Moving Finger - Issue 3 - Brunel University

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Copyright for the anthology: Brunel University. Copyright for individual items remains with the author. Brunel University Uxbridge Campus Gaskell Building Uxbridge Middlesex UB8 3PH Tel: 01895 274000 Fax: 01895 232806 2
The moving finger writes; and having writ, Moves on. ‘The Rubaiyat of Omar Kayyam,’ translated by Edward FitzGerald (1859) 3
Page 1: Moving 1 Finger 3 AN ANTHOLOGY OF C
Page 5 and 6: ACKNOWLEDGEMENTS I would like to th
Page 7 and 8: Anosua Mitra (b) 28 Sabrina Beck (c
Page 9 and 10: James Peacock Colour Blind 96 Jenni
Page 11 and 12: Geoffrey Harrison (s) 126 Alexandra
Page 13 and 14: Jasvir Janda The Revelation 168 Chr
Page 15 and 16: 1. DESCRIPTION (OBJECTS, PEOPLE, PL
Page 17 and 18: ‘No, no, nothing,’ she blurted
Page 19 and 20: THIS MAN IS AN ISLAND I lounge, an
Page 21 and 22: sound of the buffer and its sanitis
Page 23 and 24: whistling kettle sang its cheerful
Page 25 and 26: ‘Best to get it over with,’ I m
Page 27 and 28: CLUB The dank humid air from the da
Page 29 and 30: included crowd my head and fight to
Page 31 and 32: mud streets, stepping casually over
Page 33 and 34: against linear pathways that meet l
Page 35 and 36: my father's drawings or maybe a pai
Page 37 and 38: ‘Sorry, I had to bring him, mum w
Page 39 and 40: I climbed the stairs, tired but ple
Page 41 and 42: open, the whites proving circular l
Page 43 and 44: calling me desperately, "He's here,
Page 45 and 46: 3. GENRE WRITING FAIRYTALE ENDINGS
Page 47 and 48: ‘Certainly, chuck!’ George appe
Page 49 and 50: But Little Red Riding Hood had alre
Page 51 and 52: The mirror yawned. ‘From my sleep
Page 53 and 54:
‘Rapunzel, Rapunzel, throw down y
Page 55 and 56:
the very man, whom she's always sec
Page 57 and 58:
chamber, my fingers scratch against
Page 59 and 60:
‘Hello?’ Frank called again, a
Page 61 and 62:
Slamming the door behind her, she l
Page 63 and 64:
the mud from her woollen coat. She
Page 65 and 66:
4. SHORT STORIES THE CHAIN Pakistan
Page 67 and 68:
too much and his belt pulled into t
Page 69 and 70:
simply taunting him idly with no re
Page 71 and 72:
SATURDAY NIGHT, SUNDAY MORNING As J
Page 73 and 74:
etween two conscious people, not be
Page 75 and 76:
'Fine,' he replied. Months earlier
Page 77 and 78:
him to stand still. He did so, stil
Page 79 and 80:
‘Just don't touch a goddamn thing
Page 81 and 82:
impatient for it to end, he rang th
Page 83 and 84:
As Eleanora looked up from the page
Page 85 and 86:
circles, sitting, observing, listen
Page 87 and 88:
POETRY 87
Page 89 and 90:
I’ll make the bed with bits of wo
Page 91 and 92:
CLEVER TREVOR In his armchair in th
Page 93 and 94:
‘Violence is never the answer,’
Page 95 and 96:
Then you accepted my apology - what
Page 97 and 98:
RECIPE Take one full heart And brea
Page 99 and 100:
It doesn’t mean anything to her n
Page 101 and 102:
ALL I WANT I stumbled clumsily alon
Page 103 and 104:
I panic: feelings lead to pain, whi
Page 105 and 106:
She collapses, spent, but it seems
Page 107 and 108:
(e) I once knew a woman from Ongar
Page 109 and 110:
FAILED VERSE A poem can never say,
Page 111 and 112:
Be nought Or even (Maybe odd), Just
Page 113 and 114:
TO BE OR…. I don’t want to be a
Page 115 and 116:
HEAVY A profound poem is not light,
Page 117 and 118:
canal dark and looming, whispering
Page 119 and 120:
piling into taxi, giggling like chi
Page 121 and 122:
Is this one a man? He’s got a big
Page 123 and 124:
6. SYLLABICS HAIKU (a) Pleasingly s
Page 125 and 126:
(l) Pure dew dripping down. crisp a
Page 127 and 128:
CINQUAIN SNOW TEARS The snow, froze
Page 129 and 130:
ALPHABETICAL ADJECTIVES Abstemious
Page 131 and 132:
FLAKY Itchy - unbearably so. Mouldy
Page 133 and 134:
Sacrilegious serenading of the Juda
Page 135 and 136:
6. CONCRETE POEMS (STRAIGHT-LINERS,
Page 137 and 138:
RAINDROP Kelly-Ann Davis TORNADO Sa
Page 139 and 140:
THE S IN SADNESS D B A E E N H T R
Page 141 and 142:
TELETEXT (i) I am responsible for m
Page 143 and 144:
BEER QUEST SNOWBOARD FREEDOM Mark E
Page 145 and 146:
Burn me SET ME ALIGHT SO I MIGHT FE
Page 147 and 148:
1. THEATRE PLAYS (a) PLAYS WITHOUT
Page 149 and 150:
CAN'T THEY SEE ME? Katy Saunders, 1
Page 151 and 152:
She has a bag. She manoeuvres behin
Page 153 and 154:
Wal, iht warz OK at first, burt the
Page 155 and 156:
Pause. Jealous - that's what I say.
Page 157 and 158:
which made me dangerous. So I have
Page 159 and 160:
than that. I'll be out soon, man. A
Page 161 and 162:
A GIRL'S FAVOURITE PASTIME The tele
Page 163 and 164:
(c) DUOLOGUES, TRILOGUES DIALOGUE F
Page 165 and 166:
SECOND: It depends on what? FIRST:
Page 167 and 168:
SARAH: You are a doctor, are you no
Page 169 and 170:
DANA: Well, I have and it's great!
Page 171 and 172:
2. RADIO PLAYS INTERCOURSE 1 You se
Page 173 and 174:
PATRICK: I want you to give me supp
Page 175 and 176:
BERNADETTE: We-ell... but whisht! W
Page 177 and 178:
MANDY: Hallo! FX: TRAFFIC NOISE. CH
Page 179 and 180:
3. SCREENPLAYS MATRICIDE It is a on
Page 181 and 182:
aised rostrum, on which the woman i
Page 183 and 184:
SAM How dare you? Matt isn't gay! H
Page 185 and 186:
NITA'S MOTHER Nita darling ... this
Page 187 and 188:
I couldn’t help it. NITA (quietly
Page 189 and 190:
But Kamlesh Behta… MRS KHOTARI KA
Page 191 and 192:
A husband! Look where it got you? H
Page 193 and 194:
We are focusing on the Smart Man's
Page 195 and 196:
I heard a weird noise coming from o
Page 197 and 198:
VAMPIRE 1 Halt sister! It is time f
Page 199 and 200:
COMMUNICATIONS THIS IS A RECORDED M
Page 201 and 202:
McDonald’s fries, Rainforest dies
Page 203 and 204:
Rule 2: You never touch my daughter
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Moving Finger - Issue 3 - Brunel University

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