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A COMMENTARY ON ISOCRATES' BUSIRIS


A COMMENTARYONISOCRATES' BUSIRISBYNIALL LIVINGSTONEBRILLLEIDEN • BOSTON • KOLN2001


This book is printed <strong>on</strong> acid-free paper.Library of C<strong>on</strong>gress Cataloging-in-Publicati<strong>on</strong> Data<str<strong>on</strong>g>Livingst<strong>on</strong>e</str<strong>on</strong>g>, <str<strong>on</strong>g>Niall</str<strong>on</strong>g>.A commentary <strong>on</strong> <strong>Isocrates'</strong> <strong>Busiris</strong> / by <str<strong>on</strong>g>Niall</str<strong>on</strong>g> <str<strong>on</strong>g>Livingst<strong>on</strong>e</str<strong>on</strong>g>.p. cm. — (Mnemosyne, bibliotheca classica Batava.Supplementum, ISSN 0169-8958; 223)Includes bibliographical references (p. ) and index.ISBN 90041214391. Isocrates. <strong>Busiris</strong>. 2. Speeches, addresses, etc., Greek—History andcriticism. I. Title. II. Series.PA4216.B87 L58 2001885'.01—dc21 2001035010Die Deutsche Bibliothek - CIP-Einheitsaufiiahme[Mnemosyne / Supplementum]Mnemosyne : bibliotheca classica Batava. Supplementum. — Leiden ;Bost<strong>on</strong> ; Koln : BrillFruher SchriftenreiheTeilw. u.d.T.: Mnemosyne / SupplementsReihe Supplementum zu: Mnemosyne223. <str<strong>on</strong>g>Livingst<strong>on</strong>e</str<strong>on</strong>g>, <str<strong>on</strong>g>Niall</str<strong>on</strong>g>. : A <str<strong>on</strong>g>Commentary</str<strong>on</strong>g> <strong>on</strong> <strong>Isocrates'</strong> <strong>Busiris</strong>.<str<strong>on</strong>g>Livingst<strong>on</strong>e</str<strong>on</strong>g>, <str<strong>on</strong>g>Niall</str<strong>on</strong>g>A commentary <strong>on</strong> <strong>Isocrates'</strong> <strong>Busiris</strong> / by <str<strong>on</strong>g>Niall</str<strong>on</strong>g> <str<strong>on</strong>g>Livingst<strong>on</strong>e</str<strong>on</strong>g>. - Leiden ;Bost<strong>on</strong>; Koln: Brill, 2001(Mnemosyne : Supplementum ; 223)Erscheint unregelmaBig. - Fruher Schriftenreihe. - BibliographischeDeskripti<strong>on</strong> nach 216 (2001)ISBN 90-04-12143-9ISSN 0169-8958ISBN 9004121439© Copyright 2001 by K<strong>on</strong>inklijke Brill NV, Leiden, The NetherlandsAll rights reserved. No part of this publicati<strong>on</strong> may be reproduced, translated, stored ina retrieval system, or transmitted in any form or by any means, electr<strong>on</strong>ic,mechanical, photocopying, recording or otherwise, without prior writtenpermissi<strong>on</strong> from the publisher.Authorizati<strong>on</strong> to photocopy items for internal or pers<strong>on</strong>aluse is granted by Brill provided thatthe appropriate fees are paid directly to The CopyrightClearance Center, 222 Rosewood Drive, Suite 910Danvers MA 01923, USA.Fees are subject to change.PRINTED IN THE NETHERLANDS


CONTENTSAcknowledgementsAbbreviati<strong>on</strong>s and C<strong>on</strong>venti<strong>on</strong>sviiixIntroducti<strong>on</strong> 1I. What is <strong>Busiris</strong>? 1II. Polycrates 28III. The date of the <strong>Busiris</strong> 40IV. <strong>Busiris</strong> and Plato 48V. Unpraised <strong>Busiris</strong> 73<str<strong>on</strong>g>Commentary</str<strong>on</strong>g> 91Bibliography 197Indices 203


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ACKNOWLEDGEMENTSThis book, which began life as an Oxford doctoral thesis, has beenalmost as l<strong>on</strong>g and slow in the making as <strong>on</strong>e of <strong>Isocrates'</strong> own compositi<strong>on</strong>s,though unfortunately it cannot claim the corresp<strong>on</strong>dinglevel of polish. I have incurred debts of gratitude well bey<strong>on</strong>d whatsuch a slim volume can repay, and can <strong>on</strong>ly hope that al<strong>on</strong>gside theimperfecti<strong>on</strong>s for which I am resp<strong>on</strong>sible, it bears the marks hereand there of the kindness and wisdom of those others who havehelped its progress.My doctoral supervisor, Dr Doreen Innes, was unfailingly patientand generous of her time, while setting a hard example of scholarlycare, sensitivity and breadth of visi<strong>on</strong>. The motivati<strong>on</strong> to research,and in particular to explore areas which old demarcati<strong>on</strong>s betweenliterature and philosophy had left neglected, came from my tutor,Dr Richard Rutherford; without his friendship and faith in my work,neither the thesis nor the book could ever have been completed.The thesis was read in part by Dr Lucinda Coventry, Dr LindsayJuds<strong>on</strong>, Dr Robert Parker and Dr Stephanie West, and in its entiretyby Elizabeth Clements, Dr Eleanor Dickey and Dr Jane Stuart-Smith,and in every case greatly improved as a result of their comments. Iam also greatly indebted to my examiners, Prof. Stephen Halliwelland Prof. D<strong>on</strong>ald Russell, for innumerable c<strong>on</strong>structive commentsand suggesti<strong>on</strong>s.The writing of the book was made possible financially by my parents'support, and by employment successively at Christ Church,Brasenose College, the University of St Andrews, Wadham College,New College and the University of Birmingham. My morale andenthusiasm has been sustained by my parents, Trudy <str<strong>on</strong>g>Livingst<strong>on</strong>e</str<strong>on</strong>g>and Prof. D<strong>on</strong>ald <str<strong>on</strong>g>Livingst<strong>on</strong>e</str<strong>on</strong>g>; by my partner Elizabeth Clements;by my friends, especially Sarah Colvin and Jane Stuart-Smith; andby all the students with whom I have had the good fortune to sharein study of the ancient Greek world. I am especially grateful to bothstudents and colleagues in the Department of Classics at the Universityof Birmingham, whose imaginati<strong>on</strong>, energy and love of the subjecthave formed an ideal academic envir<strong>on</strong>ment in which to finish thiswork.


VlllACKNOWLEDGMENTSFinally I would like to thank Dr Malcolm Campbell, who recommendedthe book for the Mnemosyne Supplement series, for his warmencouragement; the publisher's reader, Prof. Dirk Schenkeveld, whosegood advice led to the cutting of much unnecessary material; andlast but not least the publishing team at Brill. Job Lisman took thebook <strong>on</strong>; Michiel Klein Swormink kept it alive; and Loes Schouten,with great patience, commitment and good humour, brought it tocompleti<strong>on</strong>.


ABBREVIATIONS AND CONVENTIONSWorks of IsocratesAegin. = Aegineticus (XIX)Antid. = Antidosis (XV)Archid. — Archidamus (VI)Areop. — Areopagiticus (VII)Bus. — <strong>Busiris</strong> (XI)Callim. — Against Callimachus (XVIII)ad Dem. — To Dem<strong>on</strong>icus (I) (ph. not the work of Isocrates)Euth. - Against Euthynous (XXI)Evag. - Evagoras (IX)Helen - Encomium of Helen (X)Loch. - Against Lochites (XX)Nic. = Nicocles (III)ad Nic. = To Nicocles (II)de Pace = On the Peace (VIII)Panath. - Panathenaicus (XII)Paneg. — Panegyricus (IV)Phil = Philip (V)Plat. = Plataicus (XIV)Soph. - Against the Sophists (XIII)Trap. - Trapeziticus (XVII)Zeug. = On the Yoke (XVI)<strong>Isocrates'</strong> letters are cited as Ep. I, Ep. II etc. When titles of speechesare not abbreviated they are cited in English: hence ad Nic. but ToNicocles, Zeug. but On the Yoke.GeneralAS, Artium Scriptores — L. Radermacher (ed.), Artium scriptores (Reste dervoraristotelischen Rhetorik) (Vienna 1951)Baiter/Sauppe — Oratores Attici, recensuerunt adnotaverunt scholia fragmentaindicem nominum addiderunt lo. Georgius Baiterus et Hermannus Sauppius(Zurich 1839-1850)


XABBREVIATIONS AND CONVENTIONSBenseler/Blass = Isocratis Orati<strong>on</strong>es, recognovit, praefatus est, indicem nominumaddidit G.E. Benseler. Editio altera stereotypa curante F. Blass (Leipzig:Vol. I, 1878; Vol. II, 1879)Blass = F. Blass, Die Attische Beredsamkeit (Leipzig, 2nd ed.: I, 1887;II, 1892; III 1 , 1893; III 2 , 1898)D-K = H. Diels, Die Fragmente der Vorsokratiker, revised by W. Kranz(Berlin 1934-1937)Drerup = Isocratis Opera Omnia, recensuit, scholiis testim<strong>on</strong>iis apparatu criticoinstmxit E. Drerup (Vol. I <strong>on</strong>ly, Leipzig 1906)FGrH = F. Jacoby (ed.), Die Fragmente der griechischen Historiker (Berlin1923-1930 and Leiden 1940 1958)Guthrie = W.K.C. Guthrie, A History of Greek Philosophy (Cambridge1962-1981)K-A = R. Kassel and C. Austin (eds.), Poetae Comici Graeci (Berlin andNew York): Vols. II (Agathenor-Arist<strong>on</strong>ymus), 1991; III.2 (Aristophanes),1984; IV (Aristoph<strong>on</strong>-Crobylus), 1983; V (Damoxenus-Magnes), 1986; VII (Menecrates-Xenoph<strong>on</strong>), 1989; VIII (Adespota),1995Kaibel = G. Kaibel (ed.), Comicorum Graecorum Fragmenta I.1 (Berlin1899)Kock = T. Kock (ed.), Comicorum Atticorum Fragmenta (Leipzig: Vol. I,1880; Vol. II, 1884)LIMC = Lexic<strong>on</strong> Ic<strong>on</strong>ographicum Mythologiae Classicae (Zurich and Munich1981-1999)LSJ = Liddell/Scott/J<strong>on</strong>es, Greek Lexic<strong>on</strong>Mathieu/Brem<strong>on</strong>d = G. Mathieu and E. Brem<strong>on</strong>d (eds.), Isocrate,Discours. Texte etabli et traduit. . . (Paris: Vol. I, 1929; Vol. II, 1938,Vol. III, 1942; Vol. IV, 1962)Nauck = A. Nauck (ed.), Tragicorum Graecorum Fragmenta (2nd ed.,Leipzig 1889)PMG = Poetae Melici Graeci. In the case of Alcman, Stesichorus andIbycus, reference is to Poetarum Melicorum Graecorum Fragmenta. VolumenI. . .post D.L. Page edidit M. Davies (Oxford 1991); otherwise toD.L. Page (ed.) Poetae Melici Graeci (Oxford 1962)Radt = Tragicorum Graecorum Fragmenta Vol. III (Aeschylus), ed. S. Radt(Gottingen 1984); Vol. IV (Sophocles), ed. S. Radt (Gottingen 1977)RE = Paulys Real-Encyclopddie der AltertumswissenschaftRG = L. Spengel (ed.), Rhetores Graeci, III Vols., Leipzig 1853—1856:references are by volume number and page number (I.1 etc.) orby volume, page and line number (I.1.1 etc.)


ABBREVIATIONS AND CONVENTIONSXISnell = B. Snell (ed.), Supplementum, c<strong>on</strong>tinens nova fragmenta Euripidea etadespota apud scriptores veteres reperta (appended to reprint of Nauck,Hildesheim 1964)Editi<strong>on</strong>s usedUnless otherwise stated, <strong>Isocrates'</strong> works are cited from Mathieu/Brem<strong>on</strong>d. Works of Alcidamas, Antisthenes and Gorgias are citedfrom Artium Scriptores. When citing other classical authors, my policyhas been to use the (most recent) Oxford Classical Text if there is<strong>on</strong>e, otherwise the (most recent) Teubner editi<strong>on</strong>. Apollodorus' Libraryis cited from Frazer's Loeb editi<strong>on</strong> (Harvard 1921). In cases wheresystems of reference vary widely or are not firmly established, orwhere the text of the passage cited is problematic, the editi<strong>on</strong> usedis identified by the editor's name. Abbreviati<strong>on</strong>s for the names andworks of classical authors generally follow LSJ.Cross-referencesCross-references to notes in the <str<strong>on</strong>g>Commentary</str<strong>on</strong>g> take the form 'see note<strong>on</strong> [secti<strong>on</strong> number + lemma]', e.g. 'see note <strong>on</strong> § 1note <strong>on</strong>below'), the lemma referred to is from thesame secti<strong>on</strong> of the speech as the lemma currently under discussi<strong>on</strong>.Cross-references to parts of the Introducti<strong>on</strong> are given using secti<strong>on</strong>numbers in bold type: e.g. 'see Introducti<strong>on</strong> IV.ii', or 'see IV.ii'.


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INTRODUCTIONI. What is <strong>Busiris</strong>?The text known as <strong>Busiris</strong> was part of an explosi<strong>on</strong> of published writings<strong>on</strong> questi<strong>on</strong>s of educati<strong>on</strong>, persuasive discourse, politics and philosophyin the Greek world, Athens especially, in the first half ofthe 4th century B.C. Partly for good reas<strong>on</strong>s, and partly by historicalaccident, this period is best known to modern readers as theage of Plato. Most of the numerous pamphlets, treatises and polemicswritten by Plato's intellectual competitors have perished, and areknown to us <strong>on</strong>ly as titles or from scanty fragments. <strong>Busiris</strong> survivedbecause of the renown of its author Isocrates. <strong>Isocrates'</strong> reputati<strong>on</strong>,both in antiquity and in the modern world, has rested mainly <strong>on</strong>his great public discourses like the Panegyricus and Panathenaicus, inwhich the twin ideals of Greek cultural and political unity and fluid,elaborate Greek prose style find ample expressi<strong>on</strong>. In his lifetime,however, Isocrates was at least as much a teacher as a writer, andthe surviving corpus of his work includes several compositi<strong>on</strong>s whichpertain specifically to his educati<strong>on</strong>al work: <strong>Busiris</strong>', the Encomium ofHelen, which is—am<strong>on</strong>g other things—an example-speech for learnerrhetoricians; and the polemic Against the Sophists.<strong>Busiris</strong> is a sophisticated advertisement for <strong>Isocrates'</strong> educati<strong>on</strong>alprogram. It satirises his rivals, and puts forward his own ideas, in aplayful and unusual way. Isocrates writes to a rival educator,Polycrates—author of a notorious Accusati<strong>on</strong> of Socrates, and used hereto represent all that Isocrates opposes in c<strong>on</strong>temporary sophisticteaching of rhetoric. Polycrates has 'praised' a legendary villain, theEgyptian king <strong>Busiris</strong>, not by denying his crimes (<strong>Busiris</strong> murderedhis guests and—in Polycrates' versi<strong>on</strong>—went <strong>on</strong> to eat them), butby defending them as precedented and therefore acceptable behaviour.Isocrates affects not to realise that this outrageous paradox isa deliberate tour-de-force <strong>on</strong> Polycrates' part, and treats it insteadas mere incompetence. So, after pointing out what Polycrates hasgot wr<strong>on</strong>g (he has failed to understand that praising people meanssaying good things about them), he kindly offers to dem<strong>on</strong>strate howeven a villain like <strong>Busiris</strong> can, in fact, be praised 'correctly'. In the


2. INTRODUCTIONspeech-within-the-speech which follows, he praises <strong>Busiris</strong> by divertingattenti<strong>on</strong> from the traditi<strong>on</strong>al story to the country of which <strong>Busiris</strong>is supposed to have been king: he makes <strong>Busiris</strong> founder of theEgyptian civilisati<strong>on</strong>, which he depicts as a 'model c<strong>on</strong>stituti<strong>on</strong>' inthe manner of c<strong>on</strong>temporary Greek political theory. C<strong>on</strong>cluding thework, Isocrates <strong>on</strong>ce again addresses Polycrates directly, and takes anew, rather Plat<strong>on</strong>ic tack, warning him against poetic myths whichblasphemously present the gods' own children (such as <strong>Busiris</strong>) asvillains, and urging him to embrace the serious, morally beneficialrhetoric of which Isocrates himself is the master.The present work is, to the best of the author's knowledge, thefirst scholarly commentary <strong>on</strong> <strong>Busiris</strong> in any language. The introducti<strong>on</strong>deals with the structure, unity and generic properties of thework, and provides background informati<strong>on</strong> which will aid understanding:<strong>on</strong> the career of the addressee Polycrates; <strong>on</strong> the earlierliterary and ic<strong>on</strong>ographic traditi<strong>on</strong> for the myth of <strong>Busiris</strong>; <strong>on</strong> theGreek fascinati<strong>on</strong> with Egypt which underpins <strong>Isocrates'</strong> sketch ofher civilisati<strong>on</strong>; and <strong>on</strong> relati<strong>on</strong>ships between <strong>Busiris</strong> and the workof other c<strong>on</strong>temporary educators such as Plato. In particular, it isargued (IV.i) that <strong>Isocrates'</strong> sketch of Egyptian society is a directparody of the state c<strong>on</strong>structed in Plato's Republic, and his criticismand 'betterment' of Polycrates' speech is shown to display close textualand c<strong>on</strong>ceptual parallels with Socrates' treatment of Lysias'speech in the Phaedrus (IV.ii): parallels which may point to a widespreadtechnique in sophistic teaching. The commentary itself aimsto elucidate the text at the levels of language, style, argument andrhetorical technique (the few significant textual variants are also discussed,but since the traditi<strong>on</strong> is basically secure no new examinati<strong>on</strong>of manuscripts has been attempted). It seeks to show that thethemes and arguments of the work cohere as a unified persuasivestrategy, which presents Isocratean educati<strong>on</strong> as a practical and h<strong>on</strong>ourableopti<strong>on</strong> for the Athenian (and pan-Hellenic) elite, a middleway between the unworldly pursuit of abstract truth and amoralsophistic individualism.The <strong>Busiris</strong> is a key text in defining <strong>Isocrates'</strong> public role as writerand educator; it is also of great interest for students of the c<strong>on</strong>textand recepti<strong>on</strong> of the work of Plato; of the sophistic milieu and ofthe wider intellectual culture of classical Athens; and of the historyof literary criticism. At the same time, its modest length, its varied


INTRODUCTION 5subject-matter, and above all its variety of stylistic register (by turnspolemical, sarcastic, humorous, discursive, and richly epideictic) makeit an excellent introducti<strong>on</strong> to Isocrates, as well as to the broadly'Isocratean' style of much subsequent rhetorical prose. Isocratesremains under-represented in modern scholarship relative to his standingand influence in the ancient world, though interest is growing(see e.g. Ch. Eucken, Isokrates (Berlin/New York 1983); S. Usener,Isokrates, Plat<strong>on</strong> und ihr Publikum (Tubingen 1994); Y.L. Too, The Rhetoricof Identity in Isocrates (Cambridge 1995); T. Poulakos, Speaking for thePolis: <strong>Isocrates'</strong> Rhetorical Educati<strong>on</strong> (South Carolina 1997)). This studyis meant both for Isocratean specialists and for a wider communityof scholars and students with interests in ancient Greek rhetoric,political theory and teaching practice; it also seeks to make <strong>Busiris</strong>accessible as a starting-place for newcomers to <strong>Isocrates'</strong> oeuvre.LiIsocrates and <strong>Busiris</strong>Isocrates enjoyed a l<strong>on</strong>g life (436-338 B.C.), and was, it seems,already in his late forties when he embarked <strong>on</strong> the career whichwas to bring him fame and success. Around 390 B.C., he gave upwriting speeches for the law-courts and devoted himself to 'philosophy'and 'educati<strong>on</strong>' ( and 7 Or activitieswhich for him were virtually syn<strong>on</strong>ymous and amounted to a singleprofessi<strong>on</strong>. The essence of this professi<strong>on</strong> was to practise and teachthe eloquent use of language for good ends, with a particular focus<strong>on</strong>speeches (or discourse) addressing problems ofgovernment. From this time <strong>on</strong> Isocrates both taught pupils and producedelaborate written works of his own which illustrate his idealsin politics and in educati<strong>on</strong>.The date of the compositi<strong>on</strong> of <strong>Busiris</strong> cannot be fixed (see III.vbelow), but it was probably am<strong>on</strong>g the earlier products of <strong>Isocrates'</strong>new career: possibly close in time to the Panegyricus, which established<strong>Isocrates'</strong> reputati<strong>on</strong> as the supreme practiti<strong>on</strong>er of epideicticoratory. It is a work which has received little attenti<strong>on</strong> from modernscholarship. One reas<strong>on</strong> for this neglect is that scholars havefound its very existence puzzling: it is felt not to be the sort of thingthat Isocrates ought to have written. Although in outward form it isa letter to the rhetorician Polycrates, it is easy to think of it—especiallybecause of its title—as being 'essentially' an encomium (i.e.


4 INTRODUCTIONformal praise) of <strong>Busiris</strong>. 1 <strong>Busiris</strong> is a mythological villain. Isocrateselsewhere denies interest in mythological themes, and here characterisesthe theme as 'unserious'. 2 The <strong>Busiris</strong> itself argues that the exerciseof praising those who do not really deserve praise is at best pointless,at worst dangerous. So what is to be made of a work whichappears to reject its own theme and denounce itself as frivolous? 3There is a simple answer to this questi<strong>on</strong>, though it has not alwaysbeen seen. <strong>Busiris</strong> c<strong>on</strong>tains an Encomium of <strong>Busiris</strong>, but it is notaccurate to say that it is an Encomium of <strong>Busiris</strong>. As will be seen,the <strong>Busiris</strong> owes something to several different traditi<strong>on</strong>s of rhetoricalcreati<strong>on</strong>. The encomium is <strong>on</strong>e part of a complex whole; it mustbe interpreted in relati<strong>on</strong> to the other parts, and with an awarenessof the ir<strong>on</strong>ic, insinuating t<strong>on</strong>e of the work as a whole. The 'practicalcriticism' which the work directs both at its own inset Encomium1 Hence its positi<strong>on</strong> am<strong>on</strong>g the 'encomia' (with Evagoras, Helen and Panathenaicus)in the traditi<strong>on</strong>al ordering of <strong>Isocrates'</strong> works. Cf. hypoth. 44-46v the hypothesis-writer is evidently aware of a need to explain inwhat sense <strong>Busiris</strong> is an encomium. On the status of the work as a letter, see I.iibelow.2Cf. Panath. 1 o8ei


INTRODUCTION 5and at the antecedent works of Polycrates is am<strong>on</strong>g its most interestingfeatures.Thus the legendary king <strong>Busiris</strong> is <strong>on</strong>ly <strong>on</strong>e thread in the workwhich bears his name. Others include the character and work of therhetorician Polycrates, who is the recipient, or rather the butt, ofthis rhetorical 'gift'; the moral grounding of rhetoric and the questi<strong>on</strong>of rhetorical standards; Athenian imaginings of Egyptian civilisati<strong>on</strong>,perceived as radically 'other', simultaneously c<strong>on</strong>temptible andawe-inspiring; and the moral and political ideas of rhetoric's greatestcritic, Plato. These threads, and the relati<strong>on</strong>ships between them,will be examined below.I.iiWriting to PolycratesThe surviving Isocratean corpus c<strong>on</strong>sists of twenty-<strong>on</strong>e 'discourses'( and nine letters ( <strong>Busiris</strong> identifies itself as a writtencommunicati<strong>on</strong> sent in private to Polycrates (cf. § 2x;.Why, then, is it c<strong>on</strong>venti<strong>on</strong>allyincluded am<strong>on</strong>g the discourses, not am<strong>on</strong>g the letters?There are several answers to this questi<strong>on</strong>. One is given by theancient editor who wrote the introductory hypothesis (quoted in n. 1above): because <strong>Busiris</strong> c<strong>on</strong>tained an encomium, it was classifiedam<strong>on</strong>g <strong>Isocrates'</strong> encomia. Another is that <strong>Busiris</strong> would be ratherout of place in the collecti<strong>on</strong> of letters, all of which are addressedto foreign potentates (Di<strong>on</strong>ysius of Syracuse, Philip of Maced<strong>on</strong>, thegoverning magistrates of Mytilene and others) and display Isocratesin his role as tutor to the great and chief advocate of a Panhellenicpolitical ideal. A third is its length: in Letter II (To Philip), after whatamounts to three-and-a-half pages of modern printed text (in theBude editi<strong>on</strong>), Isocrates observes that he has let himself be carriedbey<strong>on</strong>d the proporti<strong>on</strong>s of a letter and into the expansiveness of aand duly draws to a close after another two-and-a-half pages;<strong>Busiris</strong> runs to more than twelve pages. 4 This may lead us to identify2284 Ep. II 13Cf. Demetrius On StyleEp. II is indeed, jointly with Ep. IX, the l<strong>on</strong>gest of the nine letters in the Isocrateancorpus, but the situati<strong>on</strong> is complicated by the fact that several (including Ep. IX)are c<strong>on</strong>spicuously incomplete, and would be significantly l<strong>on</strong>ger if they went <strong>on</strong> to


DINTRODUCTIONit more with the other l<strong>on</strong>ger discourses addressed to an individual(To Nicocles, Evagoras, Philip) than with the Letters.The work does, however, have some clear epistolary features. Inthe opening sentences, Isocrates refers to what he is doing as(§ 2 which elsewhere in his work generally refersto sending a letter.5 This is presented as a sec<strong>on</strong>d-best, interim substitutefor a direct face-to-face encounter. Demetrius On Style creditsa certain Artem<strong>on</strong> (perhaps the sec<strong>on</strong>d-century B.C. grammarianof that name) with the observati<strong>on</strong> that a letter is 'half of a c<strong>on</strong>versati<strong>on</strong>'(§ 223 notice the use of the verbin the Isocrateanpassages cited below), and it becomes an epistolary comm<strong>on</strong>placethat writing is a sec<strong>on</strong>d-best alternative to oral communicati<strong>on</strong>: cf.'Demetrius'<strong>on</strong> p. 5 lines 9—11 WeichertThe whole of the relevant passage of <strong>Busiris</strong> may be comparedwith the fuller treatment of the same topics in the opening of LetterI (To Di<strong>on</strong>ysius}'.fulfil what the extant porti<strong>on</strong>s promise. There are, of course, examples of muchl<strong>on</strong>ger letters from the classical period, most notably Letter VII in the Plat<strong>on</strong>ic corpus.5 Cf. Eucken 1983 p. 134 n. 47. Note, however, § 34 v (referringto Isoc.'s treatment of <strong>Busiris</strong>). At Phil. 81 the expressi<strong>on</strong> kai iovuaiovdistincti<strong>on</strong> is made between the l<strong>on</strong>g discourse Philip itself and the Letter to Di<strong>on</strong>ysius,Ep. 1, to which these words refer.


INTRODUCTION 7(Ep. I 1-3).Compare also Ep. VII 10, where, as in <strong>Busiris</strong>, further advice ispromised at some unspecified time in the future (although the reas<strong>on</strong>for putting it off is not the written medium itself, but the importanceof speed): en 8' dviThis idea is a variant <strong>on</strong> the in captatio beneuolentiae where thespeaker enumerates factors which may prevent her or him fromdoing justice to the theme in hand: cf. e.g. ad Nic. 1 (the shortfallbetween the work as c<strong>on</strong>ceived in the writer's imaginati<strong>on</strong> and thework as seen by the public), Phil. 24—8.That the written word is a poor substitute for 'live' communicati<strong>on</strong>is the theme of the discourse On the Sophists by <strong>Isocrates'</strong> c<strong>on</strong>temporaryAlcidamas, whose advocacy of improvisati<strong>on</strong> as opposedto written compositi<strong>on</strong> is developed by Plato in the Phaedrus into amore fundamental critique of writing (Ep. I 3 is probably influencedby Phaedrus: cf. esp. Phaedrus 275e (the written; del).<strong>Isocrates'</strong> 'apologies' for communicating in writing, in <strong>Busiris</strong> and inthe two Letters cited, attest to the influence of the attack <strong>on</strong> thewritten word; they also develop a distinctively Isocratean line ofresp<strong>on</strong>se. Alcidamas depicts writing as slow and laborious, and thereforestale: unable to resp<strong>on</strong>d smartly to changing circumstances (seee.g. On the Sophists 10 9eTfjaai 8But a letter sent to some<strong>on</strong>e faraway or outside <strong>on</strong>e's circle provides quicker, more timely advicethan would be possible if it were necessary to wait for a face-to-faceencounter. The idea is developed further at Philip 25-9. 6 There,Isocrates acknowledges the advantages of being able to deliver what<strong>on</strong>e has to say in pers<strong>on</strong> (not through the medium of writing), butmay well be an echo of what has been transmitted as the title of


8 INTRODUCTIONhis inference from this is that written compositi<strong>on</strong> is harder thanimprovisati<strong>on</strong>—not easier, as Alcidamas claims. Moreover, sophisticati<strong>on</strong>sof oral delivery (like ornaments of style, of which Isocratesis no l<strong>on</strong>ger capable because of his age) tend to obscure what isreally at issue (i


INTRODUCTION 9important. It is inevitable, then, that discussi<strong>on</strong>s of genre in earlyrhetoric take as their starting point the first surviving examples ofsuch treatises—Aristotle's Rhetoric and the Rhetoric to Alexander—eventhough they represent a slightly later stage of development.These works agree <strong>on</strong> the divisi<strong>on</strong> of rhetoric into three categories,which remain standard thereafter: symbouleutic (deliberative), dicanic(forensic), and epideictic. 9 Each category is sub-divided: symbouleuticinto protreptic and apotreptic, dicanic into prosecuti<strong>on</strong> and defence(plus 'inquiry', in Rhet. ad Alex.), and epideictic into praiseand blame or dispraise ( The first two, the 'practical' genresof symbouleutic and dicanic, are easy to recognise, founded as theyare <strong>on</strong> the everyday business of assembly and law-court. Epideicticis more complicated; here the analysis into 'praise' and 'blame' isperhaps as much as anything a product of the urge for theoreticaltidiness, since the potential range of 'n<strong>on</strong>-practical', display oratoryis in fact much wider. 10 In practice the term is often used to describeany rhetorical work whose aim is to dem<strong>on</strong>strate the author's skillrather than to influence an immediate decisi<strong>on</strong>, even if it does notfit into the categories of praise and blame." Clear examples of epideicticpraise are the speeches delivered at great civic or pan-Hellenicoccasi<strong>on</strong>s—funeral orati<strong>on</strong>s and festival speeches; it also includessophistic such as Gorgias' Helen and the light-hearted encomiaattributed to Polycrates. Examples of epideictic 'blame' are harderto find, unless <strong>on</strong>e turns to imaginary sophistic 'prosecuti<strong>on</strong>s': 12 but,as will be seen, Isocrates insists <strong>on</strong> the difference between 'defence'and 'praise' (Helen 14), and we might expect a corresp<strong>on</strong>ding distincti<strong>on</strong>between 'prosecuti<strong>on</strong>' and 'blame'.This whole classificati<strong>on</strong> is not <strong>on</strong> first impressi<strong>on</strong> particularly helpfulwhen dealing with the work of Isocrates. 13 Of his major pedagogical9 Rhet. 1358a36-b20, Rhet. ad Alex. 1421b7-20.1(1For accounts of epideictic see Buchheit 1960, Kennedy 1963 pp. 152-173,Russell and Wils<strong>on</strong> 1981 pp. xi-xxxiv (esp. xiii-xv and xviii-xxii).11 One example is the type of speech exemplified by Gorgias' Palamedes, Alcidamas'Odysseus, and the Odysseus and Ajax of Antisthenes, where a dispute in the legendaryworld of the heroes is imagined as a formal exchange of speeches before court orassembly. Such speeches are outwardly dicanic or symbouleutic in form, but theirpurpose allies them more with epideictic. For a discussi<strong>on</strong> of the world of myth asa setting for generalised illustrati<strong>on</strong> of technique, see Innes 1991 pp. 228-230.12 Such as Alcidamas' Odysseus (or Against Palamedes} and Polycrates'13 On the challenge to generic descripti<strong>on</strong> posed by <strong>Isocrates'</strong> oeuvre, see alsoUsener 1994 pp. 20-46 and Too 1995 pp. 10-35.


10 INTRODUCTIONworks, 14 some can be fitted—with varying degrees of simplificati<strong>on</strong>or distorti<strong>on</strong>—into the handbook categories: Archidamus, Plataicus, Onthe Peace as symbouleutic; Antidosis as dicanic; Nicocles, Panegyricus,Panathenaicus as epideictic praise. Others, including <strong>Busiris</strong>, resist suchclassificati<strong>on</strong>. There are also grounds <strong>on</strong> which <strong>on</strong>e might assign allthese works to the epideictic category: they are composed for writtendisseminati<strong>on</strong>, not for live delivery at a unique moment of decisi<strong>on</strong>; 15any court or assembly situati<strong>on</strong>s they envisage are fictitious; and theysometimes seem designed to advertise <strong>Isocrates'</strong> educati<strong>on</strong>al programme,or his moral and political stance, rather than to sway theaudience's mind <strong>on</strong> a particular issue. 16 Isocrates himself does notmake many pr<strong>on</strong>ouncements about categories of rhetorical producti<strong>on</strong>;his interest is mainly in asserting the difference between his ownwork and every<strong>on</strong>e else's, and he tends to appeal to criteria of style,subject-matter and moral purpose rather than of form or occasi<strong>on</strong>. 17Thus genre in general, and the traditi<strong>on</strong>al rhetorical genres asdefined by Aristotle in particular, are awkward tools for interpretingthe writings of Isocrates. But there are two respects in which thestandard generic scheme is an important background for the <strong>Busiris</strong>.Firstly, this work, while it does not fit into any <strong>on</strong>e category, c<strong>on</strong>tainselements of several: praise (the Encomium of <strong>Busiris</strong>), defence(refutati<strong>on</strong> of charges against <strong>Busiris</strong>), apotreptic (urging Polycratesto aband<strong>on</strong> his present course) and protreptic (urging him to adopta new <strong>on</strong>e). 18 It will also be suggested that the work as a whole can14 This formulati<strong>on</strong> is intended to signal that certain works of Isocrates have beenset <strong>on</strong> <strong>on</strong>e side: both his 'logographic' output—i.e. Euth., Callim., Loch., Zeug., Trap.,Aegin. (speeches apparently written for a client to use in court), all of which probablydate from before he embarked in earnest <strong>on</strong> his pedagogical career—and thenine Letters. It is not implied that these works are unimportant or unc<strong>on</strong>nected withthe rest of the oeuvre; they form distinct groups and pose different problems.15 Of course it is highly uncertain how the written versi<strong>on</strong>s of dicanic and symbouleuticspeeches, such as those of Lysias or Demosthenes, relate to what reallytook place in court or assembly, and in some cases there may be no direct relati<strong>on</strong>shipat all: but it remains true that such speeches presuppose a unique realoccasi<strong>on</strong> of delivery, whereas even when <strong>Isocrates'</strong> speeches sketch a 'real-life' settingfor themselves, the ficti<strong>on</strong>ality of the setting is made very clear.16 The speeches themselves, however, tend to insist <strong>on</strong> their practical purpose,and express hostility to the idea of see note <strong>on</strong> § 4417For collective characterisati<strong>on</strong> of <strong>Isocrates'</strong> own see Antid. 45-50, Panath.272, Paneg. 4. See also <str<strong>on</strong>g>Livingst<strong>on</strong>e</str<strong>on</strong>g> 1998 pp. 269-72.18 A protreptic aim is implicit in all serious encomium, insofar as it commendsan example for others to follow. This is made explicit in Evagoras (§ 74-81): noteespecially § 77


INTRODUCTION 1 1be seen in terms of the stereotypical four-part structure of a dicanicspeech: there is a Proem and an Epilogue; the Encomium of <strong>Busiris</strong>represents the Narrative, and the Defence of <strong>Busiris</strong> functi<strong>on</strong>s asProof. Sec<strong>on</strong>dly, <strong>Busiris</strong> reflects, and perhaps has a role in establishing,<strong>on</strong>e generic distincti<strong>on</strong> which Isocrates does regard as important.This is the distincti<strong>on</strong>, menti<strong>on</strong>ed above, between praise anddefence. At Helen 14—15, Isocrates commends Gorgias' Helen for itschoice of subject, but criticises <strong>on</strong>e 'small inadvertence': the author,Isocrates objects, claims to have written an encomium, when in facthe has presented a defence. 19 It is easy to see what is meant by thiscriticism. Gorgias' Helen describes itself as an1) and as an(§ 21), and the treatment of Helen begins with what is tobecome standard encomiastic material (genealogy, and the individual's(see also Sykutris 1927 pp. 35 f.). <strong>Busiris</strong> is, of course, a special case, because it isthe method, not the subject, of the encomium that is exemplary.. Blass). Theidentificati<strong>on</strong> ofhere as Gorgias is rejected by Brem<strong>on</strong>d (Mathieu/Brem<strong>on</strong>d I.158-9). He argues that when Gorgias has been criticised by name forhis(Isoc. Helen 3), it is unnatural that he should then be allusivelycommended for his Helen (Isoc. Helen 14) without any acknowledgement ofthis c<strong>on</strong>trast; and that the phraser|


12 INTRODUCTIONmost outstanding positive attribute—in this case, beauty); 20 but in§ 4—5 there is a swift transti<strong>on</strong> to what is identified as the beginningof the speech proper (namely thedem<strong>on</strong>strati<strong>on</strong> that Helen's flight to Troy was This achievesthe object set out in the proem of refuting those who blame her forit (). The proof uses a type of argumentobviously appropriate for—and widely used in—legal defence:a formal (and professedly exhaustive) 'divisi<strong>on</strong>' of the possible explanati<strong>on</strong>sof what happened, followed by systematic dem<strong>on</strong>strati<strong>on</strong> that,<strong>on</strong> each hypothesis in turn, the accused is innocent.<strong>Isocrates'</strong> treatment of Polycrates' <strong>Busiris</strong> indicates that it, too, alternatedor wavered between praise and defence, and that Polycratesfailed to distinguish the two procedures. Isocrates does not make thisan explicit ground of criticism: to do so would be to obscure themain charge, that Polycrates never satisfied the requirements of eitherform. He 'corrects' the error by supplying both praise and defencein his own exemplary treatment of the <strong>Busiris</strong> theme, but keepingthe two separate and using a distinct style and method in each. Heunderlines the double nature of the dem<strong>on</strong>strati<strong>on</strong> (§ 9 and § 44it is perhaps surprising that the transiti<strong>on</strong>from <strong>on</strong>e to the other (§ 29 to § 30) is not explicitly announced,but it is marked unmistakeably by the change of t<strong>on</strong>e and by thereappearance of Polycrates as direct addressee. Where Gorgias w T ascommended for his choice of theme but criticised <strong>on</strong> formal grounds,Polycrates is shown to have failed in both respects. 21In both Helen and <strong>Busiris</strong> Isocrates insists <strong>on</strong> a 'pure' genre ofEncomium: a rhetorical form in which good qualities and acts areattributed to the subject, where these good attributes are amplified,and where nothing bad has any place at all—not even to be deniedor refuted. This pure Encomium is exemplified in Helen, in <strong>Busiris</strong>10-29, and in Evagoras. Encomium assumes a c<strong>on</strong>sensus of admirati<strong>on</strong>for its subjects, and seeks to increase that admirati<strong>on</strong>. Defence,20 On the order of topics in encomia, see note <strong>on</strong> § 10-29; <strong>on</strong> genealogy as thefirst topic, see note <strong>on</strong> § 10Beauty is the first heading in Agath<strong>on</strong>'sEncomium of Love in the Symposium (195a-196b).21That <strong>Busiris</strong> embodies a critique <strong>on</strong> grounds of form as well as theme is wellargued by Buchheit, who stresses the importance of Helen and <strong>Busiris</strong> in articulatingEncomium as a distinct genre and thereby preparing the ground for Evagoras(Buchheit 1960, esp. pp. 45-53).


INTRODUCTION 13by c<strong>on</strong>trast, inevitably c<strong>on</strong>cedes the existence of negative opini<strong>on</strong>s,however unjustified, about the pers<strong>on</strong> or thing defended. 22<strong>Isocrates'</strong> criticism of Gorgias and Polycrates for c<strong>on</strong>fusing praisewith defence may seem like pedantry—pointing out an obvious butunimportant imprecisi<strong>on</strong> in the way their works were described. Infact, it is characteristic of Isocrates to present his own judgementsabout rhetoric as almost too obvious to be worth stating, matters ofcomm<strong>on</strong> knowledge or comm<strong>on</strong> sense: 23 this is a variant <strong>on</strong> the artfulspeaker's perennial claim to lack art and so, by implicati<strong>on</strong>, guile.In <strong>Busiris</strong>, the terms and are not discussedor defined, and at Helen 15 the distincti<strong>on</strong> between andis treated as self-evident. But more is at stake than is atfirst apparent. The mixing of praise and defence criticised by Isocratesis not a product of mere accident or inadvertence: it is a natural, ifnot inevitable, c<strong>on</strong>sequence of the choice of a paradoxical theme. 24A speech which sets out to praise is under str<strong>on</strong>g pressureto engage with the prevailing to refute the existing negativeopini<strong>on</strong>s about its subject. Paradox seems, as Isocrates complains atHelen 8-13, to have dominated the field of sophistic display-encomium(as opposed to 'real' civic encomia such as funeral speeches)—whetherbecause of its possibilities for entertaining virtuosity, or because itwas a way to avoid direct comparis<strong>on</strong> with poetry, l<strong>on</strong>g the vehicleof true encomium. 25 Helen and <strong>Busiris</strong> illustrate how a resolute adherenceto pure encomium, as opposed to defence, will tend to nullifyany paradoxical quality a subject may have. They point the way forrhetoricians to display and exercise their skill in genuine encomia,resembling the earlier sophistic encomia in being composed for writtencirculati<strong>on</strong> and in focusing <strong>on</strong> a single individual, yet sharingthe seriousness and dignity of the great civic encomia. They thusprepare the way for the Evagoras, which claims to break new groundas a prose encomium of a c<strong>on</strong>temporary figure. 262422Cf. Helen 15 catoXoyeiaSou piv yap 7ipoaf|Kei rcepi TCOV a8iKeiv amavvi- 3 Cf. Bus. 4 and note ad loc.On the genre of rhetoric embracing paradoxical and insignificant themes (easily be either paradoxical or n<strong>on</strong>-paradoxical, because of the sharply divergent imagesof its heroine in literary traditi<strong>on</strong>; Polycrates' <strong>Busiris</strong> is a more extreme example.25 I am grateful to Professor D.A. Russell for this point.26 See Evag. 5—11; <strong>on</strong> the significance of the Evagoras, Momigliano 1971 pp. 49 ff.


14 INTRODUCTIONI.ivStructure and Argument<strong>Busiris</strong> has four main parts, which I will refer to as the Prologue(§ 1-9: the offer of help to Polycrates and critique of his work),Encomium (§ 10-29: <strong>Isocrates'</strong> dem<strong>on</strong>strati<strong>on</strong> of how <strong>on</strong>e mightpraise <strong>Busiris</strong>), Defence (§ 30-43: Isocrates shows how <strong>on</strong>e mightdefend <strong>Busiris</strong>, and c<strong>on</strong>trasts his own account with Polycrates') andEpilogue (§ 44-50: summary of the faults and dangers of Polycrates'<strong>Busiris</strong>, and final words of advice).As has been suggested (p. 4), the traditi<strong>on</strong>al title <strong>Busiris</strong> is potentiallymisleading: the work is not primarily about <strong>Busiris</strong>, just as itis not primarily an encomium, or indeed an example of mythologicalepideictic. Even so, <strong>on</strong>e way in which its form must be understoodis against the background of a traditi<strong>on</strong> of mythological epideictic.Prologue and Epilogue are closely c<strong>on</strong>nected. They form a framearound the treatment of <strong>Busiris</strong>; more precisely, they define the argumentinto which the treatment of <strong>Busiris</strong> is inset, and to which it islargely subordinated.This frame of theoretical argument surrounding a treatment of amythological theme can be seen as a radical extensi<strong>on</strong> of the remarkswhich a sophist might make at the beginning of an (theof later declamati<strong>on</strong>) 27 and perhaps at the end, telling theaudience (or readers) what to expect and guiding their resp<strong>on</strong>se.Examples can be found in the surviving written pieces. Thus inGorgias' Helen the mythological encomium has surrounding secti<strong>on</strong>swhich do not address the theme itself, but explain how and why thework has been written. Gorgias' speech has a symmetrical structurein which this 'outer frame' occupies the first and last secti<strong>on</strong>s; thesec<strong>on</strong>d and penultimate secti<strong>on</strong>s form an 'inner frame' of proem andc<strong>on</strong>clusi<strong>on</strong> to the Helen-theme itself. 28This procedure of introducing and c<strong>on</strong>cluding a speech with theoreticalobservati<strong>on</strong>s is parodied in the Encomium of Love spokenby Agath<strong>on</strong> in Plato's Symposium, where it appears as a mark of the2728See Russell 1983 pp. 77-79.Thus § 1 called by § 21 while§ 2 ispicked up by § 20


INTRODUCTION 1 5exaggerated self-c<strong>on</strong>sciousness of the rhetorician:(197e). The latter passage, which c<strong>on</strong>cludes Agath<strong>on</strong>'s speech,echoes Gorgias' final words'(Gorgias Helen 21).In <strong>Isocrates'</strong> Helen, 'theory' is c<strong>on</strong>fined to a prologue, but this theoreticalpreamble is more extensive (roughly <strong>on</strong>e fifth of the whole). 29Helen, like <strong>Busiris</strong>, has a polemical purpose; it is necessary to identifytargets and indicate how <strong>Isocrates'</strong> work should be c<strong>on</strong>trastedwith theirs. Once it has begun, however, the Encomium of Helenacquires a degree of independence from the polemic, and there isno epilogue to reassert its status as a theoretical model. In <strong>Busiris</strong>,the mythological theme is much more explicitly subordinated to thepolemic. The technique of <strong>Busiris</strong>, where an inset encomium interactswith and c<strong>on</strong>tributes to a surrounding discussi<strong>on</strong>, has parallelswith Plato's Symposium and Phaedrus, though it is obviously <strong>on</strong> a muchsmaller scale. 30The polemical frame, combined with the divisi<strong>on</strong> of the treatmentof <strong>Busiris</strong> into Encomium and Defence, results in a four-part structurereminiscent of the traditi<strong>on</strong>al organisati<strong>on</strong> of forensic speeches:Proem, Narrative, Proof, C<strong>on</strong>clusi<strong>on</strong>. 31 As has already been suggested,this pre-existing structural model exerts some influence <strong>on</strong>the way the parts of <strong>Busiris</strong> interrelate. Thus the Defence is not aself-c<strong>on</strong>tained, systematic refutati<strong>on</strong> of the charges against <strong>Busiris</strong> (as,for instace, the charge against Helen is systematically refuted byGorgias); instead it sets out to show that the account of <strong>Busiris</strong>'career already developed in the Encomium is c<strong>on</strong>vincing (§ 32) andprobable (§ 35), and to refute Polycrates' defamatory versi<strong>on</strong>. In29 The prologue of the Helen is cited by Aristotle to illustrate how epideicticspeeches can have an extended proem which is not necessarily c<strong>on</strong>nected with themain theme, but is made to lead in to it:(Met. 1414b24-28).30 Similarities and links between <strong>Busiris</strong> and Phaedrus are explored further in IV.iibelow.31For the 'parts of the speech' in early theory see especially Plato Phaedrus266d ff.; also Arist. Met. 1354bl6 ff., 1414a29 ff. For an example of the four-partstructure in <strong>Isocrates'</strong> own forensic work, cf. Against Callimachus: Proem, § 1-3;Narrative, § 4-12; Proof, § 13-57; C<strong>on</strong>clusi<strong>on</strong>, § 58-68.


16 INTRODUCTIONother words, it functi<strong>on</strong>s—in part—as Proof of the Encomium'sNarrative, and the work as a whole takes <strong>on</strong> the character of aforensic defence speech. This device makes it appropriate for theDefence not to restrict itself to defending <strong>Busiris</strong> directly, but alsoto c<strong>on</strong>trast the two that have been composed about him—justas a forensic Proof would support the speaker's own Narrative andundermine his opp<strong>on</strong>ent's. Here, this allows for an interweaving offictive dem<strong>on</strong>strati<strong>on</strong> with substantive theory, which bridges the gapbetween the <strong>Busiris</strong>-secti<strong>on</strong>s and the polemical frame. The speech asdefence of <strong>Busiris</strong>, seen in the light of this structural pattern, mergeswith the speech as counterblast to Polycrates, or, to put it anotherway, as defence of rhetoric against Polycrates' misuse.The Prologue may be seen as a Proem introducing Polycrates'travesty of rhetoric; the Encomium, presenting 'correct' rhetoric inthe form of an example, is the Narrative; the Defence dem<strong>on</strong>stratesthe c<strong>on</strong>trast between the two kinds of rhetorical procedure, and theEpilogue, as c<strong>on</strong>clusi<strong>on</strong>, recapitulates the 'guilt' of Polycratean compositi<strong>on</strong>s,which discredit rhetoric, and goes <strong>on</strong> to canvas the supportof Polycrates himself—and by implicati<strong>on</strong> of the wider audience—for the 'true' rhetoric <strong>on</strong> which Isocrates himself is the authority.Isocrates takes full advantage of the fact that his Defence of <strong>Busiris</strong>is a reply to a previous speech, just as a real forensic defence speechwould be: he can thus put Polycrates, the soi-disant defender of <strong>Busiris</strong>,in the role of prosecutor. Attenti<strong>on</strong> is focused <strong>on</strong> the opposingaccounts—the traditi<strong>on</strong>al myth adopted and embroidered by Polycrates,and <strong>Isocrates'</strong> edifying 'revised' versi<strong>on</strong>—more than <strong>on</strong> the figure of<strong>Busiris</strong> himself. Hence the Defence secti<strong>on</strong>, having <strong>Isocrates'</strong> Encomiumand Polycrates' speech as its objects of reference, is drawn towardsthe theoretical plane; the real issue—the superiority of Isocrateanrhetoric—starts to break through the ostensible issue of <strong>Busiris</strong>' reputati<strong>on</strong>.This emerging undercurrent is brought to the reader's attenti<strong>on</strong>by the purely theoretical line of argument at § 33 (defence of <strong>Busiris</strong>.This relati<strong>on</strong>ship between the secti<strong>on</strong>s of the speech creates a hierarchyof levels. The Encomium adheres strictly to its mythologicaltheme: it makes no reference to other parts of the work, Polycratesis not menti<strong>on</strong>ed, and the author's own presence is effaced. Thissecti<strong>on</strong> displays the highest epideictic style and maintains the greatestficti<strong>on</strong>al distance. The Defence remains overtly centred <strong>on</strong> the


INTRODUCTION 17<strong>Busiris</strong> theme. Here there is c<strong>on</strong>stant reference to the Encomiumand to Polycrates' speech; the figures of Polycrates and Isocrates bothhave a high profile; but all is c<strong>on</strong>diti<strong>on</strong>ed by the imagined forensicc<strong>on</strong>fr<strong>on</strong>tati<strong>on</strong>—Polycrates' <strong>Busiris</strong> appears as the prosecuti<strong>on</strong>-speechto be refuted, <strong>Isocrates'</strong> Encomium as the defence narrative to bec<strong>on</strong>firmed, and the two men are cast as rival litigants. Yet treatmentof <strong>Busiris</strong> is now mediated by reference to the two opposingPrologue and Epilogue are both at a 'higher' level: they define thepurpose of the central secti<strong>on</strong>s and of the whole work. They standoutside the ficti<strong>on</strong> of c<strong>on</strong>cern with <strong>Busiris</strong>; they create, and simultaneouslyundermine, the ficti<strong>on</strong> of altruistic benevolence towardsPolycrates. 32The parts of the work, operating as they do <strong>on</strong> different levels,are unified by the articulati<strong>on</strong> of the polemic against Polycrates. Inthe Prologue he is cast as an untutored novice in the art of rhetoricaleducati<strong>on</strong>; his faults are seen as absurd blunders, marks of sheerignorance and incompetence. <strong>Isocrates'</strong> role as benefactor is fromthe start undercut by ir<strong>on</strong>y, 33 and as the account progresses there isa growing suggesti<strong>on</strong> of moral as well as technical censure: still, however,the overt assumpti<strong>on</strong> is that Polycrates simply does not knowhow to write an encomium or a defence, so the expert must showhim the way. Isocrates avoids for the moment any acknowledgementthat, by standards other than his own, to praise some<strong>on</strong>e whom <strong>on</strong>eadmits to be a cannibal tyrant might be a tour de force or a sophisticatedjoke. 34 He takes the opportunity to ridicule his adversary, andto stage a preliminary attack <strong>on</strong> his <strong>Busiris</strong>-speech, while leavinguntil later the serious questi<strong>on</strong> of what Polycrates may really havewished to achieve.In the Encomium, as in the Helen, Isocrates adheres strictly topraise and does not menti<strong>on</strong> the ill that has been spoken of the32 See esp. note <strong>on</strong> § 1-9 and <strong>on</strong>33 This ir<strong>on</strong>y is particularly apparent from the c<strong>on</strong>descending t<strong>on</strong>e of the openingsentences and from the nuances surrounding <strong>Isocrates'</strong> offer of help: see note<strong>on</strong> § 1-9.34 Isocrates does not find fault in any way with the theme Polycrates has chosenuntil the transiti<strong>on</strong>al paragraph § 9, where he observes that it is(seenote ad loc.). His determinedly serious treatment of a work meant to be outrageousc<strong>on</strong>tributes greatly to the ir<strong>on</strong>ic humour of the Prologue.


18 INTRODUCTIONcharacter he is praising. 35 Since there is very little that is creditablein the traditi<strong>on</strong>s about <strong>Busiris</strong>, the traditi<strong>on</strong>s must be aband<strong>on</strong>ed.Isocrates therefore creates a new story: he makes <strong>Busiris</strong> the founderof the kingdom and civilisati<strong>on</strong> of Egypt. Egypt thus becomes a 'm<strong>on</strong>umentof his excellence' (, § 10), with the result thatan encomium of Egypt can serve as an encomium of <strong>Busiris</strong>. Eachfeature of the country is counted to <strong>Busiris</strong>' credit: he chose thecountry for its amenities, established its instituti<strong>on</strong>s and so <strong>on</strong> (<strong>Busiris</strong>remains the grammatical subject, though not always the logical subject,through most of the secti<strong>on</strong> § 11-27). 36 The tendentiousness thatresults from this device is not acknowledged here: it is left to bedealt with in the Defence.The Encomium begins, again as in Helen, with the standard topicsof genealogy and birth, and goes <strong>on</strong> to the establishment of<strong>Busiris</strong>' kingdom. After that, though a chr<strong>on</strong>ological ordering is sometimessuggested (e.g. § 15it is much less prominent than in Helen. The Encomium is organisedinstead by different categories of good quality: physical amenitiesand cultivati<strong>on</strong> (§ 12-14), political instituti<strong>on</strong>s (§ 15-20), scienceand philosophy (§ 21-23), and religious instituti<strong>on</strong>s (§ 24-27). Theseare 'virtues' proper to a country or a city rather than an individual—weare left to infer that <strong>Busiris</strong>, being resp<strong>on</strong>sible for them,must have possessed corresp<strong>on</strong>ding pers<strong>on</strong>al virtues. 37The structure is less reminiscent of <strong>Isocrates'</strong> praise of Helen,which c<strong>on</strong>centrates <strong>on</strong> beauty as her outstanding attribute, than ofAgath<strong>on</strong>'s speech in the Symposium, where Eros is praised for, divided under the headings of andand for divided into and. Agath<strong>on</strong>'s speech, however, ascribes these qualities directly to35On the structure of the Encomium and its relati<strong>on</strong>ship to <strong>Isocrates'</strong> otherEncomia, see also note <strong>on</strong> § 10-29.36 Note, however, that <strong>on</strong>ly <strong>on</strong>ce in the Encomium is <strong>Busiris</strong> actually named: seenote <strong>on</strong> § 10. In the Encomium in the Helen, Helen's name appearsmore often, but <strong>on</strong>ly <strong>on</strong>ce in the nominative case (§ 61); she is the grammaticalsubject <strong>on</strong>ly in the secti<strong>on</strong> dealing with her apotheosis and divine powers (§ 61-65)and in <strong>on</strong>e other passage (§ 40. Partof the reas<strong>on</strong> for this is, of course, that Isocrates is avoiding menti<strong>on</strong> of Helen'smost celebrated or notorious 'acti<strong>on</strong>', her elopement with Paris.37 In the 'physical amenities' secti<strong>on</strong>, where there is no obvious corresp<strong>on</strong>dinghuman virtue, it is explicitly observed that <strong>Busiris</strong>' priorities in choosing the countrydem<strong>on</strong>strate his good sense


INTRODUCTION 19the god, while devoting little attenti<strong>on</strong> to the inference (197cl—3)that he is the cause of similar qualities in others; Isocrates, <strong>on</strong> theother hand, describes the good qualities of Egypt and asserts that<strong>Busiris</strong> was resp<strong>on</strong>sible for them, but leaves his pers<strong>on</strong>al qualities tobe inferred.The treatment ofwhich forms the climax of theEncomium, is reinforced by the testim<strong>on</strong>y of Pythagoras, who learnedhis piety from the Egyptians: this may be compared with the secti<strong>on</strong>sin the Helen where Theseus, the suitors, and Paris each testifyby their acti<strong>on</strong>s to Helen's beauty. 38 In the treatment of Pythagoras,as in the immediately preceding account of animal-worship as a salutaryinstituti<strong>on</strong>, the Encomium acquires an unmistakeable t<strong>on</strong>e ofir<strong>on</strong>y (see note <strong>on</strong> § 28—29): a reminder that the subject is not <strong>on</strong>e39that admits ofThe Defence sets out at <strong>on</strong>ce to counter Polycrates' anticipatedobjecti<strong>on</strong> that Isocrates cannot prove that <strong>Busiris</strong> was resp<strong>on</strong>sible forthe virtues of Egypt. This makes clear its dual purpose: it is both adem<strong>on</strong>strati<strong>on</strong> of rhetorical defence and a defence of the precedingdem<strong>on</strong>strati<strong>on</strong> of rhetorical praise. The arguments form a progressi<strong>on</strong>.First, a theoretical c<strong>on</strong>siderati<strong>on</strong>: <strong>Isocrates'</strong> claims are at leastpossible and appropriate for an encomium (§ 30-33); then an argumentfrom probability: <strong>Busiris</strong> is the individual most likely to beresp<strong>on</strong>sible (§ 34-35); thirdly an appeal to 'factual' evidence: the versi<strong>on</strong>of the story used by Polycrates is inc<strong>on</strong>sistent with establishedchr<strong>on</strong>ology. This attack <strong>on</strong> Polycrates' uncritical acceptance of hissources leads into the last and most important argument: the traditi<strong>on</strong>alstory is blasphemous, like all poetic myths which ascribe wickednessto the gods or their offspring. Polycrates, who repeated andembroidered this blasphemy, shares the poets' (§ 40). By38 Helen 18-38 (Theseus), 39-41 (suitors), 41-48 (Paris); for this mode of praise,cf. Arist. Rhet. 1363al7-19. See also note <strong>on</strong> § 10-29.39 It will be argued that the Encomium of Egypt, with its increasingly clear ir<strong>on</strong>icundert<strong>on</strong>es, has an effect which goes bey<strong>on</strong>d the polemic against Polycrates, namelyto satirise an 'ideal state' of the kind envisaged in Plato's Republic: see IV.i below.<strong>Busiris</strong> may be seen in the light of Gorgias' dictum about the use of humour andseriousness in practical(Arist. Rhet. 1419b4-5): <strong>Isocrates'</strong> Prologue demolishesthe humour of Polycrates' <strong>Busiris</strong> by treating it seriously (though perhaps it ismore accurate to say that his t<strong>on</strong>gue-in-cheek simulati<strong>on</strong> of seriousness outdoesPolycrates by creating a more sophisticated joke); his Encomium seeks to demolishthe seriousness of Republic by treating it humorously.


20 INTRODUCTIONemphasising his respect for the gods and making a virtue of rejectingtraditi<strong>on</strong>al myth, Isocrates gives new force to the argument, whichseemed weak before, that <strong>Busiris</strong> as s<strong>on</strong> of Poseid<strong>on</strong> and grands<strong>on</strong>of Zeus was 'the most likely' author of the great instituti<strong>on</strong>s of Egypt.At the same time he develops, especially in § 41-43, a direct moralc<strong>on</strong>trast between himself and Polycrates. 40The Encomium ended with the evidence of <strong>Busiris</strong>' atthe end of the Defence, Isocrates c<strong>on</strong>trasts his own piety withPolycrates' The structural link highlights the c<strong>on</strong>trast between<strong>Isocrates'</strong> morally edifying encomium and Polycrates' blasphemousencomium, and c<strong>on</strong>nects rhetorical competence with moral uprightness;this sets the t<strong>on</strong>e for the Epilogue, with its serious moral censureof Polycrates' work.The Epilogue returns to the themes of the Prologue, summarisingPolycrates' errors <strong>on</strong>ce again and announcing the fulfilment of<strong>Isocrates'</strong> promise to provide guidance. It also introduces new elementsinto the critique. In § 45 comes the first menti<strong>on</strong> of a wayin which Polycrates did in fact attempt to defend <strong>Busiris</strong>—the argumentfrom precedent, pointing to others who had behaved as hedid. The series of arguments in § 45—47 attempts to bring home toPolycrates the disgrace of using such a defence, <strong>on</strong> grounds both ofpractical uselessness and of the potential moral harm to any<strong>on</strong>e foolishenough to put faith in it.In § 48 it is acknowledged for the first time that the paradoxicalquality of Polycrates' <strong>Busiris</strong>, which admitted <strong>Busiris</strong>' crimes whileostensibly defending him, may reflect a deliberate choice <strong>on</strong> the partof its author. <strong>Isocrates'</strong> resp<strong>on</strong>se to this possibility (§ 48-49) follows<strong>on</strong> from his arguments in § 45—47: since for practical purposesPolycrates' method of defence is worse than useless, his work has nomerit even as an attempt to make the best of an impossible case;moreover, compositi<strong>on</strong>s of this kind inevitably add to public distrustof rhetorical educati<strong>on</strong>. 41The c<strong>on</strong>cluding advice in § 49 brings these arguments togetherand emphasises the freshly-exposed moral aspects of Polycrates' error.40 On the background to <strong>Isocrates'</strong> attack <strong>on</strong> poetic blasphemy, see note <strong>on</strong> § 38i


INTRODUCTION 21The paradoxical theme is c<strong>on</strong>demned in the phrasedo so in a way that will not be disgraceful or pernicious.These alternatives draw attenti<strong>on</strong> to the achievement of <strong>Isocrates'</strong>own Encomium, which praised <strong>Busiris</strong> in a way that was both rhetoricallyskilful and morally admirable, and prompts the reader to thinkagain about what it is that makes such themes 'wicked'. <strong>Isocrates'</strong>treatment has in fact deprived the theme of its paradoxical—andmischievous—character, by adapting the material in accordance withproper rhetorical principles.Hence the alternatives offered in § 49 turn out not to be alternativesat all: to avoid disgrace and harmfulness, Polycrates will haveto follow <strong>Isocrates'</strong> example and observe correct rhetorical procedure;but if he does so, then he will be c<strong>on</strong>strained to treat histhemes, as Isocrates has d<strong>on</strong>e with <strong>Busiris</strong>, in such a way that theycease to be This 'lack of alternative' encapsulates the majordoctrinal point which underlies the structure of the <strong>Busiris</strong>: <strong>on</strong> the<strong>on</strong>e hand, a wicked or unworthy theme cannot (without transformati<strong>on</strong>)serve to display real rhetorical skill; 42 <strong>on</strong> the other, adherenceto correct rhetorical procedure is itself enough to ensure amorally acceptable treatment of any theme. The rhetorical technique,which necessarily incorporates certain moral commitments (such asc<strong>on</strong>cern for the truth and dedicati<strong>on</strong> to the goal of willitself guarantee the moral value of the finished work.I.vStyle<strong>Isocrates'</strong> style had a profound influence <strong>on</strong> later Greek rhetoricalprose. It is characterised by l<strong>on</strong>g elaborately-c<strong>on</strong>structed periods andby a great c<strong>on</strong>cern for the smooth flow of words. Harsh juxtapositi<strong>on</strong>sare avoided, and hiatus in particular; figures of sound andrhythm are used in such a way as not to be obtrusive. 43 This style,42 Thus clever paradoxical speeches and jeux d'esprit c<strong>on</strong>ceal incompetence andignorance of rhetorical principles. Similarly at Helen 9—13 paradoxical and absurdthemes are characterised as the refuge of those incapable of treating worthwhilesubjects: a^eijyouoiv (§ 10).43 For a full discussi<strong>on</strong> of <strong>Isocrates'</strong> style and its variati<strong>on</strong>s from work to work,see Usher 1973 (<strong>on</strong> <strong>Busiris</strong>, p. 50; statistics pp. 46-47); for a shorter account, Usher1990 pp. 10-12. Passages in <strong>Isocrates'</strong> works which comment <strong>on</strong> style are collectedand discussed by Wersdorfer (Wersdorfer 1940 pp. 117-127); the style of <strong>Busiris</strong> isdiscussed briefly in Wirth 1910, pp. 10-12.


