01.12.2012 Views

2008 Program guide - Victoria Film Festival

2008 Program guide - Victoria Film Festival

2008 Program guide - Victoria Film Festival

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

WORLD PERSPECTIVE<br />

26<br />

THE COUNTERFEITERS<br />

(DIE FÄLSCHER)<br />

DIRECTOR: STEFAN RUZOWITZKY<br />

AUSTRIA/GERMANY<br />

2007 99 MINUTES 35MM<br />

PRODUCERS: JOSEF AICHHOLZER, NINA BOHLMANN, BABETTE SCHRÖDER<br />

WRITERS: STEFAN RUZOWITZKY FROM ADOLF BURGER’S BOOK<br />

Operation Bernhard was the Nazi plan to forge millions of British<br />

pounds and US dollars, with which to fl ood their enemies’<br />

economies while fi lling their own fl agging war chest. In the biggest<br />

counterfeiting scam ever, Jewish printers, typographers and others<br />

in the Sachsenhausen concentration camp forged £130 million. But<br />

their work in the so-called ‘golden cage’ of Sachsenhausen presented<br />

these prisoners with a terrible moral dilemma: the more money they<br />

produced, the longer they stayed alive - and the more they bolstered<br />

the Nazi war effort.<br />

The fi lm is told as the reminiscences of gaunt yet spirited Salomon<br />

“Sally” Sorowitsch (Karl Markovics), who looks back on the Second<br />

World War while on a gambling binge at Monte Carlo. In the Weimar<br />

era, he was a libertine living the good life thanks to his considerable<br />

counterfeiting abilities, but he was eventually arrested and sent to the<br />

Mauthausen concentration camp. Always looking out for number one,<br />

Sorowitsch keeps his nose clean and even becomes the camp’s resident<br />

artist. Years later, he is unceremoniously sent to Sachsenhausen, where<br />

it is announced that he is to forge bills with a group of inmates.<br />

Played with extraordinary subtlety by Markovics, Sorowitsch is a<br />

complex fi gure: a bona fi de artist who would rather forge than paint;<br />

a pragmatist whose willingness to do whatever it takes to stay alive<br />

belies a genuine compassion. Ruzowitzky’s direction is equally subtle.<br />

Just as the conspirators are shielded from the full cruelty of the camp,<br />

so too is the audience. Yet we know full well it’s right outside their<br />

cushioned existence.<br />

Friday • February 8 • Capitol 6 - 6 • 6:45 PM<br />

CALIFORNIA<br />

DREAMIN’ ENDLESS<br />

DIRECTOR: CRISTIAN NEMESCU<br />

ROMANIA<br />

2007 155 MINUTES 35MM<br />

PRODUCER: ANDREI BONCEA<br />

WRITERS: TUDOR VOICAN, CRISTIAN NEMESCU<br />

In the early summer of 1999 the Kosovo War is in its last stages.<br />

Aboard a train that transports NATO equipment and army personnel<br />

through Romania, US army Captain Doug Jones (Armand Assante) is in<br />

charge. One of their stops is at an apparently insignifi cant train station<br />

not even worthy of that name, though local station agent Doiaru<br />

(Razvan Vasilescu) might disagree.<br />

Though orally authorized by Bucharest offi cials, Doiaru insists on<br />

receiving all the necessary export documentation on paper before<br />

letting the convoy pass. “Rules are rules” seems to be his mantra,<br />

though his own bending of them in order to advance his activities as<br />

a shopkeeper of products that “fell off the wagon” shows that he is<br />

really only after massaging his ego and fi lling his pockets.<br />

As the hours become days, the soldiers are invited by the local mayor<br />

to attend a celebration, where he tries to rally them for his cause,<br />

as much as local workers at a factory try to attract the foreigners’<br />

attention for a proposed strike. The local girls, including the daughter<br />

of Doiaru also seem rather interested in the train full of fi t lonely men<br />

with barely a thing to do.<br />

California Dreamin’ Endless is chock-full of characters, incidents and<br />

themes, including a larger exploration of the relationship between<br />

Romania and the USA. The debut of Romanian director Cristian<br />

Nemescu who died, at the age of 27 in a car accident, while the fi lm<br />

was in postproduction won the top prize of the Un certain regard<br />

section at the Cannes <strong>Film</strong> <strong>Festival</strong>.<br />

Friday • February 1 • Capitol 6 - 1 • 9:30 PM<br />

Monday • February 4 • Odeon • 9:30 PM

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!