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The highest building in Prague - Prague Events

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36<br />

Galleries Culture and Enterta<strong>in</strong>ment<br />

GALERIE RUDOLFINUM<br />

Alšovo nábř. 12, <strong>Prague</strong> 1, tel.: 227 059 349<br />

e-mail: galerie@rudolf<strong>in</strong>um.org<br />

http://www.galerierudolf<strong>in</strong>um.cz<br />

open Tue-Sun 10 am-6 pm<br />

Erw<strong>in</strong> Dubský's Naval Diary, until Apr 15<br />

<strong>The</strong> exhibition presents a unique collection of historical photographs of<br />

Japan from the 1870's that was recently found at the Lysice castle. 158<br />

Japanese photographs, made us<strong>in</strong>g a contemporary popular technique on<br />

albumose paper, is presented <strong>in</strong> public for the first time ever. Due to the<br />

sensitivity of the orig<strong>in</strong>als, the exhibition is divided <strong>in</strong>to two parts that<br />

can be accessed <strong>in</strong> two thematically equivalent cycles. <strong>The</strong> images present<br />

the period of fundamental changes <strong>in</strong> Japan after it was opened up to<br />

the rest of the world aga<strong>in</strong>. This moment creates a historical parallel with<br />

the work of Shomei Tomatsu and allows for the historical comparison of<br />

the dynamics and the depth of the changes with a soft touch of nostalgia<br />

result<strong>in</strong>g from the long time passed.<br />

Prepared <strong>in</strong> cooperation with the Moravian Gallery <strong>in</strong> Brno and the<br />

National Monument Preservation Institute, curated by Filip Suchomel.<br />

Along with the exhibition, a representative publication is released with a<br />

detailed description of all the photographs presented.<br />

Shomei Tomatsu - Sk<strong>in</strong> of the Nation, from Jan 11-Feb 15<br />

This extensive retrospective of Tomatsu (born <strong>in</strong> 1930 <strong>in</strong> Nagoja) is the<br />

first general overview of his work and it shows not only his position <strong>in</strong> the<br />

field of Japanese postwar avant-garde but also his role <strong>in</strong> the evolution of<br />

modern Japanese photography. By means of approx. 260 items, the exhibition<br />

presents all the important areas of Tomatsu's work, e. g. 'Nagasaki<br />

11.02' - an appall<strong>in</strong>g testimony of the consequences of the explosion of<br />

the atomic bomb and of lives of those who survived - of 'Chew<strong>in</strong>g Gum and<br />

Chocolate', which is the author's first attempt to document the far-reach<strong>in</strong>g<br />

americanisation of postwar Japan that was characterised by the contrast<br />

between the presence of American soldiers and the <strong>in</strong>fluence of<br />

American pop-culture.<br />

With Shomei Tomatsu, we are transferred from a traditional Japan to a<br />

Japan of economic success, where many economic, political and also cultural<br />

changes are <strong>in</strong> progress. <strong>The</strong> father of modern Japanese photography,<br />

one of the most expressive Japanese artists of the last 50 years, <strong>in</strong>fluenced<br />

the work of Nobuyoshi Araki and Daido Moriyama as well as (later)<br />

Seiichi Furuya, Takashi Homma and Yoshiko Se<strong>in</strong>o.

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