Après une Lecture de Liszt: Virtuosity and ... - Free

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19THCENTURYMUSICa.MS I 76(deleted) ♭ ♭ 4 4 ♯♯ ♮ ♮ ♭ ♭ ♯ ♮ ♮ ♭4 () ♭ ♭ ♯♯ ♯♯ ♯ 2 ♯ ♯♯ ♭ ♭ritenuto languendo ♯♯ ♯♮ ♮♮ ♯ ♮ ♯ ♭♭ ♯ ♯♯ ♯ ♯♯più tasto ritenuto e rubato3♯ ♯♯ ♯ ♯♯ ♯ ♯ ♯ ♯ ♯♯ ̇ ̇ ̇ ̇ ̇ ̇ ̇♮ ♯ ♮̇ dolcissimo con amoreb.MS I 76(revised) ♭ ♭ ♭ ♯ ♭ ♯ ♮ ♮ ♭ ♭ ♭ ♮ ♯3 ♮ ♯ ♯ ♭ ♭ ♮ ♯ ♯ ♭ ♭' ' '♭̇ ♭̇ ♮ ♯ ♮ ♯♮ ♯ ♮ ♯ 5 ♭ ♭ ♮poco rinforzando ♭ ♯ ♮ ♭ ♭ ♭ ♭ ̇♭ Example 380
. (continued) ♭ MS I 17 ♭ 7♭' ♭ ♭ ♮ ♯ ♯ ♭ ♮ 10 ♭ ♭ a piacereAdagiȯ♯[cut directly to m. 11]♯ ♯♯ ♯ ♯♯♯ ♯♯ ♯ ♯♯DAVIDTRIPPETTVirtuosity inthe “Dante”SonataMS I 17(revised)11♯ ♯ ♯ ♯ ♯♯ ♯ ♯ ♯ ♯ ♯♯ ♯ ♯ ♯ ♯ ♯♯più tasto ritenuto a rubatȯ ̇ ̇̇ ̇̇ ̇̇♯♮ ♯ ♮ dolcissimo con amore 12♯ ♯ ♯ ♯ ♯♯ ♯ ♯ ♯ ♯ ♯♯ ♯ ♯ ♯ ♯ ♯♯̇ ̇ ̇ ̇ ̇ ̇ ̇̇ ♮ Example 3 (continued) ♭ ♯ ♯ ( )♯ ♯ ♯ ♯ ♯Example 4: Underlying harmonic motion.81
Page 3 and 4: composer-as-butterfly had finally m
Page 5 and 6: Playing and imagining music are not
Page 7 and 8: DAVIDTRIPPETTVirtuosity inthe “Da
Page 9 and 10: Table 1Transmission of the “Dante
Page 11 and 12: was a leitmotif of Liszt’s recept
Page 13 and 14: scale form, the sense of “form”
Page 15 and 16: misused in our day.” 51 Seven yea
Page 17 and 18: The broader reception of Liszt’s
Page 19 and 20: composing be before the latter’s
Page 21 and 22: a.35Presto agitato assai ♯
Page 23 and 24: Theme ♭ ♭ ♭ ̇̇ ̇ ̇
Page 25 and 26: teenth-century harmonic expectation
Page 27 and 28: DAVIDTRIPPETTVirtuosity inthe “Da
Page 29: DAVIDTRIPPETTVirtuosity inthe “Da
Page 33 and 34: . MS I 13 7 (1854), denoting the fi
Page 35 and 36: sense that each listener being pres
Page 37 and 38: MS I 17(revised)MS I 13MS I 17(revi
Page 39 and 40: substantial fragment, perhaps akin
Page 41 and 42: Regardless of the music’s elusive
Page 43: tween 1848 and 1849, however, for t

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