22 INTRODUCTION<strong>on</strong>ce perfected, was used with great c<strong>on</strong>sistency throughout his career;<strong>Busiris</strong> is thus remarkable in showing striking variati<strong>on</strong>s of style withina very short compass.Neglect of this internal variati<strong>on</strong> has led to an inadequate accountof <strong>Busiris</strong> in Stephen Usher's authoritative work <strong>on</strong> <strong>Isocrates'</strong> style.Usher's verdict is that <strong>Busiris</strong> exemplifies <strong>Isocrates'</strong> 'mature epideicticstyle' as found in Panegyricus, except that the average period lengthis much less; he relates the use of less complex periods to <strong>Isocrates'</strong>promise of brevity and his statement that the theme does not admit(Bus. 9). He suggests further that, if period length is themajor stylistic difference between <strong>Busiris</strong> and Panegyricus, we may inferthat complex periodicity is for Isocrates the supreme distinguishingmark of serious oratory.Usher in fact overstates the average 'shortness' of periods in <strong>Busiris</strong>. 44The figure he gives for his index of period length would ally <strong>Busiris</strong>more with the forensic speeches than with any other epideictic work;the corrected figure, while c<strong>on</strong>firming that periods in <strong>Busiris</strong> aresignificantly shorter <strong>on</strong> average than in, say, the Panegyricus, restoresit to its place am<strong>on</strong>g the epideictic works, with l<strong>on</strong>ger periods thanTo Nicocles and Nicocles.These averages are of limited value, however, in view of the variati<strong>on</strong>within the work. Periods in the Epilogue are extremely short;those in the Prologue and Encomium are much l<strong>on</strong>ger; the Defencefalls somewhere in between. 45 In general, the Encomium has the44 The overstatement arises from numerical errors. Usher's method is to list thenumber of occurrences of each stylistic feature in which he is interested, the numberof Teubner pages of text, and, as an index of comparis<strong>on</strong>, the equivalent numberof occurrences in 25 Teubner pages (i.e. no. of occurrences no. of pages x25). Thus in the case of periods a higher index means more, and hence shorter,periods. For <strong>Busiris</strong>, Usher gives the number of periods as 70, the number of pagesas 10.5, and the comparative index as 189. This last figure must be an error ofcalculati<strong>on</strong>, because 70 10.5 x 25 = 167. This is still not the correct figure,though, because the number of pages in <strong>Busiris</strong> is in fact not 10.5, but a little morethan 11.5: so the correct index is 70 11.5 x 25 = 152. Compare this with Usher'sfigures for some other works: Euth. 205, Helen 136, Paneg. 114, ad Nic. 182, Nic. 180,Archid. 145, Antid. 127. Usher's error as to the number of pages in <strong>Busiris</strong> obviouslyaffects his indices for all stylistic features; his c<strong>on</strong>clusi<strong>on</strong> that it represents the 'matureepideictic style' still holds, but most be modified to take account of variati<strong>on</strong> withinthe work.4jIndices using Usher's method (bearing in mind that these are very short samplesof text): Prologue 109, Encomium 135, Defence 158, Epilogue 234. (Prologue:10 periods in 2.3 pages, 10 -s- 2.3 x 25 = 109; Encomium: 26 periods in 4.8 pages,


INTRODUCTION 23richest style, with the highest frequency of homoeoteleut<strong>on</strong>, paris<strong>on</strong> andother 'Gorgianic' figures. 46 The Prologue and Defence are rather lessornate. The dignified, authoritative and mock-benevolent t<strong>on</strong>e of thePrologue is marked by l<strong>on</strong>g periods; in the Defence, the dense argumentof § 30-37 produces short periods, but elaborate l<strong>on</strong>g periodsreturn in the excursus <strong>on</strong> poetic blasphemy (§ 38.—43). The Epilogue,where the t<strong>on</strong>e of the argumentati<strong>on</strong> is sharpest and closest to forensicoratory, is plainer in style.The stylistic features of each secti<strong>on</strong> can best be shown by a briefdiscussi<strong>on</strong> of sample passages.Prologue: § 4-55101526 + 4.8 x 25 = 135; Defence: 19 periods in 3 pages, 19 3 x 25 = 158; Epilogue:15 periods in 1.6 pages, 15 1.6 x 25 = 234.) The counting of periods is of coursesomewhat subjective. In the Teubner text of <strong>Busiris</strong>, the total number of units endingin full stop or questi<strong>on</strong> mark is in fact 73: Usher presumably reached his figureof 70 by regarding § 7-8as a single period, and the sametreatment of that passage has been adopted for the calculati<strong>on</strong>s above. If it is treatedas four separate periods, the index for the Prologue becomes 13 2.3 x 25 = 141.46 For definiti<strong>on</strong>s of these figures and of other stylistic features discussed here,see Usher 1973 pp. 44 f. (with note 65).47 Following the Teubner (Benseler/Blass) punctuati<strong>on</strong>: Mathieu/Brem<strong>on</strong>d breakthis into two periods with a full stop after


This passage is a good example of <strong>Isocrates'</strong> technique in c<strong>on</strong>structingperiods (cf. Usher 1973 pp. 42 f.). Suspense is maintained by thec<strong>on</strong>stant use of anticipatory c<strong>on</strong>structi<strong>on</strong>s. The opening absolute c<strong>on</strong>structi<strong>on</strong>,with its dependent antithesis, leads up to the firstfinite verb (line 6), which begins a correlative c<strong>on</strong>structi<strong>on</strong>. Within each part of this antithesis the thought iscarried al<strong>on</strong>g by forward-pointing c<strong>on</strong>structi<strong>on</strong>s. In the first, we findir\v . . . c,, and TCOV aXXcov, which,participles in lines 17 and 18 require the finite verb in line 19 forthe completi<strong>on</strong> of their sense, and this clause in turn requires theexplanati<strong>on</strong> provided by the antithesis in lines 20-21. Figuresof sound are not especially prominent. Inthereis an instance of homoeoteleut<strong>on</strong>; the clauses in lines 9 and 11 balanceeach other in quantity, and attenti<strong>on</strong> is drawn to this by the corresp<strong>on</strong>dencein sound and sense betweenx^a


INTRODUCTION 25This again is a good example of the architecture of an elaborateperiod. The overall structure is very simple — the main verbcomes at the beginning, and directly introduces the main antithesisso there are no complexitiesof thought to distract from the development of the maintheme, the outstanding geographical qualities of Egypt. 49 The firstpart c<strong>on</strong>sists of anthesis which leads into adoubling; in lines 3-4. In the sec<strong>on</strong>dpart, the c<strong>on</strong>trast in lines 9-1 1 brings the period to apossible c<strong>on</strong>clusi<strong>on</strong>, but it is c<strong>on</strong>tinued by means of a relative clause;this relative clause takes the form of an antithesis, and isamplified by the further antithesisThe high style of this passage of auxesis is marked by the c<strong>on</strong>spicuouspresence of 'Gorgianic' figures of sound. There is parechesis in<strong>on</strong> with homoeoteleut<strong>on</strong> in lines 6-7, triplehomoeoteleut<strong>on</strong> in lines 9-11; the c<strong>on</strong>cluding antithesis in lines 15-18again shows homoeoteleut<strong>on</strong> (here accompaniedby other corresp<strong>on</strong>dences of sound and rhythm (etymologica%iofievr|v). There is much alliterati<strong>on</strong> (esp.K and in lines 8-9, and 9 in line 10, and 6 in line 11), andass<strong>on</strong>ance in lines 12—13 (The amplificati<strong>on</strong>is also marked by the use of near syn<strong>on</strong>yms and of words whichadd relatively little to the sense (Defence: § 34-3549 On the patterning of ideas in this passage, see note <strong>on</strong> § 12-14.


26 INTRODUCTION5101520These three sentences put the casev for <strong>Isocrates'</strong> presentati<strong>on</strong>of <strong>Busiris</strong> as the founder of Egypt. The first (lines 1-6) issimple in structure, but still carefully balanced: the main clause (line3) is framed by two c<strong>on</strong>diti<strong>on</strong>al clauses (the first modifying the mainverb, the sec<strong>on</strong>d dependent <strong>on</strong> it as part of the indirect statementintroduced by 6 each c<strong>on</strong>diti<strong>on</strong>al clause c<strong>on</strong>tains a relativeclause correlated with a dem<strong>on</strong>strative pr<strong>on</strong>oun (and the ordering is chiastic: in the first case thedem<strong>on</strong>strative precedes the relative, in the sec<strong>on</strong>d it follows it. Thesec<strong>on</strong>d sentence (lines 7-17) is more elaborate. The interrogativeanced participle phrases (with homoeoteleutori) in lines 8-9; suspense isthen maintained by delayingwhich leads to thestatement of <strong>Busiris</strong>' claims in lines 14-17: two antitheses (<strong>on</strong>e joinedby the other just by both with homoeoteleut<strong>on</strong> and a closemetrical equivalence between the parts. The third sentence (lines18-22), answering the rhetorical questi<strong>on</strong>, is scarcely an independentperiod. There is a metrical balance between . (19) andthe infinitive is kept to the end to achieve a satisfactoryclosure by completing the sense. In this passage, as in the Defencein general, there is a greater interdependence between periods thanis typically the case in the Prologue and Encomium; the argumentruns <strong>on</strong> from <strong>on</strong>e sentence to the next.


INTRODUCTION 27Epilogue: § 46510This passage illustrates the polemical style of the Epilogue at its most'choppy', with many short, pointed expressi<strong>on</strong>s (such as those in lines2, 3, 7, 8 and 10 here), and an alternati<strong>on</strong> between questi<strong>on</strong>s andasserti<strong>on</strong>s. There are few of the balancing c<strong>on</strong>structi<strong>on</strong>s associatedwith complex periods (<strong>on</strong>ly the c<strong>on</strong>trastin line 9, andthe correlative in lines 11-12), and there is littlein the way of amplificati<strong>on</strong>in line 5 is <strong>on</strong>eexample). Figures of sound are represented <strong>on</strong>ly by the ass<strong>on</strong>ant genitiveendings in line 5, and some alliterati<strong>on</strong> (a and in line 6; possibly7 in lines 10-11?).I.viThe TextThis commentary is based <strong>on</strong> the text in the Bude editi<strong>on</strong> of Isocrates(Mathieu/Brem<strong>on</strong>d I.188-200). In the few places where an alternativereading seems preferable, this is indicated in the notes. The textof <strong>Busiris</strong> presents few significant problems: discussi<strong>on</strong> of textual issuesin this commentary has been kept to a minimum, and c<strong>on</strong>fined tothose passages where variant readings would have a substantial impact<strong>on</strong> interpretati<strong>on</strong>. Besides Mathieu/Brem<strong>on</strong>d, reference is regularlymade to the Teubner text (Benseler/Blass) and to Drerup's editi<strong>on</strong>of 1906, which has the fullest apparatus criticus. 50 Manuscripts havenot been examined: the authority of Drerup's apparatus has beenaccepted. Manuscripts referred to in the commentary are listed below.50 On the manuscript sources, see Drerup pp. IV—CXIV and Seck 1965 pp.1-107.


28 INTRODUCTION= Urbinas 111, IXth-Xth century (five correctors, designated2 etc.)6 = Laurentianus LXXXVII 14, XIIIth centuryA = Vaticanus 65, dated 1063E = Arnbrosianus O 144, early XVth centuryII. Poly cratesThe name of Polycrates was to remain notorious am<strong>on</strong>g later Greekrhetoricians, but about the man himself and his works we know relativelylittle. Unlike most 'sophists', he was an Athenian by birth. 51From <strong>Busiris</strong> we learn that he was older than Isocrates (hence bornbefore 436), 52 but turned to the professi<strong>on</strong> of rhetoric relatively latein life, allegedly because of financial hardship. 53 Isocrates has notmet him, and does not anticipate an imminent opportunity to doso: 54 perhaps Polycrates' career took him away from Athens forsignificant periods of time. The writer of the hypothesis to <strong>Busiris</strong>asserts that Polycrates was working in Cyprus at the time of the<strong>Busiris</strong>'. this is plausible enough, but may just be a guess based <strong>on</strong><strong>Isocrates'</strong> own c<strong>on</strong>necti<strong>on</strong>s with Cyprus. Polycrates taught Zoilus ofAmphipolis (notorious as the 'Homeromastix'), 55 and his services aresaid to have been turned down in favour of Gorgias' by Jas<strong>on</strong>, theruler of Pherae in Thessaly. 56Polycrates was famous in antiquity for his speeches <strong>on</strong> paradoxicaland absurd themes. 57 These included speeches in praise of notoriousfigures in mythology, such as his <strong>Busiris</strong> and an Encomium ofClytemnestra (in which she was c<strong>on</strong>trasted favourably with Penelope). 5851 Di<strong>on</strong>ysius of Halicarnassus Isaeus 20, Suda s.v. (1977 Adler).52 Bus. 50 The crucial words are omitted by <strong>on</strong>e manuscript ( ),and their authenticity has been disputed: see note ad loc.53 Bus. 1. The idea of the late start and the change of fortune may of course bea ficti<strong>on</strong>, a mock-charitable—but actually insulting—explanati<strong>on</strong> for the fact that aworking rhetorical teacher of mature years knows (in <strong>Isocrates'</strong> view) so little abouthis subject. Sophists were in the business to make m<strong>on</strong>ey, a fact naturally stressedby their detractors: see e.g. Plato Apology 19e-20b, Rep. 337d; Isoc. Soph. 3-5; Dover1968 pp. 157 f.54 Bus. 2.55 Aelian Var. hist. XI. 10.56 Pausanias VI. 17.9.57 For the history of this genre see Pease 1926.58 Quintilian II. 17.4, Philodemus II p. 216 f. Sudhaus: both sources also menti<strong>on</strong>Polycrates' <strong>Busiris</strong>.


INTRODUCTION 29Polycrates may have been the author of an Encomium of Paris in whichParis was c<strong>on</strong>trasted favourably with Hector. 59 He also composedencomia of insignificant things, including an Encomium of Mice, 60 anEncomium of Pebbles, 6I and probably an Encomium of a Pot. 62 It is plausiblethat he was the author of some of the other trivial or paradoxicalencomia which are menti<strong>on</strong>ed by ancient sources withoutascripti<strong>on</strong>: encomia of bumble-bees and salt, and an encomium ofthe life of beggars and exiles. 63 He also wrote an encomium in whichsome unworthy figure, perhaps Thersites, received lavish heroic treatment.64 According to Josephus, Polycrates inveighed against theSpartan c<strong>on</strong>stituti<strong>on</strong>, but this is no reas<strong>on</strong> to suppose that he wrotean independent work <strong>on</strong> the subject. 65 He is also menti<strong>on</strong>ed byQuintilian am<strong>on</strong>g the authors of rhetorical handbooks. 6659 This work—sometimes known simply as the is menti<strong>on</strong>ed withoutan author's name by Philodemus (loc. cit.: n. 8 above). The hypothesis to <strong>Isocrates'</strong>Helen says that Polycrates attacked Isocrates(sc. the Helen), just as Isocrates attacked Polycrates in <strong>Busiris</strong>: if true, this could pointto a Polycratean Encomium of Paris which in <strong>on</strong>e way or another 'bettered' <strong>Isocrates'</strong>defence of Paris at Helen 41-48. Blass argues (II.371) that the arguments from theParis/Alexandras quoted by Aristotle do not seem Polycratean (Rhet. 1397b21, 1398a22:but cf. 1401a20, 1401b34). See further discussi<strong>on</strong> below.60 Arist. Rhet. 1401bl5, cf. 1401al3.6lAlexander(RG III.3).62 Ibid.63 Bumble-bees: Helen 12; salt: Helen 12 and Plato Symposium 177b; beggars andexiles: Helen 8 and Arist. Rhet. 1401b24 ff.64(Demetrius On Style 120). Cf. Maass 1887 p. 576n. 2: 'ergaenze "Thersiten" oder einen entsprechenden Namen'. This c<strong>on</strong>jecture fitsDemetrius' citati<strong>on</strong> of the work as an instance ofand givesspecific point to his reference to Agamemn<strong>on</strong>: we might then guess that Polycratesmade a topsy-turvy comparis<strong>on</strong> between Thersites and Agamemn<strong>on</strong>, like the comparis<strong>on</strong>with Penelope in the Encomium of Clytemnestra. Alternatively the missing namecould be '<strong>Busiris</strong>' (as suggested by Innes 1995 p. 423 note d): in this case, Agamemn<strong>on</strong>might simply be menti<strong>on</strong>ed as an example of a genuinely 'laudable' hero, orDemetrius might be recalling an actual comparis<strong>on</strong> made in Polycrates' speech(Agamemn<strong>on</strong> sacrificed Iphigenia and presided over the sacrifice of Polyxena: seenote <strong>on</strong> § 45But Demetrius' point about inc<strong>on</strong>gruitybetween subject and style perhaps points to a lowly figure, like Thersites, ratherthan a villainous <strong>on</strong>e. For Thersites and Agamemn<strong>on</strong> as opposites, cf. D.S. XVI.87.1-2:Demades rebukes Philip for disgracing the fortune of an Agamemn<strong>on</strong> with the c<strong>on</strong>ductof a Thersites. Thersites was popular in the later traditi<strong>on</strong> ofsee Pease 1926 p. 37 n. 2.65 Josephus C<strong>on</strong>tra Api<strong>on</strong>em I.220 f. C<strong>on</strong>ceivably abuse of Sparta found a place,<strong>on</strong>e way or another, in Polycrates' <strong>Busiris</strong>, in which case <strong>Isocrates'</strong> treatment of thetopic in § 17-20 might be a (more balanced) resp<strong>on</strong>se.66 III. 1.11.


30 INTRODUCTION<strong>Busiris</strong> does not add very much to our knowledge of Polycrates'interests. He is given the stereotypical characteristics of a sophist:mercenary motives, arrogant boastfulness, the claim to make people'better'. 67 At <strong>Busiris</strong> 8 he is said to have taken an interest in genealogies(Genealogy is a prime topic ofencomium (see note <strong>on</strong> § 10and Isocrates may just meanthat he developed it with more than average enthusiasm; or he mayhave made use of arguments from heroic chr<strong>on</strong>ology, as Isocrateshimself does in <strong>Busiris</strong> 8. Alternatively he may have had an independentinterest in the genealogy of the heroes, as did Hippias of Elis. 68Di<strong>on</strong>ysius of Halicarnassus classes Polycrates, al<strong>on</strong>g with Antiph<strong>on</strong>,Thrasymachus, Critias and Zoilus, am<strong>on</strong>g the teachers of practicalrhetoric. 69 He criticises Polycrates' style severely, in terms which implyoverblown verbosity and a tasteless use of too many extravagantfigures and poeticisms. 70 Di<strong>on</strong>ysius menti<strong>on</strong>s 'real' ( speeches:it is not clear exactly what this means, but the word suggests workswritten for actual use in court or assembly. 71 No other source menti<strong>on</strong>sany such works. For ancient writers <strong>on</strong> rhetoric, he was clearlythe writer of par excellence. 72 His predilecti<strong>on</strong>s seem to havebeen inherited by his pupil Zoilus, who, besides his famous worksAgainst Homer's Poetry and Against Plato, is said to have written an67 Cf. Bus. 1 4 42 . . ., with notead loc. in each case.68 Cf. Plato Hippias maior 285d.69(Isaeus 20).70 II(Isaeus 20): <strong>on</strong> Di<strong>on</strong>ysius' criticalterms, see Geigenmiiller 1908 pp. 110 f., 114. We may recall the encomiumdescribed by Demetrius, with its 'antitheses, metaphors, and every epideictic figure'.71The adjective occurring most often in the phrasenormally implies a real forensic or political situati<strong>on</strong> (Geigenmuller 1908 p. 60). InIsaeus 20 Polycrates comes between Antiph<strong>on</strong> and Thrasymachus in the discussi<strong>on</strong>;Di<strong>on</strong>ysius states explicitly that Antiph<strong>on</strong> did not engage in dicanic or symbouleuticc<strong>on</strong>tests, and that Thrasymachus left no lawcourt speeches. Hence the absenceof any such statement about Polycrates, together with the reference tostr<strong>on</strong>glysuggests that Di<strong>on</strong>ysius did know of some practical speeches ascribedto him—unless it is simply that he did not recognise, or chose to ignore, the ficti<strong>on</strong>alcharacter of the Accusati<strong>on</strong> of Socrates: compare his criticism of the speech in Plato'sMenexenus as though it were a real (Demosthenes 23-30).72Demetrius understands his purpose and excuses his bombastic style:(On Style 120). Cf.Alexander RG III.3, Quintilian II. 17.4.


INTRODUCTION 3 1Encomium of Polyphemus and an Encomium of the People of Tenedos, theisland presumably being chosen for its small size and insignificance. 73Another glimpse of Polycrates' reputati<strong>on</strong> comes from an epigramby the poet Aeschri<strong>on</strong>, quoted and explained by Athenaeus (335bc).The hetaera Philaenis was notorious as the author of a sex manual.74 Aeschri<strong>on</strong> makes her defend herself in an imaginary epitaphby saying that she did not write (or even read) the book: the realauthor was Polycrates, whom she calls 'some subtle word-mincer, aslanderous t<strong>on</strong>gue': 75Dioscorides imitates this epigram (Dioscorides XXVI in Gow andPage 1965), but does not name the alleged pseudepigraphist, perhapsbecause Polycrates' name was no l<strong>on</strong>ger widely enough known. 76As Gow and Page remark, it would be interesting to know howPolycrates entered the story in the first place. The sophist Alcidamaswrote an encomium of the hetaera Nais, so the idea of Polycrateswriting a work <strong>on</strong> the arts of love under Philaenis' name is notentirely incredible, but Aeschri<strong>on</strong>'s epigram clearly has more pointif the ascripti<strong>on</strong> is a joke.73II I in Plat. Hipparch. 229d, cf. Philodemus II pp. 216f.Sudhaus.Strabo 271 (and see Blass II.374); possibly the objectof an ir<strong>on</strong>ic glance in Vergil Aeneid II.21 f. 'Tenedos, notissima fama/insula', cf.Seneca Troades 224.74Fragments of Philaenis(including the opening words Acint authors' references to it are listedin Gow and Page 1965 p. 4.75 The identificati<strong>on</strong> with our Polycrates seems virtually certain, though Gow andPage accept it with cauti<strong>on</strong>; it was clearly made by Athenaeus, who refers t<strong>on</strong>oThe dates of both hetaera and poet are unknown, but Gowand Page incline towards placing Philaenis in the early fourth century B.C. (whichwould give point to the allegati<strong>on</strong> or joke that Polycrates wrote her book) andAeschrio in the late fourth to early third century (Gow and Page 1965 pp. 3-4).76 Lines 5-6 / Gow andPage 1965, prefatory note to Aeschri<strong>on</strong> I ad fin.


32 INTRODUCTIONPolycrates' best known work by far, both am<strong>on</strong>g ancient authorsand in modern scholarship, is his Accusati<strong>on</strong> of Socrates." It owes itsnotoriety to its unusual, and sensati<strong>on</strong>al, theme, but more particularlyto the fact that as early as the third century B.C. it was wr<strong>on</strong>glybelieved to be the actual prosecuti<strong>on</strong> speech used at Socrates' trial. 78This idea was refuted <strong>on</strong> internal evidence by Favorinus, but remainedcurrent, 79 and has encouraged modern scholars to form a c<strong>on</strong>cepti<strong>on</strong>of the Accusati<strong>on</strong> of Socrates which would place it <strong>on</strong> quite adifferent level from the rest of Polycrates' work. 80 Scholars acceptthat Polycrates' speech was not the real accusati<strong>on</strong>, but often assumethat it was n<strong>on</strong>etheless a serious piece of propaganda: a work whichgave authentic expressi<strong>on</strong> to the views of Socrates' accusers, and provokedthe dead philosopher's friends and associates to resp<strong>on</strong>d bywriting in his defence. 81Central to this assessment of the Accusati<strong>on</strong> of Socrates is the c<strong>on</strong>victi<strong>on</strong>that corresp<strong>on</strong>dences between Xenoph<strong>on</strong>'s Socratic writingsand the Apologia Socratis of Libanius point to Polycrates as their comm<strong>on</strong>source, and that from these corresp<strong>on</strong>dences we can rec<strong>on</strong>-77Bus. 4-6, Aelian Var. hist. XI. 10, D.L. II.38-39, Quint. II.17.4 and III.l.ll,Themistius XXIII 296bc, Epist. Socr. XIV. 3, I in Ael. Arist. III p. 480 Dindorf (cf.p. 319), Suda s.v. no 1977 Adler. Modern literature includes Cobet 1858pp. 662-682; Breitenbach 1869; Hirzel 1887; Blass II.368-70; Forster 1909 pp.1-4; Markowski 1910; Mesk 1910; Wilamowitz 1919 II.95-105; HumbertKiihn 1960; Dodds 1959 pp. 28 f., 270-72, 371; Erbse 1961; Brickhouse and Smith1989 pp. 71-87.78 Hermippus F 32 Wehrli (in D.L. II.38). On Hermippus' reliability as a source,see Wehrli's note ad loc.: 'gehort ihm nicht mehr als die spielerische Kombinati<strong>on</strong>der verschiedenen Namen v<strong>on</strong> Klagern, welche iiberliefert waren.'79)Favorinus quoted in D.L. II.39. Favorinusobserves that Polycrates' speech menti<strong>on</strong>ed the rebuilding of the L<strong>on</strong>g Walls byC<strong>on</strong><strong>on</strong>, six years after Socrates' death: this gives 394 as a terminus post quem for theAccusati<strong>on</strong> of Socrates. The importance of Favorinus' testim<strong>on</strong>y was brought to theattenti<strong>on</strong> of modern scholarship by Richard Bentley (Bentley 1697). (The fact thatthe speech was a ficti<strong>on</strong>al accusati<strong>on</strong>, written after Socrates' death, is also sufficientlyproven by Bus. 6(referring to Socrates and <strong>Busiris</strong>)—it is clearlyimplied that the living Socrates did not have the opportunity to evaluate Polycrates'speech.) For the persistence of the error in antiquity, see e.g. Themistius XXIII296bc, I in Ael. Arist. III p. 480 Dindorf, Suda s.v. II da'sstatement that Polycrates wrote two speeches Tor Anytus and Meletus' may be based<strong>on</strong> the principle that two prosecutors would need two speeches, or may reflect twosources both imagining Polycrates to have written the real speech, but each givinga different prosecutor's name.80 See especially Humbert 1930, Treves 1952, and Chroust 1955 and 1957.81 For an example of the c<strong>on</strong>tinuing prevalence of this view see Brickhouse andSmith 1989 pp. 71-87.


INTRODUCTION 33struct the c<strong>on</strong>tent of Polycrates' speech. More specifically, it is claimedthat because the an<strong>on</strong>ymous 'accuser' ( countered byXenoph<strong>on</strong> in Memorabilia I.ii is made to voice charges which werenot used in the actual trial, this accuser must be identified, not with<strong>on</strong>e of the original prosecutors, but with Polycrates. 82 There is nogood reas<strong>on</strong> to accept these assumpti<strong>on</strong>s. 83 Coincidences betweenXenoph<strong>on</strong> and Libanius are far more likely to reflect Libanius' useof Xenoph<strong>on</strong> than a comm<strong>on</strong> use of Polycrates. 84 We cannot hopeto rec<strong>on</strong>struct in detail, or with any certainty, what took place atthe trial in 399. It is clear, however, that Xenoph<strong>on</strong>'s professed interestin Memorabilia I is in the arguments used at the trial—the argumentsthat actually led to Socrates' c<strong>on</strong>demnati<strong>on</strong>—rather than inany subsequent propaganda. 85 In the light of this it makes more sense82 This theory was first advanced by Cobet (Cobet 1858 pp. 662-682) and hassince been the orthodoxy (see e.g. Guthrie III pp. 331 n. 1, 346, 382 f.; Brickhouseand Smith pp. 71 ff.). It was questi<strong>on</strong>ed early <strong>on</strong> by Breitenbach, who counteredCobet's arguments and put forward his own view that themay perfectlywell be identified with the prosecutor Meletus (Breitenbach 1869). In spite of theendorsement of Blass (II.368), Breitenbach's resp<strong>on</strong>se to Cobet has been neglected.There is no obvious basis for Chroust's asserti<strong>on</strong> that 'the opini<strong>on</strong> advanced byBreitenbach can no l<strong>on</strong>ger be maintained (Chroust 1955 p. 4 n. 9), since to identifyXenoph<strong>on</strong>'swith Meletus is clearly not to imply that Memorabiliac<strong>on</strong>tains accurate reportage of what Meletus said at the trial.83 The same negative assessment of the influence of Polycrates' Accusati<strong>on</strong> and thefeasibility of rec<strong>on</strong>structing it has been argued for independently, <strong>on</strong> grounds whichoverlap, but do not entirely coincide, with my own, by Prof. Mogens HermanHansen (Hansen 1980). I am very grateful to Prof. Robert Parker for letting mesee an English versi<strong>on</strong> of the article in questi<strong>on</strong>. Prof. Hansen's work <strong>on</strong> this subjectis to be published in English in a forthcoming volume entitled Athenian Democracyand Culture, edited by M. Sakellariou.84 It is very doubtful that Libanius would have had access to the text of Polycrates'Accusati<strong>on</strong>. Libanius worked mostly with a restricted can<strong>on</strong> of texts, and he makeslittle use of the early orators other than Demosthenes, Isocrates and Lysias; he does,<strong>on</strong> the other hand, show a very thorough knowledge of both Plato and Xenoph<strong>on</strong>(see Festugiere 1959 p. 216). A.F. Norman argues that Libanius' library was essentiallyc<strong>on</strong>fined to the major classics and a range of scholarly works of reference; inthe light of his wider c<strong>on</strong>clusi<strong>on</strong>s, he is wr<strong>on</strong>g to accept, <strong>on</strong> the authority of Forsterand Markowski, that Libanius 'can utilize Polycrates' orati<strong>on</strong> for his Apologia Socratis'(Norman 1964; quotati<strong>on</strong>, p. 170).85(Mem. I.i. 1). Cobet takes these words, and the rhetorical questi<strong>on</strong> whichfollows (I.i.2 . . .to imply that Xenoph<strong>on</strong> has noidea what went <strong>on</strong> at the trial ('plane nescire'), and must therefore resort to arguingagainst Polycrates. If Xenoph<strong>on</strong> were so ill-informed, he would surely not admitit. But clearly Xenoph<strong>on</strong> is expressing mystificati<strong>on</strong>, not about what the chargesactually were, but as to how the accusers were able to persuade the Athenians whenthose charges were—as he will show—entirely unfounded.


34 INTRODUCTIONthat he should ascribe to the original prosecutor charges which hebelieves were implicit at the time of the trial, even if they were notopenly used, 86 than than that he should resp<strong>on</strong>d in detail to a newcase against Socrates put forward in a pamphlet after the event.Another attempt to prove Libanius' use of Polycrates' Accusati<strong>on</strong>rests <strong>on</strong> a link between Libanius Apologia Socratis 87 and Plato Gorgias484b. 87 The argument turns <strong>on</strong> citati<strong>on</strong> in both places of the Pindarfragment F 169a Maehler (lines 1-4):At Gorgias 484b, Callicles is made to cite this fragment is support ofhis theory of 'natural justice'. At Apologia Socratis 87, it is said to havebeen cited by Socrates' accusers, in the c<strong>on</strong>text of their complaintthat Socrates attacked the great poets. Libanius upholds Socrates'criticism of Pindar:Clearly Libanius relies <strong>on</strong> a corrupt versi<strong>on</strong> of the Pindar fragment,which instead of(Paraphrased here as This corrupttext appears also in our manuscripts of the Gorgias. Libanius believes,or makes his defender of Socrates believe, that what is in fact thecorrect text (is a cunning 'improvement' ofPindar's text <strong>on</strong> the part of Anytus.Wilamowitz argues that Plato himself misquoted the Pindar fragment,and that Polycrates jumped at the opportunity to attack him —or 'Socrates' — for the misquotati<strong>on</strong>. A variati<strong>on</strong> <strong>on</strong> this view is put86 Such as, perhaps, the charge that Alcibiades was a product of Socrates' evilinfluence (Mem. I.ii.12): see below.87 See especially Wilamowitz 1919 II.95-105 and Chroust 1957 pp. 89 f. withn. 507 (giving further references).


INTRODUCTION 35forward by Humbert: he suggests that it was Polycrates who firstmisquoted the fragment, and that Plato then put the misquotati<strong>on</strong>in the mouth of Callicles because Callicles is a Polycrates-figure, anaccuser of Socrates (Humbert 1930). Both theories are c<strong>on</strong>clusivelydismissed by Dodds, who shows that Plato must have quoted thePindar fragment accurately: the manuscript reading is the productof (very early) textual corrupti<strong>on</strong> (Dodds 1959 pp. 270-72). Doddsdoes, however, accept the view that Libanius owes his knowledge ofan alternative reading, the 'accusers' reading', to Polycrates' Accusati<strong>on</strong>(p. 272).Three facts are reas<strong>on</strong>ably secure:(i) Libanius read in his text of Plato at Gorgias 484b the corrupttext of the fragment,(ii) He believed this text—which he paraphrasesd^e-TOCI TO 8( —to be what Pindar actually wrote. He took it tomean that in some sense or another violence prevails over justice;Socrates was thus right to criticise it.(iii) Libanius knew some source in which a different versi<strong>on</strong>, presumablythe correct textappeared as an example of a poetic text criticised by Socratesand/or used against him by his accusers.Libanius presumably c<strong>on</strong>cluded that this other versi<strong>on</strong>, which he perhapsinterpreted as meaning or being intended to mean somethinglikev, had been invented by the accuser as a kindof 'cover-up' for the poet—and that it thus vindicated Socrates inhis original criticism. We have no evidence, however, as to the sourcefrom which Libanius obtained this versi<strong>on</strong>, and no particular reas<strong>on</strong>to identify it as Polycrates' Accusati<strong>on</strong>. It could, for instance, havebeen a scholarly work or compendium which noted that Socrateswas attacked for his use of the poets, and gave examples, taken fromPlato, of passages discussed by Socrates, including the correct textof Pindar F 169a. 88 Apologia Socratis 87 certainly does not give us reas<strong>on</strong>to believe that Libanius had the text of Polycrates' Accusati<strong>on</strong> infr<strong>on</strong>t of him, much less that his work is a point-by-point refutati<strong>on</strong>of Polycrates'.88 The correct text would presumably have c<strong>on</strong>tinued to appear in some texts ofPlato, and the error would in any case have been corrected by any reader whoknew this famous passage.


36 INTRODUCTIONOn balance it seems altogether improbable, given Polycrates' otherinterests and his reputati<strong>on</strong> as a paradoxographer, that the Accusati<strong>on</strong>of Socrates was a serious political or philosophical document. Isocratesis not disingenuous in presenting it as a and placing it <strong>on</strong>a par with the Defence of <strong>Busiris</strong>: Polycrates attacked Socrates, notbecause he was in sympathy with the accusers or jury of 399, butbecause he took it for granted that Socrates was a hero of his ownprofessi<strong>on</strong> (whatever Socrates himself—or Plato—might have thoughtof such an identificati<strong>on</strong>), and thus some<strong>on</strong>e supremely difficult fora practiti<strong>on</strong>er of to attack.If we cannot rec<strong>on</strong>struct the Accusati<strong>on</strong> from Xenoph<strong>on</strong> or fromLibanius, we are left with <strong>on</strong>ly sparse informati<strong>on</strong> as to its c<strong>on</strong>tents.It made Alcibiades Socrates' 'pupil', and menti<strong>on</strong>ed C<strong>on</strong><strong>on</strong>'s rebuildingof the L<strong>on</strong>g Walls. 89 Aristotle tells us that Polycrates praisedThrasybulus by presenting the overthrow of the Thirty Tyrants asif it were equivalent to destroying thirty individual tyrants; this devicemay well have appeared in the Accusati<strong>on</strong>. 90 Extravagant abuse ofSocrates may have been set in relief by equally extravagant praiseof C<strong>on</strong><strong>on</strong> and Thrasybulus.It is often argued that Polycrates was the first to use Alcibiadesas a weap<strong>on</strong> against Socrates. 91 This view is based <strong>on</strong> three mainc<strong>on</strong>siderati<strong>on</strong>s: (i) Plato's Apology and Xenoph<strong>on</strong>'s Apology make nomenti<strong>on</strong> of Alcibiades (or of Critias); (ii) Memorabilia deals with Alcibiades(and Critias) at some length (I.ii.12—46); 92 (iii) <strong>Isocrates'</strong> wordsat <strong>Busiris</strong> 5 suggest that the charge relating to Alcibiades was a novel<strong>on</strong>e ('A89 Alcibiades: Bus. 5; L<strong>on</strong>g Walls: Favorinus quoted in D.L. II.39. The I in Ael.Arist. ascribes to Polycrates the charge that Socrates gave an anti-democratic interpretati<strong>on</strong>of Iliad II.188 ff. (cf. Mem. I.ii.58, Libanius Apol. Socr. 92-96); but this isless likely to be based <strong>on</strong> first-hand knowledge of the Accusati<strong>on</strong> than <strong>on</strong> the beliefthat it was the real prosecuti<strong>on</strong> speech, and therefore c<strong>on</strong>tained all the charges towhich Socrates' defenders reply.90 Arist. Rhet. 1401a33 f. (an example of'apparent enthymeme'); cf. Quint. III.6.26,VII.4.44. The an<strong>on</strong>ymous commentator (in Rhet., loc. cit.) speaks of anjust an inference from the text. Such a 'serious' theme would be uncharacteristic(cf. Blass II.369 n. 4); also Isocrates claims originality for Evagoras as the first proseof a c<strong>on</strong>temporary figure (though Aristotle reserves for a certain Hippolochusthe h<strong>on</strong>our of being the recipient of 'the first encomium': Rhet. 1368al7); cf.Momigliano 1971 pp. 49 ff.91 See e.g. Brickhouse and Smith 1989 pp. 84 f.92Cf. Aeschines I Against Timarchus 173 and Libanius Apol. Socr. 136-149.


INTRODUCTION 3 7It is inferred that Alcibiades and Critias were notmenti<strong>on</strong>ed at the trial, 93 and that Polycrates' Accusati<strong>on</strong> had a keyrole as the turning-point between an early body of Socratic literature(closely c<strong>on</strong>nected with the actual trial) which does not discussthese figures, and a later body which does. 94This inference is not justified. Reference in the fourth century toSocrates' associati<strong>on</strong> with Alcibiades is by no means restricted toMemorabilia: their relati<strong>on</strong>ship is dramatically presented in Plato'sSymposium, and menti<strong>on</strong>ed in Gorgias', Alcibiades is am<strong>on</strong>g those presentin the Protagoras; and the two men were portrayed in c<strong>on</strong>versati<strong>on</strong>,not <strong>on</strong>ly in the two pseudo-Plat<strong>on</strong>ic Alcibiades dialogues, butalso in dialogues by Antisthenes and Aeschines of Sphettos. 95 Themost probable explanati<strong>on</strong> for this literature is that it has some basisin a real relati<strong>on</strong>ship between Socrates and Alcibiades, the natureof which we cannot hope to rec<strong>on</strong>struct. Even if, however, the relati<strong>on</strong>shipis a fourth-century inventi<strong>on</strong>, it seems far more likely thatit originated am<strong>on</strong>g the Socratics—who made such varied use ofit—and was borrowed from them by Polycrates, than that Socrates'pupils and admirers all took their cue from Polycrates' Accusati<strong>on</strong>. 96If the associati<strong>on</strong> between Socrates and Alcibiades was not inventedby Polycrates, a different reading of <strong>Busiris</strong> 5 is required. Such an93 There is no definite evidence for this. The two Apology speeches are complexin their aims and technique: it is dangerous to draw a positive c<strong>on</strong>clusi<strong>on</strong> fromtheir silence. It is possible that reference to Alcibiades and Critias would have beenunlawful under the amnesty of 403; this raises the much-debated questi<strong>on</strong> of a possiblepolitical dimensi<strong>on</strong> to the trial of Socrates. (For the terms and applicati<strong>on</strong> ofthe amnesty, see references in Brickhouse and Smith 1989 p. 32 n. 113; <strong>on</strong> thewider questi<strong>on</strong>, ibid. pp. 73 ff.; Brickhouse and Smith c<strong>on</strong>clude that political chargessuch as those relating to Alcibiades and Critias could in fact have been used in399—but were not.) The evidence does not seem c<strong>on</strong>clusive, but, since a full discussi<strong>on</strong>cannot be attempted here, it is accepted for the sake of argument thatSocrates' associati<strong>on</strong> with Alcibiades was not menti<strong>on</strong>ed at the trial.94 The date of Memorabilia is uncertain; this argument would give it a terminus post9 5 bquem by placing it after Polycrates'A c c s a i n .On Alcibiades' and Critias' appearances in Plato, see Brickhouse and Smith1989 p. 72; <strong>on</strong> the Alcibiades dialogues of Antisthenes and Aeschines, Kahn 1994.96 This point is forcefully made by Kahn 1994 pp. 105 f. Brickhouse and Smithseem at <strong>on</strong>e point to entertain the extreme view that the whole thing was pureinventi<strong>on</strong> <strong>on</strong> the part of Polycrates (Brickhouse and Smith 1989 p. 81 n. 58: 'wethink that it is entirely possible that Polycrates al<strong>on</strong>e invented this charge, perhapsout of whole cloth'), but elsewhere they clearly accept the relati<strong>on</strong>ship betweenSocrates and Alcibiades as historical (e.g. p. 72 n. 36: Alcibiades' praise of Socratesin Symposium 214e-222b 'can safely be c<strong>on</strong>sidered to refer to features of the actualrelati<strong>on</strong>ship between the two').


38 INTRODUCTIONalternative reading is readily available. The emphasis in the relevantwhat Isocrates c<strong>on</strong>siders novel in Polycrates' accusati<strong>on</strong> is that hehas not merely said that Alcibiades 'associated with' Socrates, oreven that Socrates 'corrupted' Alcibiades, but that Alcibiades wasSocrates' pupil—c<strong>on</strong>trary to the traditi<strong>on</strong> that Socrates disclaimedbeing a teacher or having any pupils. 98 From <strong>Isocrates'</strong> standpoint,of course, to make Socrates a practiti<strong>on</strong>er of 7 and the educatorof a pre-eminent public figure like Alcibiades, can <strong>on</strong>ly bepraise. Polycrates' use of it as a charge against Socrates is symptomaticof his dangerous lack of respect for his own professi<strong>on</strong> (cf.<strong>Busiris</strong> 49). It also gives Isocrates the opportunity to 'correct' the ideathat Socrates' role as an educator was something to be denied; inthis respect <strong>Busiris</strong> 5 anticipates Antidosis, where Isocrates puts himselfin a quasi-Socratic role to defend his99own<strong>Busiris</strong>5 str<strong>on</strong>gly suggests that Polycrates used the nounti<strong>on</strong>ship to Socrates. If so, it is interesting to observe that neitherword is used by Xenoph<strong>on</strong> or Libanius in reporting what 'the accuser'said <strong>on</strong> this subject. 100Thus we have no reas<strong>on</strong> to believe that Polycrates was the firstto use Alcibiades as an example of Socrates' 'corrupti<strong>on</strong> of the young',and it is very unlikely that other writers who present or discuss therelati<strong>on</strong>ship between the two men are primarily resp<strong>on</strong>ding toPolycrates. The literary and philosophical interest of the pairing isso obvious that its popularity needs no explanati<strong>on</strong>.97 As was pointed out by Blass (II.248 n. 8).98 Cf. Plato Apology 33ab: (33b)99 Cf. especially Antid. 28~32, and see Mathieu/Brem<strong>on</strong>d III.89. Note the comparis<strong>on</strong>and c<strong>on</strong>trast between Isocrates and Socrates implicit in § 30, where Isocratesgives details of the accuser's charge that he corrupts the young:


INTRODUCTION 39Thus we know very little of the detail of Polycrates' Accusati<strong>on</strong>;there remains the questi<strong>on</strong> what kind of work it can have been, ifI am right in arguing that it did not present a serious case. AsProfessor D.A. Russell has pointed out to me, paradoxical accusati<strong>on</strong>sare less easy to imagine that paradoxical encomia. One possibilityis that it was essentially a paradoxical proceeding in thesame way as a paradoxical encomium, but recast in the form of aprosecuti<strong>on</strong>: in other words, that it took obviously good qualities ofSocrates (say, his pers<strong>on</strong>al bravery or his advocacy ofand turned them, <strong>on</strong>e way or another, into grounds for c<strong>on</strong>demnati<strong>on</strong>(e.g. by arguing that bravery is an affr<strong>on</strong>t to the less brave, orthat temperance is unnatural in the young, or whatever). A sec<strong>on</strong>dpossibility, perhaps easier to square with references to Alcibiades andto C<strong>on</strong><strong>on</strong> and Thrasybulus, is that its humour c<strong>on</strong>sisted not so muchin paradox as in the use of exaggerated or preposterous arguments(placing it more <strong>on</strong> a par with encomia of such as the Praiseof Mice); Socrates could, for instance, have been cast as pers<strong>on</strong>allyresp<strong>on</strong>sible for every delinquency of every individual with whom hewas associated, and thus for all the city's problems (e.g. it is possibleto imagine a line of argument 'and thus the Walls were destroyed—so, thanks to Socrates, even now the city would be defenceless—ifit were not for C<strong>on</strong><strong>on</strong>', etc.). Of course this is simply guesswork. Itmight be easier to put flesh <strong>on</strong> the Accusati<strong>on</strong> if we could ascribe toPolycrates some particular philosophical or political agenda; scholarswho believe in the seriousness of the Accusati<strong>on</strong> (most notablyChroust 1957) c<strong>on</strong>struct such an agenda for him, but in doing sothey go well bey<strong>on</strong>d the evidence.For the c<strong>on</strong>tent of Polycrates' <strong>Busiris</strong>, our evidence comes from<strong>Isocrates'</strong> <strong>Busiris</strong> al<strong>on</strong>e, and thus c<strong>on</strong>sists mainly of features pickedout by Isocrates for special ridicule. 101 These accord well with the101Polycrates' speech will be referred to simply as <strong>Busiris</strong>, rather than Encomiumof <strong>Busiris</strong> or Defence of <strong>Busiris</strong>, because it is uncertain what title, if any, Polycratesgave it. Isocrates initially identifies it as Defence of <strong>Busiris</strong> (Bus. 4), but regards it asc<strong>on</strong>taining attempts at both praise and defence (§ 9). Philodemus' and Quintilian'sreferences to the work suggest Encomium (Philodemus II p. 216 Sudhaus .. .Quintilian II. 17.4 'cum Busirim laudaret'), but they may well knowof it <strong>on</strong>ly from Isocrates. In <strong>Isocrates'</strong> allusi<strong>on</strong>s to it, the idea of defence predominatesover that of praise (defence: § 4 537 44 . . . 48praise, e.g. 31 . . . 47. But <strong>Isocrates'</strong> introducti<strong>on</strong> of the speech as Defence of <strong>Busiris</strong> may well be


40 INTRODUCTIONimpressi<strong>on</strong> of Polycrates' technique we obtain from other sources.He made of <strong>Busiris</strong> an inhuman figure who sacrificed and devouredhis guests, and who was pers<strong>on</strong>ally resp<strong>on</strong>sible for splitting the Nilein its course to create the Delta (§ 5, 31). Polycrates' <strong>Busiris</strong> soughtto rival the reputati<strong>on</strong> of Aeolus and of Orpheus: it is not clear whatthe point of comparis<strong>on</strong> was (see note <strong>on</strong> § 7butthese blameless figures may have had the same functi<strong>on</strong> in the praiseof <strong>Busiris</strong> as Penelope in Polycrates' Encomium of Clytemnestra, Hectorin the unascribed Encomium of Paris, and possibly Agamemn<strong>on</strong> in aPolycratean Encomium of Thersites.<strong>Busiris</strong> was defended <strong>on</strong> the grounds 'that certain others had alsod<strong>on</strong>e the same things' (Bus. 45). The weakness of this argument neednot have been so obvious as Isocrates makes it appear. We can perhapsfind a clue as to what the strategy might have been in a lineof argument from the Encomium of Paris, summarised by Aristotle:(1397b23-25). The fact that Polycrates' <strong>Busiris</strong> relied <strong>on</strong> the samesort of specious argument is a small point in favour of regarding theEncomium of Paris too as the work of Polycrates.III. The date of the <strong>Busiris</strong>We do not know for certain when <strong>Busiris</strong> was written, and most ofthe arguments involved in its dating are to some extent subjectiveor impressi<strong>on</strong>istic.There are two main views. One places <strong>Busiris</strong> am<strong>on</strong>g the firstpieces Isocrates wrote after opening his school, probably in the period388-384, and certainly before Panegyricus. The other associates thedate of <strong>Busiris</strong> with the (equally uncertain) date of Plato's Republic,and suggests a date in the 370s. 102 In this secti<strong>on</strong> the evidence <strong>on</strong>both sides will be examined, and it will be argued tentatively thatthe later dating is more likely to be correct. This c<strong>on</strong>clusi<strong>on</strong> is basedinfluenced by the neat antithesis this provides with the Accusati<strong>on</strong> of Socrates, whilethe predominance of defence-words may reflect the fact that direct references toPolycrates' work occur in <strong>Isocrates'</strong> own Defence secti<strong>on</strong>, not in his Encomium.102388-384: see e.g. Mathieu/Brem<strong>on</strong>d 1.184 f.; 370s: see Eucken 1983 pp.173ff.


INTRODUCTION41primarily <strong>on</strong> the belief that there is a link between thein the <strong>Busiris</strong> and the account of an ideal state in Plato'sRepublic: the evidence for such a link will be discussed in detail inIV.i below.Any attempt to determine the date of the <strong>Busiris</strong> presupposes, perhapsnaively, that <strong>Isocrates'</strong> existing works were composed, and disseminated,in a definite chr<strong>on</strong>ological order which we could inprinciple rec<strong>on</strong>struct. The assumpti<strong>on</strong> may be naive because we knowalmost nothing about the early history of this corpus of texts. Y.L.Too has argued that <strong>Isocrates'</strong> works c<strong>on</strong>struct for themselves a 'narrativeorder' which has a unifying functi<strong>on</strong>, and which must be distinguishedfrom the historical order of compositi<strong>on</strong>. 103 As Too pointsout, recogniti<strong>on</strong> of this distincti<strong>on</strong> does not in itself invalidate traditi<strong>on</strong>alchr<strong>on</strong>ological inquiry; but it does make the task of 'dating'c<strong>on</strong>siderably more complex. It also points to a deeper problem. Ifthe corpus we have is itself a c<strong>on</strong>struct, how can we tell how anyof its parts relate to whatever Isocrates may have written and disseminatedseparately, before the corpus was assembled? Isocrates wascertainly a perfecti<strong>on</strong>ist, and it is possible that his revisi<strong>on</strong> and restructuringof his life's work was, in some cases, so substantial as to effacetheir real historical ordering altogether—though we have no evidencethat such is the case. These questi<strong>on</strong>s are important, and hardto answer; but since, as will be seen, the c<strong>on</strong>clusi<strong>on</strong>s that can bedrawn <strong>on</strong> factual grounds about the relative chr<strong>on</strong>ology of <strong>Busiris</strong>are almost entirely negative, there is little point in debating whetherit is a 'real' or a 'dramatic' date that is at issue.Before discussing <strong>Busiris</strong> itself, it will be useful briefly to survey theevidence c<strong>on</strong>cerning other 'landmarks' in <strong>Isocrates'</strong> early career,which are invoked as reference-points in the c<strong>on</strong>troversy.III.iThe opening of <strong>Isocrates'</strong> schoolIt is unclear how formal <strong>Isocrates'</strong> teaching arrangements were, andthe number of students at any <strong>on</strong>e time was probably quite small,so it may be misleading to speak of the opening of a school. Thestart of <strong>Isocrates'</strong> pedagogical career (though this too is a questi<strong>on</strong>ablec<strong>on</strong>cept) is regularly dated shortly before 390 B.C. 104 N<strong>on</strong>e of104 Too 1995 pp. 41-48.104 E.g. Mathieu/Brem<strong>on</strong>d 1.139.


42 INTRODUCTIONthe extant forensic speeches is later than 390; <strong>on</strong>e of them, theTrapeziticus (which can be dated to the range 394-390), was writtenfor a young Bosporan nobleman who is said to have been aof Isocrates. 105 It is inferred that the Trapeziticus comes from a smallperiod of overlap between <strong>Isocrates'</strong> forensic and pedagogical activity.This argument has the weakness that Di<strong>on</strong>ysius' descripti<strong>on</strong> ofthe speaker of Trapeziticus as a may be an inference ratherthan an independent piece of informati<strong>on</strong>. Still it seems plausiblethat the end (so far as our evidence goes) of <strong>Isocrates'</strong> forensic workcoincides more-or-less with the beginning of his full commitment to106III.iiAgainst the SophistsIn Antidosis Isocrates, introducing a passage from Against the Sophists,refers to it as a speech produced 'when I was starting to follow thisprofessi<strong>on</strong>' (§ 193:Thisplaces Against the Sophists near the beginning of <strong>Isocrates'</strong> teachingcareer (though it does not in itself justify the comm<strong>on</strong> c<strong>on</strong>clusi<strong>on</strong>that it is the earliest of the pedagogical speeches). It is usually datedc. 390, so<strong>on</strong> after the received date for the opening of the school, 107but from the perspective of Antidosis (354/3) the 'beginning' of Isocratescareer could probably extend further than that. We can perhaps notgo much further than to say that Against the Sophists is likely to beearlier than Panegyricus. There is reas<strong>on</strong> to believe that the speech isearlier than Alcidamas' On the Sophists, but this does not help muchtowards establishing an absolute date. 108105 D.H. Isocrates 18. On the date of Trapeziticus, see Mathieu/Brem<strong>on</strong>d I.68.106 Blass tries to date the opening of the school using the list of <strong>Isocrates'</strong> earlypupils at Antidosis 93, together with our other evidence for their biographies (particularlyimportant is Lysias XIX On the Property of Aristophanes 15 (c. 387 B.C.),where Philomelus—<strong>on</strong>e of the sec<strong>on</strong>d group of pupils—figures as the speaker'sbrother-in-law). He c<strong>on</strong>cludes that the date cannot be much later than 393. Theproblem with Blass' method is that it is hard to know exactly what kind of associati<strong>on</strong>is meant by the expressi<strong>on</strong> used at Antid. 93or, more generally, by the wordespecially when the 'pupils' in questi<strong>on</strong>were themselves normally resident in Athens, and when we are discussing the beginningsof <strong>Isocrates'</strong> teaching career. Did they necessarily take a <strong>on</strong>e-off, full-timecourse of study with Isocrates before entering public life? If it is possible that theyassimilated <strong>Isocrates'</strong> teaching at the same time as beginning, or c<strong>on</strong>tinuing, theiradult careers, then Blass' dating argument dissolves.107 E.g. Mathieu/Brem<strong>on</strong>d I.139, Eucken 1983 p. 5.108 See <str<strong>on</strong>g>Livingst<strong>on</strong>e</str<strong>on</strong>g> (forthcoming).


INTRODUCTION 43III.iiiHelenHelen is c<strong>on</strong>venti<strong>on</strong>ally dated between 390 and 380: after the receiveddate for the opening of the school, before Panegyricus. Again there isno c<strong>on</strong>crete evidence. Subjectively it seems likely that the sharp,lively, targeted ir<strong>on</strong>ies of the Helen's prologue are a follow-up to thebroader attack <strong>on</strong> sophistic teachers in Against the Sophists, but sincethe exact nature and functi<strong>on</strong> of Against the Sophists is far from clearthis must remain a guess. The argument that Helen must be earlierthan Panegyricus because § 67-68 'anticipate' the panhellenism ofPanegyricus is a petitio principi. 109III.ivPanegyricusIn form Panegyricus is an Olympic orati<strong>on</strong>, but like all <strong>Isocrates'</strong> pedagogicalworks it was composed, not to be performed orally by itsauthor, but for some form of written disseminati<strong>on</strong>. Dating heredepends <strong>on</strong> two apparently c<strong>on</strong>tradictory allusi<strong>on</strong>s to c<strong>on</strong>temporaryevents: <strong>on</strong>e passage would associate it with the Olympic festival of384, another with that of 380. 110 Various attempts have been madeto resolve this difficulty, 111 but they do not take account of the factthat Panegyricus is a ficti<strong>on</strong>al Olympic orati<strong>on</strong>. It could have been disseminatedbefore an Olympiad, to feed people's anticipati<strong>on</strong>, or after<strong>on</strong>e, to outshine whatever oratory had in fact been <strong>on</strong> offer; andsince it would reach its audience, not at the festival itself, nor indeed109 See e.g. Eucken 1983 p. 44.110§ 141, which speaks of Evagoras' war against the Persians in Cyprus as c<strong>on</strong>tinuingand unresolved, suggests 384: two passages of Diodorus c<strong>on</strong>flict as to whenthis war ended, but at all events it seems to have been over before 380 (D.S.XIV.98 suggests 381, XV.9.2 suggests 385). § 126, which speaks of the Spartansas currently besieging Olynthus and Phlius, suggests 380: these sieges lasted from382 to 379 and from 381 to 379 respectively.111Engel 1861 suggests that Panegyricus went through two 'editi<strong>on</strong>s', the first publishedin 384, the sec<strong>on</strong>d—our surviving text—in 380. For the sec<strong>on</strong>d editi<strong>on</strong>,Isocrates added what is now § 125-132 (or possibly § 122-132: cf. Blass II.252n. 2), but he omitted to correct the now-anachr<strong>on</strong>istic § 141. Mathieu argues for380 as the date of publicati<strong>on</strong>: he assumes that war in Cyprus ended in 381, andthat § 141 is either a passage which was written earlier and remained uncorrected,or an indicati<strong>on</strong> that even in 380 Isocrates c<strong>on</strong>sidered Evagoras a 'dangerous adversary'for the Great King (Mathieu/Brem<strong>on</strong>d II.5). Eucken puts forward anotherargument in favour of 380: in his view, <strong>Isocrates'</strong> reference in § 141 to six yearsof warmust have as its starting point the 'Peace ofAntalcidas' of 387/6. He c<strong>on</strong>cludes that Diodorus' testim<strong>on</strong>y is to be rejected: thewar in Cyprus was still being fought in 380.


44 INTRODUCTIONat any <strong>on</strong>e precise moment, but in various times and places, it wouldnot need to recreate the circumstances of the festival with any exactitude—the'dramatic date' need not be clearly, or even c<strong>on</strong>sistently,defined. Hence the 'c<strong>on</strong>temporary' references really provide us <strong>on</strong>lywith a terminus post quem, namely 381 (the start of the siege of Phlius).It seems reas<strong>on</strong>able to suppose that the Panegyricus was completedand began to circulate quite so<strong>on</strong> after this, while the events menti<strong>on</strong>edin it were still at least fresh memories, but it is impossible tosay exactly how so<strong>on</strong>.III.v<strong>Busiris</strong>The most widely held view places <strong>Busiris</strong> in the early-to-mid 380's. 112In outline, the arguments <strong>on</strong> which this view rests are as follows, (i)Polycrates' Accusati<strong>on</strong> of Socrates appeared (so it is assumed) so<strong>on</strong> after393; <strong>Busiris</strong>, which presents Polycrates as a relative novice, shouldnot come too l<strong>on</strong>g after the Accusati<strong>on</strong>, (ii) In 390, the Egyptians,with Athenian support, repelled a Persian invasi<strong>on</strong>: this would be agood historical background for the praise of Egypt in <strong>Busiris</strong>. (iii) At<strong>Busiris</strong> 50 Isocrates draws attenti<strong>on</strong> to his own relative youth: thisfavours an earlier date, (iv) As a playful speech, a Tccuyviov, <strong>Busiris</strong>bel<strong>on</strong>gs with Helen in the early years of <strong>Isocrates'</strong> teaching career:written earlier at any rate than the appearance of Panegyricus, andprobably before Isocrates began the l<strong>on</strong>g work of composing themasterpiece. 113 So, <strong>on</strong> this view, <strong>Busiris</strong> must lie between 390 and380, and is probably closer to 390.Each of these arguments has its weaknesses, (i) We have no terminusante quem for Polycrates' Accusati<strong>on</strong>. 114 The view that it appeared112See e.g. Mathieu/Brem<strong>on</strong>d 1.184-85; Miinscher 1916; Miinscher 1927 pp.1099-1101; Pohlenz 1913 pp. 164 and 218 ff; Ries 1959 p. 51.113The time devoted to the writing of Panegyricus is menti<strong>on</strong>ed, but not quantified,by Isocrates himself (Paneg. 10): it becomes a for later authors. Timaeus makesit a foil to the greatness of Alexander: it took Alexander less time to c<strong>on</strong>quer Asiathan it took Isocrates to advocate doing so (FGrH 566 F 139 = [L<strong>on</strong>ginus] On theSublime 4.2). The author of On the Sublime, in his comment <strong>on</strong> Timaeus' comparis<strong>on</strong>,sets the time taken at ten years. Cf. D.H. De Compositi<strong>on</strong>e Verborum 25, Quint.X.4.4 (both giving ten years as a minimum). Plut. The Glory of Athens 350de (nearlythree Olympiads), [Plut.] Vit. X Or. 837f (some say ten, some say fifteen years).114Bluck 1961 places Polycrates' Accusati<strong>on</strong> c. 386, between Plato's Gorgias andMeno; but in my view his arguments, like so much scholarly discussi<strong>on</strong> of the chr<strong>on</strong>ologyof this period, are based <strong>on</strong> an overestimate both of the seriousness of theAccusati<strong>on</strong> and of our knowledge of its c<strong>on</strong>tents.


INTRODUCTION 45so<strong>on</strong> after 393 rests largely <strong>on</strong> the assumpti<strong>on</strong> that other Socraticliterature such as Memorabilia resp<strong>on</strong>ds to it: as has been shown, thisview is without foundati<strong>on</strong> (see II above). Also <strong>Busiris</strong> need not followclosely <strong>on</strong> the appearance of the Accusati<strong>on</strong>: in view of the ir<strong>on</strong>ict<strong>on</strong>e of the Prologue, it is hard to know how seriously to take itsimplicati<strong>on</strong> that Polycrates has <strong>on</strong>ly recently embarked <strong>on</strong> a rhetoricalcareer, (ii) The Encomium of Egypt need not be associated withany climate of pro-Egyptian sentiment: as will be argued, it is notwholly serious, and it includes features such as the 'superstiti<strong>on</strong>' ofanimal worship which Athenians tended not to admire (see V.i below).In any case, interest in things Egyptian am<strong>on</strong>g classical Atheniansseems to have been c<strong>on</strong>tinuous, not sporadic. (iii) When Isocratesdescribes himself as 'y°ung er ' at <strong>Busiris</strong> 50, the word must be strictlycomparative in sense: in 393 he was already over forty. 115 (iv) Themythological theme of <strong>Busiris</strong> certainly gives it an affinity with theHelen, and its polemical c<strong>on</strong>tent associates it with both Helen andAgainst the Sophists, but the links do not entitle us to infer closenessin time. There is as well as in both Helen and <strong>Busiris</strong>',in any case, there is no reas<strong>on</strong> to assume that <strong>Isocrates'</strong> works 'progressed'from playfulness to seriousness. 116The argument for a later dating, probably in the 370s, is put forwardmost fully as well as most recently by Eucken (Eucken 1983pp. 180—83). He argues that <strong>Isocrates'</strong> reference to 'philosophers whochoose (or 'choose to praise') the Egyptian c<strong>on</strong>stituti<strong>on</strong>' indicates thathe has some specific target in mind in his own sketch of the Egyptianstate and its culture. 117 The target must be a c<strong>on</strong>temporary philosopher(cf. present participles in Bus. 17) whose political theory haspoints of c<strong>on</strong>tact with <strong>Isocrates'</strong> picture of Egypt. This can <strong>on</strong>ly bePlato: no other known figure fits the descripti<strong>on</strong>.Eucken believes that <strong>Busiris</strong> was written at a time when the Republichad not yet appeared, but when the ideas that it would c<strong>on</strong>tain werealready widely discussed and the dialogue itself eagerly anticipated.This accounts for the fact that <strong>Busiris</strong> echoes themes and argumentsof the Republic, but has few close verbal reminiscences; it also gives115Cf. Eucken 1983 p. 175.'"' Some other attempts to establish termini are discussed, and shown to be unsuccessful,at Eucken 1983 p. 175 n. 22.117 Bus. 17


46 INTRODUCTIONa literal and precise sense to the present participlein§ 17. In his view, we can find <strong>Isocrates'</strong> notice of the actual appearanceof the Republic (whatever that may mean in practice) in To Nicocles7, where he speaks of literary works which arouse great expectati<strong>on</strong>sbut fail to satisfy them: a display of Schadenfreude at the mixed publicrecepti<strong>on</strong> of Plato's dialogue. 118 When he goes <strong>on</strong> to say that hispresent work fills a gap by 'giving laws to m<strong>on</strong>archies', he is lettinghis audience understand that To Nicocles will succeed where Republictried and failed. 119This latter part of Eucken's account is little more than guesswork.We have no evidence c<strong>on</strong>cerning either public anticipati<strong>on</strong> of theRepublic or public reacti<strong>on</strong> to it when it first appeared. (It is a furtherquesti<strong>on</strong> whether we should imagine the publicati<strong>on</strong> of a literarywork at this period—other than <strong>on</strong>e performed <strong>on</strong> an importantpublic occasi<strong>on</strong>—as an 'event' in the sense which Eucken's argumentseems to require.) What Isocrates says at To Nicocles 7-8 makesperfect sense within the development of the speech itself; the passagedoes not need, and is not obviously enhanced by, a cryptic allusi<strong>on</strong>to Plato. 120 Its wording in fact seems to suit a general referencebetter than a dig at an individual. 121 Returning to <strong>Busiris</strong>, the pre-118 AdNic. 7119Ad Nic. 8 In the Republic m<strong>on</strong>archy e.g. 445d) isidentified as <strong>on</strong>e form of the ideal c<strong>on</strong>stituti<strong>on</strong>, andis frequently used,as here, in a figurative sense (e.g. 398b, 425 passim).120 Determinati<strong>on</strong> to c<strong>on</strong>tinue in spite of difficulties is a proem cf. Bus. 3. ., and see note ad loc. The reflecti<strong>on</strong> <strong>on</strong> literary failures isto be seen in the light of <strong>Isocrates'</strong> determinati<strong>on</strong> to write 'as no <strong>on</strong>e else can' (seee.g. Paneg. 10); the difficulty of writing well is a favourite theme for him (see Usher1990 <strong>on</strong> ad NIC. 7, comparing Soph. 14-17 and Antid. 187-191), and diffidence asto whether the speech will be 'a worthy gift' is perhaps particularly appropriatewhen the recipient is a king. The c<strong>on</strong>necti<strong>on</strong> of ideas here—Isocrates recognisesthe difficulties of his task, and claims he is doing for the first time something whichshould have been d<strong>on</strong>e before, but has not been—has a close parallel in Evagoras5-11.121On Eucken's reading, the antithesis121On Eucken's reading, the antithesiswould have to suggest something like 'not just poems,but prose works too', which seems forced; it looks more like a general reference toall works of literature, expressing <strong>Isocrates'</strong> sense that he is in competiti<strong>on</strong> withpoets as well as prose-writers (cf. e.g. ad Nic. 42 ff., Evag. 8 ff.). The expressi<strong>on</strong>implies that 'making lawsfor m<strong>on</strong>archies' is something which past writers have omitted to do, not something


INTRODUCTION 47sent participleneed not imply that whoever Isocrateshas in mind is making the attempt in questi<strong>on</strong> now, even as Isocrateswrites: the present tense is more naturally understood as timeless,'those who try (at any time)'.There is no need, then, to follow Eucken in finding an overt referenceto Plato at <strong>Busiris</strong> 17. For his larger thesis—that the sketchof the Egyptian c<strong>on</strong>stituti<strong>on</strong> in <strong>Busiris</strong> parodies a philosophical 'idealstate' similar to that in Plato's Republic, and that the target is likelyto be the Republic itself—there is a str<strong>on</strong>ger case. The arguments willbe examined in the next secti<strong>on</strong>.In c<strong>on</strong>clusi<strong>on</strong>, the technical evidence we have does not enable usto fix the date of <strong>Busiris</strong>, and does not justify the orthodoxy that itis am<strong>on</strong>g <strong>Isocrates'</strong> first pedagogical works. Where we place the workin relati<strong>on</strong> to <strong>Isocrates'</strong> career will depend <strong>on</strong> interpretati<strong>on</strong>. Severalcharacteristics of the work may be taken to suggest, subjectively, arelatively early date: Isocrates is c<strong>on</strong>cerned to articulate differencesbetween his own producti<strong>on</strong>s and the 'sophistic' rhetoric representedby Polycrates, which later in his career we might expect to be takenfor granted; and his careful self-presentati<strong>on</strong> as an established expertand defender of the h<strong>on</strong>our of his professi<strong>on</strong> perhaps suggests thathe was not, in reality, all that well-known as yet. On the other hand,c<strong>on</strong>necti<strong>on</strong>s between <strong>Busiris</strong> and the Republic may indicate that it wasnot written as early as has been generally supposed. We may guessat the early 370s as the most likely period for the compositi<strong>on</strong> anddisseminati<strong>on</strong> of <strong>Busiris</strong>; but in our present state of knowledge, plausibilityis the most that can be claimed.they have attempted without success (for cf. Helen 67, Panath. 208).It is true that the figurative use here of the verbhas no exact parallelin Isocrates (the closest is NIC. 7 = Antid. 255), but nor is it quite the same as theuse of the word in Republic (here it refers to the setting down of moral preceptswhich are like laws, in Republic to the making of laws for an imaginary state), and itis any case quite straightforward and comprehensible. (Usher, the most recent commentator<strong>on</strong> To Mcocles, seems to adopt Cobet's c<strong>on</strong>jecture(it does not appear in his text or apparatus, but cf. 'to offer advice to kings' in histranslati<strong>on</strong>, Usher 1990 p. 123), which derives some support from the appearanceof accusative<strong>on</strong> papyrus; if this emendati<strong>on</strong> is correct, the pointbased <strong>on</strong>obviously dissolves.)


