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Observing the Class Observing the Children - Research Institute for ...

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72<br />

Steiner introduced his insights in <strong>the</strong> morning lectures <strong>for</strong> <strong>the</strong> first teachers,<br />

now known in <strong>the</strong> English language as The Foundations of Human Experience.<br />

Some of <strong>the</strong>se ideas spilled into <strong>the</strong> afternoon lectures when he also presented<br />

educational principles, methods and exercises <strong>for</strong> teachers. In <strong>the</strong> first afternoon<br />

lecture he set <strong>the</strong> tone <strong>for</strong> all of our work: “We have to realize that in employing<br />

our method we shall be dealing in a particular way with <strong>the</strong> harmonizing of<br />

<strong>the</strong> higher man, <strong>the</strong> spirit and soul, with <strong>the</strong> physical, bodily nature, <strong>the</strong> lower<br />

man.” 45<br />

We use <strong>the</strong> subjects to develop <strong>the</strong> child’s soul and physical <strong>for</strong>ces in <strong>the</strong><br />

right way. We use knowledge to develop human capabilities. There<strong>for</strong>e we need<br />

to distinguish between subject matter that is conventional and knowledge that is<br />

based on universal human nature.<br />

Sympathy and Antipathy<br />

Steiner introduced <strong>the</strong> role of sympathy and antipathy in his methods,<br />

especially when he gave practical advice on working with speech.<br />

Sense activity is really a limb activity in which sympathy holds sway while<br />

antipathy comes <strong>for</strong>th from <strong>the</strong> nervous system. When sense perceptions enter <strong>the</strong><br />

head, <strong>the</strong> nervous system is interrupted. This interruption is based on antipathy<br />

from <strong>the</strong> child. The child uses antipathy to understand <strong>the</strong> sense perceptions. The<br />

same is true of <strong>the</strong> act of seeing. Sight comes about when sympathy in <strong>the</strong> blood<br />

vessels in <strong>the</strong> eye meets <strong>the</strong> antipathy in <strong>the</strong> nervous system of <strong>the</strong> eye.<br />

Both <strong>for</strong>ces also meet in <strong>the</strong> child’s chest where <strong>the</strong>ir whole being is active.<br />

If a child becomes scared, he reacts immediately. His instincts send reflexes into<br />

<strong>the</strong> subconscious that are mirrored in <strong>the</strong> brain, in <strong>the</strong> soul, and create a picture<br />

element.<br />

In <strong>the</strong> child’s chest a sympa<strong>the</strong>tic activity interacts continually with a cosmic<br />

activity of antipathy. These activities unite in human speech. We understand<br />

speech when <strong>the</strong> meeting of antipathy and sympathy in <strong>the</strong> chest is accompanied<br />

by <strong>the</strong> brain. In <strong>the</strong> chest it is more real, in <strong>the</strong> brain it fades into an image.<br />

Speaking and feeling rest on <strong>the</strong> constant rhythm of sympa<strong>the</strong>tic and antipa<strong>the</strong>tic<br />

activity.<br />

Steiner described how speech is rooted in human feeling; all that <strong>the</strong><br />

individual brings to <strong>the</strong> world from his own feeling of astonishment meets <strong>the</strong><br />

cosmic relationship in <strong>the</strong> vowel ‘O.’ The feeling we have of emptiness is related<br />

in ‘U.’ The feeling of admiration is expressed in ‘A.’ The feeling of offering<br />

resistance is expressed in ‘E.’ The feeling of approaching and becoming one with<br />

something is found in ‘I.’ Vowels express inner soul moods.<br />

When we bring consonants to meet <strong>the</strong> vowels, we provide antipathy. Our<br />

tongue, our lips, our palate make <strong>the</strong>mselves organs of antipathy.

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