<br />
Unbound<br />
9:30 PM<br />
71 Min<br />
Page 59<br />
SATURDAY, FEBRUARY 2<br />
Band’s<br />
Visit<br />
6:45 PM<br />
89 Min<br />
Page 34<br />
InVision /<br />
<strong>Film</strong>CAN<br />
7:15 PM<br />
~ 80 Min<br />
Page 67<br />
Aswang<br />
7:00 PM<br />
81 Min<br />
Page 24<br />
The Walker<br />
7:15 PM<br />
107 Min<br />
Page 36<br />
The<br />
Vanished<br />
9:00 PM<br />
95 Min<br />
Page 31<br />
Milky<br />
Way<br />
4:30 PM<br />
88 Min<br />
Page 29<br />
THURSDAY, FEBRUARY 7<br />
The Union<br />
9:30 PM<br />
105 Min<br />
Page 48<br />
Egg<br />
Factory<br />
9:30 PM<br />
90 Min<br />
Page 22<br />
The<br />
Counterfeiters<br />
6:45 PM<br />
99 Min<br />
Page 26<br />
Hank &<br />
Mike<br />
7:00 PM<br />
82 Min<br />
Page 21<br />
All Hat<br />
6:45 PM<br />
89 Min<br />
Page 20<br />
Beauty in<br />
Trouble<br />
7:15 PM<br />
110 Min<br />
Page 34<br />
A Song<br />
to<br />
Sing-o<br />
7:00 PM<br />
70 Min<br />
Page 43<br />
The<br />
Hammer<br />
7:15 PM<br />
90 Min<br />
Page 28<br />
The<br />
Class<br />
9:00 PM<br />
97 Min<br />
Page 30<br />
Adam’s<br />
Apples<br />
9:00 PM<br />
89 Min<br />
Page 32<br />
FRIDAY, FEBRUARY 8<br />
Hell on<br />
Wheels<br />
9:30 PM<br />
90 Min<br />
Page 46<br />
Never<br />
Apologize<br />
9:30PM<br />
111 Min<br />
Page 41<br />
The Dead<br />
Sleep<br />
Easy<br />
9:30 PM<br />
93 Min<br />
Page 23<br />
SA<br />
The<br />
Sub<br />
12:0<br />
93 M<br />
Pag
SUNDAY, FEBRUARY 3 MONDAY, FEBRUARY 4 TUESDAY, FEBRUARY 5<br />
The<br />
Goodtimeskid<br />
12:00 PM<br />
77 Min<br />
Page 33<br />
Never<br />
Apologize<br />
12:15 PM<br />
111 Min<br />
Page 41<br />
Let<br />
Others<br />
Suffer<br />
2:30 PM<br />
87 Min<br />
Page 35<br />
Saving<br />
Luna<br />
7:15 PM<br />
100 Min<br />
Page 42<br />
All Hat<br />
7:15 PM<br />
89 Min<br />
Page 20<br />
Identity<br />
9:30 PM<br />
84 Min<br />
Page 49<br />
Owl and<br />
the<br />
Sparrow<br />
6:45 PM<br />
97 Min<br />
Page 33<br />
Mr. Big<br />
7:15 PM<br />
89 Min<br />
Page 46<br />
Intervention<br />
7:00 PM<br />
93 Min<br />
Page 25<br />
Dangerous<br />
Playgrounds<br />
7:15 PM<br />
75 Min<br />
Page 55<br />
The<br />
Goodtimeskid<br />
9:00 PM<br />
77 Min<br />
Page 33<br />
Dr. Bronner’s<br />
Magic<br />
Soapbox<br />
9:30 PM<br />
88 Min<br />
Page 45<br />
California<br />
Dreamin’<br />
Endless<br />
9:30PM<br />
155 Min<br />
Page 26<br />
Awkward<br />
Company<br />
9:30 PM<br />
77 Min<br />
Page 55<br />
Mosquito<br />
Problem<br />
and Other<br />
Stories<br />
6:45 PM<br />
100 Min<br />
Page 44<br />
Dalai Lama<br />
Renaissance<br />
7:15 PM<br />
80 Min<br />
Page 47<br />
Vanaja<br />
7:00 PM<br />
111 Min<br />
Page 32<br />
Love<br />
Blooms<br />
7:15 PM<br />
83 Min<br />
Page 57<br />
Saving<br />
Luna<br />
7:15 PM<br />
100 Min<br />
Page 42<br />
TICKETS BOLEN BOOKS | FESTIVAL OFFICE: 808 VIEW ST | PHONE: (250) 389 0444 | OR ONLINE AT WWW.VICTORIAFILMFESTIVAL.COM<br />
stitute<br />
0 PM<br />
in<br />
28<br />
The<br />
Gates<br />
1:15 PM<br />
94 Min<br />
Page 49<br />
Slingshot<br />
1:15 PM<br />
86 Min<br />
Page 23<br />
Walker<br />
2:15 PM<br />
107 Min<br />
Page 36<br />
Cowardice<br />
2:15 PM<br />
102 Min<br />
Page 22<br />
Portage<br />
3:30 PM<br />
83 Min<br />
Page 24<br />
Carts of<br />
Darkness<br />
3:30 PM<br />
68 Min<br />
Page 47<br />
Adam’s<br />
Apples<br />
4:30 PM<br />
89 Min<br />
Page 32<br />
The Class<br />
4:30 PM<br />
97 Min<br />
Page 30<br />
Amal<br />
6:45 PM<br />
101 Min<br />
Page 21<br />
Starting<br />
Out in the<br />
Evening<br />
6:45 PM<br />
111 Min<br />
Page 27<br />
Hindsight<br />
7:00 PM<br />
92 Min<br />
Page 35<br />
VIFPA:<br />
Captain<br />
Cook<br />
7:00 PM<br />
55 Min<br />
Page 71<br />
Falkenberg<br />
Farewell<br />
9:00 PM<br />
91 Min<br />
Page 30<br />
Up the<br />
Yangtze<br />
9:00 PM<br />
93 Min<br />
Page 41<br />
Let<br />
Others<br />
Suffer<br />
9:30PM<br />
87 Min<br />
Page 35<br />
Bothersome<br />
Man<br />
12:00 PM<br />
95 Min<br />
Page 31<br />
Hindsight<br />
1:15 PM<br />
92 Min<br />
Page 35<br />
OPENING GALA<br />
THURSDAY, JANUARY 31<br />
Caprice Theatre, Langford<br />
777 Goldstream Ave.<br />
MOTOWN HIGH<br />
7:15 PM, 70 Minutes, Page 18<br />
Dalai Lama<br />
Renaissance<br />
7:15 PM<br />
80 Min<br />
Page 47<br />
Starting<br />
Out in the<br />
Evening<br />
7:15 PM<br />
111 Min<br />
Page 27<br />
TURDAY, FEBRUARY 9 SUNDAY, FEBRUARY 10<br />
Owl and<br />
the<br />
Sparrow<br />
2:15 PM<br />
97 Min<br />
Page 33<br />
Family<br />
Progamming<br />
3:30 PM<br />
60 Min<br />
Page 65<br />
The<br />
Vanished<br />
4:30 PM<br />
95 Min<br />
Page 31<br />
The<br />
Substitute<br />
6:45 PM<br />
93 Min<br />
Page 28<br />
Slingshot<br />
7:00 PM<br />
86 Min<br />
Page 23<br />
FRIDAY, FEBRUARY 1<br />
Capitol 6 Theatre 6, <strong>Victoria</strong><br />
805 Yates Street.<br />
MOTOWN HIGH<br />
6:45 PM, 70 Minutes, Page 18<br />
Bothersome<br />
Man<br />
9:00 PM<br />
95 Min<br />
Page 31<br />
Beyond<br />
Belief<br />
9:30 PM<br />
97 Min<br />
Page 43<br />
Under<br />
the Same<br />
Moon<br />
9:30 PM<br />
109 Min<br />
Page 25<br />
Tenuous<br />
Ties<br />
9:30 PM<br />
77 Min<br />
Page 57<br />
Amal<br />
9:00 PM<br />
101 Min<br />
Page 21<br />
The Dead<br />
Sleep<br />
Easy<br />
9:30PM<br />
93 Min<br />
Page 23
Given a kernel of information,<br />
could you write a screenplay?<br />
The world is full of wonderful stories.<br />
And Camosun College’s Continuing<br />
Education has a world of ideas,<br />
plus evening classes in writing and<br />
photography to help capture the magic.<br />
Ready for your next step? Take it at Camosun. camosun.ca/ce<br />
Email cecalendar@camosun.bc.ca if you’d like to receive the Winter <strong>2008</strong> Continuing Education print calendar
UP THE YANGTZE NEVER APOLOGIZE<br />
DIRECTOR: YUANG CHANG<br />
CANADA<br />
2007 93 MINUTES 35MM<br />
PRODUCERS: MILA AUNG-THWIN, GERMAINE YING GEE WONG,<br />
JOHN CHRISTOU<br />
Sun Yat-sen, the father of modern China, fi rst proposed a<br />
hydroelectric plant at the Three Gorges in 1919; in the 1950’s, after<br />
devastating fl oods, Mao Zedong revived the idea for the dam, now<br />
1.5 miles wide and more than 600 feet high. Critics have alleged that<br />
corruption has led to potentially lethal construction shortcuts and<br />
that insuffi cient care has been taken in fl ooding nearly 400 square<br />
miles, some of which contained old factories and accumulated toxic<br />
chemicals. During the course of the fi lming, the river encroaches on<br />
more land and more lives.<br />
The latter include 16-year-old Yu Shui, whose parents are<br />
hard-scrabble peasants neither able nor willing to continue her<br />
education. Instead, she is sent to work on one of the luxury tourist<br />
boats working the Yangtze, carrying Western tourists on so-called<br />
“farewell tours” of the soon-to-be-submerged countryside. It’s pure<br />
culture shock: Yu Shui is thrown into an unfamiliar mix of corporate<br />
work ethic, middle-class customers and a managerial attitude that<br />
immediately gives all employees English names – Yu Shui becomes<br />
“Cindy”; her co-worker Chen Bo Yu is “Jerry”.<br />
Chinese-Canadian fi lmmaker Yung Chang directs it all with insight<br />
and cinematic fl air, embracing irony rather than righteous indignation.<br />
Drawing inspiration from contemporary Asian cinema and post-war<br />
neo-realism, he crafts a compassionate account of peasant life and a<br />
powerful documentary narrative of contemporary China.<br />
DIRECTOR: MIKE KAPLAN<br />
USA<br />
2007 111 MINUTES DIGIBETA<br />
PRODUCERS: MIKE KAPLAN, MALCOLM MCDOWELL<br />
BC Premiere<br />
Never Apologize, Malcolm McDowell’s celebration of Lindsay<br />
Anderson, is a unique hybrid of fi lm, theatre and literature.<br />
Anderson, the award-winning director, critic, essayist and anarchist,<br />
cast McDowell in his fi rst starring role as the rebellious Mick Travis,<br />
in his fi lm, IF...., winner of the Palme D’Or, Cannes (1968). Their<br />
working relationship continued through fi ve additional fi lm and theatre<br />
productions spanning several decades.<br />
Drawing equally on his own recollections and on Anderson’s superbly<br />
written materials McDowell conveys a sense of life with a man who was at<br />
once irascible and caring, deeply intelligent and outrageously stubborn.<br />
McDowell summons a ghostly host of the famed and forgotten to<br />
life by simple shifts of accent and body posture, he conjures vanished<br />
notables like John Gielgud, Alan Bates, Richard Harris and even Bette<br />
Davis, all of whom are depicted with wryness and warmth. Doomed<br />
and suicidal actress Rachel Roberts, a key fi gure in Anderson’s circle but<br />
largely overlooked today, is lingered over by McDowell with a gentle but<br />
palpable sense of loss. Over everything, Anderson’s speeter broods, an<br />
uncompromising artist willing to lose friendships over his unwavering<br />
commitment to keeping art “epic” by avoiding all things “bourgeois.”<br />
Malcom McDowell and director Mike Kaplan pull off a very surprising<br />
coup: a fi lm that engages for every minute. McDowell’s performance<br />
remains captivating and Anderson’s life a genuine fascination.<br />
Sunday • February 3 • Capitol 6 - 6 • 9:00 PM<br />
Saturday • February 2 • Odeon • 9:30PM<br />
Sunday • February 3 • Capitol 6 - 1 • 12:15 PM 41<br />
DOCUMENTARY
DOCUMENTARY<br />
42<br />
SAVING LUNA SIBERIAN DREAM<br />
DIRECTORS: MICHAEL PARFIT, SUZANNE CHISHOLM<br />
BRITISH COLUMBIA<br />
2007 100 MINUTES DIGIBETA<br />
PRODUCER: SUZANNE CHISHOLM<br />
WRITER: MICHAEL PARFIT<br />
<strong>Victoria</strong> residents know very well the story of Luna, a young orca who<br />
strayed, or was cast off, from Vancouver Island’s L Pod. Upon the<br />
orcas’ return to these waters every year, whale watchers anxiously<br />
await sightings of Luna. Luna, though, is unlike any other orca seen<br />