48 INTRODUCTIONIV. <strong>Busiris</strong> and PlatoIt has l<strong>on</strong>g since been observed that there are points of c<strong>on</strong>necti<strong>on</strong>between <strong>Busiris</strong> and several Plat<strong>on</strong>ic dialogues, the Republic in particular.122 In this secti<strong>on</strong>, these c<strong>on</strong>necti<strong>on</strong>s (and possible c<strong>on</strong>necti<strong>on</strong>s)are reviewed, and some interpretati<strong>on</strong>s are proposed. I argue forrelati<strong>on</strong>ships of influence, not just of similarity; but it should at <strong>on</strong>cebe stressed that because of our limited knowledge of what was beingwritten and said in the early fourth century, as well as deep uncertaintyabout the relative chr<strong>on</strong>ology of writings which have survived,all c<strong>on</strong>clusi<strong>on</strong>s must be very provisi<strong>on</strong>al. For purposes of this discussi<strong>on</strong>I follow a broad but not universal c<strong>on</strong>sensus in assumingthat Republic, Phaedrus, Timaeus and Critias were composed in thatorder, with a substantial gap between Republic and Timaeus; I place<strong>Busiris</strong> between Republic and Phaedrus. Should this order be changed,the relati<strong>on</strong>ships of influence would need to be reassessed, 123 but itis my hope and belief that the lines of interpretati<strong>on</strong> offered here—suggesting for instance how <strong>Busiris</strong> might functi<strong>on</strong> as a reading ofRepublic, and how Phaedrus might functi<strong>on</strong> as a reading of <strong>Busiris</strong>—would not thereby lose all their value.IV.iRepublicThe 'Egyptian c<strong>on</strong>stituti<strong>on</strong>' sketched in <strong>Busiris</strong> 15-27 is in severalrespects reminiscent of the c<strong>on</strong>stituti<strong>on</strong>al programme put forward inPlato's Republic, and there are reas<strong>on</strong>s to think that it mimics theRepublic itself. The resemblances and links which form the basis ofthis view are as follows:(i) § 15 ... dividing them all into groups, he [<strong>Busiris</strong>] appointed someto priesthoods, set others to work at crafts, and compelled others totrain themselves for war, in the belief that necessaries and surplus mustbe furnished by the land and by crafts, and that the surest way to preservethem is preparati<strong>on</strong> for war and piety towards the gods.122See the discussi<strong>on</strong> in Eucken 1983 pp. 172-212, with references to earlierscholarship; also Morgan 1998 p. 110.123 For example, a revival of the view that Timaeus and Critias bel<strong>on</strong>g closely indate with the Republic (Owen 1953; c<strong>on</strong>tra, Cherniss 1957) would allow a simpler, ifless interesting, explanati<strong>on</strong> of similarities between <strong>Busiris</strong> <strong>on</strong> the <strong>on</strong>e hand andRepublic, Timaeus and Critias <strong>on</strong> the other, in terms of a <strong>on</strong>e-way relati<strong>on</strong>ship ofinfluence of Plato up<strong>on</strong> Isocrates.


INTRODUCTION 49Herodotus' account of the Egyptian class system lists seven categories. 124<strong>Isocrates'</strong> threefold divisi<strong>on</strong> could be derived from it by quite a naturalprocess of simplificati<strong>on</strong>, taking the two best-known and mostimportant classes—the and the —and grouping all therest together as 'workers'. On the other hand, it also matches thethree classes which emerge in the Republic, the philosopher-guardiansthe soldiers orand the workers . 125 In <strong>Busiris</strong> the take the placeof Plato's (see § 22, discussed below), and corresp<strong>on</strong>dinglytakes the place of . 126 The noun here,and the verbin § 17, may perhaps echo Plato's termthough neither word is striking enough in its c<strong>on</strong>text to makethis more than a slight possibility.(ii) § 16 He included all the numbers 127 out of which a communitymight best be organised, and it was always the same people he instructedto take in hand the same activities, because he knew that those whochange from job to job do not attain precisi<strong>on</strong> in so much as <strong>on</strong>e oftheir tasks, whereas those who remain c<strong>on</strong>stantly in the same activityaccomplish every task to a pre-eminent standard.A similar principle of specialisati<strong>on</strong> is central to the Republic: cf. 433aexpressed in a more abstract formas 'doing what is <strong>on</strong>e's own',(433b etc.). InRepublic it is justified mainly <strong>on</strong> the grounds that different people arenaturally suited to different occupati<strong>on</strong>s, but also, as here in <strong>Busiris</strong>,by reference to the greater expertise and c<strong>on</strong>centrati<strong>on</strong> attained byc<strong>on</strong>stant adherence to <strong>on</strong>e occupati<strong>on</strong>. 128 The fact that in Republic TO124 For further discussi<strong>on</strong> see note <strong>on</strong> § 15 . . .125In the Republic, this divisi<strong>on</strong> into three classes first becomes explicit in theMyth of the Metals (414d-415c). Up to this point, there has been no clear distincti<strong>on</strong>between the and the true . At 414b it is suggested thatthe are simply younger than the but this is c<strong>on</strong>tradicted by theMyth in which the former have silver natures and the latter gold, and from then<strong>on</strong> two distinct groups seem to be envisaged. The first actual list of the threeappears in the discussi<strong>on</strong> of the virtues of the state: e.g. 434cand 44 la, where the three classesare found to corresp<strong>on</strong>d to the three parts of the soul126 See note <strong>on</strong> § 24-27.127The interpretati<strong>on</strong> of this statement is difficult: see note <strong>on</strong> § 16128 Argument from natural ability: e.g. 370ab, 433a. Arguments from experienceand c<strong>on</strong>centrati<strong>on</strong>: e.g.


50 INTRODUCTIONis found to be the essence ofwouldilluminate the prominence given to 'specialisati<strong>on</strong>' in <strong>Busiris</strong>, and inparticular the fact that it is said to be resp<strong>on</strong>sible not <strong>on</strong>ly for thetechnical superiority of the Egyptians but also for their enviable politicalsystem(iii) § 1 7 we will find . . . that in respect of their c<strong>on</strong>stituti<strong>on</strong>al structureby means of which they protect their kingship and theother aspects of their statethey show such excellence,that philosophers who set out to treat these subjects choose topraise the Egyptian c<strong>on</strong>stituti<strong>on</strong>and that the Spartans, byimitating in part the arrangements there, achieve the best organisati<strong>on</strong>of their own city. For the policy that n<strong>on</strong>e of the fighting-men mayleave the country without the approval of the authorities, the practiceof communal meals, the physical discipline, the guarantee that n<strong>on</strong>eneed neglect his public duties through lack of the necessities of life,and that n<strong>on</strong>e [of the military class] spends time <strong>on</strong> other trades, butthat all devote their attenti<strong>on</strong> to their arms and their campaigning —all these features they have borrowed from Egypt.If the expressi<strong>on</strong> 'choose to praise the Egyptian c<strong>on</strong>stituti<strong>on</strong>'130is taken exactly at facevalue (and de dicto), then the reference is obscure to us: we do notknow of a philosopher who praised Egypt as having the best c<strong>on</strong>stituti<strong>on</strong>.131 It seems likely, though, that a broader (de re) interpretati<strong>on</strong>is appropriate — the philosopher in questi<strong>on</strong> chose to praise thec<strong>on</strong>stituti<strong>on</strong> which (according to Isocrates) as a matter of fact existsin Egypt, but did not necessarily refer to Egypt itself. In this casethe field opens to include, potentially, any philosopher who admireda Spartan-style c<strong>on</strong>stituti<strong>on</strong> — Xenoph<strong>on</strong> perhaps; but the antithesis. . . is most effective if theinstance of the 'Egyptian c<strong>on</strong>stituti<strong>on</strong>' praised by the philosophers isnot in fact the Spartan <strong>on</strong>e — the Republic fits the bill admirably.and 374de. The whole discussi<strong>on</strong> in 374 echoes familiarterms used in denning the requirements of rhetoric: the trioand the need to resp<strong>on</strong>d to (cf. e.g. Isoc. Soph. 16-17). Once the principleofis applied to the soul, c<strong>on</strong>siderati<strong>on</strong>s of experience and c<strong>on</strong>centrati<strong>on</strong>give way entirely to the argument from natural ability.129See § 17 . . .130 On the text here, see note ad loc.131Except, perhaps, Plato in the Timaeus: see IV.iii below.


INTRODUCTION 5 1The features Sparta is alleged to have borrowed from Egypt allhave parallels in the Republic: 132(a)(b)(c)420a (a c<strong>on</strong>sequence of the fact that theunpaid, and part of the objecti<strong>on</strong> 'they will not be happy' anticipatedby Socrates).416e458c403cand ff. (cf. 404a(d)416de(e)implied by the doctrine ofand frequently stated, e.g. 374de.(iv) § 22-23 and for souls they [sc. oi discovered the exerciseof philosophy, which has the power both to make lawsand to inquire into the nature of what existsAnd he set the older <strong>on</strong>es in charge of the most importantaffairs . . .This descripti<strong>on</strong> of philosophy matches its role in the Republic: philosophicalstudy c<strong>on</strong>fers <strong>on</strong> the mature guardians a knowledge of Realitywhich makes them uniquely fitted to govern the city (see e.g. 540ab).It bears little relati<strong>on</strong>, <strong>on</strong> the other hand, either to <strong>Isocrates'</strong> ownc<strong>on</strong>cepti<strong>on</strong> of (broadly equivalent to instillingsound judgement and the ability to give good advice <strong>on</strong> politicalquesti<strong>on</strong>s: see e.g. Paneg. 47 f.) or to earlier Greek accounts ofthe Egyptian priests, whose wisdom as presented by Herodotus isprimarily historical and theological.(v) § 23 ... but persuaded the young to set pleasures aside and spendtheir time <strong>on</strong> astr<strong>on</strong>omy and calculati<strong>on</strong>s and geometry . . .This matches the educati<strong>on</strong>al program of Republic: see e.g. 536d(cf. also132Cf. Eucken 1983 p. 178 with n. 34.


52 INTRODUCTION530b(vi) § 24 but those who have taken charge of religi<strong>on</strong> in such a wayas to make both the gods' attenti<strong>on</strong> and their retributi<strong>on</strong> seem to bemore exact than they really are —such people are the greatest benefactorsof human existence.This could be said to be a feature, not so much of the regime describedin the Republic, but of the Republic itself, in the 'Myth of Er'(Republic 614b ff.: e.g. 616aA case which might be advanced as a cauti<strong>on</strong> against asserting anyc<strong>on</strong>necti<strong>on</strong> between <strong>Busiris</strong> and the Republic is that of Aristophanes'Ecclesiazusae. Praxagora's communist policy (Ecclesiazusae 583-709) haspoints of c<strong>on</strong>tact with the system envisaged at Republic 457c ff. 133 Itwould be easy to assume, <strong>on</strong> the basis of these corresp<strong>on</strong>dences, thatthe comedy parodies the Republic, but c<strong>on</strong>siderati<strong>on</strong>s of chr<strong>on</strong>ologymake this hypothesis difficult at the very least. 134 I believe, however,that the case of Ecclesiazusae is <strong>on</strong>ly superficially comparable with thecase of <strong>Busiris</strong>. 135 Ecclesiazusae parallels a single strand of Republic, thecommunal lifestyle of the guardians. While there are intriguing sim-133 See Adam 1902 1.345-355 (list of textual parallels, 350 f), Ussher 1973 pp.xv-xx, Eucken 1983 pp. 180 f., Halliwell 1993 pp. 224 f. The principal comm<strong>on</strong>features are: (i) community in sex and reproducti<strong>on</strong> (Eccl. 614 f, Rep. 457cd); (ii)state c<strong>on</strong>trol of sex and reproducti<strong>on</strong> (Eccl. 615-629, Rep. 458de, 459d-461c); (iii)familial relati<strong>on</strong>s universal within the state (Eccl. 635-643, Rep. 461de, 463c); (iv)community of possessi<strong>on</strong>s (Eccl. 590-594, Rep. 416de, 464bc) leading to freedomfrom disputes (Eccl. 657-671, Rep. 464de); (v) comm<strong>on</strong> quarters and(Eccl.673-676, 715 f., Rep. 416de).134 Ecclesiazusae cannot be dated exactly, but it must bel<strong>on</strong>g in the close vicinityof 393/2 (cf. Ussher 1973 pp. xx-xxv). Few Plato scholars would wish to place theRepublic so early in its author's career, though it has been suggested that the ideasin questi<strong>on</strong> might have appeared in an early versi<strong>on</strong> (for the hypothesis of an 'earlyRepublic', see Thesleff 1982 pp. 101-10). C<strong>on</strong>versely it has also been argued thatRepublic itself 'replies' to Ecclesiazusae (the play having parodied Plato's known, butunpublished, views): see Boeckh 1811 p. 26, and cf. Adam 1902 1.354, Eucken1983 p. 181 n. 45; c<strong>on</strong>tra, Wilamowitz 1919 II.199 f., Ussher 1973 p. xvii with n. 4;other refs., Ussher 1973 p. xvii n. 5. This latter view, however, rests primarily <strong>on</strong>Socrates' remarks about those who may mock the provisi<strong>on</strong>s for female guardians(collected by Adam, I.349), and these are c<strong>on</strong>centrated precisely in that part of thediscussi<strong>on</strong> of women which does not in fact c<strong>on</strong>tain striking parallels with Ecclesiazusae(namely Rep. 450a-457b, dealing with the need for women guardians to participatein training and particularly in athletics: see Halliwell 1993 p. 225 § (E)).135 So also Eucken 1983 pp. 180 f.


INTRODUCTION 53ilarities in the way this idea is developed in the two texts, in eachcase the development is determined by a clear, and quite independent,guiding logic. Thus in Ecclesiazusae communism is a vehicle fora number of stock comic themes:the predicament ofthose whose sexual appetite exceeds their sexual attractiveness; fatherbeaters;debt-evasi<strong>on</strong>;and litigiousness, etc.; its orientati<strong>on</strong>is 'populist and hed<strong>on</strong>istic'. 136 In Republic, <strong>on</strong> the other hand,the communal life of the guardians is motivated by the need toensure the '<strong>on</strong>eness' of the city, which would be challenged by anyimpulse to competiti<strong>on</strong>, and by the very existence of distinct families;state c<strong>on</strong>trol of reproducti<strong>on</strong> provides an apparatus for implementingthe programme of eugenics already adumbrated in the Mythof the Metals; and so <strong>on</strong>. 'Communism' of the kind that is in questi<strong>on</strong>here was not an entirely new idea for the Athenians: 137 there isno need to assume either a cross-reference between Ecclesiazusae andRepublic or <strong>on</strong>e particular comm<strong>on</strong> source for the two works. 138136 Halliwell 1993 p. 224 § (B).137 Cf. the egalitarian political theory of Phaleas of Chalced<strong>on</strong> (Arist. Pol. 1266a,1274b). Sexual communism was described by Herodotus both am<strong>on</strong>g the ScythianAgathyrsoi and am<strong>on</strong>g the Libyan Makhlyes and Auseeis. The motive he ascribesAm<strong>on</strong>g the latter he makes the practice sound lessdignified (IV. 180.5 but he does tell us their answer to the problem of childfatherrecogniti<strong>on</strong>: each infant is assigned to the man it most resembles (IV. 180.6).A character in Euripides' Protesilaus was also made to recommend this policy (F 653cf. also the slightly different recommendati<strong>on</strong>in F 402 Even so it is perhaps overstating the case to say that 'communismwas at this time much in the air' (Ussher 1973 p. xvi). Halliwell 1993 pp. 10-12provides a survey (with bibliography) of evidence for heterodox views at Athens <strong>on</strong>the proper role of women, and of sources that may have influenced such views.138 Cf. Halliwell 1993 p. 224 § (D): 'it is easier and preferable to believe thatAr[istophanes] gleaned and amalgamated ideas from a variety of sources'. Ussherdoes endorse the noti<strong>on</strong> of a comm<strong>on</strong> source ('that both rely <strong>on</strong> an earlier philosopheris not <strong>on</strong>ly likely, but attractive', Ussher 1973 p. xx), but his own argumentsin pp. xix-xx seem to point to the opposite c<strong>on</strong>clusi<strong>on</strong>. The source imagined wouldhave to be a work which was familiar to both Aristophanes and Plato, and yet wasmissed or ignored by Aristotle, who states that 'no-<strong>on</strong>e else' am<strong>on</strong>g political theoristshad made such an innovati<strong>on</strong> as community of women and children (Pol.1266a34 ff.). (We do not know what led Aristoxenus to claim that 'virtually all' ofthe Republic had appeared before in Protagoras' Antilogika (D.L. III.37, cf. III.57),but if Protagoras' work had indeed foreshadowed any substantial elements of theRepublic, it is hard to believe that it would have been left to Aristoxenus al<strong>on</strong>e tosay so.)


54 INTRODUCTIONIn the case of <strong>Busiris</strong>, the c<strong>on</strong>siderati<strong>on</strong>s which seem to favour apositive link of some kind with the Republic are (a) the prominenceand importance accorded by Isocrates to the principle of specialisati<strong>on</strong>;(b) the claim that 'philosophers' choose the Egyptian c<strong>on</strong>stituti<strong>on</strong>;and (c) the associati<strong>on</strong> of the priestly class with a regulatededucati<strong>on</strong>al curriculum, with law-giving, and with abstract philosophicalenquiry.<strong>Busiris</strong>' state is not to be directly identified with the state in theRepublic', it has structural features reminiscent of Plato's work, but itis also specifically Egyptian, or rather c<strong>on</strong>formant with Greek percepti<strong>on</strong>sof Egypt. This is obvious from the treatment of geographicalfeatures (§ 12—14), but also from some elements of the c<strong>on</strong>stituti<strong>on</strong>:thus medicine, which is all but excluded from the state of the Republic,is given prominence because of its traditi<strong>on</strong>al associati<strong>on</strong> with Egypt. 139There is also a kind of translati<strong>on</strong> of aspects of Plato's state intoappropriately Egyptian terms: most strikingly, euaepeioc replacesand priests take <strong>on</strong> the functi<strong>on</strong> of <strong>Busiris</strong>' useof superstiti<strong>on</strong> to c<strong>on</strong>trol his subjects is akin to the program of censorshipand religious indoctrinati<strong>on</strong> in Republic, but the particularform of superstiti<strong>on</strong>, animal worship, is specifically Egyptian—a practicewhich encapsulates the strangeness of Egypt for classical Athenians.The imitati<strong>on</strong>, or parody, of a philosophical ideal state is <strong>on</strong>ly <strong>on</strong>easpect of <strong>Busiris</strong>, and must be seen in the c<strong>on</strong>text of the whole. Itis misleading to characterise the work as 'attacking' the Republic or'replying' to it. Apart from anything else, its primary agenda—theattack <strong>on</strong> a c<strong>on</strong>cepti<strong>on</strong> of rhetoric divorced from morality—is <strong>on</strong>ein which Isocrates is closer to aligning himself with Plato than toopposing him. This allusive, ir<strong>on</strong>ic play with the Plat<strong>on</strong>ic ideal stateis a b<strong>on</strong>us for those readers who happen to be familiar with Plato'sideas and thus able to appreciate <strong>Isocrates'</strong> references to them. Howmany readers would fall in this group we cannot say: the officialaddressee, Polycrates, is clearly not envisaged as being am<strong>on</strong>g them.That <strong>Busiris</strong> is a compositi<strong>on</strong> which permits, or even requires, readingat more than <strong>on</strong>e level has been made apparent at the start bythe ficti<strong>on</strong> that it is a private letter which will be kept secret. 140 Inthethe available levels of resp<strong>on</strong>se multiply: it139 Rep. 405a ff.; Bus. 22.140 See note <strong>on</strong> § 2


INTRODUCTION 55might be read, for instance, (i) as a genuine sketch of Egyptian society,sharing Herodotus' admirati<strong>on</strong> for that country; (ii) as presentingan ideal state in the Lac<strong>on</strong>ising traditi<strong>on</strong>, a relative of Xenoph<strong>on</strong>'sC<strong>on</strong>stituti<strong>on</strong> of Sparta; (iii) as presenting a Plat<strong>on</strong>ic ideal state; (iv) asan ir<strong>on</strong>ic representati<strong>on</strong> of a Lac<strong>on</strong>ising c<strong>on</strong>stituti<strong>on</strong>, devaluing suchsystems as 'un-Greek' through the associati<strong>on</strong> with superstitious,servile, barbarous Egypt; (v) as an ir<strong>on</strong>ic representati<strong>on</strong> similarly devaluing,and poking fun at, a Plat<strong>on</strong>ic ideal state as c<strong>on</strong>structed in theRepublic.What lends force to ir<strong>on</strong>ic readings is the inc<strong>on</strong>gruity betweenpraise of any kind and the m<strong>on</strong>strous figure of the 'traditi<strong>on</strong>al' <strong>Busiris</strong>,ever-present in the background. The questi<strong>on</strong> of how far it is thematerial of genuine praise that is being deployed is resolutely leftopen. (It must remain at least possible to read the praise as genuine,in order that Isocrates may appear to have set Polycrates the promisedgood example and thus to have defendedIr<strong>on</strong>y seemsmost remote in the treatment of <strong>Busiris</strong>' genealogy and of the physicaladvantages of Egypt (§ 10—14); it comes closest to the surfacein the commendati<strong>on</strong> of animal worship (§ 26-27) and the treatmentof Pythagorean wisdom (§ 28-29). Between these, both in positi<strong>on</strong>and in t<strong>on</strong>e, lies theEucken c<strong>on</strong>trasts the Plat<strong>on</strong>ic of <strong>Busiris</strong> with the Athenianc<strong>on</strong>stituti<strong>on</strong> as portrayed in the Panegyricus, and argues that the twotogether articulate something akin to Karl Popper's antithesis betweenthe Open and the Closed Society. 141 The c<strong>on</strong>trast may be seen inminiature in two verbally similar passages defining the kind of 'philosophy'which is the distinctive inventi<strong>on</strong> of each society. 142 In thePlat<strong>on</strong>ic/Egyptian society, the objects of philosophy are fixed lawsand timeless essences; in Athens, philosophy teaches people to interactwith each other and to resp<strong>on</strong>d with word and acti<strong>on</strong> to changingcircumstances. Athens is the inventive, adaptable society, reliant<strong>on</strong> Egypt is the static, authoritarian society, which has no usefor but instead educates the young in the mathematical sciences,that is, in facts and rules.141Eucken 1983 pp. 191-195, 207; Popper 1952.142 Bus. 22Panes. 47


56 INTRODUCTIONWhile the polarity is not absolute (the instituti<strong>on</strong> of fixed laws, forinstance, is numbered am<strong>on</strong>g Athens' benefacti<strong>on</strong>s to Greece (Paneg.39-40), and the Egyptian priests are given leisure for intellectualinventi<strong>on</strong> (Bus. 21-22)), it remains striking. But if the in<strong>Busiris</strong> is an anti-Athens, it does not follow that it is an anti-ideal.<strong>Isocrates'</strong> politicalis highly flexible; it permits him to celebratedemocracy, but also to commend m<strong>on</strong>archy in the CyprianOrati<strong>on</strong>s, and Spartan oligarchy (through pers<strong>on</strong>ae) in Archidamus andparts of Panathenaicus, as well as courting Philip of Maced<strong>on</strong> as apotential leader of Greece. Isocrates is not, like Popper, the committedchampi<strong>on</strong> of the Open Society, and <strong>Busiris</strong> is not a tract.In my view <strong>Isocrates'</strong> use of Plat<strong>on</strong>ic ideas in theis best read as essentially light-hearted: he does not pass judgement<strong>on</strong> Plato's imaginary c<strong>on</strong>stituti<strong>on</strong>, but plays with it—though in doingso he insinuates that it is something exotic, improbable, not to betaken seriously. Some weight must be given, though, to the effect ofthe secti<strong>on</strong> <strong>on</strong> Egyptian We expect it to be the climax ofthe Encomium, and it is presented as such (§ 24): but it focuses <strong>on</strong>animal worship, the bizarre, un-Greek feature of Egypt par excellence,and its scornful t<strong>on</strong>e inevitably colours the reader's resp<strong>on</strong>se to whathas g<strong>on</strong>e before. 143 This tilts the imitati<strong>on</strong> towards hostility as wellas playfulness.IV.iiPhaedrusMany allusi<strong>on</strong>s to Isocrates, of varying plausibility, have been foundin the Phaedrus: the <strong>on</strong>ly work of Plato which menti<strong>on</strong>s him byname. 144 I suggest, however, that there is a more fundamental c<strong>on</strong>necti<strong>on</strong>between Phaedrus and <strong>Busiris</strong> which has been overlooked. Thisis a c<strong>on</strong>necti<strong>on</strong> not primarily in the form of surface allusi<strong>on</strong> orpolemic, but at a deeper, structural level, and it is a c<strong>on</strong>necti<strong>on</strong>143 Cf. esp. § 26, where animal-worship is interpreted as serving 'to habituate themasses to obey every command of their rulers', i.e. as inculcating the servility thatc<strong>on</strong>venti<strong>on</strong>ally characterises Eastern barbarians (see note <strong>on</strong> § 25-27). On Greekpercepti<strong>on</strong>s of animal worship, see Smelik and Hemelrijk 1984.144 Phaedrus 278e-279b. There is an extensive literature <strong>on</strong> the t<strong>on</strong>e and functi<strong>on</strong>of this reference (and <strong>on</strong> the wider questi<strong>on</strong> of relati<strong>on</strong>s between Isocrates andPlato): in the present account I refer <strong>on</strong>ly to work which has a direct bearing <strong>on</strong><strong>Busiris</strong>. For a balanced discussi<strong>on</strong> of the Phaedrus passage, with references to someearlier treatments, see Rutherford 1995 pp. 250 f.


INTRODUCTION 57which suggests that <strong>Isocrates'</strong> work served Plato in part as a modelas well as a target.The structural parallelism is, in outline, quite simple. Both workstake as their starting-point a written speech by a self-styled rhetoricalexpert, who is not present to receive or answer criticisms; in bothcases, the speech in questi<strong>on</strong> is a paradoxical The speechis criticised <strong>on</strong> its own terms—for failing to make its paradoxicalcase effectively—and a better example is offered: a speech whichmakes the same paradoxical theme more respectable by treating itin a more orderly fashi<strong>on</strong>, and by giving it an apparent moral andrati<strong>on</strong>al basis. From this point Phaedrus goes its own way: the 'corrective'speech itself is seen to be at fault, and is retracted in a 'palinode',deserting the original paradoxical thesis in favour of the opposingtrue thesis. After this palinode in the Phaedrus, and after the initialcorrective speech in <strong>Busiris</strong>, comes a discussi<strong>on</strong> of the speeches' relativemerits. Thus:<strong>Busiris</strong>PhaedrusParadoxical speech (described) Paradoxical speech (recited)§ 4-5 230e-234cDiscussi<strong>on</strong>Discussi<strong>on</strong>§ 6-8 234d-235dCorrective speechCorrective speech§ 10-29 237b-241d'Palinode'243e-257bDiscussi<strong>on</strong> and comparis<strong>on</strong> Discussi<strong>on</strong> and comparis<strong>on</strong>§ 30-50 262c-266aThis comparis<strong>on</strong> is schematic, and glosses over some details: forinstance, Isocrates in <strong>Busiris</strong> begins by discussing two speeches beforefocusing <strong>on</strong> <strong>on</strong>e; there is no sharp dividing line between descripti<strong>on</strong>and discussi<strong>on</strong> of Polycrates' speech; and I have ignored the generaldiscussi<strong>on</strong> of rhetoric which intervenes in the Phaedrus between thepalinode and the examinati<strong>on</strong> of Lysias' and Socrates' speeches. 143145 I refer to the first speech in the Phaedrus as Lysias' speech because it functi<strong>on</strong>swithin the dialogue as if it were a speech by Lysias, whether or not this isreally the case. I assume that it is in fact a Plat<strong>on</strong>ic pastiche, though the argumentsare not c<strong>on</strong>clusive (see de Vries 1969 pp. 11-14; Dover 1968 pp. 69-70, 194; Rowe1986 p. 142 f. (inclining to the opposite view); Rutherford 1995 p. 252 n. 23). If


58 INTRODUCTIONThere remains, though, a broad similarity of c<strong>on</strong>cepti<strong>on</strong> between the<strong>Busiris</strong> and the first part of the Phaedrus. The following discussi<strong>on</strong>aims to give substance to this outline resemblance.Lysias' 'n<strong>on</strong>-lover's' speech is placed within a category of paradoxicalspeeches—the genre in which Polycrates, as we have seen,was a master—when Socrates at 227c imagines extensi<strong>on</strong>s of thetheme: if <strong>on</strong>ly Lysias would argue also that favours should be givento the poor and not the rich, and to the old and not the young.Lysias, like Polycrates, is absent when his speech is criticised, andattenti<strong>on</strong> is drawn to this when Socrates discovers that Phaedrus hasthe written text in his possessi<strong>on</strong> and jokingly refers to it as makingLysias 'present'. 146In the discussi<strong>on</strong> which follows the speech, Socrates criticises it<strong>on</strong> grounds of (234e ff.): he had been unaware that it wasattempting to 'say the necessary things' as well as to achieve a finestyle. 147 This matches <strong>Isocrates'</strong> criticism of Polycrates, who chosebad material (§ 5 etc.) and failed to identify good material (§ 37).This focus <strong>on</strong> serves the same purpose in both works: it givesleverage to the idea that, to speak well, <strong>on</strong>e must not merely speakwith skill, but must also say the right things about a given theme—hence there may be a right way to approach a subject, and otherways may be wr<strong>on</strong>g. In <strong>Busiris</strong>, this apercu makes the difference betweenIsocratean and sophistic rhetoric; for Socrates in Phaedrus, it impliesthat <strong>on</strong>e is attending not to(235a), but to higher (i.e.philosophical) c<strong>on</strong>siderati<strong>on</strong>s.Isocrates introduces his 'corrective' Encomium with the observati<strong>on</strong>that the theme is not and does not permit ofThe relati<strong>on</strong> between and —an established topic,at least since Gorgias' Helen, of sophistic —is a c<strong>on</strong>stant themethat is correct, then it is primarily the ficti<strong>on</strong>al character Socrates who is reproducing<strong>Isocrates'</strong> procedure; if, <strong>on</strong> the other hand, the speech is a real work of Lysias,then Plato himself is in a sense closer to Isocrates in taking issue with a c<strong>on</strong>temporaryrhetorician. Apart from this, the questi<strong>on</strong> does not affect my argument.146228de (cf. also 263e, where Socrates makes Phaedrusread the opening of the speech yet againThis joke ofcourse acquires more significance later <strong>on</strong> in the light of the discussi<strong>on</strong> of the waysin which a written work does not make its author 'present' (275de, 277e-278b). Theexpressi<strong>on</strong> also acts as a signpost that 'Lysias' is being given a fair hearing (fairerthan Polycrates receives), to the extent that his speech is quoted in full and verbatim.147234e . . Cf. Bus. 4 7and note ad loc.


INTRODUCTION 59of the Phaedrus. 148 Socrates' seriousness becomes an issue before hespeaks his 'corrective' speech, 149 but, significantly, it is his sec<strong>on</strong>dspeech—the palinode—which is subsequently identified as aname which his first speech is perhaps now seen not to deserve. Thisfirst speech he deliversthe immediate reas<strong>on</strong> is toprevent himself from being overcome by embarrassment or selfc<strong>on</strong>sciousnessat his own lack of expertise (236d), but whenit later becomes clear that the speech itself was good cause for shame(again )vr|), the veiling takes <strong>on</strong> a new significance: Socrates setsout to distance himself from what he said and to deny resp<strong>on</strong>sibilityfor it. 150 The motif of pretended c<strong>on</strong>cealment to avoid embarrassmentor shame is another link with <strong>Busiris</strong>: when Isocrates claimsto be addressing Polycrates in private, the ostensible aim is to savePolycrates the embarrassment of having his professi<strong>on</strong>al shortcomingsexposed, but in practice it is an obvious pretence which c<strong>on</strong>structsan ir<strong>on</strong>ic distance between the work and its author. 151Socrates' speech breaks off rather suddenly. When Phaedrus proteststhat he was expecting the negative treatment of the lover to be followedby a positive commendati<strong>on</strong> of the n<strong>on</strong>-lover, Socrates resp<strong>on</strong>dsby asserting that there is no need to go <strong>on</strong> at length, since what(24le). In similar terms Isocrates interrupts hisdiscussi<strong>on</strong> of <strong>Busiris</strong>, saying that his aim has simply been to indicatehow both praise and defence should be composed (§ 44At 242b ff., Socrates reveals that he has received a warning fromhisthe speech he has just delivered is impious, and mustbe recanted. His explanati<strong>on</strong> of its impiety coincides very closelywith <strong>Isocrates'</strong> clinching argument against the myths which slander148 See e.g. de Vries 1969 pp. 18-22, Rowe 1986 pp. 7-11.149234d (the seriousness or otherwise of Socrates' claim that he has become'inspired' under the influence of Phaedrus' enthusiasm); 236b (Socrates tries to avoidbeing made to speak by suggesting that he was '<strong>on</strong>ly teasing' in his attack <strong>on</strong> Lysias'work).150 Cf. 243b: Socrates delivers his palincf. 238d 242de243e-244al51 Sec note <strong>on</strong> § 2and further discussi<strong>on</strong> below.


60 INTRODUCTION<strong>Busiris</strong>: whatever is divine is necessarily good. 152 This realisati<strong>on</strong> leadshim to c<strong>on</strong>demn the silliness of both the speeches for the n<strong>on</strong>-lover:they 'put <strong>on</strong> airs' despite the fact that there is no truth in them; theembarrassment which caused him to cover his face whilespeaking is now re-identified as shame. Similarly, Isocrates accusesPolycrates of putting <strong>on</strong> airs over speeches which he ought to beashamed of. 153 The speeches for the n<strong>on</strong>-lover would be exposed ifthe figure they decry, namely a true lover, were there to hear them:so too Polycrates' speeches would be exposed to ridicule if their targets,Socrates and <strong>Busiris</strong>, were able to discuss them. 154The realisati<strong>on</strong> that Eros is divine, and therefore good, points tothe need for recantati<strong>on</strong>, and introduces the story of Stesichorus(243ab). The c<strong>on</strong>necti<strong>on</strong> between this passage and <strong>Isocrates'</strong> use ofthe palinode story in Helen has been much discussed. 155 What hasnot been generally observed, however, is that Isocrates refers to thestory in <strong>Busiris</strong> as well, and in a c<strong>on</strong>text which presents a closer parallelwith Phaedrus 156 The accounts of Helen and the poets presentedin Phaedrus and in Helen differ in <strong>on</strong>e important respect: their treatmentof Homer. For Isocrates, Homer is Helen's special favourite, andowes to her influence the charm and success of his poetry (§ 65). Inl52To be precise, <strong>Busiris</strong> puts the more unusual case that the offspring of thegods must be as perfect as their parents (a view which has revoluti<strong>on</strong>ary implicati<strong>on</strong>sfor traditi<strong>on</strong>al myth): see § 41(This argument has a parallel,allel,if not a model, in Republic Books II— III: see note <strong>on</strong> §tively comm<strong>on</strong>place argument that gods themselves cannot be 'bad' (242eNote, however, thatSocrates gives Eros Aphrodite as his mother (not the most standard genealogy: seeRowe 1986 ad loc.), and does so, apparently, to 'prove' his divine credentials: 242d" Both works use effectively the samestrategy to 'earth' the paradoxical theme to a moral base.153154 Phaedrus 243c8 cf. <strong>Busiris</strong> 6155 Phaedrus 243a, Helen 64. For detailed discussi<strong>on</strong>, with references to some ofthe earlier literature, see Eucken 1983 pp. 115-120.156 § 39 Stesichorus, though not menti<strong>on</strong>ed by name, is theobvious object of reference (see note ad loc.). The examples of blaspheming poetsand their punishments lead directly to the general argument c<strong>on</strong>cerning the perfecti<strong>on</strong>of the gods, discussed above.


INTRODUCTION 61Socrates' account, <strong>on</strong> the other hand, Homer's blindness is attributedto the same cause as that of Stesichorus: he too blasphemed againstHelen, but, unlike Stesichorus, he failed to recognise his offence andrecant. This has been interpreted as a covert attack by Plato <strong>on</strong>Isocrates: the Helen praises its heroine while reproducing the traditi<strong>on</strong>alstory of her going to Troy; Isocrates has thus failed, likeHomer, to learn Stesichorus' less<strong>on</strong>. 157 But in <strong>Busiris</strong>, <strong>on</strong> the mostlikely interpretati<strong>on</strong>, Isocrates himself juxtaposes Homer and Stesichorusas exemplars of the punishment of poetic blasphemy. 158 Phaedrusmerely takes the further step of identifying Homer's blindness as partof his punishment. 159 Socrates acts as Isocrates advises to avoid theblasphemer's fate, 160 and he passes this advice <strong>on</strong> to Lysias just asIsocrates passes it <strong>on</strong> to Polycrates. 161Socrates' Palinode marks the end of direct structural parallelismbetween <strong>Busiris</strong> and Phaedrus. Naturally many passages in the remainderof the dialogue, and in the discussi<strong>on</strong> of 'c<strong>on</strong>temporary' rhetoricin particular, reward comparis<strong>on</strong> with passages in the work of Isocrates,but as a rule they form part of wider c<strong>on</strong>troversies. 162 There are,however, a few further passages where comparis<strong>on</strong> with <strong>Busiris</strong> seemsparticularly apt.At 260b, Socrates, examining the propositi<strong>on</strong> that knowledge is157 Eucken 1983 pp. 116 f. I see two main objecti<strong>on</strong>s to this reading. First, itseems heavier than such a light-hearted, ir<strong>on</strong>ic passage will bear. Sec<strong>on</strong>d, how seriouslycan we take the implicati<strong>on</strong> of 243a that Stesichorus was but Homerwas not (cf. de Vries 1969 ad loc.)? In any case, comparis<strong>on</strong> with Homer seems adoubtful means of attack, even with a readership aware of Plato's objecti<strong>on</strong>s topoetry.158§ 39 oi . . . For Homer and Stesichorus as the primary objects of referencehere, see commentary ad loc.l59 It is unclear whether this link is Plato's inventi<strong>on</strong>, or older: see Rowe 1986<strong>on</strong> 243a, inclining to the former view. It may, of course, have figured in Stesichorus'poem. The story entered the biographical traditi<strong>on</strong>: see Vita Homeri VI 51—57 Allen,where elements of both Plato's and <strong>Isocrates'</strong> versi<strong>on</strong>s appear. Helen's appearsto Homer by night (cf. Helen 65); she advises him to burn his poems, promising(presumably: there is a lacuna) to restore his sight, of which in her anger she hasdeprived him; but Homer refuses to comply.160243b40 8cf. Bus.161 243d162 A notable instance is Phaedrus 269d: Soph. 17-18.


62 INTRODUCTIONnot required in order to speak well, imagines a scenario in whichneither he nor Phaedrus knows what a horse is, but he knows thatPhaedrus believes it is the domesticated beast with the largest ears.He could then praise an ass as if it were a horse, commending itsusefulness in peace and war, and Phaedrus might be persuaded. Thisrecalls <strong>Isocrates'</strong> suggesti<strong>on</strong> that it does not really matter if neitherhe nor Polycrates knows the truth about <strong>Busiris</strong>: <strong>Isocrates'</strong> speechremains superior, because it c<strong>on</strong>tains the proper material of praise. 163When Phaedrus resp<strong>on</strong>ds with bemusement to the story of Theuthand Thamous ('Socrates, you can easily make up stories from Egyptor wherever you want,' 275b), Socrates chides him. The first manticutterance is said to have come from an oak tree at Dod<strong>on</strong>a: whatmatters, surely, is not the provenance of a story, but its truth? Thereis probably no c<strong>on</strong>tempt in the t<strong>on</strong>e of Phaedrus'he iscommenting simply <strong>on</strong> Socrates' versatility. 164 Socrates, however, misunderstandshim, or affects to do so, and takes him to be expressingdistrust of the story <strong>on</strong> grounds of its origin: the analogy withthe oak of Dod<strong>on</strong>a implies that it is the respectability of the sourceitself that is at issue. 165 Two points thus emerge from the exchange:it does not matter whether the story comes from Egypt (or whetherSocrates made it up); and it does not matter if Egypt (a peculiar,n<strong>on</strong>-Greek country) is where it comes from. All that matters is whetherit expresses something true. This provides an interesting counterpointto <strong>Busiris</strong>, where a c<strong>on</strong>stituti<strong>on</strong>al system resembling that of the Republicwas teasingly relocated in Egypt. The Theuth-story clearly bears nodirect relati<strong>on</strong> to the imaginary Egypt of <strong>Busiris</strong>, but it is worth notingthat the list of Theuth's discoveries includes the three elementswhich make up <strong>Busiris</strong>' programme of 'propaideutics', which in turnis close to that adopted in the Republic. 166163 Bus. 33not speaking seriously.164Socrates' restricti<strong>on</strong> (260bis interesting, since Isocrates in <strong>Busiris</strong> is expresslySo de Vries 1969 (<strong>on</strong> 275b3-4, following Thomps<strong>on</strong>, against Ast). On thisview, Phaedrus' subsequent resp<strong>on</strong>seis scarcely true, or at leastis meeker than it need be; but this is not a problem. He acknowledges that he waswr<strong>on</strong>g to say something which was a distracti<strong>on</strong> from the central quest for truth.the point is not that they were ready to believe that thewords came from an oak tree, but that they were prepared to listen to an oak treewhich was speaking the truth.166274cd


INTRODUCTION 63A final point: <strong>Busiris</strong> closes with Isocrates explaining how it is thathe sees fit to adm<strong>on</strong>ish Polycrates, even though he himself is theyounger man (§ 50This is an observati<strong>on</strong> calculatedto catch the reader's attenti<strong>on</strong>, coming as it does from an authorwho must be at least in his late forties and more probably aroundsixty. In the light of this, it is intriguing, at least, that Socrates' firstremark about Isocrates at Phaedrus 278e is Isocrates would,of course, have been young by any standards at the dramatic dateof the dialogue. 167 But if the passage c<strong>on</strong>tains also some genuinefor the present, at the time of writing, 168 it may be relevantthat in <strong>Busiris</strong> Isocrates cast himself as a comparatively youngman: some<strong>on</strong>e who might be expected to receive, rather than togive, advice.I suggest that <strong>Busiris</strong> served as a structural and c<strong>on</strong>ceptual model,doubtless <strong>on</strong>e am<strong>on</strong>g many, for the compositi<strong>on</strong> of Phaedrus. Thisinvolves the suppositi<strong>on</strong> that Phaedrus was composed after <strong>Busiris</strong>; thiscan <strong>on</strong>ly be a suppositi<strong>on</strong>, since neither work offers objective datingcriteria, but it is not a problematic <strong>on</strong>e, and the comparis<strong>on</strong>s drawn. . . The 'list of inventi<strong>on</strong>s' isalmost a mini-genre in itself. Geometry, astr<strong>on</strong>omy and are the <strong>on</strong>ly inventi<strong>on</strong>sof Theuth which do not appear also in the list Alcidamas' Odysseus gives ofthe alleged inventi<strong>on</strong>s of his enemy Palamedes (Odysseus 22: military thealphabet, numbers, measures and weights, dice, music, coins, signal-fires).Compare the list which Gorgias puts in the mouth of Palamedes himself (Palamedes30: military written laws, alphabet, measures and weights, numbers, signalfires,, and see also Kleingiinther 1933. Gorgias' Palamedes describes lettersas 'an instrument of memory'a likely model for Plato's phraseThe wordsuggests the magical quality of the inventi<strong>on</strong>,and perhaps points to the capacity of writing, like rhetoric, to charm andbeguile its recipients into a false sense of knowledge. It also has the ambivalentquality, as 'cure' or 'pois<strong>on</strong>' (cf. Odyssey IV.230), celebrated by Jacques Derrida inhis reading of the dialogue (Derrida 1972 pp. 74-197), though this ambiguity isnot exploited in Thamous' judgement of its or he simply finds itto be rather than Note that <strong>Busiris</strong> c<strong>on</strong>tainsa development of the merits of Egyptianthey are emphaticallybeneficial, not harmful.167 The dramatic date is undefined, perhaps historically impossible, perhaps indeeddeliberately so, but probably to be imagined as earlier than the year 415, whenPhaedrus was caught up in the affair of the mutilati<strong>on</strong> of the Herms and exiled(see Rutherford 1995 pp. 248-50); Isocrates, then, would be in his teens or justinto his twenties.168 Cf. Hackforth 1952 p. 168: 'Isocrates in 370 B.C. was, though elderly, notnecessarily impervious to argument.'


64 INTRODUCTIONabove do seem to me to support it. If Phaedrus resp<strong>on</strong>ds to some ofthe strategies and themes of <strong>Busiris</strong>, we can see how it re-evaluatesand develops them in line with Plato's commitment to a realitybey<strong>on</strong>d appearances. If, <strong>on</strong> the other hand, <strong>Busiris</strong> draws <strong>on</strong> Phaedrus,it is very hard to see the point of the borrowing: it ignores most ofwhat Plato's dialogue has identified as most important, and the treatmentof <strong>Busiris</strong> invites identificati<strong>on</strong> with a speech which has beenfound to be superficial and amoral. And it is not implausible thatPlato should take notice of, and resp<strong>on</strong>d to, the project of <strong>Busiris</strong>.Both Gorgias and Phaedrus dem<strong>on</strong>strate their author's interest in thequesti<strong>on</strong> whether rhetoric can in any way be 'salvaged' or 'c<strong>on</strong>verted'for moral ends. It is to be expected, therefore, that he wouldexamine any attempt by Isocrates to articulate a difference betweenhis own work and that of Polycrates and his kind—especially whenthat difference is expressed, as it is in <strong>Busiris</strong>, as <strong>on</strong>e of moral commitment.In Phaedrus, Plato explores both the potential and the limitati<strong>on</strong>sof <strong>Isocrates'</strong> way of resp<strong>on</strong>ding to sophistic rhetoric.Some relatively minor features of <strong>Busiris</strong> reappear as significantthemes in the Phaedrus. <strong>Isocrates'</strong> pretence of c<strong>on</strong>cealment is ostensiblymeant to save Polycrates the embarrassment of being seen toreceive such advice, but also serves to distance the author from thework (§ 2see note ad loc.}. It receives no particularemphasis, though a claim of secrecy in a work clearly meant forpublicati<strong>on</strong> is itself calculated to command attenti<strong>on</strong>. Socrates' theatricalself-veiling (237a) is a much more elaborate device. It is atfirst motivated by fear of embarrassment; 169 later, it is seen to havebeen appropriate for more profound reas<strong>on</strong>s, and it aids Socrates'denial of resp<strong>on</strong>sibility for the speech after it becomes clear thatmoral, more than intellectual, shame attended his performance. Again,<strong>Isocrates'</strong> abjurati<strong>on</strong> of<strong>on</strong> the grounds that his purposeis practical, not 'epideictic', is in itself quite c<strong>on</strong>venti<strong>on</strong>al (§ 44: seecommentary ad loc.). It does, however, serve to underline the factthat he has not chosen to provide two formal dem<strong>on</strong>strati<strong>on</strong>s, aas well as anbut has dem<strong>on</strong>stratedthe <strong>on</strong>e and indicated the materials for the other. In Phaedrus, Socrates'refusal to c<strong>on</strong>tinue his first speech has greater dramatic and theo-169 Where Isocrates casts himself as the expert counselling the novice, Socrates isa laypers<strong>on</strong> attempting to correct the expert: cf. 236d


INTRODUCTION 65retical significance: it marks Socrates' sense that he is being unhealthily'carried away' by this kind of rhetoric, and suggests the pointlessnessof presenting the same material twice merely in deferenceto c<strong>on</strong>venti<strong>on</strong>al forms.Most important is the adaptati<strong>on</strong> of the design of the <strong>Busiris</strong>. Theaim of <strong>Isocrates'</strong> speech (see I.iv above) is to dem<strong>on</strong>strate that aproperly 'rhetorical' treatment of any theme at all will not be disgracefulor corrupting: it is <strong>on</strong>ly bad rhetoricians—rhetoricians lackingrhetorical skill—who set a bad example. This would imply thatrhetoric is an art which 'knows what it's doing' at the moral level:in other words, something which might qualify as a Plat<strong>on</strong>ic .The moral basis of <strong>Isocrates'</strong> rhetoric is not explicitly stated ordescribed, but allowed to emerge gradually; its key, however, isthe 'comm<strong>on</strong>-sense principle' (§ 4) governing the correct materialfor praise and blame. In the case of <strong>Busiris</strong> this principle worksperfectly: it is easy for Isocrates to create a new myth of a praiseworthy<strong>Busiris</strong>; but what if he had chosen instead to illustrate the'Accusati<strong>on</strong> of Socrates'? The 'theological' argument which appearsto give the Encomium an objective grounding, and which serves toboost the high moral t<strong>on</strong>e of the Epilogue, is in fact a windfall: notall paradoxical themes could be so easily or so neatly deprived oftheir paradoxical quality. This crowning argument actually exposesthe weakness of <strong>Isocrates'</strong> procedure: it turns out in the end that <strong>Busiris</strong>is 'really' praiseworthy, as a god's child; but no effort was made toprove this point before embarking <strong>on</strong> his praise.It is this weak link between purely rhetorical respectability andgenuine moral rectitude that is broken and exposed in the Phaedrus.Socrates' first speech is rhetorically unexcepti<strong>on</strong>able: it is appropriateto its theme, clear, well-organised, and even pays lip-service toBut n<strong>on</strong>e of this saves it from being corrupt and sacrilegious.170 The reas<strong>on</strong> is that it failed to examine the merit of itstheme, whether Eros really is a suitable object for blame or forpraise. The transiti<strong>on</strong> to the Palinode brings out the real force ofthe religious argument casually introduced in the <strong>Busiris</strong>: the argumentwhich made <strong>Isocrates'</strong> paradoxical theme melt into respectability heredemands the recantati<strong>on</strong> of the paradoxical attack <strong>on</strong> Love. Onecan <strong>on</strong>ly speak well if <strong>on</strong>e knows, by reference to a higher criteri<strong>on</strong>,Cf. 242d242e


66 INTRODUCTIONwhat kind of treatment is appropriate to the theme in hand: andthis makes rhetoric dependent <strong>on</strong> philosophy as Plato understandsit, <strong>on</strong> the science of good.IV.iiiTimaeus and CritiasThe ficti<strong>on</strong>al Encomium in the <strong>Busiris</strong> presents a model c<strong>on</strong>stituti<strong>on</strong>resembling that of Plato's Republic and identifies it as the originalc<strong>on</strong>stituti<strong>on</strong> of Egypt. In the opening exchange of Plato's Timaeus,Critias is made to identify Socrates' imagined city of Republic withthe primal c<strong>on</strong>stituti<strong>on</strong> of Egypt, which his story also reveals to be theantediluvian c<strong>on</strong>stituti<strong>on</strong> of Athens. 171 The parallelism between thetwo texts, observed by Pohlenz, was first treated in detail by Eucken,who regards this secti<strong>on</strong> of Timaeus as Plato's direct resp<strong>on</strong>se to theattack <strong>on</strong> the Republic implicit in <strong>Busiris</strong>. 172The parallel c<strong>on</strong>sists above all in the outline of the idea: that thestate imagined in the Republic was realised in practice l<strong>on</strong>g ago, inEgypt, by a mythological lawgiver, and that it persists there in itsessentials to the present. Eucken also draws attenti<strong>on</strong> to a numberof corresp<strong>on</strong>dences of detail between Timaeus and <strong>Busiris</strong>:(i) Timaeus 24b <strong>Busiris</strong> 21In Eucken's view these words, which in each text serve as a headingfor a secti<strong>on</strong> <strong>on</strong> Egyptian intellectual training, give the readerof Timaeus 'a definite reference' to the <strong>Busiris</strong> .173 That may be an171That the c<strong>on</strong>stituti<strong>on</strong> of Egypt and (above all) that of Ur-Athens is the sameas that described in Republic is at first merely implied by the fact that Critias' storyis meant to answer Socrates' wish to see his city 'in acti<strong>on</strong>'. The identificati<strong>on</strong> isexplicitly proposed by Critias at 26d:172Pohlenz 1913 pp. 221 f; Eucken 1983 pp. 208-210. Note also the story inthe ancient scholarly traditi<strong>on</strong> that Plato in Timaeus resp<strong>on</strong>ded to critics who hadaccused him of 'plagiarising' from the Egyptian c<strong>on</strong>stituti<strong>on</strong> in the Republic (Crantorapud Proclus, in Tim. 2.76).173'DaB das agyptische Erziehungswesen mit denselben Worten wie im <strong>Busiris</strong>als "Sorge um die Vernunft" charaktisiert wird, gibt dem Leser den bestimmtenHinweis auf diese Schrift' (Eucken 1983 pp. 208-9).


INTRODUCTION 67exaggerati<strong>on</strong>, but there is certainly a noteworthy equivalence of vocabularyand c<strong>on</strong>text. The accounts of Egyptian philosophy which followare quite different in emphasis (in Timaeus, pride of place is givento 'cosmology', linking Critias' story with the speech of Timaeuswhich forms the bulk of the dialogue); <strong>on</strong>e point of c<strong>on</strong>tact is thatboth commend Egyptian by c<strong>on</strong>trast with the low status ofmedicine in the Republic. 174(ii) Timaeus 24b <strong>Busiris</strong> 18The adjective which had been used by Herodotus for theEgyptian warrior-class (II.164), is found in both <strong>Busiris</strong> and Timaeus. 173The account of Egyptian class divisi<strong>on</strong>s is essentially the same inTimaeus as in <strong>Busiris</strong>: see note <strong>on</strong> § 15(iii) Timaeus 24c <strong>Busiris</strong> 11-12Athena chooses Athens, as <strong>Busiris</strong> chooses Egypt, with a view to thebalance of its climate and the crops it can produce, though in thecase of Athens the 'crop' is <strong>on</strong>e of intelligent men. Reference toclimate and crops are, of course, to be expected in the praise of acountry (see note <strong>on</strong> § 10-29), and it becomes a comm<strong>on</strong>place inthe praise of Athens that her distinctive product is not things, butmen. 176To these might be added:174Tim. 24c, Bus. 22; c<strong>on</strong>trast Rep. 405a-410a.173 Other instances are Tim. 25d, Crit. 110c, 112b; cf. also Laws 830c. The adjectiveoccurs <strong>on</strong>ly <strong>on</strong>ce in Republic (386c), with the general meaning 'war-like', 'soldierly'(cf. Menex. 240a).176 This is to be linked both with the idea that Greece, as the centre ofthe world, has the most temperate climate (cf. Hdt. III. 106.1), and with the themeof Athenian autochth<strong>on</strong>y. Cf. Plato Menexenus 237cand IsocratesAreopagiticus 74. See also note <strong>on</strong> § 12


68 INTRODUCTION(iv) Timaeus 22de <strong>Busiris</strong> 12-13Both passages refer to Egypt's unique exempti<strong>on</strong> from destructi<strong>on</strong>by either fire or flood, though in <strong>Busiris</strong> the reference is simply toseas<strong>on</strong>al extremes, not to the cyclical catastrophes of Timaeus; andin both texts this is closely linked with the idea of the Nile as saviour/defender of Egypt.(v) Timaeus 24a <strong>Busiris</strong> 17In each case, Egypt stands as an 'exemplar' of a Greek city: in<strong>Busiris</strong>, of Sparta, which copied it; in Timaeus, of Ur-Athens, of whichEgypt itself is a copy.(vi) Timaeus 24d <strong>Busiris</strong> 17


INTRODUCTION 69The gods' offspring must have the greatest innate virtues and thebest upbringing. Cf. also the ad hominem argument in Bus. 42-43:how can Polycrates claim for himself the ability to 'improve' completestrangers, and at the same time imagine that the gods do notensure the excellence of their own children?At the opening of the account of Atlantis in the Critias there areagain some small features in comm<strong>on</strong> with <strong>Busiris</strong>.(a) Critias 113c HoaeiScbv . . . <strong>Busiris</strong> 10The people of Atlantis are, like <strong>Isocrates'</strong> <strong>Busiris</strong>, offspring of Poseid<strong>on</strong>and a human mother. The Atlantis story does, however, have sufficientinternal motivati<strong>on</strong> for the choice of Poseid<strong>on</strong> as divine ancestor.(b) Critias 113de <strong>Busiris</strong> 12-13<strong>Busiris</strong> 31Poseid<strong>on</strong> surrounds the hill of the royal city with circles of land andwater which make it inaccessible to humans (): thisis reminiscent of <strong>Isocrates'</strong> memorable image of the Nile as a wallof water defending Egypt. Isocrates reports that in Polycrates' versi<strong>on</strong>,<strong>Busiris</strong> himself split the course of the Nilejustas Poseid<strong>on</strong> cuts the defences of Atlantis in CritiasNeither Plato nor Isocrates uses the verbanywhereelse. Isocrates is probably reproducing Polycrates' own choice ofword, but the ultimate source is likely to be a recollecti<strong>on</strong> of HerodotusII. 16. 2(c) Critias 113e <strong>Busiris</strong> 12-13


70 INTRODUCTIONFor Atlantis, as for Egypt, a divine water-source ensures adequatenourishmentNote also(d) Critias 114a <strong>Busiris</strong> 11This is the <strong>on</strong>ly instance in Plato's works (and indeed in <strong>Isocrates'</strong>)of the adjectiveWe thus have a series of small parallelisms and similarities betweenTimaeus and Critias <strong>on</strong> the <strong>on</strong>e hand, and <strong>Busiris</strong> <strong>on</strong> the other (thefirst, (i) above, is the most substantial). Each individually could beput down to coincidence, and there is room for doubt as to whetherthe sum amounts to anything more. In my view, however, these verbaland c<strong>on</strong>ceptual reminiscences combine with the links between<strong>Busiris</strong> and Republic, and with the broad similarity already sketchedbetween <strong>Isocrates'</strong>and the story given to Critiasin Timaeus, to make a str<strong>on</strong>g case for the suppositi<strong>on</strong> that a readingof <strong>Busiris</strong> lies behind Timaeus and Critias.Eucken proposes that Critias' speech in the Timaeus and its unfinishedsequel in the Critias are a resp<strong>on</strong>se to the combined message of<strong>Isocrates'</strong> <strong>Busiris</strong> and Panegyricus. In <strong>Busiris</strong>, Isocrates depreciates aPlat<strong>on</strong>ic c<strong>on</strong>stituti<strong>on</strong> by relocating it in a barbarian country in thedistant past, and by making it the work of <strong>Busiris</strong>, traditi<strong>on</strong>ally asinister tyrant. The picture he gives of this c<strong>on</strong>stituti<strong>on</strong> — static, regimented,founded <strong>on</strong> superstiti<strong>on</strong> and not distinguished by militaryachievement — is in sharp c<strong>on</strong>trast with authentic Isocratean praiseof a state, as represented by Panegyricus: Athens is creative, versatile,dependent <strong>on</strong> the individual of her citizens, and her historyis a catalogue of military successes benefitting the rest of Greece.The overall effect, then, would be to imply that the Plat<strong>on</strong>ic c<strong>on</strong>stituti<strong>on</strong>,whatever theoretical arguments may be advanced in itsfavour, is not a fit model for a Greek city. On Eucken's view, Critias'story counters this implicati<strong>on</strong> by adopting the link with Egypt, <strong>on</strong>lyto 'reveal' that the Plat<strong>on</strong>ic c<strong>on</strong>stituti<strong>on</strong> as seen in Egypt is itself acopy of an Athenian original. The antediluvian state of Ur-Athensthus appears simultaneously as the 'real' realisati<strong>on</strong> of the Plat<strong>on</strong>icstate and as the 'real' Athens; 177 its achievement in defeating Atlantis177Cf. Tim. 26dand the noti<strong>on</strong> in Critias that


INTRODUCTION 71parallels, and outdoes, the historical city's role in the Persian Wars—as celebrated, for example, in Panegyricus. 178 Plato's c<strong>on</strong>stituti<strong>on</strong>, sofar from being un-Greek or in c<strong>on</strong>flict with ideals of freedom andvalour, is associated with a glorious Athenian liberati<strong>on</strong> strugglegreater even than that credited to the democracy.Eucken thus sees the whole story of Ur-Athens and Atlantis asemerging out of this c<strong>on</strong>troversy or rivalry with Isocrates, assertingthe supremacy of the c<strong>on</strong>stituti<strong>on</strong> in the Republic over any idealisedpicture of the historical Athenian state. 179 But we do not know whatdirecti<strong>on</strong>s the Critias might have taken if it were complete, and polemicagainst Isocrates does not seem a very adequate motivati<strong>on</strong>even for what we have of the Atlantis-story. It is possible to acceptthat <strong>Busiris</strong> did have an influence without adopting Eucken's radicalc<strong>on</strong>clusi<strong>on</strong>.I am inclined to see in Timaeus and Critias a resp<strong>on</strong>se to Isocratesof a more light-hearted nature, humorously acknowledging his parodyof the Plat<strong>on</strong>ic state, but tending rather to marginalise it bydrawing attenti<strong>on</strong> to its lack of substance than to elevate it to thestatus of an opposing theory. 180 The story of Ur-Athens and Atlantisc<strong>on</strong>temporary Attica is a 'remnant' of the country as it was: 110e lllb178 Comparis<strong>on</strong> with rhetorical treatments of Athens' achievement against Persia,if not specifically with Panegyricus, is clearly invited by the language of the Timaeus.this passage clearly imitates, or parodies, the epideictic manner. Eucken aptly comparesPaneg. 93 ft: (95) . . .179 Cf. p. 210: 'Da der plat<strong>on</strong>ische Mythos offenkundig die Funkti<strong>on</strong> hat, diePoliteia-kritik des Isokrates abzuwehren und sein Athenbild zu verdunkeln, so liegtder SchluB nahe, daB er zu diesem Zweck erfunden wurde. Das gilt zunachst furdie Sage v<strong>on</strong> Urathen, aber auch die mit ihr verbundene, ratselfhaft wirkende Sagev<strong>on</strong> Atlantis, fur die Plat<strong>on</strong> der einzige Zeuge ist, scheint aus dem Wettstreit mitIsokrates entstanden zu sein.'180 For a persuasive reading of Timaeus and Critias as reflecting <strong>on</strong> c<strong>on</strong>temporarypolitical ideology, and <strong>Isocrates'</strong> articulati<strong>on</strong>s of that ideology in particular, seeMorgan 1998.


72 INTRODUCTIONis pure inventi<strong>on</strong>, 181 a fact which is underlined, rather than obscured,by Critias' insistence that it is true and based <strong>on</strong> a secure traditi<strong>on</strong>,and by Socrates' enthusiastic resp<strong>on</strong>se to this Tact'. 182 As a direct,serious resp<strong>on</strong>se to <strong>Busiris</strong> it would thus be rather weak: capping<strong>Isocrates'</strong> lie, as it were, with a bigger <strong>on</strong>e, inventing a new storyarbitrarily in pursuit of a competiti<strong>on</strong> at a purely rhetorical level. Inmy view it is the momentary suggesti<strong>on</strong> of such a competiti<strong>on</strong> whichis the essential point of the allusi<strong>on</strong>s to <strong>Busiris</strong>. It indicates that, whilethere may be some entertainment value in discussing (or inventing)sources, models, historical antecedents and other c<strong>on</strong>tingent detailsof a political theory (or any other theory), these details have no bearing<strong>on</strong> the theory's validity, and that to focus <strong>on</strong> them is to missthe point. 183On this reading of Critias' speech in Timaeus and of the Critiasitself, the imitati<strong>on</strong>s of encomium and ethnography form a surfacelevel which is essentially playful and decorative. It is not vital to theeffectiveness of the dialogues that the echoes of Isocrates be recognised.If they are, however, they add to the amusement value, whilemaking a serious point, underlining the unimportance to the philosopherof his inventi<strong>on</strong>s in a field where inventi<strong>on</strong> has free play. Thevehement asserti<strong>on</strong>s of truth invite the reader to think about what181 I set aside the various theories which postulate a factual basis for the Atlantisstoryas being without substance. For a brief (sceptical) discussi<strong>on</strong>, see Gill 1980viii-xii (with bibliography: xxv-xxvii).In Timaeus, Critias insists <strong>on</strong> the reliabilityof his own recollecti<strong>on</strong>: 21c(at Crit. 108d he is less c<strong>on</strong>fident). Note also thedescripti<strong>on</strong> of the precise and unimaginably ancient records of the Egyptian priests(23e-24a): as Taylor notes (<strong>on</strong> 24al), it is implied that there is not merely a traditi<strong>on</strong>of records, but actual writings which date back to the period described, i.e.which are eight or nine thousand years old. In 26bc (cited above) the acknowledgementof does something to undercut the claims to truth, while the writingsimile perhaps points to an ir<strong>on</strong>y: Critias remembers his grandfather's tale froml<strong>on</strong>g ago better than the reas<strong>on</strong>ed, dialectical account of the ideal c<strong>on</strong>stituti<strong>on</strong>,which he heard <strong>on</strong>ly yesterday. (Cf. 17b, where Timaeus acknowledges, <strong>on</strong> behalfof the others, the gaps in their recollecti<strong>on</strong> of Socrates' account.)183 Cf. the exchange about the source of Socrates' myth at Phaedrus 275bc, discussedin IV.ii above.


INTRODUCTION 73is 'really' true, to distinguish between c<strong>on</strong>tingent and essential (ortranscendent) truth. 184V. Unpraised <strong>Busiris</strong>The Athenian practice of using representati<strong>on</strong>s of n<strong>on</strong>-Greeks to c<strong>on</strong>structand reinforce their representati<strong>on</strong> of themselves is a familiarphenomen<strong>on</strong>, particularly in the wake of Edith Hall's Inventing theBarbarian (Oxford 1989). The <strong>Busiris</strong> story, and Polycrates' and<strong>Isocrates'</strong> manipulati<strong>on</strong> of it, needs to be seen against this background.Before charting the development of this particular story andits meanings before and after Isocrates, I begin with a very briefsurvey of Greek viewing and reading of Egypt from Homer to thefourth century.V.iThe Mirror of EgyptIf the dynamic of Greek viewing of n<strong>on</strong>-Greeks is essentially <strong>on</strong>e ofself-definiti<strong>on</strong> by antithesis, the case of Egypt is more than usuallyambivalent. The impulse to c<strong>on</strong>trast is accompanied by an impulseto appropriate, and Greek viewers seem perhaps more c<strong>on</strong>scious of'seeing themselves' in Egypt than in other barbarian mirrors. Theantiquity, great m<strong>on</strong>uments, and c<strong>on</strong>spicuous literate culture of Egyptexercised an obvious fascinati<strong>on</strong>, and it is not surprising that for severalGreek writers of the classical period Egypt was a particularlycompelling 'Other'. 185In Homeric epic, Egypt is a byword for unimaginable wealth andpower, 186 and a semi-fabulous territory which mediates between thefamiliar world of Greece and the fantastic lands of Odysseus' wanderings.The Egyptians themselves are imagined as generous, wise,and civilised, indeed hyper-civilised, in the observance of (Greek)184 For this reading, cf. e.g. Dodds' interpretati<strong>on</strong> of the truth-claim in the judgementmyth of the Gorgias (Dodds 1959, note <strong>on</strong> Gorgias 523a2).181 See Froidef<strong>on</strong>d 1971, and the forthcoming study by Phiroze Vasunia (The Giftof the Nile, University of California Press); also Smelik and Hemelrijk 1984, and Hall1989, index s.uu. 'Egypt', 'Egyptians'. On the separate and c<strong>on</strong>troversial questi<strong>on</strong>of the extent of the Greeks' actual cultural debt to Egypt, see Bernal 1987 and1991, Lefkowitz and Rogers 1996.186 Od. IV. 127 - //. IX.382.


74 INTRODUCTIONc<strong>on</strong>venti<strong>on</strong>s regarding guests and suppliants. 187 Yet there is still asense that Egypt, like fairyland, is perilous as well as magical, dangerousto enter and difficult to leave. 188Am<strong>on</strong>g surviving tragedies, Aeschylus' Suppliants is the <strong>on</strong>e wherethe c<strong>on</strong>trast between Greeks and Egyptians has greatest prominence.Here the presentati<strong>on</strong> of the Danaids as 'Egyptianised' Greeks doesnot bridge the gap between the two cultures, but accentuates it. Thewomen are instantly identified by the Argive king as foreigners, un-Greek in dress, speech and appearance (234 f., 279-289). If they,who are striving to claim Greek identity, present such a barbarianaspect, this is an index of the much greater foreignness of theircousins, the s<strong>on</strong>s of Aegyptus. The impressi<strong>on</strong> is c<strong>on</strong>firmed whenthe Herald arrives: he effectively declares himself at <strong>on</strong>ce as anEgyptian, and his c<strong>on</strong>fr<strong>on</strong>tati<strong>on</strong>s with the king powerfully invokethe standard Greek-barbarian polarities. 189 Hall sees in Danaus 'apers<strong>on</strong>ificati<strong>on</strong> of Egyptian cunning', and points to an Aeschyleanfragment which seems to have become semi-proverbial, 'Egyptiansare clever, you know, at weaving schemes'. 190 In Sophocles' Oedipusat Col<strong>on</strong>us, Egypt figures as a place of inverted norms, when Oedipuslikens his s<strong>on</strong>s' unnatural behaviour to the customs of Egypt wheremen stay in and weave while women go out to work. 191 A fascinatinginterpretati<strong>on</strong> of fragments of the same playwright's Inachus suggeststhat the guise in which Zeus seduces lo in this play provides'an aitiology for Egyptian appearance and character': he has a darkcomplexi<strong>on</strong>, is skilled with poti<strong>on</strong>s ((pocpficcKa), and uses deceit. 192The <strong>on</strong>ly surviving play which is actually set in Egypt, Euripides'Helen., has several interesting points of c<strong>on</strong>tact with <strong>Busiris</strong>. Egyptianpiety and purity is foregrounded (in the figure of The<strong>on</strong>oe), as is187 Generous: Od. IV. 125-35, XIV.286; wise: Od. IV.220 and 231 f.; treatmentof xenoi/hiketai: esp. XIV.278 ff.188 In Odysseus' Egyptian stories (XIV. 199-359, XVII.419-44) the Egyptians areblameless, but all the same the Odysseus-character leaves Egypt in effective slavery.Note also Menelaus' seeming over-reacti<strong>on</strong> to the news that he must return toEgypt and offer sacrifice: IV.481189 Herald's self-identificati<strong>on</strong>: cf. 874 Polaritybetween Greek and barbarian: e.g. 914, 922 f, 946 f., 952 f.190 Hall 1989 p. 123; Aeschylus F 373 Radt191 Oedipus at Col<strong>on</strong>us 337-341, probably drawing <strong>on</strong> Herodotus, II.35.2 and II.35.4;see Hall 1989 p. 134.192West 1984. See also Carden 1974 p. 70, Seaford 1980, Hall 1989 p. 140,and Lloyd-J<strong>on</strong>es 1996 pp. 113-6.


