Concert & Festival - JW Pepper

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$Vocal Anthologies Catalog 2006\NEW - JW Pepper$

8 Concert & Festival GREAT DAY!—arr. Howard Helvey. “Great day! Great day the righteous marchin’. Great day! God’s gonna build up Zion’s walls.” This popular spiritual is arranged by Howard Helvey for SATB voices, solo and piano. An exciting choice for church services, school concerts and festival performances! 10281680 SATB......................2.10 10281683 SSA .......................2.10 HAND IN HAND—Rollo Dilworth. “Walk with me, my brother...sing with me, my sister...labor with me as we strive for unity...” This gospelstyle original is a wonderful way to encourage understanding and unity. With steady, rhythmic energy that builds and builds, it sends a powerful, uplifting message to people of all ages! 10278321 SATB......................1.80 T T ops! THE Lighter Selections Don’t miss these top-sellers! Listed below in order of popularity, they are the pieces in greatest demand by choir directors everywhere. They are all proven winners, which means you can buy them with total confidence! whIsPer!—greg gilpin. 10190894 Two-Part ........................1.95 10204626 P/A CD .........................24.95 IF I onlY haD a BraIn— harold arlen & e.Y. harburg/arr. albrecht. 10274821 Two-Part ........................1.90 10274822 P/A CD .........................26.99 10275298 DVD-Showbiz! Choral Movement ...............39.99 BIll BaIleY, won’T You Please CoMe hoMe?—hughie Cannon/arr. gilpin. 10274321 SSATB ..........................1.80 alwaYs looK on The BrIghT sIDe oF lIFe—arr. Mac huff. 10277987 TTB.............................1.90 10277996 P/A CD .........................26.99 galoP—Ken Berg. 10028692 Unison/Two-Part.................2.35 The PInK PanTher— henry Mancini/arr. emerson. 10278729 Three-Part Mixed ................1.95 10278730 Two-Part ........................1.95 10278731 Teaching P/A CD ................26.99 Three QuoTes BY MarK TwaIn— andrea ramsey. 10080294 SA or Two-Part...................1.85 ThunDer!—sally K. albrecht. 10192130 Two-Part ........................1.80 10275223 P/A CD .........................26.99 10275224 Instrumental Parts ..............20.00 solFege song—andy Beck. 10275216 Two-Part ........................1.80 10275217 P/A CD .........................26.99 sIng—arr. Mark Brymer. 10278704 SATB............................1.95 10288779E SATB e-Print.....................1.95 10278712 SAB .............................1.95 10278714 SSA .............................1.95 10278715 P/A CD .........................26.99 10278716E Instrumental Parts e-Print . . . . . . .40.00 New! HARK! I HEAR THE HARPS ETERNAL— Craig Carnahan. Here is a rousing setting for a cappella male chorus of the tune “Invitation” from the shape note collection, Southern Harmony of 1835. An alternate text is included as an option for the Advent and Christmas season. 10293579 TTBB......................1.85 HARK, I HEAR THE HARPS ETERNAL—arr. Alice Parker. Now all choirs can enjoy this famous hymntune arranged by Alice Parker, originally written for “The Robert Shaw Chorale.” The strong walking pulse and juxtaposed motives have made it exceptionally popular for over 40 years. 4004693 SATB......................1.85 3147212 SSAA......................1.85 10047605 TTBB......................1.75 HE NEVER FAILED ME YET—Robert Ray. With its driving beat and enormous appeal, this powerful gospel work has become the definitive selection in this style for an entire generation. Use one or two soloists and be prepared for spontaneous, hand-clapping joy as your group reaches the finale. Impressive! (The SSA edition is one step higher, in the key of C.) 1424092 SATB......................1.80 8070839 SSA .......................1.70 10002656 TTBB......................1.70 1901263 P/A CD ...................26.99 1939735 Instrumental Parts ..........30.00 10002660 Orchestration ..............55.00 10002660E Orchestration e-Print ........55.00 HOLD ON!