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Concert & Festival - JW Pepper

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New!<br />

I HAVE A TRUE LOVE—Charles McCartha.<br />

Dancing gracefully from the score, this appealing<br />

setting from the “Wisdom of Solomon” is an<br />

impressive choral for your treble choir. Playful<br />

interaction between keyboard and voices engage<br />

the ear while the sweetly scored harmonies work<br />

the strengths of the treble choir. Like a lilting folksong,<br />

this tender choral equally at home in the<br />

concert hall or the sanctuary!<br />

10293363 SSA .......................1.95<br />

I HEAR A VOICE A-PRAYIN’—Houston Bright.<br />

This a cappella classic by composer Houston<br />

Bright has been a staple of choral repertoire for<br />

many years. Greg Gilpin has adapted the work for<br />

SSAB voices, making it suitable for developing and<br />

smaller choirs while retaining the vocal finesse of<br />

the original SATB, which is newly engraved and<br />

edited. Editions for women’s and men’s choirs are<br />

also available. Discover again this masterpiece of<br />

choral literature! Highly recommended!<br />

774364 SATB......................1.95<br />

10274445 SSAB......................1.95<br />

916734 SSAA......................2.25<br />

1448067 TTBB......................2.25<br />

I KNOW I BEEN CHANGED—Roy Belfield. Rich<br />

harmonies and engaging textures characterize this<br />

setting of the classic spiritual. A treat for singer and<br />

listener alike, this arrangement is equally profound<br />

in both concert and worship settings.<br />

3119591 SATB......................1.75<br />

10293365 TTBB......................1.80<br />

Always Call <strong>Pepper</strong> First!<br />

1-800-345-6296<br />

I LIKE WRINKLES—Will Schmid. “I like a<br />

face with eyes that twinkle, I like crow’s feet and<br />

brows that wrinkle, I like smiles that are big and<br />

wide, showing lots of love inside...” Your students’<br />

grandparents will adore this! The perfect piece to<br />

encourage advocacy for your music program, it’s a<br />

happy ragtime original with an instrumental break<br />

during which you can do choreography, invite a<br />

special grandparent onto the stage, or let students<br />

greet their grandparents in the audience. Optional<br />

parts are included for guitar, bass and “World<br />

Music Drums.” Highly recommended!<br />

10278463 Two-Part . . . . . . . . . . . . . . . . . . 1.80<br />

10278464 P/A CD ..................26.99<br />

New!<br />

I WILL ARISE—Kenneth Drake. This lively,<br />

energetic a cappella setting of the William Walker<br />

tune Restoration is not to be missed! The creative<br />

part writing provides equal challenges for all<br />

parts. Taken from the 1835 collection “Southern<br />

Harmony,” it is a tribute to the heritage of American<br />

sacred music.<br />

10293575 SATB......................1.70<br />

I WILL LIFT MY EYES—Mark Hayes. With<br />

text based on Psalm 121, this lyrical piece is a<br />

song of hope and encouragement. The main<br />

theme uses canonic form, while the flowing piano<br />

accompaniment supports the mood and text.<br />

Optional clarinet and cello enhance the beauty<br />

of this memorable original, which ends with the<br />

promise: “The Lord will watch over your coming<br />

and going, both now and forevermore.”<br />

10275858 SATB......................1.95<br />

10275861 SSA .......................1.95<br />

10275864 TTB . . . . . . . . . . . . . . . . . . . . . . .1.95<br />

10275865 P/A CD .................. 24.95<br />

I’M GONNA CROSS THE RIVER JORDAN—<br />

Bert Stratton & Vicki Tucker Courtney. Here’s<br />

an a cappella original with all the drama of a<br />

traditional spiritual, from the optional soprano solo<br />

at the beginning to the soaring descant at the end.<br />

Dynamic swells keep the excitement level high,<br />

and limited vocal ranges make for a compact,<br />

intense choral sound. A little different, refreshing,<br />

and very nice!<br />

10192420 SATB......................1.80<br />

I’M GONNA SING!—arr. Don Besig. This a<br />

cappella traditional spiritual is suitable for every<br />

choir! A choral reduction is used as the keyboard<br />

part, making rehearsals a breeze. Authentic in<br />

style and great in performance, this arrangement<br />

is not to be missed.<br />

10276692 SATB......................1.80<br />