INTRODUCTION 75their reverence for the dead (in the protective power of Proteus'tomb), but these are set against a practice of killing strangers reminiscentof, and probably modelled <strong>on</strong>, the <strong>Busiris</strong> story. 193 In keepingwith its general lightness of t<strong>on</strong>e, the Helen tends to play downthe horrific potential of this policy of guest-murder: we hear of nocase in which it has been carried out, the Greek Teucer is able tocome and go unnoticed, and Theoclymenus' door-keeper, thoughbad-tempered, is pers<strong>on</strong>ally well-disposed to GreeksTheoclymenus, an impulsive young tyrant like Thoasin Iphigenia am<strong>on</strong>g the Taurians, has <strong>on</strong>ly a touch of <strong>Busiris</strong> about him. 194It is interesting, though, that the descripti<strong>on</strong> in the messenger-speechof Menelaus' massacre of the Egyptian crew is str<strong>on</strong>gly reminiscentof the popular scene in vase-painting where Heracles scatters thepuny Egyptian attendants of <strong>Busiris</strong>. 195 In its collocati<strong>on</strong> of the ideal,the sinister and the ridiculous, the Helen is the text which most closelyprefigures <strong>Isocrates'</strong> treatment of the <strong>Busiris</strong> myth.In Aristophanic comedy, Egyptians, like other n<strong>on</strong>-Greeks, furnishtheir stock of jokes, which draw <strong>on</strong> features familiar from Herodotusand other sources. 196 It is in fourth-century 'Middle Comedy', however,that Egypt and its customs come into their own as a comictopos. Here the focus is <strong>on</strong> animal-worship, 'the most significant barbariantopic for Middle Comedy by far'. 197 The c<strong>on</strong>trast betweenthe Egyptian instinct to worship animals and the Greek instinct toeat them provides a perfect vehicle for mockery of barbarians asservile and credulous and celebrati<strong>on</strong>, by c<strong>on</strong>trast, of Athenian practicalityand comm<strong>on</strong>-sense.Herodotus' descripti<strong>on</strong> of Egypt in Book II of his History is too193 Here limited to Greeks (155 439 f.)and thus rati<strong>on</strong>alised: the practice is grounded in Theoclymenus' fear that some<strong>on</strong>emay rescue Helen (cf. 156 f, 1172-6).194 Cf. Kannicht 1969 1.51 f., Hall 1989 p. 113.195Froidef<strong>on</strong>d 1971 p. 213. See Helen 1526-1618, esp. 1604-10 (note 1609and V.vi below <strong>on</strong> <strong>Busiris</strong> in vase-paintings.196 On n<strong>on</strong>-Greeks in comedy see L<strong>on</strong>g 1986. Egyptian jokes in Old Comedy:circumcisi<strong>on</strong> (and perhaps animal-worship). Birds 504-7 (see Dunbar 1995 ad loc.);menial labour building amazing m<strong>on</strong>uments, Birds 1130-5, Frogs 1406; use of enemas,Thesmophoriazusae 857, Peace 1252 f., Danaides F 276 K-A; strange words/names:F 267 K-A. Note also the verb'behave dish<strong>on</strong>estly', used by Cratinus(F 406 K-A) and, punningly, by Aristophanes at Thesm. 922.197 L<strong>on</strong>g 1986 p. 140. See esp. Timocles Egyptians F 1 K-A, Antiphanes Lyc<strong>on</strong> F145 K-A, Anaxandrides Cities F 40 K-A. For further discussi<strong>on</strong> of Egyptian animal-worshipin fourth-century comedy, see Smelik and Hemelrijk 1984 pp. 1881-3.


76 INTRODUCTIONfamiliar to need detailed treatment here; particular points of c<strong>on</strong>tactor indebtedness are noted in the commentary. It is worth menti<strong>on</strong>ing,however, some themes prominent in his account which form animportant backdrop to Polycrates' and <strong>Isocrates'</strong> play with the <strong>Busiris</strong>story. First, already encountered in Oedipus at Col<strong>on</strong>us and in comedy,is the noti<strong>on</strong> of Egypt as a place of inverted norms (Egyptianhabits and customs are 'mostly the opposite of those of other people'),a law unto itself (the Egyptians 'avoid following Greek customs,and, in sum, the customs of all other peoples'). 198 Sec<strong>on</strong>d is Herodotus'insistence <strong>on</strong> the Egyptians' extreme pre-occupati<strong>on</strong> with piety andreligious purity: they are the most god-fearing people <strong>on</strong> earth. 199Finally—and obviously relevant to <strong>Isocrates'</strong> c<strong>on</strong>structi<strong>on</strong> of <strong>Busiris</strong>as 'inventor' of Egyptian civilisati<strong>on</strong> and his tracing of Greek rcoAitemito an Egyptian model—Herodotus is quick to identify the Egyptiansas the originators of familiar techniques, beliefs, and practices, andto infer that other nati<strong>on</strong>s have learned these things from them. 200To c<strong>on</strong>clude: in the fourth century there existed a complex ofways of seeing Egypt, separate in origin but capable of being intertwined.It could be a land of wealth and marvels, of wisdom andreligious piety; a m<strong>on</strong>de renverse where no familiar norms apply; a placeof danger, home to cruel tyrants and evil tricksters; or a nati<strong>on</strong> ofant-like, comically superstitious menial workers. What Polycrates andIsocrates did was to take <strong>on</strong>e detail of this picture, the story of <strong>Busiris</strong>(in origin, as will be seen, not so much a story about Egypt as awaystati<strong>on</strong> <strong>on</strong> the journeys of Heracles), and reinterpret it in thelight of the whole.198II.35.2 (supporting instances, II.35.2-36.4) and II.91.1.199 Claims to this effect frame Herodotus' account of Egyptian religi<strong>on</strong>: II.37.1Cf. also II.37.3 (theEgyptian priests)200 Thus the Egyptians are said to have been the first to use the calendar (II.4.1);to give names to the Twelve Gods, dedicate altars, statues and temples, and makesculptures in relief (II.4.2); to hold religious festivals and processi<strong>on</strong>s (II.58); to forbidsexual polluti<strong>on</strong> of sacred places (II.64.1); to associate m<strong>on</strong>ths and days withparticular gods (II.82.1); to circumcise themselves (II.36.3: but cf. II.104.2-4); andto speak of the immortality and migrati<strong>on</strong> of the soul (II. 123.2). Egypt is also thesource of Greek pig-sacrifice and of phallic celebrati<strong>on</strong> in h<strong>on</strong>our of Di<strong>on</strong>ysus(II.48.1-50.1), of the oracle of Zeus at Dod<strong>on</strong>a and the oracle of Amm<strong>on</strong> in Libya(II.54-57), of the 'Orphic' wool-taboo (II.81), of Greek geometry (II.109.3), and ofthe Thesmophoria festival (II.171).


INTRODUCTION 77V.ii<strong>Busiris</strong>, King of Egypt: Introductory<strong>Busiris</strong>, King of Egypt, was in the habit of offering his guests ashuman sacrifice. Like many unlucky evildoers, he tried to do toHeracles what he had d<strong>on</strong>e to others. The Greek hero waited untilthe last moment, then, at the very altar, he broke free and killedthe tyrant.This is the prevailing story, and in this form it was popular atAthens from the early fifth century B.C., when it was the subject ofnumerous Attic vase-paintings. 201 The earliest known literary versi<strong>on</strong>sare those of the historian Pherecydes of Athens and of the epic poetPanyassis of Halicarnassus (both active in the first half of the fifthcentury). 202 The story was attacked by Herodotus as being 'silly' inthe light of known Egyptian religious practice (II.45): he must havebeen aware of literary versi<strong>on</strong>s (Panyassis is said to have been hisuncle), but there is no reas<strong>on</strong> to believe that his criticism is aimedat a particular written source, rather than a popular traditi<strong>on</strong>. 203 Thepopularity of the legend is c<strong>on</strong>firmed by its repeated use in comedy:five comedies with the title <strong>Busiris</strong> are attested, as well as asatyr-play by Euripides.201See LIMC III.i 147 ff. (s.v. Bousiris), and further discussi<strong>on</strong> in V.vi below.202 The reference in 'Hesiod F 378' (= The<strong>on</strong> Progymnasmata, RG II.93 lines 19-22)clearly does not go back to a Hesiodic poem: cf. Merkelbach and West ad loc. Itis probably not necessary, however, to emendin the text ofThe<strong>on</strong> to(K<strong>on</strong>tos, followed by Merkelbach and West). In thispassage, The<strong>on</strong> presents the argument used by Isocrates at Bus. 36-7 as an exampleof argument from chr<strong>on</strong>ological inc<strong>on</strong>sistency. The argument involves an appealto a known authority for the chr<strong>on</strong>ological facts. It seems unlikely that The<strong>on</strong>,reproducing <strong>Isocrates'</strong> argument, would appeal within it to Isocrates as the c<strong>on</strong>firmingauthority; more probably,is The<strong>on</strong>'s misrecollecti<strong>on</strong> (or paraphrase,inaccurate but sufficient exempli gratia) of <strong>Isocrates'</strong> general appeal to203 Matthews suggests that Herodotus owes to Panyassis the detail that Heraclesat first seemed to acquiesce (II.45.1. .), since this isnot menti<strong>on</strong>ed in Pherecydes F 17 (<strong>on</strong> which see below) or in Apollodorus' accountat II. 116-7 (Matthews 1974 p. 127). But this may perfectly well have been a traditi<strong>on</strong>alpart of the story; some measure of acquiescence is perhaps necessary if the'unc<strong>on</strong>querable' Heracles is to be bound and led to the altar (as he is in Apollodorus),and while F 17 does not show that it featured in Pherecydes' account, it equallydoes not prove that it did not. Herodotus might well highlight this element to bringout the absurdity: why should Heracles let himself be brought to the altar at all?The link with Panyassis is no more than a guess.


78 INTRODUCTIONV.iiiLiterary sources for the <strong>Busiris</strong> storyIn Pherecydes' history, the story appears in what is to remain itsstandard outline. Heracles is <strong>on</strong> his way to find the apples of theHesperides. He goes through Libya, where he kills theAntaeus, and thenThe source does not reveal whether Pherecydes presented any explanati<strong>on</strong>of <strong>Busiris</strong>' practice ofbut the tyrant dies, by heroicjustice, at his own altar. It is a reas<strong>on</strong>able guess, <strong>on</strong> the evidence ofthe vase-paintings (see V.vi below) and of later accounts, as well asfrom the locati<strong>on</strong> of the killing and the presence of herald andentourage, that preparati<strong>on</strong>s for the human sacrifice were in handand that Heracles himself was the intended victim. Allusi<strong>on</strong> to theking's retinue, here including the s<strong>on</strong> and the herald both identifiedby name, is a recurring feature: <strong>Busiris</strong> is not in himself a worthyadversary for Heracles, so the latter's heroism c<strong>on</strong>sists in prevailingas <strong>on</strong>e man against many. Note also that the killing of <strong>Busiris</strong> is aTidpepyov for the hero, an incidental adventure embroidering theaccount of his journey to a more important goal.In the same period, the episode figured too in the epic Heracleiaof Panyassis. This may safely be inferred from an allusi<strong>on</strong> by thescholar Seleucus of Alexandria (first century A.D.) to Panyassis''account of the human sacrifice in Egypt'. 200 The reference is to anoffering of cakes and fledgling birds presumably as part of the build-up to thepresumably as part of the build-up to the(intended) sacrificial feast. Nothing more of Panyassis' treatment canbe rec<strong>on</strong>structed. It is c<strong>on</strong>ceivable, in view of the wording of Seleucus'referencthat Panyassis Presented the Incident as an attack <strong>on</strong> Heracleserather than, say,by the Egyptians collectively, and did not focus <strong>on</strong> the particularfigure of <strong>Busiris</strong>: if so, that would be a link with the form in which204203FGrH 3 F 17 = I in A.R., <strong>on</strong> Arg<strong>on</strong>autica IV. 1396. FGrH printsPanyassis F 12 Bernabe(F 26 Kinkel) = Seleucus of Alexandria, FGrH 634 F 2 = Athenaeus 172d. Cf.Matthews 1974 pp. 126-28.


INTRODUCTION 79the story is reported by Herodotus (II.45.1Herodotus' omissi<strong>on</strong> of reference to a particular king makes rejecti<strong>on</strong>of the story all the simpler, and enables him to present it, inline with his own interests, as an imaginary direct encounter betweenthe Greek hero par excellence and the Egyptian people as a group: ac<strong>on</strong>fr<strong>on</strong>tati<strong>on</strong> which symbolises the very lack of friendly relati<strong>on</strong>s andcultural understanding that has allowed the story to take root in thepopular imaginati<strong>on</strong>, through ignorance of the tight restricti<strong>on</strong>s placed<strong>on</strong> blood-sacrifice by Egyptian nature and Egyptian law. 206 Again thealtar is the focus of the story: led to it in a processi<strong>on</strong>, Heracles<strong>on</strong>ly shows his strength at the moment of the Again, too,his feat is represented by the number of his adversaries (cf. II.45.1Herodotus seems to treat the story asimplying that Heracles killed the entire populati<strong>on</strong> of Egypt, and heturns this slaughter of countless thousands into another point againstthe verisimilitude of the story (II.45.2):N<strong>on</strong>e of the comic plays based <strong>on</strong> the story survives in more thana few lines, and it is impossible to tell <strong>on</strong> what sources they mayhave drawn, or how they may have varied in their treatment. Thematerial there is, however, suggests that the dramatists brought in anew element to elaborate the plot and enhance its comic effect: thetheme ofglutt<strong>on</strong>y. Epicharmus clearly exploited this theme,and the fragments suggest that Mnesimachus and Ephippus mayhave d<strong>on</strong>e so as well; the surviving scraps of Cratinus' and Antiphanes'<strong>Busiris</strong> plays also c<strong>on</strong>tain references to food and drink, but this maybe a coincidence (or, in the case of the Antiphanes fragment, simplya reflecti<strong>on</strong> of the interests of the citing author, Athenaeus). 207 Itseems that, in some versi<strong>on</strong>s at least, <strong>Busiris</strong> as well as Heracles wasrepresented as a glutt<strong>on</strong> or prodigious eater; perhaps the attemptedsacrifice was preceded by a challenge to an eating-c<strong>on</strong>test. 208206 II.45.2207Epicharmus F 21-22 Kaibel; Mnesimachus F 2 K-A; Ephippus F 2 K-A;Cratinus F 23 K-A and Antiphanes F 66-68 K-A208 <strong>Busiris</strong> the glutt<strong>on</strong>: cf. Dio Chrysostom VIII.32, discussed below. In Sositheus'Daphms or Lityerses, Lityerses (another evil-doer slain by Heracles) is also a glutt<strong>on</strong>:


80 INTRODUCTIONIn Epicharmus (F 21 Kaibel), a messenger brings <strong>Busiris</strong> a terrifyingreport of Heracles at his food:Presumably the m<strong>on</strong>strous barbarian king was 'out-m<strong>on</strong>stered', inappearance, in appetite, and finally in physical violence, by the Greekhero. In Mnesimachus (F 2 K—A) Heracles introduces himself andhis appetite to another speaker, possibly <strong>Busiris</strong> himself:Similarly in Ephippus' play he announces that he always gets drunkbefore fighting (F 2 K-A):Heracles is perhaps explaining to a sceptical servant a plan of acceptingan offer of sustenance (maybe the eating-c<strong>on</strong>test again, accompaniedby a drinking-c<strong>on</strong>test?) and then resorting to force when itbecomes necessary.From Antiphanes' play we have a list of fruit, presumably froman account of a feast, and an allusi<strong>on</strong> to the sacrificial processi<strong>on</strong>,while the Cratinus fragment is a single line referring, ir<strong>on</strong>ically perhaps,to the preparati<strong>on</strong>s for sacrifice. 209Of Euripides' satyr-play <strong>Busiris</strong> almost nothing has survived. Citati<strong>on</strong>sin other ancient writers give us <strong>on</strong>ly a bland two-line fragment of<strong>on</strong> this play and its generic affiliati<strong>on</strong>s see Xanthakis-Karamanos 1997, esp. 122-5(where, however, it is assumed without good reas<strong>on</strong> that Dio Chrysostom VIII.32reports the plot of Euripides' <strong>Busiris</strong>). For the idea of an eating-c<strong>on</strong>test, cf. the storyof Lepreus (Athenaeus 412ab, Pausanias V.5.4): Lepreus challenges Heracles to variouscompetiti<strong>on</strong>s, including an eating-c<strong>on</strong>test, in which Lepreus loses (Athenaeus)or obtains a draw (Pausanias); in <strong>on</strong>e versi<strong>on</strong> cited by Athenaeus there is also adrinking-c<strong>on</strong>test. Finally Lepreus proposes single combat, in which he is killed.209 Antiphanes F 66 K-A F 67 K-A TOwhere theK-A ad loc.Pieters, in questi<strong>on</strong> cited may by be Heracles himself: so Pieters, cited by


INTRODUCTION 8 1an oppressed slave's complaint, and two glosses. 210 There is a fragmentaryhypothesis <strong>on</strong> papyrus (P.Oxy. 3651): the <strong>on</strong>ly significantreadable group of letters is line 26presumably[, which the editor takes as c<strong>on</strong>firming that in Euripides, as inPherecydes and Apollodorus, Heracles encountered <strong>Busiris</strong> while inquest of the golden apples. 211Another fragment which may possibly bel<strong>on</strong>g to Euripides' <strong>Busiris</strong>,and which, if the attributi<strong>on</strong> could be proven, would be a fascinatingadditi<strong>on</strong> to our knowledge of the play, is F 922 Nauck:The lines are quoted by Diodorus (XX. 4 1.6), without attributi<strong>on</strong> toa particular play. Wilamowitz argued that they come from <strong>Busiris</strong>. 212His view gains some slight support from vase representati<strong>on</strong>s of Lamiain the company of satyrs and possibly of Heracles, 213 but remains<strong>on</strong>ly a c<strong>on</strong>jecture. If, however, Euripides' play did c<strong>on</strong>nect <strong>Busiris</strong>with the vampire Lamia, this would not <strong>on</strong>ly be an intriguing plottwistin itself but a particularly interesting antecedent for Polycrates'cannibal <strong>Busiris</strong>.There is in any case a likely c<strong>on</strong>necti<strong>on</strong> between Polycrates' <strong>Busiris</strong>and the <strong>Busiris</strong> of the comic eating-c<strong>on</strong>tests. Cannibalism, whetheror not it actually figured in the comedies, would have been an easyextensi<strong>on</strong> of plots in which extravagant, grotesque eating culminatedin, or accompanied, the attempt at human sacrifice. 214210211Eur. F 313 Nauck Glosses: F 314-5.The papyrus also gives, in line 24, part of the opening words of the play,probably to be rec<strong>on</strong>structed assee editor's note ad loc.212See (e.g.) Wilamowitz 1931 p. 273 n. 2. It was <strong>on</strong>ce believed (and remainspossible) that Euripides wrote a play entitled Lamia (see Nauck's entry for the titleThe authority for this is I in Plat. Phaedr. <strong>on</strong> 244b, which speaks of a Sibylcalled Libyssa,but thiscould mean 'the prologue spoken by Lamia' rather than 'the prologue of the Lamia'.Snell c<strong>on</strong>fidently attributes F 922 Nauck to <strong>Busiris</strong> (= F 312a Snell): this is becausehe believed that Wilamowitz' view had been c<strong>on</strong>firmed by P.Oxy. 2455 fragment19, which was thought to give the opening words of <strong>Busiris</strong> and to show a coincidenceof letters with F 922. Unfortunately this is not correct. Haslam 1975 arguesthat P.Oxy. 2455 fragment 19 in fact gives the opening of Phoenissae, and dem<strong>on</strong>stratesthat there are in any case no grounds for c<strong>on</strong>necting it with <strong>Busiris</strong>.213See editor's note <strong>on</strong> P.Oxy. 3651 line 24.214 Bus. 5 presents the charge of cannibalism as Polycrates' inventi<strong>on</strong>, but I doubtwhether this counts as str<strong>on</strong>g evidence that it had not previously figured in comedy.


82 INTRODUCTIONThe most lasting c<strong>on</strong>tributi<strong>on</strong> of Polycrates to the development ofthe myth is not in the field of paradox or exaggerati<strong>on</strong>, but somethingwhich stems quite naturally from the endeavour of praising<strong>Busiris</strong>, namely, the abstracti<strong>on</strong> of the figure of the Egyptian kingfrom the specific incident of his encounter with Heracles. There isno indicati<strong>on</strong> that <strong>Busiris</strong> before this time had any mythical 'career'independent of this final episode. 215 <strong>Busiris</strong> the stranger-sacrificingtyrant, existing independently of the exploits of Heracles, is, so faras we know, Polycrates' own creati<strong>on</strong>, just as <strong>Busiris</strong> the Egyptianking, existing independently of the human sacrifice story, is <strong>Isocrates'</strong>;both figures, known to posterity from <strong>Isocrates'</strong> <strong>Busiris</strong>, enjoy greatpopularity in later literature. 216In the sec<strong>on</strong>d book of Callimachus' Aetia, the story of <strong>Busiris</strong> waspaired with that of Phalaris, the tyrant of Acragas who roasted hisvictims inside a br<strong>on</strong>ze bull; Heracles probably was not menti<strong>on</strong>ed. 217Callimachus is the first of the surviving sources to give a reas<strong>on</strong> for<strong>Busiris</strong>' human sacrifices, the 'nine-year drought' menti<strong>on</strong>ed in the<strong>on</strong>e surviving fragment of his treatment of the story. 218 This detailis a link with Apollodorus' account, and Apollodorus is probablyour best guide for the basic elements of the story as it appeared inthe Aetia.Apollodorus, like the earlier sources (but unlike Callimachus), presentsthe story within its c<strong>on</strong>text in the travels of Heracles, specifically<strong>on</strong> the quest for the golden apples. 219 After nine years of famine inIsocrates might well not take notice of a comic source, and to translate a wildcomic inventi<strong>on</strong> into quasi-serious prose asserti<strong>on</strong> would be originality enough. If,<strong>on</strong> the other hand, Polycrates was indeed the first to make <strong>Busiris</strong> a cannibal, itseems plausible that a comic poet treating the theme thereafter would take this idea<strong>on</strong> board.210 Except insofar as the final episode presupposes an earlier career of wr<strong>on</strong>gdoing,since <strong>Busiris</strong> c<strong>on</strong>forms to the type of the evil-doer who 'gets a taste of his ownmedicine' at the hands of a hero (cf. Antaeus, Procrustes, Scir<strong>on</strong>, Sinis etc.).216I assume that Polycrates' <strong>Busiris</strong> did not remain in circulati<strong>on</strong>, perhaps noteven in existence, for very l<strong>on</strong>g. No quotati<strong>on</strong>s from it survive in later authors, andthere is <strong>on</strong>ly <strong>on</strong>e explicit reference (Quintilian II. 17.4; cf. Philodemus II p. 216 f.Sudhaus). N<strong>on</strong>e of the later sources exploits, or even menti<strong>on</strong>s, Polycrates' chargeof cannibalism.217Callimachus F 44-47: cf. esp. F 45For the identificati<strong>on</strong> (probably) and the likely absence of referenceto Heracles, see Pfeiffer's note <strong>on</strong> F 44.218 p 44 cf. Ovid Ars Amatoria 1.647ff. If this explanati<strong>on</strong> appeared in a source known to Isocrates, there may be anallusi<strong>on</strong> to it in § 12-13: see note <strong>on</strong> § 13 . . .219 Apollodorus II.v.ll.


INTRODUCTION 83Egypt, Phrasius, a visiting seer from Cyprus, told <strong>Busiris</strong> that thesituati<strong>on</strong> could be relieved if a foreigner was sacrificed to Zeus everyyear; <strong>Busiris</strong> began with Phrasius himself, and c<strong>on</strong>tinued the practiceuntil Heracles arrived and was seized for a victim. Heracles wasbrought to the altar, then broke free and killed '<strong>Busiris</strong> and his s<strong>on</strong>Amphidamas'. This fuller versi<strong>on</strong> of the story in its Heraclean c<strong>on</strong>textalmost certainly goes back to a classical source (or sources) which alsoinfluenced Callimachus, perhaps Pherecydes or Euripides or both. 220Having discarded the traditi<strong>on</strong>al climactic scene at the altar,Callimachus seems to have found a new focus for the story in thefate of the seer Phrasius or Thrasius, who falls victim to his own art'sdiscovery. 221 As in the Hecale, traditi<strong>on</strong>al myth is transformed bybringing a marginal figure to the centre. Phrasius/Thrasius is pairedwith Perillus, the designer and first victim of Phalaris' br<strong>on</strong>ze bull. 222Treatments of the <strong>Busiris</strong> story after Callimachus may be roughlydivided into two groups. On <strong>on</strong>e side are rati<strong>on</strong>alisati<strong>on</strong>s in historicaland geographical writers, which take the early accounts (Pherecydesand Herodotus) as their starting-point and set out to c<strong>on</strong>firm, refuteor explain the story of human sacrifice. 223 On the other are theauthors who, following in Callimachus' train, deploy the figure of<strong>Busiris</strong> (often coupled with another mythological tyrant or villain) asa rhetorical exemplum in poetic or epideictic argument. 224The poems of Ovid illustrate the range of uses to which the storycan be put. In his imitati<strong>on</strong> of Callimachus' treatment at Ars AmatoriaI. 647 ff., <strong>Busiris</strong> and Phalaris are presented paradoxically as models220Pherecydes: cf. Jacoby's note <strong>on</strong> FGrH 3 F 17: 'auf Ph. geht, seit Heyneanerkannt, Bibl. II. 113-121 zuruck. einige einlagen (116 des <strong>Busiris</strong>opfers . ..)s<strong>on</strong>dern sich leicht ab.' So also Matthews 1974 p. 126. The <strong>on</strong>ly c<strong>on</strong>tradicti<strong>on</strong>, assuch, between Apollodorus' and Pherecydes' accounts is in the naming of <strong>Busiris</strong>'s<strong>on</strong> (Amphidamas vs. Iphidamas). Euripides: cf. e.g. LIMC III.i. 147, Apollodorus'versi<strong>on</strong> 'c<strong>on</strong>sideree comme I'argument de la piece d' Euripide'.221He is in Apollodorus II.v. 11, Thrasius in Ovid Ars Amatoria I.649(where Ovid seems to follow Callimachus closely). Both are significant names,appropriate to a seer, to an artifex necis: perhaps, then,is Callimachus' inventi<strong>on</strong>, or a 'minority traditi<strong>on</strong>' which he adopts.222See Ovid Ars Amatoria I.653 f.223 See V.iv below for discussi<strong>on</strong> of some of these accounts.224 Cf. Vergil Georgics III.34 'omnia iam vulgata: quis aut Eurysthea durum/autinlaudati nescit Busiridos aras?' The story's appearance in the Aetia makes it comm<strong>on</strong>poetic material, available to be called <strong>on</strong> with just a passing reference. Vergil'sepithet inlaudatus is a litotes, but also clearly makes play of the fact that <strong>Busiris</strong> was(inappropriately) laudatus by both Polycrates and Isocrates.


84 INTRODUCTIONof justice; 225 in ex P<strong>on</strong>to, the same pair represent tyrannical rule; 226while in Tristia both they and the inventor Perillus serve as modelsof cruelty pure and simple. 227 In Heroides (IX.67 ff.), Ovid draws <strong>on</strong>the 'Heraclean' traditi<strong>on</strong> rather than <strong>on</strong> Callimachus: Deianeirareproaches Heracles for the effeminate manners he has adopted inLydia, which would make Diomedes, <strong>Busiris</strong> and Antaeus blush fortheir c<strong>on</strong>queror. Antaeus and <strong>Busiris</strong> are c<strong>on</strong>nected, sequentially aswell as geographically, in both Pherecydes and Apollodorus, and arelinked again by Plutarch in the Life of Theseus where their fates encapsulatethe principle of heroic justice. 228The juxtapositi<strong>on</strong> with the Thracian Diomedes appears again inthe first Tarsic Orati<strong>on</strong> of Dio Chrysostom, where Ovid's usage isnicely reversed. If Heracles, patr<strong>on</strong> of Tarsus, were to visit the cityat time of sacrifice and witness the degeneracy of its inhabitants(specifically their uncivilised habit of 'snorting', against whichDio inveighs), he would surely go off in disgust to visit <strong>Busiris</strong>' orDiomedes' descendants instead. 229 Dio's other reference to <strong>Busiris</strong> ismore unusual. In Diogenes, or On Virtue (VIII), the speaker Diogenesinterprets Heracles' adventures allegorically, as a campaign against225 See lines 655-6:iustus uterque fuit, neque enim lex aequior ulla estquam necis artifices arte perire sua.Cf. Ibis 395 ff., and Claudian In Eutropium I.159 ff. Emphasis <strong>on</strong> the justice ofThrasius' and Perillus' punishment may well be part of Ovid's debt to Callimachus.Its effect is to reproduce, in a dislocated form, the structure of the more traditi<strong>on</strong>alstory, with <strong>Busiris</strong> playing the traditi<strong>on</strong>al role of Heracles.226 Ex P<strong>on</strong>to III.6.39 ff.:at tu, cum tali populus sub principe simus,adloquio profugi credis inesse metum?forsitan haec domino Busiride iure timeres,aut solito clausos urere in aere viros.227Tristia III. 11.39 ff.:saevior es tristi Busiride, saevior illo,qui falsum lento torruit igne bovem,quique bovem Siculo fertur d<strong>on</strong>asse tyranno . . .228 Theseus XI. 1-3:Dio XX XII I 47


INTRODUCTION 85decadent vices. Diomedes is luxurious, Gery<strong>on</strong>es rich and boastful,the Amaz<strong>on</strong> queen vain; Prometheus is a sophist whose 'liver' — thatis, his pride — is by turns swollen and eaten away with the fluctuati<strong>on</strong>of public esteem; and the golden apples are given to the wickedEurystheus because gold is worthless to the good man. <strong>Busiris</strong> appearsbetween Gery<strong>on</strong>es and the Amaz<strong>on</strong>:(VIII. 32).This reappearance of <strong>Busiris</strong> the Glutt<strong>on</strong>, obviously appropriate toDio's theme, presumably reflects a comic source, and it seems quitelikely that the c<strong>on</strong>flati<strong>on</strong> of <strong>Busiris</strong> with his neighbour Antaeus, whichDio has no obvious motive to invent, also bel<strong>on</strong>gs to <strong>on</strong>e of the<strong>Busiris</strong> comedies. 230V.iv<strong>Busiris</strong> and Pr-Wsir: etymologies and aetiologiesThe name '<strong>Busiris</strong>' originally bel<strong>on</strong>gs, not to a pers<strong>on</strong>, but to a townin the Nile Delta (Egyptian Pr-Wsir, 'House of Osiris'). 231 Some rati<strong>on</strong>alisingtreatments of the <strong>Busiris</strong> story correctly guess that the mythologicalfigure takes his name, and the seed of his creati<strong>on</strong>, from thistown. Eratosthenes wrote that all barbarians were hostile to foreigners,but that the myth of <strong>Busiris</strong>, which had given the Egyptians a badname, was an inventi<strong>on</strong> of later time meant as an attack <strong>on</strong> theexcepti<strong>on</strong>al unfriendliness of the people of the town of <strong>Busiris</strong>,232One ofDiodorus' allusi<strong>on</strong>s to the myth, where he may be using Hecataeus ofAbdera, comes quite close to a correct etymology; the sacrifice storyis traced back to a supposed ancient practice of sacrificing red-heads230 References to <strong>Busiris</strong> not menti<strong>on</strong>ed in the above discussi<strong>on</strong> include the following:Arrian, Anabasis III.3.1 (coupled with Antaeus); Lucian, True Story 11.23 (theleaders of the 'revolt of the wicked' in the underworld are Phalaris, <strong>Busiris</strong>, Diomedes,Scir<strong>on</strong>, Pityocamptes et al.) and Bis Accusatus 8 (Hermes assures Justice that the greatvillains of old, theareno more); C<strong>on</strong><strong>on</strong> FGrH 26 F 1 = XXXII; Agath<strong>on</strong> of Samos FGrH 843F 3; Plutarch Fortune and Virtue in Alexander the Great 342a . .Sextus Empiricus, adv. math. II.104see note <strong>on</strong> § 10231 See Griffiths 1970 p. 369.232 Quoted by Strabo, XVII.i.19 (802); cf. D.S. I.67.10-11.


86 INTRODUCTION(hence generally n<strong>on</strong>-Egyptians) at Osiris' tomb, and the name '<strong>Busiris</strong>'is said to have bel<strong>on</strong>ged to the tomb itself, not to a pers<strong>on</strong>. 233 Diodorustells the regular 'Heraclean' story at IV.27.2-3; elsewhere, <strong>Busiris</strong>appears as a real pers<strong>on</strong>, but without reference to his practice ofor his death at the hands of Heracles. At I.17.3, Osirismakes himof 'the regi<strong>on</strong> extending towards Phoenicia,and the maritime districts' (note that Antaeus too is am<strong>on</strong>g theat I.45.4, there are two kings called <strong>Busiris</strong>, eight generati<strong>on</strong>sapart, and the later of the two is said to have foundedEgyptian Thebes.V.vGenealogy'Who could have any difficulty in speaking of the noble birth of<strong>Busiris</strong>? <strong>Busiris</strong>, whose father was Poseid<strong>on</strong>, and whose mother wasLibye, the daughter of Epaphus s<strong>on</strong> of Zeus . . .' (Bus. 10). But thisgenealogy may in fact be <strong>Isocrates'</strong> own inventi<strong>on</strong>. Since <strong>Busiris</strong> isfor the most part inlaudatus, there are very few references to his ancestryin other authors. In Pherecydes, he is s<strong>on</strong> of Poseid<strong>on</strong> (FGrH 3F 17), and this remains standard. Apollodorus, however, makes tworeferences to characters named '<strong>Busiris</strong>': at II.v. 11, where Apollodorusgives his versi<strong>on</strong> of the traditi<strong>on</strong>al <strong>Busiris</strong>-story (discussed in V.iiiabove), <strong>Busiris</strong> is s<strong>on</strong> of Poseid<strong>on</strong> and of Lysianassa, daughter ofEpaphus; at II.i.5, <strong>Busiris</strong> is <strong>on</strong>e of the s<strong>on</strong>s of Aegyptus (his motheris not identified), betrothed to the Danaid Automate. Clearly thislatter <strong>Busiris</strong>, for whom a different fate lies in store, is not to beidentified with Heracles' adversary; it is perhaps not very remarkableto find a <strong>Busiris</strong> (al<strong>on</strong>gside a Proteus, for instance) in a list offifty names associated with Egypt. But Aegyptus is the s<strong>on</strong> of Belus,and in Apollodorus Belus has exactly the genealogy assigned byIsocrates to <strong>Busiris</strong>: his father is Poseid<strong>on</strong>, and his mother is Libyedaughter of Epaphus s<strong>on</strong> of Zeus. If the name <strong>Busiris</strong> for a s<strong>on</strong> ofAegyptus bel<strong>on</strong>gs to an early source, that may have been the origin233D.S. 1.88.5(cf. Hecataeusof Abdera FGrH 264 F 25). Compare the etymology given at D.S. I.85.5, where itis suggested that Osiris was buried at <strong>Busiris</strong> inside a wooden cow, henceout reference to the <strong>Busiris</strong> story) of Egyptian sacrifices of(FGrH609 F 22, apud Plutarch Isis and Osiris 380d). See also Griffiths 1970 pp. 552 f.


INTRODUCTION 87of <strong>Isocrates'</strong> versi<strong>on</strong>, with <strong>Busiris</strong>, traditi<strong>on</strong>ally s<strong>on</strong> of Poseid<strong>on</strong>, transposedinto the place of Belus. 234 Equally there may have been a versi<strong>on</strong>in which Belus and <strong>Busiris</strong> were brothers (in which case it wouldnot be surprising for <strong>on</strong>e of the s<strong>on</strong>s of Aegyptus to inherit his greatuncle'sname).V.vi<strong>Busiris</strong> in Vase-PaintingThe story of Heracles and <strong>Busiris</strong> was a popular theme in vasepainting,but its popularity was chr<strong>on</strong>ologically and geographicallyc<strong>on</strong>centrated, with the greatest c<strong>on</strong>centrati<strong>on</strong> in Athens and in theearly part of the fifth century B.C. 233 It seems also to have enjoyeda vogue in Italy, but not so far as we know <strong>on</strong> the Greek mainlandoutside Athens (no Corinthian vases featuring it have been found). 236What is most remarkable is that <strong>Busiris</strong> is absent from survivingHellenistic and Roman art: no representati<strong>on</strong>s later than the fourthcentury have been found.The vase-paintings all bel<strong>on</strong>g within a narrow narrative range:Heracles being led to sacrifice, his escape, the killing of <strong>Busiris</strong> androut of his entourage. There is no evidence of <strong>Busiris</strong> appearing inany other narrative c<strong>on</strong>text, or in the absence of Heracles. As in theliterary sources, the altar is the focus: Heracles is led to it in processi<strong>on</strong>,breaks free when he reaches it, and kills <strong>Busiris</strong> at or near it. 237Apart from the altar, what distinguishes this scene from other similarincidents is the characterisati<strong>on</strong> of <strong>Busiris</strong> and his priests andservants. <strong>Busiris</strong> himself tends to be small and inc<strong>on</strong>spicuous by234 It obviously suits <strong>Isocrates'</strong> purposes for <strong>Busiris</strong>, founder of Egypt, to be s<strong>on</strong>of the 'ep<strong>on</strong>ymous' Libye.235 Vases depicting the story: see especially Brommer 1984 pp. 42-46; Laurens1986; Snowden 1981; Volkommer 1988 pp. 22 f. (I refer to vases described in theLIMC articles using the name of the author followed by the number: 'Laurens 1','Snowden 11' etc.) Of twenty-eight vases depicting the story listed by Laurens.twenty are Attic; of these, four (Laurens 10-13) are dated to the sixth century,fourteen (Laurens 1, 15-27) to the first half of the fifth century, and <strong>on</strong>e (Laurens2) to the sec<strong>on</strong>d half of the fourth century, the remaining <strong>on</strong>e (Laurens 14) beingof uncertain date.236 Italian vases: Laurens 9 (Caere, sixth century), 6-7 (Lucanian, c. 400), and3-5 (Apulian, fourth century). Eleven of the Greek vases in Laurens come fromEtruscan tombs, but no native Etruscan representati<strong>on</strong>s have been found.237 Processi<strong>on</strong>: Laurens 1-5; Heracles breaks free: 6-7; Heracles kills <strong>Busiris</strong>: 8-28.The detail of <strong>Busiris</strong>' death at his own altar is particularly clear in Laurens 10,Laurens 20 (= Snowden 13), and, if the figure at the altar is indeed <strong>Busiris</strong> himself,Laurens 18 (= Snowden 14).


88 INTRODUCTIONcomparis<strong>on</strong> with Heracles, the focus of the scene, though there isusually some attribute—robes, sceptre or thr<strong>on</strong>e—to mark the kingout am<strong>on</strong>g his followers. 238 But he and his retinue together are, inalmost all representati<strong>on</strong>s, c<strong>on</strong>trasted with their c<strong>on</strong>queror by c<strong>on</strong>spicuousmarks of racial difference. Some vases show wild caricatureof stereotypical black-African traits, tending at the most extremetowards a grotesque and dehumanising effect. 239 Specifically Egyptiantraits, such as the garment known as the kalasiris and the shavenheads of the Egyptian priests, appear al<strong>on</strong>gside more broadly 'African'physical characteristics. The physical and 'racial' characteristics ofthe populati<strong>on</strong> of Egypt, and indeed of Greece, in the classical period,and the way Greeks perceived racial difference, are questi<strong>on</strong>s surroundedby c<strong>on</strong>troversy and uncertainty; 240 it seems clear, though,that the painters of some of these vases set out to endow <strong>Busiris</strong> andhis followers with the str<strong>on</strong>gest possible marks of 'otherness', and topresent the most striking c<strong>on</strong>trast between them and the victoriousGreek hero. This is surely not an accident, but a reflecti<strong>on</strong> of thesubject-matter: human sacrifice, the ultimate in 'barbarism', inand is put at a distance by being associated with characterswho are most visibly n<strong>on</strong>-Greek. 241Laurens draws a sharp c<strong>on</strong>trast between the ignorant, malicious238 See Laurens 1986 p. 151, Vollkommer 1988 p. 23. Where there is no suchdistinguishing attribute, it may be wr<strong>on</strong>g to identify Heracles' victim as <strong>Busiris</strong>.239 See especially the vases discussed by Snowden (Snowden 11-18 = Laurens 9.15. 20. 18, 26, 16, 2, 1 respectively), but also Laurens 5, 7, 11, 13. On the marksof racial difference, see Laurens 1986 p. 152: 'les peintres se complaisent a insistersur les traits raciaux des etrangers: chevelures crepues (9, 18, 25) ou cranes rases(11-13, 16-17, 24); prognathisme (11, 13, 18); epaisseur des levres (7, 13, 18, 21,23, 25); nez camus (1-2, 7, 12, 18, 21); circ<strong>on</strong>cisi<strong>on</strong> (20); kalasiris, quelquefois nettementdistinguee du chit<strong>on</strong> i<strong>on</strong>ien (9, 15).'240 For such a c<strong>on</strong>troversy referring specifically to the <strong>Busiris</strong>-vases, see the articleby Felletti Maj, discussing the paintings which appear in Laurens' article asnumbers 16 and 27. He argues that the painters failed to make a distincti<strong>on</strong> betweenEgyptian traits and those of the people of Ethiopia and Sudan, who according tohim formed a substantial minority within the c<strong>on</strong>temporary populati<strong>on</strong> of Egypt(Felletti Maj 1938 p. 216). Snowden disagrees, believing that behind the comicexaggerati<strong>on</strong> lies the artists' knowledge of the mainstream Egyptian populati<strong>on</strong>, asreflected in Egyptian communities within the Greek cities themselves ('it is morelikely . . . that artists in their selecti<strong>on</strong> of Negroid types were influenced by Egyptianand Greek reality', Snowden 1981 p. 419). Laurens, <strong>on</strong> the other hand, interpretsthese caricatures as the product of hostile ignorance, speaking of 'la curiositeir<strong>on</strong>ique—eventuellement nuancee de racisme—devant Petranger que 1'<strong>on</strong> c<strong>on</strong>naitmal (I'image c<strong>on</strong>f<strong>on</strong>d et mele les traits egyptiens et ethiopiens)' (Laurens 1986 p.149).241 Cf. Hughes' interpretati<strong>on</strong> of the killing of <strong>Busiris</strong> as 'a sort of human sacrifice


INTRODUCTION 89prejudice of the popularist ic<strong>on</strong>ographic traditi<strong>on</strong> and the respectwhich educated Greeks felt for Egyptian intellectual culture ('la meditati<strong>on</strong>de 1'elite intellectuel de la Grece qui s'incline devant la sagesseegyptienne, sa anciennete, sa science, depuis Herodote jusqu'a Isocrate').It is equally possible, though, to see the vase-paintings not as theopposite pole to Herodotus' rejecti<strong>on</strong> of the <strong>Busiris</strong>-story, but as itscounterpart in popular visual culture: the artists too are dissatisfiedwith the noti<strong>on</strong> of an Egyptian king performing human sacrifice, orbeing overthrown single-handedly by Heracles, and they resp<strong>on</strong>d tothis unease by making <strong>Busiris</strong> the ruler of a puny, comic race, whopossess Egyptian/African characteristics in an exaggerated form, butare above all remote, un-Greek and uncivilised. 242The scene always has a comic t<strong>on</strong>e: there is a macabre gaiety inthe ease of Heracles' victory and in the surprise and discomfiture ofthe sacrificial company. 243 Thus <strong>on</strong> a famous sixth-century Caeretanhydria Egyptian priests are tossed in all directi<strong>on</strong>s; 244 <strong>on</strong> Attic vasesof the late sixth and early fifth centuries Heracles is shown brandishingan Egyptian as a club, 240 and <strong>on</strong> another <strong>Busiris</strong> appears inundignified flight. 246 In view of this comic quality, if is curious thatour evidence for the scene in Attic vase-painting ends abruptly inthe middle of the fifth century, just where the influence of the comic<strong>Busiris</strong>-plays might be expected to begin. 247 The later vases fromMagna Graecia (Laurens 3-7) may be influenced by drama; the <strong>on</strong>lyevidence for such influence is a Lucanian crater dated c. 400 B.C.to end all human sacrifices, which symbolises the triumph of Hellenic culture andsacrificial custom over the barbarian' (Hughes 1991 p. 188).242 This is not to deny the presence in the paintings of some definitely Egyptiansymbols, such as the kalasiris, already menti<strong>on</strong>ed, and the uraeus-crown worn by<strong>Busiris</strong> in Laurens 9 and in the fragments 29-30. Laurens identifies 9 as reversingan authentic motif of Egyptian triumphal ic<strong>on</strong>ography: the pharaoh trampling underfoothis defeated enemies, and threatening them with a club. But the parody, ifsuch it is, is a wild <strong>on</strong>e.243 Cf. Laurens 1986 p. 151: 'une c<strong>on</strong>stante qui est le sens de 1'humeur, voirede la parodie, tendance qui c<strong>on</strong>fere a cet episode une verve teintee d'irrespect d'unet<strong>on</strong>alite tres populaire.'244 Laurens 9 = Snowden 11; for a photograph, see e.g. Carpenter 1991 plate 207.24>Laurens 10, 12, and Laurens 20 = Snowden 13.246 Laurens 16 = Snowden 16; dated c. 485 B.C.24 ' N<strong>on</strong>e of the plays can be dated with any precisi<strong>on</strong>, but Cratinus' <strong>Busiris</strong> (if itis the work of the older Cratinus: see K A <strong>on</strong> F 23) and Euripides' satyr-play mustbel<strong>on</strong>g to the sec<strong>on</strong>d half of the fifth century; the other Attic <strong>Busiris</strong>-plays are allof fourth century date. Epicharrnus' <strong>Busiris</strong> was presumably composed sometime inthe first half of the fifth century; supposing that it became known in Athens, it isa possible influence <strong>on</strong> some of the earlier vases.


90 INTRODUCTION(Laurens 6), <strong>on</strong> which the scene of Heracles breaking free and attacking<strong>Busiris</strong> is portrayed with a satyr at <strong>on</strong>e side; but such a featuredoes not permit a positive c<strong>on</strong>clusi<strong>on</strong>.V.viiThe place of <strong>Isocrates'</strong> speech in the <strong>Busiris</strong> traditi<strong>on</strong>The rhetorical exchange between Polycrates and Isocrates certainlyc<strong>on</strong>tributed to <strong>Busiris</strong>' prominence in later literature, and to makinghim both an object of speculati<strong>on</strong> and an archetypal figure ofpoetic myth rather than just an obscure character in a dramatic, butunimportant, episode <strong>on</strong> <strong>on</strong>e of Heracles' journeys. The two rhetoriciansensure the failure of Herodotus' attempt to scotch this 'anti-Egyptian'myth. 248 The story's popularity with the comic poets adds a newdimensi<strong>on</strong> to <strong>Isocrates'</strong> characterisati<strong>on</strong> of it as 'not serious nor permittingsolemn treatment', 249 especially if Polycrates' <strong>Busiris</strong>-speechdrew <strong>on</strong> comic versi<strong>on</strong>s. In <strong>Isocrates'</strong> own treatment, the portrayalof <strong>Busiris</strong> as the founder of Egypt may develop, in a radically differentregister, something suggested by Polycrates, since Polycrates apparentlymade <strong>Busiris</strong> resp<strong>on</strong>sible for the making of the Nile Delta (Bus.31): <strong>Isocrates'</strong> detailed account of <strong>Busiris</strong>' rati<strong>on</strong>al choice of the bestpossible kingdom (§ 11-14) may be a resp<strong>on</strong>se to a fantastic accountof its creati<strong>on</strong> in Polycrates' speech. <strong>Isocrates'</strong> major influence <strong>on</strong>the myth's future development c<strong>on</strong>sists in establishing <strong>Busiris</strong>' statusas a human king (cf. Bus. 32), severe perhaps, but dignified, as againstthe tendency of comedy and vase-painting to make him a m<strong>on</strong>steror a mere object of ridicule.Perhaps because of his denial of seriousness, Isocrates is nevercited as an authority in ancient discussi<strong>on</strong>s of the myth, and in literaturehis innocent <strong>Busiris</strong> enjoys no more popularity than Polycrates'cannibal. On the other hand, his characterisati<strong>on</strong> of <strong>Busiris</strong> asa lawgiver and a parag<strong>on</strong> of is very likely to have beenan influence <strong>on</strong> the paradoxically just <strong>Busiris</strong> of Callimachus andOvid. Isocrates helps to make <strong>Busiris</strong> a rhetorical topos, and therebyimparts to him <strong>on</strong>e genuinely praiseworthy characteristic: that of250being248 One of the instances of Herodotus' 'philobarbarism' attacked by Plutarch(Malice of Herodotus 857a).249 Bus. 9 see note ad loc.250 Helen 17, cf. Arist. Rhet. 1363a8.


COMMENTARY§ 1-9 PrologueFormally <strong>Busiris</strong> is a letter (see Introducti<strong>on</strong> I.ii). Isocrates addresses,in writing, some<strong>on</strong>e hitherto unknown to him (Polycrates), with whomhe now wishes to communicate 'in private'; it is natural to begin bydefining his intenti<strong>on</strong>s towards the addressee. Compare the openingof To Dem<strong>on</strong>icus, where the author defines his relati<strong>on</strong>ship to theaddressee (as a), his benevolent intenti<strong>on</strong>s, and thestatus of the letter itself as a gift (ad Dem. 2).The Prologue develops a str<strong>on</strong>g c<strong>on</strong>trast between writer andaddressee. Isocrates does not introduce himself. He speaks fromknowledge (); his authority is expressed in excathedra judgements () and impers<strong>on</strong>al verbal c<strong>on</strong>structi<strong>on</strong>s(). His understanding of is complete, precise,and based <strong>on</strong> his own experience. He distances himself from Polycratesby emphasising that he has never met him, and presents the latteras an obscure, potentially suspect figure. This impressi<strong>on</strong> is underlinedby the opening acknowledgement that Isocrates has 'heardreports of Polycrates' good character ( ); this puts Polycrates'character in some sense <strong>on</strong> trial, and raises the questi<strong>on</strong> of moralityin rhetoric which is central to the whole work.Isocrates insists <strong>on</strong> his good will and desire to help (§ 2 ,§ 4 ). It is a functi<strong>on</strong> of a proem to win the audience's goodwill (Rhet. ad Alex. 1436a33-b28, and e.g. Dem. XVIII On the Crown 1),and <strong>on</strong>e way of doing so is to assert the speaker's good will towardsthem. Here, however, the , is subverted by ir<strong>on</strong>y. This is alreadyclear in § 1, where Isocrates refers pointedly to circumstances a truefriend would gloss over (); but the gapbetween appearance and reality becomes explicit in § 2, where thepromise of c<strong>on</strong>fidentiality is obviously (since the work has reachedus) disingenuous. This pretence is a signal that there is more to thework than its surface, and that it may be read at different levels. Itis a sample of theoretical debate, part of an 'esoteric' c<strong>on</strong>versati<strong>on</strong>am<strong>on</strong>g professi<strong>on</strong>al educators; at the same time, it addresses a wider


92 COMMENTARYaudience, defending and advertising (Isocratean) — it is anexample of what Isocrates later describes as(Antid. 10).The shortcomings of Polycrates' works are here presented as marksof ignorant incompetence, but there are hints of the moral critiquethat will become dominant in the Epilogue. First there is the issueof Polycrates' good character; then there is <strong>Isocrates'</strong> morally admirableprofessed aim (cf.)— ir<strong>on</strong>ic in that the benefacti<strong>on</strong>c<strong>on</strong>sists of stinging criticism which Polycrates himself is unlikelyto perceive as beneficial, but c<strong>on</strong>gruent with Isocrates own view ofthe purpose of this speech, which is also the goal of all resp<strong>on</strong>siblerhetoric. Polycrates' (anticipated) failure to appreciate the value of<strong>Isocrates'</strong> help is linked with his own failure to cultivate what isbeneficial (§ 47, 49) and his dangerous blindness to moral implicati<strong>on</strong>s.Polycrates is repeatedly characterised as some<strong>on</strong>e who hasfailed to notice or recognise what should have been obvious: § 3. . . , § 4 § 46. . . § 47 . . . , § 48§ 49Isocrates presents teaching as a professi<strong>on</strong> with its own moral standards.He has a professi<strong>on</strong>al duty to speak his mind ( )about , to defend its reputati<strong>on</strong>, and to assist the strayingnovice. Usener uses the image of the self- awareness of a guild ofartisans, resulting in 'mutual quality c<strong>on</strong>trol' ('ein "ZunftbewuBtsein" . . .das auf eine Art gegenseitiger "Qualitatsk<strong>on</strong>trolle" hinauslauft', Usener1993 p. 260). But mutuality is not in questi<strong>on</strong> here: if we use themetaphor of a guild, Isocrates is Master of it, Polycrates at best aprobati<strong>on</strong>ary member. The professi<strong>on</strong>al duties of the educator areinvoked again in the Epilogue, where Polycrates is rebuked for bringinginto disrepute when it is already precariously placed(§ 49). The <strong>Busiris</strong> itself performs the expert's duty, to defend — and,partly for that purpose, to define — true .§ 1 . . .: this phrase, opening the period and markedoff from the rest by the vocativeis emphatic: it establishesmorality, good character, as a key theme of the Work. <strong>Busiris</strong>begins and ends with what appear to be 'significant' c<strong>on</strong>cepts (cf.<strong>on</strong> § 50), though this is not a feature of <strong>Isocrates'</strong> otherworks. Similarly in some forensic speeches the opening words iden-


COMMENTARY 93tify <strong>on</strong>e of the speaker's central complaints: Dem. XXI Against Meidias1 , XLV Against Stephanus I 1LIV Against C<strong>on</strong><strong>on</strong> 1and cf. also theapparently formulaic opening. (Andocides IOn the Mysteries 1, Aeschines III Against Ctesiph<strong>on</strong> 1, cf. Lysias XIXOn the Property of Aristophanes 2), parodied by Cratinus in : F197 K—AIt is Polycrates' reputed that (supposedly) commends himto Isocrates (cf. Ep. IV 1: Isoc. recommends his pupil Diodotus toAntipater). Itis the <strong>on</strong>ly available evidence that he may be teachable, and thusworth advising (cf. <strong>on</strong>below). But the antithesis. . . indicates a tensi<strong>on</strong>between his (reported) good character and his (known) writings,preparing the reader for the moral critique of the latter which comesto the fore in the Epilogue.: <strong>on</strong> Polycrates' career, see Introducti<strong>on</strong> II.We have no other evidence about this 'change', but the hypothesiswriteris clearly correct in interpreting <strong>Isocrates'</strong> meaning with thewords. Elsewhere Isocrates usesthe phrase to refer to disastrous reversals (Zeug. 48Aegin. 22), and <strong>on</strong>ce, in the plural, of vicissitudes both good and bad(ad Nic. 39). Brem<strong>on</strong>d aptly adduces the To Nicocles passage here.Nicocles is advised whom to regard as wise: not those who promiseto teach happiness when they themselves arebut those who are modest and capable and 'not thrown into c<strong>on</strong>fusi<strong>on</strong>by life's vicissitudes' (Insinuating that P. would fail such a test, Isoc. places him am<strong>on</strong>gthe teachers ridiculed at Against the Sophists 7 f., who promise theirpupils a success which they have not achieved themselves.the present participle hints that <strong>Isocrates'</strong>inquiries c<strong>on</strong>tinue; the asserti<strong>on</strong> that he has had to make such inquiriesis both a distancing device (Isoc. moves in different circles) and aveiled insult (P. is not a 'celebrity').: the fact that these compositi<strong>on</strong>s are available in writingis important: it enables Isocrates to assess Polycrates' work without


94 COMMENTARYhaving met him, and to use it as 'evidence'. Cf. § 44and § 47 , and see Usener 1993 pp. 259 f.is to say freely what is <strong>on</strong> <strong>on</strong>e'smind, regardless of whether it may cause offence; when some<strong>on</strong>edescribes their own discourse as it implies, naturally, thatwhat is being said is the unpalatable truth, is a prerequisitefor h<strong>on</strong>est and c<strong>on</strong>structive criticism, (cf. de Pace 14,ad Nic. 3 and 28 with Usher ad loc.), and as such it plays an importantpart in <strong>Isocrates'</strong> self-characterisati<strong>on</strong> as an advisor: e.g. Phil.72. At Ep. IV 4—6 the valueof suchis discussed: it ise.g. § 49 and Soph. 10: Polycrates' credibility as a teacher is undermined by thisreminder that he has been 'forced' into this line of work. Isoc. reversesthe familiar proem topic (Antiph<strong>on</strong> III Sec<strong>on</strong>d Tetralogy b. 1, LysiasXIX On the Property of Aristophanes 1, Euripides Hippolytus 989-991,etc.) in which the speaker states that he has been 'forced' to speakin order to dispel any impressi<strong>on</strong> that he is a professi<strong>on</strong>al speakeror litigant. The phraserecalls forensic appealsfor pity (such as Zeug. 48, cited <strong>on</strong>above),but sympathy is tempered by the bluntness ofcf.: a sophist's fees are a sensitive subject, for several reas<strong>on</strong>s.It seems arbitrary and demeaning to assign a price to. A high price suggests greed, a low price fraud or inferiorgoods. Aristocratic Greeks tend to look down <strong>on</strong> paid work in generalas servile, and for a teacher profit may be seen as displacingmore admirable motives such as love of truth, love of virtue, andgoodwill towards the pupil. <strong>Isocrates'</strong> polemics make vigorous use ofsuch prejudices in discrediting rival teachers: see esp. Soph. 3 f. andHelen 4. Isoc. does, of course, make m<strong>on</strong>ey himself, and defends himself<strong>on</strong> this count at Antidosis 154-66 (he has not made so very much;his pupils have been satisfied; his success has benefited the city),where he displays great finesse in defending himself as a sophist whiledistancing himself from other members of the class; it is with a


COMMENTARY 95definite note of c<strong>on</strong>tempt — however hypocritical — that he refers tothe activities of Gorgias and others as (155).For a full discussi<strong>on</strong> of evidence for popular, and Socratic/Plat<strong>on</strong>ic,hostility to paid teaching, see Brink 1985..: the generalising plurals keep the relati<strong>on</strong>shipbetween Isocrates and Polycrates slightly impers<strong>on</strong>al.technique andexperience () go hand in hand in the developmentof natural ability ( ): see Soph. 14-18, esp. 17 f. is characteristicof an advanced level of understanding: e.g. ad Nic. 35 andAntid. 190, and see further Wersdorfer 1940 pp. 95 f. <strong>Isocrates'</strong>account of educati<strong>on</strong> (e.g. at Antid. 187-91) may be c<strong>on</strong>trasted with thelecture <strong>on</strong> the nature of rhetoric delivered by Polus at Plato Gorgias448c, where itself is discovered by , trial and error. ForIsocrates, is logically posterior to , though it may inthe end be more important (see Antid. 296). Insistence <strong>on</strong> the importanceof practice is a characteristic of <strong>Isocrates'</strong> pr<strong>on</strong>ouncements aboutteaching: Soph. 10 (with 14 f), Helen 5, Antid. 200, 296, Panath. 272.it is acomm<strong>on</strong>place that those blessed with wisdom have a duty to shareit: see e.g. Theognis 769 f.. Emphasising the dutyis also, of course, a way of emphasising the wisdom.. . . : the noun ; is used <strong>on</strong>ly here byIsocrates, but is fairly comm<strong>on</strong> in the other orators, always usedadverbially (as here) and often of 'volunteering' to make c<strong>on</strong>tributi<strong>on</strong>s,perform liturgies etc.: Lysias XXIX Against Philocrates 4, IsaeusV On the Estate of Dicaeogenes 38, Demosthenes XIX On the False Embassy230, XXI Against Meidias 13, etc. Willingness is the proper attitudefor those c<strong>on</strong>tributing to an : see Thucydides II. 43.1(quoted below) with Gomme 1945 ad loc., and Theophrastus' Characters,where to avoid c<strong>on</strong>tributing to a friend's is a mark of(XXII. 9), and to c<strong>on</strong>tribute with a bad grace a markof (XV. 7). is the regular term: see MacDowell1990 p. 323.: there are two other instances of the word in Isocrates.In both, the word is used metaphorically with reference to a situati<strong>on</strong>


96 COMMENTARYbetween two parties—people (Helen 20) or cities (Plat. 57)—where apast service d<strong>on</strong>e by <strong>on</strong>e for the other is to be returned in kind.The usage here, however, is closer to c<strong>on</strong>temporary literal senses ofthe term: either (i) an interest-free loan collected by some<strong>on</strong>e's friendsto help them in time of need (see MacDowell 1990 pp. 322-4, witha list of examples both literal and metaphorical), or (ii) a subscripti<strong>on</strong>paid by members of a society for some mutual benefit or insurance(see Jebb and Sandys 1909 p. 53, note <strong>on</strong> line 14). It also hasaffinities with the widespread metaphorical use where denotesthe c<strong>on</strong>tributi<strong>on</strong> made by individuals to the comm<strong>on</strong> good of society:e.g. Thucydides II. 43.1 (of the Athenian dead)Aristophanes Lysistrata 651, Plato Laws 927c,Lycurgus Against Leocrates 143, and (a more elaborate development)Demosthenes XXI Against Meidias 101.In these metaphorical uses, what is c<strong>on</strong>tributed is not literally paidback, but something is still given in return: eternal glory to the deadin Thucydides, the right to speak to the women in Lysistrata. In thepresent passage the metaphor is subtly chosen. Polycrates is in financialtrouble, and so might well think of collecting an from hisfriends. Instead he is trying to make m<strong>on</strong>ey from , so theexperts in the field should make him an , not of m<strong>on</strong>ey, butof advice: Isocrates steps forward as their spokespers<strong>on</strong>. Thus in settinghimself up as a teacher Polycrates is taking <strong>on</strong> an obligati<strong>on</strong>comparable to that of a financial : he is seeking membershipof a community which has, and will assert, its own shared values.The idea of philosophical /protreptic as a kind of ;appears also at [Dem.] LXI Eroticus 54. By c<strong>on</strong>trast, the two paraeneticspeeches in the Isocratean corpus both identify themselves as'gifts': ad Dem. 2, ad Nic. 2.§ 2 : both expressi<strong>on</strong>s implya chance meeting. Isocrates does not expect to encounter P., and,as. . . hints, does not intend to make any effort todo so. C<strong>on</strong>trast Ep. I 1: age al<strong>on</strong>e prevents Isocrates from sailing toSyracuse to c<strong>on</strong>verse with Di<strong>on</strong>ysius face to face.. . .: see Introducti<strong>on</strong> I.ii.: the word covers all kinds of associati<strong>on</strong> and c<strong>on</strong>versebetween people: cf. Gorgias Palamedes 6, where communicati<strong>on</strong> through


COMMENTARY 97an intermediary, face-to-face, and in writing are treated as varietiesof . The c<strong>on</strong>text here suggests the more specialised applicati<strong>on</strong>of the word to the time a pupil spends with a teacher (LSJs.v. 3: see e.g. Antid. 92, Plato Politicus 285c, Theages 125a, Xenoph<strong>on</strong>Memorabilia I.ii.60; = pupils: Bus. 47, Soph. 4, 9, Helen 5,7, etc.). We are made aware that Isocrates is in effect offering tomake Polycrates, the would-be teacher, his own pupil. Note <strong>Isocrates'</strong>c<strong>on</strong>temptuous remarks <strong>on</strong> 'teachers who need teaching' at Soph. 13.: with some ir<strong>on</strong>y, Isocrates stresses the 'helpfulness'of his advice: cf. § 3. Of course advice is meant to bebeneficial (see e.g. Paneg. 130, Archid. 5, de Pace 72), and superficiallythe aim of <strong>Busiris</strong> is to make Polycrates better at his job. But forIsocrates the essential value ofis that it c<strong>on</strong>fers a morespecific and superior benefit, namely a moral <strong>on</strong>e (cf. Soph. 21, adNic. 12, Antid. 209-14):is <strong>Isocrates'</strong> realisticallymodest adaptati<strong>on</strong> of the famous or notorious sophistic claimto impart . As the <strong>Busiris</strong> progressively exposes the fact thatPolycrates' technical deficiencies are also moral faults, so it becomesclearer that deeper, moral is what Polycrates needs and whatIsocrates is offering. On the 'paraenetic' aspect of the <strong>Busiris</strong>, seealso Introducti<strong>on</strong> I.iii.: <strong>on</strong> <strong>Busiris</strong> as a letter, see Introducti<strong>on</strong> I.ii.the c<strong>on</strong>text supplies two possible reas<strong>on</strong>s for c<strong>on</strong>cealment.(i) To save Polycrates from public humiliati<strong>on</strong>: critics whoaddress their comments to the object of criticism al<strong>on</strong>e are moredeserving of gratitude than those who publish them to the world atlarge, de Pace 14. (ii) To keep private the professi<strong>on</strong>al instructi<strong>on</strong>which Polycrates is receiving as an , but which would not normallybe available for free.The promise of privacy obviously draws our attenti<strong>on</strong> to the factthat <strong>Isocrates'</strong> communicati<strong>on</strong> to Polycrates has in fact not been keptprivate, since it is before us. The fulsomeness of —'as secret as can possibly be' — perhaps points up this ir<strong>on</strong>y. Alternatively,there may be a suggesti<strong>on</strong> (<strong>on</strong>ce again undercut by ir<strong>on</strong>y)that, while Isocrates will try to c<strong>on</strong>trol the disseminati<strong>on</strong> of what hehas written, it may not be within his power to do so: compareSocrates' reflecti<strong>on</strong>s <strong>on</strong> the promiscuity of the written word in Plato'sPhaedrus, esp. 275de.


