2008 Program guide - Victoria Film Festival
2008 Program guide - Victoria Film Festival
2008 Program guide - Victoria Film Festival
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WORLD PERSPECTIVE<br />
36<br />
HOLLYWOOD DREAMS THE WALKER<br />
DIRECTOR: HENRY JAGLOM<br />
USA<br />
2007 100 MINUTES 35MM<br />
PRODUCER: ROSEMARY MARKS-CARR<br />
WRITER: HENRY JAGLOM<br />
From critically acclaimed director Henry Jaglom comes Hollywood<br />
Dreams, an inside look at the nature and façade of fame in Hollywood.<br />
With one of the most neurotic and manic performances on screen<br />
since Gena Rowlands starred in A Woman Under The Infl uence,<br />
Tanna Frederick plays aspiring starlet Margie Chisek. Margie’s<br />
unapologetic social climbing pays immediate dividends when she is<br />
taken under the wing of Hollywood producer Kaz and his partner<br />
Caesar (a magnifi cent, at times tortured, performance by David<br />
Proval). Tanna enters their world like a hurricane, and in the process<br />
meets gay Hollywood icon Robin (Justin Kirk, Weeds). She falls for this<br />
unattainable object, although not everything is as it seems.<br />
Tanna Frederick gives a stunning performance in her fi rst leading role.<br />
Her discomfort with her surroundings is parlayed to the audience,<br />
to truly exceptional cinematic effect. At the same time, she ably slips<br />
into any situation in order to achieve her goals of making it to the top<br />
of the Hollywood pecking order. With a supporting cast of Seymour<br />
Cassel, Eric Roberts, Proval, Kirk, and Karen Black, Hollywood Dreams<br />
is a magnifi cent portrayal of the Hollywood star-making machine.<br />
Jaglom’s honest writing and his characters’ half-hearted deceptions<br />
make this one of the fi nest inside looks at Hollywood and the people<br />
who populate tinseltown since Altman’s The Player.<br />
Saturday • February 2 • Capitol 6 - 1 • 12:15 PM<br />
DIRECTOR: PAUL SCHRADER<br />
USA / UK<br />
2007 107 MINUTES 35MM<br />
PRODUCER: DEEPAK NAYAR<br />
WRITER: PAUL SCHRADER<br />
PRINT: COURTESY OF THINKFILM<br />
Embarking on his 1993 adaptation of The Age of Innocence, Scorsese<br />
insisted that the tea-set terrain of Edith Wharton was really just as<br />
vicious as the badlands of GoodFellas, the only difference being that<br />
they killed you with a smile as opposed to a gun. You get a similar<br />
impression from The Walker’s reactionary Washington backdrop.<br />
Society ladies have very busy husbands and very busy schedules. So<br />
sometimes a gentleman of taste, distinction and proper breeding<br />
who poses no romantic threat is called on to accompany the rich and<br />
powerful to must-attend events. Witty conversationalists, snappy<br />
dressers and etiquette snobs, these “walkers” have old-fashioned<br />
scruples – which, in the case of Carter Page III (Woody Harrelson), lead<br />
to an accusation of murder and the potential ruin of his family’s honour.<br />
Page, all southern-gentry drawl, surrounds himself with the smartest<br />
women of a certain age, who are themselves married to the most<br />
powerful men in Washington, D.C. Natalie Van Miter (Lauren Bacall),<br />
Abigail Delorean (Lily Tomlin) and Lynn Lockner (Kristin Scott Thomas)<br />
protect and scold him at weekly card games and various parties.<br />
However, Page’s idle life is thrown into turmoil when Lockner fi nds her<br />
lover stabbed to death. The chivalrous Page agrees to report the murder.<br />
In this whirl of backslapping cocktail receptions and rapier-duel canasta<br />
parties, the weak and vulnerable are always doomed to fl ounder.<br />
Thursday • February 7 • Caprice • 7:15 PM<br />
Saturday • February 9 • Capitol 6 - 6 • 2:15 PM