Serge Thion, History by Night or in Fog? 49two books, 15 I have attempted to chronicle this media agitation, of which thelarge-scale worldwide publicity for Pressac’s book is the latest chapter.It must be said that the Pressac media campaign has been carried out infine style. Pressac, who had been rather quietly working in the shadows, so tospeak, was launched into public awareness as if a public relations expert hadmasterminded the operation. L’Express, a leading French news magazine, wasfirst to open fire, with a cover photo by famous French photographer RaymondDepardon and a big headline: 16“Auschwitz: The Truth.”The classic Orwellian translation of this headline would be: “Auschwitz:The Lie.”Soon followed the Nouvel Observateur 17 with a weekend at Auschwitzwith Pressac, along with the heavy artillery of the “leading specialists.”Libération, a Paris daily, joined in with two pages and more photographs anddocuments. 18 Le Monde, another Paris daily, then appeared with a half-pagearticle from the pen of Laurent Greilsamer, who has followed the Faurissonaffair in the courts for a long time. 19 Then came a barrage of television and radiopublicity. La Ville-du-Bois, the little town south of Paris where Pressacsold his drugs, hadn’t known such uproar since the Hundred Years War in the14 th century.“A work that will serve as a reference for historians of the whole world,”said L’Express. Thanks to the Soviet archives “the first synthesis of knowledgeof one of the most important events of the 20th century has been accomplished,”L’Express went on to remark. This commentary was provided bysomeone named Conan and another chap called Peschanski, a research fellowwho owes obedience to Bédarida. 20 The distinguished commentators affirm15 Verite historique ou verite politique?, La Vieille Taupe, Paris 1980, 352 pages, and Une allumettesur la banquise, Le Temps irreparable, Paris 1993, 330 pages.16 L’Express, Sept. 23-29, 1993. (Eleven pages of text and photos.)17 Nouvel Observateur, Sept. 30-Oct. 6, 1993, pp. 88-90, 92, 95-97. By Claude Weill, includinginterviews with J.-C. Pressac, Pierre Vidal-Naquet, Raul Hilberg and Claude Lanzmann.Eight pages are devoted to this trip, which calls to mind those Mediterranean cruises inwhich noted archaeologists act as tour guides. The allusion is quite explicit (p. 92): “Pressacruns through the ruins like an English archaeologist on the site of Ephesus.” The image isrevealing: the English were in fact the first, in 1863, to dig at Ephesus. It thus evokes a 19thcentury context, the beginnings of scientific archeology, the discovery or rediscovery of thegreat lost civilizations. Pressac, seen as an eccentric gentleman from an adventure novel, isabout to reveal an unknown world for us. Everything we’ve known until now is made nulland void by the triumphal “running” of the discoverer, resurrecting the past, and almost recreatingit.18 Libération, Sept. 24, 1993, pp. 28-29.19 September 26-27, 1993, p. 7.20 Denis Peschanski is a research fellow with the Contemporary History Institute of the CNRS(Centre National de la Recherche Scientifique). Pressac’s Les Crematoires d’Auschwitz waspublished under the guidance of Bédarida by the CNRS press. The cardinal principle of the
50 Germar Rudolf (ed.), Auschwitz: Plain Factsthat both the decision for and the execution of the “Judeocide” (a new termthat has yet to gain wide acceptance) were shrouded in “absolute secrecy,” ofwhich we might say that it still hasn’t been pierced.But why did the archives lie dormant? “Because an important current ofJewish memory refused any rational approach to the Final Solution, whichwas deemed an ‘unspeakable’ and ‘unthinkable’ event.” One would prefer, ofcourse, a more straightforward denunciation, naming names and citing references,but at L’Express prudence prevails. The idyllic situation at the archiveswas disturbed by the “literature of denial,” which set about picking out the errors“logically numerous in witness testimonies or in the postwar Soviet textsthat made Auschwitz a theme of ideological propaganda.” The fine sleuths atL’Express haven’t noticed that every single assertion by Pressac regardinghomicidal gas chambers is based directly on these very Soviet and Polishtexts. But then one can’t demand too much of journalists. It is Pressac who issupposed have personally discovered that “the technological history of the FinalSolution still remains to be written.” It is impossible for a well-bred journalist,as they prefer them at L’Express, to recognize that the father of thisbrilliant “discovery” (in France) is none other than Professor Robert Faurisson.After all, it wouldn’t do to acknowledge that from that discovery on,every advance in this area owes something to him. 21In his 1989 book – published in New York by the Klarsfelds – Pressacboasted that, on the basis of his work in the archives in Poland and Germany(50,000 documents), he was solving the riddle in its entirety. Now, he says,the 80,000 documents from the Soviets will tell us more. However, the 1989work – of 564 large-size pages – was far more comprehensive, and dealt withmany more subjects. Had the journalists done their homework, they wouldhave recognized that Pressac’s 1993 book is much more limited in scope, andis much more circumspect, indeed diffident, in its assertions than the 1989work.After having explained the book’s stupefying discovery – that the administrationadministered, that the Central Construction Office made plans and requestedestimates and invoices – the subtle analysts of L’Express assert thatPressac “found proof of the organization of the killing.” There’s the trick.Pressac swims in a sea of ambiguities. He does not positively state that he hasfound “proofs,” but rather traces, or clues, which are almost as good as proof.Journalists can’t afford to indulge in such subtlety, and Pressac makes no protestagainst their distortions. As in a child’s game, he seems to say: “I didn’tsay it. He did.” Pressac is always able, faced with real criticism, to take refugeworld of Parisian literary criticism is well known: “No one is better served then by oneself –but it shouldn’t show.”21 The most basic principles of the history of ideas, as taught at Sorbonne University, have tobe destroyed. Thus is the intellectual honor of the bedaristic followers.
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THE HOLOCAUST HANDBOOK SERIES . . .
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Auschwitz: Plain Facts—A Response
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