98 COMMENTARYAs readers we can have little doubt that these words are disingenuous—thatthe compositi<strong>on</strong> was always intended to reach a widerpublic. The pretence of secrecy has several effects. It indicates thatPolycrates has reas<strong>on</strong> to be embarrassed, indeed ashamed (cf. § 6, and alsoraises the questi<strong>on</strong> why the communicati<strong>on</strong> has not, in fact, beenkept private—are the issues it raises too important to be kept secret?A kind of complicity is also established between author and reader,at the addressee's expense.The playful use of the medium of writing involved in disseminatinga compositi<strong>on</strong> which claims that it is not meant for public distributi<strong>on</strong>may be loosely compared with Alcidamas' procedure in disseminatinga written speech which calls itself an 'indictment of writtenspeeches' (On the Sophists 1), and with Plato's in composing an elaborateand intellectually demanding written dialogue which arrives atthe c<strong>on</strong>clusi<strong>on</strong> that no written work deserves to be taken very seriously(Phaedrus 277e). The ficti<strong>on</strong> that <strong>Busiris</strong> was not meant for 'publicati<strong>on</strong>'perhaps weakens the b<strong>on</strong>d of resp<strong>on</strong>sibility between authorand work (this is in some sense not <strong>Isocrates'</strong> 'public' voice), andthus makes it easier for Isocrates to dem<strong>on</strong>strate how to praise <strong>Busiris</strong>,a theme ( ) which is at best , at worst(§ 9, 49). Resp<strong>on</strong>sibility for <strong>on</strong>e's (and the disrupti<strong>on</strong> or denialof such resp<strong>on</strong>sibility) is an important theme of the Phaedrus: <strong>on</strong> thisand other links between <strong>Busiris</strong> and Phaedrus, see Introducti<strong>on</strong> IV.ii.§ 3 Polycrates' expectedhostility to criticism is the principal difficulty which stands in <strong>Isocrates'</strong>way. We might expect a deprecating reference to the author's owncapabilities, as at ad Nic. 7 f., Archid. 1-5, and Phil. 10-12. Here,however, Isocrates does not questi<strong>on</strong> his own abilities as a speaker,but Polycrates' abilities as a listener: he is willing and able to help,but Polycrates may be unwilling, or even c<strong>on</strong>stituti<strong>on</strong>ally unable (cf.<strong>on</strong> below), to receive help. There is a close parallel in theprologue to On the Peace, where Isocrates criticises his (imaginary)audience, the Athenian , for listening <strong>on</strong>ly to what they wantto hear, not to h<strong>on</strong>est advice; the transiti<strong>on</strong> from the prologue tothe body of the speech (§ 14-15) particularly recalls the present passage.In On the Peace, as in <strong>Busiris</strong>, the inability of the (supposed)addressees to see what should be d<strong>on</strong>e, amounting to moral blindnessor moral idiocy, is an important theme. The insistence that the


COMMENTARY 99advice must be given whatever the likely recepti<strong>on</strong> (, dePace 15) emphasises its importance, and perhapsalso reminds us of the ficti<strong>on</strong>al character of these compositi<strong>on</strong>s: evenif the supposed addressees are unlikely to appreciate <strong>Isocrates'</strong> wisdom,the wider audience can still benefit..: 'putting sense into some<strong>on</strong>e',, is elsewhere c<strong>on</strong>trasted by Isocrates with denunciati<strong>on</strong><strong>on</strong> the <strong>on</strong>e hand, and with flattery (<strong>on</strong> the other. For the distincti<strong>on</strong> between criticism and denunciati<strong>on</strong>,see Paneg. 130, de Pace 72, 80 f: both may involve sayingthe same things, but denunciati<strong>on</strong> is , criticismor criticism differs from denunciati<strong>on</strong> in that it attacks the faults, notthe pers<strong>on</strong>. For criticism vs. flattery, see especially ad Nic. 42-9. Thereit is said that every<strong>on</strong>e knows the benefits of literature which givesadvice, in poetry or prose, and commends people who give h<strong>on</strong>estcriticism (;): but in spite of this people do not listento them, but prefer to be encouraged in their wr<strong>on</strong>gdoing. The pointis reinforced by a c<strong>on</strong>trast between didactic verse (Hesiod, Theognisetc.) <strong>on</strong> the <strong>on</strong>e hand, and epic and tragic poetry <strong>on</strong> the other. Theformer is recognised as useful, but is unpopular, or at least unheeded;the latter are popular because they aim simply to please. (When, atad Nic. 48 f, Isocrates 'admires' Homer and the tragedians for findingthe best way to make their poetry, thiscannot, in c<strong>on</strong>text, be Tapologie d'Homere et des tragiques et lajustificati<strong>on</strong> de leur emploi dans 1'enseignement' (Mathieu/Brem<strong>on</strong>d11.110 n. 2): the passage is a parallel, not a reply, to Plato's critiqueof poetry in Republic II and III (see also note <strong>on</strong> § 38). Isocrates c<strong>on</strong>trasts writing which is morally beneficialand writing which aims at popularity, and asserts that any<strong>on</strong>e whofollowed the example of Homer and the tragedians would refrainfrom giving advice, but aim to please the public instead: this couldnot be more opposed to <strong>Isocrates'</strong> own expressed policy, and makesit clear thatis sarcastic.)The set of ideas expressed here in <strong>Busiris</strong>—that the critic/educatormust persist even in the face of ignorant hostility—c<strong>on</strong>tinues tobe important throughout <strong>Isocrates'</strong> career, c<strong>on</strong>tributing to his stanceof disinterested benevolence and detachment. <strong>Busiris</strong> exemplifies whatIsocrates advocates at the end of his career, at Panath. 271: it isand


100 COMMENTARYsuggests the first half of an antithesis: 'most peopledo not understand the value of criticism, but I know you do, because(e.g.) you are a teacher yourself. . .': as at ad Nic. 50,. But Polycrates remains unredeemed:Isocrates has no faith that he is any different from 'themajority'.'it is in their very nature'. The rare adjective(<strong>on</strong>ly here in Isoc.) bel<strong>on</strong>gs mostly to epideictic style: GorgiasEpitaphios (AS 42 lines 17 f.), Lysias XXXIII Olympicus 7[Dem.] LX Epitaphios 1, Plato Phaedrus 237d (Socrates' first speech), Symposium 191c(Aristophanes' speech). The <strong>on</strong>ly occurrences in surviving forensicoratory are Dem. XVIII On the Crown 203(see Wankel 1976 adloc.), Dinarchus I Against Demosthenes 108, III Against Philocles 18.In all the passages cited except the <strong>on</strong>e from On the Crown, theadjective qualifies an abstract noun. <strong>Isocrates'</strong> c<strong>on</strong>structi<strong>on</strong>+ infinitive is somewhat unusual: the closest parallels are PlatoPoliticus 269dTimaeus 71 aand Euripides F 776.1 f. (= Phaeth<strong>on</strong> 174 f.)... In <strong>Busiris</strong>, the elevatedand unusual word perhaps imparts a 'gnomic' t<strong>on</strong>e like that of thelines from Phaeth<strong>on</strong>, underlining <strong>Isocrates'</strong> gloomy acknowledgementof the inevitability of human folly.<strong>Isocrates'</strong> representati<strong>on</strong> of his task in terms of overcoming somethingby changing recalls the favourite sophistic antithesisbetween and (see Heinimann 1945, esp. Chapter III). ComparePhaedrus 237d, where Socrates describes the struggle betweenand: the former's victory results inthe latter's in. Gorgias' antithesis in the Epitaphiosfragment cited above between and (bothtopics of praise) implies that some qualities 'should' be innate, whileothers, like , are better c<strong>on</strong>trolled by ;. Isocrates embarks here<strong>on</strong> the difficult task of overcoming a bad instinct by means of educati<strong>on</strong>.cf. de Pace 38, and passages cited <strong>on</strong>below.


COMMENTARY 101Naturally the attitude described is the opposite of the 'correct' <strong>on</strong>e,for which see de Pace 72 f.: (For the use of cf. Areop. 63,There, too, the 'precise' account is necessary to the effectiveness ofthe advice: § 19. The feminine noun occurs in Isoc. <strong>on</strong>ly hereand at ad Nic. 3 (cf. Antiph<strong>on</strong> IV Third Tetralogy .4). Much morefrequent are neuter p1. and the verb , e.g.Paneg. 130, de Pace 14, 39, 62, 80, Panath. 271. On the usage ofand its cognates in general, see Dover 1974 p. 146 and pp.152 ff.; of this word-group in Aristotle, Halliwell observes that it'covers virtually the whole gamut of moral failure and error, fromvoluntary wickedness at <strong>on</strong>e extreme to innocent mistakes at theother' (Halliwell 1986 p. 221: see also n. 28). Thus the semanticrange of the word makes it ideal for insinuati<strong>on</strong>. C<strong>on</strong>trastthe explicit language of § 49—50:: this verbal pattern is anIsocratean 'formula': other instances include Evag. 11de Pace 1562 81 , and Panath.96. Cf. Xenoph<strong>on</strong> Agesilaus i. 1A similar progressi<strong>on</strong> froman account of the obstacles ahead to a statement of determinati<strong>on</strong>is found at Archid. 72, Trap. 2, Antid. 11, and Plato Rep.374dThe ; is reversed at ad Nic. 49 (see note <strong>on</strong>. . . above): those who aim <strong>on</strong>ly to please mustshrink from telling unpleasant truths (: odium is <strong>on</strong>e of the hazardsof giving advice: de Pace 14, 38, 80, Dem. V On the Peace 7, Proem44. The suggesti<strong>on</strong> that the addressee will not accept criticism is partof the criticism itself: c<strong>on</strong>versely Xenoph<strong>on</strong> praises Agesilaus for not


102 COMMENTARYbeing pr<strong>on</strong>e to such resentment,(Agesilaus xi.5).Removal of odium is a proem topic (e.g. Antiph<strong>on</strong> III Sec<strong>on</strong>dTetralogy .2, Lysias XX For Poly stratus 1 ff., XVI For Mantitheus 2); itis a species of, which in turn comes under the widerheading of captatio benevolentiae,, seeRhet. ad Alex. 1436a33-40, 1436b37-1438a2, Arist. Rhet. 1415a26-38.This makes it all the more striking when some<strong>on</strong>e accepts odium asinevitable. The c<strong>on</strong>trast between the critic's goodwill and the recipient'shostility is underlined here by the juxtapositi<strong>on</strong>. On the importance for Isocrates of the c<strong>on</strong>cept ofsee de Romilly 1958.i.e. to change their attitude to criticism, so thatthey are no l<strong>on</strong>ger. Thatattitude is symptomatic of their moral blindness, so its alterati<strong>on</strong>stands for their general enlightenment. This way of describing 'persuasi<strong>on</strong>'stresses its involuntary comp<strong>on</strong>ent—it is, as it were, an operati<strong>on</strong>to be performed <strong>on</strong> Polycrates—and hence the power of thepersuasive which brings it about. See the famous treatment ofthe power of at Gorgias Helen 8-14 (e.g. § 13, and Plato's parody of sophistic 'forcible persuasi<strong>on</strong>' atRepublic 345b, when Thrasymachus is frustrated by Socrates' failureto be c<strong>on</strong>vinced:; Str<strong>on</strong>g persuasi<strong>on</strong>is particularly necessary in criticism, because the hearers areparticularly resistent: Paneg. 129, de Pace 27, 62, and esp. Antid. 196 f,which clearly shares the underlying structure of the present passage:. At the end of Panathenaicus Isocrates decides not to'change the mind' of his dissenting pupil:(§ 265).


C OMMENTARY 1 0 3§ 4 : the verb its cognatesand and the verbsand do not occur elsewhere in Isocrates, nor in the otherAttic orators. The <strong>on</strong>ly classical prose writer in whose workand its cognates are relatively comm<strong>on</strong> is Plato (seveninstances: e.g. Hippias minor 368b). Plato always uses the verbabsolutely: the present passage seems to be the first example of thec<strong>on</strong>structi<strong>on</strong>+ dat., <strong>on</strong> the analogy of the verycomm<strong>on</strong> (also + dat. at Batrachomyomachia57, + dat. at Birds 629 and in tragedy). The basic sense ofthe verb is 'to boast' (as in the Hippias passage) or 'to make bigclaims' (Aesch. Agam. 1527-9: the active voice is excepti<strong>on</strong>al, see Fraenkel1950 ad loc.}. It can mean neutrally 'to be proud' (Plato Alcibiades I104c— a victory of character, not words; cf. Lysis 206a), but mostlyretains a pejorative suggesti<strong>on</strong> of loud boasting — loud enough, inthis instance, to have reached <strong>Isocrates'</strong> attenti<strong>on</strong> — and insinuatesthat the claims made are excessive and hybristic: cf. e.g. Plato Republic395d, Laws 11 6a, and Pindar Pythian VIII 1 5. The verb thus paints a more negativepicture than the plainer. Pr<strong>on</strong>eness tois an unpleasant characteristic: dem<strong>on</strong>strating that Agesilaus possessedTO , Xenoph<strong>on</strong> points first to his lack of (Agesilausviii.l: the <strong>on</strong>ly instance of this word-group in Xenoph<strong>on</strong>).Here the grand word underlines Polycrates' exaggerated pretensi<strong>on</strong>s,while the litotesinsinuates that he is habituallyvainglorious (cf. § 6). The importance of distinguishingwhat is and is not a fit matter for pride is a comm<strong>on</strong> topic forIsocrates (ad Nic. 30, Paneg. 130), and inability to do so is often attributedto 'sophists' by hostile witnesses (e.g Isoc. Helen 1, Alcidamas On the Sophists 1<strong>on</strong> our (limited)informati<strong>on</strong> c<strong>on</strong>cerning these speeches, see Introducti<strong>on</strong> II.: the point is expanded byand resumed in § 9 ( ) and in § 33.


104 COMMENTARYIsocrates uses the singular 'the right thing' (a) as here, witha verb of hitting or missing (cf. de Pace 28), (b) in the phrase(cf. Nic. 19), and (c), most frequently, after a comparative(e.g. Areop. 7). In other c<strong>on</strong>texts the plural is found.A rather blurred distincti<strong>on</strong> can be made between three uses: (i) ofacti<strong>on</strong>, where, (ii) of deliberati<strong>on</strong>/advice,where, and (iii) of speaking/writing,where(cf. Plato Phaedms 234eThe idea ofis prominent in the survivingwork of Gorgias: cf. Helen 2, Epitaphios (AS 42) lines3—4 and lines 8-9 TO. In the Helenprologueis explained by the preceding rulesimilarlyis here amplified by the rule expressedin .The principle which Isocrates asserts here differs from that enunciatedby Gorgias in the prologue to the Helen: Isocrates focuses, not<strong>on</strong> the choice of the theme itself, but <strong>on</strong> the simpler matter of choosingappropriate material. ('Theme' will rise to prominence in theEpilogue: see <strong>on</strong> § 49.) This is the theoretical less<strong>on</strong>of <strong>Busiris</strong>: even if the principle of choosing worthy themes (whichrequires some moral judgement) is neglected, adherence to as obviousa precept as the rule of inventio stated here is enough to avoidinfamous results. Comparis<strong>on</strong> with Phaedms 234c is particularly interesting:Socrates criticises Lysias' speech for its (using the termat 236a) and goes <strong>on</strong> to produce his own speech <strong>on</strong> the same theme,correcting this defect; he is then brought to the realisati<strong>on</strong> that hisspeech is in complicity with Lysias' more fundamental error, theblasphemous choice of theme (in the terms of Bus. 49, ahis 'palinode' begins where the <strong>Busiris</strong> ends. But while thedevelopment of ideas in the two works is in this respect closely comparable,the terms in which it is articulated reflect the authors'different ideologies. Lysias and Polycrates are criticised for the samefacet of their work, Lysias for the poverty of his , Polycratesfor the ineptitude of his; but for Isocrates this dem<strong>on</strong>strates Polycrates'ignorance of rhetoric, whereas Socrates, with ir<strong>on</strong>y, takes it as a sign


COMMENTARY 105that Lysias expected to be judged solely in terms ofSee further Introducti<strong>on</strong> IV.ii.and(and their cognates) are all used by Isocrates as terms forrhetorical praise. If distincti<strong>on</strong>s could be found in their use, thismight be interesting evidence of the development of systematic rhetoricaltheory, but the answer is broadly negative. To c<strong>on</strong>sider the verbsfirst: at Evag. 1 1 (the changeis simplyvariatio (not a formal prose /verse distincti<strong>on</strong>), since isused elsewhere of verse encomium (e.g. Evag. 6), andisfrequently used of prose (e.g. Bus. 5). In fact Isocrates usesand interchangeably; is a near-syn<strong>on</strong>ym, buthas a rather wider applicati<strong>on</strong> (including 'approve', 'commend' etc.).For interchangeable use, see Evag. 5, 6, 11, 77 ( ); 8, 11, 65); Phil. 144 ff. ( 147); Panath. 37 ( ), 38 ( ), 39 ( ). As forthe nouns, the <strong>on</strong>e most comm<strong>on</strong>ly used by Isocrates is (asat Bus. 9). At Phil. 134, there may be a distincti<strong>on</strong> betweenand as general vs. particular, but the other two instances of(Areop. 76, Ep. IX 2) do not really support this.occurs <strong>on</strong>ly twice; at Paneg. 186 it is a syn<strong>on</strong>ym for at Helen14 ( ) it sounds more like a technicalterm, but here the word is 'quoted' from Gorgias Helen 21: seeIntroducti<strong>on</strong> I.iii note 19.followed up by. . . and : what Polycrates intends, and claims,to do is the opposite of what he in fact achieves. The antithesisbetween intenti<strong>on</strong> and ability to carry out <strong>on</strong>e's intenti<strong>on</strong> was afavourite topic with Gorgias, e.g. Epitaphios AS 42 1. 3-4, Palamedes 5, 21, 27. Gorgias'Encomium of Helen is framed by statements of intenti<strong>on</strong> (§ 221 , a model <strong>on</strong> which Isocrates here elaborates. HisPrologue describes Polycrates' failure to do what he intended; afterthe Encomium, the Defence secti<strong>on</strong> offers further proof of this failure(see § 31 ;, § 37 ). The Epilogue proposes,but then rejects, a possible redefiniti<strong>on</strong> of Polycrates' intenti<strong>on</strong>


106 COMMENTARY(§ 48 ), before closing the work witha reminder of <strong>Isocrates'</strong> own, c<strong>on</strong>trasting, purpose—to be morallybeneficial (see § 50hinting that he, for his part, has d<strong>on</strong>e what he set out to do. SeeIntroducti<strong>on</strong> I.iv, and notes <strong>on</strong> § 49 and § 50: cf. Arist.Rhet. 1358bl8 f. (epideictic is c<strong>on</strong>cerned with present rather thanpast or future):The way Isocrates states this 'universally known' principle of praisehas a rhetorically significant ambiguity: (i) 'to make it seem that theyhave more good attributes than they do', or (ii) 'to show that theyhave more good attributes than have so far been recognised'.Interpretati<strong>on</strong> (i) involves takingin the sense which it hasin § 32, in § 38, and probably in § 7 ('to make out', 'allege'), andtaking to mean 'what there (really) is' (cf. Paneg. 167and in Paneg. 82). Compare Evag. 48: in Evagoras' case exaggerati<strong>on</strong>,i.e. saying, is inc<strong>on</strong>ceivable. Seealso Wersdorfer 1940 p. 36. On this reading, <strong>Isocrates'</strong> account ofpraise and blame in <strong>Busiris</strong> will be comparable with the descripti<strong>on</strong>sof rhetorical procedure at Plato Memxenus 234c and Symposium 198de(cf. also Rhet. ad Alex. 1425b36 ff.. Interpretati<strong>on</strong>(ii) involves takingto mean 'dem<strong>on</strong>strate' (or'make a case'), as at Callim. 20, 67, Antid. 58 etc. (this is its sensealso at Bus. 23 and perhaps § 45, but in each case the veracity ofthe dem<strong>on</strong>strati<strong>on</strong> is in doubt). This reading is perhaps favoured bybelow, where what is the currentstory, not the 'truth'. For an example of new material for praisebeing 'found' without exactly being invented cf. Helen 38: Theseusinvoked as 'witness and judge'(cf.Arist. Rhet. 1363al7-19).The boundary between (i) and (ii) is blurred by the Greek tendencyto treat good qualities as 'existing' <strong>on</strong>ly <strong>on</strong>ce they are recognised(see Dover 1974 pp. 235 f.). The ambiguity allows Isocrates to endorseinventiveness (such as his own in the Encomium) without fully embracingthe idea that it is the business of encomium to play fast andloose with the truth. The art of 'accentuating the positive' may becompared with the procedure of 'making small things big and bigthings small', associated above all with Gorgias (e.g. Plato Phaedrus


COMMENTARY 107267a, with which cf. Paneg. 8), and linked with praise in particularby Cicero at Brutus 47 (Aristotle is cited as the authority: <strong>on</strong> thequesti<strong>on</strong> of sources, see Douglas 1966 pp. xlvi- vii).§ 5 : cf- § 33: the use of the word '(false) accusati<strong>on</strong>'(which is naturally applied by defendants to the charges against them:Trap. 5, 6, 10, Callim. 63 etc.), as opposed to 'charge' (as at§ 48), adopts the perspective of Polycrates' speech, supposedly adefence speech. This is the first hint that Isocrates is taking overPolycrates' theme, and preparing to defend <strong>Busiris</strong> against his 'defender'.For removal of as a rhetorical 'specialism', cf. Plato Phaedrus267d: Thrasymachus. The phrase is used by Isoc.in forensic c<strong>on</strong>texts: Zeug. 7 Trap.27, 48.: an appropriate word; Isoc. generally uses andits cognates not of mere transgressi<strong>on</strong>s of law, but of behaviour whichnegates civilised order, often when laws are not properly in force —e.g. in time of war (Paneg. 147, Plat. 4, 22, de Pace 45) or civil c<strong>on</strong>flict( was the norm under the Thirty, Loch. 4). At Helen 29 thenoun is used of the great villains of myth: Polycrates has placed<strong>Busiris</strong> in this category, composing an encomium of the kind c<strong>on</strong>demnedat Panath. 135 (the polar opposite ofcorrect rhetoric as Isocrates c<strong>on</strong>ceives it.: a striking usage, which highlights the perversity of whatPolycrates chose to do. The verbdoes not occur elsewherein Isocrates; it is very rare in oratory (<strong>on</strong>ce in the Demostheniccorpus, [Dem.] LXI Eroticus 53), but frequent in Plato. In its literalsense it refers to 'fitting' clothing or ornament <strong>on</strong>to a pers<strong>on</strong> (EuripidesBacchae 857 ff. ( ), I<strong>on</strong> 26 f. ( ), hence the very comm<strong>on</strong>metaphorical use of 'c<strong>on</strong>ferring' some benefit or harm <strong>on</strong> some<strong>on</strong>e,or 'attaching' glory or disgrace to their name: e.g. Iliad XXIV. 110Pindar Nemean VIII 36 f. ( ),Sophocles Electra 356 ( ), Xenoph<strong>on</strong> Agesilaus i.36 (sc. naval command), Plato Republic 420d (), Laws 890c) etc. In Plato, the metaphorical sense also extends


108 COMMENTARYto things 'attached' by means of words (cf. the Pindar passage above):Laws 822bRepublic 400c(to metrical units), 49 laThe presentpassage seems, however, to be the earliest instance of the verbbeing used where a figure from the past, whose real c<strong>on</strong>diti<strong>on</strong> cannotbe changed, has something 'assigned' to them by words in thepresent (LSJ s.v. 5 to ascribe, attribute, citing Arist. Pol. 1259a6 ff.). Byemphasising the violence Polycrates has d<strong>on</strong>e to the <strong>Busiris</strong>-myth,Isocrates creates a favourable background for his own defence of<strong>Busiris</strong> (§ 35). Cf. <strong>on</strong> § 7: the verb underlines the fact that it is Polycrates' selecti<strong>on</strong>of material, ;, that is disastrously wr<strong>on</strong>g.Polycrates isimplicitly included am<strong>on</strong>g the 'abusers' of <strong>Busiris</strong>. In <strong>Busiris</strong>is to as are toCf. § 6, § 33, § 36, and Nic. 4. For polemical c<strong>on</strong>venience, butwith some artificiality, Isocrates c<strong>on</strong>structs a symmetry between Polycrates'two works, and for this purpose it is useful to be able to runtogether the categories of 'accusati<strong>on</strong>' and 'abuse',and, in the same way as with 'defence' and 'praise',and etc.in Isocrates the word(which is very rarein earlier oratory, but comm<strong>on</strong> in Demosthenes and Aeschines) generallymeans 'speak ill of, a near syn<strong>on</strong>ym of, Zeug. 22 f., Helen 45, Antid. 248, Panath. 251;, Antid. 32, 101, 258, cf. Soph. 11;Plat. 62, Antid. 197).is always pejorative, and implies thatwhat is said is false as well as injurious (the same tends to be trueof , but there are excepti<strong>on</strong>s: see e.g. Paneg. 130, Areop. 72).But the word also has a religious sense, as the opposite of(Plato Republic 38 le, Laws 800b ff., 82 Id etc.). This sense appears inIsocrates at Helen 64 (Stesichorus' punishment for hisagainst Helen is a mark of her, and is implicit alsoin Nic. 9. The impiety hinted here becomes explicit at § 38: becauseof <strong>Busiris</strong>' divine parentage, to speak ill of him isin thestr<strong>on</strong>gest sense.see note above <strong>on</strong>. As Isocrates takes<strong>on</strong> <strong>Busiris</strong>' defence, so Polycrates becomes his accuser.


COMMENTARY 109(a metaphor lesscomm<strong>on</strong>place than its English equivalent, and not used elsewhereby Isocrates) suggests an arbitrary decisi<strong>on</strong>: see above <strong>on</strong>what Isocrates says Polycratesinvented is not the associati<strong>on</strong> between Socrates and Alcibiades, butthe specific claim that Alcibiades was Socrates' pupil and was educatedby him: see Introducti<strong>on</strong> II.: 'no-<strong>on</strong>e had noticed': ir<strong>on</strong>ic, and made more so becausePolycrates has been portrayed as suffering from a kind of impairedpercepti<strong>on</strong> (see note <strong>on</strong> § 1-9), which makes it unlikely that he wouldsee something which every<strong>on</strong>e else had overlooked.: this is the reading of . Benseler/Blassadopt the variant(A), <strong>on</strong> the analogy of Zeug. 10 f. (thedetractors of the elder Alcibiades. The comparis<strong>on</strong> is apt, butdoes not justify the c<strong>on</strong>clusi<strong>on</strong> that Isocrates used the same form ofwords here. Drerup and Mathieu/Brem<strong>on</strong>d follow . Note the similardivergence between manuscripts in § 35.By definiti<strong>on</strong>,are fit subjects for encomium: seeHelen 14— 15, Panath. 123, 260. In Isocrates by far the most comm<strong>on</strong>sense ofis 'to excel/surpass others' in positive qualities(which may or may not be specified), though it can simply mean 'tobe different' (e.g. de Pace 54, Antid. 64, Panath. 224), and occasi<strong>on</strong>ally'to outdo' others in some negative quality (de Pace 85Panath. 55. Thus the use of the verb <strong>on</strong> itsown here just about leaves space for divergent assessments of Alcibiades(every<strong>on</strong>e agrees that he 'was excepti<strong>on</strong>al' — for good or ill), whilestr<strong>on</strong>gly suggesting (falsely, but as suits the argument) that every<strong>on</strong>eagrees in a positive assessment.§ 6 . . .: this c<strong>on</strong>ceit may be compared with PlatoApology 41b, where Socrates anticipates the next world:. . . Here,as there, an afterlife meeting is imagined between characters whohave suffered bad treatment in an earthly court (in Apology, bad verdicts;in <strong>Busiris</strong>, bad 'representati<strong>on</strong>' by Polycrates), and who discussand compare their experiences. The picture of Socrates and <strong>Busiris</strong>


110 COMMENTARY'deliberating' about Polycrates' performance and passing judgement —a kind of miniature prosopopoeia of these two c<strong>on</strong>trasting figures — hasa striking comic effect. It turns the tables <strong>on</strong> the rhetorician whoputs figures from the past '<strong>on</strong> trial' for purposes of his ownCf. <strong>Isocrates'</strong> use of 'swapping positi<strong>on</strong>s' as a polemical weap<strong>on</strong>against Polycrates in § 46, and see note <strong>on</strong> § 46. . . For the idea of the dead taking an interest in whatthe living say about them after they die (rather different from theApology passage, where they discuss the events which which causedtheir death) compare Lucian's anecdote in which Alexander tells thehistorian Onesicritus that he wishes he could return to life for a briefwhile after his death, to hear people's h<strong>on</strong>est reacti<strong>on</strong> to Onesicritus'account of his achievements (Lucian How to Write History 40 = Onesicritusof Astypalaia F 7).: because Alcibiades , and any educator wouldwish to have famous and influential pupils. Isocrates had composedpraise of Alcibiades in the speech On the Yoke, but even so it is surprisingthat in <strong>Busiris</strong> he could so c<strong>on</strong>fidently dismiss the idea thatassociati<strong>on</strong> with him was discreditable.this may refer to the 'Socratics' ingeneral, but probably to Plato above all. Isocrates might well regardPlato's Apology as 'praise in the guise of defence', just as Gorgias'Helen is defence in the guise of praise (Isoc. Helen 14). In Antidosis,a work with clear echoes of the Apology (see Too 1995 pp. 192 f),Isocrates states that he has chosen self-defence as a better alternativeto self-praise (Antid. 8).is the opposite ofPolycrates has ascribed to <strong>Busiris</strong> (§ 32)., the quality which: the verb can mean'be dignified/serious', in a positive sense (Helen 11, Areop. 49), or 'takepride (in)', like(Evag. 74, De Pace 50), in which case itsnormative value depends <strong>on</strong> whether or not the pride is justified(note Isoc.'s explicit acknowledgement in § 9 that the <strong>Busiris</strong> themedoes not permit ). Here c<strong>on</strong>tinues the themeintroduced byin § 4 (see ad loc.). Isocrates speaksas if the judgement' by Socrates and <strong>Busiris</strong> has really taken place(cf.)— but even this has not put an end to Polycrates'foolish pride.


COMMENTARY 1 1 1: 'popular', cf. Helen 37.§ 7 : cf. § 38: the use of the pr<strong>on</strong>oun to refer to <strong>Busiris</strong> makes rather anabrupt transiti<strong>on</strong>. Isocrates is sparing in his use of <strong>Busiris</strong>' name,especially in the Encomium: see note <strong>on</strong> § 10: cf. ad Me. 38Aeolus is known for his c<strong>on</strong>trol of the winds, Orpheus for his music'spower over nature: it is plausible that Polycrates used them in a; with <strong>Busiris</strong>, whom he credited with supernatural achievementssuch as the creati<strong>on</strong> of the Nile Delta (§ 31); see also note<strong>on</strong> § 13 . On in encomium see note<strong>on</strong> § 10-29.: i.e. above all Odyssey X.l-75. Withcf. Od. X.65 f.. . . There is no suggesti<strong>on</strong>in the traditi<strong>on</strong> that Aeolus performed this service regularly,or indeed for any<strong>on</strong>e but Odysseus (though Aeolus' words at OdysseyX.73 f.,, could at a stretch suggest a regularpractice).thegeneralising plurals make isolated incidents sound like habitual behaviour;this balances <strong>Busiris</strong>' habit of guest-murder, and avoids irrelevantdetails. The result is a burlesque picture: it is as if Polycrates'<strong>Busiris</strong> were busily engaged in undoing the work of the other heroes( stands as object both of and of, as though the same people were involved in each case).cf. § 32. The ir<strong>on</strong>ic preamble is a foil to the summary directness of§ 8 i.e. his rescue of Eurydice from the underworld.There is no questi<strong>on</strong> here of a versi<strong>on</strong> involving more than<strong>on</strong>e such exploit: see note <strong>on</strong>, . . . above; alsoHeurg<strong>on</strong> 1932 p. 12, Ziegler 1939 p. 1273, Heath 1994 pp. 182 f.This passage is <strong>on</strong>e of surprisingly few pre-Vergilian references tothe story: others include Euripides Alcestis 357, Plato Symposium 179d


1 1 2 COMMENTARYand Phaedo 68a, Hermesianax quoted by Athenaeus (597b), '122; see Heath 1994. Debate c<strong>on</strong>tinues as to whether, in the'original' versi<strong>on</strong> of the story (or in any versi<strong>on</strong> at all), Orpheus wasfinally successful in rescuing Eurydice. Heurg<strong>on</strong> takes as evidencefor a happy ending, but this view is rightly rejected by Zieglerand Heath: <strong>Busiris</strong> affords no evidence <strong>on</strong>e way or the other. If thestory Isocrates knew did end in failure, he would not say so here:it would be no more relevant rhetorically than is the ultimate failureof Aeolus' home-sending of Odysseus.: this emotive poetic expressi<strong>on</strong> is used by Isocrates <strong>on</strong>lyhere and at Aegin. 29. It underlines the unholiness of <strong>Busiris</strong>' c<strong>on</strong>ductas described by Polycrates, a counterpoint for <strong>Isocrates'</strong> emphasis<strong>on</strong> <strong>Busiris</strong>' and a preparati<strong>on</strong> for the 'blasphemy' argumentin § 38-43.: we do not know in what sensePolycrates was 'zealous about genealogies': see Introducti<strong>on</strong> II. Forthe argument from mythic chr<strong>on</strong>ology, see note <strong>on</strong> § 36Isocrates is aware of genealogy as a literary genre, but it is not <strong>on</strong>efor which he has much respect: cf. Antid. 45.: Orpheuswas a c<strong>on</strong>temporary of Heracles (both were Arg<strong>on</strong>auts: e.g. PindarPythian IV 171-8); Aeolus, a c<strong>on</strong>temporary of the heroes of the Troy,bel<strong>on</strong>gs to a later generati<strong>on</strong> than Heracles. It thus follows from thechr<strong>on</strong>ological argument in § 37 that they both lived more than 200-years-plus-four-generati<strong>on</strong>s after <strong>Busiris</strong>. See note <strong>on</strong> § 37§ 9: these transiti<strong>on</strong>al words closely resemblethe equivalent transiti<strong>on</strong> in Helen (§ 15cf. also thetransiti<strong>on</strong> from polemic to statement of <strong>Isocrates'</strong> own views in Againstthe Sophists (§ 14Here the wordsare not in the textof , but are added in the margin by the corrector 5 and appearin 0, while A has. The words missingfrom were c<strong>on</strong>demned by Blass (see Benseler/Blass apparatus), followedby Drerup and Mathieu/Brem<strong>on</strong>d, as having been importedfrom Helen 15. Blass argues that in the Helenstands in


COMMENTARY 1 1 3antithesis with , but that the words are redundant in <strong>Busiris</strong>,where the main antithesis is betweenandlater in the sentence. It seems likely that the phrase should stand inboth speeches (probably with in <strong>Busiris</strong> as againstin Helen). Without it, the formula is incomplete in sense: <strong>Isocrates'</strong>point, comm<strong>on</strong>place as it is, is not that criticism in general is facile,but that it is too easy just to criticise: when the critic backs up thecriticism by setting a better example — as Isocrates does — it is notfacile. Isocrates does not characteristically choose elliptical expressi<strong>on</strong>sin preference to fuller <strong>on</strong>es; andis an appropriate antithesis in <strong>Busiris</strong>, since the polemic is directednot at a nebulous collecti<strong>on</strong> of an<strong>on</strong>ymous opp<strong>on</strong>ents but at specificworks of a specific individual, Polycrates (it is quite clear in c<strong>on</strong>textthat. I would therefore keepin the text.TO : what any<strong>on</strong>e could do, = (Helen 15). Seenote <strong>on</strong> § 45: in § 4 above ( ) the wordpoints to the problem of 'getting through' to Polycrates; here thet<strong>on</strong>e is more <strong>on</strong>e of self-deprecating false modesty.: fitting both Encomium and Defence into this small compass(35 'secti<strong>on</strong>s', where the Encomium of Helen al<strong>on</strong>e occupies 54and that of Evagoras 62) is in itself an achievement in(see <strong>on</strong> § 44). Isocrates does not devote excessive space to a themewhich is 'not serious'.Isocrates c<strong>on</strong>tinuesto suppress the possibility that Polycrates himself regarded his workas and that this may excuse or explain some of its 'faults';cf. § 48. One tool of this suppressi<strong>on</strong> is the overblown, unselfc<strong>on</strong>scious— and, by implicati<strong>on</strong>, humourless — pomposity with whichPolycrates is credited (§ 4 , § 6 ), leadingthe reader to believe that Polycrates, unlike Isocrates, made themistake of taking his theme seriously.: 0A have , but reading is clearly correct(cf. also hypothesis line 45). Thepast tense points <strong>on</strong>ce again to Polycrates' failure, and also combineswith the preceding reference to the unseriousness of the theme


114 COMMENTARYin limiting the scope of <strong>Isocrates'</strong> dem<strong>on</strong>strati<strong>on</strong>: he will show howthe encomium and defence should have been written, given Polycrates'choice to write <strong>on</strong> such a theme. Cf. § 49.: see <strong>on</strong> § 4§ 10-29 Encomium of <strong>Busiris</strong>§ 10-11 Genealogy of <strong>Busiris</strong>, s<strong>on</strong> of Poseid<strong>on</strong> and Libye; transiti<strong>on</strong>to the account of his 'deeds', i.e. of the Kingdom of Egypt.§ 11—14 Geographical Qualities of Egypt: climate and fertility;the Nile, which provides defence and irrigati<strong>on</strong>, and c<strong>on</strong>fers theadvantages both of mainland and of island.§ 15-20 The Egyptian C<strong>on</strong>stituti<strong>on</strong>: separati<strong>on</strong> of classes, importanceof specialisati<strong>on</strong> and adherence to a particular task; their c<strong>on</strong>stituti<strong>on</strong>approved by philosophers, and copied by the Spartans;; of Egypt and Sparta.§ 21—23 Intellectual Culture ( ): promoted by the priestlyclass, which <strong>Busiris</strong> established; medicine for the body, philosophyfor the soul; propaideutics for the young.§ 24—27 Religious Observance ( ): piety the <strong>on</strong>ly virtuebeneficial even when 'exaggerated'; Egyptians god-fearing because of; prescribed by <strong>Busiris</strong> to test his subjects' obedience.§ 28-29 Purity ( )—Pythagoras as Witness: Pythagoras aof the Egyptians; high esteem c<strong>on</strong>sequently enjoyed byPythagoras and his ownThe <strong>on</strong>ly fixed point in the early theory and practice of organisingan encomium is the pride of place given to genealogy: see note <strong>on</strong>§ 10 . For the rest, there is a tensi<strong>on</strong> between chr<strong>on</strong>ologicalnarrative and organisati<strong>on</strong> of deeds under the 'virtues' they illustrate.The Rhetoric to Alexander seems to advocate, after genealogy, atreatment of advantages which are due to good fortune (1441al5,where the lacuna makes interpretati<strong>on</strong> uncertain; cf. 1440bl7-19);then there is to be a brief account of virtues displayed in youth(1441al6 ff.), followed by the main account of adult achievements,divided according to the virtues they dem<strong>on</strong>strate:(1441bl8 ff.). Aristotle does not give rules for arrangementof material, but his discussi<strong>on</strong> at Rhetoric 1366a23 ff. of (theproper standard and material of praise, 1358b27 f.) similarly focuses


COMMENTARY 1 15<strong>on</strong> or which are listed as. Agath<strong>on</strong>'s Encomium of Love in Plato's Symposium is a goodexample of an encomium organised by qualities: first ; and itssubdivisi<strong>on</strong>s—qualities due to good fortune; then and its subdivisi<strong>on</strong>s.('Genealogy' and 'youthful virtues' do not appear, but arein effect subsumed into the argument c<strong>on</strong>cerning , the firstsubdivisi<strong>on</strong> of beauty.) See also Introducti<strong>on</strong> I.iv.In <strong>Isocrates'</strong> Helen, the principal topic, introduced immediatelyafter Helen's genealogy, is her <strong>on</strong>e obvious 'excellence', namely. This remains the underlying topic from § 17 to § 60, thoughthere is a l<strong>on</strong>g interrupti<strong>on</strong> in the form of an inset encomium ofTheseus (§ 18-38): his admirati<strong>on</strong> for Helen serves as evidence forthe power of her beauty. The praise of Theseus begins the accountof deeds which bear witness to Helen's beauty (naturally the proofof beauty is in its influence <strong>on</strong> others, not in the beautiful pers<strong>on</strong>'sdeeds): this narrative of deeds c<strong>on</strong>tinues in § 39-53 (Helen's suitors,Paris, the combatants at Troy), and is followed by ; ofitself (§ 54—60). Next comes Helen's apotheosis and divine power(§ 61-66), and a c<strong>on</strong>clusi<strong>on</strong> (§ 67-69) returning to the subject of theTrojan War and its positive c<strong>on</strong>sequences.The encomium of Theseus in the Helen begins with his birth(§ 18) and moves immediately into the account of his abducti<strong>on</strong> ofHelen (§ 18-20): this is necessary to establish the c<strong>on</strong>necti<strong>on</strong> withthe main theme of Helen's beauty (§ 18.). The transiti<strong>on</strong>al passage § 21-23defines the purpose of the fuller account of Theseus' deeds which isto follow: it will show that he possessed, lacking n<strong>on</strong>eof the. At the same time it reminds us of the relevanceto Helen of Theseus' virtue. The of Theseus are treated firstthrough aof his achievements with those of Heracles(§ 23—28), followed by a praeteritio of other exploits, then an analysisaccording to virtues (§ 31):. The last of these is dem<strong>on</strong>strated by his policies as a'democratic king', which provide the subject for the next secti<strong>on</strong>(§ 32-37).The organisati<strong>on</strong> of Evagoras (terminus post quem 374 B.C.: seeMathieu/Brem<strong>on</strong>d II.142) is not far removed from the prescripti<strong>on</strong>sof the Rhetoric to Alexander. Genealogy and birth occupy § 12-21, anddem<strong>on</strong>strate the (admittedly obvious) principle stated in Rhet. ad Alex.


116 COMMENTARYthat, if the earlier ancestors—in Evagoras' case, the Aeacidae in thedistant heroic age—are distinguished while the later <strong>on</strong>es are less so,<strong>on</strong>e should list the former but pass over the latter (1440b32-35).Then in § 22 come Evagoras' boyhood virtues (), and in § 23 24 the adult virtues of , , and. In what follows, however, there is no very clear organisati<strong>on</strong>of Evagoras' achievements according to the virtues they dem<strong>on</strong>strate.First comes his rise to kingship (§ 25-32), followed by a; with the ways other kings have acquired their thr<strong>on</strong>es(§ 33 39) and an , of kingship itself (§ 40). The first placegiven to Evagoras' status as a king could be seen in the light of Rhet.ad Alex.'''s recommendati<strong>on</strong> that good qualities due to fortune be dealtwith first—being born into a royal line is a matter of good luck(though, as Isocrates stresses, Evagoras had to win his thr<strong>on</strong>e, anddisplayed his in doing so); but chr<strong>on</strong>ological priority is themain c<strong>on</strong>siderati<strong>on</strong>. Next comes Evagoras' c<strong>on</strong>duct as a king, dividedinto domestic policy and treatment of his subjects (§ 41-46), widercivilising influence in Cyprus (§ 47~50), and achievements in war:against Sparta (§ 51 57—with supporting 'evidence' from Evagoras'associati<strong>on</strong> with C<strong>on</strong><strong>on</strong>) and against Persia (§ 57-64). There is notmuch sign of virtues as an organising principle, but there are periodicreminders al<strong>on</strong>g the way of the c<strong>on</strong>necti<strong>on</strong> of deeds with particularqualities: Evagoras acquired the kingdom(§ 26, 38); his government of it showed him to beand(§ 46); his treatment of C<strong>on</strong><strong>on</strong>and others is evidence of oaioiriq (§ 51). This c<strong>on</strong>necti<strong>on</strong> with virtuesis reasserted in § 65, where the two specifically menti<strong>on</strong>ed areand , representing excellence in war and in peace respectively.After a recapitulati<strong>on</strong> (§ 65—69), the encomium c<strong>on</strong>cludes byreturning to Evagoras' good fortune (§ 70-72): he, if any<strong>on</strong>e, deservesto be called a god <strong>on</strong> earth, since he was and , andenjoyed , l<strong>on</strong>g life without decrepitude, and. This secti<strong>on</strong> fits a chr<strong>on</strong>ological scheme, since it stands infor an account of Evagoras' death (Mathieu/Brem<strong>on</strong>d 11.165 n. 1),as well as pointing forward to his reputati<strong>on</strong> after death (§ 71: see note <strong>on</strong> Bus. 10Xenoph<strong>on</strong> in Agesilaus (c. 357 B.C.: Russell and Wils<strong>on</strong> 1981 p. xv)simplifies matters by separating the c<strong>on</strong>tinuous narrative from theexplicit account of the subject's virtues. He presents first a chr<strong>on</strong>o-


COMMENTARY 1 1 7logical account of Agesilaus' career (i-ii), in which his will beshown by his (i.6) and then proceeds to a systematic account(ii-ix) of(iii. 1). Agesilaus possessed(iii), (iv), (v), (vi. 1-3), and(vi.4-8); he was and (vii), displayed TO(viii), and presented a striking c<strong>on</strong>trast with theof thePersian king (ix). The work c<strong>on</strong>cludes with a summary of Agesilaus'life (and death) as enviable and exemplary (x), and a resumeof his character.It is just about possible to read the Encomium of <strong>Busiris</strong> as achr<strong>on</strong>ological narrative of <strong>Busiris</strong>' career: he establishes his kingdom(§ 11 14), organises his subjects into classes (§ 15-20), assigns particulartasks and privileges to particular groups (§ 21—23), and takesmeasures to ensure the c<strong>on</strong>tinuing stability of his regime (§ 24—27);the supposed visit of Pythagoras to Egypt (§ 28-29) obviously takesplace l<strong>on</strong>g after the reign of <strong>Busiris</strong>, and could thus be seen as indicatingthe lasting glory of his achievements (though this is not explicitlystated).In reality, however, no clear chr<strong>on</strong>ological progressi<strong>on</strong> persistsbey<strong>on</strong>d § 15.). The Encomium as awhole is primarily a descripti<strong>on</strong> of the Egyptian state, though its featuresare formally presented as the acts of its founder, and theirsignificance is periodically explained by stating his motive (§1215 , 16 26 f.27 . The obvious organisati<strong>on</strong> of the Encomium is thematic,as the scheme presented at the head of this note suggests. The secti<strong>on</strong>saddress different aspects of Egypt: geographical amenities(§ 11-14), specialisati<strong>on</strong> and c<strong>on</strong>sequent superiority in the art of warand in productive (§ 15-20); educati<strong>on</strong> and intellectual achievements(§ 21-23); religi<strong>on</strong> (§ 24-29).This organisati<strong>on</strong> is akin to the organisati<strong>on</strong> according to virtueswhich is advocated in the Rhetoric to Alexander and more-or-less implementedin Evagoras: three of the secti<strong>on</strong>s have an introductory referenceto the Virtue' of the Egyptians which they dem<strong>on</strong>strate:, § 21 23; , § 24 27; , § 28-29 (thoughis not entirely distinct from , and has already beenmenti<strong>on</strong>ed in § 26). The difference, of course, is that in <strong>Busiris</strong> thevirtues in questi<strong>on</strong> are never said to bel<strong>on</strong>g to <strong>Busiris</strong> himself, theobject of the encomium. The reader may infer, but is not told, that<strong>Busiris</strong> possessed the qualities of which he was (cf. § 21


118 COMMENTARY§ 26. Compare how Agath<strong>on</strong> in Plato's Symposium links possessinga quality with producing it in others: 195a197cAnd in hisDefence of <strong>Busiris</strong> Isocrates, asserting the perfect virtue of the godsand their offspring, makes the c<strong>on</strong>necti<strong>on</strong> between virtues and deeds:§ 41. Here in the Encomium, however, theinference that the different aspects of <strong>Busiris</strong>' work reflect his pers<strong>on</strong>alvirtues is never explicitly made: there is <strong>on</strong>ly the general asserti<strong>on</strong>in § 10 that <strong>Busiris</strong> intended his achievements to be a m<strong>on</strong>umentof hisIf the Encomium of <strong>Busiris</strong> is seen in the light of organisati<strong>on</strong> byvirtues, the treatment of the physical advantages of Egypt may beset al<strong>on</strong>gside the treatment of kingship in Evagoras. Here too qualitieswhich might be attributed to good fortune are placed first, andhere too it is shown that they in fact give evidence of —in thiscase, because <strong>Busiris</strong> deliberately chose Egypt as the ideal place forhis kingdom.In Evagoras., as has been made clear, the virtues do not by anymeans produce a rigid scheme, and there is no reas<strong>on</strong> to expect perfectregularity of structure in the Encomium of <strong>Busiris</strong>. All the sameit is worth c<strong>on</strong>sidering why two secti<strong>on</strong>s—§ 11-14 and § 15-20—are not associated with a particular virtue.In the case of § 11 — 14, the reas<strong>on</strong> is clear: the physical qualitiesof Egypt cannot be seen as directly reflecting qualities of <strong>Busiris</strong> himself,and to place <strong>on</strong>e of them— for example—as the 'heading'of the secti<strong>on</strong> would be to make it too obvious that Egypt, not<strong>Busiris</strong>, is being praised. A kind of explanati<strong>on</strong> is offered in the transiti<strong>on</strong>alsentence in § 15 (the qualities of Egypt are ; and fertility, and in choosing Egypt<strong>Busiris</strong> showed himself to beIt would not have been difficult, however, to attach a virtue—perhaps or —to the account of the Egyptianclass system in § 15—20. (Cf. Panath. 204, whereappears


COMMENTARY 1 1 9al<strong>on</strong>gside and c<strong>on</strong>stitutingSeveral possible reas<strong>on</strong>s can be envisaged for not givingthis secti<strong>on</strong> such a heading. One might be a desire not to departtoo far from existing prec<strong>on</strong>cepti<strong>on</strong>s about Egypt: Egyptian medicineand priestly wisdom, massive temples and reverence for animalswere all well-known (see Introducti<strong>on</strong> IV. i, V.i), and easily describedin terms of and , but there is no equivalent traditi<strong>on</strong>which would make the Egyptians remarkable foror . Another reas<strong>on</strong> not to commend the Egyptiansexplicitly formight be that it would produce too starkand striking a c<strong>on</strong>trast with the traditi<strong>on</strong>al <strong>Busiris</strong>-story, and theaudience would be reminded of what they are being encouraged toforget.It is also possible that the absence of a heading serves the parody,if such it is, of Plato's Republic (see Introducti<strong>on</strong> IV.i). This secti<strong>on</strong>states a principle resembling that which emerges unexpectedlyin Republic as the essence of justice (§ 16. Isocrates could not identify thisfeature with SiKouocruvri without destroying the subtlety of his parodyand hopelessly bewildering those unacquainted with Plato's ideas;<strong>on</strong> the other hand, if he articulated some more familiar way in whichthe Egyptian c<strong>on</strong>stituti<strong>on</strong> exemplified(or some other excellence),the parody would be very much weakened. As it is, theidentificati<strong>on</strong> of the Egyptian c<strong>on</strong>stituti<strong>on</strong> as displaying Plat<strong>on</strong>icis left available for those able to make it — and is perhapssuggested by the c<strong>on</strong>spicuous and surprising absence ofand its cognates from the Encomium. But this is clearly a speculativeline of argument, and the quest for an 'explanati<strong>on</strong>' of this featureof the Encomium may itself be misguided.Two features of the encomia in Helen and in Evagoras appear <strong>on</strong>a smaller scale in the Encomium of <strong>Busiris</strong>: the , and theintroducti<strong>on</strong> of some well-known figure whose associati<strong>on</strong> with theobject of praise serves as 'testim<strong>on</strong>y' to their virtue. Comparis<strong>on</strong> isnoted by Aristotle as a technique of , characteristic of Isocrates:(Rhet. 1368al9— 22). For the importance of the; in later theory of encomium, see e.g. Menander RhetorRG III.372.21-5, 377.2^9. The use of 'witnesses' may be seen asexemplifying another Isocratean practice <strong>on</strong> which Aristotle remarks,


120 COMMENTARYthat of 'bringing in' people to praise:(Rhet. 1418a33 f.).Evagoras is compared with Cyrus and others who have w<strong>on</strong> kingdoms(§ 35~39) and with the heroes of Troy (§ 65-69), Theseus inHelen is compared with Heracles (§ 23—28); in <strong>Busiris</strong> there is aof the Egyptian c<strong>on</strong>stituti<strong>on</strong> with the Spartan: a miniatureand light-hearted parallel for the full-scale of Athens withSparta in Panegyricus and Panathenaicus (cf. in particular <strong>Isocrates'</strong> introducti<strong>on</strong>to this comparis<strong>on</strong> at Panath. 39—41). Again, with the role ofTheseus in the Helen, a (§ 38),and with that of C<strong>on</strong><strong>on</strong> whose associati<strong>on</strong> with Evagoras is a(Evag. 51), we may comparethe part played by Pythagoras as a well-known figure who'observed' the ; of the Egyptians and learned from them (<strong>Busiris</strong>28 f.). The great antiquity of the <strong>Busiris</strong>-story is reflected in the factthat both the Spartan c<strong>on</strong>stituti<strong>on</strong> and the religious expertise ofPythagoras are much younger than their Egyptian equivalents; morethan that, they are derived from them.As has been said, the Encomium of <strong>Busiris</strong> is in effect more ofan Encomium of Egypt, and in outline it c<strong>on</strong>forms closely to theprecepts given by Menander Rhetor for 'praise of a city' (RGIII.344.16—367.8). Praise of a city combines elements of praise of acountry and praise of an individual pers<strong>on</strong> (346.27—9): first come thecity's geographical advantages, based <strong>on</strong> the same topics as praiseof a country; then its origin, and theof its inhabitantsarranged according to virtues, following the same scheme as encomiumof an individual. Similarly in <strong>Busiris</strong> we have geographical excellence(§ 11-14) followed by arranged according to virtues(§ 15-29). Menander divides 'praise of a country' into the two maincategories of nature, and positi<strong>on</strong>; positi<strong>on</strong> divides intorelati<strong>on</strong> to land, sea, and sky (the last encompassing 'seas<strong>on</strong>s'); naturedivides into mountain vs. plain, waterless vs. well-watered, fertile vs.barren (344.16-345.4: cf. also 351.19). All of these topics are treatedin <strong>on</strong>e way or another in Bus. 11-14. Positi<strong>on</strong> relative to land andsea is covered by the c<strong>on</strong>ceit in § 14 that Egypt combines the advantagesof c<strong>on</strong>tinent and island (see note ad loc.); positi<strong>on</strong> relative tothe sky, and seas<strong>on</strong>s, are treated in § 12, and revisited in § 13 inthe noti<strong>on</strong> that the Nile gives the Egyptians power over the weather;Egypt is a country of wide plains (§ 14), abundantly watered by the


COMMENTARY 1 2 1Nile (§ 13 f.), and bears the richest and most varied crops (§ 12).The extent to which <strong>Busiris</strong> prefigures the c<strong>on</strong>venti<strong>on</strong>s of later 'praiseof cities' is acknowledged by Pernot, who assumes, however, that itsstatus as a prevented it from being an influential model(Pernot 1993 I.185).The praise of Egypt as a country in <strong>Busiris</strong> 11—14 has a fourthcenturyparallel in the praise of Attica in Xenoph<strong>on</strong>'s (i.3-8),which treats several of the same topics: well-adjusted seas<strong>on</strong>s andfreedom from extremes of weather (i.3, 6), variety of crops (i.3), andabove all the combinati<strong>on</strong> of the advantages of island and c<strong>on</strong>tinent(i.7). See note <strong>on</strong> § 14On the theory of encomium in general, see Buchheit 1960, Russelland Wils<strong>on</strong> 1981 pp. xi—xxxiv, Pernot 1993. On the relati<strong>on</strong>shipof the Encomium to the other secti<strong>on</strong>s of the <strong>Busiris</strong>, see Introducti<strong>on</strong>I.iv.§ 10 transiti<strong>on</strong>al (Dennist<strong>on</strong> 1954 p. 472) ischaracteristic of <strong>Isocrates'</strong> rhetorical prose, and marks similar transiti<strong>on</strong>alpassages in the other encomia (Helen 16, Evag. 12; also Panath. 26).: this is the <strong>on</strong>ly occurrence of <strong>Busiris</strong>' name in theEncomium. In the remainder of § 10-29 he appears as the implicitsubject of a verb (§ 12 15 etc.) or referred to by adem<strong>on</strong>strative pr<strong>on</strong>oun (§12 , 26 ). C<strong>on</strong>trast Evagoras,where in § 12—72 Evagoras' name occurs 28 times; even in Helen,where Helen herself is rarely centre-stage, the name Helen occurs11 times in § 16~69. The omissi<strong>on</strong> of <strong>Busiris</strong>' name from here <strong>on</strong>perhaps reflects the c<strong>on</strong>ciseness of the encomium (§ 9 );also, <strong>Isocrates'</strong> strategy of praise will be more effective if readersstart to think of his hero simply as 'the founder of Egypt' and forgetabout the <strong>Busiris</strong> they know from myth. The absence of thename lets us see that the Encomium of <strong>Busiris</strong> is really an Encomiumof Egypt, and thus makes it more likely to trigger recollecti<strong>on</strong>s ofother accounts of ideal , e.g. Plato's Republic (see Introducti<strong>on</strong>IV.i). <strong>Busiris</strong>' name <strong>on</strong>ly reappears when the discussi<strong>on</strong> has returnedto Polycrates' versi<strong>on</strong>: note the c<strong>on</strong>trast between § 30and § 31: genealogy is the agreed first topic of encomium: see GorgiasHelen 3, Isoc. Helen 16 (asserting its priority), Evag. 12 (coupling


122 COMMENTARYwith as in Gorgias' Helen), Xenoph<strong>on</strong> Agesilaus i.2 (a close parallelfor the present passage:.), and Rhet. ad Alex. 1440b24 f.. In Rhet. ad Alex,(x retains this first place in spite of the fact that (just before thepassage quoted) it is classed am<strong>on</strong>gwhich'are c<strong>on</strong>cealed' ( ) not justly praised. Aristotle rati<strong>on</strong>alises:noble origins make the account of noble deeds more plausible (Rhet.1367b29-32). When Sextus Empiricus attacks rhetoricians for notknowing how to praise, since they regard characteristics such as goodbirth which are notas suitable material, the nameof <strong>Busiris</strong> heads his reductio ad absurdum:(adv. math. 11.104).in encomium it is obviously appropriate to stress the abundanceof material (cf. Helen 67, 69, Evag. 73). A good genealogy isalways a rich resource: see Gorgias' observati<strong>on</strong>, as recorded byAristotle,(Rhet. 1418a35-7).: this is the most c<strong>on</strong>stant element in <strong>Busiris</strong>' genealogy,<strong>on</strong> which see Introducti<strong>on</strong> V.v.: Libye appears at Hdt. IV. 45. 3 andprobably at Aeschylus Suppliants 317; Pindar at Pythian IV 24 f. usesthe phraseto refer to the country. The scope ofis not quite clear: is Libye the first woman to rule a country,the first to give a country her name, the first to do each, or thefirst to do both? N<strong>on</strong>e of these 'firsts' is attested elsewhere, and thedetail is not important to the encomiastic effect. For this topic insee Rhet. 1368alO f.. . . The close identificati<strong>on</strong> of Libye with the territorynamed after her makes it easier to present the founding ofEgypt as entirely <strong>Busiris</strong>' own work: c<strong>on</strong>trast Apollodorus' account,in which the 'dynasty' already rules Egypt before Libye is born (Li. 4).: the oftaking pride in achievements rather than (solely) in good fortune


COMMENTARY 123appears again at Evag. 45), and is used by Aristotle in the Rhetoric(1368al-7) to illustrate the change of expressi<strong>on</strong> ( ) by which asymbouleutic 'precept' may be c<strong>on</strong>verted into an the preceptis, whichin encomiastic form becomes—a close paraphrase of the Evagoras passage.Another close parallel for the present passage is Zeug. 29:(sc. Alcibiades senior)Cf. also Panath. 32.i.e. the Egyptian kingdom and c<strong>on</strong>stituti<strong>on</strong>, the lastingm<strong>on</strong>uments of <strong>Busiris</strong>' career. On the 'immortal m<strong>on</strong>ument' motif,see next note. <strong>Busiris</strong>' intenti<strong>on</strong> to leave a memorial has a 'reflexive'effect, as in other texts where an author makes a character anticipatebeing remembered (cf. esp. Iliad VI.357 f, Odyssey VIII.580).For <strong>Isocrates'</strong> view of speech as a memorial, see especially Evag. 73. Xenoph<strong>on</strong> adaptsthis antithesis in Agesilaus, cutting out the role of and the encomiast:where Isocrates presents encomium as a finer alternative tosculpture, Agesilaus is said to prefer deeds to statues, because theyare his own work, not another's (xi.7: cf. last note). Here there isan element of ir<strong>on</strong>y because what <strong>Busiris</strong> is made to imagine as a—the kingdom of Egypt—has been no at all, sincehe has not hitherto been 'known' as its founder; thus his <strong>on</strong>ly memorialis the present speech itself.Another important passage reflecting <strong>on</strong> encomium as the m<strong>on</strong>umentof deeds is Panegyricus 186, where the pairingencapsulatesthe functi<strong>on</strong> of encomium (cf. Lysias II Epitaphios 3). Similarlythe Antidosis is its author's own memorial (§ 7), and takes the placeof an (§ 8). Plato at Republic 599b attacks the literary artist'spretensi<strong>on</strong>s, but at the same time presupposes the nexus: some<strong>on</strong>e who understood and realisedthat an actual thing is superior to a copy(compare the sentiments of Xenoph<strong>on</strong>'sAgesilaus). Plato's immediate c<strong>on</strong>cern here is with poetry (see Halliwell


124 COMMENTARY1988 ad loc.), but the way he expresses his thought suggests theinfluence of the rhetorical traditi<strong>on</strong>.: immortal fame is naturally a motif of proseencomium (as of earlier poetry: Theognis 243-254 West etc.): cf.Helen 17, Evag. 3, 4, 67, 71, Xenoph<strong>on</strong> Agesilaus vi.2, xi.7, 16; otherIsocratean examples of the praise topic of 'immortal glory' includede Pace 94, Plat. 53, Phil. 145, Archid. 109. The same , is turnedto negative effect at Paneg. 89 (Xerxes bridged the Hellesp<strong>on</strong>t andchannelled Athos• • •, and receives a further twist in <strong>Isocrates'</strong>own claim to immortality at Panath. 260, where hybris is avoided bothby putting the words in the mouth of his pupil and by including anexplicit denial that the immortality in questi<strong>on</strong> is the same as thatof the gods:§ 11-14 The Geographical Situati<strong>on</strong> of EgyptThe way Isocrates develops his account may be compared withHerodotus' outline of what makes Egypt excepti<strong>on</strong>al:(II.35.2). Isocrates trans-skilfully into topics of praise.mutes Herodotean11 : the excepti<strong>on</strong>al individual'simpels his rise: cf. Evag. 24. See also above <strong>on</strong> § 10. . . Like § 10,helps to articulate a c<strong>on</strong>necti<strong>on</strong> between the praise of Egypt whichfollows and the figure of <strong>Busiris</strong> himself: the country wasfor him, 'appropriate' or 'proporti<strong>on</strong>ate' to his nature.8 : balancedphrases (: nine syllables, two withl<strong>on</strong>g vowel-sounds;: ten syllables, twowith l<strong>on</strong>g vowel-sounds) with marked homoeoteleut<strong>on</strong>. <strong>Busiris</strong>' life up tothe founding of his kingdom is dealt with summarily, in marked c<strong>on</strong>trastwith the lavish development of § 1213 <strong>on</strong> the amenities ofEgypt. and c<strong>on</strong>form to the principle ofin encomium: see Arist. Rhet. 1368a22 f.


COMMENTARY 125: <strong>Isocrates'</strong> account suggests that he is followingthe 'I<strong>on</strong>ian' usage, in which ; means <strong>on</strong>ly the Nile Delta,the rest of what others call Egypt being divided by the Nile betweenArabia and Libya: cf. § 12 , § 13 § 14and see Herodotus 11.15-18 (with Lloyd 1976ad loc.). The use of the 'I<strong>on</strong>ian' definiti<strong>on</strong> helps the 'mainland-island'c<strong>on</strong>ceit of § 14, which forms the basis of <strong>Isocrates'</strong> praise of thecountry's amenities: Egypt has the traditi<strong>on</strong>al merits of mainland (fertility;the ref. to 'abundance of land' may suggest some flexibility inthe definiti<strong>on</strong>, see note <strong>on</strong> § 14) and island (easeof transport and defence); plus <strong>on</strong>e uniquely local advantage, theNile floods, here represented as human c<strong>on</strong>trol of the weather.the lavish praise of Egypt's special qualities might tendto detract from <strong>Busiris</strong>' pers<strong>on</strong>al achievement (so Eucken 1983p. 184), and <strong>Isocrates'</strong> 'plausible' account, unlike Polycrates', cannotmake him directly resp<strong>on</strong>sible for them (see § 31, 34 f). Isocratescompensates by emphasising <strong>Busiris</strong>' deliberate choice of Egypt andthe good sense to which it testifies (§12 , § 15: see note <strong>on</strong>§ 10-29).§ 12—14 The secti<strong>on</strong> <strong>on</strong> the physical advantages of Egypt is anintertwining four basic points, all related to the propertiesof the Nile:(A) Egypt has good 'weather', i.e. sunshine plus Nile water.(B) c<strong>on</strong>sequently, Egypt is very fertile.(C) the Nile is a barrier against attack.(D) the Nile provides easy transport.These points are combined in a complex pattern of repetiti<strong>on</strong> andre-ordering, which may be summarised as follows:Unlike other countries, Egypt (A) has ideal weather, (B) is very fertile,and moreover (C) is protected by the Nile, (§ 13) which not <strong>on</strong>lydefends it but (D) supplies it, making it both (C) well-protected and(D) easily supplied; the Nile is resp<strong>on</strong>sible for (B) the agricultural prosperityof the Egyptians, because it provides (A) the uniquely c<strong>on</strong>trolledweather. In fact (§ 14), the Egyptians are so fortunate as to have (B)the fertile abundance of a c<strong>on</strong>tinent, but also (D) the ease of exportand import of an island, since the Nile flows everywhere and makestransport easy.Thus schematised, the pattern is AB CD CD BA BD. A and B (loosely,the 'c<strong>on</strong>tinental' properties) are presented first without explanati<strong>on</strong>;


1 26 COMMENTARYthen C and D (the 'insular' properties) are presented as gifts of theNile, and re-stated to emphasise their practical implicati<strong>on</strong>s. ThenB and A appear again (reversed in order), and are now also seento be gifts of the Nile. Finally, in § 14, the c<strong>on</strong>clusi<strong>on</strong> — that Egypthas the best of both c<strong>on</strong>tinental and insular geography — is underlinedby repetiti<strong>on</strong> of B and D, <strong>on</strong>e member from each pair.For a stylistic analysis of § 12—13, see Introducti<strong>on</strong> I.v.the expressi<strong>on</strong>, thoughimpressive, is not in itself very clear, but is immediately explainedby the sec<strong>on</strong>d half of the antithesisOther countriesare notin the sense that sun and water d<strong>on</strong>ot appear at exactly the right time and in the right quantity fortheir crops; they are notbecause they are locatedin arid or rain-washed z<strong>on</strong>es, not having the ideal c<strong>on</strong>juncti<strong>on</strong> ofsun and water. Egypt has sunlight and water regularly and advantageouslydistributed in time and space. For Egypt as a place witha regulated, if not homogeneous, climate, see Aristophanes' Seas<strong>on</strong>sF 581 K-A. For the use of , cf. Areop. 30; see also Wersdorfer1940 p. 69. For cf. Panath. 32cf.§ 13 and see commentary ad loc. for the senseof . Compare Plato Timaeus 22de, where the Nile protectsEgypt from the periodic destructi<strong>on</strong> by fire or water to which therest of the world is subject, and see Introducti<strong>on</strong> IV.iii.'au plus bel endroit de 1'univers'(Mathieu/Brem<strong>on</strong>d). There is <strong>on</strong>e other instance in the work ofIsocrates of the word ; meaning 'the heavens', 'the world/universe',namely Panegyricus 179(elsewhere it has the sense of 'good order', Panath. 116, or'ornament', Evag. 9, ad Me. 32). This usage, first attested for earlyphilosophers such as Pythagoras, Heraclitus, Parmenides (see LSJ s.v.IV), is frequent in Plato (e.g. Timaeus 28b 6, and in this sense seems to have been seen as a'buzz-word' of sophistic : cf. Xenoph<strong>on</strong> Memorabilia I.i. 11In oratory its


COMMENTARY 127use remains a mark of stylistic elevati<strong>on</strong>: cf. [Dem.] LX Epitaphios24 and [Dem.]XXVI Against Aristogeit<strong>on</strong> II 27.praise of Athens in Xenoph<strong>on</strong>'s i.3compare the similar, but c<strong>on</strong>trast the higher praise at Areopagiticusalso Introducti<strong>on</strong> IV.iii with n. 176.SeeMathieu/Brem<strong>on</strong>d follow A's reading, but, adopted by Benseler/Blass and Drerup and said by thelatter to be the text given by the first hand in , is preferable. Cf.Antid. 295. Here would be redundant, whereasthe superlative , matching and inthe preceding clause, adds to the: compare Menander Rhetor's recommendati<strong>on</strong>sfor praising a city in the middle of a plain, RG III.349.18 f.) and a city surrounded by mountains, 350.32—351.1); itis hard to see, though, how the Nile is really a 'defence'. Metaphoricaluses of are quite rare. One other instance where the wordmay designate a c<strong>on</strong>crete defence other than an actual wall is thefamous oracle quoted by Herodotus at VII. 141, referring to a: the Athenians are divided between a literal interpretati<strong>on</strong> anda metaphorical <strong>on</strong>e (the walls of the Acropolis vs. the fleet). See alsoAntisthenes Odysseus 7 (Ajax' shield as a: cf. theIliadic, VII.219 etc.) and Demosthenes' famousboast at XVIII On the Crown 299:


1 28 COMMENTARY. See Wankel 1976 ad loc., and compare AeschinesIII Against Ctesiph<strong>on</strong> 84, Dem. XXI Against Meidias 138. Note alsoAlcidamas' metaphor, c<strong>on</strong>demned asunc<strong>on</strong>vincing by Aristotle at Rhet. 1406bl 1 ff., and Xenoph<strong>on</strong> Agesilausi.22 (cited <strong>on</strong> § 13 ; below). Here, the metaphor likeningthe Nile to a work of human craftsmanship (set off bywhich is presumably meant to remind us of ; as a god) is amore acceptable alternative to Polycrates' fanciful claim that it was<strong>Busiris</strong> himself who split the Nile to form the Delta (cf. § 31).: the Nile, with its paradoxical summer flood, is theof Egypt par excellence.§ 13 these adjectives (neither of whichis used elsewhere by Isocrates) are appropriate to the special qualitiesof the river-as-wall, and c<strong>on</strong>tribute to the high epideictic styleof the passage.in its obvious sense 'impossible to capture' is rare: e.g.Herodotus 1.84.3 (an oracle) 7and VIII.51.2(paraphrasing the oracle at VII. 141, which used the adjective; Xenoph<strong>on</strong> Agesilaus i.22 ( ) and viii.8, wherethere is a play betweeen literal and figurative senses:. Its <strong>on</strong>ly occurrence in classical oratorybesides the present passage is in a figurative sense, 'unattainable', at[Dem.] LXI Eroticus 37; it is also used <strong>on</strong>ce, figuratively, by Plato(Theaetetus 179c); at Thucydides IV.70 it means 'uncaptured'.too has <strong>on</strong>ly <strong>on</strong>e other occurrence in oratory: Dem. IFirst Olynthiac 4. Cf. alsoPlato Laws 863b, Xenoph<strong>on</strong> Hellenica IV.ii. 10. (In the present passage,( ), is certainly correct, as against, an even rarer adjective which does not seem to occurin classical prose, would spoil the syllabic balance of the antithesismatches as matches , andlooks like a copyist's replacement ofwith an adjectiveformed in a more familiar way.): see LSJ s.v. II: 'easily managed, of the Nile, Isoc. 11.13;of horses, docile, Poll. 1.195; ... of land, easily cultivated, Strab.


