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2008 Program guide - Victoria Film Festival

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LET OTHERS SUFFER HINDSIGHT<br />

DIRECTOR: TODD PETERS<br />

USA<br />

2007 87 MINUTES DIGIBETA<br />

PRODUCERS: MATTHEW GOSSIN, SCOTT SHELLEY<br />

BC Premiere<br />

When aspiring fi lmmaker Todd looks for inspiration, he turns to<br />

Eastern European fi lmmaker Ivan Libragi and his many fi lmmaking<br />

how-to books. Todd soon decides to make a fi lm, and hires Ivan to<br />

fi lm a documentary about the making of an independent fi lm in<br />

America today. Ivan and his crew follow Todd and his crew through<br />

the fi lmmaking process. Todd’s fl awed hiring process is shown through<br />

a series of hilarious encounters with barely-competent crewmembers.<br />

Soon, heartache, fi rings, family drama, abandonment and apathy set<br />

in to destroy the fi lm Todd set out to make, while creating a new work<br />

of art and opening doors for all of the crew members.<br />

This remarkably adept mockumentary on the fi lmmaking process<br />

features a terrifi c ensemble cast that emulates the dynamics of many<br />

typical low budget independent fi lms; anyone who has been on such<br />

a fi lm crew or set will recognize these characters very clearly. With a<br />

running commentary by the jaded Ivan Libragi, who rejoices in ripping<br />

Todd’s fi lm apart, Let Others Suffer offers a wonderful depiction of the<br />

near-impossibility of getting a low budget indie made today.<br />

Screened with<br />

THE NAUTICAL EDUCATION<br />

Christian Laurence Ontario 2.5 minutes<br />

The sea-life is not for everyone. You need training. No, not that kind.<br />

Sunday • February 3 • Capitol 6 - 1 • 2:30 PM<br />

Saturday • February 9 • Odeon • 9:30PM<br />

DIRECTOR: PAUL HOLAHAN<br />

USA<br />

2007 92 MINUTES DIGIBETA<br />

PRODUCERS: JULIE SANDOR, FRANCEY GRACE<br />

WRITER: BROOKE PURDY<br />

World Premiere<br />

Desperate for cash but unwilling to earn it, Ronnie and Dina have<br />

the one thing they can easily turn into money, a baby on the way.<br />

Paul and Maria have plenty of what it will take to get the baby they<br />

so desperately want but are unable to have themselves. What seems<br />

like a perfect match soon turns into a nightmare for both couples, as<br />

greed, ulterior motives, petty jealousies and distrust lead to unalterable<br />

consequences. Both couples will stop at nothing to get what they<br />

want on their own terms. With a mix of cunning, strength and<br />

determination, both couples fi ght to the bitter end to come out on top<br />

of this dangerous game.<br />

Shot in southern California and told mostly in fl ashback by Dina, who<br />

is befriended by a kindly older gentleman who patiently and quietly<br />

listens to her tale of how she got to this point, Hindsight is a very taut<br />

thriller that boasts strong characters with substantial depth and history,<br />

and an extremely well-written script. As the plot, and the scheme,<br />

develop, we learn the motivations and strategy of Ronnie and Dina as<br />

they attempt to sell their unborn child to a couple largely blinded due<br />

to their singular obsession. Maria refuses to see beyond the scheme,<br />

but ultimately proves to be the most resolute of the bunch.<br />

WORLD PERSPECTIVE<br />

Saturday • February 9 • Odeon • 7:00 PM<br />

Sunday • February 10 • Odeon • 1:15 PM 35

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