2008 Program guide - Victoria Film Festival
2008 Program guide - Victoria Film Festival
2008 Program guide - Victoria Film Festival
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LET OTHERS SUFFER HINDSIGHT<br />
DIRECTOR: TODD PETERS<br />
USA<br />
2007 87 MINUTES DIGIBETA<br />
PRODUCERS: MATTHEW GOSSIN, SCOTT SHELLEY<br />
BC Premiere<br />
When aspiring fi lmmaker Todd looks for inspiration, he turns to<br />
Eastern European fi lmmaker Ivan Libragi and his many fi lmmaking<br />
how-to books. Todd soon decides to make a fi lm, and hires Ivan to<br />
fi lm a documentary about the making of an independent fi lm in<br />
America today. Ivan and his crew follow Todd and his crew through<br />
the fi lmmaking process. Todd’s fl awed hiring process is shown through<br />
a series of hilarious encounters with barely-competent crewmembers.<br />
Soon, heartache, fi rings, family drama, abandonment and apathy set<br />
in to destroy the fi lm Todd set out to make, while creating a new work<br />
of art and opening doors for all of the crew members.<br />
This remarkably adept mockumentary on the fi lmmaking process<br />
features a terrifi c ensemble cast that emulates the dynamics of many<br />
typical low budget independent fi lms; anyone who has been on such<br />
a fi lm crew or set will recognize these characters very clearly. With a<br />
running commentary by the jaded Ivan Libragi, who rejoices in ripping<br />
Todd’s fi lm apart, Let Others Suffer offers a wonderful depiction of the<br />
near-impossibility of getting a low budget indie made today.<br />
Screened with<br />
THE NAUTICAL EDUCATION<br />
Christian Laurence Ontario 2.5 minutes<br />
The sea-life is not for everyone. You need training. No, not that kind.<br />
Sunday • February 3 • Capitol 6 - 1 • 2:30 PM<br />
Saturday • February 9 • Odeon • 9:30PM<br />
DIRECTOR: PAUL HOLAHAN<br />
USA<br />
2007 92 MINUTES DIGIBETA<br />
PRODUCERS: JULIE SANDOR, FRANCEY GRACE<br />
WRITER: BROOKE PURDY<br />
World Premiere<br />
Desperate for cash but unwilling to earn it, Ronnie and Dina have<br />
the one thing they can easily turn into money, a baby on the way.<br />
Paul and Maria have plenty of what it will take to get the baby they<br />
so desperately want but are unable to have themselves. What seems<br />
like a perfect match soon turns into a nightmare for both couples, as<br />
greed, ulterior motives, petty jealousies and distrust lead to unalterable<br />
consequences. Both couples will stop at nothing to get what they<br />
want on their own terms. With a mix of cunning, strength and<br />
determination, both couples fi ght to the bitter end to come out on top<br />
of this dangerous game.<br />
Shot in southern California and told mostly in fl ashback by Dina, who<br />
is befriended by a kindly older gentleman who patiently and quietly<br />
listens to her tale of how she got to this point, Hindsight is a very taut<br />
thriller that boasts strong characters with substantial depth and history,<br />
and an extremely well-written script. As the plot, and the scheme,<br />
develop, we learn the motivations and strategy of Ronnie and Dina as<br />
they attempt to sell their unborn child to a couple largely blinded due<br />
to their singular obsession. Maria refuses to see beyond the scheme,<br />
but ultimately proves to be the most resolute of the bunch.<br />
WORLD PERSPECTIVE<br />
Saturday • February 9 • Odeon • 7:00 PM<br />
Sunday • February 10 • Odeon • 1:15 PM 35