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2008 Program guide - Victoria Film Festival

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WORLD PERSPECTIVE<br />

36<br />

HOLLYWOOD DREAMS THE WALKER<br />

DIRECTOR: HENRY JAGLOM<br />

USA<br />

2007 100 MINUTES 35MM<br />

PRODUCER: ROSEMARY MARKS-CARR<br />

WRITER: HENRY JAGLOM<br />

From critically acclaimed director Henry Jaglom comes Hollywood<br />

Dreams, an inside look at the nature and façade of fame in Hollywood.<br />

With one of the most neurotic and manic performances on screen<br />

since Gena Rowlands starred in A Woman Under The Infl uence,<br />

Tanna Frederick plays aspiring starlet Margie Chisek. Margie’s<br />

unapologetic social climbing pays immediate dividends when she is<br />

taken under the wing of Hollywood producer Kaz and his partner<br />

Caesar (a magnifi cent, at times tortured, performance by David<br />

Proval). Tanna enters their world like a hurricane, and in the process<br />

meets gay Hollywood icon Robin (Justin Kirk, Weeds). She falls for this<br />

unattainable object, although not everything is as it seems.<br />

Tanna Frederick gives a stunning performance in her fi rst leading role.<br />

Her discomfort with her surroundings is parlayed to the audience,<br />

to truly exceptional cinematic effect. At the same time, she ably slips<br />

into any situation in order to achieve her goals of making it to the top<br />

of the Hollywood pecking order. With a supporting cast of Seymour<br />

Cassel, Eric Roberts, Proval, Kirk, and Karen Black, Hollywood Dreams<br />

is a magnifi cent portrayal of the Hollywood star-making machine.<br />

Jaglom’s honest writing and his characters’ half-hearted deceptions<br />

make this one of the fi nest inside looks at Hollywood and the people<br />

who populate tinseltown since Altman’s The Player.<br />

Saturday • February 2 • Capitol 6 - 1 • 12:15 PM<br />

DIRECTOR: PAUL SCHRADER<br />

USA / UK<br />

2007 107 MINUTES 35MM<br />

PRODUCER: DEEPAK NAYAR<br />

WRITER: PAUL SCHRADER<br />

PRINT: COURTESY OF THINKFILM<br />

Embarking on his 1993 adaptation of The Age of Innocence, Scorsese<br />

insisted that the tea-set terrain of Edith Wharton was really just as<br />

vicious as the badlands of GoodFellas, the only difference being that<br />

they killed you with a smile as opposed to a gun. You get a similar<br />

impression from The Walker’s reactionary Washington backdrop.<br />

Society ladies have very busy husbands and very busy schedules. So<br />

sometimes a gentleman of taste, distinction and proper breeding<br />

who poses no romantic threat is called on to accompany the rich and<br />

powerful to must-attend events. Witty conversationalists, snappy<br />

dressers and etiquette snobs, these “walkers” have old-fashioned<br />

scruples – which, in the case of Carter Page III (Woody Harrelson), lead<br />

to an accusation of murder and the potential ruin of his family’s honour.<br />

Page, all southern-gentry drawl, surrounds himself with the smartest<br />

women of a certain age, who are themselves married to the most<br />

powerful men in Washington, D.C. Natalie Van Miter (Lauren Bacall),<br />

Abigail Delorean (Lily Tomlin) and Lynn Lockner (Kristin Scott Thomas)<br />

protect and scold him at weekly card games and various parties.<br />

However, Page’s idle life is thrown into turmoil when Lockner fi nds her<br />

lover stabbed to death. The chivalrous Page agrees to report the murder.<br />

In this whirl of backslapping cocktail receptions and rapier-duel canasta<br />

parties, the weak and vulnerable are always doomed to fl ounder.<br />

Thursday • February 7 • Caprice • 7:15 PM<br />

Saturday • February 9 • Capitol 6 - 6 • 2:15 PM

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