—arr. Earlene Rentz. Every part gets to sing the melody in this gently swinging setting of the traditional spiritual. Perfect for middle-school choirs in every respect, it’s a spiritual that everyone in your audience will recognize and enjoy! “If you want to get to heaven, let me tell you how. Keep your hand on the gospel plow. Hold on, hold on!” 10192356 Three-Part Mixed ............1.80 HOLD STEADY WITH THE GATE—Greg Gilpin & John Parker. This is awesome! The perfect sequel to Nothin’ Gonna Stumble My Feet, it’s a powerhouse original a cappella spiritual that will raise the roof! In under three minutes’ duration, the work develops and builds with such drama and intensity, it will have tremendous impact in performance! Highly recommended! 10275851 SSATTB ...................1.95 10275853 P/A CD ...................24.95 HOMELAND—Gustav Holst/ed. Stroope. “Homeland, the country that I love, hold out your arms to me. I strive for you, and give you the best I hope to be.” This soaring melody, also known as Jupiter’s Theme from “The Planets,” is presented with all the emotion and majesty that it deserves. Additional brass parts wonderfully enhance the choral presentation. 3231057 SATB......................1.70 10034323 TBB .......................1.70 3230505 SSAA......................1.70 8058295 Brass & Percussion/SATB ....30.00 10078019 Brass & Percussion/SSA .....30.00 10078020 Brass & Percussion/TTB .....35.00 HOMEWARD BOUND—Marta Keen/arr. Althouse. Homeward Bound, a favorite with choral directors for many years, is now available for young choirs! This heartfelt piece is elegant in its simplicity and memorable in its warmth and sincerity. It has also become an anthem for soldiers returning home. Performed as a choral only, or with concert band, it is guaranteed to create a stirring moment in your concert! Highly recommended! 1780808 SATB......................1.80 1780816 SSA .......................1.80 3016219 SAB .......................1.80 10274940 Two-Part . . . . . . . . . . . . . . . . . . .1.80 HOW CAN I KEEP FROM SINGING—Greg Gilpin. Greg has taken the traditional Quaker text and positively supercharged it with his own gospel-styled music in this marvelous new look at a timeless American poem. This one has it all-a wide-open solo for your best gospel singer, an accompaniment that’s fine as is, or can be embellished at will by your pianist, and hand claps from the very first measure that’ll quickly spread through your audience or congregation. Highly recommended! 3298161 Three-Part Mixed ............1.80 10192345 SSA .......................1.80 3298923 Multi-Song Accomp. CD......25.00 HOW LIKE A WINTER—Ruth Morris Gray. “How like a winter hath my absence been, like a winter, from thee...” This artful setting of a text by William Shakespeare works equally well as a winter piece or as a secular concert work. Sing the liquid phrases with a beautiful line and observe the tempo nuances to attain the most expressive performance. Haunting! 10274943 SAB .......................1.80 10274944 SSA .......................1.80 10275227 Multi-Song Accomp. CD......39.99 HUSH! SOMEBODY’S CALLIN’ MY NAME— arr. Rollo Dilworth. “Oh, my Lord, oh, my Lord, what shall I do?” A steady walking bass line, expressive gospel harmonies, and haunting vocal effects make this arrangement of the traditional spiritual truly exceptional for young choirs! There’s even a reference to “follow the drinking gourd” in the lyrics - a teachable moment for Black History Month. As a “first spiritual” for elementary or middle school voices, this is not to be missed! Highly recommended! 10278431 Two-Part . . . . . . . . . . . . . . . . . . .1.80 10278432 Teaching P/A CD ...........19.99 2011-2012 Pepper Mid-Year Choral Catalog e available via e-Print All Prices In U.S. Dollars & Subject To Publisher Revision
