Copyright Statement - ResearchSpace@Auckland
Copyright Statement - ResearchSpace@Auckland
Copyright Statement - ResearchSpace@Auckland
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offered by David, he wipes his knife on his sleeve (Crump would normally have<br />
wiped it on his thigh but this was too low an angle for the camera) and cuts himself a<br />
slice of venison. Seating himself on the bed next to the ill-at-ease Diana he thrusts a<br />
piece of venison at her and enjoys her shuddering response to his line, “Just shot it the<br />
other day.” 20 Later, with the rain pounding on the roof, chewing nosily and edging<br />
closer to Diana, he suggests lewdly, “We’re in for a wet night”, eliciting an angry<br />
look from David who pointedly picks up the hunter’s rifle. This scene showing the<br />
three of them with David in the foreground, was cleverly composed. Taking his<br />
directions as to the positioning of the gun from Tony Williams, Broadley pointed the<br />
barrel down so that it visually divided the background image of Clarrie leaning<br />
suggestively forward towards a shrinking Diana.<br />
Lake Maparika was as beautiful as it was tranquil but the filming of a scene that<br />
supposedly took place the next morning proved to be very challenging. The aim was<br />
a long shot that showed David and Diana in a small boat fishing in the centre of the<br />
lake, framed by the mountains and by the morning sun. This difficult shot required<br />
actors and crew to rise very early in the morning, travel by road for about three<br />
quarters of an hour to the edge of the lake near the Franz Joseph glacier, and then by<br />
boat for fifteen minutes to the lakeside location to set up the camera before the sun<br />
rose. O’Shea recalled that it had taken 12 days to get the shots that he wanted at dawn<br />
without the lake’s surface “being ruffled by wind and motorboats and that sort of<br />
rubbish.” 21 Tension had been mounting between O’Shea and Dickie Lauder, the<br />
Scottish production manager, who had difficulty fitting in with the rest of the<br />
Runaway production team. Lauder deliberately created problems at the lake and in<br />
O’Shea’s words, behaved like “a real bastard because he kept disturbing the surface of<br />
the lake [with his] little runabout boat. He was just stupid.” 22<br />
Following the spectacular long shot the couple are shown in medium shot attempting<br />
to change places so that David could row to shore. The boat rocks unexpectedly and<br />
Diana falls overboard. For Deirdre McCarron the scene was a difficult one as the<br />
waters of the lake, in the early morning, were chilly. To prevent any possibility of<br />
hypothermia her skin was oiled and she wore additional garments under the clothes<br />
seen on the screen. As she flounders in the water her companion hesitates, and<br />
looking down sees a vision of the dead body of Tom Morton floating past, the image