in the wild, with a personality as playful, and loyal, as any pet, and<br />
with communication devices on par with humans. At fi rst, Luna’s<br />
shenanigans are met with joy and fascination, as he allows kids<br />
to pet him, adults to play fetch with him, and photographers and<br />
fi lmmakers to capture some of the most intimate footage of orcas<br />
ever fi lmed. Soon, though, like a nuisance bear, Luna is seen as a<br />
hazard by a few people loud enough to persuade the Department<br />
of Fisheries and Oceans to take drastic measures to ensure that<br />
Luna’s company is not enjoyed by most, and to shun him when all he<br />
obviously wants is a friend.<br />
After several years of working with the <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong>, I am<br />
rarely left speechless by a fi lm I am objectively viewing. However,<br />
Saving Luna did just that to this writer. The relentlessly engaging<br />
story, a true story wrought with drama that Hollywood couldn’t<br />
produce on its best days, along with the magnifi cent quality of the<br />
footage, makes this fi lm one of the most moving, interesting, happy<br />
and sad fi lms to grace the screen here at the VFF in several years.<br />
Sunday • February 3 • Capitol 6 - 1 • 7:15 PM<br />
Tuesday • February 5 • Caprice • 7:15 PM<br />
PRESENTED BY<br />
DIRECTOR: JANET GARDNER<br />
USA<br />
2006 65 MINUTES DVCAM<br />
PRODUCER: JANET GARDNER<br />
WRITER: IRINA PANTAEVA<br />
BC Premiere<br />
This remarkable documentary offers two distinct, intriguing stories.<br />
The fi rst is the journey of Irina Pantaeva, a young Siberian woman<br />
who, in 1992, was “discovered” and moved to Paris to pursue a<br />
modeling career. Two years later, she was living in New York City<br />
and managing to make it through her years as a top model virtually<br />
unscathed by the lifestyle. Irina never lost sight of her homeland.<br />
Prior to the Russian Revolution of 1917, there were 16,000 monks in<br />
Siberia. This number was quickly reduced to 500 due to the outlawing<br />
of monks and shamans, resulting in their killings, persecution and<br />
fl ight. The Russian government suppressed all aspects of Siberian<br />
culture and language as a means to have this northern outpost<br />
assimilated into Soviet culture. Irina is deeply affected by the plight of<br />
the monks and has dedicated her life post-career to building Buddhist<br />
schools and reinvigorating Siberian culture.<br />
Siberian Dream offers an outstanding exploration of a world few in<br />
the west know. Framed around the journey of Irina, the fi lm offers<br />
hope for the rebirth of long-lost, yet still vital, customs. Along with her<br />
Latvian husband Roland Levin and teenage son, Irina still spends her<br />
summers in Siberia in order to teach her son about their homeland,<br />
and to bring awareness of the lost traditions to those who are too<br />
young to remember.<br />
Screened with<br />
GRAND WHEEL<br />
Gavin Heffernan USA / Canada 6 minutes<br />
An experimental walk through the peace movement in the modern<br />
United States.<br />
Friday • February 1 • Caprice • 7:15 PM<br />
Saturday • February 2 • Odeon • 1:15 PM
BEYOND BELIEF A SONG TO SING-O<br />
DIRECTOR: BETH MURPHY<br />
USA<br />
2007 97 MINUTES DVCAM<br />
PRODUCER: BETH MURPHY<br />
The lives of Boston soccer moms Patti Quigley and Susan Retik are<br />
shattered on 9/11 when their husbands die in the attack. After grieving<br />
their losses, they set out on an inspiring journey to help widows from<br />
another world – Afghanistan. With 23 years of virtually uninterrupted<br />
war, including the current NATO-led war on the Taliban and the<br />
unrelenting insurgency, there are an estimated 500,000 Afghan war<br />
widows. Patti and Susan see those women as kindred souls: families<br />
destroyed by often misdirected attacks. They set out on a three-day<br />
bike trip from New York, departing from Ground Zero, to Boston, to<br />
raise funds and awareness for these Afghan war widows, but they<br />
have little interest in one-off instances of helping – they want to create<br />
sustainable methods to better their lives. In May 2005, Patti and Susan<br />
went to Kabul to see fi rsthand what was needed, and how their funds<br />
could best be used.<br />
A human element is brought to the story of the war in Afghanistan<br />
through this terrifi c documentary as Patti and Susan work to help the<br />
widows and recover their own lives. With the second half of the fi lm<br />
being shot mostly in Kabul, we see a human side to the confl ict that is<br />
rarely shown on the television news. A stunning document.<br />
DIRECTOR: DON SHEBIB<br />
ONTARIO<br />
2007 70 MINUTES DIGIBETA<br />
PRODUCER: BARBARA ALLINSON<br />
WRITER: DON SHEBIB<br />
World Premiere<br />
Don Shebib’s documentary examination of amateur theatre in Toronto,<br />
specifi cally St. Anne’s Gilbert and Sullivan productions, is the real-life<br />
sister fi lm to Waiting for Guffman, with characters and storylines as<br />
compelling, and engaging, as those in Christopher Guest’s classic<br />
mockumentary. From the aging couple who founded the theatre<br />
company, to the daughter who now runs the yearly productions, the<br />
fi lm examines the obsessive, and dedicated, people who make up<br />
amateur theatre troupes. On a pilgrimage to England’s annual G&S<br />
festival, the fi lm goes deeply into G&S, including a focus on certain of<br />
the eccentric characters who make up this world.<br />
What is most satisfying about Shebib’s fi lm is the respect with which<br />
he treats his subject. To an outsider, these people might just seem like<br />
obsessed dilettantes, but Shebib reveals a serious passion, and one that<br />
participants work as hard on as any professional company. Yet Shebib<br />
never loses sight that it is after all Gilbert and Sullivan and a lighthearted<br />
attitude is always required.<br />
Screened with<br />
FRACAS<br />
Eduardo Menz Quebec 5 minutes<br />
The image of the smiling child resting under the heading ‘MISSING’ is<br />
an uncomfortable and awkward contradiction.<br />
GLIMPSE<br />
Dustin Grella USA 9 minutes<br />
A fi lmic stop-motion study on the life of painter Willem de Kooning<br />
and a stream of consciousness play on the impermanence of all things.<br />
PRESENTED BY<br />
Tuesday • February 5 • Capitol 6 - 1 • 9:30 PM Saturday • February 2 • Odeon • 7:00 PM 43<br />
DOCUMENTARY
DOCUMENTARY<br />
44<br />
ROCK, PAPER, SCISSORS THE MOSQUITO PROBLEM<br />
DIRECTORS: APRIL MULLEN, TIM DOIRON AND OTHER STORIES<br />
ONTARIO<br />
2007 85 MINUTES DIGIBETA<br />
PRODUCER: APRIL MULLEN<br />
WRITER: TIM DOIRON<br />
Toronto’s Walker brothers have elevated one of the world’s simplest<br />
playground games to the realm of internationally recognized<br />
competitive sporting events. With thousands of members worldwide,<br />
and an annual World Championship event that routinely sells out,<br />
the Rock Paper Scissors Society boasts an organizational structure on<br />
par with most major sports, yet it is run out of the Toronto home of<br />
the Walker brothers. As one would expect from a sport that is more<br />
closely associated with childhood dispute resolution than high-stakes<br />
competition, there is a certain degree of playfulness amongst the<br />
competitors, bordering on a reversion to childhood competitiveness,<br />
fuelled by alcohol and the spotlight.<br />
Shot with the dramatic tension typical of any sporting fi lm, Rock<br />
Paper Scissors fi nally gives the game also known as Rochambeau the<br />
attention it deserves. From the Walker brothers yin-and-yang dynamic<br />
to the profi les of past and current champions and competitors,<br />
this mighty little fi lm is hopefully just the fi rst step in a multi-media<br />
campaign to bring Rock Paper Scissors to the masses. Everyone has<br />
played the game; this fi lm proves that it’s not just for children.<br />
Wednesday • February 6 • Capitol 6 - 1 • 9:30 PM<br />
DIRECTOR: ANDREY PAOUNOV<br />
BULGARIA<br />
2007 100 MINUTES 35MM<br />
PRODUCER: MARTICHKA BOZHILOVA<br />
WRITER: LILIA TOPOUZOVA<br />
The small town of Belene is nestled on the banks of the gorgeous<br />
Danube River deep in modern Bulgaria. Its hopeful citizens are about<br />
to embark on a bright new journey. Massive rusty cranes, foreign<br />
investors, and the joyful chants of cheerleaders carry the dream of a<br />
great nuclear future. It’s a future 25 years in the making and disturbed<br />
only by gigantic stinging mosquitoes.<br />
Ostensibly a genial look at the town of Belene, director Andrey<br />
Paounov’s delicious eye for absurdity and puckish delight in the<br />
eccentric as well as a terrifi c understanding of how to frame the<br />
unexpected never bests his deep respect for the entire range of the<br />
human experience. Everyone talks about the mosquito problem.<br />
For one couple, shot like a Bulgarian version of American Gothic,<br />
some relief comes from sucking up the air with a large vacuum tube,<br />
demonstrated with amused aplomb.<br />
But amidst the apparent atomic prosperity lies a past that no one<br />
wants to remember. Just outside serene Belene is an island holding<br />
secrets. Stories of shocking and horrible crimes loom over the city just<br />
like the dark clouds of mosquitoes descending on its citizens. How<br />
to introduce this element to the fi lm and not crush its witty appeal<br />
isn’t easy. It’s clear Paounov has spent a long time editing to achieve a<br />
balance that poses questions while leaving the psychologizing to others.<br />
Saturday • February 2 • Capitol 6 - 6 • 2:15 PM<br />
Tuesday • February 5 • Capitol 6 - 6 • 6:45 PM
WELL DONE (DURS À CUIRE) DR. BRONNER’S<br />
DIRECTOR: GUILLAUME SYLVESTRE MAGIC SOAPBOX<br />
QUEBEC<br />
2007 102 MINUTES DIGIBETA<br />
PRODUCER: SYLVIE KRASKER<br />
PRINT: TVA<br />
BC Premiere<br />
