CORNELL

More documents

Recommendations

Info

88 MODERN HARMONYEx.183.Ex.t84.The older practice admitted the chromatic alteration of achain of passing notes either singly or doubly in the followingmanner :Ex.185Alteration(Scheme)^mf»f#
ALTERED NOTES AND ADDED NOTES 89The modern composers "touch up" their passages bychromatic alterations in any way which suits their fancy (seeExamples 134, 135, and 136).In applying all the alterations and additions, with theexception of the " enharmony " practices, the original chordformation or the foundation diatonic scheme should alwaysbe borne in mind, the main objects of all these devices beingthe securing either of increased variety and power in modulation,or of ever richer harmonic colouring.
Page 2 and 3:
CORNELLUNIVERSITYLIBRARYBOUGHT WITH
Page 4:
The original of this book isinthe C
Page 9 and 10:
Augener's Edition No. 10118MODERN H
Page 11:
PEEFATOEY NOTEThe present work is i
Page 15 and 16:
CONTENTSCHAPTER IINTRODUCTORYFirst
Page 17 and 18:
CONTENTSxiCHAPTER VIIALTERED NOTES
Page 19:
CONTENTSxiiiCHAPTER XVMODERN FORMTh
Page 22 and 23:
2 MODERN HARMONYschools, or whateve
Page 24 and 25:
4 MODERN HARMONYfourths favoured by
Page 26 and 27:
6 MODERN HARMONYmusic. The percepti
Page 28 and 29:
CHAPTER IIGREATER FREEDOM ON THE OL
Page 30 and 31:
10 MODERN HARMONYEx.11.Meno mossei.
Page 32 and 33:
12Ex.17.Tempo giustowMODERN HARMONY
Page 34 and 35:
14Ex.24.VivacissimOjMODERN HARMONYP
Page 36 and 37:
1 «16 MODERN HARMONYmultiply examp
Page 38 and 39:
18MODERN HARMONYEx.37.LentoWAGNER,"
Page 40 and 41:
20 MODERN HARMONYEx.42.A. HALM,"Har
Page 42 and 43:
MODERN HARMONYEx.47.Allegro espress
Page 44 and 45:
CHAPTER IIISCALES— (a)MODAX, INFL
Page 46 and 47:
26 MODERN HARMONYEx.61.AUTHENTIC /c
Page 48 and 49:
28Ex.58,Allegretto.MODERN HARMONYJ.
Page 50 and 51:
30 MODERN HARMONYEx.60.Moderato.ELG
Page 52 and 53:
32 MODERN HARMONYMany of the effect
Page 54 and 55:
34 MODERN HARMONYthose are derived.
Page 56 and 57:
S6MODERN HARMONYI.—A Tonal Centre
Page 58 and 59: i88 MODERN HARMONYEx.71.Andante.Voi
Page 60 and 61: 40 MODERN HARMONYseem to be some po
Page 62 and 63: 42 MODERN HARMONY^^^=^^^\h^K\%f^ft^
Page 64 and 65: uMODERN HARMONYEx. 84.\^vace (quasi
Page 66 and 67: 46 MODERN HARMONYEx. 90.Adagio, mis
Page 68 and 69: MODERN HARMONYEx.95.Harmonic outlin
Page 70 and 71: 50 MODERN HARMONY(a) a deliberate s
Page 72 and 73: 62 MODERN HARMONYand such endings a
Page 74 and 75: 54 MODERN HARMONYof a major third w
Page 76 and 77: i56MODERN HARMONYDEBUSSY, "^Imagesl
Page 78 and 79: 58 MODERN HARMONYEx. 118.Allegro bu
Page 80 and 81: 60 MODERN HARMONYIt is the Impressi
Page 82 and 83: 62 MODERN HARMONYEx.130.DEBUSSY,''C
