Concert & Festival - JW Pepper
Concert & Festival - JW Pepper
Concert & Festival - JW Pepper
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New!<br />
I HAVE A TRUE LOVE—Charles McCartha.<br />
Dancing gracefully from the score, this appealing<br />
setting from the “Wisdom of Solomon” is an<br />
impressive choral for your treble choir. Playful<br />
interaction between keyboard and voices engage<br />
the ear while the sweetly scored harmonies work<br />
the strengths of the treble choir. Like a lilting folksong,<br />
this tender choral equally at home in the<br />
concert hall or the sanctuary!<br />
10293363 SSA .......................1.95<br />
I HEAR A VOICE A-PRAYIN’—Houston Bright.<br />
This a cappella classic by composer Houston<br />
Bright has been a staple of choral repertoire for<br />
many years. Greg Gilpin has adapted the work for<br />
SSAB voices, making it suitable for developing and<br />
smaller choirs while retaining the vocal finesse of<br />
the original SATB, which is newly engraved and<br />
edited. Editions for women’s and men’s choirs are<br />
also available. Discover again this masterpiece of<br />
choral literature! Highly recommended!<br />
774364 SATB......................1.95<br />
10274445 SSAB......................1.95<br />
916734 SSAA......................2.25<br />
1448067 TTBB......................2.25<br />
I KNOW I BEEN CHANGED—Roy Belfield. Rich<br />
harmonies and engaging textures characterize this<br />
setting of the classic spiritual. A treat for singer and<br />
listener alike, this arrangement is equally profound<br />
in both concert and worship settings.<br />
3119591 SATB......................1.75<br />
10293365 TTBB......................1.80<br />
Always Call <strong>Pepper</strong> First!<br />
1-800-345-6296<br />
I LIKE WRINKLES—Will Schmid. “I like a<br />
face with eyes that twinkle, I like crow’s feet and<br />
brows that wrinkle, I like smiles that are big and<br />
wide, showing lots of love inside...” Your students’<br />
grandparents will adore this! The perfect piece to<br />
encourage advocacy for your music program, it’s a<br />
happy ragtime original with an instrumental break<br />
during which you can do choreography, invite a<br />
special grandparent onto the stage, or let students<br />
greet their grandparents in the audience. Optional<br />
parts are included for guitar, bass and “World<br />
Music Drums.” Highly recommended!<br />
10278463 Two-Part . . . . . . . . . . . . . . . . . . 1.80<br />
10278464 P/A CD ..................26.99<br />
New!<br />
I WILL ARISE—Kenneth Drake. This lively,<br />
energetic a cappella setting of the William Walker<br />
tune Restoration is not to be missed! The creative<br />
part writing provides equal challenges for all<br />
parts. Taken from the 1835 collection “Southern<br />
Harmony,” it is a tribute to the heritage of American<br />
sacred music.<br />
10293575 SATB......................1.70<br />
I WILL LIFT MY EYES—Mark Hayes. With<br />
text based on Psalm 121, this lyrical piece is a<br />
song of hope and encouragement. The main<br />
theme uses canonic form, while the flowing piano<br />
accompaniment supports the mood and text.<br />
Optional clarinet and cello enhance the beauty<br />
of this memorable original, which ends with the<br />
promise: “The Lord will watch over your coming<br />
and going, both now and forevermore.”<br />
10275858 SATB......................1.95<br />
10275861 SSA .......................1.95<br />
10275864 TTB . . . . . . . . . . . . . . . . . . . . . . .1.95<br />
10275865 P/A CD .................. 24.95<br />
I’M GONNA CROSS THE RIVER JORDAN—<br />
Bert Stratton & Vicki Tucker Courtney. Here’s<br />
an a cappella original with all the drama of a<br />
traditional spiritual, from the optional soprano solo<br />
at the beginning to the soaring descant at the end.<br />
Dynamic swells keep the excitement level high,<br />
and limited vocal ranges make for a compact,<br />
intense choral sound. A little different, refreshing,<br />
and very nice!<br />
10192420 SATB......................1.80<br />
I’M GONNA SING!—arr. Don Besig. This a<br />
cappella traditional spiritual is suitable for every<br />
choir! A choral reduction is used as the keyboard<br />
part, making rehearsals a breeze. Authentic in<br />
style and great in performance, this arrangement<br />
is not to be missed.<br />
10276692 SATB......................1.80<br />