Well Done takes you into the world of two Montreal restaurant kings:<br />
Normand Laprise, owner of the restaurant Toqué!, and Martin Picard,<br />
owner of the hottest restaurant Pied de Cochon.<br />
While accompanying these two stars on their culinary journeys in<br />
Quebec, Hong Kong, Lyon and Spain you’ll feel like an intimate of these<br />
passionate, explosive men who border on madness and creative excess,<br />
all of which is captured in Guillaume Sylvestre’s fi rst documentary.<br />
The fi lm depicts a very demanding job. Chefs often sleep very little,<br />
working day and night while managing a high level of stress. Playtime is<br />
fueled with the partying and seemingly never ending drinking.<br />
The authenticity, openness and transparency of Martin Picard is<br />
compelling. Norman Laprise integrates the wisdom he has gained into<br />
his work ethic and is very inspiring.<br />
Finally a documentary that is true without being pessimistic. A treat for<br />
all food lovers!<br />
DIRECTOR: SARA LAMM<br />
USA<br />
2006 88 MINUTES BETASP<br />
PRODUCER: SARA LAMM, ZACHARY MORTENSEN, CHERI ANDERSON<br />
Dr. Bronner’s Magic Soapbox is an offbeat, funny, and ultimately<br />
moving documentary about a socially responsible company and the<br />
family that runs it. Dr. Emanuel Bronner was a master soapmaker,<br />
self-proclaimed rabbi and, allegedly, Albert Einstein’s nephew. In 1947,<br />
after escaping from a mental institution, he invented the formula for<br />
‘Dr. Bronner’s Magic Soap,’ a peppermint-infused, all-natural,<br />
multi-purpose liquid that can be found today in every American health<br />
food store. On each bottle of his soap, he printed an ever-evolving set<br />
of teachings he called ‘The Moral ABC,’ designed, in his words, ‘TO<br />
UNITE ALL MANKIND FREE!’<br />
An impassioned speaker, Bronner was a virulent anti-Communist and<br />
railed against the fl uoridation of drinking water. His activities didn’t go<br />
unnoticed by the FBI, mainly because he frequently called them with<br />
complaints and suggestions.<br />
Director Lamm makes liberal use of archival footage of Bronner,<br />
including countless hours of fi ery, self-made audiotapes, presenting<br />
an enigmatic character whose accented, staccato speech and Yodalike<br />
syntax were both mesmerizing and confounding. He appears as<br />
a slightly wacky prophet whose mystifying message belied a crafty,<br />
entrepreneurial mind.<br />
Devoting one’s life to a cause had a heavy personal cost. The fi lm<br />
makes no judgment of Bronner’s treatment of his family, presenting it<br />
as tragedy as much as anything else. The revelation of the fi lm is the<br />
warmness his family now feels toward him, seemingly understanding<br />
his fervent beliefs, forgiving his choices and growing the progressive<br />
soap company in ways the patriarch may never have imagined.<br />
PRESENTED BY<br />
Wednesday • February 6 • Odeon • 7:00 PM Monday • February 4 • Capitol 6 - 1 • 9:30 PM 45<br />
DOCUMENTARY
DOCUMENTARY<br />
46<br />
MR. BIG HELL ON WHEELS<br />
DIRECTOR: TIFFANY BURNS<br />
BRITISH COLUMBIA<br />
2007 89 MINUTES BETASP<br />
PRODUCER: TIFFANY BURNS<br />
WRITER: TIFFANY BURNS<br />
This poignant documentary by journalist Tiffany Burns examines<br />
an RCMP investigative technique known by its code name Mr. Big,<br />
in which confessions, often suspiciously coerced, are drawn out of<br />
suspects through techniques that are considered entrapment in the<br />
United States. Making the fi lm unrelentingly engaging is the fact<br />
that the case the fi lmmaker focused upon is her brother’s arrest and<br />
conviction on murder charges, based on a coerced confession obtained<br />
through Mr. Big techniques.<br />
In addition to interviews and profi les of several victims of this<br />
technique, Mr. Big also features interviews with several experts on<br />
criminal justice and investigative techniques, and each and every<br />
one of these experts indicates, often vehemently, that the Mr. Big<br />
operation is not only fl awed, but can lead more often than not to false<br />
confessions. The RCMP’s only defense of the system is that for those<br />
times that it does provide a confession, these successes are worth the<br />
failings. Although made by a woman who has a subjective perspective<br />
on the technique due to her brother’s situation, Ms. Burns offers the<br />
RCMP ample opportunity to explain its justifi cation for this technique,<br />
which they unsatisfactorily provide.<br />
Monday • February 4 • Capitol 6 - 1 • 7:15 PM<br />
DIRECTOR: BOB RAY<br />
USA<br />
2007 90 MINUTES BETASP<br />
PRODUCER: WERNER CAMPBELL<br />
Canadian Premiere<br />
Roller derby, one of the most iconic images of the cultural gestalt of<br />
the 1970s, seemingly disappeared overnight along with bellbottoms<br />
and disco. However, like those fashion and musical institutions, roller<br />
derby was poised for a comeback. Sure enough, in 2002, a group of<br />
ambitious, and extremely tough, women from Austin, Texas, founded<br />
the BGGW roller derby league. Soon, the league had a full roster of<br />
teams and athletes, and was playing to capacity crowds around Austin,<br />
fi nding an audience hungry for the sight of violent women moving<br />
extremely fast. Like all fl edgling organized institutions, though, the<br />
BGGW league soon faced internal strife. The women who were skating<br />
wanted a more democratically run league, rather than a corporation<br />
run by the four founders, who unilaterally appointed themselves the<br />
board of directors.<br />
From the league’s inception and inaugural bouts, through to the<br />
tension and anger of the power struggles, to the ultimate splintering<br />
of the league, Hell on Wheels offers one of the fi nest looks at the<br />
development of a sport, and a sports league, ever put on fi lm. The<br />
interest is so great that Austin can soon support two competing<br />
leagues, and as we have seen more recently in the media, hundreds of<br />
local leagues have sprung up around the continent, including Canada.<br />
Is it long before our Saturday nights are spent watching Roller Derby<br />
Night in Canada? Judging by the growth of the sport since 2002<br />
perhaps it’s not too far off.<br />
Saturday • February 2 • Capitol 6 - 1 • 9:30 PM<br />
PRESENTED BY
CARTS OF DARKNESS DALAI LAMA<br />
DIRECTOR: MURRAY SIPLE<br />
RENAISSANCE<br />
BRITISH COLUMBIA<br />
<strong>2008</strong> 68 MINUTES DIGIBETA<br />
PRODUCER: TRACEY FRIESEN<br />
World Premiere<br />
A deeply human and humanizing look at people who fall under the<br />
radar. Carts of Darkness is primarily about three men who collect<br />
bottles for a living in ultra affl uent North Vancouver. It goes beyond<br />
the alcoholism and violence that’s brought two of them to the street<br />
and wends its way into the joie de vivre of the ‘extreme sport’ of<br />
speeding down steep hills in shopping carts at 70 clicks/hour.<br />
Anyone who lives in Vancouver is familiar with binners. The sight<br />
of one of these urban denizens trundling down an alleyway with a<br />
shopping cart full of empties is a common one around these parts.<br />
At once appreciated and abhorred, binners are either given props for<br />
ensuring that no returnable container ever contributes to our<br />
out-of-control landfi ll sites, or, more commonly, are slagged for looking<br />
scruffy and sometimes acting a bit unhinged. But how often have you<br />
heard them praised for their unique athletic skills?<br />
North Van resident Murray Siple’s documentary is going to take viewers<br />
inside the world of North Vancouver’s binning community. You’ll meet,<br />
amongst a host of others, Big Al and his wife, Ben, and Kelvin, hear the<br />
stories of how they ended up where they are, get the lowdown on how<br />
they view their place in North Vancouver’s socio-environmental structure,<br />
and see some amazing footage of them guiding their shopping carts<br />
down frighteningly steep hills with jaw-dropping precision.<br />
Screened with<br />
MADAME TUTLI-PUTLI<br />
Chris Lavis, Maciek Szczerbowski Canada 17.5 min.<br />
Madame Tutli-Putli boards the night train. As day descends into dark, she<br />
fi nds herself alone and caught up in a desperate metaphysical adventure<br />
adrift between real and imagined worlds.<br />
DIRECTOR: KHASHYAR DARVICH<br />
USA<br />
2007 80 MINUTES DIGIBETA<br />
PRODUCER: KHASHYAR DARVICH<br />
BC Premiere<br />
What would happen if 40 of the world’s most forward thinkers<br />
assembled in Dharamsala to discuss, and solve, the world’s problems.<br />
What if an opportunity was presented to hold extensive meetings with<br />
the Dalai Lama to obtain his blessing for the solutions settled upon<br />
to change the world? This engaging documentary with narration by<br />
Harrison Ford attempts to capture the answers.<br />
Scientists, musicians, teachers, psychiatrists, authors, artists and<br />
ministers gather to settle the issues of the day, but what results are<br />
clashes of egos and ideas that make the premise and the goal of the<br />
gathering virtually unattainable. From their inability to agree on a<br />
format for the meetings, to disagreements on who will get to address<br />
the Dalai Lama and for how long, it seems as though a negotiating<br />
SWAT team may need to be called in.<br />
Darvich got extensive footage of the group interacting and arguing,<br />
as well as tremendous scenes of the group’s meetings with the Dalai<br />
Lama. Combined with intimate interviews with some of the 40<br />
participants and with his Holiness the Dalai Lama, this fi lm offers a<br />
revealing look at the diffi cult task of achieving a unanimous view on<br />
even the most altruistic matters. Stealing the show is Fred Alan Wolf,<br />
who is heard loud and clear.<br />
Screened with<br />
EPILOGUE: THE PALPABLE INVISIBILITY OF LIFE<br />
Kim-Trang T. Tran USA 13.5 minutes<br />
