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Bloom’s Literary ThemesTHE SUBLIM
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Bloom’s Literary Themes: The Subl
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, Series Introduction by Harold Blo
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Series Introduction by Harold Bloom
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xviVolume Introduction by Harold Bl
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xviiiVolume Introduction by Harold
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2Kate Chopinsublime that cannot be
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4Kate Chopinand tongue, eyes and sk
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6Kate Chopinone of ravishment; as R
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8Kate Chopin(10.3); “she uses the
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10Kate Chopincan signify both life
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12Kate Chopinas being like an abyss
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14Kate Chopinfirst time alone, bold
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16Kate Chopinwith wanting itself
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18Kate Chopinshe finds a new idiom
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20Kate ChopinI have relied upon the
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22Kate Chopinsemiotic collapse, def
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24Kate ChopinWhile it would be extr
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26Kate Chopin24. Walter Benn Michae
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28Rainer Maria Rilkearrived at the
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30Rainer Maria Rilkereference an an
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32Rainer Maria RilkeThe Duino Elegi
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34Rainer Maria Rilkehe anticipated
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EMMA(JANE AUSTEN),.“ ‘Hurrying
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Emma 39a transformation, if even mo
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Emma 41and the use of the third per
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Emma 43WORKS CITEDAusten, Jane. The
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46Edgar Allan Poeassociate with Rom
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48Edgar Allan PoeIn this sense, “
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50Edgar Allan Poehouse as a slave (
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52Edgar Allan PoeCanning. As he rea
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56William BlakeBlake’s “The Tyg
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58William Blakecommand to establish
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60William Blakeportrays Rahab as a
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64William BlakeBaudelaire, Charles.
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Frankenstein 67aspiring hero learns
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Frankenstein 69that a dream fades a
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Frankenstein 71The creation is at o
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Frankenstein 73This powerfully char
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Frankenstein 75through reality. To
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78Mary ShelleyShelley’s fiction.
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80Mary ShelleyIII.There is an intri
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82Mary Shelleyinto discourse, the a
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84Mary Shelleyregard him as editor
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86Mary Shelleydesire”; he simply
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“GOD’S GRANDEUR”(GERARD MANLE
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92Gerard Manley Hopkinsdefinition,
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94Gerard Manley Hopkins[i.e., heed]
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96Gerard Manley Hopkinspower. Just
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98Gerard Manley Hopkins“strikes l
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100The Poetry of Homer and Sapphofr
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102The Poetry of Homer and SapphoTh
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104The Poetry of Homer and Sapphofu
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106The Poetry of Homer and SapphoYe
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108The Poetry of Homer and Sappho4.
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110The Poetry of John Keatsterror a
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112The Poetry of John Keatsprocess
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114The Poetry of John Keatshe belie
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116The Poetry of John Keatsthe infi
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118The Poetry of John Keatsas trans
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120The Poetry of John KeatsHowever,
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122The Poetry of John Keatsam indeb
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124The Poetry of John KeatsIn The F
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126The Poetry of John KeatsNotes1.
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128The Poetry of John KeatsAeschylu
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King Lear(William Shakespeare),.“
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King Lear 133intellect would have p
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King Lear 135incidents recorded in
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King Lear 137Of the secondary plot
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King Lear 139it be the stars that g
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King Lear 141disaster, a flame whic
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King Lear 143age was precisely this
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King Lear 14512. Compare Edmund’s
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148Samuel Taylor Coleridgelength) (
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150Samuel Taylor Coleridgedevotion
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152Samuel Taylor Coleridgeauthority
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154Samuel Taylor Coleridgethat her
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156Samuel Taylor ColeridgeMilton, M
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158William WordsworthI“Tintern Ab
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160William Wordsworth“depth” of
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162William Wordsworthintrospection,
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164William WordsworthThat awful Pow
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166William WordsworthBy now it shou
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168William Wordsworththat was, up t
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170William Wordsworthharmony” and
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172William Wordsworththe landscape.
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174William Wordsworthwhen first”
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176William Wordsworthmost obvious e
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178William Wordsworthinto a single
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180William Wordsworthphenomenology
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182William Wordsworthprophetic hear
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184William Wordsworth(1) the prevai
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The Poetry of Robert Lowell,.“Rob
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The Poetry of Robert Lowell 189For
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The Poetry of Robert Lowell 191as w
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- Page 234 and 235: Moby-Dick(Herman Melville),.“The
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- Page 244: Moby Dick 225Sealts, Merton M., Jr.
- Page 247 and 248: 228John MiltonIf we divide the peri
- Page 249 and 250: 230John MiltonSuch was the nidus or
- Page 251 and 252: 232John Miltonis the translation of
- Page 253 and 254: 234John MiltonIn the description of
- Page 255 and 256: 236Percy Bysshe ShelleyMerely allow
- Page 257 and 258: 238Percy Bysshe Shelleythe sublime
- Page 259 and 260: 240Percy Bysshe ShelleyShelley call
- Page 261: 242Percy Bysshe ShelleyThe impulse
- Page 265 and 266: 246Walt Whitmanform to the reader,
- Page 267 and 268: 248Walt Whitmangreat and small, and
- Page 269 and 270: 250Walt Whitmanthey are referenced,
- Page 271 and 272: 252Walt Whitmanin Song of Myself th
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- Page 304 and 305: , Acknowledgments .Albrecht, W.P.
- Page 306 and 307: , Index .Aabyss, 197-198, 200, 205,
- Page 308 and 309: Index 289Duino Elegies (Rilke), 27-
- Page 310 and 311: Index 291“Endymion,” 120-121Fal
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Index 293Mobey-Dick and, 195Satan i
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Index 295transcendence, 41-42, 66,