Bloom's Literary Themes - ymerleksi - home

, Acknowledgments .Albrecht, W.P. “The Tragic Sublime of Hazlitt and Keats.” Studies inRomanticism 20.2 (Summer l981): 185–201. © 1981 by BostonUniversity. Reprinted by permission.Coleridge, Samuel Taylor. “Lecture X: Milton.” The Literary Remains of SamuelTaylor Coleridge Vol. 1. Ed. Henry Nelson Coleridge. London: WilliamPickering, 1836. 166–178.Dowden, Edward. “Othello; MacBeth; Lear” Shakspere: A Critical Study of HisMind and Art. New York: Harper Brothers, 1881.Freeman, Barbara Claire. “The Awakening: Waking Up at the End of the Line.”The Feminine Sublime: Gender and Excess in Women’s Fiction. Berkeley, CA:U of California P, 1995. 13–39. © 1995 by The Regents of the Universityof California. Reprinted by permission.Hart, Henry. “Robert Lowell, Emerson, and the American Sublime.” ESQ:A Journal of the American Renaissance 39.4 (1993): 279–307. © 1993 byWashington State University. Reprinted by permission.Longinus. Chapters 8–10. On the Sublime; the Greek text edited after the Parismanuscript. Ed. and trans. W. Rhys Roberts. Cambridge: Cambridge UP,1899. 57–75.MacWilliams, David C. “ ‘Hurrying into the Shrubbery’: The Sublime,Transcendence, and the Garden Scene in Emma.” Persuasions: TheJane Austen Journal, Vol. 23 (2001): 133–138. © 2001 by Persuasions.Reprinted by permission.Ramazani, R. Jahan. “Yeats: Tragic Joy and the Sublime.” PMLA 104.2 (March1989): 163–177. © 1989 by The Modern Language Association ofAmerica. Reprinted by permission.Sherwin, Paul. ‘Frankenstein: Creation as Catastrophe.’ PMLA 96.5 (October1981): 883–903. © 1989 by The Modern Language Association ofAmerica. Reprinted by permission.285