A visualization on the unseen threads between mother and child, revealing<br />
how the ties that bind four generations of women become manifest.<br />
Sunday • February 3 • Odeon • 3:30 PM<br />
Sunday • February 3 • Odeon • 9:30PM<br />
Tuesday • February 5 • Capitol 6 - 1 • 7:15 PM 47<br />
DOCUMENTARY
DOCUMENTARY<br />
48<br />
AUTISM: THE MUSICAL THE UNION<br />
DIRECTOR: TRICIA REGAN<br />
USA<br />
2007 94 MINUTES DIGIBETA<br />
PRODUCERS: TRICIA REGAN, PERRIN CHILES, SASHA ALPERT<br />
Winner of the Audience Award at Mill Valley <strong>Film</strong> <strong>Festival</strong><br />
Winner of the Audience Award at Newport International <strong>Festival</strong><br />
Responding to the needs of her autistic son and her own need to<br />
go back to work, innovative educator Elaine Hall devised the Miracle<br />
Project, an informal classroom experience in which a group of eleven<br />
special needs children with varying manifestations of autism would<br />
create, rehearse, and perform a musical play. In this heart-wrenching<br />
and heart-warming, riveting and revealing documentary fi lmmaker<br />
Tricia Regan follows fi ve of the children and their families with<br />
astonishing candor over the six months of the production.<br />
Each story is different. Each is compelling. There is Lexi, the shy, early<br />
teen with the sweet smile and the lovely singing voice; verbose little<br />
Wyatt with the bully problems; Neal who speaks only through a<br />
typing machine; tiny Adam who has taught himself to play the mouth<br />
harp and cello; and Henry, the angelic blond with an encyclopedic<br />
knowledge of dinosaurs and reptiles (and son of Stephen Stills of<br />
Crosby, Stills and Nash). The fi lm cuts from one situation to another<br />
feeding out information tantalizingly. With autism still a baffl ing<br />
disease and its incidence growing alarmingly, director Regan has hit<br />
on a raw nerve.<br />
Saturday • February 2 • Odeon • 3:30 PM<br />
DIRECTOR: BRETT HARVEY<br />
BRITISH COLUMBIA<br />
2007 105 MINUTES DIGIBETA<br />
PRODUCERS: G. FLANNIGAN, S. GREEN, S. GRENN, K. MAGUIRE<br />
WRITERS: BRETT HARVEY, ADAM SCORGIE<br />
Winner of the Outstanding Documentary<br />
at Winnipeg International <strong>Film</strong> <strong>Festival</strong><br />
This prize winning British Columbia documentary is the ultimate A<br />
to Z primer on the 7 billion dollars per year business of BC bud. As<br />
entertaining as it is informative, it fi lls in the history of marijuana<br />
cultivation and use.<br />
It explains the way the “union” works – the loose affi liation of<br />
growers and distributors who, at various levels, carry on the business<br />
despite prohibition. Best of all, it seeks out experts in every related<br />
fi eld – doctors, scientists, law enforcement offi cers, criminologists,<br />
psychologists, politicians – as well as growers, users and pop stars, to<br />
explore in depth the relevant questions about risks and benefi ts and<br />
the motives behind the multi-billion dollar War on Drugs (more than<br />
anything, a War on Weed). Some of the answers will surprise you.<br />
Thursday • February 7 • Capitol 6 - 1 • 9:30 PM
IDENTITY THE GATES<br />
DIRECTOR: CHIARA BELLINI<br />
ITALY<br />
2007 84 MINUTES DVCAM<br />
PRODUCER: FRANCESCO SCURA<br />
Canadian Premiere<br />
Winner Premio Speciale at Cimamerichp 2007<br />
In the summer of 1909, the stuff of family legends and world history<br />
was born. 18-year-old Giovanni Piras left his home in Mamoiada, a<br />
small village in Barbagia, Sardinia, to seek his fortune in Argentina.<br />
But his letters to home quickly became less frequent and then they<br />
broke off altogether after only a few years. The family did not give<br />
up hope and kept an eye out for him despite the fact that the news<br />
surrounding Giovanni was always strange and mysterious.<br />
And then one Sunday in the 1950’s Giovanni’s sister, Caterina, found<br />
him again. He was on the cover of a magazine as Juan Domingo<br />
Peron, President of Argentina.<br />
Nowadays, back in Sardinia, rumours still surround the fate of Giovanni<br />
in the Piras family and the fables about him in Argentina are even more<br />
grand and bizarre. Such a long time has passed by now, the legend<br />
is quickly becoming the reality. So the Piras family has decided to put<br />
the legend to rest forever. What happened to the poor emigrant? And<br />
who really was the legendary Juan Perón?<br />
DIRECTORS: ANTONIO FERRERA, ALBERT MAYSLES,<br />
DAVID MAYSLES, MATTHEW PRINZING<br />
USA<br />
2007 94 MINUTES DIGIBETA<br />
PRODUCERS: ANTONIO FERRERA, MAUREEN A. RYAN, VLADIMIR YAVACHEV<br />
BC Premiere<br />
Anyone ever involved in the arts knows the hoops you must jump<br />
through whether it’s for funding or permission. The Gates reveals the<br />
26-year odyssey that Christo and Jean Claude embarked on to bring<br />
a wonderful installation to Central Park – those 7,500 frames fl owing<br />
with orange curtains that were installed along the pathways in 2005.<br />
The point was not to look at them, but to use them, to walk through<br />
them and under them.<br />
Entrances have everything to do with how we feel about what we are<br />
entering. Certainly trees, grass, shrubbery, ponds, and views enrich<br />
a walk in the park. But now The Gates, by framing those sights, give<br />
them a new aspect and importance. Not “grass on a hill,” but this<br />
view of a grassy hill. Not “a pond”, but look at the pond. A frame of<br />
any sort values what it encloses. And as you walk, it becomes subtly<br />
ceremonial. You are not walking, but walking through the gates.<br />
People walk a little more slowly, and perhaps felt more there. The<br />
Gates skillfully captures the struggle and the illumination when the<br />
art is fi nally revealed.<br />
Sunday • February 3 • Capitol 6 - 1 • 9:30 PM Sunday • February 3 • Odeon • 1:15 PM 49<br />
DOCUMENTARY
SHORT FILMS<br />
MY VICTORIA _____________________________________ 53<br />
DANGEROUS PLAYGROUNDS _______________________ 55<br />
AWKWARD COMPANY _____________________________ 55<br />
LOVE BLOOMS ____________________________________ 57<br />
TENUOUS TIES ____________________________________ 57<br />
GRAND HOPES ____________________________________ 59<br />
CULTURES UNBOUND ______________________________ 59
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MY VICTORIA: THE CAPITAL VIEW<br />
The <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong> invited entries for a video competition entitled My<br />
<strong>Victoria</strong>: The Capital View. The competition was open to the general public.<br />
Participants were asked to create a 1minute video about what living in the<br />
Capital means to them, how it affects or infl uences their lives, or what they<br />
feel is unique to living here, looking to the future or examining our past.<br />
The competition was open to all ages and skill levels, and was designed<br />
to encourage the budding fi lmmaker in everyone. To ensure accessibility,<br />
most video recording equipment could be used whether it is a home video<br />
camera, digital camera or cell phone. There was no entry fee. The <strong>Victoria</strong><br />
<strong>Film</strong> <strong>Festival</strong> hosted Intro to Shorts <strong>Film</strong>making classes during the months<br />
of October and November as well as holding sessions at the middle schools<br />
in the CRD. Come help us celebrate local creativity and our capital city on<br />
February 6 and fi nd out who will win the awards.<br />
JURORS FOR MY VICTORIA<br />
Pamela Madoff, Mike Devlin and Patrick Blennerhasset<br />
SPONSORS<br />
AWARD CATEGORIES AND PRIZES:<br />
THE BEST<br />
$1000 cash award<br />
FUNNIEST<br />
Donated by the Irish Times Pub, a $200 certifi cate<br />
PROVINCIAL CAPITAL COMMISSION CAPITAL HISTORY AWARD<br />
Donated by the Hudson’s Bay Company, a $200 certifi cate<br />
Donated by the Provincial Capital Commission, a $45 annual pass<br />
to the RBC Museum<br />
FUTURE CAPITAL<br />
Donated by The Bay Centre a $200 certifi cate<br />
SONY AWARD FOR BEST SCHOOL CLASS<br />
Donated by Sony, a stand alone DVD burner<br />
BEST FAMILY<br />
Donated by Munro’s Books, a $200 certifi cate<br />
PROVINCIAL CAPITAL COMMISSION AUDIENCE CHOICE AWARD<br />
Donated by the Provincial Capital Commission, a $200 cash award<br />
Voting for The Provincial Capital Commission Audience Choice<br />
Award will be done at three downtown locations where the<br />
shorts will be playing on TVs: The Sony Store, The Bay and the<br />
Community Arts Gallery.<br />
Wednesday • February 6 • Capitol 6 - 1 • 7:15 PM 53<br />
MY VICTORIA
1034 Fort Street 250 · 380 · 7654<br />
www.epicureanpantry.ca<br />
To our local<br />
producers<br />
and everyone<br />
participating<br />
in the <strong>Victoria</strong><br />
<strong>Film</strong> <strong>Festival</strong><br />
– Bravo!<br />
Denise Savoie,<br />
<strong>Victoria</strong> MP<br />
970 Blanshard St.<br />
363-3600<br />
www.denisesavoie.ca<br />
savoie.d@parl.gc.ca
DANGEROUS<br />
PLAYGROUNDS<br />
UNTITLED<br />
(PLAN FOR VICTORY)<br />
ELODIE PONG<br />
SWITZERLAND 1.15 MINUTES<br />
Great ideas, erased by an avalanche.<br />
THE DRIFT<br />
KELLY SEARS<br />
USA 9 MINUTES<br />
A mysterious disappearance on a<br />
space journey gone awry launches the<br />
counter-cultural revolution at the end of<br />
the 1960s. Obsessively collected images found in thrift stores and fl ea<br />
markets are animated to create an alternate American aeronautical and<br />
cultural history. Through the gaps in these isolated moments of time,<br />
The Drift collages together a history of expansion and the desire to push<br />
too far, too fast.<br />
PARADISE DRIFT<br />
MARTIN HANSEN<br />
NETHERLANDS 13 MINUTES<br />
Are they pilgrims or are they just lost? Take a strange quest in<br />
the dead of night and fi nd the darkened paths up well-travelled<br />
