Observing the Class Observing the Children - Research Institute for ...
Observing the Class Observing the Children - Research Institute for ...
Observing the Class Observing the Children - Research Institute for ...
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72<br />
Steiner introduced his insights in <strong>the</strong> morning lectures <strong>for</strong> <strong>the</strong> first teachers,<br />
now known in <strong>the</strong> English language as The Foundations of Human Experience.<br />
Some of <strong>the</strong>se ideas spilled into <strong>the</strong> afternoon lectures when he also presented<br />
educational principles, methods and exercises <strong>for</strong> teachers. In <strong>the</strong> first afternoon<br />
lecture he set <strong>the</strong> tone <strong>for</strong> all of our work: “We have to realize that in employing<br />
our method we shall be dealing in a particular way with <strong>the</strong> harmonizing of<br />
<strong>the</strong> higher man, <strong>the</strong> spirit and soul, with <strong>the</strong> physical, bodily nature, <strong>the</strong> lower<br />
man.” 45<br />
We use <strong>the</strong> subjects to develop <strong>the</strong> child’s soul and physical <strong>for</strong>ces in <strong>the</strong><br />
right way. We use knowledge to develop human capabilities. There<strong>for</strong>e we need<br />
to distinguish between subject matter that is conventional and knowledge that is<br />
based on universal human nature.<br />
Sympathy and Antipathy<br />
Steiner introduced <strong>the</strong> role of sympathy and antipathy in his methods,<br />
especially when he gave practical advice on working with speech.<br />
Sense activity is really a limb activity in which sympathy holds sway while<br />
antipathy comes <strong>for</strong>th from <strong>the</strong> nervous system. When sense perceptions enter <strong>the</strong><br />
head, <strong>the</strong> nervous system is interrupted. This interruption is based on antipathy<br />
from <strong>the</strong> child. The child uses antipathy to understand <strong>the</strong> sense perceptions. The<br />
same is true of <strong>the</strong> act of seeing. Sight comes about when sympathy in <strong>the</strong> blood<br />
vessels in <strong>the</strong> eye meets <strong>the</strong> antipathy in <strong>the</strong> nervous system of <strong>the</strong> eye.<br />
Both <strong>for</strong>ces also meet in <strong>the</strong> child’s chest where <strong>the</strong>ir whole being is active.<br />
If a child becomes scared, he reacts immediately. His instincts send reflexes into<br />
<strong>the</strong> subconscious that are mirrored in <strong>the</strong> brain, in <strong>the</strong> soul, and create a picture<br />
element.<br />
In <strong>the</strong> child’s chest a sympa<strong>the</strong>tic activity interacts continually with a cosmic<br />
activity of antipathy. These activities unite in human speech. We understand<br />
speech when <strong>the</strong> meeting of antipathy and sympathy in <strong>the</strong> chest is accompanied<br />
by <strong>the</strong> brain. In <strong>the</strong> chest it is more real, in <strong>the</strong> brain it fades into an image.<br />
Speaking and feeling rest on <strong>the</strong> constant rhythm of sympa<strong>the</strong>tic and antipa<strong>the</strong>tic<br />
activity.<br />
Steiner described how speech is rooted in human feeling; all that <strong>the</strong><br />
individual brings to <strong>the</strong> world from his own feeling of astonishment meets <strong>the</strong><br />
cosmic relationship in <strong>the</strong> vowel ‘O.’ The feeling we have of emptiness is related<br />
in ‘U.’ The feeling of admiration is expressed in ‘A.’ The feeling of offering<br />
resistance is expressed in ‘E.’ The feeling of approaching and becoming one with<br />
something is found in ‘I.’ Vowels express inner soul moods.<br />
When we bring consonants to meet <strong>the</strong> vowels, we provide antipathy. Our<br />
tongue, our lips, our palate make <strong>the</strong>mselves organs of antipathy.