w YODER NEWSLETTER - Yoder Family Information
w YODER NEWSLETTER - Yoder Family Information
w YODER NEWSLETTER - Yoder Family Information
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Probably of the greatest interest to tne <strong>Yoder</strong><br />
tourist is tne panel or nlne small paintings ' Tnree<br />
in a row, that at least in 19?8 was IlanS;ing on tne<br />
waIl to the right, up front near what was the right<br />
"arm of the transcript". The original paintings<br />
were made in the 1620's and can give us some insight<br />
into the life and legends of St. Joder. The<br />
ph6tographs taken by Edith Joder of Basel in 1966<br />
show the upper outer corners rounded in the likeness<br />
of a church window, with wooden decoration<br />
across the top, but the present pictures are a1most<br />
square and on a simple square board. The<br />
composition and content of the pictures in both<br />
cases seem exactly alike; however one sharp-eyed<br />
<strong>Yoder</strong> noted a slight difference in the foot of the<br />
Devil, making us wonder about the originals. Have<br />
they been restored? 0r have they been taken away'<br />
either because of value or deterioration' and<br />
repfaced with good copies? Officials at the Engleberg<br />
Monastery, not far away, might be able to<br />
answer these questions: and should a researchminded<br />
visitor find out any more about this ' we<br />
hope a report gets back to the Newsletter.<br />
Meanwhile, for our immediate purpose of seeing<br />
how St. Joder was portrayed, it makes 1itt1e difference<br />
whether we are seeing the originals or thc<br />
copies. Each of the pi-ctures has printed under it<br />
a caption in German beginning with the word<br />
At one time<br />
but now inside<br />
the chapel had a sloping wooden roof<br />
we see a vaulted "plastic"<br />
ceiling<br />
with several arches. Snapshots brought back by<br />
visitors show some slight variation and some decoration<br />
seems to have been added from what we remembered<br />
frorn our visit in 19'/8, suggesting that changes have<br />
probably been made during the recent restoration. At<br />
that time we saw that a large pai-nting in pastel<br />
colors directly on the left wa1l had been partially<br />
obliterated wrtn fresh plaster, and we see that some<br />
smaller darker patches of Bibical scenes are sti1l<br />
there. We may simply not have remembered a1l- tne<br />
framed pictures and stations of the cross hanging<br />
in tne chapel or pernaps tney nave bee,, shifted<br />
around or were taken down during the renovation.<br />
However, the three 1i-tt1e wooden figures are sti11<br />
in tne left "arm of the transcript", standing<br />
behirrd metal bars in a nicne at eye 1eve1. These<br />
images had once beerr stolen but were retrieved and<br />
si,.ce then kepr witn greater pro'uection. The altar<br />
arrd al'uar pieces have apparently beerr relurb].shed<br />
and are sai-d co snow workmansnlp of artls us and<br />
CrsfuSh€rr at Lucern several cerrturies ago. At the<br />
time or year ol our v1s1t, fl-owers graced the a1tar.<br />
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