Copyright Statement - ResearchSpace@Auckland
Copyright Statement - ResearchSpace@Auckland
Copyright Statement - ResearchSpace@Auckland
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coverage, And once Runaway was ready for its première he prepared a press kit<br />
containing a detailed description of the film, the players and production personnel.<br />
For example:<br />
Filmed against breathtaking backgrounds which extend from the warm<br />
beaches of Northland to the ice-bound wilderness of the Westland glaciers,<br />
Runaway tells a tense dramatic story of a young New Zealander, David<br />
Manning (Colin Broadley), who finds himself in financial difficulties in<br />
Auckland, and tries to escape from city life. He heads for Northland, where he<br />
mixes with both Maori and European, and endeavours to adjust himself to life<br />
there. However, a torrid love affair with a wealthy, spoilt Yugoslav girl<br />
(Nadja Regin) who falsely alleges to the police that he has assaulted her,<br />
forces him to leave the district, with the intention of going back to the<br />
mountain country of Westland, where he was happy as a child. 4<br />
The summary of the plot concludes with details of the climax which is described as<br />
“both exciting and realistic, and brings Runaway to a tense, dramatic conclusion.” 5<br />
The style of the press release is significant. Although basing his film to some extent<br />
on European art cinema, O’Shea deliberately tailored the text to read like the<br />
description of a thriller :<br />
New Zealand can be proud of this compelling, intimate, adult motion picture,<br />
for here is not only a film that forcefully presents the face of contemporary<br />
New Zealand to the world, but also provides thrilling entertainment by any<br />
standards. Great credit must go to producer – director John O’Shea, for his<br />
courage, talent, ambition and assurance in creating a film that meets world<br />
competition head-on and emerges with flying colours. 6<br />
Media hype is a necessary part of all film marketing. What is interesting in<br />
Runaway’s case was the way the publicity played down any “high culture” aspects<br />
such as the thought-provoking way the film transferred the concept of “man alone” to<br />
a post-war setting, or highlighted the alienation of contemporary youth in a<br />
conformist, prosperity-obsessed society. Neither was there any suggestion that the