Picturesque studies Sequentional analysis - Technische Universiteit ...

More documents

Recommendations

Info

Panerai,DepauleSchematizingthe sequence106Schematizing the sequenceCastex and Paneray take both the perception and the cognition of space into account andmake there own variation of the notation methods proposed by Lynch and Appleyard.Their method is simpler and therefore easier to use and understand. However onecould imagine a more direct link between the 11 types of sequentional spatialelements and the diagram that expresses the experience of space.The example shows Regents street in London.106
Some possibilities to construct sequences(based on Panerai and Depaule)107Some possibilities to construct sequences(based on Panerai and Depaule)The analyzing method could be used to construct sequences. Either to improve existingsituations or to make completely new designs.• Regrouping a collection of visual sub-areas that are linked to the same object. Thisobject is most likely a monument or landmark that pay a major role in the sequence.• Visual sub-areas can also be ordered on the basis of there affinity. The transitions arethe situated at the spots where one passes from one family of areas to another. Thetransition is more recognizable if there is a small landmark.• The transition to another sequence can also occur in a number of successive steps,for example via an overlapping zone or via a common visual sub-area that plays therole of a connector.• An increasing frequency of sub-areas and elements contributes in building tensionand emphasizing the goal of the sequence, 'climax' of threshold where one passesinto another visual world.Final remark: sequences often only work in one direction. By analyzing a route in twodirections the elements can be found that play a role in two directions. This makes iteasier to understand the subtle working of certain areas.107
Page 1 and 2:
Urban Analysiscode 7W565Picturesque
Page 3 and 4:
Sequentional analysisSequence =A se
Page 5 and 6:
5Babylon 680 v.Chr: Procession stre
Page 7 and 8:
FlorencePalazzo Medici14457Original
Page 9 and 10:
Stourhead 17999Stourhead 1799Over y
Page 11 and 12:
Stourhead11Photograph StourheadThe
Page 13 and 14:
John NashRegent’s street181113Reg
Page 15 and 16:
Gaicomo Balla, ‘Flight of a Swall
Page 17 and 18:
Castle Combe17Castle Combe, England
Page 19 and 20:
Sequence High Street Oxford.From:Un
Page 21 and 22:
Cullen‘Serial vision’21‘Seria
Page 23 and 24:
Observing meticulouslyTownscape23IN
Page 25 and 26:
TownscapeThe Functional Tradition25
Page 27 and 28:
Serial visionTownscapeDavidGosling1
Page 29 and 30:
Gordon Cullen“ Townscape ”Basic
Page 31 and 32:
Gordon Cullen“ Townscape ”metho
Page 33 and 34:
Landscape setting33Landcape Setting
Page 35 and 36:
Entrances35Entances 1The sequences
Page 37 and 38:
Vista’s, transitions, character,
Page 39 and 40:
Groups39GroupsEnsembles of spaces a
Page 41 and 42:
Rhythm and sequences41Rhythm and se
Page 43 and 44:
Movement: relation road - context43
Page 45 and 46:
Time45TimeCullen pays special atten
Page 47 and 48:
Design Marycluther47Serial Vision M
Page 49 and 50:
Greenwich49Streetview from the Gree
Page 51 and 52:
Special characteristics of the ‘h
Page 53 and 54:
highway experienceLevel 1: percepti
Page 55 and 56: highway experienceLevel 1: percepti
Page 57 and 58: highway experienceLevel 2: cognitio
Page 59 and 60: 1. Relation movement - form of the
Page 61 and 62: 1. Relation movement - form of the
Page 63 and 64: 2. Orientation2. Oriëntatielandmar
Page 65 and 66: Sequence diagramsrhytm and attentio
Page 67 and 68: TownCenterDesignTownEntranceBasic d
Page 69 and 70: DesignLinear representation of arin
Page 71 and 72: DesignNight diagram71Night diagramA
Page 73 and 74: Holland avenueFrancien Houben200373
Page 75 and 76: 75Depth of field and Service Statio
Page 77 and 78: 77Typological drawing of the zoning
Page 79 and 80: Historical development79Two example
Page 81 and 82: Abstraction81Making an abstraction
Page 83 and 84: Physical aspects of the sides of th
Page 85 and 86: Traffic technical aspects / environ
Page 87 and 88: Orientation / mental map87Orientati
Page 89 and 90: Areas89Areas that can be distinguis
Page 91 and 92: Conceptualideas91Three conceptual i
Page 93 and 94: Elaboration of theprofile93Examples
Page 95 and 96: 95Example of a sequenceChecking the
Page 97 and 98: Various examples9797
Page 99 and 100: properties delineation transitionsA
Page 101 and 102: properties delineation transitionsO
Page 103 and 104: properties delineation transitionsN
Page 105: properties delineation transitionsF
Page 109 and 110: Vaux le Vicomte Sequence from park
Page 111 and 112: 111From the terrace of the house lo
Page 113 and 114: 113At a sub-goal (or landmark) look
Page 115 and 116: 115At the sub-goal(also represented
Page 117 and 118: 117Close to the house117
Page 119 and 120: 119 11A traveler arrives by plane.
Page 121 and 122: 121 33The platform is an anonymous
Page 123 and 124: 123 55The internal spaces of an air
Page 125 and 126: 125 77Leaving the parking lot and t
Page 127 and 128: 127 99In the city centre the light
Page 129 and 130: 129 1111The car trip ends in a park
Page 131 and 132: 13113At the end of the night the tr
Page 133: Sequentional analysisThe examples s
show all

Picturesque studies Sequentional analysis - Technische Universiteit ...

Create successful ePaper yourself

Delete template?

Save as template?