Picturesque studies Sequentional analysis - Technische Universiteit ...

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Analysis Tenterden (1967)32Example, Cullens <strong>analysis</strong> of Tenterden, 1967Tenterden, locationAs regards the position of the town in its environment Cullen looks at:• Landscape setting• Shape• EntancesHe emphasizes that the division in these aspects is artificial, in reality the several aspectsform a coherent whole. However it is important to look at several aspects separatelyto get a clearer picture about how the impression of a town is formed.32
Landscape setting33Landcape SettingCullen takes this literally: The city viewed from its surroundings, its profile and skyline.This akin to the way Paul Zucker interprets the image of a city in ‘Entwicklung desStadtbildes', 1929 (development of the image of the city).33
Page 1 and 2: Urban Analysiscode 7W565Picturesque
Page 3 and 4: Sequentional analysisSequence =A se
Page 5 and 6: 5Babylon 680 v.Chr: Procession stre
Page 7 and 8: FlorencePalazzo Medici14457Original
Page 9 and 10: Stourhead 17999Stourhead 1799Over y
Page 11 and 12: Stourhead11Photograph StourheadThe
Page 13 and 14: John NashRegent’s street181113Reg
Page 15 and 16: Gaicomo Balla, ‘Flight of a Swall
Page 17 and 18: Castle Combe17Castle Combe, England
Page 19 and 20: Sequence High Street Oxford.From:Un
Page 21 and 22: Cullen‘Serial vision’21‘Seria
Page 23 and 24: Observing meticulouslyTownscape23IN
Page 25 and 26: TownscapeThe Functional Tradition25
Page 27 and 28: Serial visionTownscapeDavidGosling1
Page 29 and 30: Gordon Cullen“ Townscape ”Basic
Page 31: Gordon Cullen“ Townscape ”metho
Page 35 and 36: Entrances35Entances 1The sequences
Page 37 and 38: Vista’s, transitions, character,
Page 39 and 40: Groups39GroupsEnsembles of spaces a
Page 41 and 42: Rhythm and sequences41Rhythm and se
Page 43 and 44: Movement: relation road - context43
Page 45 and 46: Time45TimeCullen pays special atten
Page 47 and 48: Design Marycluther47Serial Vision M
Page 49 and 50: Greenwich49Streetview from the Gree
Page 51 and 52: Special characteristics of the ‘h
Page 53 and 54: highway experienceLevel 1: percepti
Page 55 and 56: highway experienceLevel 1: percepti
Page 57 and 58: highway experienceLevel 2: cognitio
Page 59 and 60: 1. Relation movement - form of the
Page 61 and 62: 1. Relation movement - form of the
Page 63 and 64: 2. Orientation2. Oriëntatielandmar
Page 65 and 66: Sequence diagramsrhytm and attentio
Page 67 and 68: TownCenterDesignTownEntranceBasic d
Page 69 and 70: DesignLinear representation of arin
Page 71 and 72: DesignNight diagram71Night diagramA
Page 73 and 74: Holland avenueFrancien Houben200373
Page 75 and 76: 75Depth of field and Service Statio
Page 77 and 78: 77Typological drawing of the zoning
Page 79 and 80: Historical development79Two example
Page 81 and 82: Abstraction81Making an abstraction
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Physical aspects of the sides of th
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Traffic technical aspects / environ
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Orientation / mental map87Orientati
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Areas89Areas that can be distinguis
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Conceptualideas91Three conceptual i
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Elaboration of theprofile93Examples
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95Example of a sequenceChecking the
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Various examples9797
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properties delineation transitionsA
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properties delineation transitionsO
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properties delineation transitionsN
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properties delineation transitionsF
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Some possibilities to construct seq
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Vaux le Vicomte Sequence from park
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111From the terrace of the house lo
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113At a sub-goal (or landmark) look
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115At the sub-goal(also represented
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117Close to the house117
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119 11A traveler arrives by plane.
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121 33The platform is an anonymous
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123 55The internal spaces of an air
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125 77Leaving the parking lot and t
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127 99In the city centre the light
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129 1111The car trip ends in a park
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13113At the end of the night the tr
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Sequentional analysisThe examples s
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Picturesque studies Sequentional analysis - Technische Universiteit ...

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