Dr. Jekyll and Mr. Hyde (1941) Shooting script - HorrorLair

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75.183 CLOSE SHOT - HYDE183He likes this. He shifts happily in his chair. He looks towardthe stage.184 PAN SHOT - LINE OF SOUBRETTES - HYDE'S ANGLE184We travel down the line of hard-working young ladies. Theylift their limbs in a sort of can-can.185 CLOSE SHOT - HYDE185This pleases him no end. He lifts his stick and rotates itlike the limbs of the girls. The waiter appears with thebrandy and soda, puts it down.WAITER(elaborately)Yes, sir.Hyde picks up the glass, starts to drink, and just thennotices something o.s. His eyes light up.186 EFFECT SHOT - HIS ANGLE - IVY186She is behind the bar, laughing and joking with two or threemen. The reason Hyde can see her is that she is standing ona stool, reaching up for a bottle at the back of the bar, asshe looks back at the men below. We cannot hear what she issaying, naturally.187 TWO SHOT - HYDE AND WAITER187Hyde notices waiter's presence.HYDE(barking)What are you waiting for?(as waiter starts tostutter)A tip, eh? Get out!The waiter ducks quickly, and Hyde looks again toward Ivyo.s. WE PULL BACK to INCLUDE waiter as he rounds box andstarts down steps.WAITER(grumbling)Blighter!Hyde swings his cane over the box in front of the waiter,tripping him.(CONTINUED)
76.187 CONTINUED: 187HYDE(as he does so)Eh?(to waiter on floor)Mind your tongue and send me a bottleof champagne.(gesturing o.s.)Have her bring it - that girl upthere!WAITER(sullenly)Ivy? Ivy ain't allowed to leave thebar.At this point, a fat little manager comes INTO SCENE.HYDE(with slow ominousness)I said!MANAGER(very officious)Here - here. What's all this hereabout?WAITERThis gent here wants champagne.MANAGERChampagne? Well, bring it, man -bring it!WAITERBut he wants Ivy to serve it -!MANAGEROf course, she'll serve it! Jumpnow!(turns to Hyde aswaiter slinks off)Anything to oblige a gentleman, sir!But Hyde takes no notice of him, as he keeps looking o.s. atIvy.188 GROUP SHOT - AROUND IVY AT BAR188She is still on the stool, reaching up. The two men arekidding her. She is playing up to them. Their eyes areobviously on her ankles and lower limbs as they are revealedby her skirt lifting a little when she stretches.(CONTINUED)
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"DR. JEKYLL AND MR. HYDE"Written by
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3.5 CLOSE SHOT - TOWARD ALTAR - GRO
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13 CONTINUED: 13Just at this moment
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14 CONTINUED: 14The voice diminishe
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15D CONTINUED: 15DJEKYLL(to glaring
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11.17 CONTINUED: 17WE PAN them on d
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13.22 CONTINUED: 22JEKYLLYou mean h
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15.28 FULL SHOT28Dorothy allows Jek
Page 18 and 19:
17.31 FULL SHOT - EXT. JEKYLL'S HOU
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19.36 FULL SHOT - INT. LAB36In the
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21.38 CONTINUED: 38AD LIB (CONT'D)P
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23.42 CONTINUED: 42DR. COURTNEY (CO
Page 26 and 27: 25.46 CONTINUED: 46LADY COOPER(in t
Page 28 and 29: 27.53 GROUP SHOT - INCLUDING JEKYLL
Page 30 and 31: 29.57 CONTINUED: 57DR. COURTNEY(bri
Page 32 and 33: 31.64 CONTINUED: 64SIR CHARLES (CON
Page 34 and 35: 33.67 CLOSE SHOT - SIR CHARLES67He
Page 36 and 37: 35.71 CLOSE SHOT - BEATRIX71As she
Page 38 and 39: 37.72 CONTINUED: (2) 72SIR CHARLESI
Page 40 and 41: 39.72 CONTINUED: (4) 72SIR CHARLES
Page 42 and 43: 41.77 CONTINUED: 77JEKYLLLet him go
Page 44 and 45: 43.78 CONTINUED: (2) 78118-121 OUT.