<strong>JW</strong> <strong>Pepper</strong>...It’s where<br />

America shops for music!<br />

new TeaChIng Tools<br />

<strong>Concert</strong> & <strong>Festival</strong><br />

New!<br />

I’M GONNA WALK—Brad Nix. Toe-tapping<br />

jubilation characterizes this new a capella spiritual<br />

that really showcases the sections of your choir.<br />

Written primarily in a traditional style, there are a<br />

few innovative compositional devices that remind<br />

you this is a fresh approach. Suitable for both<br />

worship and concert settings!<br />

10293371 SATB......................1.80<br />

I’VE BEEN IN THE STORM SO LONG—<br />

arr. Mark Hayes. Absolutely superb, this slow,<br />

emotional spiritual setting will add depth and<br />

contrast to your concert program, even when<br />

performed with other spirituals. Mark Hayes<br />

has given the traditional work a wistful, bluesy<br />

sound, and his incomparable arranging skill shines<br />

through every measure! Each voice part is in<br />

the perfect tessitura, and every note is carefully<br />

chosen. Without a doubt, this is the very best of the<br />

genre! Highly recommended!<br />

10274953 SATB......................1.80<br />

Jazz Warm-Ups And Vocalises—<br />

Gary Walth. Here’s a great set of warm-ups for<br />

the vocal jazz ensemble that’s designed to enhance<br />

and stimulate the growth of each member’s vocal and<br />

choral ability. Thinking of the warm-up as a “mini voice<br />

lesson,” you can reinforce concepts with consistent<br />

encouragement, criticism, problem-solving and praise.<br />

This practical volume will help the conductor provide<br />

purposeful leadership and develop artistry in each<br />

individual through exercises that build styles such as<br />

Swing, Latin and Rock, using solfege and scat syllables<br />

as well as tone and blend in ballad style. Each exercise includes a notated keyboard accompaniment, with<br />

multiple modulations, and a professional recording of singers with a rhythm section.<br />

10279923 Choral Book/CD Pack ...............................................24.99<br />

One-Minute Sight Singing—Holly shaw-slabbinck & ronald slabbinck.<br />

“One-Minute Sight Singing“ teaches and reinforces the essentials of solfege-based sight singing without<br />

cutting into valuable rehearsal time. The curriculum, structured as a collection of one-minute lessons,<br />

targets students of all ages who are new to sight singing. It also serves as an ideal component to the regular<br />

choral warm-up routine for singers of all experience levels. Singers who are new to music reading and<br />

theory will appreciate the helpful reminders interspersed before new concepts are introduced in the music.<br />

The careful progression of lessons ensures that singers will gain a solid mastery of sight singing, movable<br />

“Do” solfege, and Curwen hand symbols. “One-Minute Sight Singing“ is uniquely designed, with exercises<br />

duplicated in both treble and bass clefs. Not only does this help singers learn to read and sight sing in both<br />

clefs, but directors may also use the unison exercises to help improve tuning and breath support. A great<br />

choice for school, youth, community and church choirs!<br />

10083189 Choral Book Vol. 1 Beginner/Intermediate ...............................8.95<br />

10097722 Choral Book Vol. 2 Intermediate/Advanced...............................8.95<br />

Pop Warm-Ups And Workouts For Choir—roger emerson.<br />

Following the success of “Pop Warm-ups and Workouts for Guys,“ Roger Emerson has created this series<br />

of warm-ups for all choirs using classic rock and roll tunes to build vocal skills while having fun! Each of the<br />

warm-ups provides a focus objective, suggested learning outcomes, and related choral literature for young<br />

and developing ensembles. Concepts covered include: vowel shapes, resonance, breath control, head voice<br />

and falsetto, articulation and diction and much more! The warm-ups are based on these pop classics: At<br />

the Hop; Do-Re-Mi; Don’t Stop Believin’; Good Vibrations; Hound Dog; Lean on Me; The Longest Time;<br />

Spinning Wheel; Thriller and Witch Doctor.<br />

10279925 Choral Book/CD Pack ...............................................29.99<br />

Order Today Toll-Free! Call 1-800-345-6296 / Fax 1-800-260-1482 / Internet: jwpepper.com / E-mail: satisfaction@jwpepper.com<br />

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