mountains and see what you didn’t know was there to be found.<br />
WINTERSCAPE<br />
JIM BIZZOCCHI<br />
BC 15 MINUTES<br />
An exploration of the relationship between form, content and fl ow<br />
in the context of the Canadian landscape. It’s a gentle but inexorable<br />
momentum that constantly fuses facet and component into an<br />
ongoing holistic evolution, extending the particular into a broader and<br />
transcendent organic whole.<br />
THE PLAYGROUNDED<br />
(LES RABIBOCHÉS)<br />
ANH MINH TROUNG<br />
QUEBEC 17 MINUTES<br />
In his mid forties, Jerome encounters his<br />
imaginary friend from childhood, Jerry...who has also grown older over<br />
the years.<br />
UNDER THE GARDEN CITY<br />
JOHN W. MCFETRICK<br />
VICTORIA 20 MINUTES<br />
Come explore <strong>Victoria</strong>’s secret tunnels, uncovering forgotten histories,<br />
myths and mysteries. No need to bring your own fl ashlight.<br />
AWKWARD<br />
COMPANY<br />
5 CENTS A PEEK<br />
VANESSA WOODS<br />
USA 7 MINUTES<br />
An interpretation of a poem by Sharon Olds wherein the circus becomes<br />
a metaphor for a woman’s performance in, and for, the world.<br />
BRAD’S DATE<br />
NICK SCHELLE<br />
VICTORIA 8.5 MINUTES<br />
Brad planned his fi rst date with Sarah<br />
perfectly. He planned the dinner. He<br />
planned the movie. But he didn’t plan on running into Carl. Oh, did I say<br />
“into”? I meant “over”.<br />
HOME<br />
MYLES PAYNE, PIER VAN TIJN<br />
UK 9 MINUTES<br />
Down on his luck Stewart, a scruffy 22 year old, returns to his childhood<br />
home for some respite. Only to fi nd all of his possessions have been<br />
packed away in to boxes to make way for a cold sterile offi ce.<br />
A VERY LONG WEEKEND<br />
SANDRA COPPOLA<br />
QUEBEC 10 MINUTES<br />
A young couple wishes to fi nd peace and tranquility in their friend’s<br />
ancestral cottage where they meet an odd couple. A couple who will<br />
transform their holiday into a very awful nightmare, that is.<br />
JEHOVAH’S WITNESS<br />
ALAIN KRAMER<br />
UK 14 MINUTES<br />
A Jehovah’s Witness gets more than<br />
he’s bargained for when he calls upon a<br />
family who are in the middle of a domestic crisis.<br />
THE LISTENS (L’ECOUTEUR)<br />
KESTER DYER<br />
QUEBEC 14 MINUTES<br />
A man who takes pleasure in listening<br />
one day becomes the aural witness of a violent assault...<br />
HIRSUTE<br />
A.J. BOND<br />
BC 14 MINUTES<br />
Kyle, a young scientist struggling to build<br />
a time machine, is confronted by an<br />
arrogant future version of himself. Shocked to discover that his future<br />
holds a preoccupation with body hair removal and boiled eggs, Kyle<br />
vows to change the course of his life.<br />
Monday • February 4 • Plan B • 7:15 PM Monday • February 4 • Plan B • 9:30 PM<br />
SHORT FILMS<br />
55
The Greater <strong>Victoria</strong><br />
<strong>Film</strong> Commission<br />
Interested in shooting in <strong>Victoria</strong>? The<br />
Greater <strong>Victoria</strong> <strong>Film</strong> Commission<br />
(GVFC) offers location services, script<br />
breakdown, scouting, surveys and an<br />
on-line local crew data base. A non-profit<br />
organisation, the GVFC is a one-stop<br />
shop providing a myriad of services<br />
and support to aid film production in the<br />
Greater <strong>Victoria</strong> Area.<br />
GREATER VICTORIA FILM COMMISSION •<br />
www.filmvictoria.com<br />
1-888-537-FILM (3456)<br />
admin@filmvictoria.com<br />
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LOVE BLOOMS<br />
PALOMAS EN EL ATICO<br />
ALEJANDRO VALBUENA<br />
VICTORIA 5.5 MINUTES<br />
An inner monologue between the dichotomy of self-love, guilt and<br />
repression. A portrait of human sexual conditioning.<br />
SATURDAY NIGHT<br />
NEWTOWN SUNDAY<br />
MORNING ENMORE<br />
CHRISTOPHER JOHNSON<br />
AUSTRALIA 8 MINUTES<br />
A no-strings attached one night stand. With romance!<br />
FOR THE LOVE OF GOD<br />
JOE TUCKER<br />
UK 12 MINUTES<br />
Graham has developed a rather perverse<br />
and unholy fantasy - a secret he keeps from<br />
his only roommate: his Mother. The one soul who knows about Graham’s<br />
strange desire is The Jackdaw, who stalks the Bookshop corridors...<br />
SWAP<br />
GARY HAWES<br />
BC 12.5 MINUTES<br />
Two reluctant participants, a couple swap an uncomfortable night<br />
together. Starring Genie Award Winner Vincent Gale (Last Wedding) and<br />
<strong>Victoria</strong> resident Thea Gill (Queer as Folk) and originally conceived on the<br />
reality show “Making a Scene.”<br />
CHILES<br />
TYRONE HUFF<br />
USA 14 MINUTES<br />
A little bit of “Guess Who’s Coming to<br />
Dinner”. A little bit of “Hell’s Kitchen”.<br />
Who has the cajones to go “extra spicy”?<br />
THORNDIKE<br />
CHRIS TEAGUE<br />
USA 14 MINUTES<br />
Quiet and moody Todd upsets his girlfriend on their last day together<br />
before she moves. He may never share her ray of sunshine but it is the<br />
struggle to understand what he really needs to say to her that can bring<br />
them closer together.<br />
CURSING HANLEY<br />
KELLY HARMS<br />
ONTARIO 17 MINUTES<br />
Hanley seemingly has it all: a beautiful fi ancé, a well-paying job, and<br />
a large house with a picket fence. But with four weeks to go before<br />
the big wedding, he hastily calls off the wedding. After bouncing the<br />
engagement ring off of Hanley’s head, a stunned and broken-hearted<br />
Margo leaves him with one lasting impression, ‘I curse you!’<br />
TENUOUS TIES<br />
PRAY-PLAY<br />
RICK RAXLIN<br />
VICTORIA 2.5 MINUTES<br />
Scratch-on-fi lm exhorting one to<br />
play-pray with an Albanian peasant<br />
brass band leading the wing musically<br />
KETTLE<br />
KATHLEEN HEPBURN BC 11 MINUTES<br />
When Kettle discovers she is moving<br />
beyond her past, she is faced with the<br />
challenge of accepting the uncertainty of<br />
the future and letting go of that which<br />
she already knows.<br />
SOFT<br />
SIMON ELLIS<br />
UK 15 MINUTES<br />
What makes a man? What makes him<br />
tough? Is that something your Dad can<br />
really teach you?<br />
PISMO (THE LETTER)<br />
MATVEI ZHIVOV<br />
ONTARIO, RUSSIAN FEDERATION<br />
15 MINUTES<br />
It has been three long years since Stepan<br />
last saw his family or heard from his wife.<br />
Once in an army hospital and awaiting his leave after an injury, Stepan<br />
decides to fi nd out just how much his wife loves him.<br />
GOD’S BEACH<br />
ABIGAIL CARPENTER<br />
USA 16 MINUTES<br />
A meditative look at a young girl’s life<br />
over 48 hours, and how the cyclical forces<br />
of life and death cause her to mature and grow.<br />
RIVER CHILD<br />
DAMIAN WOOD<br />
UK 17 MINUTES<br />
On a hot summer’s day, two<br />
12-year-old girls head for a river. Bossy<br />
Janice is almost a woman, the dreamy Katie, still a child. Janice’s plan for<br />
the day involves two older boys playing football on the bank. When one<br />
of the boys asks Janice to ‘go for a walk’, she reveals to Katie exactly<br />
what that means but paths to adulthood don’t always come from the<br />
path you thought you were walking.<br />
Tuesday • February 5 • Plan B • 7:15 PM Tuesday • February 5 • Plan B • 9:30 PM<br />
SHORT FILMS<br />
57
GRAND HOPES<br />
UMBRELLA<br />
MICHAEL VASS<br />
ONTARIO 6 MINUTES<br />
When else would you need to borrow an umbrella, except when<br />
it’s raining?<br />
i luv spam<br />
MICHAEL KORICAN<br />
VICTORIA 6 MINUTES<br />
The Devil makes spam happen and<br />
in exchange for your soul, all your<br />
unsolicited e-mail will come true.<br />
OBLIVION, NEBRASKA<br />
CHARLES HAINE<br />
USA 11 MINUTES<br />
When his mother dies in a tragic auto<br />
accident, young Freddy retreats to a<br />
fantasyland where she becomes the Queen of Ausfahrt.<br />
HOPE<br />
STUART REAUGH AND<br />
THOMAS BUCHAN<br />
BC 56 MINUTES<br />
Follow Ken Paquette, Winnie Peters<br />
and their fi ve boys as they struggle to<br />
cope during a year of wrenching change<br />
on the Schkam Native Reserve, across<br />
the river from the town of Hope. After<br />
18 years together, Ken and Winnie’s<br />
troubled relationship dissolves when<br />
Rick, a tattooed ex-con, moves in and<br />
assumes the role of stepfather. Winnie’s eldest son quickly leaves the<br />
home. Ken settles in town, selling paintings outside the local pub.<br />
Nobody else gets it quite so easy. Over the course of four seasons,<br />
the family cycles through poverty, addiction, violence and love.<br />
But when winter bleeds into spring, a fi nal confrontation sparks<br />
irrevocable change.<br />
With painterly attention to the ordinary details of life in an interior<br />
town - dark mountains shrouded in mist, rotting abandoned cars amidst<br />
the vaulted green spaces of the forest - the fi lm captures two very<br />
different senses of time. The permanence of the land set against an<br />
explosive human drama that exists for fragile moments, before life and<br />
circumstances move on.<br />
CULTURES<br />
UNBOUND<br />
SONG OF SLOMON<br />
EMMANUEL SHIRINIAN<br />
ONTARIO 16 MINUTES<br />
This fi lm is a comedic short about an<br />
orthodox Rabbi, Yossef Slomon, who’s<br />
grown tired of his conservative lifestyle. When he comes across a<br />
ubiquitous pop song, he rediscovers his joy in his faith. Yet, his only<br />
opportunity to see the song he loves performed live is for one night only.<br />
That night is the Sabbath, the holiest day of the week.<br />
PLEASE VOTE FOR ME<br />
WEIJUN CHEN<br />
SOUTH AFRICA 55 MINUTES<br />
Wuhan is a city in central China about<br />
the size of London, and it is here that<br />
director Weijun Chen has conducted an<br />
experiment in democracy.<br />
A grade three class at Evergreen Primary<br />
School has their fi rst encounter with<br />
democracy by holding an election to<br />
select a Class Monitor. Enter two boys<br />
and a girl: a wily cajoler, a ruthless<br />
authoritarian, and a talented, sensitive girl who is out of her depth. And<br />
