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[Niall_Livingstone]_A_Commentary_on_Isocrates'_Busiris

[Niall_Livingstone]_A_Commentary_on_Isocrates'_Busiris

[Niall_Livingstone]_A_Commentary_on_Isocrates'_Busiris

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4 INTRODUCTIONformal praise) of <strong>Busiris</strong>. 1 <strong>Busiris</strong> is a mythological villain. Isocrateselsewhere denies interest in mythological themes, and here characterisesthe theme as 'unserious'. 2 The <strong>Busiris</strong> itself argues that the exerciseof praising those who do not really deserve praise is at best pointless,at worst dangerous. So what is to be made of a work whichappears to reject its own theme and denounce itself as frivolous? 3There is a simple answer to this questi<strong>on</strong>, though it has not alwaysbeen seen. <strong>Busiris</strong> c<strong>on</strong>tains an Encomium of <strong>Busiris</strong>, but it is notaccurate to say that it is an Encomium of <strong>Busiris</strong>. As will be seen,the <strong>Busiris</strong> owes something to several different traditi<strong>on</strong>s of rhetoricalcreati<strong>on</strong>. The encomium is <strong>on</strong>e part of a complex whole; it mustbe interpreted in relati<strong>on</strong> to the other parts, and with an awarenessof the ir<strong>on</strong>ic, insinuating t<strong>on</strong>e of the work as a whole. The 'practicalcriticism' which the work directs both at its own inset Encomium1 Hence its positi<strong>on</strong> am<strong>on</strong>g the 'encomia' (with Evagoras, Helen and Panathenaicus)in the traditi<strong>on</strong>al ordering of <strong>Isocrates'</strong> works. Cf. hypoth. 44-46v the hypothesis-writer is evidently aware of a need to explain inwhat sense <strong>Busiris</strong> is an encomium. On the status of the work as a letter, see I.iibelow.2Cf. Panath. 1 o8ei

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