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Copyright Statement - ResearchSpace@Auckland

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coverage, And once Runaway was ready for its première he prepared a press kit<br />

containing a detailed description of the film, the players and production personnel.<br />

For example:<br />

Filmed against breathtaking backgrounds which extend from the warm<br />

beaches of Northland to the ice-bound wilderness of the Westland glaciers,<br />

Runaway tells a tense dramatic story of a young New Zealander, David<br />

Manning (Colin Broadley), who finds himself in financial difficulties in<br />

Auckland, and tries to escape from city life. He heads for Northland, where he<br />

mixes with both Maori and European, and endeavours to adjust himself to life<br />

there. However, a torrid love affair with a wealthy, spoilt Yugoslav girl<br />

(Nadja Regin) who falsely alleges to the police that he has assaulted her,<br />

forces him to leave the district, with the intention of going back to the<br />

mountain country of Westland, where he was happy as a child. 4<br />

The summary of the plot concludes with details of the climax which is described as<br />

“both exciting and realistic, and brings Runaway to a tense, dramatic conclusion.” 5<br />

The style of the press release is significant. Although basing his film to some extent<br />

on European art cinema, O’Shea deliberately tailored the text to read like the<br />

description of a thriller :<br />

New Zealand can be proud of this compelling, intimate, adult motion picture,<br />

for here is not only a film that forcefully presents the face of contemporary<br />

New Zealand to the world, but also provides thrilling entertainment by any<br />

standards. Great credit must go to producer – director John O’Shea, for his<br />

courage, talent, ambition and assurance in creating a film that meets world<br />

competition head-on and emerges with flying colours. 6<br />

Media hype is a necessary part of all film marketing. What is interesting in<br />

Runaway’s case was the way the publicity played down any “high culture” aspects<br />

such as the thought-provoking way the film transferred the concept of “man alone” to<br />

a post-war setting, or highlighted the alienation of contemporary youth in a<br />

conformist, prosperity-obsessed society. Neither was there any suggestion that the

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