- Page 1 and 2: Moving 1 Finger 3 AN ANTHOLOGY OF C
- Page 3 and 4: The moving finger writes; and havin
- Page 5: ACKNOWLEDGEMENTS I would like to th
- Page 9 and 10: James Peacock Colour Blind 96 Jenni
- Page 11 and 12: Geoffrey Harrison (s) 126 Alexandra
- Page 13 and 14: Jasvir Janda The Revelation 168 Chr
- Page 15 and 16: 1. DESCRIPTION (OBJECTS, PEOPLE, PL
- Page 17 and 18: ‘No, no, nothing,’ she blurted
- Page 19 and 20: THIS MAN IS AN ISLAND I lounge, an
- Page 21 and 22: sound of the buffer and its sanitis
- Page 23 and 24: whistling kettle sang its cheerful
- Page 25 and 26: ‘Best to get it over with,’ I m
- Page 27 and 28: CLUB The dank humid air from the da
- Page 29 and 30: included crowd my head and fight to
- Page 31 and 32: mud streets, stepping casually over
- Page 33 and 34: against linear pathways that meet l
- Page 35 and 36: my father's drawings or maybe a pai
- Page 37 and 38: ‘Sorry, I had to bring him, mum w
- Page 39 and 40: I climbed the stairs, tired but ple
- Page 41 and 42: open, the whites proving circular l
- Page 43 and 44: calling me desperately, "He's here,
- Page 45 and 46: 3. GENRE WRITING FAIRYTALE ENDINGS
- Page 47 and 48: ‘Certainly, chuck!’ George appe
- Page 49 and 50: But Little Red Riding Hood had alre
- Page 51 and 52: The mirror yawned. ‘From my sleep
- Page 53 and 54: ‘Rapunzel, Rapunzel, throw down y
- Page 55 and 56: the very man, whom she's always sec
- Page 57 and 58:
chamber, my fingers scratch against
- Page 59 and 60:
‘Hello?’ Frank called again, a
- Page 61 and 62:
Slamming the door behind her, she l
- Page 63 and 64:
the mud from her woollen coat. She
- Page 65 and 66:
4. SHORT STORIES THE CHAIN Pakistan
- Page 67 and 68:
too much and his belt pulled into t
- Page 69 and 70:
simply taunting him idly with no re
- Page 71 and 72:
SATURDAY NIGHT, SUNDAY MORNING As J
- Page 73 and 74:
etween two conscious people, not be
- Page 75 and 76:
'Fine,' he replied. Months earlier
- Page 77 and 78:
him to stand still. He did so, stil
- Page 79 and 80:
‘Just don't touch a goddamn thing
- Page 81 and 82:
impatient for it to end, he rang th
- Page 83 and 84:
As Eleanora looked up from the page
- Page 85 and 86:
circles, sitting, observing, listen
- Page 87 and 88:
POETRY 87
- Page 89 and 90:
I’ll make the bed with bits of wo
- Page 91 and 92:
CLEVER TREVOR In his armchair in th
- Page 93 and 94:
‘Violence is never the answer,’
- Page 95 and 96:
Then you accepted my apology - what
- Page 97 and 98:
RECIPE Take one full heart And brea
- Page 99 and 100:
It doesn’t mean anything to her n
- Page 101 and 102:
ALL I WANT I stumbled clumsily alon
- Page 103 and 104:
I panic: feelings lead to pain, whi
- Page 105 and 106:
She collapses, spent, but it seems
- Page 107 and 108:
(e) I once knew a woman from Ongar
- Page 109 and 110:
FAILED VERSE A poem can never say,
- Page 111 and 112:
Be nought Or even (Maybe odd), Just
- Page 113 and 114:
TO BE OR…. I don’t want to be a
- Page 115 and 116:
HEAVY A profound poem is not light,
- Page 117 and 118:
canal dark and looming, whispering
- Page 119 and 120:
piling into taxi, giggling like chi
- Page 121 and 122:
Is this one a man? He’s got a big
- Page 123 and 124:
6. SYLLABICS HAIKU (a) Pleasingly s
- Page 125 and 126:
(l) Pure dew dripping down. crisp a
- Page 127 and 128:
CINQUAIN SNOW TEARS The snow, froze
- Page 129 and 130:
ALPHABETICAL ADJECTIVES Abstemious
- Page 131 and 132:
FLAKY Itchy - unbearably so. Mouldy
- Page 133 and 134:
Sacrilegious serenading of the Juda
- Page 135 and 136:
6. CONCRETE POEMS (STRAIGHT-LINERS,
- Page 137 and 138:
RAINDROP Kelly-Ann Davis TORNADO Sa
- Page 139 and 140:
THE S IN SADNESS D B A E E N H T R
- Page 141 and 142:
TELETEXT (i) I am responsible for m
- Page 143 and 144:
BEER QUEST SNOWBOARD FREEDOM Mark E
- Page 145 and 146:
Burn me SET ME ALIGHT SO I MIGHT FE
- Page 147 and 148:
1. THEATRE PLAYS (a) PLAYS WITHOUT
- Page 149 and 150:
CAN'T THEY SEE ME? Katy Saunders, 1
- Page 151 and 152:
She has a bag. She manoeuvres behin
- Page 153 and 154:
Wal, iht warz OK at first, burt the
- Page 155 and 156:
Pause. Jealous - that's what I say.
- Page 157 and 158:
which made me dangerous. So I have
- Page 159 and 160:
than that. I'll be out soon, man. A
- Page 161 and 162:
A GIRL'S FAVOURITE PASTIME The tele
- Page 163 and 164:
(c) DUOLOGUES, TRILOGUES DIALOGUE F
- Page 165 and 166:
SECOND: It depends on what? FIRST:
- Page 167 and 168:
SARAH: You are a doctor, are you no
- Page 169 and 170:
DANA: Well, I have and it's great!
- Page 171 and 172:
2. RADIO PLAYS INTERCOURSE 1 You se
- Page 173 and 174:
PATRICK: I want you to give me supp
- Page 175 and 176:
BERNADETTE: We-ell... but whisht! W
- Page 177 and 178:
MANDY: Hallo! FX: TRAFFIC NOISE. CH
- Page 179 and 180:
3. SCREENPLAYS MATRICIDE It is a on
- Page 181 and 182:
aised rostrum, on which the woman i
- Page 183 and 184:
SAM How dare you? Matt isn't gay! H
- Page 185 and 186:
NITA'S MOTHER Nita darling ... this
- Page 187 and 188:
I couldn’t help it. NITA (quietly
- Page 189 and 190:
But Kamlesh Behta… MRS KHOTARI KA
- Page 191 and 192:
A husband! Look where it got you? H
- Page 193 and 194:
We are focusing on the Smart Man's
- Page 195 and 196:
I heard a weird noise coming from o
- Page 197 and 198:
VAMPIRE 1 Halt sister! It is time f
- Page 199 and 200:
COMMUNICATIONS THIS IS A RECORDED M
- Page 201 and 202:
McDonald’s fries, Rainforest dies
- Page 203 and 204:
Rule 2: You never touch my daughter