Bloom's Literary Themes - ymerleksi - home

126The Poetry of John KeatsNotes1. Table Talk and Omniana (London: Oxford U. Press, 1917), pp.442–43. See also J. Shawcross, “Coleridge’s Marginalia,” Notesand Queries, 10th series, 4 (1905), 341–42; and T.M. Raysor,“Unpublished Fragments on Aesthetics by S. T. Coleridge,”Studies in Philology, 22 (1925), 532–35.2. Critical Works, ed. E.N. Hooker, 1 (Baltimore: Johns Hopkins U.Press, 1939), 338–40, 361–73.3. (Baltimore: Johns Hopkins U. Press, 1976), esp. pp. 41, 53–54.My debt to this valuable study will be obvious; but I mustagree with those reviewers who believe that Weiskel definesthe Romantic sublime too narrowly: Frances Ferguson, TheWordsworth Circle, 8 (1977), 240–41; Hugh Haugton, TLS, 24Dec. 1976, p. 1619; Raimonda Modiano, “Coleridge on theSublime,” The Wordsworth Circle, 9 (1978), 112–13.4. Critique of Judgement, ed. J.C. Meredith (Oxford: ClarendonPress, 1973), esp. pp. 91–106, 110–14, 120.5. Complete Poetical Works (CPW ), ed. E. H. Coleridge (Oxford:Clarendon Press, 1912), I, 376–80.6. For Kant the imagination is the faculty that synthesizessense perceptions according to the a priori concepts of theunderstanding (the “categories”). In its “productive function” itis the a priori power of synthesis exerted on these concepts. Inits “reproductive function” it “apprehends” sense impressions,combining them according to the laws of association (Critique ofPure Reason, trans. N. K. Smith [London: Macmillan, 1929], pp.111–13, 122–25, 131–32, 143–46).7. Lay Sermons, ed. R. J. White, in Collected Works (CC), VI,(Princeton U. Press, 1972), 29.8. Paradise Lost, II, 669.9. Coleridge on Shakespeare: The Text of the Lectures of 1811–12, ed.R.A. Foakes (Charlottesville: U. Press of Virginia, 1971), p. 82.10. “On Poesy and Art” (1818), in Literary Remains, ed. H. N.Coleridge, I (London: W. Pickering, 1836), 222.11. Collected Letters (CL), ed. E. L. Griggs (Oxford: ClarendonPress, 1956–62), II, 866. See also I, 349–50, 354, 461–62, 625;and CPW, I, 110–11, 113–14.12. The Friend, ed. Barbara E. Rooke (1969), in CC, IV, vol. I, 106.