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AP Literature and Composition! - Hunterdon Central Regional High ...

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Organization:It is best to read the novel as a whole, putting in h<strong>and</strong>written or other notes, <strong>and</strong> then go back <strong>and</strong>take detailed notes. You need to take notes from the beginning, middle, <strong>and</strong> end of the novel.PACE yourselves.Examples of successful notes (commentary on each note is bolded <strong>and</strong> in parentheses):15 (page number) Everyone in the city is breaking down—even good wife Katherine Ivanovna“breaks out” <strong>and</strong> makes stepdaughter suffer (This note makes a general statement about othercharacters in relation to a main character)16 Sonia’s “body <strong>and</strong> shoulders kept trembling”; she was traumatized probably for the rest of herlife because of her childhood… does Dostoyevsky think childhood determines the future? (Here,she connects Sonia’s experience to one of D’s possible themes; then, explore this theme asyou continue reading).292-293 Here we learn more about Peter. He uses sarcasm when his is addressing Dunia: “I amleaving, madame—but…” Because it is italicized I get the feeling that he doesn’t actually meanit <strong>and</strong> said it with an attitude. On the next page, the first paragraph tells of his character. Itportrays him as very vain <strong>and</strong> only loves himself <strong>and</strong> his money. He never really cared aboutDunia. The most important person to him is himself. (She analyzes D’s use of language <strong>and</strong>what it suggests about Luzhin’s character).475 Water has a negative connotation: “The water did not fall in drops, but lashed the earth intorrents.” This occurs during a shift to Svidrigailov. In relation to him, he is not cleansed by therain, but tormented by its rage against him <strong>and</strong> his deceiving, blackmailing wishes withRaskolnikov <strong>and</strong> Dunia (This is an analysis of D’s use of symbol <strong>and</strong> connects it toSvidrigailov).In summation, with each note you take, make sure that it offers your analysis of the informationor quotations you cite. We are looking for evidence of your thinking about the text, not asummary of what you read in the text. We are looking for evidence of your ability to noticethematic str<strong>and</strong>s they relate to specific elements of the text (character development, setting, <strong>and</strong>others listed above).LENGTH: 6-7 pages if typed (see guidelines below), 8-10 sides of a page if h<strong>and</strong>written.If you type your response, single-space your commentary <strong>and</strong> double-space between entries (asshown in the sample above). If you h<strong>and</strong>write your notes, write them in PEN. Make them aslegible as possible; if your h<strong>and</strong>writing is hard to read, then type your notes. The front <strong>and</strong> backof a page = TWO pages of notes (not one). If your h<strong>and</strong>writing is very large, make adjustmentsto your notes accordingly. Avoid quoting long blocks of text; if you do this, your analysis of thequote you cite must be twice as long as the quote itself. Your job is to notice the details of thelanguage in the text. Don’t let the quotes you select speak for you. You speak about them!

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