they’re not alone in their political battles. They are eagerly abetted and<br />
egged on by teachers and doting parents.<br />
Normally, elections in China take place only within the Communist Party,<br />
but recently millions of Chinese voted in their version of American Idol.<br />
Chen’s purpose though was to experiment – if democracy came to<br />
China, how would it be received? Is democracy a universal value that fi ts<br />
human nature? Do elections inevitably lead to manipulation? Please Vote<br />
for Me is a portrait of a society that on some level is familiar to us all.<br />
Wednesday • February 6 • Plan B • 7:15 PM Wednesday • February 6 • Plan B • 9:30 PM<br />
SHORT FILMS<br />
59
SPECIAL PROGRAMS<br />
FAMILY PROGRAMMING____________________________ 65<br />
STUDENT PROGRAM / INVISION / FILMCAN ____________ 67<br />
MICHAEL ROUTLIFFE – ART INSTALLATION _____________ 69<br />
VICTORIA FILM PRODUCERS PRESENTATION ___________ 71<br />
SIPS ‘N CINEMA ___________________________________ 73<br />
EMPIRE THEATERS MUSIC LOUNGE ___________________ 73
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FAMILY PROGRAMMING<br />
A FAERY’S TALE<br />
SYLVIA APOSTOL<br />
USA 3 MINUTES<br />
A not so nice faery and an oh-so-tricky kid!<br />
A great way to get back at those things<br />
that go bump in the night!<br />
BOOK SQUAD<br />
BERNIE WONG<br />
BRITISH COLUMBIA 3 MINUTES<br />
A boy and his stuffed animal try to escape<br />
reality through books at the library. One<br />
adventure leads to another until they run into trouble...<br />
SWING<br />
ESTEBAN AZUELA<br />
BRITISH COLUMBIA 3.5 MINUTES<br />
Two people in love, happy but slowed<br />
by time, a day comes when they fi nd the<br />
means to go back and feel what they did when they were young.<br />
SOMEBODY STOLE<br />
MY APPLESAUCE<br />
ERIK ANDERSON<br />
VICTORIA 4 MINUTES<br />
In a diabolical scheme designed to relieve<br />
some kids of their applesauce, the <strong>Victoria</strong> band, “Vincat”, go incognito<br />
and pose as substitute teachers for the day.<br />
Sunday • February 10 • Odeon • 3:30 PM<br />
WESTERN SPAGHETTI<br />
JOSEPH PROCOPIO (AGE 12)<br />
ONTARIO 7 MINUTES<br />
The soundtrack of a cowboy movie<br />
inspires Joseph to fi lm his own song.<br />
SLEEPING BETTY<br />
CLAUDE CLOUTIER<br />
QUEBEC 9 MINUTES<br />
In a sumptuous palace on the fi rst fl oor<br />
of a house in a Montreal working-class<br />
neighbourhood, Princess Betty sleeps in a narcoleptic stupor. The king<br />
is at her bedside distraught beyond belief. Will Betty be awakened with<br />
just a kiss?<br />
THE LITTLE GORILLA<br />
HARRY KELLERMAN<br />
USA 12 MINUTES<br />
Every great climber has a little gorilla in<br />
them -– who wants to go ever higher!<br />
ANITA’S AFRICA<br />
BEVERLEY REID<br />
UGANDA / MAYNE ISLAND 18 MINUTES<br />
Anita Kemirembe is a lively 10-year-old<br />
living on the outskirts of Kampala,<br />
Uganda. Through image and story young viewers gain an understanding<br />
of life as it is for a child in the developing world and appreciate the<br />
similarities and differences between their lives.<br />
ABOUT FAMILY PROGRAMMING:<br />
Time, trouble and even money come into play<br />
when fi lms have to be rated – so generally the<br />
<strong>Film</strong> <strong>Festival</strong> avoids that route which means<br />
people under the age of 18 can’t see our fi lms.<br />
But here we are, wanting to be inclusive and<br />
give everyone the opportunity to see great<br />
fi lms. So this year we’ve had the short fi lms on<br />
this page rated. This means if you’d like your<br />
kids to see great fi lm you don’t need to buy<br />
a membership. Wow, it’s almost as good as<br />
getting stuff for free!<br />
SPECIAL PROGRAMS<br />
65
Proud to celebrate <strong>Film</strong>making, <strong>Film</strong>makers and <strong>Film</strong> Fans Coast to Coast
INVISION FILMCAN<br />
EL MONO<br />
MINCHUNG CHO<br />
USA 4 MINUTES<br />
A moment’s reverie in a deserted subway<br />
can take you far, far away.<br />
REMEMBRANCE<br />
ALEJANDRO MONZÓN<br />
USA 7 MINUTES<br />
Dave awakens from a nightmare<br />
about his girlfriend’s murder only to<br />
be haunted by memories of the event.<br />
While trying to discern what is real and what is not, he stumbles<br />
upon his girlfriend’s killer.<br />
GRAVE CONSEQUENCES<br />
TIFFANY MUNRO<br />
CANADA 8 MINUTES<br />
The sun is setting as two shadowy fi gures<br />
creep through a cornfi eld. They come<br />
upon the lifeless body of Emma Borland.<br />
Her twisted corpse lies next to a shovel looming above an unfi nished<br />
grave. Two men discuss how long Emma Borland has been missing and<br />
when the body was discovered.<br />
NIGHT<br />
DYLAN AKIO SMITH<br />
ONTARIO 19 MINUTES<br />
When Hikaru, a grieving husband and<br />
emotionally absent father, decides not<br />
to spread his wife’s ashes after nine<br />
years of intense mourning, the sun<br />
disappears from the sky and the city he<br />
lives in suffers a major power outage.<br />
Once he determines his dead wife,<br />
Naoko, is calling out to him, Hikaru<br />
goes on a journey into the underworld,<br />
abandoning his daughter, Yuki.<br />
MAMITAS<br />
NICK OZEKI<br />
USA 24 MINUTES<br />
Jordan, a self appointed Casanova,<br />
mentors his friend in the art of picking<br />
up hot ‘Mami Chulas.’ However, a<br />
chance encounter with the beautiful<br />
barrio bird Kika leads to Jordan getting<br />
stuck babysitting her hot tempered<br />
cousin, Felipa.<br />
Thursday • February 7 • Capitol 6 - 1 • 7:15 PM<br />
Is an opportunity for local high school students to create<br />
a short video from beginning to end and have it screened<br />
at the <strong>Film</strong> <strong>Festival</strong>. Guided by mentors Daniel Hogg<br />
(Narrative), Barbara Hagar (Documentary), and Brian<br />
MacDonald (Experimental) the teams work through their<br />
ideas and then go on to create the world premieres that<br />
you will see here tonight.<br />
<strong>2008</strong> FILMCAN<br />
REYNOLDS SECONDARY SCHOOL<br />
Justin Brown, Jesse Gray, Adam Holroyd<br />
ST MICHAELS UNIVERSITY SCHOOL<br />
Emily Feng<br />
REYNOLDS SECONDARY SCHOOL<br />
Charlotte Anderson, Annelise Miska, Eleanor Vannan<br />
HOME SCHOOLED<br />
Sofee Rogers, Kamille Tobin<br />
STELLYS SECONDARY SCHOOL<br />
Paul Aussenegg, Carl Aussenegg<br />
STELLYS SECONDARY SCHOOL<br />
Laura Cooper, Emily Devlin, Yuuki Nakagawa<br />
CLAREMONT SECONDARY SCHOOL<br />
Karl Schoepp, Jordan Mikkers<br />
SPECTRUM COMMUNITY SCHOOL<br />
Minh Tran<br />
BELMONT SECONDARY SCHOOL<br />
Jay Sharp<br />
SPECIAL PROGRAMS<br />
67
ART EXHIBIT: DEVIL’S APPLE, A FILM<br />
ARTIST: MIKE ROUTLIFFE<br />
STARRING: BUDDY NEIGHBOURS AS ATUM<br />
Along with the feature fi lm, Devil’s Apple, a series of vignettes will be<br />
shown. A series of printed and framed photo manipulations will also be<br />
displayed on the wall.<br />
Our man has stepped off a ship, and landed on foreign shores. Thrown<br />
into a surrealist fi lm noir, he begins to think the universe is conspiring<br />
against him. Magic and quantum time shifts lock horns with creatures<br />
from other dimensions. Modern totems appearing from nowhere are<br />
just an average day. Technology is an entity that gives him commands,<br />
and fragments his reasoning.<br />
Before his quest is through he will encounter a woman in possession<br />
of the Devil’s Apple, the caretakers of the apocalypse, and convulsing<br />
landscapes. With him in the byways and back highways of a collective<br />
unconscious, are a woman with cloven hooves, and eyes and mouths<br />
which adorn people and structures alike.<br />
Industry and information eras merge and we begin to understand that<br />
everything is composed of information which is constantly in fl ux.<br />
We don’t know whether the world is controlled by forces we don’t<br />
understand or by men who hide in the shadows. What we do know is<br />
the world has gone mad, or has become more of what it has always<br />
been: a mad lilting car driven by blind, angry children.<br />
TIMES<br />
JANUARY 31 - FEBRUARY 6<br />
10am - 5pm Monday to Friday<br />
Community Arts Council of Greater <strong>Victoria</strong><br />
Sussex Place G6-1001 Douglas St.<br />
(between Fort and Broughton)<br />
SPECIAL PROGRAMS<br />
69
•<br />
THE MARK<br />
OF ZORRO<br />
See<br />
the 1920<br />
silent film<br />
as it was intended!<br />
•<br />
on a big screen<br />
with a live orchestra<br />
April 25th 8pm<br />
UVIC FARQUHAR AUDITORIUM<br />
Tickets: 721-8480<br />
Total Legal Care for the Entertainment Industry<br />
Tim Schober’s specialty is in advising businesses and<br />
managing assets. He acts for a wide variety of business<br />
people, professionals and filmmakers. Tim is dedicated<br />
to providing excellent legal services to the entertainment<br />
industry, including:<br />
�� Entertainment Law (<strong>Film</strong> Financing, Script Clearance,<br />
Distribution Contracts, and other services)<br />
�� Business Law<br />
�� Intellectual Property Law.<br />
Cardinal Law is a full service law firm that has been providing a wide range<br />
of legal services to businesses and individuals in <strong>Victoria</strong>, and in other<br />
parts of British Columbia, Canada and the United States, since 1977. For<br />
more information about Cardinal Law’s approach to Total Legal Care, contact<br />
Tim Schober at Cardinal Law, or e-mail TSchober@CardLaw.com.<br />
Cineworks Independent<br />
<strong>Film</strong>makers Society<br />
300-1131 Howe, Vancouver<br />
604.685.3841<br />
www.cineworks.ca<br />
OPTICAL<br />
PRINTER<br />
WORKSHOP<br />
Yun Lam Li leads an introductory workshop<br />
geared toward experimental filmmakers<br />
interested in utilizing an optical printer in their<br />
practice.<br />
09 February <strong>2008</strong><br />
Cineworks Studio<br />
300-1131 Howe<br />
3rd Floor, 736 Broughton Street<br />
<strong>Victoria</strong>, BC V8W 1E1<br />
(250) 386-8707 (800) 733-9633<br />