New! I HAVE A TRUE LOVE—Charles McCartha. Dancing gracefully from the score, this appealing setting from the “Wisdom of Solomon” is an impressive choral for your treble choir. Playful interaction between keyboard and voices engage the ear while the sweetly scored harmonies work the strengths of the treble choir. Like a lilting folksong, this tender choral equally at home in the concert hall or the sanctuary! 10293363 SSA .......................1.95 I HEAR A VOICE A-PRAYIN’—Houston Bright. This a cappella classic by composer Houston Bright has been a staple of choral repertoire for many years. Greg Gilpin has adapted the work for SSAB voices, making it suitable for developing and smaller choirs while retaining the vocal finesse of the original SATB, which is newly engraved and edited. Editions for women’s and men’s choirs are also available. Discover again this masterpiece of choral literature! Highly recommended! 774364 SATB......................1.95 10274445 SSAB......................1.95 916734 SSAA......................2.25 1448067 TTBB......................2.25 I KNOW I BEEN CHANGED—Roy Belfield. Rich harmonies and engaging textures characterize this setting of the classic spiritual. A treat for singer and listener alike, this arrangement is equally profound in both concert and worship settings. 3119591 SATB......................1.75 10293365 TTBB......................1.80 Always Call Pepper First! 1-800-345-6296 I LIKE WRINKLES—Will Schmid. “I like a face with eyes that twinkle, I like crow’s feet and brows that wrinkle, I like smiles that are big and wide, showing lots of love inside...” Your students’ grandparents will adore this! The perfect piece to encourage advocacy for your music program, it’s a happy ragtime original with an instrumental break during which you can do choreography, invite a special grandparent onto the stage, or let students greet their grandparents in the audience. Optional parts are included for guitar, bass and “World Music Drums.” Highly recommended! 10278463 Two-Part . . . . . . . . . . . . . . . . . . 1.80 10278464 P/A CD ..................26.99 New! I WILL ARISE—Kenneth Drake. This lively, energetic a cappella setting of the William Walker tune Restoration is not to be missed! The creative part writing provides equal challenges for all parts. Taken from the 1835 collection “Southern Harmony,” it is a tribute to the heritage of American sacred music. 10293575 SATB......................1.70 I WILL LIFT MY EYES—Mark Hayes. With text based on Psalm 121, this lyrical piece is a song of hope and encouragement. The main theme uses canonic form, while the flowing piano accompaniment supports the mood and text. Optional clarinet and cello enhance the beauty of this memorable original, which ends with the promise: “The Lord will watch over your coming and going, both now and forevermore.” 10275858 SATB......................1.95 10275861 SSA .......................1.95 10275864 TTB . . . . . . . . . . . . . . . . . . . . . . .1.95 10275865 P/A CD .................. 24.95 I’M GONNA CROSS THE RIVER JORDAN— Bert Stratton & Vicki Tucker Courtney. Here’s an a cappella original with all the drama of a traditional spiritual, from the optional soprano solo at the beginning to the soaring descant at the end. Dynamic swells keep the excitement level high, and limited vocal ranges make for a compact, intense choral sound. A little different, refreshing, and very nice! 10192420 SATB......................1.80 I’M GONNA SING!—arr. Don Besig. This a cappella traditional spiritual is suitable for every choir! A choral reduction is used as the keyboard part, making rehearsals a breeze. Authentic in style and great in performance, this arrangement is not to be missed. 10276692 SATB......................1.80 JW Pepper...It’s where America shops for music! new TeaChIng Tools Concert & Festival New! I’M GONNA WALK—Brad Nix. Toe-tapping jubilation characterizes this new a capella spiritual that really showcases the sections of your choir. Written primarily in a traditional style, there are a few innovative compositional devices that remind you this is a fresh approach. Suitable for both worship and concert settings! 10293371 SATB......................1.80 I’VE BEEN IN THE STORM SO LONG— arr. Mark Hayes. Absolutely superb, this slow, emotional spiritual setting will add depth and contrast to your concert program, even when performed with other spirituals. Mark Hayes has given the traditional work a wistful, bluesy sound, and his incomparable arranging skill shines through every measure! Each voice part is in the perfect tessitura, and every note is carefully chosen. Without a doubt, this is the very best of the genre! Highly recommended! 