<strong>JW</strong> <strong>Pepper</strong>...It’s where<br />
America shops for music!<br />
new TeaChIng Tools<br />
<strong>Concert</strong> & <strong>Festival</strong><br />
New!<br />
I’M GONNA WALK—Brad Nix. Toe-tapping<br />
jubilation characterizes this new a capella spiritual<br />
that really showcases the sections of your choir.<br />
Written primarily in a traditional style, there are a<br />
few innovative compositional devices that remind<br />
you this is a fresh approach. Suitable for both<br />
worship and concert settings!<br />
10293371 SATB......................1.80<br />
I’VE BEEN IN THE STORM SO LONG—<br />
arr. Mark Hayes. Absolutely superb, this slow,<br />
emotional spiritual setting will add depth and<br />
contrast to your concert program, even when<br />
performed with other spirituals. Mark Hayes<br />
has given the traditional work a wistful, bluesy<br />
sound, and his incomparable arranging skill shines<br />
through every measure! Each voice part is in<br />
the perfect tessitura, and every note is carefully<br />
chosen. Without a doubt, this is the very best of the<br />
genre! Highly recommended!<br />
10274953 SATB......................1.80<br />
Jazz Warm-Ups And Vocalises—<br />
Gary Walth. Here’s a great set of warm-ups for<br />
the vocal jazz ensemble that’s designed to enhance<br />
and stimulate the growth of each member’s vocal and<br />
choral ability. Thinking of the warm-up as a “mini voice<br />
lesson,” you can reinforce concepts with consistent<br />
encouragement, criticism, problem-solving and praise.<br />
This practical volume will help the conductor provide<br />
purposeful leadership and develop artistry in each<br />
individual through exercises that build styles such as<br />
Swing, Latin and Rock, using solfege and scat syllables<br />
as well as tone and blend in ballad style. Each exercise includes a notated keyboard accompaniment, with<br />
multiple modulations, and a professional recording of singers with a rhythm section.<br />
10279923 Choral Book/CD Pack ...............................................24.99<br />
One-Minute Sight Singing—Holly shaw-slabbinck & ronald slabbinck.<br />
“One-Minute Sight Singing“ teaches and reinforces the essentials of solfege-based sight singing without<br />
cutting into valuable rehearsal time. The curriculum, structured as a collection of one-minute lessons,<br />
targets students of all ages who are new to sight singing. It also serves as an ideal component to the regular<br />
choral warm-up routine for singers of all experience levels. Singers who are new to music reading and<br />
theory will appreciate the helpful reminders interspersed before new concepts are introduced in the music.<br />
The careful progression of lessons ensures that singers will gain a solid mastery of sight singing, movable<br />
“Do” solfege, and Curwen hand symbols. “One-Minute Sight Singing“ is uniquely designed, with exercises<br />
duplicated in both treble and bass clefs. Not only does this help singers learn to read and sight sing in both<br />
clefs, but directors may also use the unison exercises to help improve tuning and breath support. A great<br />
choice for school, youth, community and church choirs!<br />
10083189 Choral Book Vol. 1 Beginner/Intermediate ...............................8.95<br />
10097722 Choral Book Vol. 2 Intermediate/Advanced...............................8.95<br />
Pop Warm-Ups And Workouts For Choir—roger emerson.<br />
Following the success of “Pop Warm-ups and Workouts for Guys,“ Roger Emerson has created this series<br />
of warm-ups for all choirs using classic rock and roll tunes to build vocal skills while having fun! Each of the<br />
warm-ups provides a focus objective, suggested learning outcomes, and related choral literature for young<br />
and developing ensembles. Concepts covered include: vowel shapes, resonance, breath control, head voice<br />
and falsetto, articulation and diction and much more! The warm-ups are based on these pop classics: At<br />
the Hop; Do-Re-Mi; Don’t Stop Believin’; Good Vibrations; Hound Dog; Lean on Me; The Longest Time;<br />
Spinning Wheel; Thriller and Witch Doctor.<br />
10279925 Choral Book/CD Pack ...............................................29.99<br />
Order Today Toll-Free! Call 1-800-345-6296 / Fax 1-800-260-1482 / Internet: jwpepper.com / E-mail: satisfaction@jwpepper.com<br />
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