www.CardLaw.com<br />
OPTICAL<br />
ALLUSIONS<br />
An exclusive program of optically printed,<br />
experimental works by local, national and<br />
international filmmakers.<br />
22 January <strong>2008</strong> 7:30pm<br />
Pacific Cinematheque<br />
1131 Howe<br />
NEW<br />
CINEWORKS<br />
A showcase of new member works forcusing<br />
on the intersection of formal art practice and<br />
independent production.<br />
12 February <strong>2008</strong> 7:30pm<br />
Pacific Cinemathque<br />
1131 Howe
CAPTAIN COOK: OBSESSION AND DISCOVERY<br />
DIRECTORS: PAUL RUDD, MATTHEW THOMASON<br />
CANADA / AUSTRALIA / NEW ZEALAND<br />
2007 55 MINUTES HDCAM<br />
PRODUCERS: TONY WRIGHT, ANDREW FERNS<br />
SERIES PRODUCERS: PAUL RUDD, TONY WRIGHT<br />
EXECUTIVE PRODUCERS: JOHN BARNETT, STEPHEN AMEZDROZ, W. PATERSON FERNS<br />
Canadian Premiere<br />
“I had ambition not only to go farther than any man had been before,<br />
but as far as it was possible for a man to go.” James Cook<br />
Cook expert and bestselling author Vanessa Collingridge searches for<br />
the man behind the legend as she traces his story in a series that is part<br />
biography, part travelogue – and completely enthralling.<br />
A hero to some, a villain to others, this son of an English farm labourer<br />
described more of the globe than any other man in three incredible<br />
voyages. Discover the man and his times. Step back into the 18th<br />
century to experience what it was like to navigate uncharted and<br />
unknown waters in search of a legendary great southern continent<br />
and then a North West Passage through the Arctic ice; as well as to<br />
be among the fi rst Europeans to visit exotic Pacifi c islands like Tahiti.<br />
Witness Cook’s discovery of Hawaii. Sail the uncharted coast of New<br />
Zealand, proving it isn’t part of the ‘Great Southern Continent’. Land<br />
with Captain Cook at Botany Bay as he claims Australia for king and<br />
country – a ‘discovery’ that goes unquestioned for over a century.<br />
Meet the direct descendents of the indigenous peoples of Australia,<br />
New Zealand, Canada and Hawaii who Cook met 240 years ago and the<br />
men of the Endeavour, Resolution, Adventure and Discovery. Learn what<br />
sea-life was like for the sailors and scientists who made it all possible,<br />
including the celebrated gentleman-botanist Joseph Banks and a young<br />
naval offi cer named William Bligh. It’s a tale of obsession and discovery,<br />
respect and brutality, courage and madness, from the pomp and<br />
splendour of the royal courts of England to death on a beach on the far<br />
side of the world.<br />
Episode 1 of a 4 Episode series.<br />
<strong>Film</strong>makers in attendance for post-screening discussion.<br />
Sunday • February 3 • Odeon • 7:00 PM 71<br />
SPECIAL PROGRAMS
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Free Delivery.<br />
Yes. Even $ 25 worth of popcorn.<br />
903 Yates At Quadra<br />
381-6000 7 AM-11 PM<br />
PROUD SPONSOR OF THE VICTORIA FILM FESTIVAL<br />
��<br />
125-2401 C Millstream Road<br />
391-1110 8 AM-11 PM<br />
*Minimum Order $25 Tobacco Excluded. Orders in by 2 p.m. Same Day Delivery
SIPS ‘N CINEMA EMPIRE THEATRES<br />
LOUNGE AT<br />
SATURDAY, FEBRUARY 9<br />
The triple threat of fi ne food, fi ne wine and fi ne fi lm come together during<br />
this fun and informative afternoon designed for those who love the best<br />
of life.<br />
The fun begins with a trip to the theatre to see The Walker, one of the<br />
great <strong>Festival</strong> fi lms and then segues over to the Artisan Wine Shop on<br />
Government Street where you’ll experience a wine tasting as you nibble<br />
some delicious goodies prepared by the Irish Times Pub. Once we are<br />
settled in, <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong> programmer Donovan Aikman will open up<br />
discussion of the fi lm that you’ve just seen.<br />
ADVANCE TICKETS ONLY. Includes the fi lm at the theatre, and wine tasting<br />
and food at Artisan Wine Shop.<br />
<strong>Film</strong> description<br />
THE WALKER<br />
Directed by Paul Schrader<br />
Society ladies have very busy husbands and very busy schedules. So<br />
sometimes a gentleman of taste, distinction and proper breeding who<br />
poses no romantic threat is called on to accompany the rich and powerful<br />
to must-attend events. Witty conversationalists, snappy dressers and<br />
etiquette snobs, these “walkers” have old-fashioned scruples – which,<br />
in the case of Carter Page III (Woody Harrelson), lead to an accusation of<br />
murder and the potential ruin of his family’s honour.<br />
Page, all southern-gentry drawl, surrounds himself with the smartest<br />
women of a certain age, who are themselves married to the most powerful<br />
men in Washington, D.C. Natalie Van Miter (Lauren Bacall), Abigail<br />
Delorean (Lily Tomlin) and Lynn Lockner (Kristin Scott Thomas) protect and<br />
scold him at weekly card games and various parties.<br />
Full description on page 36<br />
Saturday • February 9th • Capitol 6 - 6 • 2:15PM<br />
PLATINUM<br />
The <strong>Festival</strong> has made a partnership with that ever so cool spot Platinum<br />
(on Yates across from the movie theatres). So you can meet, chat and listen<br />
to some of the best music this city has to offer before and after the fi lms.<br />
There will be great food, cocktails and coffees available. So catch some<br />
tunes or some chat before or after your movie. Here’s the who’s who of the<br />
talent that you can catch at the Lounge every night starting at 8 PM:<br />
SCHEDULE<br />
HEMANT RAO - FRI FEB 1 & SAT FEB 2<br />
http://www.hemantrao.com/<br />
Hemant Rao is a singer/songwriter originally from Montreal, now residing<br />
in Vancouver who has toured the US west coast and NYC. Performing<br />
songs from his fi rst two CDs as well as new songs from his upcoming third<br />
album, Hemant’s performances are all about “living the song” and his<br />
recordings have been compared to the likes of George Harrison.<br />
TEQUILA MOCKINGBIRD ORCHESTRA - SUN FEB 3<br />
http://www.myspace.com/tequilamock<br />
An acoustic sound explosion that was born in the indie scene of <strong>Victoria</strong><br />
B.C. The band is comprised of El Mapache (accordion, vocals), Patrick “the<br />
future” McGonigle (violin, vocals), Kurt “Food Stamp” Loewen (guitar,<br />
vocals) Pão Cortez (djimbe, vocals) and Pete “el lobo” (stand up bass). The<br />
band is an eclectic mix of ska, reggae, latin rhythms, russian folk songs and<br />
hip hop all done acoustically.<br />
KAREL ROESSINGH - MON FEB 4<br />
www.roessong.com<br />
Karel plays the piano in clubs, concert halls and in the studio whenever<br />
possible. He writes jazz tunes for his own and other groups, and has played<br />
with jazz greats such as Bud Shank, Ian MacDougall, Pat LaBarbera, Don<br />
Clark, Floyd Standifer, Roy Reynolds and many well-known vocalists.<br />
NICK SCHOLS - TUES FEB 5<br />
www.nicktheentertainer.com<br />
A wonderful mix of those classic tunes from It’s Now or Never to My Way<br />
to Pretty Woman. A wonderful nostalgic treat.<br />
IAN FARISH - WED FEB 6<br />
www.ianfarish.com<br />
Acoustic grooves, evocative vocals and thoughtful lyrics, Ian Farish and<br />
Bonnie Davison perform a selection of well-crafted pop originals from<br />
Farish’s recent CD Soul Songs.<br />
MISS EMILY BROWN - THURS FEB 7 & SAT FEB 9<br />
www.emilybrownmusic.com<br />
With her autoharp, music box, guitar, and unmistakable voice, Miss Emily<br />
Brown performs minimalist compositions that will make you forget that you<br />
have heard everything before. Miss Brown’s equally weighted background<br />
in folk and jazz, combined with her enthusiasm for electronic music and<br />
improvisation, create a spontaneous and innovative show.<br />
RANDY WALDIE - FRI FEB 8<br />
www.loungerino.com<br />
Randy Waldie brings a roots-blues sensibility to the jazz standards. Quoting<br />
from many different styles he infuses a fresh take into the familiar. David<br />
Augustine is a Berkeley graduate who was music director for Princess<br />
Cruises for several years. Together, their particular brand of improvisation is<br />
both unusual and exciting<br />
SPECIAL PROGRAMS<br />
73
FILMMAKER.�<br />
COM<br />
For membership, equipment, and<br />
event info call 389-1590 or check<br />
www.cinevic.ca<br />
CineVic thanks its funders:
VICTORIA FILM FESTIVAL EVENTS THROUGHOUT THE YEAR<br />
TRIGGER POINTS PACIFIC<br />
VICTORIA VICTORIA FILM FILM FESTIVAL FESTIVAL presents<br />
Runs the fi rst weekend of the <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong> and brings together<br />
producers and top industry acquisition execs to explore buying completed<br />
productions or putting them into development. An exclusive intimate<br />
setting provides producers with unequaled access as TPP maintains a ratio<br />
of one acquisitions exec for every two producers registered and presents<br />
fantastic market intelligence panels. This is the place to Pitch. Hosted by Pat<br />
Ferns and Sheena Macdonald.<br />
June. Come play with cameras. computers and creativity and discover<br />
the amazing and exciting world of fi lm. With some of the industry’s<br />
top professionals, we offer the chance to experience over 18 hands-on<br />
workshops. The <strong>Festival</strong> includes FREE fi lm screenings and demonstrations<br />
and nominally priced workshops that let the creativity fl ow.<br />
August. Come and enjoy a movie under the stars, with great line-ups<br />
of B-movies from the “Family-Friendly” to the “Funky and Fun”. Yes,<br />
screenings are absolutely free. Just bring your own snacks, fl ashlights<br />
and blankets.<br />
VICTORIA FILM FESTIVAL presents<br />
INTERACTIVE FUTURES<br />
\ E V E N T<br />
Mid November. A playful mix of art and new technologies showing<br />
recent tendencies in new media as well as a conference for exploring<br />