COMMENTARY 1295.3.12 . . .' The sense underlying these uses is 'easily led/guided', cf.Ep. II15 (the <strong>on</strong>ly other instance in Isoc.), Plato Republic 486d. Herethe primary reference, developed in the next sentence, is to the manageabilityof the Nile as a water supply.: the climax of a thread of auxesis running from§ 10 through above. Cf.Helen 61. . ., and the more figurative uses of the adjective in ad Nic.5 and Phil.145. Here, within the terms of the c<strong>on</strong>ceit, the adjective is precise:the power attributed to the people of Egypt precisely matches a particularof Zeus.The background to this c<strong>on</strong>trast between the Egyptians' 'divinepower' and other nati<strong>on</strong>s' dependence <strong>on</strong> Zeus is surely Herodotus'anecdote at II. 13.3: hearing that Greece is watered by rain, notrivers, the Egyptians said that <strong>on</strong>e day the Greeks 'would be cheatedin their great expectati<strong>on</strong>, and suffer terrible famine'. For Herodotus—who adds the further twist that the boot may be <strong>on</strong> the other foot,if the land-level in Egypt c<strong>on</strong>tinues to rise—the 'point' of the storyis not that Egypt is a better place, but that different envir<strong>on</strong>mentsproduce radically different outlooks. Adapting it as material for praise,Isocrates stresses the individual c<strong>on</strong>trol which the Nile (being, unlike temperamental Zeus) gives to the Egyptians, thus invokingreaders' knowledge of Egyptian irrigati<strong>on</strong> systems as well as ofthe Nile flood.Polycrates ascribed to <strong>Busiris</strong> the creati<strong>on</strong> of the Nile Delta itself,a feat bel<strong>on</strong>ging to divine, not human, power (§ 31). It may be <strong>on</strong>this basis that he compared <strong>Busiris</strong> with Aeolus: <strong>Busiris</strong> gave theEgyptians c<strong>on</strong>trol of the waters as Aeolus gave Odysseus c<strong>on</strong>trol ofthe winds (see note <strong>on</strong> § 7). If so, the present passageis <strong>Isocrates'</strong> comm<strong>on</strong>-sense resp<strong>on</strong>se: his <strong>Busiris</strong> possesses thehuman attribute of choosing the Nile Delta for his kingdom ratherthan the superhuman <strong>on</strong>e of creating the Nile Delta itself. Thisadmits reputable auxesis of the amazing properties of the Nile, andIsocrates can outdo Polycrates by making a comparis<strong>on</strong>, not with aminor figure like Aeolus, but with Zeus himself. Where Polycrates'<strong>Busiris</strong> vied with Aeolus, the(Odyssey X.21), <strong>Isocrates'</strong>Egyptians vie with Zeus,(see note below<strong>on</strong>If both Polycrates and Isocrates associated <strong>Busiris</strong> with c<strong>on</strong>trol


1 30 COMMENTARYover water, this may simply reflect Greek fascinati<strong>on</strong> with the Nileand its flood. On the other hand, there may be a c<strong>on</strong>necti<strong>on</strong> withthe aetiology for <strong>Busiris</strong>'which figures in the later traditi<strong>on</strong>:a nine-year drought, for which a seer prescribed human sacrificeas the remedy (Callimachus Aetia F 44, etc.: see Introducti<strong>on</strong> V.iii).If this part of the story did appear in a source known to the tworhetoricians, they might be expected to resp<strong>on</strong>d to it in some way,and <strong>Isocrates'</strong> account implicitly refutes it: how could there be anine-year drought, when the Nile is such a dependable and c<strong>on</strong>trollablesource of water? <strong>Isocrates'</strong> Egypt is altogether free from thedevastati<strong>on</strong> by to which other countries are subject (§ 12).: Herodotus at II. 25. 4-5 c<strong>on</strong>trasts other rivers, which are inspate during the winter through being fed with rain () but low in summer when the rainscease and they are evaporated by the sun (), with the Nile, which, because itis rainless () and is affected by the sun's heat in winter,is unique in being lower in that seas<strong>on</strong> than in the summer. Cf.also II.22. 3. In its narrow sense, the word(used by Isocrates <strong>on</strong>ly here and in § 12 above, and not comm<strong>on</strong>in Attic prose) describes c<strong>on</strong>tinuous, 'pouring' rain, which may bedestructive (as in § 12 above, cf. Iliad TK. 1ll, XIII. 245) or beneficial(as here, cf. Iliad X.6, XIII. 39); the distincti<strong>on</strong> between and(lighter) is formally made at [Arist.] de Mundo 394a31.in Homer is often(Iliad V.91, XI.493, XII.286; OdysseyIX. 1ll, 358), and it gives Zeus his title (see below <strong>on</strong>'droughts'. Cf. Hdt. II. 13. 3, and Evag. 14. The couplingserves to suggest the extreme c<strong>on</strong>diti<strong>on</strong>s fromwhich the Egyptians, with their c<strong>on</strong>trol of the Nile, are exempt: cf.in § 12.cf. Hdt. II. 13.3. At Athens the mostfamiliar are the officials in charge of temple treasuries, the'Treasurers of Athena' and 'Treasurers of Other Gods' (<strong>on</strong> whichsee e.g. Rhodes 1981 pp. 549 f). The antithesis between andmay evoke this everyday sense of the former word, suggestinga c<strong>on</strong>trast between individual property and public funds: theEgyptians do not, as it were, have to apply to an official for rain:


COMMENTARY 131it is at their disposal as if it were their own. On the other hand,plus a genitive is often applied to a god (e.g. Euripides Electra704 ), and especially Zeus, as an epithet identifyingareas of life over which he has c<strong>on</strong>trol. Zeus isat Iliad IV.84 and XIX.224,at Eur. Medea 170; he isalso of wider destiny: cf. Sophocles F 590 Radt 3-4, and the poeticclaim criticised by Socrates at Plato Republic 379e,. The word is not used elsewhere,however, of his functi<strong>on</strong> as rain-maker, although he makes Aeolus(Odyssey X.21) and is himself calledin a list of his attributes, by Maximus of Tyre (XLI p. 474 Hobein).The cult and ic<strong>on</strong>ography of(and of the closely relatedare described in Cook 1940 pp. 525-70. Cook documentsc<strong>on</strong>necti<strong>on</strong>s betweenand cults involving humansacrifice (pp. 525 f.): if, as seems likely, Polycrates presented <strong>Busiris</strong>as some kind of weather-master, it is c<strong>on</strong>ceivable that he made ac<strong>on</strong>necti<strong>on</strong> between this and the king's practice of human sacrifice(see notes <strong>on</strong> above, and <strong>on</strong> § 45§ 14 hendiadys, 'the excellentnature of the land', i.e. its fertility.when describing a coastal locati<strong>on</strong>, or an island,it is natural to think in terms of a meeting of sea and land: cf. e.g.Odyssey XIX. 172 f.. The land is fertile; the sea 'surrounds' and bringstrade. Thucydides characterises Sicily as an island almost attachedto the mainland (VI. 1.2), but Isocrates seems to be the first to commenda place specifically as combining the best of both island andmainland—subsequently a . The idea is exploited by Xenoph<strong>on</strong>when praising Attica in , where the main point (as the subjectof the work dictates) is Athens' accessibility to trade both by sea andby land:(i.7). (Ithas been argued (e.g. Breitenbach 1967 p. 1754) that (terminuspost quem 362 B.C.) was composed c. 356—5, under the influenceof Isoc.'s On the Peace—a theory which would make a borrowing from<strong>Busiris</strong> all the more plausible.) The reaches its fullest development


132 COMMENTARYin Aristides' Panegyric in Cyzicus (XXVII.6 11); compare also Aristides'similar praise (showing the influence of i.6—7) of the 'isthmian'situati<strong>on</strong> of Corinth, XLVI Isthmian to Poseid<strong>on</strong> 21 ff. In MenanderRhetor's instructi<strong>on</strong>s <strong>on</strong> 'praise of a country' (RG III.344.16 ff.), the'peninsula', ( ) , is <strong>on</strong>e of the possibilities under thecategory of 'positi<strong>on</strong> relative to the sea', and he cites appropriatemodels when treating this(= FGrH 139 F 12)(345.19-22). Menander recommends the 'best of both worlds' treatmentmore explicitly under 'praise of a city':(348.30 f.).see note <strong>on</strong>above. Egyptitself, whether restricted to the Delta (cf.) ordefined in terms of the land watered by the Nile (cf. ),is perhaps not specially characterised by its wide expanses, but it hasaccess to the plains of Libya and Arabia <strong>on</strong> either side. The greatsize of all things Egyptian is a favourite theme of Herodotus (seeLloyd 1975 pp. 143 f., and e.g. Hdt. II.6.2-3, 11.10, 124 ff., 148 f,175 f), who exaggerates the size of the country by err<strong>on</strong>eously makingits twice the length of the Persian parasang. Abundanceof fertile land takes its place in later rhetorical theory am<strong>on</strong>g thepraiseworthy qualities of an inland area (see Menander Rhetor RGIII.345.10), and the , also figures in Aristides' praise of Cyzicus,XXVII Panegyric in Cyzicus 9.: compare the role given tothe Peiraeus in <strong>Isocrates'</strong> praise of Athens at Panegyricus 42; also[Xen.] Ath. Pol. ii.ll and Xen. i.7 (cited <strong>on</strong>above). The abstract noun (not used elsewhere by Isocrates)rarely has the sense of 'distributi<strong>on</strong>', 'export', 'sale', and this seemsto be the earliest instance; cf. Arist. Rhet. 1372b33, whereseems to be 'means of disposing' of stolen goods ('opportunities ofdisposal', Kennedy 1991 p. 98), and Harpocrati<strong>on</strong>'s gloss(p. 91 line 18 Dindorf). Thecorresp<strong>on</strong>ding sense of the verbis comm<strong>on</strong> (LSJB.3: e.g. Paneg. 42). ('import', 'procurement', cf. ThucydidesVI.21.2, IV.27.1) is another word not used elsewhere by Isocrates(the compound'harvest' appears at Areop. 30). The twoabstract words have a slight technical ring, appropriate in the tran-


COMMENTARY 133siti<strong>on</strong> from straightforwardly encomiastic material to the more 'philosophical'account of the c<strong>on</strong>stituti<strong>on</strong> of Egypt.§ 15-27 The§ 15 : a formulaic expressi<strong>on</strong>: cf. e.g.Areop. 31 , Panath. 230: the close link that has been established betweenthe geography of Egypt and its fertility slightly undercuts the 'double'achievement here attributed to <strong>Busiris</strong>. Similarly the work assignedto the classes — the furnishingthe priests and soldiers serving as — duplicates, <strong>on</strong> the faceof it, what has been provided supernaturally by the Nile. 'Dasglanzende Lob des Landes mindert die Bedeutung v<strong>on</strong> <strong>Busiris</strong>' Werk'(Eucken 1983 p. 184): it is not <strong>on</strong>ly the praise of <strong>Busiris</strong>' achievementthat is undercut, but also the seriousness of theitself.the Egyptian class or caste system (thewords are used here in a loose sense, as c<strong>on</strong>venient translati<strong>on</strong>s for'divisi<strong>on</strong>' etc.) was well known to the Greeks, whoformed and retained an exaggerated view of its rigidity. Herodotuslists sevenand(11.164). Timaeus 24ab, influenced by class-divisi<strong>on</strong>s in theRepublic and perhaps also by <strong>Busiris</strong> (see Introducti<strong>on</strong> IV.iii), hasthree main classes ( ): and , thebeing sub-divided into , and . Thepattern is a class of priests, a class of soldiers, and <strong>on</strong>e or moreother groups of 'workers' involved in <strong>on</strong>e way or another in the producti<strong>on</strong>and distributi<strong>on</strong> of goods: so also Diodorus Siculus 1.73—4( ), Strabo 787 ( ,). <strong>Isocrates'</strong> three-category system, with a hint at a possiblesubdivisi<strong>on</strong> of the category of 'workers' in the antithesis, fits the general pattern, and may be asimplificati<strong>on</strong> of Herodotus' list of seven; equally it fits in with thetheory of Plato's Republic, where three parts of the soul (are matched by three 'classes'— philosopherrulers,(ordinary) guardians, and workers. The theoretical principle


134 COMMENTARY<strong>on</strong> which the class-divisi<strong>on</strong> is based in § 16—17 (and the importanceascribed to this principle) are much more reminiscent of the Republicthan of any known reports of Egypt. The emphasis <strong>on</strong> the choice ofindividuals for each class can be explained in terms of the need toprovide a role for <strong>Busiris</strong>, the subject of the Encomium, but all thesame it is interesting that there is no suggesti<strong>on</strong> of hereditary classmembership—again this brings <strong>Isocrates'</strong> account closer to the Plat<strong>on</strong>icUtopia (cf. the 'Myth of the Metals' at Republic 415a-c) than to Greeklore about Egypt.The idea of dividing a populati<strong>on</strong> into secti<strong>on</strong>s devoted to specifictasks—exemplified at a simple level by warrior-castes in Sparta andother Doric states—was already a of Greek political thoughtin the fifth century: the planner Hippodamus of Miletus based hisideal city <strong>on</strong> a divisi<strong>on</strong> between three groups ( , in Aristotle'sreport): artisans, farmers, and armed defenders (: Arist. Pol. 1267b3Q—33). (Note thatal<strong>on</strong>gside this threefold divisi<strong>on</strong> of the populati<strong>on</strong> was a threefolddivisi<strong>on</strong> of land, into and , of which the first wouldsupply offerings for the gods, the sec<strong>on</strong>d would feed the soldier-class,and the third would bel<strong>on</strong>g to the farmers: this leaves the asthe 'odd <strong>on</strong>e out' in that it does not corresp<strong>on</strong>d to <strong>on</strong>e of the threeclasses, and it would be an easy modificati<strong>on</strong> of Hippodamus' scheme—at a superficial level—to replace the with a class of priestswho would have charge of, and benefit from, the ) Aristotletreats the need for class-divisi<strong>on</strong> based <strong>on</strong> occupati<strong>on</strong> as a l<strong>on</strong>g-establishedprinciple of political science: he cites Egypt and Crete to proveits antiquity, naming Sesostris and Minos respectively as the rulersbelieved to have introduced it (Politics 1329a40-b5). (On Aristotle'sown analysis of occupati<strong>on</strong>al and ec<strong>on</strong>omic class, see de Sainte Croix1981 pp. 77-80.) His pupil Dicaearchus apparently ascribed the originof the Egyptian caste system to the same king, but called himSes<strong>on</strong>chosis: (sc. ),(F 57a Wehrli). Dicaearchus'interpretati<strong>on</strong> of adherence to an inherited occupati<strong>on</strong> as a precauti<strong>on</strong>againstreflects his own theory of the origins of Greeksociety, in which causes the progressive loss of Golden Agesimplicity: cf. F 49, and see Wehrli's note <strong>on</strong> F 57.The Aristotelianmenti<strong>on</strong>s a system of threeclasses at Athens, identified there as, and


COMMENTARY 1 35(xiii.2). The 'occupati<strong>on</strong>al' divisi<strong>on</strong> suggested by the lattertwo names is probably a product of philosophical theory, not ahistorical reality: see Rhodes 1981 ad loc. (p. 183) and pp. 71-6.This Athenian class-divisi<strong>on</strong> was apparently later used (by 'theEgyptians') as evidence that Athens was originally an Egyptian col<strong>on</strong>y,D.S. I.28.4-5.At Areopagiticus 44 f. Isocrates describes a divisi<strong>on</strong> of the populaceas part of the arrangements made by the Areopagites of old for thehealthy employment of 'all the citizens, and the younger <strong>on</strong>es especially'(§ 43). They were divided, he says, into two groups; it wasimpossible to give them all the same activities, because of differencesin wealth (§ 44). Whereas in <strong>Busiris</strong> 'specialisati<strong>on</strong>' is the key toEgyptian pre-eminence, the much more limited 'selective training' inAthens was an unfortunate necessity. Citizens were given tasks appropriateto their means: the poor were set to farming and trade, therich to horsemanship, athletics, hunting and philosophy (§ 45). Thearrangement is described as if it were enacted in law (cf. § 46). Note the match between. . ., in Areop. 44 f. and herein <strong>Busiris</strong>.: an elegant tricol<strong>on</strong>, with last term l<strong>on</strong>gestand most emphatic, and with subtly varied homoeoteleut<strong>on</strong> - /- /- .cf.§ 13 : human work supplementswhat has been provided by the Nile (see note <strong>on</strong> .above). For metaphorical use of see e.g. ad Nic. 21,[Andocides] IV Against Alcibiades 19, Gorgias' designati<strong>on</strong> of dpi0|i6


136 COMMENTARYcomm<strong>on</strong>wealth' (Van Hook 1945 p. 1ll), cf. Flaceliere 1961 ad loc.('(il s'agit) des proporti<strong>on</strong>s chiffres qui determinent 1'harm<strong>on</strong>ie du corpssocial') and Burkert 1972b pp. 265 f. ('<strong>Busiris</strong> took "all numbers",that is all the classes, in their state as numbered and ordered groupsthat would be useful in the government of society. ' standsfor that which is counted').N<strong>on</strong>e of these is wholly satisfactory. Interpretati<strong>on</strong> (i) seems impossible:the obvious word for 'calculati<strong>on</strong>s' would be (cf.§ 23), and nothing has prepared the reader for the idea of <strong>Busiris</strong>performing calculati<strong>on</strong>s or indicated what the nature of those calculati<strong>on</strong>smight be. Interpretati<strong>on</strong> (ii) is perhaps supported by ,and gives a simple and appropriate sense, but lacks parallels. In othercases where = 'items', there is something in the c<strong>on</strong>textwhich makes the idea of counting or separating the items relevant(cf. Dodds 1960 <strong>on</strong> Bacchae 209). (The closest parallel might beAristotle Poetics 1461b24— 25, whereseemsnot to mean much more than); but there the 'items' in questi<strong>on</strong> have been listed,and a statement of their number follows immediately ( ).)Moreover, this reading provides no clue at all as to why Isocratesmight have chosen such an obscure way to say something so simple.Interpretati<strong>on</strong> (iii) likewise gives an appropriate sense, but againparallels are lacking, and this reading rouses the suspici<strong>on</strong> that wordsare being forced to yield a more c<strong>on</strong>centrated sense than is usualin <strong>Isocrates'</strong> abundant and fluent prose. The closest match wouldperhaps be Plato Laws 668d(see England1921 ad loc.: is plural because each part of the body hasits own 'number'); ; would remain surprising, since there are<strong>on</strong>ly three classes.However is understood, too is rather odd. Itmust mean 'including', 'taking <strong>on</strong> board', but including in what?When Isocrates uses the verb elsewhere, where or how the materialis questi<strong>on</strong> is 'included' (e.g. in <strong>Isocrates'</strong> own : Ad Nic. 9,Plat. 63, Antid. 8, 217) is quite clear, and is sometimes specified (DePace 141 Antid. 184 ). The perfect isemployed in a looser sense, roughly 'possess' (Nic. 22, Paneg. 45), butthis does not help with the present passage.I follow interpretati<strong>on</strong> (iii), but without great c<strong>on</strong>victi<strong>on</strong>. C<strong>on</strong>siderati<strong>on</strong>swhich may help in understanding are (a) that therewill be different kinds of and a separate number of each,


C OMMENTARY 1 3 7so more than just three significant numbers altogether; (b)coupled with can perhaps suggest both all the appropriatefigures (x priests, y soldiers, z craftstmen) and all the individuals makingup those figures: i.e. 'the full complement of all the numberedparts' of the state. We may tentatively translate 'he included allclasses, in those numbers out of which <strong>on</strong>e might best c<strong>on</strong>struct thestate'.slightly odd of a m<strong>on</strong>archic state: but in general the m<strong>on</strong>archicaspect of the Egyptian is not stressed. <strong>Busiris</strong> appearssimply asno role is defined for him as king.: the rati<strong>on</strong>ale for specialisati<strong>on</strong>is that experience c<strong>on</strong>fers skill. Compare Nic. 18 <strong>on</strong> the advantagesof specialist government and Archid. 76 <strong>on</strong> those of single-mindedsoldiering. Herodotus stresses specialisati<strong>on</strong> in Egypt <strong>on</strong>ly in the caseof II. 166. 2. Specialisati<strong>on</strong> and 'doing <strong>on</strong>e's own work' is thecentral principle of Plato's Republic, see Introducti<strong>on</strong> IV.i.§ 17 .: the passage from § 17 to § 20 is parenthetical,in that <strong>Busiris</strong> is not menti<strong>on</strong>ed and no further details of the Egyptianc<strong>on</strong>stituti<strong>on</strong> are provided; it c<strong>on</strong>tains a series of arguments (cued bythe first-pers<strong>on</strong> ) which c<strong>on</strong>tribute to the . See <strong>on</strong>§ 2 1is used elsewhere by Isocrates <strong>on</strong>ly in theplural, meaning 'military c<strong>on</strong>tributi<strong>on</strong>s', e.g. de Pace 29; but cf.at Areop. 28, Panath. 151. meaning'arrangement', 'organisati<strong>on</strong>' of the state (slightly broader than )is used by both Plato and Aristotle: cf. Timaeus 24c, and Arist. Pol.1265b26 (also 1271b2, 1325a3). Here the seems to be thec<strong>on</strong>crete manifestati<strong>on</strong> of the abstract , which reflects thebut also preserves it (). Admirati<strong>on</strong>of the observable induces philosophers to prefer the (abstract)Egyptian: the passage .is partly erased in (see Drerup's apparatus for details);the corrector 5 gives, which is also the reading of 0A and the textaccepted by Benseler/Blass and Mathieu/Brem<strong>on</strong>d. Drerup, however,rec<strong>on</strong>structs the reading of the first hand in as


1 38 COMMENTARYand accordingly adopts thisas the correct text; he c<strong>on</strong>demnsas an interpolati<strong>on</strong>(with transpositi<strong>on</strong> of ). It seems unwise, though, toaccept the testim<strong>on</strong>y of a corrupt passage in against the clear andunobjecti<strong>on</strong>able reading of the other manuscripts. Loss ofin (say by a copyist's eye straying from to) is easier to explain than an interpolati<strong>on</strong> in 0A. Itherefore agree with Benseler/Blass and Mathieu/Brem<strong>on</strong>d in preferringthe text of 5 A.Scholars' identificati<strong>on</strong>s of the philosopher(s) in questi<strong>on</strong> dividequite evenly between Plato (Teichmuller, Gomperz, Pohlenz, Eucken)and Pythagoras or a Pythagorean (Wilamowitz, Dies, Froidef<strong>on</strong>d).For references and discussi<strong>on</strong>, see Eucken 1983 pp. 179 ff.; cf. alsoBernal 1987 pp. 103-8. According to Wilamowitz, the reference 'gehtwohl auf Pythagoras, da kaum ein anderer Name fur ein so hohesLob zur Verfugung steht' (Wilamowitz 1919 II. 116 n. 3); alsomay be compared with § 28—29 (of Pythagoras). Eucken,<strong>on</strong> the other hand, argues that the present tenses (esp.but also) suggest a c<strong>on</strong>temporary figure,and that we do not know of a c<strong>on</strong>temporary Pythagorean of appropriatestature and interests. The plurals here may be literal ratherthan 'generalising', and c<strong>on</strong>temporary Pythagoreans as a group (cf.§ 29) might perhaps count as . (Or Isocratesmay have Plato in mind both here and in § 29, i.e. be treating Platoas a would-be Pythagorean.) But it is probably a mistake to look forspecific individuals behind all <strong>Isocrates'</strong> sidel<strong>on</strong>g references to otherintellectual tendencies, and the superlative here may just benot a focusing of the reference. If readers w<strong>on</strong>der what sort ofphilosophers 'admire Egypt', <strong>on</strong>e soluti<strong>on</strong> is instantly offered by theclaim that Sparta imitates Egypt: any intellectual perceived as'Lac<strong>on</strong>ising' (cf. e.g. Panath. 41) can now be c<strong>on</strong>strued as 'Egyptianising'.In c<strong>on</strong>clusi<strong>on</strong>, the phrase need not be seen as referring to anysingle figure or group. A reader who has made a c<strong>on</strong>necti<strong>on</strong> betweenother features of the Encomium and Plato's political ideas will thinkof Plato (see Introducti<strong>on</strong> IV.i); others may think of Pythagoreansor 'Lac<strong>on</strong>isers'.the wordappears <strong>on</strong>ly in 's text. It is kept by Drerup and Mathieu/Brem<strong>on</strong>d:


COMMENTARY 139Benseler/Blass follow the other manuscripts in omitting it (for viewsof other scholars, see Eucken 1983 p. 178 n. 36). Both c<strong>on</strong>structi<strong>on</strong>swith(+ infinitive and + direct object) are comm<strong>on</strong> inIsocrates. In general, a direct object appears more often when thereis a choice between alternatives (cf. Areop. 22, Ep. V 4), rather thanan absolute preference for <strong>on</strong>e example of a species; but note Panath.39. Eucken has four arguments for rejecting : (i) the senseis complete with the word , so the discovery <strong>on</strong> reachingthat is not the object of breaks thesmoothness of the sentence; (ii)at theend of the col<strong>on</strong> is nicely balanced withc<strong>on</strong>cludingthe next col<strong>on</strong>; (iii) produces a strange narrowing from thewider theoretical perspective suggested byto a focus <strong>on</strong> a particular Encomium of Egypt; (iv)can be explained as a marginal gloss, introduced by a reader whowanted to make the point relate more closely to 'ideal encomium'as the supposed theme of the <strong>Busiris</strong>.On the other hand, derives support from similar usagein Panath. 200 and 237, and n<strong>on</strong>e of Eucken's points against it iscompelling. The weakest is (iii): the use of in Isocrates doesnot imply reference to a 'Lobrede' (cf. e.g. Panath. 200, and see note<strong>on</strong> § 4 ). As for (ii), the antithesis is notdestroyed by the additi<strong>on</strong> of , but is made less direct andperhaps more subtle; and (iv), though plausible, is not in itself a reas<strong>on</strong>to reject the word. The str<strong>on</strong>gest point is (i): alters theflow of sense, without adding much to it. It is not clear how obtrusivethis would be for a Greek audience, but it is hard to find parallels.All the same it seems safest to accept 's reading and retainsee Introducti<strong>on</strong> IV.i. Herodotus at11.167 discusses whether the instituti<strong>on</strong> of a specialised military classshould be traced to an Egyptian origin: it is uncertain, he says,whether it was from the Egyptians that the Greeks learned this, sincethe custom of despising manual work and h<strong>on</strong>ouring those whorefrain from it, especially those devoted to war, is virtually universalam<strong>on</strong>g barbarians; but the Greeks 'have certainly learned it, andthe Spartans especially'. Presumably what Herodotus is assertingis not just that the Greeks practise this custom (and must haveacquired it somehow), but that, since it is general am<strong>on</strong>g the barbarians,


140 COMMENTARYbut less so am<strong>on</strong>g Greeks, it must have originated am<strong>on</strong>g the barbariansand been transmitted, by <strong>on</strong>e barbarian race or another, tothe Greeks: so the Spartan and other systems are derivative. Traditi<strong>on</strong>allyLycurgus received the Spartan c<strong>on</strong>stituti<strong>on</strong>, or the inspirati<strong>on</strong>for it, from the Delphic oracle (Plato Laws 624a, 691de, PlutarchLycurgus 5). Herodotus reports this traditi<strong>on</strong>, but claims that 'theLacedaem<strong>on</strong>ians themselves' say that Lycurgus brought it from Crete.Xenoph<strong>on</strong> may be resp<strong>on</strong>ding to this, or to <strong>Busiris</strong>, or to some widerdebate, when he explicitly rejects any such idea in the preamble tohis(<strong>on</strong> the questi<strong>on</strong> of its date, see MacDowell1986 pp. 8-14):(i.2); he insists again <strong>on</strong> the originality anduniqueness of the Spartan system at x.8:Inlater accounts, Lycurgus—like almost all prominent of thearchaic and classical periods—joins the ranks of those who visitedEgypt and learned from the Egyptians (Strabo 482, D.S. 1.98.1,Plutarch Lycurgus 4 (the fullest account), his and Osiris 354e). Plutarchobserves thatbear witness to Lycurgus'Egyptian pupilage; this is probably a reference to Herodotus andIsocrates am<strong>on</strong>g others, though strictly what they menti<strong>on</strong> is Spartanborrowings from Egypt, not Lycurgus' visit. It is possible that Hecataeusof Abdera (thought to have been a major source for Diodorus' BookI: FGrH 73 B 7, and see Burt<strong>on</strong> 1972) told the story of Lycurgus'visit. The wise man's visit to Egypt rapidly became a (see note<strong>on</strong> § 28so with the hints from Herodotusand Isocrates it was inevitable that such a story should arise forLycurgus if it did not exist already.Athenians took pride in the 'originality' of their own political system:e.g. Thucydides 11.37.1. To derive a Greek city's laws from abarbarian model would be particularly galling. Raws<strong>on</strong> 1969 p. 94notes that <strong>Busiris</strong>, characterising Sparta as an inferior copy of Egypt,stands in c<strong>on</strong>trast with the later habit of detecting traces of theSpartan system in 'barbarian' cultures—Roman, Jewish, Carthaginian—and using these to give them a more civilised image.for this judgement of the Spartanscf. Nic. 24, Areop. 61, Panath. 40—41 (Sparta is good enough for a


COMMENTARY 141with Athens—which will show the latter's superiority). Itis a recurrent theme in <strong>Isocrates'</strong> works that the Spartans have anexcellent system, but that the use they make of it is deplorable (seein particular Panath. 109-111); he also deploys both praise and blameof Sparta, as the occasi<strong>on</strong> demands. In Panegyricus and PanathenaicusSparta is compared unfavourably with Athens; in Areopagiticus Spartaand Athens alike have declined from a pristine ideal; in Panathenaicusthe dissenting pupil presents a pro-Spartan view, and a Spartan outlookis c<strong>on</strong>vincingly adopted in Archidamus. On the political versatilityor 'ventriloquism' of Isocratean rhetoric, see <str<strong>on</strong>g>Livingst<strong>on</strong>e</str<strong>on</strong>g> 1998pp. 273 f; <strong>on</strong> <strong>Isocrates'</strong>judgements of Sparta, Mathieu 1925, Raws<strong>on</strong>1969 pp. 37-44 and p. 49, Harding 1973, Wallace 1985 pp. 158-173,Gray 1994, Fisher 1994.: Harpocrati<strong>on</strong>(p. 166 lines 9-16 Dindorf) quotes this observati<strong>on</strong> and comments:The prohibiti<strong>on</strong> is also menti<strong>on</strong>ed inXenoph<strong>on</strong> xiv.4; cf. Plutarch Lycurgus 27,Spartan Sayings 238d. There is no evidence for a corresp<strong>on</strong>ding prohibiti<strong>on</strong>in Egypt.<strong>on</strong> Spartan (called Arist. Pol. 1271b26~27,cf. Plut. Lycurgus 12) see MacDowell 1986 pp. 111-4. They figurein Herodotus' sketch of the Lycurgan c<strong>on</strong>stituti<strong>on</strong> (1.65.5), were notoriousin Athens (see e.g. Antiphanes F 46 K—A), and are menti<strong>on</strong>edby Aristotle at Politics 1266b41 as am<strong>on</strong>g the Spartan instituti<strong>on</strong>spraised as 'democratic' by enthusiasts (cf. 1271a26:lessdemocratic at Sparta than in Crete). They are a feature of the statein Plato's Republic:(416e, cf. 458c and Laws 780a ff.). They are not a featureof Egypt, but Isocrates may have in mind the food received, accordingto Herodotus, by the priests and by the king's bodyguard (II.37.4,168.2: see notes <strong>on</strong> below and <strong>on</strong>the most obvious Egyptianis their c<strong>on</strong>cern for purity (Hdt. 11.37: see note <strong>on</strong> § 21


142 COMMENTARYbut this could also be an allusi<strong>on</strong> to the military training of the(Hdt. II. 166.2In relati<strong>on</strong> toSpartawould immediately suggest military trainingand athletics (cf. Panath. 217, and see MacDowell 1986 pp. 66-70);the proverbial austerity of the could be a link with Egyptian: according to Herodotus, theEgyptian enjoy a land allocati<strong>on</strong>, and the royal bodyguardan additi<strong>on</strong>al daily grant of food and drink (II.168); the priests tooreceive maintenance (see note <strong>on</strong> § 21 ). On Spartanand the sharing of land through the system of , see MacDowell1986 pp. 89-99. Similarly in Republic the receive enoughprovisi<strong>on</strong>s to experience 'no lack' (416de).Spartansare forbidden to pursue any n<strong>on</strong>-military professi<strong>on</strong>: see esp. Xenoph<strong>on</strong>AOCK. . vii. 1—2, and cf. Panath. 46, where abstenti<strong>on</strong> from otherwork is associated with Spartan militarism. For the specialisati<strong>on</strong> ofthe Egyptian see Hdt. II. 166.2, cited above <strong>on</strong> § 16§ 19 transiti<strong>on</strong> from use of theSpartan copy as testim<strong>on</strong>y to the greatness of the Egyptian original,to unfavourable comparis<strong>on</strong> of the copy with the original. On comparis<strong>on</strong>( as a resource of encomium, see note <strong>on</strong> § 10—29.the Spartans are right to specialise,but wr<strong>on</strong>g to pursue <strong>on</strong>e specialism—war—to the exclusi<strong>on</strong>of others: the result is that the state as a whole is parasitic <strong>on</strong> thelabour of other (subject and c<strong>on</strong>quered) peoples.Isocrates telescopes two unattractive featuresof Sparta: (a) her internal (c<strong>on</strong>stituti<strong>on</strong>ally-driven) dependence <strong>on</strong> thelabour of n<strong>on</strong>-citizens—Helots and Perioikoi (cf. Panath. 179-181(Spartan oppressi<strong>on</strong>) and MacDowell 1986 pp. 27-34); (b) her allegeddependence <strong>on</strong> c<strong>on</strong>stant foreign wars, to keep the Spartiatai active,win new subjects etc. (cf. note <strong>on</strong> § 20§ 20 the Spartans have turned thegood model they copied (§ 17into a disastrous modelfor others. The 'universalising' argument—'what if every<strong>on</strong>e didthis?'—is comparable with the 'reversal of positi<strong>on</strong>s' argument—'what


G OMMENTARY 14 3if some<strong>on</strong>e did this to you?'—used against Polycrates in § 46, whichin turn is a form of what modern scholars have called the GoldenRule ('treat others as you would wish them to treat you'). See note<strong>on</strong> § 46here is the avoidance of manual workwhich makes the Spartans unable to provide for themselves directly.Note, however, Plato Gorgias 515e, where Callicles attributes toLac<strong>on</strong>isers the claim that Pericles has made the Atheniansthis perhaps suggests that was a c<strong>on</strong>tested term in comparis<strong>on</strong>sbetween the Athenian and Spartan systems. For aspart of the Spartans' image am<strong>on</strong>g other Greeks, see the words ofthe pro-Spartan student at Panath. 241. It encompasses both aggressi<strong>on</strong> abroad (Panath.46, 98, 228; Plato Laws 625e if.; Arist. Politics 1271b2-6) and avariceat home (Politics 1271bl5-17, Xenoph<strong>on</strong>, and seeHodkins<strong>on</strong> 1994). Both these species of greed figure in the accountat On the Peace 96 of how the Spartans have been corrupted bypower:It is primarilythe aggressive variety of that is in questi<strong>on</strong> in <strong>Busiris</strong>,as § 19 makes clear: pace Hodkins<strong>on</strong>, thewhich Isocrates imagines has nothing to do with 'Spartiate relati<strong>on</strong>swith the helots', but signifies war between Greek states. (See Hodkins<strong>on</strong>1994 p. 196; in Hodkins<strong>on</strong>'s refs. to Panath. and Bus., for '225' read'228', and for '17' read '19'.)in relati<strong>on</strong> to Sparta,has a specialisedsense, as the term for the requirements to which membersof the Spartiate class must c<strong>on</strong>form (cf. Archid. 1; Xenoph<strong>on</strong> .. x.7; MacDowell 1986 pp. 42-4). Henceis a striking phrase (especially in oppositi<strong>on</strong> to, stressing the point that the 'admirable' features of Spartaare not really Spartan but Egyptian.: the with Sparta c<strong>on</strong>tinues to developthe topics of and , the two imperatives governing theestablishment of <strong>Busiris</strong>' kingdom (§ 13, 15). If every<strong>on</strong>e adopted theSpartan model, would give way to and starvati<strong>on</strong>,


144 COMMENTARYandtoand slaughter; if every<strong>on</strong>e copied Egypt,would prevail.the antithesis of'Self-c<strong>on</strong>tainedness' isa str<strong>on</strong>g theme in <strong>Isocrates'</strong> account of Egypt: § 1 3 ,16 and here. Compare the principle of in Plato's Republic,and see note <strong>on</strong> §§ 21—23 Egyptian Intellectual CultureAs in the Republic, the educati<strong>on</strong>al programme begins with the comm<strong>on</strong>placedivisi<strong>on</strong> between and followed by a progressi<strong>on</strong>,in training for the from mathematical sciences toIt has been argued that the system outlinedhere is specifically Pythagorean (see Delatte 1922 p. 45, Eucken 1983pp. 187 f., and note below <strong>on</strong> § 28in thisc<strong>on</strong>text 'Pythagorean' and 'Plat<strong>on</strong>ic' need not be mutually exclusiveterms.cf. § 15the word in Isoc. sometimes signifies generalthought/awareness (Plat. 61), some particularised branch of mentalability (Antid. 212, 271), or the faculty of judgement (Panath. 196),but more often it means practical, problem-solving intelligence as awhole, rather as in Aristotle (Me. Eth. 1140a24— bll etc.).has a place am<strong>on</strong>g the virtues, and hence am<strong>on</strong>g the subjects of encomium:see esp. Panath. 204, and Phil. 110, Panath. 127, Ep. IX 7.The enhancement or cultivati<strong>on</strong> of is a recurrent theme of<strong>Isocrates'</strong> pedagogical works. (The wordsare morecomm<strong>on</strong> in this c<strong>on</strong>text than e.g. Antid. 71,Evag. 80, and Bus. 22.) At Antidosis 84, Isoc.'steaching is characterised by the highly reputable quality of thehe promotes; at § 209,is the essenceof educati<strong>on</strong>, and at § 294 and eloquence are the twinc<strong>on</strong>stituents of that by which Athenians are distinguishedfrom other Greeks, Greeks from barbarians, and men from animals:.after the 'proofs' in § 1 7-20 the account returnsto <strong>Busiris</strong> himself, but with a subtle change in focus. The simple


COMMENTARY 145narrative of § 11—16 (third pers<strong>on</strong>, past tense — apart from the 'timeless'descripti<strong>on</strong> of the Nile in § 13-14 — ostensibly telling 'what <strong>Busiris</strong>did') c<strong>on</strong>tinues inbut we aremade more aware of its rhetorical c<strong>on</strong>text and of the relati<strong>on</strong>shipbetween the persuader (Isocrates) and the pers<strong>on</strong> to be persuaded(Polycrates, or the wider audience). This increased awareness is mediatedby the argument from probability in § 21 ( .); by the reference to current views <strong>on</strong> science in § 23; bythe authorial engagement implicit in § 24 by the present tenseof the generalisati<strong>on</strong>s in § 24 () and of the ethnographicstatements in § 25; and by the witness of Pythagoras andhis present-day followers in § 28-29.the living-c<strong>on</strong>diti<strong>on</strong>s of thewith Sparta (§ 18):e\)7top(a == .: this list effectively recapitulatesas described in the comparis<strong>on</strong>It matches the regime of the Egyptian priests as described by Herodotus(esp. 11.37): the abundance enjoyed by the priests ( and thelimitati<strong>on</strong>s imposed <strong>on</strong> them ( ) are closely linked, and itis implied, though not stated, that they have from all n<strong>on</strong>priestlyduties. At the same time, the list specifies the obvious prec<strong>on</strong>diti<strong>on</strong>sof intellectual culture from a Greek perspective: <strong>on</strong>e mustbe wealthy enough ( ) not to need to work for a livingand have the self-restraintnecessary to prioritise soulover body. It also recalls the regime of Plato's who are toreceive sufficient maintenance, but must lead a simple life withoutpossessi<strong>on</strong>s or m<strong>on</strong>ey (416de); for their see Rep. 374de, andcf. Timaeus 18b. See also commentary <strong>on</strong> § 18, and Introducti<strong>on</strong>IV.i. The of the Egyptian priests is remarked <strong>on</strong> by Aristotleat Metaphysics A 981b23— 25: 816: a rare word (not elsewhere in classical oratory), andespecially so in the plural; close in meaning to ;. In thesingular, '(religious) purity' (Soph. OT 864); in the plural, 'observancesensuring purity', or 'practices of avoiding/removing polluti<strong>on</strong>'.Herodotus does not use the noun, and uses the verb<strong>on</strong>ly <strong>on</strong>ce (1.140.3, of the Egyptian priests); there are two instances


146 COMMENTARYof the noun in Plato (Laws 909de, 917b). The closest classical parallelfor <strong>Isocrates'</strong> use is Hippocrates 1 (VI.358.14 f.Littre): quacks claiming to treat epilepsy. (On the wordgroupin general, see Parker 1983 pp. 147-51.)Numerous 'observances for the sake of purity' <strong>on</strong> the part of theEgyptian priests are enumerated by Herodotus (11.37), who closeshis list by sayingIn Republic, <strong>on</strong>e prescripti<strong>on</strong> which could be described as ais laid down for the , namely total avoidance of c<strong>on</strong>tact withgold andsilver:(417a; the myth justifying this prohibiti<strong>on</strong>, 416e—417a,is heavy with language of religious purity:An elaborate, idealised picture of m<strong>on</strong>astic intellectual asceticismin Egypt was presented by the Egyptian priest and Stoic Chaerem<strong>on</strong>(I-II A.D.): see esp. FGrH 618 F 6 (apud Porph. de abst. IV.6-8) =Chaerem<strong>on</strong> F 10 in Van der Horst 1987. Chaerem<strong>on</strong>'s account hasenough detailed points of c<strong>on</strong>tact with <strong>Busiris</strong> to suggest, despiteapparent improbability, that Isocrates might be am<strong>on</strong>g his sources.Points of c<strong>on</strong>tact include the following (see also Van der Horst 1987,notes 52-53 <strong>on</strong> F 10):<strong>Busiris</strong> Chaerem<strong>on</strong> F 6 Jacoby = F 10 V.d. Horst§ 20 freedom from§ 21—22 149.2622 149.17


G OMMENTARY 14 7§ 23 mathematical sciencesChaerem<strong>on</strong> uses as a technical term denoting special timesor festivals of purificati<strong>on</strong>: 150.7 f, 150.31 ff., 151.13.§ 22 the verb is rare in classical prose: not elsewherein oratory, <strong>on</strong>ce in Plato, twice in Thucydides. Its semantic rangecorresp<strong>on</strong>ds to that of the noun 'live off', 'gain a living from'(Thuc. 1.11, Xen. Cyr. III.ii.25); 'live out' a period of time (PlatoPhaedms 252d); 'lead <strong>on</strong>e's life' in a particular way (Thuc. 1.130,Xen. Cyr. IV.vi.6); here simply 'live'.: for Herodotus and for Homer beforehim Egypt is a country of doctors (Od. IV.231 f, Hdt. 11.84, III.l,III. 129); neither, however, states that the Egyptians invented medicine.Medicine is not highly rated in the Republic: see esp. 406d.the backgroundto this piece of is primarily Odyssey IV. 2 2 7-30:Drugs can be or and naturally the are used ingood medicine.is not without point, sincein texts of the classical period are more often destructivethan salutary in effect. The <strong>on</strong>ly drugs explicitly menti<strong>on</strong>ed inHerodotus' account of Egypt are purgatives, emetics and enemas; inRepublic, these same drugs, together with cautery and incisi<strong>on</strong>, c<strong>on</strong>stitutethe basic medicine which al<strong>on</strong>e is to be admitted to the state(406d). For an attentive reader well acquainted with Herodotus, theexpressi<strong>on</strong>would havea certain ir<strong>on</strong>y: at II. 7 7. 2 Herodotus explains that the Egyptianscleanse their digestive system regularly(see Lloyd 1976ad loc. for an explanati<strong>on</strong> in terms of Egyptian medical theory).


148 COMMENTARYwithrhetorical licence of statements made by Herodotus, perhaps withsome ir<strong>on</strong>ic play (in) given that Herodotus attributesthese qualities, not to the Egyptians, but to their near neighbours.His Egyptians are sec<strong>on</strong>d healthiest, after the Libyans (II. 77. 3); Egyptianl<strong>on</strong>gevity is not menti<strong>on</strong>ed, but certain Ethiopians in Book III aregiven the epithet (III. 17, 21, 23, 97.2, and cf. III. 114).cf. Paneg. 47f|If <strong>Busiris</strong> was composed after Panegyricus (possiblebut not dem<strong>on</strong>strable: see Introducti<strong>on</strong> Ill.iv— v), there may bean echo here of the majestic period which begins in Panegyricus 47,<strong>on</strong>e of the high points of that work. The effect would perhaps beto undercut the asserti<strong>on</strong> here that the Egyptians invented cpiXoooqna,and thus reveal the author's ir<strong>on</strong>ic distance from his compositi<strong>on</strong>.in the broadest sense the word can be used of settingdown any political principles, and hence of <strong>Isocrates'</strong> ownas at ad Me. 8— if the text there is sound:cf. Introducti<strong>on</strong> III.v n. 121.: this could include two kinds of enquiry:(a) with emphasis <strong>on</strong> , 'investigating the nature of what (really)exists', i.e. Eleatic-style <strong>on</strong>tological theorising of the kind dismissedas frivolous at Helen 3 and Antid. 268; or (b) with emphasis <strong>on</strong>, 'investigating the natural behaviour of what exists' (= the universe),i.e. natural philosophy/science. Interpretati<strong>on</strong> (a) is probablysupported by the c<strong>on</strong>trast in § 23 between these pursuits——and the scientific studies reserved for theyoung; but the distincti<strong>on</strong> might not be of great importance toIsocrates.§ 23 : presumably both 'the greatest affairs'(government, cf.) and 'the greatest questi<strong>on</strong>s' (philosophy,cf.: these singular forms are in 2 A, followed byBenseler/Blass and Mathieu/Brem<strong>on</strong>d; F has the plurals, adopted by Drerup, who takes the priests to be the subject.If this were so, however, the object of the verbs would have to bethe (older and younger <strong>on</strong>es am<strong>on</strong>g) the Egyptians in general: impossible,because each class in Egypt adheres to its own task (§ 16), and


COMMENTARY 149intellectual pursuits and matters of government bel<strong>on</strong>g to the priests,not to soldiers or craftsmen. Thus the singulars must be correct: aswe would expect, it is <strong>Busiris</strong> who prescribes this course of educati<strong>on</strong>.The change of subject (after § 22) isabrupt, but not excessively so, since <strong>Busiris</strong> was the subject of themain verb in the last sentence ( and referringto the priests in § 24 is not problematic, since their educati<strong>on</strong> hasbeen discussed in § 23. The plurals in F are easily explained by theinfluence of the plural verbs in § 22: similarly F 2 has the (clearlyincorrect) singular under the influence of .see Panath. 26-27 fora view of science as useful primarily because it keeps the young outof mischief, and see note <strong>on</strong>' ... below.geometry was thought by Herodotusto be an inventi<strong>on</strong> of the Egyptians (II. 109. 3), a view whichremained widely current (Lloyd 1988 ad loc.). Egyptian astr<strong>on</strong>omy isnot explicitly discussed by Herodotus, but their inventi<strong>on</strong> of the calendaris related to knowledge of the stars (II. 41.1). In later traditi<strong>on</strong>— both 'astr<strong>on</strong>omy' (as here) and 'astrology' — did enterthe list of Egyptian discoveries: see e.g. D.S. 1.9.6, 1.50.1, 1.81.6,with Burt<strong>on</strong> 1972 <strong>on</strong> 1.81.4 ff. For Egyptians as early practiti<strong>on</strong>ersof astrology see also Cicero De Divinati<strong>on</strong>e 1.2 and Pease 1963 ad loc.in general, 'reas<strong>on</strong>ings', 'calculati<strong>on</strong>s' (Helen 45, Antid. 221,Panath. 261); here probably mathematical calculati<strong>on</strong>s. Cf. Harpocrati<strong>on</strong>'sgloss(p. 194 line 6 Dindorf). Gomperz interprets as referring toPlat<strong>on</strong>ic dialectic; Eucken argues against this <strong>on</strong> the grounds thatthe juxtapositi<strong>on</strong> withsuggests a mathematical sense(Gomperz 1905 p. 196; Eucken 1983 p. 186 n. 64). This is probablyright, though it is worth noting two passages where the n<strong>on</strong>mathematicalfield of 'eristics' (within which Isocrates probably includesPlato's activities, in whole or in part) appears as a third term afterAntid. 261 ( ) and Panath. 26(the two views are (i) that the mathematical sciencesare useful for certain purposes; (ii) that they c<strong>on</strong>tribute a greatdeal towards (the acquisiti<strong>on</strong> of) the reading of F,


1 5 0 C OMMENTARYis clearly to be preferred to 0A's banal variantScholarshave tended to assume that (i), the less generous view, is to be seenas endorsed by the author (e.g. Eucken 1983 p. 187, Froidef<strong>on</strong>d1971 p. 253). Certainly the inclusi<strong>on</strong> of this narrower valuati<strong>on</strong> comesas a surprise in the c<strong>on</strong>text of an encomium, where superlatives arethe rule, and it has the effect of breaking the flow; and it is reas<strong>on</strong>ableto relate this to the scepticism expressed elsewhere in <strong>Isocrates'</strong>work about the value of scientific educati<strong>on</strong>. It is a much moredoubtful step to take this passage as asserting that science has (limited)practical value. In the substantial discussi<strong>on</strong> of mathematicalstudies at Antidosis 261-267, the 'popular' view that such educati<strong>on</strong>is of no practical use is endorsed (§ 263), but a case is made insteadfor a propaideutic functi<strong>on</strong> (§ 264-267); so science does, perhaps,c<strong>on</strong>tribute towards not indeed but because it preparesstudents for .see note <strong>on</strong> § 4 .24-27 Egyptian Religi<strong>on</strong>Herodotus11.37. 1. Isocrates treats the Egyptians as not just excepti<strong>on</strong>ally religious,but exaggeratedly so: a view presumably fostered am<strong>on</strong>g Greeksby awareness of animal-worship, and reinforced by the space Herodotusdevotes to Egyptian religi<strong>on</strong>. Here this exaggerated piety is rati<strong>on</strong>alisedand used as evidence of <strong>Busiris</strong>' c<strong>on</strong>cern for the stability ofthe social order he has established. The 'noble decepti<strong>on</strong>' impliedin § 24may be comparedwith the use of deceitful myths in the moral educati<strong>on</strong> of thein Plato's Republic.§ 24 'put <strong>on</strong> an appearance' ( ),put <strong>on</strong> airs'. The verb (cf. Plutarch Romulus 26) does not occur elsewherein classical prose, but it is a straightforward compound of(usu. middle ), e.g. Plato Republic 577a, Gorgias5 1 1 d. Here it is probably chosen in part for the sake of symmetrywithantitheticalclauses each fifteen syllables l<strong>on</strong>g). The prepositi<strong>on</strong>also breaks what might otherwise be an excessive accumulati<strong>on</strong> ofsibilants, .


COMMENTARY 1 5 1a passing stab at the exaggeratedclaims of sophists, with particular applicati<strong>on</strong> to Polycrates(cf. § 42 below); it also prepares the way for the ir<strong>on</strong>ic treatment ofPythagoras and his followers in § 28—29.for the use of the verb cf. Panath. 5: Isocrates ismisjudged by the public: thus it is implied—but not explicitly stated, ina way that would destroy the encomium—that <strong>Busiris</strong>' subjects tooare the victims of a decepti<strong>on</strong>, albeit a salutary <strong>on</strong>e.: 'have champi<strong>on</strong>ed', or 'have taken charge of.is by far most comm<strong>on</strong>ly used in Isocrates with reference topolitical or military leadership (Paneg. 4etc.);the more figurative use here is unusual, but cf. Soph. 19, Antid. 219, 227 ( ;) , 290 Panath.242 .: attenti<strong>on</strong> to human c<strong>on</strong>duct andpunishment of wr<strong>on</strong>gdoers. Cf. esp. Areop. 46-48, where the AreopagusCouncil, understanding that the best deterrent from crime c<strong>on</strong>sistsin the twin expectati<strong>on</strong>s of being found out and of being punished,. The Athenianneeded no such ruse as animal-worship to detect potentialwr<strong>on</strong>g-doers. Comparis<strong>on</strong> with <strong>Isocrates'</strong> serious praise of Athens inother works reveals the unserious Encomium of Egypt for what it is(cf. <strong>on</strong> § 12 , § 22'than is actually the case';but we might expect the femininehas ; the corrector 5 addsin the margin. 0 has the obviously incomplete readingwhile A has. Drerup prints 's text, explaining '( )'. Mathieu/Brem<strong>on</strong>d follow 5, printingwhile Benseler/Blass follow A.Drerup (pp. LXXVIII—LXXIX) argues that an inept but originalrepetiti<strong>on</strong> () has been preserved in F, while the


152 G OMMENTARYvulgate has improved the text by emendati<strong>on</strong>. This seems unlikely,in view of the careful and elegant c<strong>on</strong>structi<strong>on</strong> c<strong>on</strong>structi<strong>on</strong> of theperiod: the two clauses are perfectly balanced (see note <strong>on</strong>above),and while there is no such exact parallelismbetween the clauses, it is hard to believe that the abundanceof Cwas originally placed in antithesis with somethingas blunt as .It seems necessary at least to addand, if 's textis corrupt, the reading of A deserves c<strong>on</strong>siderati<strong>on</strong>.isapt in sense (cf.in the closely similar c<strong>on</strong>text ofAreop. 47), and in is a plausible gap-filling restorati<strong>on</strong> ifthe original words were lost. The transpositi<strong>on</strong> of the two infinitives( can be explained by Drerupas the work of a vulgate scribe avoiding the hiatus<strong>on</strong> the alternative hypothesis, it can be attributed to the awarenessof a scribe in F's traditi<strong>on</strong> that the hyperbat<strong>on</strong> of was awkwardin a short phrase such asIn c<strong>on</strong>clusi<strong>on</strong>,I cautiously favour 's reading -§ 25 this claim, and the aetiology ofanimal-worship in § 26— 27, recall (and may be derived from) thetheory put forward by the title character Sisyphus in a play variouslyattributed to Critias or to Euripides (Critias F 19 Snell: mostrecent editi<strong>on</strong>, Diggle 1998 pp. 177—9), that humans rose from anoriginal brute c<strong>on</strong>diti<strong>on</strong> by the inventi<strong>on</strong> of law and punishment,but were left with the problem of undetected wr<strong>on</strong>gdoing: to solvethis, a wise man invented the fear of the gods, inculcating belief inan all-seeing, all-hearing deity. The sceptical, anthropocentric theoryis made compatible with c<strong>on</strong>venti<strong>on</strong>al religi<strong>on</strong>, and with the religiousexpertise of Pythagoras et al., because 'Gotterfurcht' is herebased partly <strong>on</strong> inventi<strong>on</strong> (in the case of animal worship), but partlyalso <strong>on</strong> an exaggerated account of real divine justice (cf. § 24). Note that in <strong>Busiris</strong>' Egypt fear of the gods is notenough to deter people from secret crime; animal worship serves toc<strong>on</strong>diti<strong>on</strong> people to obedience, and to expose, by repeated publictests, any<strong>on</strong>e who is inclined to disobey.escape from 'bestial' life is athe(e.g. On Ancient Medicine 7.1), and


COMMENTARY 153an achievement claimed elsewhere in Isoc. for other fundamentaldiscoveries: agriculture at Paneg. 8, persuasive communicati<strong>on</strong> at Nic.6 = Antid. 254. The claims are compatible—there there are different aspectsof the 'bestial c<strong>on</strong>diti<strong>on</strong>' to be overcome—but it is unlikely thatof the 'bestial c<strong>on</strong>diti<strong>on</strong>' to be overcome — but it is unlikely thatpoints specifically to other prerequisites of civilisati<strong>on</strong> (soEucken 1983 p. 190). It is more likely that the adverb provides; of the imagined savage state, TO .the extreme religiosity of the Egyptians is underlinedby the rather unusual use of the adjectives andin an active sense ('reverent'); they are more often passive, Venerable','demanding reverence'. See Parker 1987 p. 147 n. 16 (<strong>on</strong> )and p. 150 (<strong>on</strong> referring to this passage in n. 34).how <strong>Isocrates'</strong>praise of Egypt is attuned to, and limited by, its 'barbarian' subjectis well illustrated by a comparis<strong>on</strong> with Paneg. 81. The strength ofthe Egyptians' oaths depends <strong>on</strong> an external sancti<strong>on</strong>, and not <strong>on</strong>lythat but <strong>on</strong> the fixed physical expressi<strong>on</strong> of that sancti<strong>on</strong>, the temple;by c<strong>on</strong>trast, in Panegyricus we are told that the mere word of theGreeks who fought against Persia was more binding than an oathis now (cf. adMe. 22), and that for them an agreement had the force of necessity.a surprising, and un-Greek, expectati<strong>on</strong>; c<strong>on</strong>trast e.g. Sol<strong>on</strong> IV. 16W (and for punishmentof inherited guilt Herodotus 1.91.1.§ 26 'for a reas<strong>on</strong>'. Cf. § 21 Here againwhat is 'argued' is not, as <strong>on</strong>e might expect, that it was indeed<strong>Busiris</strong> who established these religious practices, but just that the religiouspractices which Isocrates ascribes to him are the cause of presentc<strong>on</strong>diti<strong>on</strong>s in Egypt.not scornful in itself (cf. e.g. Antid. 1 28,196, 295), as such a descripti<strong>on</strong> might be, for instance, in Plato; butthe ensuing account redefines 'varied' as 'bizarre'.(Herodotus II. 65. 2). On Egyptian animal worship,see Lloyd 1976 <strong>on</strong> Herodotus 11.65-76, Smelik and Hemelrijk 1984pp. 1860-63.


154 COMMENTARYa corollary of Herodotus'statement that all animals are sacred (see last note): cf. Lloyd 1976ad loc. 'the vast majority, if not all, of Eg. fauna was accorded divineh<strong>on</strong>ours'. C<strong>on</strong>trasting Greek and Egyptian attitudes to individualspecies are exploited for comic effect in Anaxandrides F 40 K~A:e.g. line 8Herodotus declines to saywhy the Egyptians worship animals (II. 65. 2); Lloyd 1976 ad loc.reports explanati<strong>on</strong>s offered by later Greek writers, but does notmenti<strong>on</strong> <strong>Busiris</strong>.balanced phrases (33 syllables in each), includinga number of elements in corresp<strong>on</strong>ding positi<strong>on</strong>s which also corresp<strong>on</strong>din sound and/or sense:§ 27 twoideas telescoped together. One obvious sense of theantithesis is 'visible animals vs. invisible gods' (cf. Flaceliere 1960 adloc.): <strong>Busiris</strong> observes his subjects' behaviour towards sacred animalsin order to gauge their private attitude towards the gods. (in the next sentence can also be taken as referring toanimals and gods respectively.) This reading is supported by thestatement that it is the subjects' that is being tested. Onthe other hand,| can be read as referring to the subjects'c<strong>on</strong>duct, 'public acti<strong>on</strong>s' vs. 'private acti<strong>on</strong>s' (will then mean 'these commands' /'more important commands': soMathieu/Brem<strong>on</strong>d 1.195). This reading suits the first motive givenin § 26 (the wish to c<strong>on</strong>diti<strong>on</strong> his subjects to be obedient), and issupported byin § 27 and by comparis<strong>on</strong> withthe similar passage Areop. 46~ 48. Cf. also the comm<strong>on</strong>place complaintthat appearance is no sure guide to (hidden) character: e.g.Eur. Hipp. 925 ff, Medea 516 ff.the military metaphor develops the c<strong>on</strong>notati<strong>on</strong>sof npoatcrrceiv in § 16 and § 21 and TOCTTEIV in § 23.