Page 46 and 47: 45.127 REVERSE SHOT - INT. ROOM127W
Page 48 and 49: 47.128 CONTINUED: (2) 128JEKYLL(sti
Page 50 and 51: 49.128A128BFULL SHOT - ROOMThe door
Page 52 and 53: 51.134 CONTINUED: 134He shakes his
Page 54 and 55: 53.137F137G137H137J137K137L137MFULL
Page 56 and 57: 55.137U CONTINUED:137UDR. LANYON(re
Page 58 and 59: 57.137X CONTINUED:137XMR. WELLER(en
Page 60 and 61: 59.A142 CONTINUED:A1424. Courtney's
Page 62 and 63: 61.153 CONTINUED: 153POOLE(stammeri
Page 64 and 65: 63.155 CONTINUED: 155JEKYLL(feeling
Page 66 and 67: 65.155 CONTINUED: (3) 155JEKYLLSir
Page 68 and 69: 67.155 CONTINUED: (5) 155SIR CHARLE
Page 70 and 71: 69.170 CONTINUED: 170POOLENot bad n
Page 72 and 73: 71.174 CONTINUED: 174HYDE(into mirr
Page 74 and 75: 73.177 CONTINUED: 177The old man ex
Page 78 and 79: 77.188 CONTINUED: 1881ST MAN(winkin
Page 80 and 81: 79.190 CONTINUED: 190He pours the o
Page 82 and 83: 81.190 CONTINUED: (3) 190IVY(wrench
Page 84 and 85: 83.194 CONTINUED: 194As the manager
Page 86 and 87: 85.196 CONTINUED: 196IVY(fascinated
Page 88 and 89: 87.198ACLOSE SHOT - PAGE OF LETTER"
Page 90 and 91: 89.202 CLOSE SHOT - IVY - INT. NEW
Page 92 and 93: 91.203ACLOSE SHOT - MARCIA AND IVY2
Page 94 and 95: 93.203J203K203LCLOSE SHOT - IVYShe
Page 96 and 97: 95.203M CONTINUED:203MHYDEBut when
Page 98 and 99: 97.205C CONTINUED: (2)205CHYDE(with
Page 100 and 101: 99.205C CONTINUED: (4)205C205D205E2
Page 102 and 103: 101.208 CONTINUED: 208He hurries up
Page 104 and 105: 103.211 CONTINUED: 211MARCIA(to Fre
Page 106 and 107: 105.212 CONTINUED: 212JEKYLL(a litt
Page 108 and 109: 107.212 CONTINUED: (3) 212SIR CHARL
Page 110 and 111: 109.214 CONTINUED: 214IVYWhy - why
Page 112 and 113: 111.214 CONTINUED: (3) 214JEKYLL(in
Page 114 and 115: 113.216 CONTINUED: 216FADE IN:217 F
Page 116 and 117: 115.221 CLOSE SHOT - JEKYLL - ON BE
Page 118 and 119: 117.223 CONTINUED: 223HYDE (CONT'D)
Page 120 and 121: 119.224 CONTINUED: 224HYDE (CONT'D)
Page 122 and 123: 121.230 CONTINUED: 230POOLED-D-Doct
Page 124 and 125: 123.239 CONTINUED: 239MAN(still sle
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125.241 CONTINUED: (2) 241BEATRIXJo
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127.245 CONTINUED: 245POOLE(loyally
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129.247 CONTINUED: 247As he reaches
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131.250 CLOSE SHOT - LANYON250As he
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133.252 CONTINUED: (2) 252He sinks
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135.262 CONTINUED: 262JEKYLL(prayin
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137.269 CONTINUED: 269BEATRIX(slowl
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139.269 CONTINUED: (3) 269BEATRIX(s
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141.272 FULL PAN SHOT - SIR CHARLES
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143.284 FULL SHOT - INT. FOYER - JE
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145.296 CONTINUED: 296The constable
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147.301 CONTINUED: 301DR. LANYON(pl
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Dr. Jekyll and Mr. Hyde (1941) Shooting script - HorrorLair

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