issues related to technology with world class media artists. Exploring a<br />
different theme each year this event keeps you attuned to industry trends<br />
and movements through presentations, installations, and panels.<br />
<strong>Film</strong>CAN <strong>Film</strong>CAN<br />
November - January. An opportunity for local high school students<br />
to create a short video from beginning to end and have it screened<br />
at the <strong>Victoria</strong> <strong>Film</strong> <strong>Festival</strong>. Guided by local notable professional<br />
fi lmmakers, students are mentored and receive advice and<br />
information to create new work.<br />
M<br />
y<strong>Victoria</strong> <strong>Victoria</strong><br />
VIDEO COMPETITION<br />
November - January. A video competition to create a 1 minute<br />
fi lm about what most affects and interests you about <strong>Victoria</strong>. The<br />
competition is open to all ages and skill levels and is designed to<br />
encourage the budding fi lmmaker in everyone. All videos are displayed<br />
at downtown businesses and winners take away great prizes.<br />
TO FIND OUT MORE ABOUT THESE EVENTS<br />
Visit www.victoriafi lmfestival.com or subscribe to our newsletter<br />
at http://www.victoriafi lmfestival.com/newsletter/<br />
VICTORIIA FILM FESTIVAL<br />
75
INDEX<br />
76<br />
INDEX OF FILMS<br />
5 Cents a Peek ................................Page 55<br />
Adam’s Apples ................................Page 32<br />
All Hat ............................................Page 20<br />
Amal ...............................................Page 21<br />
Anita’s Africa ..................................Page 65<br />
Aswang ..........................................Page 24<br />
Autism: The Musical ........................Page 48<br />
Awkward Company ........................Page 55<br />
Bab ‘Aziz ........................................Page 29<br />
Band’s Visit .....................................Page 34<br />
Beauty in Trouble ............................Page 34<br />
Beyond Belief ..................................Page 43<br />
Book Squad ....................................Page 65<br />
Bothersome Man, The .....................Page 31<br />
Brad’s Date .....................................Page 55<br />
Burgeon & Fade ..............................Page 20<br />
California Dreamin’ Endless ............Page 26<br />
Captain Cook .................................Page 71<br />
Carts of Darkness ............................Page 47<br />
Chiles .............................................Page 57<br />
Class, The .......................................Page 30<br />
Come Again in Spring .....................Page 34<br />
Counterfeiters, The .........................Page 26<br />
Cowardice ......................................Page 22<br />
Cultures Unbound ..........................Page 59<br />
Cursing Hanley ...............................Page 57<br />
Dalai Lama Renaissance ..................Page 47<br />
Dangerous Playgrounds ..................Page 55<br />
Dead Sleep Easy, The ......................Page 23<br />
Dr. Bronner’s Magic Soapbox ...........Page 45<br />
Drift, The ........................................Page 55<br />
Egg Factory .....................................Page 22<br />
Epilogue:<br />
THE PALPABLE INVISIBILITY OF LIFE ...Page 47<br />
Faery’s Tale, A .................................Page 65<br />
Falkenberg Farewell ........................Page 30<br />
Family Progamming ........................Page 65<br />
Fierce People ...................................Page 27<br />
<strong>Film</strong>CAN .........................................Page 67<br />
For Families! ...................................Page 65<br />
For The Love of God .......................Page 57<br />
Fracas .............................................Page 43<br />
Gates, The ......................................Page 49<br />
Glimpse ..........................................Page 43<br />
God’s Beach ....................................Page 57<br />
Goodtimeskid, The ..........................Page 33<br />
Grand Hopes ..................................Page 59<br />
Grand Wheel ..................................Page 42<br />
Grave Consequences ......................Page 67<br />
Hammer, The ..................................Page 28<br />
Hank & Mike ...................................Page 21<br />
Harrachov .......................................Page 31<br />
Head, Heart and Balls ......................Page 28<br />
Hell on Wheels ................................Page 46<br />
Hindsight ........................................Page 35<br />
Hirsute ............................................Page 55<br />
Hollywood Dreams ..........................Page 36<br />
Home .............................................Page 55<br />
Hope ..............................................Page 59<br />
i luv spam .......................................Page 59<br />
Identity ...........................................Page 49<br />
Intervention ....................................Page 25<br />
InVision...........................................Page 67<br />
Jehovah’s Witness ...........................Page 55<br />
Jeu ..................................................Page 22<br />
Kettle ..............................................Page 57<br />
L’Ecouteur .......................................Page 55<br />
Langford 701 ..................................Page 18<br />
Let Others Suffer .............................Page 35<br />
Letter to Colleen, A .........................Page 21<br />
Little Gorilla, The .............................Page 65<br />
Love Blooms ...................................Page 57<br />
Mamitas .........................................Page 67<br />
Milky Way .......................................Page 29<br />
Mono, El .........................................Page 67<br />
Mosquito Problem and<br />
Other Stories ...................................Page 44<br />
Motown High (GALA) ....................Page 18<br />
Mr. Big ............................................Page 46<br />
My <strong>Victoria</strong> .....................................Page 53<br />
Nautical Education, The ..................Page 35<br />
Never Apologize .............................Page 41<br />
Night ..............................................Page 67<br />
No Bikini .........................................Page 30<br />
Oblivion, Nebraska ..........................Page 59<br />
Overnight, a Rose ...........................Page 31<br />
Owl and the Sparrow ......................Page 33<br />
Palomas En El Atico .........................Page 57<br />
Paradise drift ...................................Page 55<br />
Pismo (Letter, The) ..........................Page 57<br />
Playground .....................................Page 20<br />
Playgrounded, The ..........................Page 55<br />
Please Vote for Me ..........................Page 59<br />
Portage ...........................................Page 24<br />
Pray-Play .........................................Page 57<br />
Remembrance .................................Page 67<br />
River Child ......................................Page 57<br />
Rock, Paper, Scissors .......................Page 44<br />
Saturday Night Newtown<br />
Sunday Morning Enmore ................Page 57<br />
Saving Luna ....................................Page 42<br />
Shutter ...........................................Page 21<br />
Siberian Dream ...............................Page 42<br />
Sleeping Betty .................................Page 65<br />
Slingshot .........................................Page 23<br />
Soft ................................................Page 57<br />
Somebody Stole My Applesauce .....Page 65<br />
Song of Slomon ..............................Page 59<br />
Song to Sing-o, A ...........................Page 43<br />
Starting Out in the Evening .............Page 27<br />
Substitute, The ................................Page 28<br />
Sunday afternoon ...........................Page 29<br />
Swap ..............................................Page 57<br />
Swing .............................................Page 65<br />
Tenuous Ties ...................................Page 57<br />
Thorndike .......................................Page 57<br />
Tracey Fragments, The.....................Page 20<br />
Umbrella .........................................Page 59<br />
Under the Garden City ....................Page 55<br />
Under the Same Moon ....................Page 25<br />
Union, The ......................................Page 48<br />
Untitled (plan for victory) ................Page 55<br />
Up the Yangtze ...............................Page 41<br />
Vanaja ............................................Page 32<br />
Vanished, The .................................Page 31<br />
Very Long Weekend, A ...................Page 55<br />
<strong>Victoria</strong> <strong>Film</strong> Producers Ass ..............Page 71<br />
Walker, The .....................................Page 36<br />
Well Done .......................................Page 45<br />
Western Spaghetti ..........................Page 65<br />
Winterscape ...................................Page 55
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1624 GOVERNMENT ST VICTORIA BC TEL 250 388 6815 SILKROAD@SILKROADTEA.COM WWW.SILKROADTEA.COM
When Popcorn Just Isn’t Enough...<br />
Discuss the finer points of film while you experience the tastes of<br />
Bear Mountain Resort - just 10 minutes from the Caprice Theatre.<br />
Enjoy a relaxed environment and amazing mouth-watering cuisine<br />
that uses only the highest quality local and international in-season<br />
ingredients. Choose from fine dining at Panache, casual westcoast<br />
fare at the Copper Rock Grill, delectable sushi at Kuma or gastro<br />
pub style at Jack’s Place.<br />
Visit bearmountain.ca/film to receive 15% off at any<br />
Bear Mountain restaurant.*<br />
for more information visit bearmountain.ca/film or call (250) 391-7160<br />
*excludes alcohol