G OMMENTARY 1 5 5§ 28-29 The 'Evidence' of PythagorasOn 'witnesses' in encomium, see note <strong>on</strong> § 10~29. In Helen, Theseus'passi<strong>on</strong> testifies to the power of Helen's beauty, which could 'c<strong>on</strong>quer'some<strong>on</strong>e of such pre-eminent (§ 18, § 38); C<strong>on</strong><strong>on</strong> inEvagoras shows that Evagoras' regime, though a m<strong>on</strong>archy, was morec<strong>on</strong>ducive to individual excellence than many it was throughgoing to Cyprus that G<strong>on</strong><strong>on</strong> reached the summit of his career (Evag.51, 53). Pythagoras achieved success through what he learned fromthe Egyptians (). Like the Spartans in § 17, he shows the value of theEgyptian example, and thus, indirectly, of <strong>Busiris</strong>' own example (Bus..The glory of having inspired the Spartan c<strong>on</strong>stituti<strong>on</strong> is somewhatundermined by sharp criticism of Sparta in the 19-20),but at least it is stressed that Egypt is free of Sparta's defects; here,the reader is much more openly invited to doubt whether Egyptshould be proud of its 'pupil' Pythagoras. It is str<strong>on</strong>gly suggestedthat what he learned from the Egyptians was not religious wisdombut religious charlatanism: the cynicism of <strong>Busiris</strong>' use of animalworshipas an instrument of social c<strong>on</strong>trol is mirrored in Pythagoras'calculati<strong>on</strong> that his religious exerti<strong>on</strong>s will impress humans if theydo not impress the gods. Care is taken, however, to communicatethe negative message by insinuati<strong>on</strong> rather than asserti<strong>on</strong>, so as notto depart entirely from theThe characterisati<strong>on</strong>of Pythagoras as the of the Egyptians also anticipatesthe examinati<strong>on</strong> of Polycrates' likely influence <strong>on</strong> his pupils in theEpilogue.<strong>Busiris</strong> 28 appears as Pythagoras 4 in Cardini 1958.§ 28cf. § 24a selfc<strong>on</strong>sciousrhetorical frame for the -secti<strong>on</strong>, 'it is worth speakingof X . . '. . . much more could be said about X'. The praeteritiohere is both appropriate to encomium (the possibilities of the subjectare inexhaustible) and in keeping with Isoc.'s promise of brevity:cf. § 9again we are made aware of theauthor's persuasive voice: cf. § 29and see note<strong>on</strong> § 21For the form of the appeal to precedent,


156 COMMENTARYcf. Euth. 17, Panath. 149. Here it creates the expectati<strong>on</strong> that Isoc.is going to refer to a previous writer <strong>on</strong> Egypt, and coming afterthe account of Egyptian it might well make readers think ofHerodotus.probably just (cf. § 47mi) rather than a pointerto any particular c<strong>on</strong>temporary authorities, though of course Platowould be a possible candidate.( the appearance of Pythagoras' namehere is(an effect which mi tends to accentuate).If readers expect an authority <strong>on</strong> Egypt, Herodotus is most likely tocome to mind; if they expect an eminent visitor to that country,there is again a much more obvious candidate, namely Sol<strong>on</strong>. Sol<strong>on</strong>'svisit to Egypt is attested by Herodotus (1.30, 11.177), and what betterwitness to the excellence of the Egyptian than Athens'and foremost benefactor (cf. Antid. 232)? (Lycurgus wouldbe another possibility, suggested by the claim in § 17-18 that theSpartan c<strong>on</strong>stituti<strong>on</strong> was partly borrowed from Egypt; but (a) thiswould be in tensi<strong>on</strong> with the negative remarks about Sparta in§ 19—20, and (b) Lycurgus' visit to Egypt may itself be a later traditi<strong>on</strong>:see <strong>on</strong> § 1 7 )Pythagoras suits the emphasis <strong>on</strong> (rather than e.g. 8in the and the picture of a society characterised by restricti<strong>on</strong>sand prohibiti<strong>on</strong>s (which loomed large in the popular image ofPythagoreans). The philosopher who laid down rules for his disciples<strong>on</strong> his own semi-divine authority is aptly linked with <strong>Isocrates'</strong><strong>Busiris</strong>, the semi-divine creator of an authoritarian state; and insofaras Pythagoras is a marginal, mysterious figure, he is a suitableauthority in a playful, n<strong>on</strong>-serious encomium. Two other possiblereas<strong>on</strong>s for the choice may be menti<strong>on</strong>ed. Pythagoras and his followerswere famous for vegetarianism (see e.g. D-K 58 E): this makesa humorous counterpart to Polycrates' story of <strong>Busiris</strong> the cannibal.Sec<strong>on</strong>dly, it has been suggested that the 7 has specificallyPythagorean elements (see note <strong>on</strong> § 1 7 .for references), though the evidence is problematic: our evidence forPythagorean political theory comes almost entirely through latersources, and is influenced by their authors' assumpti<strong>on</strong>s as to theextent of Pythagorean influence <strong>on</strong> Plato.The wise man's visit to Egypt so<strong>on</strong> became a biographical and


C OMMENTARY 1 5 7the list grew to include Orpheus, Melampus, Homer, Lycurgus, Thales,Democritus, Oenopides, Plato, Eudoxus, Daedalus, and the artistsTelecles and Theodorus, as well as Pythagoras and Sol<strong>on</strong>: see e.g.D.S. 1.96-8, Plutarch Isis and Osiris 354e, and cf. Lloyd 1975 pp. 49 ff.Pythagoras' visit to Egypt is can<strong>on</strong>ical in thelater 'Lives': Porphyry Vita Pythagorae 7, 11 f.; lamblichus De VitaPythagorica 12 etc.; Diogenes Laertius VIII.2-3. (Porphyry and DiogenesLaertius cite the obscure authority of <strong>on</strong>e Antiph<strong>on</strong>: Porphyry cites'Diogenes callsthe work. The work is also referredto by Cyril, Against Julian X.340e, quoting Porphyry; the identity ofthis Antiph<strong>on</strong> is unclear.) There is no clear authority for the storybefore Isoc., and opini<strong>on</strong>s differ as to its origin. In Guthrie's view,'naturally Isocrates did not invent this legend, and it cannot bedoubted that Pythagoras is <strong>on</strong>e of those whom Herodotus had inmind at 11.123' (1.163 n. 2). He is inclined to regard it as historical:'the traditi<strong>on</strong> . . . may be thought to have arisen from the generalGreek respect for Egyptian wisdom, especially religious wisdom.But the same cause would naturally drive a man like Pythagoras toseek enlightenment in that quarter, and that he did so is very likely'(1.173). Lloyd agrees that 'we find evidence which implies the existenceof the traditi<strong>on</strong> of his visit to Egypt as early as Herodotus'(Lloyd 1975 pp. 57 f.), but reaches negative c<strong>on</strong>clusi<strong>on</strong>s <strong>on</strong> the realityof Pythagorean 'borrowings' from Egypt and hence, by implicati<strong>on</strong>,of the visit itself.The passages in Herodotus relevant to supposed Pythagorean borrowingsfrom Egypt are:11.81(where uncertainties about the text—<strong>on</strong> which see Burkert 1972bpp. 127 f.—do not affect the present argument), andII. 123


158 COMMENTARYCommentators agree that Pythagoras and his followers must be am<strong>on</strong>gthe unnamed targets of the sec<strong>on</strong>d passage. Lloyd's arguments againstthe reality of the borrowings are not very c<strong>on</strong>vincing. On wool, 'theidea of taking over a taboo is not easy to except' (Lloyd 1975 p. 57):a strange borrowing perhaps, but would not Pythagoras be just thepers<strong>on</strong> to make it? On metempsychosis, 'not <strong>on</strong>ly is there no evidenceof this idea in Egypt but it is fundamentally opposed to theEgyptian mentality' (p. 58). This may be true, but Lloyd goes <strong>on</strong> todescribe images in Egyptian religious art which in his view mighthave reminded Herodotus of the doctrine—if so, might they nothave suggested it to Pythagoras? It is not hard to imagine the doctrineof transmigrati<strong>on</strong> arising from misunderstanding, reinterpretati<strong>on</strong>and elaborati<strong>on</strong> of the importance attached by the Egyptiansto the dead pers<strong>on</strong>'s journey into the next life.If there are no firm grounds for disbelieving these borrowings,however, there are also no firm grounds for believing them. Herodotus'testim<strong>on</strong>y may have its basis in the process characterised by Lloyd<strong>on</strong> p. 56: 'similarity of practice suggests identity, identity suggestsborrowing and borrowing suggests a visit.' Two further questi<strong>on</strong>smay be asked: (a) in the Pythagorean case, did Herodotus go as faras step three in Lloyd's chain of reas<strong>on</strong>ing—did he believe thatPythagoras had visited Egypt? And (b) did he acquire the idea ofPythagorean c<strong>on</strong>necti<strong>on</strong>s with Egypt from a pre-existing traditi<strong>on</strong>?Neither questi<strong>on</strong> can be answered with certainty, but his words providesome possible evidence. At 11.81, the reference to 'practices [taking. as neuter] which are called Orphic and Bacchic, butare really Pythagorean and Egyptian' places the Pythagoreans closerto Egypt than the other cults; but Herodotus may simply be asserting(i) that cults popularly known as 'Orphic' or 'Bacchic' are reallyinspired by Pythagoras, and (ii) that Pythagoras' teachings c<strong>on</strong>tainEgyptian elements (elements for which Herodotus finds models inEgypt), however these elements may have been acquired. At 11.123,the phrasepov is not inc<strong>on</strong>sistent with a<strong>on</strong>e-off borrowing of ideas which have subsequently been reused, butseems more natural if 'Egyptian' transmigrati<strong>on</strong> is thought of as havinginfluenced different Greek thinkers at different times. As to thequesti<strong>on</strong> of an earlier traditi<strong>on</strong>, each passage presents its informati<strong>on</strong>as an interesting discovery, not a well-known fact; but Herodotusmight be c<strong>on</strong>cealing a source. On the other hand, if there was atraditi<strong>on</strong> that Pythagoras had visited Egypt, the people most likely


COMMENTARY 159to preserve that traditi<strong>on</strong> would be his followers, the Pythagoreans;and the point of the story would surely have been the same as inlater sources, that Pythagoras learned important wisdom from theEgyptian priests (see next note). But if the Pythagoreans did tell sucha story, Herodotus' snipe at Greeks who have presented the Egyptiandoctrine as their own () would loseits point. A well-known traditi<strong>on</strong> that Pythagoras visited Egypt wouldalso devalue the delicate ir<strong>on</strong>y of Herodotus' refusal to 'name names'.For this reas<strong>on</strong> its seems likely that the parallels between Egyptand Pythagoreanism are Herodotus' own, original observati<strong>on</strong>; thathe did not know of, and does not imply (though he may have guessedat) an actual visit to Egypt by Pythagoras; but that he did in effectoriginate the story of such a visit, by taking the first two steps ofthe reas<strong>on</strong>ing which leads to the idea of a visit (similar feature, thereforesame feature; same feature, therefore borrowed feature: cf. Lloyd1975 p. 57, 'at all events we have [in Herodotus] the basic pre-c<strong>on</strong>diti<strong>on</strong>viz. the observati<strong>on</strong> of what are alleged to be identical beliefs').Some<strong>on</strong>e, perhaps Isocrates, then followed Herodotus' hint and tookthe third step of asserting that Pythagoras visited Egypt, an ideawhich was eagerly accepted by later Pythagoreans and biographersof Pythagoras.'learning' is the standard motive for visitsof great men to Egypt — naturally so, if the visit-story has its rootsin an alleged borrowing. The later traditi<strong>on</strong> furnishes lavish detailof Pythagoras' activities in Egypt. According to Porphyry 'most people'say he learned geometry from the Egyptians, but and( from the Phoenicians, and astr<strong>on</strong>omy from the Chaldaeans(VP 6, cf. lamblichus De VP 158). According to lamblichus, he spentno less than twenty-two years in Egypt,(De VP 18 f). Pythagoras' colourfuleducati<strong>on</strong> figured in a sub-plot of Ant<strong>on</strong>ius Diogenes' lost novelW<strong>on</strong>ders Bey<strong>on</strong>d Thule: Diogenes numbered Arabs, Chaldaeans andJews as well as Egyptians am<strong>on</strong>g Pythagoras' instructors, and toldhow he learned the wisdom of the priests al<strong>on</strong>g with their languageand three kinds of writing, mi(Porph. VP11 f). The most colourful account was that of the mysterious Antiph<strong>on</strong>(Porph. VP 1 f, cf. D.L. VIII. 3: see last note): having heard aboutthe of the Egyptian priests, Pythagoras obtained from Polycratesof Samos a letter of introducti<strong>on</strong> to King Amasis, who in turn gave


160 COMMENTARYhim letters patent for the Egyptian priests; but the priests of Heliopolisreferred him to the priests of Memphis, and at Memphis they referredhim to Diospolis. The Diospolitan priests could make no furtherexcuses, so they tried to deter him by making him carry out ; when hplished these, they were so impressed that they gave him the rightto sacrifice and participate in other rituals, a privilege granted to noother foreigner.there seems to have been a traditi<strong>on</strong> at least fromthe mid-to-late fourth century which made Pythagoras the first (real)philosopher: Heraclides of P<strong>on</strong>tus in his dialogue(F 88 Wehrli) presented Pythagoras in c<strong>on</strong>versati<strong>on</strong> with the tyrantLe<strong>on</strong> and characterised him, according to Diogenes Laertius, as theinventor of the words ( and (D.L. 1.12). CiceroTusc. V.iii.8 (clearly using Heraclides) has Le<strong>on</strong> ask Pythagoras whatart he practises; Pythagoras says he is a philosopher, and Le<strong>on</strong> asksfor an explanati<strong>on</strong>; Pythagoras likens the role of philosophers in lifeto that of spectators at the Olympic games. For discussi<strong>on</strong> of thec<strong>on</strong>tent and point of this episode in Heraclides, and of the questi<strong>on</strong>whether it was his inventi<strong>on</strong> or had some basis in earlier traditi<strong>on</strong>,see Burkert 1960, Guthrie 1.204 and Gottschalk 1980 pp. 23 -33.for the denial of originality, cf. Herodotus11.123 (cited <strong>on</strong> . . . above); and also the famous pr<strong>on</strong>ouncementof Heraclitusdv0pcQ7icflv |(B 40 D-K), wherethough its exact sense is in doubt,certainly seems to be a charge of 'derivativeness'.possibly double-edged, sincePythagoreans were notorious in fourth-century comedy both for thedepressing (because vegetarian) character of their sacrifices (e.g. AlexisF 201 K-A, lines 1-3; Mnesimachus F 1 K A) andfor their pers<strong>on</strong>al dirtiness, in c<strong>on</strong>trast with their self-percepti<strong>on</strong> asuniquely 'pure' (e.g. Aristoph<strong>on</strong>F 12 K— A, AlexisF 201 K-A lines 56).what is at first sight innocentis turned into insinuati<strong>on</strong> by the participial phrase


COMMENTARY 161Pythagoras' aim was to have his zeal noticed as much as to achieveany real religious end.ir<strong>on</strong>y gives way to satire in what is nearly an open accusati<strong>on</strong>of charlatanism; the motive is so expressed as to be just c<strong>on</strong>sistentwith the requirements of encomium (cf. <strong>on</strong> § 28-29), whiledisplaying clear c<strong>on</strong>tempt for the claims of the Pythagoreans. Pythagorastaught the total supremacy of 'divine' over 'earthly' objectives, and,by his followers' account, would be a very dependable authority <strong>on</strong>divine matters, as a reincarnated s<strong>on</strong> of Hermes (Heraclides of P<strong>on</strong>tusF 89 Wehrli = D.L. VIII.4) and a kind of demi-god himself (cf.Aristotle F 156 Gig<strong>on</strong>).§ 29 for Pythagoras' success in attractingdisciples, cf. the story of mass c<strong>on</strong>versi<strong>on</strong> told by Porphyry atVita Pythagorae 20 (citing Nicomachus). There, whole families arec<strong>on</strong>verted, but the more familiar picture involves the triangularrelati<strong>on</strong>ship of sophist, s<strong>on</strong>, and father (as in Aristophanes' Clouds}.Again the praise verges <strong>on</strong> sarcasm: to be glad when a s<strong>on</strong> neglectsis more likely the sign of a dupe than of an enlightenedparent.tangential 'evidence' <strong>on</strong>ce again (see note <strong>on</strong>§ 21 , here for the Pythagoreans' public acclaim ratherthan for the substance of their philosophy.Pythagoras appears as aleader-of-disciples par excellence, both during his lifetime and after, atRepublic 600b (discussing Homer's failure to hand down a 'model forlife'):i; may be comparedwith <strong>Isocrates'</strong> and with .to be admired for silence <strong>on</strong>ce again suggests charlatanism:the Pythagoreans' reputati<strong>on</strong> rests <strong>on</strong> appearance, not substance.(Pace Too, who suggests that the silence of Pythagoras' followers isput forward as a positive counterpoint to Polycrates'— Too 1995 pp. 177 9.) On Pythagorean silence ( ,see Guthrie 1.150-2, citing allusi<strong>on</strong>s to (e.g. Arist. F 156


162 COMMENTARYcited <strong>on</strong> . above); Porphyry VP 19; Alexis F201 K-A, lines 5-6. The present passage may be our earliest reference,as is hinted by Dodds (1951 p. 175 n. 122) and asserted byBoyance (1959 p. 413). For silence as a mark of pretenti<strong>on</strong>, cf. PlatoPhaedrus 275d (the written word, when questi<strong>on</strong>ed,and Aristophanes Frogs 911 ff. (<strong>on</strong> the silence of characters in Aeschylus).§ 30-43 Defence of <strong>Busiris</strong>§ 30~33 Comparis<strong>on</strong> of the Two EncomiaIsocrates introduced his Encomium with an admissi<strong>on</strong> of its lack ofseriousness (§ 9); as he begins his discussi<strong>on</strong> of it, he rapidly distanceshimself from any claim to truth. First, he puts in Polycrates'mouth the criticism that it is unsupported (§ 30), to which he resp<strong>on</strong>dswith a counterattack rather a defence; his own versi<strong>on</strong> is more believablethan Polycrates', and at least not impossible (§ 32). Finally in§ 33 he admits, for the sake of argument, that both versi<strong>on</strong>s maybe false. Our attenti<strong>on</strong> is thus brought back from the specifics ofthe <strong>Busiris</strong> story to the principles, moral and rhetorical, which itillustrates.§ 30 for the formulati<strong>on</strong>,cf. Areop. 36<strong>on</strong> . . .the anticipated objecti<strong>on</strong>serves also as anof <strong>Isocrates'</strong> Encomium.is placed out of sequence (it came beforeandis emphasised by this may be for the pleasing effect of anascending number of syllables (2, 2, 4, 5), but perhaps also signalsthe renewed focus <strong>on</strong>as Isocrates understands it, i.e.encomium shows what a thing is like and of what sort ofthings it is Evag. 50, Plato Symp. 195a, 197c, note <strong>on</strong> § 10-29.The objecti<strong>on</strong> thus has a 'technical' flavour: cf. in a quasitechnicalc<strong>on</strong>text at § 35, and see note below <strong>on</strong>cf. § 9 .


COMMENTARY 1 6 3the more theoretical rhetorical discussi<strong>on</strong> in § 30-37 ismarked by an increased use of technical or semi-technical terms:§ 31§ 37 .: as in the Prologue, Polycrates isfound to be uniquely lacking in elementary. . 3 a display of variatio. Equivalenceof sense is underlined by metrical balance (each word has four syllables,with <strong>on</strong>e l<strong>on</strong>g vowel and three short <strong>on</strong>es) and by the repetiti<strong>on</strong>of .the reading of the manuscripts is but the c<strong>on</strong>jectureproposed by Retberg in 1794, is now accepted byall editors and is clearly correct. Compare similar corrupti<strong>on</strong>s at DePace 61 ( ) and Panath. 150 MSS:Cobet). 'criticism' is far more appropriate than) and in any case in Isocrates nevermeans 'reply' or 'resp<strong>on</strong>d', but always 'interpret' (e.g. Paneg. 130) or'judge', 'assess' (cf. § 24. For'criticise', see e.g. § 9§ 31 the reappearance of the name(see note <strong>on</strong> § 10is underlined by the parechesisperhaps with a note of scorn: in his ownEncomium Isocrates has avoided the name as far as possible, buthe now emphasises it to point out that Polycrates made the eccentricchoice of <strong>Busiris</strong> as an object of praise. On the significance of'intenti<strong>on</strong>' ( ), see note <strong>on</strong> § 4'that he split the Nile[i.e. divided its stream] around the country': cf. Herodotus II. 16.2It seems likelythat the use of the verbhere is an echo of Herodotus,whether direct or mediated by Polycrates. Polycrates' <strong>Busiris</strong> clearlycreated the Delta by dividing the Nile: this feat may have formedthe basis for praise of <strong>Busiris</strong> as the of Egypt, with all itsunique properties, as well as its . If so, this may suggest thatPolycrates adopted the narrow, 'I<strong>on</strong>ian' definiti<strong>on</strong> of Egypt (see note<strong>on</strong> § 11 ). The attributi<strong>on</strong> to <strong>Busiris</strong> of superhuman engineeringworks would have possible models (i) in Herodotus' account


1 64 COMMENTARYof Egypt, esp. the man-made Lake Moeris (II. 149. 2and (ii) in the famous/notorious feats of Xerxes, whobridged the Hellesp<strong>on</strong>t and channeled through Athos (e.g. Paneg. 89).is used here in a more-or-less technicalsense, 'rhetorical proof (Arist. Rhet. 1355B35 ff. etc.); cf. § 37and see note <strong>on</strong> § 30ad loc.cf. § 37and notethe argument —'how can you demand from otherswhat you have not d<strong>on</strong>e yourself — is a relative of the 'Golden Rule':see note <strong>on</strong> § 46. Polycrates is unable to perceive generalprinciples or apply them to himself.§ 32 corresp<strong>on</strong>ds withbelow, giving § 32~33 a chiastic structure.: used by Isocrates <strong>on</strong>ly here and in § 17 above (the verboccurs eight times in his work). The extended use of thenoun ('maker' in general, as opposed to 'artisan') is very comm<strong>on</strong>in Plato; for a close parallel to its applicati<strong>on</strong> here, see AristotlePolitics 1273b32~ 337 The definiti<strong>on</strong> of rhetoric as (PlatoGorgias 453a), which may be a Gorgianic coinage, or Plato's own(see Dodds 1959 ad loc.), appeared in a attributed to Isocrates(F 1 Mathieu/Brem<strong>on</strong>d, IV. 2 29). It is very unlikely, however, thatIsocrates composed any such treatise; the was either a pseudepigraph<strong>on</strong>or the work of a later rhetorician who shared <strong>Isocrates'</strong>name. See Barwick 1963 (<strong>on</strong>p. 63), arguing forthe latter hypothesis: the | was composed by another Isocrates,probably in the first half of the first century A.D. (pp. 58-60). Somefurther arguments against the idea of a genuine Isocratean lareadded by Usher 1973, though Usher curiously misreports Barwickas arguing in favour of an early by (the famous) Isocrates.§ 33a return to the theme of § 4—5, that Polycrates' worksachieve the opposite of their supposed intenti<strong>on</strong>.a crucial point in thedevelopment of the submerged theoretical argument of <strong>Busiris</strong> (see


COMMENTARY 165Introducti<strong>on</strong> I.iv). The work as a whole elucidates the relati<strong>on</strong>shipbetween two criteria by which Polycrates' speech has failed, theeveryday criteri<strong>on</strong> 'is it true or false?' and the theoretical criteri<strong>on</strong>'does it c<strong>on</strong>form to the appropriate rhetorical . Isocrates setsout to show that if Polycrates had made his speech c<strong>on</strong>form to theof encomium, that would have been enough to guarantee areputable or at least a harmless piece of work, without the furtherrequirement ofin <strong>Isocrates'</strong> work can perhaps be called a technical term,but it is not a very precise <strong>on</strong>e. For the range of its applicati<strong>on</strong>, seeWersdorfer 1940 pp. 45-54, and note especially Soph. 16 and Ep. VI8 (also Antid. 183, for an analogy between rhetorical and thetaught by aThese passages suggest thatare microcomp<strong>on</strong>ents of rhetorical producti<strong>on</strong>: devices andwhich are the objects of . It might seem strange, then, torefer to a single as the required means of encomium; but thei8ea in questi<strong>on</strong> is probably a very basic <strong>on</strong>e, namely the principleof 'multiplying good qualities' stated in § 4. If so, the word must beused to refer to the rhetoricians' 'ingredients' in quite a broad sense,including generic 'rules' as well as specific . For further discussi<strong>on</strong>of <strong>Isocrates'</strong> ideas about see Gaines 1990.§ 34 a transiti<strong>on</strong>al formula favoured by Isocrates(who often follows it, as here, with a c<strong>on</strong>diti<strong>on</strong>al clause: Paneg. 32,Antid. 230, Phil. 37, Panath. 150) and by Demosthenes (XVIII On theCrown 24, XIX On the False Embassy 151, XX Against Leptines 25 etc.);it is used several times by Isaeus (e.g. IV On the Estate of JVicostratus 17,IX On the Estate ofAstyphilus 16), and <strong>on</strong>ce by Lycurgus (Against Leocrates57: cf. ibid. 31 , but not by the other orators.the verbcan carry a slight suggesti<strong>on</strong>of relief (e.g. Plato Republic 357a; Dem. IV First Philippic 50).The pluralis a new reading from F, brought to lightby Drerup and adopted by Mathieu/Brem<strong>on</strong>d (0A havethe plural, sandwiched as it is between and willsuggest a genuine 'you and me' (rather than just plural-for-singular'us' = 'me'), and thus c<strong>on</strong>vey a more vivid impressi<strong>on</strong> of <strong>Isocrates'</strong>dialogue with Polycrates.cf. § 30 above .Isocrates defends his technique by putting objecti<strong>on</strong>s in


1 66 COMMENTARYPolycrates' mouth, refuting them, then letting it appear that theirinappropriateness typifies Polycrates' lack of judgement.§ 35 the comparative suitsthe relativistic argumentc<strong>on</strong>trasting with the 'factual'proof adduced in § 36. See also notes <strong>on</strong> § 30 andthe argument that <strong>Busiris</strong>' divine descent makeshim a likely benefactor of humanity prepares for the more far-reachingargument in § 38^43, that a god's child necessarily is good anddoes good. It has a parallel in Panathenaicus 206: it cannot be truethat the Spartans discoveredbecausethe heroes lived before them —.: this is the reading of 0A (adopted by Mathieu/Brem<strong>on</strong>d and Benseler/Blass): has (adopted byDrerup). There is similar divergence between manuscripts at Ep. VII5, where the reading of E is , while the vulgatetraditi<strong>on</strong> has, and both Benseler/Blass andMathieu/Brem<strong>on</strong>d follow Baiter/Sauppe in printingThe c<strong>on</strong>cretewould perhaps be more likely to remindreaders how <strong>Busiris</strong> is famed am<strong>on</strong>g the Greeks, namely as a villain(compare Herodotus' use of the story to illustrate Greek ignoranceabout Egypt: II.45.1and would thus point to the n<strong>on</strong>-seriousness of theEncomium. It would be slightly over-specific in the c<strong>on</strong>text, since itis <strong>Busiris</strong>' fame, not his fame am<strong>on</strong>g the Greeks in particular, thatmakes him a likely founder of Egypt., <strong>on</strong> the otherhand, would be an appropriate if colourless piece of . It isa recurrent phrase in <strong>Isocrates'</strong> language for describing fame: qualifyingthe noun at Evag. 29; the adj. at Paneg. 49; andthe verb at Zeug. 23, ad Nic. 22, Evag. 74, Antid. 83, 151,Panath. 252, 261, Ep. VII 5, Ep. VIII 4. In all these passages,, stands in an antithesis, and adds at least something tothe picture of the subject's fame: Zeug. 23,, Paneg. 49and so <strong>on</strong>. The questi<strong>on</strong> here is whethercan standin antithesis with, implying a temporal sense: 'of hisc<strong>on</strong>temporaries . . . am<strong>on</strong>g other people [i.e. in later generati<strong>on</strong>s]'. Ihave found no clear parallels for this usage. In view of the very high


C OMMENTARY 167frequency ofin similar c<strong>on</strong>texts, I prefer this readingtobut the text remains in doubt; Prof. D.A.Russell has suggested to me thatmay be required.the reading of F is clearly correct (0A have the banal — andungrammatical — variant Cf. ad Nic. 17( Panath. 205, 210.§ 36 <strong>Busiris</strong> was not even alive at the time of the allegedincident — a radical form of the argument from 'lack of opportunity'(e.g. Gorgias Palamedes 5).Isocrates has already deployed a chr<strong>on</strong>ological argument againstPoly crates in the Prologue (§ 8). Questi<strong>on</strong>s of relative chr<strong>on</strong>ologyarise naturally out of c<strong>on</strong>cern with the genealogy of heroes, so theydo not necessarily point to a unifying 'historical' view of the legendarypast — though of course historians treating it were obliged totackle them. For the type of calculati<strong>on</strong> used here, cf. e.g. Xenoph<strong>on</strong>Agesilaus i.2and PlatoTimaeus 22b (Sol<strong>on</strong> gives the Egyptian priests an account of 'ancient'Greek myth)Isocrates representsthe mythographic sources as if they were themselves examples of therhetorical forms which their stories would suit, thus underliningPolycrates' error: he used and as models whenwhat he was supposed to be writing was or: this reading is given by the first hand in and is acceptedby Benseler/Blass, Drerup and Mathieu/Brem<strong>on</strong>d: F 5 9A giveIf correct, it seems to be our <strong>on</strong>ly instance of the abstractnoun the verb occurs at Eur. IT 1021, theadjective at IT 776 ( isunmetrical) and Plato Ep. VII 336d (. Forcognates of see e.g. Eur. IT 53 ( , Hecuba1247, Herodotus II. 115. 6 (Proteus to Paris:In later accounts of <strong>Busiris</strong>,is the usualterm: e.g. D.S. 1.88.5D.H. RomanAntiquities 1.41. Here is to be preferred as difficilior, thoughthe colourful word stands out in this c<strong>on</strong>text of fairly down-to-earthargumentati<strong>on</strong>, not elevated . The (rare) - element, with


1 68 COMMENTARYits c<strong>on</strong>notati<strong>on</strong>s of pollutant blood-guilt, may prepare for <strong>Isocrates'</strong>'theological' attack <strong>on</strong> this and other such stories as examples of(§ 38-43).<strong>Isocrates'</strong> claim () implieseither that stories of <strong>Busiris</strong> the guest-killer invariably ended with hisdeath at Heracles' hands (which may well have been the case: seeIntroducti<strong>on</strong> V.iii), or, less likely, that Isocrates has identified specificsources from which Polycrates took themotif, and in thosesources he is killed by Heracles. This passage suggests that Polycrateschose not to menti<strong>on</strong> this part of the traditi<strong>on</strong>al story, but does notprove it (since Polycrates himself may be included am<strong>on</strong>g§ 37 . all those whohave treated these questi<strong>on</strong>s; those who make <strong>Busiris</strong> be killed byHeracles have ignored the chr<strong>on</strong>ological problem, failing, like Polycrateshimself, to take note of what is 'universally agreed'.isan exaggerati<strong>on</strong>, since <strong>Busiris</strong>' genealogy does not seem to have beenentirely fixed: see Introducti<strong>on</strong> V.v.Elsewhere in Isocrates l are prose-writers, c<strong>on</strong>trasted directlywith poets (Antid. 137, Phil. 109): cf. Harpocrati<strong>on</strong>'s gloss <strong>on</strong> thepresent passage (p. 194 lines 18-19 Dindorf) -[Hdt.II. 143.1]. Note, however, used of the poets in § 38.Here followed by belowcreates the impressi<strong>on</strong> of a general c<strong>on</strong>trast between truthful proseand lying poetry; this c<strong>on</strong>trast, however, is <strong>on</strong>ly apparent, since thepre-Polycratean 'accusers' of <strong>Busiris</strong> referred to in § 36 certainlyinclude prose-writers. See note <strong>on</strong> § 38 .the first claim is straightforward:Amphitry<strong>on</strong> is s<strong>on</strong> of Alcaeus s<strong>on</strong> of Perseus; Alcmene isdaughter of Electry<strong>on</strong> s<strong>on</strong> of Perseus; thus through both his mortalparents Heracles is great-grands<strong>on</strong> of Perseus (cf. Rose 1933 p. 226n. 90). We cannot tell how Isocrates arrived at the sec<strong>on</strong>d, but it isessentially 'c<strong>on</strong>firmed' by the traditi<strong>on</strong>al genealogies: Perseus' motherDanae is the daughter of Acrisius, s<strong>on</strong> of Abas, s<strong>on</strong> of Lynceus andHypermestra; Hypermestra is the daughter of Danaus s<strong>on</strong> of Beluss<strong>on</strong> of Libye daughter of Epaphus (Rose 1933 p. 272 and p. 284n. 60). <strong>Busiris</strong>, s<strong>on</strong> of Libye, bel<strong>on</strong>gs to the same generati<strong>on</strong> as Belus(see Introducti<strong>on</strong> V.v, where it is suggested that a substituti<strong>on</strong> of


COMMENTARY 169<strong>Busiris</strong> for Belus may lie behind <strong>Isocrates'</strong> genealogy of <strong>Busiris</strong>). Thusfrom <strong>Busiris</strong> to Perseus is a matter of six generati<strong>on</strong>s, or (using theequati<strong>on</strong> 3 generati<strong>on</strong>s — 100 years, as at Hdt. II. 142.2), two hundredyears: can be put down toThe<strong>on</strong> paraphrases <strong>Isocrates'</strong> argument in the Progymnasmata:(RG II.93.16-23).The<strong>on</strong>'sis either a misrecollecti<strong>on</strong> or a loose paraphrase,exempli gratia, of <strong>Isocrates'</strong> . . .: see Introducti<strong>on</strong> V n. 202. The<strong>on</strong>'s 'eleven generati<strong>on</strong>s'can be explained as an interpretati<strong>on</strong> of the figures given by Isocrates:200 years is six generati<strong>on</strong>s; six generati<strong>on</strong>s plus four generati<strong>on</strong>smakes ten; <strong>on</strong>e extra, to allow for , makes eleven.: see note <strong>on</strong> § 4: F's reading is adopted by Benseler/Blass, Drerup andMathieu/Brem<strong>on</strong>d: 0A have. Either reading is possible:for cf. Antid. 56 (Sia- in 0);is found at de Pace 142, Antid. 16. Editors are probablyright to prefer , since - may be due to the influenceof . In the parallel passages of <strong>Busiris</strong> -compounds areused: § 5 , § 45the rhetorical questi<strong>on</strong> introduced byis <strong>on</strong>e of <strong>Isocrates'</strong> favourite weap<strong>on</strong>s of ridicule in <strong>Busiris</strong>: § 6,31, 45, 46, 47; cf. also § 46and see note <strong>on</strong>§ 30 For the adjective, cf. Helen 61 (deificati<strong>on</strong> of theDioscuri)and also de Pace 73, Antid. 243,Demosthenes XVIII On the Crown 300 (with Wankel 1976 ad loc.),and Hesiod F 273 In the orators is used inthe same c<strong>on</strong>texts as and but being rarer is perhapsstr<strong>on</strong>ger. (On <strong>Isocrates'</strong> use of these adjectives as terms of art, see


170 COMMENTARYWersdorfer 1940 pp. 96—98.) Here signals again <strong>Isocrates'</strong>task of making Polycrates 'see' as he did not before: compare de Pace73, where the adviser ( ) who is most to be h<strong>on</strong>oured issee notes <strong>on</strong> § 5and<strong>on</strong> § 37The obvious strength of Polycrates' account of <strong>Busiris</strong> (which incorporatesas compared with <strong>Isocrates'</strong> (which discards it) isthat thestory has the near-unanimous voice of traditi<strong>on</strong>behind it: killing strangers is what <strong>Busiris</strong> is known for. Isocratesblocks this line of argument by attacking the traditi<strong>on</strong> head-<strong>on</strong>; inso doing he identifies it as a specifically poetic traditi<strong>on</strong>. This tacticmay remind readers that a well-known prose writer, Herodotus —whom Athenians might reas<strong>on</strong>ably regard as an expert <strong>on</strong> mattersEgyptian —had ridiculed the story. It gives Isocrates theopportunity to align himself with a l<strong>on</strong>g traditi<strong>on</strong> of attacks <strong>on</strong> poeticrepresentati<strong>on</strong> of the gods as impious; this joins hands herewith another <strong>on</strong>e, <strong>Isocrates'</strong> favourite antithesis between his own discourse,which aims to improve and to tell the truth, and otherdiscourses which aim <strong>on</strong>ly at sensati<strong>on</strong> (e.g. To Nicocles 42— 49, Panathenaicus272).Moral criticism of poetic myth is an important strand in ancientdiscussi<strong>on</strong> of poetry from the archaic period <strong>on</strong>wards (see e.g. Russell1995 pp. 84-98). In what follows I attempt <strong>on</strong>ly to identify thoseelements which are of immediate relevance as a c<strong>on</strong>text for the presentpassage.(i) XenophanesThe idea that poets blaspheme in giving the gods faults and weaknesseslike those of human beings was articulated by the philosopherXenophanes of Coloph<strong>on</strong> (c. 570-470 B.C.); his aim was not to'defend' the Olympian gods, but to undermine the whole anthropomorphictheology (21 B 23 D— K:. It appears, however,that he did use the charge of impiety, al<strong>on</strong>gside ridicule andthe 'relativist' arguments for which he is most famous, in his attack<strong>on</strong> traditi<strong>on</strong>al views of the divine: cf. Aristotle Rhetoric 1399b6— 9,


COMMENTARY 1 7 1<strong>Isocrates'</strong> list beginning. echoeswhat seems to have been a recurrent line in Xenophanes' poem(s),since it is cited from two distinct c<strong>on</strong>texts by Sextus Empiricus:Adversus Mathematicos IX. 193 = Xenophanes 21 B 11 D-K (and Adv.Math. 1.289 = Xenophanes 21 B 12 D-K(a)Inthe latter c<strong>on</strong>text, Sextus appends an explanati<strong>on</strong> to his quotati<strong>on</strong>:[Iliad XIV.204]. The first part of this explanati<strong>on</strong> corresp<strong>on</strong>ds with<strong>Isocrates'</strong>and may perhaps reflectsome following lines in Xenophanes. (Sextus is unlikely to have hadfirst-hand knowledge of Xenophanes' works (Guthrie 1.367), but apassage such as this was probably much quoted and anthologised.)In Euripides' Heracles, when the hero rejects stories of crime andc<strong>on</strong>flict am<strong>on</strong>g the gods in favour of a more exalted c<strong>on</strong>cepti<strong>on</strong> ofdivinity (1341-6), the influence of Xenophanes is apparent:Heracles invokes these ideas in resp<strong>on</strong>se to Theseus' c<strong>on</strong>solatoryargument that even the gods are subject to so, a fortiori, mortalsmust endure them too (1314-21): compare the similar argument usedby Phaedra's nurse in Hippolytus (439^66), and note the explicit referencein both passages to art as an authority for divine vicissitudes(Heracles 1315 Hipp. 450—2. It is interesting to note that in defending <strong>Busiris</strong> Polycratestoo used an argument from precedent (§ 45quite possibly (in view ofhere) backed up by poetic 'evidence'.


172 COMMENTARY(ii) Other Early SourcesThat poetry can deceive as well as reveal the truth is a notoriousfact already admitted, or boasted of, by Hesiod's Muses:(Theog<strong>on</strong>y 27 f). It is an inevitable inference from the existence ofmutually inc<strong>on</strong>sistent poetic versi<strong>on</strong>s of a myth (West 1966 <strong>on</strong> Theog<strong>on</strong>y27). The proverb (used by Socrates' interlocutorin the pseudo-Plat<strong>on</strong>ic dialogue374a) appeared,and perhaps originated, in Sol<strong>on</strong>'s elegies (Sol<strong>on</strong> F 29 Bergk); it goes<strong>on</strong>e step further insofar as it hints at wilful dish<strong>on</strong>esty <strong>on</strong> the poets'part. The idea that a poet may actually suffer for telling a false,blasphemous story is famously embodied in the story of Stesichorus''palinode' (see note below <strong>on</strong> § 39In Olympian /, Pindar rejects the prevailing account of the fate ofPelops, namely that he was served and (at least partly) eaten at afeast for the gods given by his father Tantalus (Pindar's rejecti<strong>on</strong> ofthe story is echoed by Euripides' Iphigenia, IT 386-91). It is dangerousto speak ill of the gods:(52 f,and cf. 35 f.Pindar blames the false story not <strong>on</strong> the poets who reportit, but <strong>on</strong> the spitefulness of Tantalus' neighbours; <strong>on</strong> the other hand,his introducti<strong>on</strong> to the myth, speaking of the deceitful quality ofembroidered with subtle falsehoods (29) and of the power ofwhich for the most part makes even the unbelievable believable(30-32), clearly associates these lying myths with the arts ofpoetry. (Compare Nemean VII 20 ff., where the power of poetry isdem<strong>on</strong>strated by its ability to deceive: see Lloyd-J<strong>on</strong>es 1973 p. 130.)For a comparis<strong>on</strong> of Pindar's revisi<strong>on</strong> of myth in Olympian I with<strong>Isocrates'</strong> in <strong>Busiris</strong>, see Usener 1993 p. 261 n. 34.Another sophisticated treatment of the problem of false myths, inwhich the poet both expounds the true versi<strong>on</strong> and explains a false<strong>on</strong>e, may be found in Euripides Bacchae 26 ff. (cf. Homeric Hymn I:To Bacchus 1—7). Semele's sisters explained her death as a punishmentbecause she had blasphemed in ascribing her pregnancy toZeus: in fact, her story was true, and in denouncing her they themselvescommitted blasphemy, for which they are now punished. Thisis a countertwist to Xenophanes' argument: sceptics who attack mainstreammyth (underlined here by the etymological figure in 1. 27,appropriating for their own pur-


C OMMENTARY 173poses the c<strong>on</strong>cept of blasphemy or ofof a blasphemous presumpti<strong>on</strong>.are themselves guilty(iii) PlatoThe most c<strong>on</strong>spicuous fourth-century development of an attack <strong>on</strong>poetry in the traditi<strong>on</strong> of Xenophanes is, of course, Plato's in BooksII and III of the Republic (377e^391e). Plato is not c<strong>on</strong>cerned aboutthe falsehood of the poetic myths per se (c<strong>on</strong>trolled falsehood willsometimes be permissible in the educati<strong>on</strong> of the guardians, 376e~377a,389b) so much as their immorality and demoralising effect (39 le. When it comes to the gods,however, the edifying and the true coincide: the gods are perfectand must be represented as such (379-381: note 379aPlato's critique of poetry begins with obvious examplesof alleged divine wr<strong>on</strong>gdoing, many of which figure also in <strong>Isocrates'</strong>list here: 377e Ouranos/Kr<strong>on</strong>os/Zeus, 378bc wars and familial strife(including theXenophanes 21 B 1 line 21), 378dbinding of Hera, and fighting between Homeric gods. After this thefocus moves from the gods to their offspring, the heroes (closer rolemodelsfor the guardians). They have already been included in theban at 378c againstand it is emphasised that it is by reas<strong>on</strong>of their divine descent that the heroes must be regarded as perfect(e.g. 388a '388b39leThe point isexplicitly argued at 39Id:Cf. 408c (<strong>on</strong> Asclepius):On <strong>Isocrates'</strong> parallel criticisms of Homer at To Mcocles 42~29,see note <strong>on</strong> § 3See Introducti<strong>on</strong>IV.i <strong>on</strong> the possibility of a relati<strong>on</strong>ship between <strong>Busiris</strong> and the


174 COMMENTARYRepublic, and FV.ii for a comparis<strong>on</strong> of the attack <strong>on</strong> poetic blasphemyin <strong>Busiris</strong> with Socrates' 'palinode' in the Phaedms.see note <strong>on</strong> § 4. Xenophanes 21 B 11 (cited <strong>on</strong>above). Isocrates goes further than Xenophanes:what the poets have attributed to the gods is not just humanwickedness, but superhuman—or rather sub-human.the most famous stories of theft am<strong>on</strong>g the gods, and thusthe most likely targets of Xenophanes' critique, are(i) Prometheus' theft of fire: e.g. Hesiod Works and Days 50—2, Theog<strong>on</strong>y565-9. Note that in Theog<strong>on</strong>y the theft of fire is characterised as a'decepti<strong>on</strong>' (565while in both poems the withholdingof fire is itself a punishment for Prometheus' earlier 'decepti<strong>on</strong>' ofZeus over the divisi<strong>on</strong> of sacrifices (Works and Days 47~9: 48Theog<strong>on</strong>y 535-63: 537compare the Xenophaneanline .(ii) Hermes' theft of Apollo's cattle, as recounted in the Homeric Hymnto Hermes. This story was also treated by Sophocles in the satyr-playIchneutae: the traditi<strong>on</strong>al form of the story is retained, but there isprobably allusi<strong>on</strong> to Xenophanes' critique in the arguments withwhich Cyllene is made to defend Hermes. Compare F 314 line 338with Xenophanes'(21 B11 lines 2^3), and see especially 358-64 (supplements following Lloyd-T<strong>on</strong>es 1996):esp. Aphrodite and Ares, Odyssey VIII.266-366.Poseid<strong>on</strong> at Iliad XXI.442-5 reminds Apollo of


COMMENTARY 175Cf. also Apollo's account in the prologue to Euripides' Alcestis of hisservice in Admetus' house, esp. line 6 f.The reference to replaces Xenophanes'which probably refers in particular to theIliad XIV (e.g. XIV. 159 f.of"Hprj/but see also note <strong>on</strong>a desire not to echo the source too obviously; also the point aboutwould not fit neatly into the sentence without rewording, sinceIsocrates would not writecf. Xenophanes' (21 B 11 line 2).7 the most c<strong>on</strong>spicuous example is Kr<strong>on</strong>os devouringhis children, Theog<strong>on</strong>y 453~62, but the phrase also calls to mind thefeast of Tantalus treated by Pindar in Olympian I (see above <strong>on</strong>For this atrocity, and for the list as awhole, compare <strong>Isocrates'</strong> catalogue at Panathenaicus 121-122 of un-Athenian crimes which have fuelled the tragic stage:For the more compressed presentati<strong>on</strong> of the catalogue of crimes in<strong>Busiris</strong>, cf. Panegyricus 114 ((The plurals c<strong>on</strong>tributeto auxesis, but also, by generalising the crimes and indignities referredto, place them at a safer distance and make them less shocking.the castrati<strong>on</strong> of Ouranos, Theog<strong>on</strong>y 159-82. Theword not surprisingly, does not occur elsewhere in Isocrates,but is used in a c<strong>on</strong>text closely similar to the present <strong>on</strong>e in Agath<strong>on</strong>'sspeech in Plato's Symposium, 195c:


176 COMMENTARYSocrates in Republic is more discrete: 377e: Hephaestus' binding of Hera, not a very widespreadmyth, but <strong>on</strong>e of those c<strong>on</strong>demned in the Republic (378d ". The <strong>on</strong>ly early versi<strong>on</strong> of the story we know ofwas in Pindar: F 283 Maehler [" ]cf. Paneg. 114 (the c<strong>on</strong>tinuati<strong>on</strong> of the passage quoted <strong>on</strong>above): the use of Kara suggests deliberate defamati<strong>on</strong> ratherthan mere error, strengthening the analogy with Polycrates, whosepraise of <strong>Busiris</strong> was really a§ 39 (cf. Philip61, and see Dennist<strong>on</strong> 1954 p. 335) expresses a str<strong>on</strong>g antithesis, 'itis true that their punishment fell short of what they deserved — butthey certainly did not go unpunished'..: Orpheus deservesprominence because his fate is the most lurid, and also becausePolycrates made a comparis<strong>on</strong> with Orpheus in his praise of <strong>Busiris</strong>(§ 7 above); he is placed at the climax of the sequence, and he al<strong>on</strong>eis identified by name.is 's reading; 0A have, a noun from a more prosaic root which doubtless enteredthe traditi<strong>on</strong> here as a gloss <strong>on</strong> For cf. . 46,<strong>Isocrates'</strong> <strong>on</strong>ly other use of this rare noun. The plural adds to theauxesis, but the reference is primarily to Homer: he bel<strong>on</strong>gs first inthe list, and the descripti<strong>on</strong> fits his image in the biographical traditi<strong>on</strong>(Lefkowitz 1981 p. 12). For the expressi<strong>on</strong>cf. e.g. Archid. 55, de Pace 46.: Stesichorus (see Helen 64). Plato's Socrates at Phaedrus243a makes blasphemy against Helen the cause of Homer's blind-


COMMENTARY 177ness as well as Stesichorus'. Isocrates in Helen has Homer composethe Iliad at Helen's express command; to avoid inc<strong>on</strong>sistency, therefore,he has to be vague about the exact nature of the blasphemyfor which Stesichorus was punished (Helen 64). Plato's versi<strong>on</strong>, c<strong>on</strong>trasting Stesichorus (who realised his errorand corrected it) with Homer (who did not), may reflect a comparis<strong>on</strong>made, implicitly or explicitly, by Stesichorus himself. See furtherIntroducti<strong>on</strong> IV.ii.Alcaeusis most likely,as an exile (F 348) famous for his involvement in civil strife (Lefkowitz1981 pp. 35 f.); Archilochus has also been suggested (see Mathieu/Brem<strong>on</strong>d ad loc.}.elegantly balancedphrases, each of eight syllables, with a clear but unobtrusive closenessin the sounds of the verbs.there may have been several stories current in whichOrpheus' death was a divine punishment, but the idea that it wasa punishment for 'blasphemies' c<strong>on</strong>tained in his poems is probably<strong>Isocrates'</strong> inventi<strong>on</strong>. In Aeschylus' Bassarae, it appears that Orpheus,returning from the underworld, devoted himself to Apollo/Heliosand neglected Di<strong>on</strong>ysus, who sent the Maenads to punish him (testim<strong>on</strong>ia,TGFII.138 f). Rather closer to the 'blasphemy' idea is the storythat Orpheus was punished as an inventor of Mysteries, for revealingdivine secrets: our earliest source for this is Pausanias (IX.30.5but it or some similar story may liebehind the epitaph for Orpheus quoted in Alcidamas' Odysseus (§ 24),which testifies to a death by the thunderbolt of Zeus. Inventi<strong>on</strong> ofMysteries figures in close c<strong>on</strong>juncti<strong>on</strong> with the more usual death byin the account of Apollodorus (I.iii.2this perhaps represents a c<strong>on</strong>flati<strong>on</strong> of two differentversi<strong>on</strong>s, <strong>on</strong>e with death (by thunderbolt) as a punishment for revealingsecrets, and another with death by(for some other reas<strong>on</strong>).If so, the c<strong>on</strong>flati<strong>on</strong> has the tidy result that Orpheus is in effect killedby his own inventi<strong>on</strong>, the Di<strong>on</strong>ysiacof the Maenads.a reference to the 'Orphic' theog<strong>on</strong>ies,cosmog<strong>on</strong>y-poems ascribed to Orpheus in which the gods'


178 COMMENTARYdynastic revoluti<strong>on</strong>s and their grotesque mechanism — castrati<strong>on</strong>, swallowingetc. —were prominent. Our evidence is fragmentary, but morethan <strong>on</strong>e of the attested versi<strong>on</strong>s could have been current in Athensat this time (see West 1983 p. 112; also Bremmer 1999 p. 80, <strong>on</strong><strong>Busiris</strong> as evidence for the currency of Orphic theog<strong>on</strong>ies). By focusing<strong>on</strong> Orpheus Isocrates draws attenti<strong>on</strong> away from Hesiod — authorof a more celebrated, and equally blasphemous, Theog<strong>on</strong>y, and <strong>on</strong>eof the named targets of Xenophanes. One reas<strong>on</strong> may be that, whilethere was a traditi<strong>on</strong> in which Hesiod came to a bad end (killed asa Certamen 229-47), it was by human, not divine, agency;another may be <strong>Isocrates'</strong> (qualified) admirati<strong>on</strong> for Hesiod as authorof the didactic Works and Days (see ad Me. 43 ff.). (Later criticsdefended Hesiod by deleting 'unworthy' lines from the Works andDays, and even denying his authorship of the Theog<strong>on</strong>y: see Lefkowitz1981 p. 8.)i.e. as a victim of24: 6Cf. Eratosthenes(Radt III p. 138),cf. Paneg. 165. The expressi<strong>on</strong>is more or less equivalent to'be sure to regard'.by c<strong>on</strong>trast with P. (§ 38The issueof imitati<strong>on</strong> and following examples has arisen already: see § 1 8-20and note <strong>on</strong> § 28-29. Polycrates chooses bad examples to follow: asa result, he in turn sets a bad example to his pupils (§ 47).Xenophanes drew attenti<strong>on</strong> to theparadox that what poets say about the gods would be abusive if itwere said about humans (Isocrates heightens this paradox: the gods actually suffer worseabuse than humans (§ 38but unlike humans, they do not have the protecti<strong>on</strong>of the law of slander (<strong>on</strong> which see Loch. 3 and Halliwell 1 99 1pp. 49 f).Eucken takes Bus. 40 as a rejecti<strong>on</strong> of legislative censorship <strong>on</strong>religious grounds, and thus as a polemical move against Plato: in


COMMENTARY 1 79his view, Isocrates asserts that legal sancti<strong>on</strong>s are appropriate forslander, but that in the case of blasphemy the proper resp<strong>on</strong>se is<strong>on</strong>e of str<strong>on</strong>g disapproval (and no more (Eucken1983 p. 199). His reading seems to overemphasise the antithesisbetween and at the expense of the moreprominent antithesis between and It ispresented as a paradox that offences against humans are pursued bylaw, whereas offences against gods (self-evidently more serious) areignored. The obvious 'soluti<strong>on</strong>' to this paradox is that blasphemyshould be dealt with more rigorously than slander, and whilestops short of asserting this, it does not assert the opposite. If thepassage comments <strong>on</strong> the censorship programme of the Republic., itcomes closer to endorsing than opposing it.: Isocrates uses most often in its positive sense,'fearless free speech' (see <strong>on</strong> § 1For its negativesense here, 'speaking without proper restraint', compare f yug. 22(also Archid. 97, Areop. 20), and see Harpocrati<strong>on</strong>p. 239 lines 1-2 Dindorf:Good and bad are explicitlydistinguished at Ep. IV 4.this does not followlogically from what has g<strong>on</strong>e before, but serves as a transiti<strong>on</strong>to the declarati<strong>on</strong> of faith in § 41, which in turn brings the focusback (a) from stories about the gods to stories about heroes (like<strong>Busiris</strong>), and (b) from the poets as primary myth-makers to prosewriters such as Polycrates and Isocrates.F's text is clearly correct: thereading of 0A () will be theresult of an accidental omissi<strong>on</strong> of followed by inserti<strong>on</strong> ofto complete the sense. The verb is found inIsocrates <strong>on</strong>ly here and at Archid. 32, but is comm<strong>on</strong> in the otherorators.§ 41 the emphatic change of subject sets <strong>Isocrates'</strong> piousattitude c<strong>on</strong>spicuously apart from the errors of Polycrates and thepoets.cf. § 35 .


180 COMMENTARYcf. e.g. Republic 38 Ib 6the c<strong>on</strong>necti<strong>on</strong> between thesetwo propositi<strong>on</strong>s — 'god is good' and 'god is the cause <strong>on</strong>ly of goodthings' — is argued at Republic 379bc; cf. also Symposium 197c, and seeabove, introductory note <strong>on</strong> § 10—29 and note <strong>on</strong> § 38the metaphoricaluse of is comm<strong>on</strong> (e.g. Panath. 207241, Antid. 294, Plato Laws 670de), and metaphoricaland are twice coupled in Plato, in <strong>on</strong>e passagewhich is clearly 'para-epideictic' (Menexenus 240d) and in anotherwhich is possibly so (Republic 595c). Heresuits the doubletheme of choosing the right examples to follow and setting a goodexample for others, whileprepares for the specific focusin § 47 <strong>on</strong> Polycrates' likely impact <strong>on</strong> his own pupils (see note <strong>on</strong>§ 40cf. Evag. 72, where Evagoras'andform the climax of the evidence that he has at least as good a titleto divinity as any deified hero of the past, having lived(§ 70). This is the <strong>on</strong>ly other instance inIsocrates of the noun it bel<strong>on</strong>gs definitely to the poeticregister (e.g. Eur. Supp. 490, I<strong>on</strong> 678), and suits the elevated moralt<strong>on</strong>e of the present passage.§ 42 the ideaof 'c<strong>on</strong>trolling' human nature is not a comm<strong>on</strong> <strong>on</strong>e: in general, eachpers<strong>on</strong>'s ( is a given, and proverbs are interested in the desirabilityof knowing it (e.g. Eur. Hipp. 925-7, and see Barrett 1964 adloc.), the need to make the best of it (e.g. Eur. F 634andthe folly of trying to change it (e.g. Eur. F 904There is a hint here of theclaim to teach regularly attributed to sophists (see note <strong>on</strong>. below), a claim which is hybristic (and subversive)because it implies an ability to change ( Isocrates himself iscareful to stress that a good is a prec<strong>on</strong>diti<strong>on</strong>, not a product,of educati<strong>on</strong> (e.g. Soph. 17, 21, Antid. 187), though of course he aimsto 'enhance' the good ( . We might also compare the souls' choice


COMMENTARY 181of a new life in the Myth of Er in Republic X. The thought that no<strong>on</strong>ewould choose in their servants (much less in their familyor themselves) is a distant relative of the Socratic precept, probably to be punctuated as a questi<strong>on</strong>,since Isocrates does not make himself, or people in general, complicitin Polycrates' blasphemy except as a remote suppositi<strong>on</strong> (e.g.§ 41 In this case, the next sentence ( .is probably also a questi<strong>on</strong>.corresp<strong>on</strong>ding to § 38and also reminding usof Polycrates' characterisati<strong>on</strong> of <strong>Busiris</strong>: § 5for sophists' exaggerated claimsto 'teach virtue' in <strong>on</strong>e sense or another, see e.g. Plato Meno 95bc,Euthydemus 273c~ e, Apology 20b, Protagoras 318a, Republic 337d, andDodds 1959 <strong>on</strong> Gorgias 459c6— 460a4. Greek vocabularyetc.) does not facilitate a clear distincti<strong>on</strong> between imparting knowledgeand skills —which any teacher aims to do — and effecting moralimprovement. (The ambiguity is neatly illustrated by the exchangebetween Callias and Antisthenes at Xenoph<strong>on</strong>, Symposium iii.4:Here thestock charge fits the argument, and has no value as evidence forPolycrates' actual claims.in c<strong>on</strong>trast with <strong>Busiris</strong>, who exaggerateddivine(§ 24)! Once again Polycrates' world-viewis topsy-turvy: he claims for himself a superhuman power to improvestrangers, and attributes to the gods a subhuman indifference to theirown offspring.§ 43 see note <strong>on</strong> § 4an ad hominem argument (since Isocrates does not seriously accept that sophists have this power;see note <strong>on</strong> § 42


182 COMMENTARY§ 44-50 EpilogueIn § 38~43 the <strong>Busiris</strong> theme is still officially the main topic, thepurpose of the arguments being to refute Polycrates' versi<strong>on</strong> andsimultaneously to show what would be required in a 'Defence of<strong>Busiris</strong>'. However, the move away from detail and towards moregeneral argument about the moral status of gods and their childrenprepares us for a return to theoretical discussi<strong>on</strong>, and makes thebreak at § 44 less abrupt. The explicit 'cutting short' of the treatmentof <strong>Busiris</strong> signals that the promise of brevity (§ 9has been kept, and that the author has not been beguiledinto taking his theme too seriously or using it as an opportunity foridle display. There is now enough material to move <strong>on</strong> to the c<strong>on</strong>clusi<strong>on</strong>.The Epilogue itself begins with an echo of the terms inwhich the <strong>Busiris</strong> dem<strong>on</strong>strati<strong>on</strong> was first announced, but with adecided change of emphasis: in § 9, when Isocrates promises to showPolycrates 'how it should be d<strong>on</strong>e', it is possible for a reader to seethis simply as forestalling the objecti<strong>on</strong> 'you couldn't do any better';but in § 44, it is absolutely clear that Isocrates has been teachingPolycrates: the dem<strong>on</strong>strati<strong>on</strong> has been an attempt to enlighten himand bring him to his senses, not to outdo his 'achievement' or show<strong>Isocrates'</strong> superiority.Now that the correct methods of praise and defence, whichPolycrates failed to use, have been dem<strong>on</strong>strated, we are ready foran examinati<strong>on</strong> of the methods which he did use. This appears atthe beginning of § 45, in antithesis with what he ought to have d<strong>on</strong>eand followed at <strong>on</strong>ce by asummary c<strong>on</strong>demnati<strong>on</strong>, framed by the key wordsPolycrates' defence strategy is a lazy excuse for criminality.§ 45-47 underpin this c<strong>on</strong>demnati<strong>on</strong> with three separateinstances of reductio ad absurdum: what would be the c<strong>on</strong>sequences ifPolycrates' argument were generally applied? would he want it usedin his own defence? what would happen to a pupil who took it seriously?The answers lead us <strong>on</strong>ce again through the stages of <strong>Isocrates'</strong>attack <strong>on</strong> Polycrates' speech: it is c<strong>on</strong>trary to comm<strong>on</strong> sense, it isbad rhetoric, and it is morally corrupting.As in the Prologue, the insistent t<strong>on</strong>e and accumulati<strong>on</strong> of argumentsmake the reader feel the effort that is required to get a simplepoint across to some<strong>on</strong>e so perverse and obtuse as Polycrates.The first explanati<strong>on</strong> is introduced by a simplebut from


C OMMENTARY 18 3then <strong>on</strong> Isocrates demands his addressee's attenti<strong>on</strong> with mountingemphasis (noteEach point ends with a rhetorical questi<strong>on</strong> introducedby and the last has a sec<strong>on</strong>d questi<strong>on</strong> () which forms the climax of the sequence.In § 48, Isocrates moves <strong>on</strong> to anticipati<strong>on</strong>, and rejecti<strong>on</strong>, ofPolycrates' reply. He is expected to claim that he was aware of thedeficiencies of his speech, but intended it as a purely theoreticalexample of how some<strong>on</strong>e with a poor case, facing serious charges,might be defended. Isocrates replies that even <strong>on</strong> these terms it hasno value: such a defence would do the defendant more harm thangood.The Epilogue intertwines the themes of moral danger and practicaluselessness. In anticipating Polycrates' defence of his speech,Isocrates comes close to taking <strong>on</strong> board the idea that it was a paradoxicalexercise rather than a 'real' Encomium or Defence; but bymaking Polycrates present the idea of such an exercise in very seriousterms, as ahe prevents any deflecti<strong>on</strong>of his moral attack. If Polycrates' work were successful, it would bemorally pernicious; since it is unsuccessful, it is a disgrace to itsauthor: a moral disgrace in its aim, an intellectual disgrace in itsincompetence. Isocrates rounds off the polemic with a higher c<strong>on</strong>siderati<strong>on</strong>(§ 49), which reminds us of his stance of professi<strong>on</strong>alresp<strong>on</strong>sibility in the Prologue: unfortunately, the disgrace is not limitedto Polycrates, but threatensitself, already the victimof misunderstanding and hostility. The closing passage recapitulatesin str<strong>on</strong>g and explicit terms the judgement that has been passed <strong>on</strong>Polycrates' work, and instructs him of the remedy. Finally, Isocratesexplains and defends his own right to give this advice, and <strong>on</strong>cemore there is a reprise of the themes of the Prologue: the ir<strong>on</strong>icallusi<strong>on</strong> to Polycrates' seniority in years recollects the unhappy circumstanceswhich brought him late to the rhetorical professi<strong>on</strong>, andagain Isocrates suavely asserts his own str<strong>on</strong>g positi<strong>on</strong> of knowledgeand goodwill.§ 44 'superabundance' formulae are used byIsocrates both parenthetically, to underline choices and draw attenti<strong>on</strong>to the motives and principles which guide him (e.g. Panath. 22,90), and to close a work (while emphasising that its curtailment isdeliberate and not the result of a failure of inventi<strong>on</strong>), e.g. de Pace


1 84 COMMENTARY145 (where the formula is closely parallel to the <strong>on</strong>e used here), andHelen 67~69; cf. also § 28andnote ad loc. The present instance combines these functi<strong>on</strong>s, closingthe treatment of the <strong>Busiris</strong> theme, effecting the transiti<strong>on</strong> back to thepolemic that is the real substance of the work, and signalling theapproaching end of the work itself; compare Antidosis 310, where asimilar formula introduces the c<strong>on</strong>cluding secti<strong>on</strong> of the work. Themotif of superabundance is also an effective way of disclaiming sophisticc<strong>on</strong>trivance and creating the impressi<strong>on</strong> that the facts are <strong>on</strong><strong>on</strong>e's side (e.g. Lysias XII. 1—3). For Isocrates, it goes hand in handwith his adherence to reputable themes: topics so 'good in themselves'that it is hard to do them justice (see note <strong>on</strong> § 4and <strong>on</strong> § 10 Here, it underlines his success inrecasting the paradoxical <strong>Busiris</strong>-theme as a reputable <strong>on</strong>e. C<strong>on</strong>trastthe c<strong>on</strong>clusi<strong>on</strong> of the Lysianic speech in Plato's Phaedrus (234c7 and the claim of Phaedrus, as its defender,that it has treated its subject exhaustively (235band see note ad loc.: Isocrates has <strong>on</strong>ly <strong>on</strong>e other instance ofthe verb , in the closely parallel passage which c<strong>on</strong>cludesthe encomium at Helen 69:. . . Cf. also de Pace 145. The expressi<strong>on</strong> (with variants) is a formula,like, for bringing a work or secti<strong>on</strong> ofa work to a close: Plat. 7, Archid. 1ll, Paneg. 66. Its relative; is similar in functi<strong>on</strong> to Latin 'Quid multa?': Zeug. 8,Plat. 29, Panath. 270, and cf. Nic. 63, Panath. 181.To treat a subject at indefinite length (or, less comm<strong>on</strong>ly, withthe maximum c<strong>on</strong>cisi<strong>on</strong>: Plato Gorgias 449c) was am<strong>on</strong>g the arts ofthe sophists. It is also, of course, a valuable skill in epideictic oratory(Usher 1973 p. 40), though <strong>on</strong>e which Isocrates does not commend(for <strong>Isocrates'</strong> expressed views <strong>on</strong>andsee Wersdorfer 1940 pp. 98-101). Here,suggests what a less resp<strong>on</strong>sible rhetorician might have d<strong>on</strong>e (seenote below <strong>on</strong>). Plato associates the 'art of length'especially with Gorgias (Phaedrus 267a


COMMENTARY 185Gorgias 449c)and with Protagoras (Protagoras 329b, 334e-335c): both are mockinglyadjured by Socrates to abstain from(which in n<strong>on</strong>technicaluse often simply means 'l<strong>on</strong>g-windedness') and to practisethewhich al<strong>on</strong>e is compatible with dialectic. ElsewherePlato, like Isocrates, usesin a quite general sense, of theuse of more words than are necessary: Theaetetus 163d, Republic 403de,455c, Laws 655b.Isocrates regularly insists that his works are not intended forpublic performance and self-display (e.g. Antid. 1, 55, Phil. 17,93, Ep. I 56, Ep. VI 4-5). This fact is several times used to explainfeatures of their technique: Antidosis 55 and Philip 93 (alleged 'unembellished'character of these works); Antidosis 1 (use of a preamble);Ep. VI 4 (choice of subject-matter). Here it is an explanati<strong>on</strong> for cuttingshort the <strong>Busiris</strong> theme.are, for Isocrates, the province of the worst kind ofsophistic rhetorician (see e.g. Antid. 147-148); epideictic oratory ingeneral is c<strong>on</strong>demned, together with forensic, at Panathenaicus 271.<strong>Isocrates'</strong> antithesis between (mere) and practical, usefulrhetoric parallels the Plat<strong>on</strong>ic Socrates' c<strong>on</strong>trast betweenand dialectic (see e.g. Gorgias 447bc, with Dodds 1959 <strong>on</strong> 447c3). Itis set out most explicitly at Panegyricus 17, and reappears in placeswhere, as here, the practical objective is to give useful advice — Phil.17, Ep. I 5-6, Ep. VI 4-5. In this last passage, and at Philip 25,there is an additi<strong>on</strong>al c<strong>on</strong>trast between and seriousness: herein <strong>Busiris</strong>, where a n<strong>on</strong>-serious, 'epideictic' theme has been treated,it is all the more necessary to remind his readers that this is notfor its own sake, but for a serious purpose.the verb imoSeiKvuvoci suggests a more restrained'presentati<strong>on</strong>' thanbut also has other c<strong>on</strong>notati<strong>on</strong>swhich play a part here. Its primary meaning in Isocrates is 'to showby <strong>on</strong>e's own example' (Me. 57, Phil. 12, 27, 111, Panath. 78, 166,Ep. II 11). The present passage may be compared with Panathenaicus150wheremeans 'to illustrate', to show inbrief what materials are available for the refutati<strong>on</strong> of his critics (cf.at Bus. 9), without going through them at length. Finally, itcan be used of getting a message across without stating it publicly:


186 COMMENTARYe.g. Panath. 170, where the ambassadors are to give public advicebut at the same time to deliver a veiled threat ofinterventi<strong>on</strong> (. In the present passage theidea of c<strong>on</strong>cealed communicati<strong>on</strong> (see note <strong>on</strong> idea of a c<strong>on</strong>cealed communicati<strong>on</strong> (see note <strong>on</strong> § 2is reinforced by the antithesisCompare especiallyEp. I 6, where Isocrates uses the fact that he is writing to Di<strong>on</strong>ysiuspers<strong>on</strong>ally, rather than speaking at a public festival, as evidence thathis aim is serious and practical, not 'epideictic'.ye points ir<strong>on</strong>ically to the inc<strong>on</strong>gruitybetween the actual c<strong>on</strong>tent of Polycrates' speech and its supposedpurpose (see note <strong>on</strong> § 7The alternative reading(added in the margin ofby the corrector F 2 ) is adopted by Blass, and may well be correct.would fit well into the pattern of repeated sec<strong>on</strong>d-pers<strong>on</strong> pr<strong>on</strong>ouns(see note <strong>on</strong> § 46 while the perfect hasa parallel in § 1 (and produces amore direct formal c<strong>on</strong>trast between what Isocrates has d<strong>on</strong>e andwhat Polycrates has d<strong>on</strong>eDrerup, however,rejects the variant <strong>on</strong> the grounds that this corrector's testim<strong>on</strong>y elsewherein <strong>Busiris</strong> is of poor quality. Compare § 47where Benseler/Blass, Drerup and Mathieu/Brem<strong>on</strong>dall followthe rhyme with brings out the absurdity: asthough an admissi<strong>on</strong> of guilt was as valid a rhetorical form as adefence.§ 45 the metrical equivalenceis highlighted by the repetiti<strong>on</strong> of With37 So far, this deficiency —failure to refute the traditi<strong>on</strong>al 'charge' against <strong>Busiris</strong> — has been theessential complaint against Polycrates' speech; now for the first timeit is revealed what Polycrates did instead. On the sense of the verbsee note <strong>on</strong> § 4and note especially§ 7. (as here, c<strong>on</strong>trasting whatshould have been in Polycrates' work with what actually was in it).'s reading is clearly correct; 0A havea similar form of argumentseems to have been used in the paradoxical speech Alexandras, which


COMMENTARY 187may be attributable to Polycrates (Arist. Rhet. 1397b23~25 if.: seeIntroducti<strong>on</strong> II). We do not know what precedents, mythological orhistorical, Polycrates used to ex<strong>on</strong>erate <strong>Busiris</strong>.In the case of human sacrifice, the task would not have been toodifficult. Tragedy offers many stories of who, under varyingdegrees of pressure, become willing sacrificial victims. In Euripides'Erechtheus, the sacrifice of the king's own daughter saves the city fromdestructi<strong>on</strong>, and Makaria plays a similar role in Heracleidae. In thefates of Iphigenia and Polyxena, heroism is more starkly juxtaposedwith cruelty and waste; but Polycrates need not acknowledge this,and mere reference to the eminent status of the doer, victim andrecipient of each sacrifice would provide ample material for his argument.(For the plot and fragments of Euripides' Erechtheus., see Collard,Cropp and Lee 1995, pp. 148-94; for a study of Euripides' sacrificialvirgins, Rabinowitz 1993 pp. 31-66.) Even the sacrifice of unwillingvictims has a 'reputable' precedent in Iliad XXIII. 166-76, whereAchilles offers twelve Trojan captives to the ghost of Patroclus.It is less easy to guess how the defence of cannibalism might havebeen achieved. When humans (or gods) eat human flesh in myth(e.g. at the feasts of Tantalus, Tereus and Thyestes) it is usually amistake <strong>on</strong> the part of the eater, and the incident is horrific. Theexcepti<strong>on</strong>s are inauspicious. Tydeus gnawed at the head of his fallenenemy Melanippus, but by doing so lost the immortality which Athenahad meant to c<strong>on</strong>fer <strong>on</strong> him. (See Beazley 1947 for two vase paintingsof fifth-century origin apparently depicting this incident, and anaccount of other sources.) Phalaris, the legendary sixth-century tyrantof Acragas who owned a br<strong>on</strong>ze bull in which foreigners were roastedalive, often appears al<strong>on</strong>gside <strong>Busiris</strong> in later literature as a bywordfor cruelty; according to Clearchus (quoted by Athenaeus, 396e) he'feasted <strong>on</strong> unweaned infants'. The myth of Kr<strong>on</strong>os devouring hischildren, <strong>on</strong>e of the standard 'poetic blasphemies' listed by Isocrates(§ 38 7 see note ad loc.}, is similarly unpromising inview of its sequel. One line would have been to exploit passages inthe Iliad where characters imagine cannibalism, 'eating some<strong>on</strong>e raw',as the ultimate expressi<strong>on</strong> of hatred: e.g. IV. 34—36, XXII. 346 f,XXIV.212 f. Another would have been to associate <strong>Busiris</strong>' c<strong>on</strong>ductwith sacrificial rituals in which human flesh was eaten: though perhapsa less familiar precedent, this would be a closer <strong>on</strong>e, since thec<strong>on</strong>text of <strong>Busiris</strong>' cannibalism seems explicitly to have been thesacrificial meal itself (§ 7


188 COMMENTARYNote, for instance, the , c<strong>on</strong>cerning the ritual of Zeusto which Plato's Socrates refers at Republic 565d: the participant whoeats the human flesh, which is mixed in with other sacrificial meats,is transformed into a wolf, but such a ritual might still furnish ageneral argument that cannibalism is practised with divine sancti<strong>on</strong>.(On the cult of Zeus see Hughes 1991 pp. 96 107.) Similarly,though the legends c<strong>on</strong>cerning the death of Orpheus and the similarfate of Pentheus do not go so far as cannibalism, there are storiesof Di<strong>on</strong>ysiac rituals in whichof a human victim mayhave been followed byevidence is collected by Dodds1960 pp. xviii f. In general, though, cannibalism is represented asthe antithesis of civilisati<strong>on</strong>, a barbarous or pre-cultural practice: seeHughes 1991 p. 188.'laziest'. Cf. de Pace 114 (cited <strong>on</strong> § 46. . .), andliterally 'place of refuge', 'asylum' (Paneg. 41, Plat. 55,Evag. 52). The word's metaphorical use, especially for a defendant'srecourse, hope of safety or defence, can be seen developing andbecoming more familiar in Attic oratory. In Antiph<strong>on</strong> I Against theStepmother 4 the word's spatial sense is str<strong>on</strong>gly felt:At Isoc. Callim. 43 the amnesty is a for theoligarchs. In Demosthenean oratory the meaning 'defence' is wellestablished: cf. Dem. LVII Against Euboulides 6, LIV Against C<strong>on</strong><strong>on</strong> 2 1 ,XLVI Against Stephanus II 9, and [Dem.] LVIII Against Theocrines 65,where and are listed as: the argument can be reduced to syllogistic form: if (a) allcrimes are acts that have occurred before, and (b) no <strong>on</strong>e who commitsan act which has occurred before is to be deemed guilty, then(c) no-<strong>on</strong>e who commits a crime is to be deemed guilty. The tax marks the logical co-ordinati<strong>on</strong> of the premisses,but the c<strong>on</strong>clusi<strong>on</strong> breaks into an indignant rhetori-syntaxmarks the logical co-ordinati<strong>on</strong> of the premisses,. . . . . ., but the c<strong>on</strong>clusi<strong>on</strong> breaks into an indignant rhetoricalquesti<strong>on</strong>, which omits a few logical steps in order to press homethe practical c<strong>on</strong>sequences: '[criminals, <strong>on</strong> this argument, cannot beregarded as guilty, so] it will be easy for them to defend themselves,and it will be open seas<strong>on</strong> for any<strong>on</strong>e with a mind to wr<strong>on</strong>gdoing'.Polycrates' premiss could be brought to an immediate reductio ad


COMMENTARY 189absurdum by using the verb in place of whichwould justify a c<strong>on</strong>clusi<strong>on</strong> to the effect thatbut rather than score a logicalpoint Isocrates presses <strong>on</strong> to the lively anarchic picture of total licencefor would-be criminals.cf. Panath. 121-122(quoted <strong>on</strong> § 38and c<strong>on</strong>trast Cicero's treatment ofpatricide at Pro Sex. Roscio Amerino 70: Sol<strong>on</strong> did not prescribe apenalty for this crime, because it was unheard of and unanticipated,but the Roman lawgivers wisely realised nihil esse tarn sanctum, quodn<strong>on</strong> aliquando violaret audacia.: forthe c<strong>on</strong>cept of 'giving people to do wr<strong>on</strong>g' cf. Areop. 34,Antid. 164, and the similar use of at Plato Rep. 39 le. HereIsocrates adapts a from the epilogue of prosecuti<strong>on</strong> speeches,that acquittal will be an invitati<strong>on</strong> lor others to commit the samecrime: e.g. Lysias XXII Against the Corn-dealers 19 (XXIX Against Philocrates13 I On the Killing of Eratosthenes 48 in a defence speechwhich recasts itself as a prosecuti<strong>on</strong>); Demosthenes XXIV AgainstTimocrates 205, [Demosthenes] LIX Against Neaera112§ 46 'you wouldrecognise it best by looking (at it) in your own case'. Cf. de Pace 114In § 46-47 sec<strong>on</strong>d pers<strong>on</strong> pr<strong>on</strong>ounsare used repeatedly, emphasising the effort required to bringthe argument home to Polycrates and instil in him a sense of resp<strong>on</strong>sibility::1(plus § 47whereshould perhaps be restored:Polycrates' speech is ; because he made no effortto test its true value as a defence—such as to ask himself whetherhe would wish to be defended in the same way. In the orators,is always a quality of people and acti<strong>on</strong>s; for appliedto a cf. Plato Phaedo 87c, Laws 818b, Ale. II 149e, and esp.Phaedrus 242de: Socrates' describes his first speech asand goes <strong>on</strong> to explainhis


190 COMMENTARYown and the 'Lysias' speech]On parallels between Phaedrus and<strong>Busiris</strong> see Introducti<strong>on</strong> IV.ii.forensic in t<strong>on</strong>e: cf. e.g. Lysias I On the Killingof Eratosthenes 40if Polycrates was notpersuaded by the hypothetical reversal in the Prologue (see note <strong>on</strong>6 perhaps a scenario in which he is pers<strong>on</strong>allyat risk will c<strong>on</strong>centrate his mind. The parallels with that secti<strong>on</strong> ofthe Prologue are clearly marked -§46cf. § 6§ 46 cf.§ 6 §46cf. 5 6. The hypothesis of 'Polycrates <strong>on</strong> trial' ismade more vivid by the forensic t<strong>on</strong>e of this part of <strong>Isocrates'</strong> speech:in a certain sense, of course, Isocrates is putting Polycrates <strong>on</strong> trial.This is the clearest instance in <strong>Busiris</strong> of an argument of the 'GoldenRule' type (cf. notes <strong>on</strong> § 20 and <strong>on</strong> §31See Dihle 1962 pp. 85-95 and pp. 95-102 (<strong>on</strong> Isocratesesp. p. 101); Russell 1963; Dihle 1981. Elsewhere Isocratesuses both the positive form ('treat others as you would wish themto treat you'), e.g. Paneg. 81, Nic. 49, 62, ad Nic. 24, and the negativeform found here ('do not treat others as you would not wishthem to treat you'), e.g. Nic. 61In the present c<strong>on</strong>text it has particularforce because (as we are reminded in § 47) Polycrates is a teacher:some<strong>on</strong>e whose work and c<strong>on</strong>duct ought to be exemplary.for this real-world scenario Isocrates assimilatesPolycrates' third-pers<strong>on</strong> defence of <strong>Busiris</strong> to the real forensic varietyit most closely resembles, namely a supporting-speech such as<strong>Isocrates'</strong> Against Euthynous. (Forto appear as acf. Loch. 22.)solitarium, 'with pers<strong>on</strong>al and dem<strong>on</strong>strative pr<strong>on</strong>ouns,implicitly c<strong>on</strong>trasted with other pers<strong>on</strong>s and things': Dennist<strong>on</strong>1954 p. 381, (ii).


