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2008 Program guide - Victoria Film Festival

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WORLD PERSPECTIVE<br />

32<br />

VANAJA ADAM’S APPLES<br />

DIRECTOR: RAJNESH DOMALPALLI<br />

USA / INDIA<br />

2007 111 MINUTES 35MM<br />

PRODUCER: LATHA R. DOMALAPALLI<br />

WRITER: RAJNESH DOMALPALLI<br />

In rural Southern India, where social barriers stand stronger than fort<br />

walls, Vanaja explores the chasm that still divides classes as a young girl<br />

struggles to come of age.<br />

Vanaja is the 14 year-old daughter of a poor fi sherman being crushed<br />

by mounting debt. When a clairvoyant predicts that she will be a great<br />

dancer, her father gets her work in the house of the local landlady,<br />

Rama Devi, in the hopes of her learning Kuchipudi dance while still<br />

earning him a keep.<br />

Vanaja’s liveliness soon catches the landlady’s eye and she begins to<br />

climb socially inside the house of Rama Devi. But it winds up being<br />

the game board rather than the social ladder that secures her the<br />

landlady’s mentorship for dance and music once and for all. Finally,<br />

given the chance to sway on the dance fl oor for the fi rst time, Vanaja<br />

quickly grows into her own with the art and seems to be dead set<br />

for fame when Shekhar, Rama Devi’s 23 year old son returns home<br />

unannounced. Shekhar is as ripe with insecurity from his unearned<br />

entitlements as the teenage Vanaja is blooming with talents and<br />

sexuality. Their lives quickly intertwine but not for the better.<br />

Not your typical Bollywood blockbuster despite its musical moments,<br />

Vanaja is instead a thoughtful piece of social drama that will move<br />

you deeply.<br />

Tuesday • February 5 • Odeon • 7:00 PM<br />

(ADAM’S ÆBLER)<br />

DIRECTOR: ANDERS THOMAS JENSEN<br />

DENMARK<br />

2006 89 MINUTES. 35MM<br />

PRODUCER: TIVI MAGNUSSON<br />

WRITER: ANDERS THOMAS JENSEN<br />

BC Premiere<br />

All neo-Nazi Adam (Ulrich Thomsen) wants to do is fi nish his<br />

community service as soon as possible and get back to his job<br />

terrorizing the Danish populace. But Ivan (Mads Mikkelsen), the<br />

minister whose job it is to supervise his rehabilitation, insists that<br />

Adam will have to pull his weight. When Adam jokingly suggests that<br />

he bake a pie, Ivan puts him in charge of taking care of an apple tree<br />

until the fruit is ripe for the baking. From that slim setup, a marvelous<br />

black comedy from the pen of the great Anders Thomas Jensen<br />

(Wilbur Wants to Kill Himself) arises.<br />

Ivan’s goodness and his imperturbability drive Adam bonkers; the<br />

whole set up in the rectory makes him crazy. He fi nds himself sharing<br />

a house with the reverend; Gunnar, a fat and cheerful sex offender;<br />

and most repugnant to him, Khalid, an Afghan thief given to holding<br />

up gas stations. The situation is lunatic, and Adam gets angrier and<br />

angrier as he realizes that he is the only one who sees it that way. His<br />

plan is simply to bolt but when he discovers that Ivan has not been<br />

strictly honest with him, he decides to embark on a new project and<br />

break the man physically and emotionally.<br />

Jensen has a real gift for black humour but he’s never simply<br />

interested in getting laughs, and for all the black humour, he has a<br />

warm heart. He is fond of these characters and wants to see them<br />

redeemed, and not just the blackguard Adam, but the pious Ivan as<br />

well who is almost spooky in his serene cheerfulness.<br />

Saturday • February 2 • Capitol 6 - 6 • 9:00 PM<br />

Sunday • February 3 • Capitol 6 - 6 • 4:30 PM

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