10274953 SATB......................1.80 Jazz Warm-Ups And Vocalises— Gary Walth. Here’s a great set of warm-ups for the vocal jazz ensemble that’s designed to enhance and stimulate the growth of each member’s vocal and choral ability. Thinking of the warm-up as a “mini voice lesson,” you can reinforce concepts with consistent encouragement, criticism, problem-solving and praise. This practical volume will help the conductor provide purposeful leadership and develop artistry in each individual through exercises that build styles such as Swing, Latin and Rock, using solfege and scat syllables as well as tone and blend in ballad style. Each exercise includes a notated keyboard accompaniment, with multiple modulations, and a professional recording of singers with a rhythm section. 10279923 Choral Book/CD Pack ...............................................24.99 One-Minute Sight Singing—Holly shaw-slabbinck & ronald slabbinck. “One-Minute Sight Singing“ teaches and reinforces the essentials of solfege-based sight singing without cutting into valuable rehearsal time. The curriculum, structured as a collection of one-minute lessons, targets students of all ages who are new to sight singing. It also serves as an ideal component to the regular choral warm-up routine for singers of all experience levels. Singers who are new to music reading and theory will appreciate the helpful reminders interspersed before new concepts are introduced in the music. The careful progression of lessons ensures that singers will gain a solid mastery of sight singing, movable “Do” solfege, and Curwen hand symbols. “One-Minute Sight Singing“ is uniquely designed, with exercises duplicated in both treble and bass clefs. Not only does this help singers learn to read and sight sing in both clefs, but directors may also use the unison exercises to help improve tuning and breath support. A great choice for school, youth, community and church choirs! 10083189 Choral Book Vol. 1 Beginner/Intermediate ...............................8.95 10097722 Choral Book Vol. 2 Intermediate/Advanced...............................8.95 Pop Warm-Ups And Workouts For Choir—roger emerson. Following the success of “Pop Warm-ups and Workouts for Guys,“ Roger Emerson has created this series of warm-ups for all choirs using classic rock and roll tunes to build vocal skills while having fun! Each of the warm-ups provides a focus objective, suggested learning outcomes, and related choral literature for young and developing ensembles. Concepts covered include: vowel shapes, resonance, breath control, head voice and falsetto, articulation and diction and much more! The warm-ups are based on these pop classics: At the Hop; Do-Re-Mi; Don’t Stop Believin’; Good Vibrations; Hound Dog; Lean on Me; The Longest Time; Spinning Wheel; Thriller and Witch Doctor. 10279925 Choral Book/CD Pack ...............................................29.99 Order Today Toll-Free! Call 1-800-345-6296 / Fax 1-800-260-1482 / Internet: jwpepper.com / E-mail: satisfaction@jwpepper.com 9
Page 1 and 2: PePPer: holiday choRal 10 your cata
Page 3 and 4: ADORAMUS TE—Robert T. Townsend. T
Page 5 and 6: BILL BAILEY, WON’T YOU PLEASE COM
Page 7 and 8: Dirait-On—Morten Lauridsen. This
Page 9: EARTH SONG—Frank Ticheli. A cry f
Page 13 and 14: LET THERE BE PEACE—arr. Douglas E
Page 15 and 16: PRAISE HIS HOLY NAME—Keith Hampto
Page 17 and 18: UBI CARITAS—Greg Gilpin. Simple,
Page 19 and 20: BEAUTIFUL DAY—arr. Mac Huff. “A
Page 21 and 22: BUMBLE BEE—Anders Edenroth. Vocal
Page 23 and 24: Pure Imagination (from “Willie Wo
Page 25 and 26: HAWAII FIVE-O—arr. Roger Emerson.
Page 27 and 28: LEAN ON ME (with We Shall Overcome)
Page 29 and 30: STUCK LIKE GLUE—arr. Mark Brymer.
Page 31 and 32: 901 501 Great new folder with added

Concert & Festival - JW Pepper

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