COMMENTARY 191for the shamefulness of hypocrisy—failing toabide by the standards <strong>on</strong>e applies to other people—cf. S 31 above,and de Pace 114 (cited <strong>on</strong> § 45§47 cf. e.g. Antidosis 306where, as here, Isocratesis striving to impress what is to him an obvious and vital truth <strong>on</strong>the minds of an audience taken to be obtuse and perverse.For the third pers<strong>on</strong> of the reflexive pr<strong>on</strong>oun functi<strong>on</strong>ing as sec<strong>on</strong>dpers<strong>on</strong>, cf. ad Nic. 38, Antid. 145. F. Seek has argued, however,that the manuscripts of Isocrates do not give adequate evidence forthe variants in place of in all caseseither (i)appears in the traditi<strong>on</strong> as a varia lectio,or (ii) for sec<strong>on</strong>d-pers<strong>on</strong> appears, as here, in a combinati<strong>on</strong>such as, where a sec<strong>on</strong>d I could easily have dropped out.See Seek 1965 pp. 62 f. In the present c<strong>on</strong>text, where heavy repetiti<strong>on</strong>of the sec<strong>on</strong>d-pers<strong>on</strong> pr<strong>on</strong>oun is used to 'point the finger' atPolycrates (see note <strong>on</strong> § 46is perhaps tobe preferred.§ 46 underliningthe parallelism between the two arguments: if Polycrates' associateswere to speak, or worse still to act, in accordance with theexample he has set them, the c<strong>on</strong>sequences would be disastrous.Polycrates harms those closest to him most (note the repeatedcompare Helen 7, where teachers of eristic are said to be worsethan comm<strong>on</strong> cheats because, instead of harming strangers, theycause the most damage to their close associates (i.e. their pupils).The ir<strong>on</strong>y underlying § 42is now exposed.Isocrates regularly uses of incitement to wr<strong>on</strong>gdoing:Euth. 5, 11, Callim. 17, 43, Trap. 35, 46, Paneg. 108, de Pace105 (excepti<strong>on</strong>s: Phil. 10, Ep. I 5).so far, we have <strong>on</strong>ly been told that Polycratespassed off <strong>Busiris</strong>' crimes asnow it is suggested thathe actually praised them. It is unclear how literally we should takethis. It may be exaggerati<strong>on</strong>, or perhapsisto be understood asOf course, even to praise Polycrates although he was a cannibal could


192 COMMENTARYtheoretically incite others to emulate him; but the paradoxical effectwould be str<strong>on</strong>gest if Polycrates found a way not just to praise acannibal, but to praise cannibalism itself. See note <strong>on</strong> § 45reading: have . See note <strong>on</strong> § 44cf. § 4aparadox, and an index of the perversity of Polycrates' work, the savinggrace of which is that it is in fact unpersuasive (cf. § 46, § 48).Thus the last in the sequence of rhetorical questi<strong>on</strong>s unites the twoaspects of Polycrates' failure, incompetence and immorality—the twomarks of the bad rhetorician, just as expertise and good intenti<strong>on</strong>sare marks of the good rhetorician (cf. § 50). Fortunately, the incompetencelimits the direct harm d<strong>on</strong>e by the immorality, so the greatestpractical danger is the <strong>on</strong>e introduced in § 49: Polycrates andhis kind bringitself into disrepute.§ 48 at last, and very briefly, we are allowed toglimpse what must have been the real point of Polycrates' speech(see Introducti<strong>on</strong> II): a self-advertising rhetorical exercise, deliberatelyparadoxical. By presenting the idea as an anticipated defence(a form of Isocrates both distances himself from itand adds to the 'forensic' atmosphere.Isocrates deals with this new possibility with resolute seriousness:if Polycrates' work was an exercise, an exercise in what? Presumablyin defence; but if so, everything that has been said about it stillapplies—it is at best useless, at worst pernicious. The same wouldbe true if it were an exercise in praise. The possibility that it wasprimarily humorous is never menti<strong>on</strong>ed (cf. note <strong>on</strong> § 9perhaps because, from <strong>Isocrates'</strong> point of view, aiming solelyto raise a laugh would not really count as having a purpose at all.The effect is complex: <strong>Isocrates'</strong> wilful determinati<strong>on</strong> to treat Polycrates'absurd speech seriously itself creates an effect of ir<strong>on</strong>ic humour, aswell as opening the way for direct ridicule. At the same time, thestance of seriousness keeps us aware that <strong>Isocrates'</strong> humour (unlikePolycrates' humour—the very possibility of which is banished from<strong>Busiris</strong>) does have a serious moral and instructive purpose.


COMMENTARY 193is subtly ambiguous: ostensiblyit presents Polycrates' point of view, 'I was aware of that too'; butwe can also hear in it <strong>Isocrates'</strong> point of view: 'even you were awareof that' (in spite of the inability to see the obvious which is centralto <strong>Isocrates'</strong> portrait of Polycrates: see note <strong>on</strong> § 1-9).i.e. the point underlying the rhetorical questi<strong>on</strong>s in 8 47, thatthe speech would have a bad influence <strong>on</strong> any<strong>on</strong>e who was c<strong>on</strong>vincedby it.the defence depends <strong>on</strong>the assumpti<strong>on</strong> that expertwill be safe from corrupti<strong>on</strong>.recalls § 10drawing attenti<strong>on</strong> to the absurd discrepancy in ambiti<strong>on</strong> betweenPolycrates and <strong>Isocrates'</strong> <strong>Busiris</strong>.perhaps hendidays,'c<strong>on</strong>cerning the hard task of dealing with dreadful accusati<strong>on</strong>s'; butprobably with a str<strong>on</strong>ger distincti<strong>on</strong> between 'charges' and'facts of the case', in which case this is a euphemistic wayof saying 'when the accusati<strong>on</strong>s are dreadful and the defendant isguilty'.cf. § 4In announcing Polycrates' failure to do what he saidhe was doing, Isocrates simultaneously reminds us of <strong>on</strong>e declaredobjective which his own work has now achieved.§ 49 thepers<strong>on</strong>ificati<strong>on</strong> of philosophy as a victim of unjust persecuti<strong>on</strong> (likeIsocrates himself) is a key image in Antidosis: e.g. 170, 176, 215, 312.Compare Socrates' comments in Republic VI <strong>on</strong> false or debasedphilosophers who give philosophy its bad name (49la (referring backto 487d); also 489cd, 497a, 500b, 535c, 536bc).Here the pers<strong>on</strong>ificati<strong>on</strong> is made striking by the use of the adverbialform (a hapax in classical Greek) of the rare adjective ;.We might expect the adjective to have a poetic tinge (cf. CallimachusEpigram I (Page) line 3), evoking its root , but it is in fact lessfrequent in verse than in prose, esp. technical prose: it is comm<strong>on</strong><strong>on</strong>ly in the writings of Peripatetic philosophers and Christian theologians.Its usual meaning is 'mortal'/'perishable'/'fragile' by nature:cf. Callimachus loc. at. Aristotle GA 753a,


194 COMMENTARY[Plato] Axiochus 367b, [Aristotle] On the Universe 392a. The activemeaning 'destructive'/'dangerous' is found in the Hippocratic trea-tise1, and [L<strong>on</strong>ginus] On the Sublime 29.1. For theusage here, meaning '(c<strong>on</strong>tingently) in danger of death', 'mortallythreatened', there is no close parallel.for the topos of popular resentment ofphilosophers, see e.g. Plato Apology 28a, Isoc. Antid. 31, and cf. Soph.1 ff.: an attempt to redirect public hostility towards those who reallydeserve it—not genuine educators, but charlatans who make excessiveclaims.§ 50 these politequalificati<strong>on</strong>s are made inc<strong>on</strong>gruous and ir<strong>on</strong>ic by the powerful c<strong>on</strong>demnatoryterms which they accompany:i.e. base, corrupt or simply wr<strong>on</strong>g: cf. Antid. 86 (how couldIsocrates, the author of Panegyricus, ever have writtenPanath. 203.a devastating recapitulati<strong>on</strong> of the faultsof Polycrates' <strong>Busiris</strong>-speech.covering both moraland intellectual disgrace, refers to § 45-46;to 8 47;to the reply anticipated anddemolished in § 48-49.cf. Antid. 170 285and Plato Rep. 489dClearly here = 'will bring into disrepute; butstandardly implies malice, and by using theverb here Isocrates insinuates that the damage Polycrates has d<strong>on</strong>eto the professi<strong>on</strong> was reckless, if not deliberate.Archidamus is made to excuse himselfin similar words at Archid. 1; cf. Cicero' s development of thetopos at Pro Sex. Roscio Amerino 1 ff. Here, however, the t<strong>on</strong>e is ir<strong>on</strong>ic.Isocrates is not a he is 42 years old at the very least, perhapssignificantly older (cf. Introducti<strong>on</strong> III.v); so the point of this'apology' is not <strong>Isocrates'</strong> youth, but Polycrates' age—which adds tothe disgrace of his incompetence.this is the text ofaccepted by Benseler/Blass and


COMMENTARY 195Mathieu/Brem<strong>on</strong>d; the wordsandare omitted by F and c<strong>on</strong>demned by Drerup. Drerup has generaldoubts about the value of F 2 's testim<strong>on</strong>y for <strong>Busiris</strong> (see note <strong>on</strong>§44 but what he regards as the clinchingevidence of interpolati<strong>on</strong> is the fact that F omits bothand the logically related words(Drerupp. CXXXI). This argument does not have much force: faced withan exemplar in whichhad accidentally been omitted, acopyist who understood the text would naturally deleteas incoherent. The double deleti<strong>on</strong> is no harder to explainthan the double interpolati<strong>on</strong> which Drerup envisages in the othermanuscripts. Moreover, the disputed words produce a satisfactoryand 'Isocratean' antithetical development, with the sequencecorresp<strong>on</strong>ding to(cf. Pohlenz 1913p. 218). Finally, the reference to Polycrates' seniority fits the patternwhereby the Epilogue of <strong>Busiris</strong> reminds readers of the themes ofthe Prologue (see note <strong>on</strong> S 44—50; also notes <strong>on</strong> 8 46in this case, recallingthe reference in § 1 to his 'change of circumstances'. It is noobjecti<strong>on</strong> to that (<strong>on</strong> any of the current views as to thedate of <strong>Busiris</strong>) Isocrates is not in absolute terms a young man: aswas argued in the last note, the point is not that Isocrates is young,but that Polycrates is old and should know better. (Cf. Helen 1, deridingsophists who have persisted in their folly into old age: Polycrateshas actually begun his foolishness as an old man.) I therefore regardthe words as genuine.figura etymologica (cf. § 12with c<strong>on</strong>spicuous play <strong>on</strong> the sound of the words, a Gorgianic flourishwhich Isocrates uses <strong>on</strong>ly sparingly. It adds to the impressi<strong>on</strong> of fullnessand rhetorical completi<strong>on</strong> in this closing period. (On the antitheticalstructure of the period, see last note.)an ex cathedra statement parallel to the <strong>on</strong>e introducedby the same words in § 1. Giving advice <strong>on</strong> rhetoric is aduty, and a privilege, attendant <strong>on</strong> expert status; and being an experthas two comp<strong>on</strong>ents, knowledge and understanding <strong>on</strong> the <strong>on</strong>e hand,dedicati<strong>on</strong> to the aim of (moral and practical helpfulness)<strong>on</strong> the other. <strong>Isocrates'</strong> statement of the primacy of these 'intellectual'qualificati<strong>on</strong>s for giving advice over the more traditi<strong>on</strong>al criteria


196 COMMENTARYof age and proximity is at <strong>on</strong>e level banal (after all, elders have beenfavoured because they know more, kin and friends because they have<strong>on</strong>e's interests at heart), but at another level rather bold: it assertsthe authority of the professi<strong>on</strong>al educator. One of the accusati<strong>on</strong>ssaid to have been levelled at Socrates was that he seduced his compani<strong>on</strong>saway from their parents, relatives and friends, by arguingthat people with expert knowledge are more use than kinsmen intime of need, and that the good will of friends is useless unless theyare also able to help, and then persuading them that, because hehimself was 'wisest', they should listen to him more than to any<strong>on</strong>eelse (see Xenoph<strong>on</strong> Memorabilia I.ii.49-55, esp. 51-52). At Apology 20Xenoph<strong>on</strong> has Socrates accept a form of this charge while c<strong>on</strong>finingit to the realm ofIsocrates here takes up the same argument, casting himself as thechampi<strong>on</strong> ofthe speech ends, as it began, with a key c<strong>on</strong>cept: seenote <strong>on</strong> § 1An important element of <strong>Isocrates'</strong>task has been to make Polycrates listen to advice: § 3Hecannot say that this has definitely been achieved, but he has at leastpresented his critique in the clearest possible way (cf. § 48The work ends with a reasserti<strong>on</strong> of<strong>Isocrates'</strong> authority to give advice, and of his stance as the spokespers<strong>on</strong>ofif Polycrates fails to heed it, he can no l<strong>on</strong>gerbe seen as a member of the professi<strong>on</strong>.


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202 BIBLIOGRAPHY, 1976: Isokrates (Wege der Forschung CCCLI) (Darmstadt)Smelik, K.A.D., and Hemelrijk, E.A., 1984: 'Who knows not what m<strong>on</strong>sters dementedEgypt worships', ANRW 17 (4), 1852-2000Snowden, F.M. (Jr.), 1970: Blacks in Antiquity. Ethiopians in the Greco-Roman Experience(Cambridge, Mass.), 1981: 'Aithiopes', LJMC I.i.413-419, 1983: Before Color Prejudice: the Ancient View of Blacks (Cambridge, Mass, andL<strong>on</strong>d<strong>on</strong>)Steiner, D.T., 1994: The Tyrant's Writ. Myths and Images of Writing in Ancient Greece(Princet<strong>on</strong>)Sykutris, J., 1927: 'Isokrates' Euagoras', Hermes LXII 24-53: reprinted in Seek 1976,pp. 74-105Theodoridis, C., 1982: Photii Patriarchae Lexic<strong>on</strong>, edidit. . . Volumen I. A~D (Berlin andNew York)Too, Y.L., 1995: The rhetoric of identity in Isocrates. Text, power, pedagogy (Cambridge)Treves, P., 1952: 'Polykrates (7)', RE XXI.2 pp. 1736-1752Usener, S., 1993: 'Isokrates' <strong>Busiris</strong>. Verschriftlichung des Mythos und Verantwortungdes Autors', in Kullmann and Althoff 1993, pp. 248-262, 1994: Isokrates, Platan und ihr Publikum: Horer und Leser v<strong>on</strong> Literatur im 4. Jahrhundertv. Chr. (Tubingen)Usher, S., 1973: 'The Style of <strong>Isocrates'</strong>, Bulletin of the Institute of Classical Studies XX39-67, 1990: Isocrates. Panegyricus and To Nicocles, edited with a translati<strong>on</strong> . .. (Warminster), 1994: 'Isocrates: Paideia, Kingship and the Barbarians', in H.A. Khan (ed.),The Birth of the European Identity: The Europe-Asia C<strong>on</strong>trast in Greek Thought 490-322B.C. Nottingham Classical Literature Studies 2, 1993 (Nottingham), pp. 131-145Ussher, R.G., 1973: Aristophanes' Ecclesiazusae (Oxford)Vallozza, M., 1985: 'Koupoc; nella teoria retorica di Alcidamante e di Isocrate, ower<strong>on</strong>ell' oratoria orale e scritta', Quaderni Urbinati di Cultura Classica N.S. XXI.3 pp.119-123Van der Horst, P.W., 1987: Chaerem<strong>on</strong>, Egyptian Priest and Stoic Philosopher: the fragmentscollected and transited with explanatory notes (2nd ed., Leiden)Van Hook, L., 1945: Isocrates Vol. Ill (Loeb ed.: Cambridge, Mass.)Vander Waerdt, P.A., 1994: The Socratic Movement (Ithaca and L<strong>on</strong>d<strong>on</strong>)Vollkommer, R., 1988: Herakles in the Art of Classical Greece (Oxford University Committeefor Archaeology M<strong>on</strong>ograph No. 25} (Oxford)De Vries, GJ., 1969: A <str<strong>on</strong>g>Commentary</str<strong>on</strong>g> <strong>on</strong> the Phaedrus of Plato (Amsterdam)Wallace, R.W., 1985: The Areopagos Council, to 307 B.C. (Baltimore and L<strong>on</strong>d<strong>on</strong>)Wankel, H., 1976: Demosthenes: Rede fur Ktesiph<strong>on</strong> uber den Kranz. (II Vols., Heidelberg)Wersdorfer, H., 1940: Diedes Isokrates im Spiegel ihrer Terminologie. Untersuchungenzur fruhattischen Rhetorik und Stillehre (Leipzig)West, M.L., 1966: Hesiod, Theog<strong>on</strong>y. Edited with Prolegomena and <str<strong>on</strong>g>Commentary</str<strong>on</strong>g> . . . (Oxford), 1967: The C<strong>on</strong>test of Homer and Hesiod', C£XVII 433-450, 1983: The Orphic Poems (Oxford)West, S., 1984: 'Io and the Dark Stranger (Sophocles, Inachus F 269a)', CQ,XXXIV292-302, 1991: 'Herodotus' Portrait of Hecataeus', JHS CXI 144-160Wilamowitz, 1919: U. v<strong>on</strong> Wilamowitz-Moellendorf, Platan (II Vols., Berlin), 1931: Der Glaube der Hellenen, Vol. I (Berlin)Wirth, A., 1910: 'Der <strong>Busiris</strong> des Isokrates', Jahresbericht des Kaiser Franz Joseph-StaatsGymnasiums in M.-Schb'nberg XXXI 3~24Worthingt<strong>on</strong>, I., 1994: Persuasi<strong>on</strong>: Greek Rhetoric in Acti<strong>on</strong> (L<strong>on</strong>d<strong>on</strong> and New York)Xanthakis-Karamanos, G., 'Echoes of Earlier Drama in Sositheus' Daphnis andLycophr<strong>on</strong>'s Menedemus\ AC 66 (1997) 121-143Ziegler, K., 1939: 'Orpheus', RE XVIII. 1 pp. 1200-1316


INDEX LOCORUMAelianVaria historia XI. 10Aelius AristidesXXVII Panegyric in Cyzicus§ 6-11§ 9XLVI Isthmian to Poseid<strong>on</strong>§ 21 f.28 n. 55,32 n. 77132132132Odysseus§ 22§ 24AlexanderRG III.39 n.11,9 n. 1262 n. 16617729 n. 61,29 n. 62,30 n. 72AeschinesI Against Timarchus 17336 n. 92AlexisF 201160bis, 162III Against Ctesiph<strong>on</strong>§ 1§ 8493128AnaxandridesCities F 4075 n154. 197,Aeschri<strong>on</strong>Epigram I31AndocidesI On the Mysteries 193AeschylusAgamemn<strong>on</strong> 1527-9103[Andocides] IV AgainstAlcibiades 19135BassaraeSuppliants234 f.279-289317874914922 f.946 f.952 f.F 37317774747412274 n. 18974 n. 18974 n. 18974 n. 18974 n. 18974 n. 190AntiphanesF 66-68F 145Antiph<strong>on</strong>I Against the Stepmother 4III Sec<strong>on</strong>d Tetralogy(3.18.2IV Third Tetralogy y.479 n. 207, 875 n. 19718894102101Agath<strong>on</strong> of SamosFGrH 843 F 3AlcaeusF 34885 n. 230177AntisthenesAjaxOdysseus§79 n.9 n.9 n.1271111,12AlcidamasOn the Sophiststitle§ 1§ 107, 427 n. 698, 1037ApollodorusI.i.4I.iii.2II.v.llII.i.512217777 n. 203,82 f. , 8686


204 INDEX LOCORUMAristobulusFGrH 139 F 12AristophanesBirds504-5076291130-1135CloudsDanaides F 267, F 276Ecclesiazusae583-709Frogs911-9201406Lysistrata 651Peace 1252 f.Seas<strong>on</strong>s F 581Thesmophoriazusae857922Aristoph<strong>on</strong>F 12AristotleGenerati<strong>on</strong> of Animals 753aMetaphysics A 981b23-25Nicomachean Ethics1140a24-bllPoetics 1461b24-25Politics1265b261266a1266b411267b30-331271a261271b21271b2-61271bl5-171271b26-271273b32-331274b1325a31329a40-b5Rhetoric1354bl6-1913275 n.10375 n.16175 n.52 f.5216275 n.9675 n.12675 n.75 n.16019314514413613753 n.53 n.14113414113714314314116453 n.137134915 n.196196196196196196196137,138137311355b35-391358a36-b201358bl8 f.1358b271363a81363al7-191366a23-b221367b29-321368al-71368alO f.1368al71368al9-221372b331368a22 f.1397b211397b23-251398a221399b6-91401al31401a201401a33 f.1401bl51401b24-261401b341406bll-151414a29-bl81414b24-281415a26-381418a33 f.1418a35-371419b4 f.F 156F 549.1[Aristotle]Athenian C<strong>on</strong>stituti<strong>on</strong> xii: L2 134 f.De Mundo392a394a3 1Rhetoric to Alexander1421b7-201425b36 f.1436a33-401436a33-b281436b37-1438a21440bl7-191440b24 f.1440b32-351441abArrianAnabasis III. 3.1164910611490 n. 25019 n. 38,106114 f.12212312236 n. 9011913212429 n. 5940, 18729 n. 59170 f.29 n. 6029 n. 5936 n. 9029 n. 6029 n. 6329 n. 5912815 n. 3115 n. 2910212012219 n. 39161 f.1411941308,991061029110211412211611485 n. 230


INDEX LOCORUM 205Athenaeus, Deipnosophistae172d335bc412ab597bBatrachomyomachia57CallimachusAetia F 44-47Epigram I 3HecaleCertamen Homeri et Hesiodi229-247Chaerem<strong>on</strong>F 10 = FGrH 618 F 6CiceroBrutus 47De Divinati<strong>on</strong>e 1.2Pro Sex. Roscio Amerino§ 1-58 70Tusculans V.iii.8Claudianin Eutropium 1.159 ff.C<strong>on</strong><strong>on</strong>FGrH 26 F 1XXXII)CratinusF 23F 197F 406CritiasSisyphus F 1978 n. 2053179 n. 20811210382 f., 13019383178146 f.10714919418816084 n. 22585 n. 23079 n. 207,80, 89n. 2479375 n. 196152'Demetrius',p. 5 lines 9-1 1DemosthenesI First Olynthiac 4IV First Philippic 50V On the Peace 1XVIII On the Crown§ 1§ 24§ 203§ 299§ 300XIX On the False Embassy§ 151§ 230XX Against Leptines 25XXI Against Meidias§ 1§ 13§ 101§ 138XXIV Against Timocrates 205XLVI Against Stephanus II 9LIV Against C<strong>on</strong><strong>on</strong>§ 18 91 Z1LVII Against Eubulides 6Proem 44[Demosthenes]XXVI Against Aristogeit<strong>on</strong> 7/27LVIII Against Theocrines 65LIX Against Neaera 1 1 2LX Epitaphius§ 1§ 246128165101911651001271691659516593959612818918893188188101127188189100127CyrilAgainst Julian X.340eDemetrius, On Style§ 120§ 22315729 n. 64,30 n. 70,30 n. 726LXI Eroticus§ 37§ 53§54DicaearchusF49F57a12810796134134


206 INDEX LOCORUMDinarchusI Against Demosthenes 108III Against Philocles 18Dio ChrysostomVIII.32XXXIII.47Diodorus SiculusI.9.6I17.3I.28.4-5I1.45.4I.50.1I.67.10-11I.73-74I.81.6I.85.5I.88.5I.96-98I.98.1IV.27.2-3XIV.98XV.9.2XVI.87.1-2XX.41.6Diogenes LaertiusI.12II.38 f.II.39III.37III.57VIII.2-3VIII. 3VIII.4Di<strong>on</strong>ysius ofHalicarnassusDe Compositi<strong>on</strong>Verborum 25Demosthenes 23-30Isaeus 20Isocrates 18Roman Antiquities 1.41DioscoridesEpigram XXVI10010079 n.84 f.84149861358614985 n.13314986 n.85 f.,1571408643 n.43 n.29 n.8116032 n. 7732 n. 79,36 n. 8953 n. 13853 n. 138157159 f.16144 n.30 n.28 n.30 n.42 n.16731208,232233167110110641137151,69-71105EphippusF 2EpicharmusF 21F 21-22Epistulae SocraticaeXIV. 3Epitaphius Bi<strong>on</strong>is122EratosthenesKataaTeptc|j,oi 24EuripidesAlcestis6 f.357Bacchae26-31857-859<strong>Busiris</strong>hypothesis (P. Oxy. 3651)F 313-315'F 312a' = incert. F 922Electra 704ErechtheusHelen155156 f.439 f.4811172-1176Hecuba 1247HeracleidaeHeracles13151341-1346Hippolytus439-466925-931989-99179 n. 207,808079 n. 207,89 n. 24732 n. 77112178175111172 f.10777, 79n. 208,80 f., 83,89 n. 2478180 f.81 n. 21213118774 f.75 n. 19375 n. 19375 n. 1937575 n. 193167187171171171154, 18094


INDEX LOGORUM 207I<strong>on</strong>26 f.678Iphigenia am<strong>on</strong>g the Taurians53386-3917761021Medea170516-519Phaeth<strong>on</strong> 174 f. (F 776.1 f.)Protestiaus F 653Suppliants 490F 402F 634F 904F 922 (Lamia, or <strong>Busiris</strong>?)P. Oxy. 2455 F 19(hypoth.)GorgiasEpitaphius (AS 42)3 f.8 f.17 f.Helen§ 1§2§ 3§ 4-5§ 8-14§ 20§ 21On What Is NotPalamedes§ 5§6§ 21§ 27§ 301071807516717216716713115410053 n. 13718053 n. 1371801808181 n. 212104, 1051041009, 11, 12,13, 14,5811, 15n. 2815 n. 28,104, 1051211210215 n. 2811, 15n. 28, 16,105 bis11 n. 199 n. 11105, 16796 f.10510562n. 166,135Harpocrati<strong>on</strong>91.18166.9-16194.18-19239.1-2Hecataeus of AbderaFGrH 264 F 25Heraclides of P<strong>on</strong>tus,Flepl Tfjq carvouF 88F 89HeraclitusB 40HermippusF 32HerodotusI.30I.65.5I.84.3I.91.1I.140.3II.4.1-2II.13. 3II.15-18II.16.2II.22. 3II.25.4-5II.35. 2II.35.2-36.4II.35.4II.36.3II.37II.37. 1II.37. 3II.37.4II.41.1II.45II.45. 1II.45. 2II.48. 1-50.1II.54-57II.58II.64. 1II.65. 113214116817986 n. 23316016116032 n. 7715614112815314576 n. 200129, 130bis12569, 16313013074 n. 191,12475 n. 19874 n. 19176 n. 200141, 145,14675 n. 199,15075 n. 1991411497777 n. 203,79, 1667976 n. 20076 n. 20076 n. 20076 n. 20075 n. 199


208 INDEX LOGORUMII.65.2II.77.2II.77. 3II.81II.82. 1II.84II.91.1II. 102.2-4II. 109.3II. 115.6II.123II.123.2II. 142.2II. 149.2II.164II. 166.2II.167II.168II. 168.1II.171II.177III.lIII. 17III.21III.23III.97.2III. 106.1III. 114III. 129IV.45.3IV. 104IV. 180.5-6VII. 141VIII.51.2HesiodTheog<strong>on</strong>y27 f.159-182453-462535-563565-569Works and Days47-4950-52F 273'Hesiod F 378'HippocratesOn Ancient Medicine 7.1On the Sacred Disease 1153, 15414714876 n. 200.157 f.76 n. 20014775 n. 19876 n. 20076 n. 200,149167157 f., 16076 n. 20016916466, 133137, 142 bis139 f.14214176 n. 20015614714814814814867 n. 17614814712253 n. 13753 n. 137127, 12812817817217517517417417417416977 n. 202152146, 194HomerIliadII.188-277IV. 34-36IV.84V.91VI. 357 f.VII.219IX.lllIX.382X.6XI.493XII.286XIII.39XIII.245XIV. 159 f.XIV.204XIX.224XXI.442-445XXII. 346 f.XXIII. 166-1 76XXI V.I 10XXIV.212 f.OdysseyIV. 125-1 35IV. 127IV.220IV.227-230IV.230IV.231 f.IV.481VIII.266-366VIII.580IX.lllIX. 358X.l-75X.21XIV. 199-359XIV.286XIV.278-286XVII.4 19-444XIX. 172 f.Homeric HymnsI To Bacchus 1-7IV To Hermeslamblichus, De VitaPythagorica§ 12§ 18 f.§ 15836 n.18713113012312713073 n.13013013013013017517113117418718710718774 n.73 n.74 n.14762 n.74 n.14774 n.174123130130111129,74 n.74 n.74 n.74 n.13117217415715915989186187186187166187,188131188187187188


INDEX LOCORUM209IsaeusIV On the Estate ofNicostratus 17V On the Estate ofDicaeogenes 38IX On the Estate ofAstyphilus 16IsocratesAegineticus§ 22§ 29Against Callimachus§ 17§ 20§ 43§63§ 67Against Euthynous§5§ 11§ 17Against Lochites§3§4§ 22Against the Sophists§ 1-8§3-4§ 3-5§4§7§9§ 10§ 11§ 13§ 14§ 14-15§ 14-17§ 14-18§ 16§ 16-17§ 17§ 17-18§ 19§ 21Antidosis§ 1§ 7-81659516510 n. 149311210 n. 14,15 n. 31191106188, 19110710610 n. 14, 19019119115610 n. 141781071901, 42 f.1949428 n. 5397939795108971129546 n. 1209516549 n. 12818061 n. 16215197, 18010, 38, 110185123§8§ 10§ n§ 16§ 28-32§ 31§ 32§ 45§ 45-50§ 55§ 56§ 58§64§ 71§ 83§ 84§ 86§ 92§ 93§ 101§ 128§ 145§ 147-148§ 151§ 154-166§ 155§ 164§ 170§ I76§ 183§ 184§ I87§ 187-191§ 193§ 196§ 196-197§ I97§ 200§ 209§ 209-214§ 212§ 215§ 217§ 219§ 221§ 227§ 230§ 232§ 243§ 248§ 254§ 255§ 258§ 261110, 1369210116938 n. 9919410811210 n. 171851691061091441661441949742 n. 1061081531911851669495189193, 19419316513618046 n. 12042153102108951449714419313615114915116515616910815346 n. 121108149


210 INDEX LOGORUM§ 261-267§268§ 271§ 285§ 290§ 294§295§ 296§ 306§ 310§ 312Archidamus§ 1§ 1-5§ 5§ 32§ 55§ 72§ 76§ 97§ 109§ 11IAreopagiticus§ 7§ 19§ 20§ 22§ 30§ 31§ 34§ 36§ 43-46§ 46-48§49§61§ 63§ 72§74§ 76<strong>Busiris</strong>hypothesistitle§ 1§ 1-2§ 1-9§2§ 3§4150148144194151144, 180127, 1939519118419310, 56, 141143, 1949897179176101137179124184141104101179139126, 132133189162135151, 15411014010110867 n. 176, 127105passim4 n. 1, 5, 1131428 n. 53, 30n. 67, 92-966, 814, 16, 17, 22,23, 45, 91 f.5, 28 n. 54, 64,96-9846 n. 120,98-102, 19613 n. 23, 30n. 67, 39 n. 101,§ 4-5§ 4-6§ 5§6§6-8§7§8§9§ 10§ 10-14§ 10-29§ 11§ 11-12§ 11-14§ 11-16§ 11-27§ 12§ 12-13§ 12-14§ 13§ 13-14§ 14§ 15§ 15-27§ 16§ 16-1765, 103-107,110, 113, 165,19323, 24, 5732 n. 7711 n. 19, 36-38,39 n. 101, 40,58, 81, 105,107-109, 181,18632 n. 79, 60n. 153, 60n. 154, 98, 108,109-111, 169,1905740, 108, 111,176, 186, 18730, 111 f., 1844 n. 2, 12, 17n. 34, 39 n. 101,90 n. 249, 98,103, 105,112-114, 155,162, 163, 182,18518, 69, 86,121-124, 129,1935512, 14, 15, 16,17, 18, 19, 22,23, 57, 114-12170, 124 f.6790, 12414518125 bis, 125-128,130 quater24, 25, 68, 69,82 n. 21854, 125 f.125, 128-131,143, 144145125, 131-13348 f., 125,133-135, 143,14441, 48-56, 66-7349, 135-137,144, 148134


INDEXLOCORUM211§ 17§ 17-18§ 17-20§ 18§ 18-20§ 18-23§ 19§ 19-20§ 20§ 21§ 21-22§ 21-23§ 22§ 22-23§ 23§ 24§ 24-27§ 25§26§ 27§ 28§ 28-29§ 29§ 29-30§ 30§ 30-31§ 30-33§ 30-37§ 30-43§ 30-50§ 31§ 32§ 33§ 34§ 34-3545-47, 49-51,68, 137-141,142, 155, 16415629 n. 65, 14467, 141 f., 145178146 f.142, 143155, 156142-14466, 144-147,1535614449, 54 n. 139,55, 67 n. 174,144, 147 f.5151, 62 n. 166,106, 145,148-15052, 145,150-152, 155 bis,163150145, 152 f.56 n. 143, 153 f.154155 161, 18455, 138, 145,155155, 161 f.12162 f., 16512116216314, 15, 16, 17,19, 20, 22, 23,265739 n. 101, 40,69, 90, 105, 125,128, 129,163-164, 169 bis,187, 19115, 90, 106, 111,16416, 62 n. 163,103, 107, 108,164 f.6 n. 5, 165 f.25, 26, 125§ 35§ 36§ 37§ 38§ 38-43§ 39§ 40§41§ 41-43§42§ 42-43§ 43§ 44§ 44-50§45§ 45-46§46§ 46-47§47§48§ 48-49§ 49§ 49-50§ 50Evagoras§3§4§5§ 5-11§615, 162, 166 f.,17977 n. 202, 108,167 f.39 n. 101, 58,105, 112, 164bis, 168-170, 186106, 111, 168,170-176, 178bis, 181112, 166, 18260 n. 156, 61n. 158, 176-17861 n. 160, 178 f.60 n. 152, 118,179 f., 1812030 n. 67, 151,180 f., 1916918110 n. 16, 12, 39n. 101, 59, 64,94, 155, 183-18614, 16, 20, 21,22, 23, 27, 92,155, 182 f., 19540, 106, 169,171, 186-18919427, 98, 110, 143,169, 189-191,19218939 n. 101, 94,97, 156, 169,178, 180, 190,191 f., 19439 n. 101, 106,113, 192 f., 19619420 n. 41, 38, 98,193 f.10128 n. 52, 44 f.,63, 106, 194-1964 n. 1, 6, 12, 13,36 n. 9012412410513 n. 26, 46n. 120105 bis


212 INDEX LOCORUM§8§8-11§9§ 11§ 12§ 12-72§ 14§ 24§ 29§ 35-39§45§ 48§50§51§52§53§65§ 65-69§67§ 70§71§ 72§ 73§ 74§ 74-81§ 77§80Helenhypothesis§ 1§ 3§ 4§5§7§ 8§ 8-13§9-13§ 11§ 12§ 14§ 14-15§ 15§ 16§ 16-69§ 17§ 17-69§ 18§ 18-38§ 18-48§ 2010546 n. 121126101, 105 ter121 f.115 f., 121130124166120123106162120, 155188155105120124180124180122, 123110, 16610 n. 181051441, 4 n. 1, 11 f.,15, 17, 18,43-45, 6129 n. 59103, 19511 n. 19, 1489495, 9797, 19129 n. 6311 n. 1921 n. 4211029 n. 639, 105, 11011, 10913, 13 n. 22,18 n. 37, 112 f.121 bis12190 n. 250, 1241151551151996§ 23-28§ 29§ 37§ 38§ 40§ 41-48§ 45§61§ 61-65§ 64§65§ 67§ 67-68§ 67-69§ 69Nicocles§4§ 6§ 7§9§ 18§ 19§ 22§ 24§ 49§ 57§ 61§62§ 63On the Peace§ 14§ 14-15§ 15§ 27§ 28§ 38§ 39§ 45§ 46§ 50§ 54§ 61§ 62§ 72§ 72-73§ 73§ 80§ 80-81§ 81§ 85§ 94§ 96§ 105120107111106, 120, 15518 n. 3629 n. 59108, 149129, 16918 n. 3660, 108, 17661 n. 15946 n. 121, 12243184122, 18410, 2210815346 n. 12110813710413614019018519019018410, 13194, 97, 101 bis98 f.101102104100, 101101107176110109163101 bis, 10297, 99101169, 170101 bis99101109124, 127143191


INDEX LOCORUM 213§ 114§ 141§ 142§ 145Onthe Yoke§7§ 8§ 10 f.§ 22§ 22 f.§ 23§ 29§48Panathenaicus§ 1§ 5§22§ 26§ 26-27§ 32§ 37-39§ 39§ 39-41§ 40-41§41§46§ 55§ 78§90§ 96§98§ 109-111§ 116§ 121-122§ 123§ 135§ 149§ 150§ 166§ 170§ 179-181§ 181§ 196§ 200§ 203§ 204§ 205§ 206§ 207§ 208§ 210§217188, 189, 191136169183 f., 18410 n. 14, 11010718410917910816612393, 941, 4 n. 1, 10,56, 120, 1414 n. 2151183121, 149149123, 126105139120140138142, 143109185183101143141126175, 189109107156163,-165, 185185186142184144139194118 f., 14416716618046 n. 121167142§ 224§ 228§ 230§ 237§ 241§ 242§ 251§ 252§ 260§ 261§ 265§ 270§ 271§ 272Panegyricus§ 4§ 8§ 10§ 17§ 32§ 39-40§ 41§42§ 45§ 47§ 47-48§49§ 66§ 81§ 82§ 89§ 93-95§ 108§ 114§ 122-132§ 126§ 127§ 129§ 130§ 141§ 147§ 165§ 167§ 179§ 186Philip8 10109143133139143, 180151108166109, 124149, 16610218499, 101, 18510 n. 17, 95,1701, 3, 10, 22, 40,43 f., 55, 70 f.,120, 14110 n. 17, 151107, 15344 n. 113, 46n. 12018516556188132 bis13655, 14851166184153, 190106124, 16471 n. 178191175, 17643 n. 11143 n. 11014410297, 99, 101, 103,108, 16343 n. 110, 43n. 111107178106126105, 1236191


214 INDEX LOCORUM§ 10-12§ 12§ 17§ 24-28§ 25§ 25-29§ 27§ 29§ 37§61§ 72§ 81§ 93§ no§ 111§ 134§ 144-147§ 145Plataicus§4§7§ 22§ 29§46§53§55§57§61§62§63To Dem<strong>on</strong>icus§2To Nicocles§2§3§5§7§ 7-8§8§ 9§ 12§ 17§ 21§ 22§ 24§ 28§ 30§ 32§ 38§ 39§ 42-499818518571857, 81857 n. 6165176946 n. 5185144185105105124, 129101071841071841761241889614410813691, 966, 22, 469694, 1011297, 4646, 9846 n. 119, 14813697167135153, 16619094103126111, 1919346 n. 121,99, 170, 173,178§ 49§ 50Trapeziticus§ 2§ 5§ 6§ 10§ 27§ 35§46§48Letter I (To Di<strong>on</strong>ysius)§ 1§ 1-3§3§5§ 5-6§ 6Letter II (To Philip)§ 11§ 13§ 15Letter IV (To Antipater)§ 1§4§4-6Letter V (To Alexander)§4Letter VI (To Jas<strong>on</strong>'s S<strong>on</strong>s)§ 4-5§8Letter VII (ToTimotheus)§ 5§ 10Letter VIII (To theMagistrates of Mytilene)§4Letter IX (To Archidamus)§2§ 7F1JosephusC<strong>on</strong>tra Api<strong>on</strong>em 1.220 f.LibaniusApologia Socratis§ 8710110010 n. 14,421011071071071071911911076 n. 5966 f.719118518651855 n. 41299317994139185165166 bis11665 n.410514416429 n. 6532-3834


INDEX LOCORUM 215§ 92-96§ 136§ 136-149[L<strong>on</strong>ginus] On the Sublime4.229.1LucianBis Accusatus 8How To Write History 40True Story II.23LycurgusAgainst Leocrates§ 31§ 57§ 143LysiasI On the Killing ofEratosthenes§ 40§48II Epitaphius 3XII Against Eratosthenes 1-3XVI For Mantitheus 2XIX On the Property ofAristophanes§ 1§ 2§ 15XX For Poly stratus 1-10XXII Against theCorn-Dealers 19XXIX Against Philocrates§ 4§ 13XXXIII Olympicus 1ManethoFGrH 609 F 2236 n. . 8938 n. . 10036 n. . 9244 n. , 11319485 n.11085 n.16516596190189123184102949342 n.1021899518910023023010686 n. 233RG 111.345. 19-22RG 111.348.30 f.RG 111.349.18 f.RG III.350.32-351.1RG III.372.21-5RG III.377.2 9MnesimachusF 1F 2OvidArs Amatoria1.647-6561.6491.653 f.ex P<strong>on</strong>to III.6.39-42Heroides IX.67-72Ibis 395-400Tnstia III. 11.39-41Panyassis of HalicarnassusF 12 Bernabe/F 26KinkelPausaniasV.5.4VI. 17.9IX.30.5PherecydesFGrH 3 F 17PhilaenisP. Oxy. 2891Philodemus11.216 f.13213212712711911916079 n. 207,8082 n. 218,83, 84n. 22583 n. 22183 n. 22284 n. 2268484 n. 22584 n. 2277879 n. 20828 n. 5617777 n. 203,8631 n. 7428 n. 58,29 n. 59,31 n. 73,82 n. 216Maximus of TyreXLI p. 474Menander RhetorRG III.344. 16-367.8RG III.345.10131120,132132PindarNemean VII 20-24Nemean VIII 36 f.Olympian I 29-53Pythian IV 24 f.172107172, 175122


216 INDEX LOCORUMPythian VIII 15103927c96F 169aF283PlatoApology19e-20b20b28a33ab41bCritias108d110c110d110elllb112b113c113de114aEuthydemus 273c-eGorgias447bc448c449c453a484b511d515e523aHippias maior 285dHippias minor 368bLaws624a625e655b668d670de691de716a780a800b818b821d822b830c863b890c909de917b34 f.17636, 11028 n. 5318119438 n. 9810948, 69-7372 n. 18267 n. 17572 n. 18270 n. 17770 n. 17767 n. 17569697018137, 44 n. 11418595184, 1851643415014373 n. 18430 n. 6810314014318513618014010314110818910810867 n. 175128107146146Lysis 206aMenexenus234c237c240a240dMeno95bcPhaedo68a87cPhaedrus227c230e-234c230e-266a234c234d234d-235d234e234e-236a235b236a236b236d237a237b-241d237d238d241e242b ff.242de242e-243a243a243ab243b243c243d243e-244a243e-257b252d260b262c-266a266d ff.10310667 n. 17667 n. 17518044 n. 11418111218915, 48, 56-6658572104, 18459 n. 149571045818410459 n. 14959, 6460 n. 153, 645710059 n. 150595959 n. 150,60 n. 152,65 n. 170,189 f.60 n. 15360 n. 155,61 n. 157,1766059 n. 150,60 n. 153,61 n. 16060 n. 15461 n. 16159 n. 1505714761 f.5715 n. 31


INDEX LOCORUM 217267a267d269d274cd275b275bc275d275de275e277e278e278e-279bPoliticus269d285cProtagoras318a329b334e-335cRepublic337d345b357a370ab374d374de377e377e-391e378e379bc379e381b381e386c391e395d400c403c403de404a405a-410a406d408c414b106 f., 18410761 n. 16262 n. 16662 n. 16572 n. 1831628 n. 7, 977986356 n. 144100973718118518519 n. 39, 40,41, 45-47,48-56, 60n. 152, 70 f.,99, 133,15028 n. 53,18110216549 n. 12810149 n. 128,51, 145176173 f.17618013118010867 n. 175189103108511855154 n. 139,67 n. 174147 bis17349 n. 125414d-415c415a-c416de416e416e-417a420a420d433ab434c441a450a-457b455c457c-464c458c486d487d489cd489d491a497a500b530b535c536bc536d540ab565d577a595c599b600b614b-621b616aSymposium177b179d191c194e194e-197e195a195a-196b195c197c197e198de214e-222bTheaetetus163d179c49 n. 12513451, 52 n. 133,142, 14551, 141146511074949 n. 12549 n. 12552 n. 1341855251, 141129193193194108, 193193193521931935151188150180123 f.16152, 1815215, 3729 n. 631111001514, 15, 18,19, 115118, 16212 n. 20175 f.19, 118, 162,1801510637 n. 96185128


218 INDEX LOCORUMTheages 125aTimaeus17b18b20d21c22b22de23e-24a24a24ab24 b24c24d25bc25d26bc26d26e28b71aLetter VII336d[Plato]Alcibiades I and //Alcibiades I 104cAlcibiades II 149eAxiochus 367b374aPlutarchFortune and Virtue inAlexander 342aThe Glory of Athens 350deIsis and Osiris354e380dLycurgus4-51227The Malice ofHerodotus 85 7 aRomulus 26Spartan Sayings 238dTheseus 11.1—39748, 66-7372 n. 18214572 n. 18272 n. 18216768, 12672 n. 1826813366 f.67, 1376871 n. 17867 n. 17572 n. 18266 n. 171,70 n. 17772 n. 1821261005 n. 41673710318919417285 n. 23044 n. 113140, 15786 n. 23314014114190 n. 24815014184[Plutarch] Vitae X Oratorum837 f.PorphyryDe Abstinentia IV.6-8Vita Pythagoras§ 6§ 7§ 7 f.§ 11 f-§ 19§ 20Proclusin Timaeum 2.76Quintilian, InstitutioOratoriaII. 17.4III.l.llIII.6.26VII.4.44X.4.4Scholiain Aelium Aristidem III,p. 319in Aelium Aristidem III,p. 480in A.R. Arg<strong>on</strong>auticaIV. 1396in Aristotelis Rhet<strong>on</strong>ca1401a33 f.in Plat<strong>on</strong>is Hipparchum229din Plat<strong>on</strong>is Phaedrum 244bSeleucus of AlexandriaFGrH 634 F 2SenecaTreaties 224Sextus EmpiricusAdversus Mathematicos1.28911.104IX. 19344 n. 113146159157159 f.157, 15916216166 n. 17228 n. 58,30 n. 72,32 n. 77,82 n. 21629 n. 66,32 n. 7736 n. 9036 n. 9044 n. 11332 n. 7732 n. 77,32 n. 79,36 n. 8978 n. 20436 n. 903181 n. 2127831 n. 7317185 n. 230,122171


INDEX LOCORUM 219Sol<strong>on</strong>IV. 16F 29SophoclesElectra 356Oedipus at Col<strong>on</strong>us 337-341Oedipus the King 864Ichneutae F 314InachusF 590.3-4SositheusDaphnis or LityersesStrabo271482787802Suda1977ThemistiusXXIII.296bcTheognis243-254769 f.The<strong>on</strong>Progymnasmata RG11.93.16-23Theophrastus, CharactersXV. 7XXII.9Thucydides1.111.13011.37. 111.43. 1IV.27.1IV.70VI. 1.2VI.21.2153172107741451747413179 n. 20831 n. 7314013385 n. 23228 n. 51,32 n. 77,32 n. 7932 n. 77,32 n. 791249577n. 202,169959514714714095 f.132128131132TimaeusFGrH 566 F 139TimoclesEgyptians F 1VergilAeneid II.21 f.Georgics III. 3 f.Vita Homeri51-57Xenophanes of Coloph<strong>on</strong>B 1B 11B 12B 23Xenoph<strong>on</strong>Agesilausi.li.2i.22i.36vi.2viii. 1viii.8xi.5xi.7xi.16Apology§ 20C<strong>on</strong>stituti<strong>on</strong> of Spartai.2vii.1-2x.7x.8xivxiv.4CyropaediaIII.ii.25IV.vi.6HellenicaIV.ii.10MemorabiliaLiLi. 11I.ii.1-2I.ii.1244 n. 11375 n. 19731 n. 7383 n. 22461 n. 159173171, 174bis, 175171170116 f.101122, 167128 bis107124103128101 f.123, 124124361965514014214314014314114714712833-38, 4533 n. 851263334 n. 86,38 n. 100


220 INDEX LOCORUMI.ii. 12-46I.ii.49-55I.ii.58I.ii.60i.3i.3-83619636 n. 8997127121i.6-7i.7Symposium iii.4[Xenoph<strong>on</strong>] C<strong>on</strong>stituti<strong>on</strong> ofthe Atheniansii.ll132131,181132132


INDEX GRAECITATIS ISOCRATICAE153145 f.107, 1931629517610112816310613, 39n. 101143135-137179144147108104164107, 194132610918010912813, 105,1089516317595100169 f.10113, 105,108,138 f.191185193 f.163144, 151595 f.128 f.126189 f.12639 n. 101,105, 10818019, 54180163, 1651501081261491681083867103121184701124 n. 246 n. 121,14894, 991671303, 38, 51,94, 14446 n. 12110794, 17913669163 f.143503138 f.151107153110190


222 INDEX GRAECITATIS ISGORATICAE96 f.50, 13712795106185151, 16362 n. 1663, 51,148, 19314449, 135959521


INDEX NOMINUM ET RERUM POTIORUMadvice (and criticism) 20 f., 63, 94,96, 97, 98 f., 99 f., 101, 113, 195 f.,196; correct resp<strong>on</strong>se to 101 f.,183; incurs odium 101 f.Aeolus 40, 111 f., 129Aeschines of Sphettos 37Aeschri<strong>on</strong> 31Agamemn<strong>on</strong> 29, 40Alcaeus 177Alcibiades 110; relati<strong>on</strong>ship withSocrates 36-38, 109Alcidamas 7, 8, 31, 128Antaeus 78, 84 f., 86Antiph<strong>on</strong> 30'Antiph<strong>on</strong>,157Ant<strong>on</strong>ius Diogenes, W<strong>on</strong>ders Bey<strong>on</strong>dThule 159 f.argument: from 'lack of opportunity'167; from precedent 40, 155 f.,171, 186-188; from probability145, 166; reductio ad absurdum 182,188 f.Aristotle 10Antisthenes 37Artem<strong>on</strong> 6Athens, praise of 67, 70, 127, 131 f.,151; Athenian autochth<strong>on</strong>y 67n. 176Atlantis 69-72auxesis see encomium, auxesis in'barbarians': Greek/barbarianantithesis 73 f., 79 f, 88, 144, 153;racism and racial stereotypes 87-90Bentley, Richard 32 n. 79<strong>Busiris</strong> 1 f. 4 f., 8, 14-20, 40, 55,60, 62, 69, 70, 73-90, 112, 123;etymology 85 f.; as rhetoricalexemplum 83-85, 90; genealogy86 f., 168; as glutt<strong>on</strong> 79-81, 85;in vase-painting 75, 77 f, 87-90;seldom named in <strong>Busiris</strong> 111, 121,163Callicles 34 f.Callimachus 82 f., 90cannibalism 40, 81, 82 n. 216, 90,156, 187 f.Chaerem<strong>on</strong> 146 f.chr<strong>on</strong>ology, mythological 19, 30, 77n. 202, 112, 167 f, 168 f.c<strong>on</strong>stituti<strong>on</strong>s, model 2, 62, 66, 134Clytemnestra 28, 40Comedy, Greek 75, 79 f.C<strong>on</strong><strong>on</strong> 36, 39, 116, 120Critias 30, 36 f, 152criticism see adviceCyprus 28, 43 n. 110, 43 n. 111Demosthenes 10 n. 15Dicaearchus 134Dio Chrysostom 4 f.Di<strong>on</strong>ysius of Halicarnassus 30, 42Di<strong>on</strong>ysius of Syracuse 5Egypt 2, 5, 18-20, 44 f., 47, 50 f.,54 f, 62, 66-70, 73-90, 125 f.,129 f., 132, 133-162 passimanimal-worship 19, 45, 54, 56,75, 151-154, 155; 'I<strong>on</strong>ian' definiti<strong>on</strong>of 125, 132, 163encomium 9, 11-15, 30, 114-121,155; auxesis in 116, 119 f., 122,124, 125, 127, 129, 137, 147, 148,153, 156, 160, 166, 175, 176; ofa city/country 18, 67, 70, 120 f,125, 131 f.; of a c<strong>on</strong>temporaryindividual 36 n. 90; correct methodin 1, 19, 21, 61 f., 106, 122, 162,165, 182; as immortal m<strong>on</strong>ument116, 123 f.; paradoxical 20 f., 28f., 39, 107 (and see 'paradoxicalrhetoric'); protreptic aim of 10n. 18; structure of 18, 19, 114 f.,121 f; synkrisis in 111, 115 f, 117,119 f, 140 f., 142, 143 f., 155Epicharmus 79epideictic 9, 13, 43 f; mythological9, 14, 28, 29, 45; Plat<strong>on</strong>ic'para-epideictic' 180Eratosthenes 85Eros 60Evagoras 43 n. 110, 43 n. 111


224 INDEX NOMINUM ET RERUM POTIORUMFavorinus 32'formulae', Isocratean 101, 133, 165,166, 184gods, perfecti<strong>on</strong> of 59 f., 65, 68 f,166, 179 f.'Golden Rule' arguments 142 f., 164,190Gorgias 11-14, 19 n. 39, 28, 104,105, 106 f, 164Hecataeus of Abdera 85 f, 140Hector 29, 40Helen 11, 18 n. 36, 60 f.Heracles 112, 168 f.; glutt<strong>on</strong>y79-81; killer of <strong>Busiris</strong> 75, 77-85,87-90, 168Herodotus 51, 53 n. 137, 55, 75 f.,77, 83, 129, 132, 147, 157-159, 170Hesiod 99, 178heuresis (inventio) 58, 104, 106, 108,165Hippias of Elis 30Hippodamus of Miletus 134Homer 60 f., 73 f., 157, 176 f.inventi<strong>on</strong>s ( topos) 62n. 166, 76, 147, 149, 163ir<strong>on</strong>y, in <strong>Busiris</strong> 4, 8, 16, 17, 19, 45,54, 55, 59, 64, 91 f., 97 f., 109,111, 123, 147 f., 151, 161, 183,191, 192, 194 bis; in Herodotus159; in Phaedrus 61 n. 157, 104 f.;in Timaeus 72 n. 182Isocrates passim: authoritative figure91 f., 96, 195 f., 196; career 3;educati<strong>on</strong>al ideals 1 f., 47, 51, 92,97, 99, 149 f., 180, 195 f.; as'logographer' 10 n. 14; not authorof a 164; philosophysyn<strong>on</strong>ymous with educati<strong>on</strong> 3, 51;Panhellenism 1, 5; political ideals1, 56, 70, 141; rejecti<strong>on</strong> of epideixis10 n. 16, 64, 185; reputati<strong>on</strong> 1, 3;rhetorical precepts/theory 13, 91 f.,165, 184 f.; 'school' 41 f.; style 8,21, 22, 113 (and see below under'<strong>Busiris</strong>: style'); as teacher 1, 2, 3,5, 41 f, 94 f., 97, 144, 182, 195 f.;writings, aim/character of 3, 10,43, 92; writings, classificati<strong>on</strong> of9 f; writings, order and unity of41 <strong>Busiris</strong>: as advertisement 1;brevity 113, 121, 155, 182, 184 f;and Critias 69-73; date 3, 40-47;as defence of rhetoric 16, 21, 54,55, 65, 91 f., 192, 193 f, 196; not'an encomium' 3-5; genre 3, 4,8-13; humour 17 n. 34, 19 n. 39,110, 111, 189; influence of 82, 90;as letter 5-8, 54, 91; levels ofsignificati<strong>on</strong> 16 f, 54 f, 91 f.;moral t<strong>on</strong>e and purpose 17, 20, 92,93, 97, 106, 162, 180, 182 f., 192;neglected in modern scholarship 3,4 n. 3; and Panegyricus 55 f., 70 f.;and Phaedrus 56-66, 97 f.; as'practical criticism' 4, 17; andRepublic 48-56, 70, 119, 121, 133f, 137, 144-149 passim 173; andTimaeus 66-73; structure 11; styleand stylistic features 3, 16, 21-27,100, 112, 124, 125 f, 127, 128, 132f., 135, 139, 150, 154, 162, 163,164, 167, 175, 177, 180, 186, 189,195; text and textual questi<strong>on</strong>s27 f., 109, 112 f, 113 f, 127, 128,137 f., 138 f, 148 f., 149 f., 151 f,163, 165, 166 f., 167 f, 169, 176,179, 186, 191, 192, 194 f.; unity ofargument 2, 4, 14-21, 57, 164 f.,183 f.Jas<strong>on</strong> of Pherae 28Lamia 81Lepreus 79 n. 208Libanius, defence of Socrates 31-38;library of 33 n. 84Libye 122Lityerses 79 n. 208Lycurgus 140, 156, 157Lysias 10 n. 15, 57 n. 145metaphor 95 f, 107, 109, 127, 135,154, 164, 180, 188Mytilene 5Nais 31Nile 40, 68-70, 90, 125-131 passim133, 163nomos vs. physis 100, 152 f., 180Orpheus 40, 111 f, 157, 176-178Ovid 83 f., 90Panyassis of Halicarnassus 77 f.paradox see rhetoric, paradoxical


INDEX NOMINUM ET RERUM POTIORUM 225Paris 19, 29parts of a speech 15Penelope 28, 40Perseus 168Persian Wars 71persuasi<strong>on</strong>, forcible 102Phaedrus 63 n. 167Phalaris 82-84, 85 n. 230, 187Phaleas of Chalced<strong>on</strong> 53 n. 137Pherecydes of Athens 77, 83Philaenis 31Philip of Maced<strong>on</strong> 5, 56Philomelus (pupil of Isocrates) 42n. 106pity, appeals for 94Plato 1 f, 5, 7, 45-47, 48-73 passim110, 138, 156, 157, 164, 173;chr<strong>on</strong>ology of dialogues 48, 52n. 134, 63 f.play, playfulnessetc.)vs. seriousness 9, 11n. 19, 17, 30, 36, 44 f., 58 f., 71 f,90, 98, 113, 121, 151, 156, 185,192Plutarch 84poets: blasphemous 2, 19, 59-61,168, 170-174, 176 f.; comparis<strong>on</strong>between poetry and rhetoric 13,99, 123 f., 170; criticised byIsocrates and Plato 99, 173, 178 f.;criticised by Socrates 34 f.political theory, Greek 1, 45 f., 50,71 n. 180, 134, 156; communismin 52 f.Polycrates 1 f, 3, 5, 9, 10, 12, 13,15, 16, 17, 20, 28-40, 45, 54,91 f, 93, 151, 186 f; Accusati<strong>on</strong> ofSocrates 1, 9 n. 12, 30 n. 71,32-39, 44 f.; <strong>Busiris</strong> 1, 12,13 n. 24, 19 n. 39, 20, 28,29 n. 65, 36, 39 f., 44 f., 69, 73,82, 82 n. 216, 90, 111, 128, 129,131, 163 f., 168, 191 f., 192Popper, Karl 55 f.proem, topics in 46 n. 120, 91, 94,98, 102, 194; captatio benevolentiae7, 91, 102prosopopoeia 110Protagoras Antilogika 53 n. 138'publicati<strong>on</strong>' of written works 10, 41,43-46, 64, 98Pythagoras, Pythagoreans 19, 120,138, 144, 151, 155-162; Pythagorasas 'the first philosopher' 160rhetoric: genres of 8-13; Isocrateandistinguished from sophistic 47, 58,64; moral basis 2, 5, 21, 54, 64 f;paradoxical 1, 13, 20, 21, 28,39, 57, 58, 192; prerequisites ofrhetorical educati<strong>on</strong> 49 n. 128,95, 180; 'technical terms' in <strong>Busiris</strong>162, 163, 164; rhetorical treatises/'handbooks' 8, 29 (handbookattributed to Isocrates 164)sacrifice, human 40, 77-85, 86n. 233, 87-90, 131, 187seriousness see playSocrates 60; accusati<strong>on</strong>s against32-39; champi<strong>on</strong> of paideia 36, 38Sol<strong>on</strong> 156 f.'sophists' 28, 30, 47, 97, 103, 126,151, 161, 180, 181, 191; fees 94 f.Sparta 68; c<strong>on</strong>stituti<strong>on</strong> 29, 50 f, 55,56, 138, 139-145 passim 155Stesichorus 60 f., 176 f.teaching methods, fifth- andfourth-century 2, 8, 14Tenedos 31Theognis 99Thersites 29, 40Theseus 19Thrasybulus 36, 39Thrasymachus of Chalced<strong>on</strong> 30, 107writing 93 f.; playful use of writtenmedium 98; 'promiscuity' of8 n. 7, 97; resp<strong>on</strong>se to criticismsof 7 f.; sec<strong>on</strong>d-best to oralcommunicati<strong>on</strong> 6, 7xenoct<strong>on</strong>y 75, 77-85, 86, 111, 130,170Xenophanes of Coloph<strong>on</strong> 170 f.Xenoph<strong>on</strong> 50; defence of Socrates32-38Xerxes 164Zeus 129-131; 188Zoilus of Amphipolis 28, 30, 31


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