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w YODER NEWSLETTER - Yoder Family Information

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Probably of the greatest interest to tne <strong>Yoder</strong><br />

tourist is tne panel or nlne small paintings ' Tnree<br />

in a row, that at least in 19?8 was IlanS;ing on tne<br />

waIl to the right, up front near what was the right<br />

"arm of the transcript". The original paintings<br />

were made in the 1620's and can give us some insight<br />

into the life and legends of St. Joder. The<br />

ph6tographs taken by Edith Joder of Basel in 1966<br />

show the upper outer corners rounded in the likeness<br />

of a church window, with wooden decoration<br />

across the top, but the present pictures are a1most<br />

square and on a simple square board. The<br />

composition and content of the pictures in both<br />

cases seem exactly alike; however one sharp-eyed<br />

<strong>Yoder</strong> noted a slight difference in the foot of the<br />

Devil, making us wonder about the originals. Have<br />

they been restored? 0r have they been taken away'<br />

either because of value or deterioration' and<br />

repfaced with good copies? Officials at the Engleberg<br />

Monastery, not far away, might be able to<br />

answer these questions: and should a researchminded<br />

visitor find out any more about this ' we<br />

hope a report gets back to the Newsletter.<br />

Meanwhile, for our immediate purpose of seeing<br />

how St. Joder was portrayed, it makes 1itt1e difference<br />

whether we are seeing the originals or thc<br />

copies. Each of the pi-ctures has printed under it<br />

a caption in German beginning with the word<br />

At one time<br />

but now inside<br />

the chapel had a sloping wooden roof<br />

we see a vaulted "plastic"<br />

ceiling<br />

with several arches. Snapshots brought back by<br />

visitors show some slight variation and some decoration<br />

seems to have been added from what we remembered<br />

frorn our visit in 19'/8, suggesting that changes have<br />

probably been made during the recent restoration. At<br />

that time we saw that a large pai-nting in pastel<br />

colors directly on the left wa1l had been partially<br />

obliterated wrtn fresh plaster, and we see that some<br />

smaller darker patches of Bibical scenes are sti1l<br />

there. We may simply not have remembered a1l- tne<br />

framed pictures and stations of the cross hanging<br />

in tne chapel or pernaps tney nave bee,, shifted<br />

around or were taken down during the renovation.<br />

However, the three 1i-tt1e wooden figures are sti11<br />

in tne left "arm of the transcript", standing<br />

behirrd metal bars in a nicne at eye 1eve1. These<br />

images had once beerr stolen but were retrieved and<br />

si,.ce then kepr witn greater pro'uection. The altar<br />

arrd al'uar pieces have apparently beerr relurb].shed<br />

and are sai-d co snow workmansnlp of artls us and<br />

CrsfuSh€rr at Lucern several cerrturies ago. At the<br />

time or year ol our v1s1t, fl-owers graced the a1tar.<br />

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