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Dr. Jekyll and Mr. Hyde (1941) Shooting script - HorrorLair

Dr. Jekyll and Mr. Hyde (1941) Shooting script - HorrorLair

Dr. Jekyll and Mr. Hyde (1941) Shooting script - HorrorLair

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135.262 CONTINUED: 262JEKYLL(praying)This I did not intend. I thought Iwas serving You. I saw a light - butI did not realize it led only toDarkness. Forgive me. Help me to -He cannot go on, knowing he has lost the right even to askfor help. His eyes close, <strong>and</strong> he leans his head against thepost, as weDISSOLVE TO:263 FULL SHOT - JEKYLL - EXT. SIR CHARLES' HOUSE - NIGHT263He comes hesitantly along the walk, stick in h<strong>and</strong>, the lightsfrom the house illuminating his drawn <strong>and</strong> agonized expression.His pace slackens as he turns in through the grilled irongate as WE PAN <strong>and</strong> he walks toward the front door in theb.g.264 CLOSE SHOT - JEKYLL - EXT. FRONT DOOR264He can hardly bring himself to pull the bell plunger. Suddenlyhe is aware of the dim sound of a piano o.s. He realizesthat Beatrix is playing. WE PAN HIM as he walks down thefront of the house to the end of the "side" garden.265 FULL SHOT - FORMAL SIDE GARDEN265<strong>Jekyll</strong> comes around the corner of the house <strong>and</strong> walks acrossa small flagged ver<strong>and</strong>a which leads from French windows ofthe drawing room to the flower garden. The garden centersabout a small fountain <strong>and</strong> is set off with flower-bed patterns<strong>and</strong> marble benches.266 266 CLOSE SHOT - JEKYLL - EXT. FRENCH DOORS266He peers through them in the b.g. We see Beatrix playing thepiano, a sad <strong>and</strong> worried expression on her face. Back ofher, <strong>and</strong> to one side, Sir Charles nods in a chair over apaper.267 CLOSE SHOT - JEKYLL - REVERSE ANGLE267We are on his tortured countenance for a second as he lookso.s. at Beatrix. He half raises his h<strong>and</strong> as though to callher attention by the movement.

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