Picturesque studies Sequentional analysis - Technische Universiteit ...

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Peter Joseph Lenné Design of a garden Dahlwitz 183512Design for a garden in Dahlwitz (Brandenburg, Germany) 1835. Peter Joseph LennéThe conceptual lines of the composition are still visible in the drawing. They form theframework of the composition. Each line represents the centre axle of a scene. Thetotally of the composition is based on the walk through the garden.12
John NashRegent’s street181113Regent’s Street, 1811The principle of a succession of scenes evolves to the idea of sequences in urban design.An early example is Regent's Street in London. In this case the sequence was asolution to the problem that a formal street could not be made because the developerJohn Nash was not able to acquire necessary the grounds. The two climaxes on bothsides of the street a royal palace on one side and Regent Park on the other side.13
Page 1 and 2: Urban Analysiscode 7W565Picturesque
Page 3 and 4: Sequentional analysisSequence =A se
Page 5 and 6: 5Babylon 680 v.Chr: Procession stre
Page 7 and 8: FlorencePalazzo Medici14457Original
Page 9 and 10: Stourhead 17999Stourhead 1799Over y
Page 11: Stourhead11Photograph StourheadThe
Page 15 and 16: Gaicomo Balla, ‘Flight of a Swall
Page 17 and 18: Castle Combe17Castle Combe, England
Page 19 and 20: Sequence High Street Oxford.From:Un
Page 21 and 22: Cullen‘Serial vision’21‘Seria
Page 23 and 24: Observing meticulouslyTownscape23IN
Page 25 and 26: TownscapeThe Functional Tradition25
Page 27 and 28: Serial visionTownscapeDavidGosling1
Page 29 and 30: Gordon Cullen“ Townscape ”Basic
Page 31 and 32: Gordon Cullen“ Townscape ”metho
Page 33 and 34: Landscape setting33Landcape Setting
Page 35 and 36: Entrances35Entances 1The sequences
Page 37 and 38: Vista’s, transitions, character,
Page 39 and 40: Groups39GroupsEnsembles of spaces a
Page 41 and 42: Rhythm and sequences41Rhythm and se
Page 43 and 44: Movement: relation road - context43
Page 45 and 46: Time45TimeCullen pays special atten
Page 47 and 48: Design Marycluther47Serial Vision M
Page 49 and 50: Greenwich49Streetview from the Gree
Page 51 and 52: Special characteristics of the ‘h
Page 53 and 54: highway experienceLevel 1: percepti
Page 55 and 56: highway experienceLevel 1: percepti
Page 57 and 58: highway experienceLevel 2: cognitio
Page 59 and 60: 1. Relation movement - form of the
Page 61 and 62: 1. Relation movement - form of the
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2. Orientation2. Oriëntatielandmar
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Sequence diagramsrhytm and attentio
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TownCenterDesignTownEntranceBasic d
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DesignLinear representation of arin
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DesignNight diagram71Night diagramA
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Holland avenueFrancien Houben200373
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75Depth of field and Service Statio
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77Typological drawing of the zoning
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Historical development79Two example
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Abstraction81Making an abstraction
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Physical aspects of the sides of th
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Traffic technical aspects / environ
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Orientation / mental map87Orientati
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Areas89Areas that can be distinguis
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Conceptualideas91Three conceptual i
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Elaboration of theprofile93Examples
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95Example of a sequenceChecking the
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Various examples9797
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properties delineation transitionsA
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properties delineation transitionsO
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properties delineation transitionsN
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properties delineation transitionsF
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Some possibilities to construct seq
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Vaux le Vicomte Sequence from park
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111From the terrace of the house lo
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113At a sub-goal (or landmark) look
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115At the sub-goal(also represented
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117Close to the house117
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119 11A traveler arrives by plane.
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121 33The platform is an anonymous
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123 55The internal spaces of an air
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125 77Leaving the parking lot and t
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127 99In the city centre the light
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129 1111The car trip ends in a park
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13113At the end of the night the tr
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Sequentional analysisThe examples s
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