ABCD Lars & Roemer
ABCD Lars & Roemer
ABCD Lars & Roemer
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
<strong>Roemer</strong> van Toorn in conversation with <strong>Lars</strong> Lerup <br />
urgencies could architecture help to resolve? And is your concept of<br />
ambiguity a part of the solution?<br />
Well, I think you caught me! Let me put it simply: “When architects<br />
gave up designing housing, we lost Architecture.” And I lost interest<br />
and moved on to urbanism. Redemption lies in waiting. In fact, any<br />
building designed to house a collectivity is part of this redemption<br />
(although I am skeptical as to whether museums should be counted<br />
here). I therefore take Rem’s suggestion to mean that architects<br />
should take on the ugliness – these forgotten domains of hospitals,<br />
supermarkets, post offices, public housing, slums, motels, new towns,<br />
back offices, suburbia, etc.<br />
My own sense of beauty is still fully intact; it took years to construct<br />
and hovers, as I have said, somewhere between minimalism and<br />
Japanese traditional design culture. Broken beauty is far more<br />
beautiful than its undamaged other. So, since so much is broken, my<br />
aesthetic pleasures are still abundant.<br />
V as in Violence<br />
I agree with Chantal Mouffe and Jacques Rancière that the political only emerges<br />
when disagreement (dissensus) is part of the system you build. A certain<br />
foreignness (violence) is needed to liberate the user from within. Through<br />
disagreement within a system, and not just opposition or critique, a final answer<br />
can be avoided and a liberating kind of agonism realized. How exclusion – i.e.,<br />
what you experience standing in front of a the Berlin Wall – can make you<br />
wonder what happens on the other side (while demystifying the role of<br />
institutional powers), or how a strange (violent) form by virtue of its<br />
inconsumerability can provoke you to complete it in movement (like the CCTV<br />
building in China by OMA), all can push you to look beyond the cliché.<br />
Voyeurism, the perversion of the look, framing the view, can be yet another act of<br />
27