Page 84 and 85: (d)CHAPTER VIsome other scalesIn th
Page 86 and 87: Jjjj|J].jijj^66 MODERN HARMONYEx.13
Page 88 and 89: 'MODERN HARMONYGEORGES hue;"Surl'ea
Page 90 and 91: 70MODERN HARMONYEx. 147.^Method of
Page 92 and 93: 72 MODERN HARMONYEx. 152.C to C.Ex.
Page 94 and 95: 74 MODERN HARMONYHow the composer d
Page 96 and 97: 76Ex.162.Allegro.MODERN HARMONYSCRI
Page 98 and 99: CHAPTER VIIALTERED NOTES AND ADDED
Page 100 and 101: 80MODERN HARMONYAltered Notes in Ch
Page 102 and 103: 82 MODERN HARMONYThe principle of a
Page 104 and 105: 84 MODERN HARMONYMany passages in S
Page 106 and 107: 86 MODERN HARMONYdiatonic structure
Page 110 and 111: CHAPTER VIIINEW METHODS OP CHORD-ST
Page 112 and 113: 92 MODERN HARMONYWhichever view of
Page 114 and 115: 94 MODERN HARMONYEx.194.Largamente.
Page 116 and 117: 96 MODERN HARMONYEx.198,(a) (b) (c)
Page 118 and 119: 98 MODERN HARMONY(c)Mixed Structure
Page 120 and 121: 100 MODERN HARMONYOther chords are
Page 122 and 123: 102 MODERN HARMONYEx.220. MACKENZIE
Page 124 and 125: 104MODERN HARMONYEx.j827.STRAUSS,"
Page 126 and 127: 106 MODERN HARMONYto the tonic harm
Page 128 and 129: 108 MODERN HARMONY^^•^'- Presto s
Page 130 and 131: 110MODERN HARMONYEx.240.Allegro mod
Page 132 and 133: 112Ex.245.MODERN HARMONYrail, molto
Page 134 and 135: CHAPTER XIMPKESSIONISTIC METHODSBef
Page 136 and 137: 116 MODERN HARMONYBantock has shown
Page 138 and 139: 118EX.2B7.MODERN HARMONY4llegroMntr
Page 140 and 141: 120 MODERN HARMONYmuch better when
Page 142 and 143: 122 MODERN HARMONYEx.268. . . , /J.
Page 144 and 145: 124MODERN HARMONYEx.274.^Molto adag
Page 146 and 147: 126 MODERN HARMONYis also real, the
Page 148 and 149: 128 MODERN HARMONYThe example by St
Page 150 and 151: 130 MODERN HARMONYThe foregoing rem
Page 152 and 153: 132 MODERN HARMONYEx. 291.(Orch.)ii
Page 154 and 155: 134 MODERN HARMONYmEx.295.(Chor.)(A
Page 156 and 157: 136 MODERN HARMONYEx. 299.Andante m
Page 158 and 159:
lasMODERN HARMONYVns.Vas,Fls. Obs,C
Page 160 and 161:
I140 MODERN HARMONYLet us pass on t
Page 162 and 163:
142 MODERN HARMONYExample 313 forms
Page 164 and 165:
144 MODERN HARMONYonly of the devic
Page 166 and 167:
146 MODERN HARMONYEx. 322.Allegro.B
Page 168 and 169:
148 MODERN HARMONYEx. 327.Allegro v
Page 170 and 171:
150 MODERN HARMONYEx. 338a.
Page 172 and 173:
^(Scheme.)etc.152 MODERN HARMONYg^
Page 174 and 175:
CHAPTER XIIliATBB HARMONIC TENDENCI
Page 176 and 177:
156 MODERN HARMONYreach a point whe
Page 178 and 179:
158 MODERN HARMONYWe now turn to a
Page 180 and 181:
160 MODERN HARMONYIn Example 351 we
Page 182 and 183:
162MODERN HARMONYEx. 355.• J: 68.
Page 184 and 185:
164 MODERN HARMONYseem prone to int
Page 186 and 187:
166 MODERN HARMONYAsiatics vocalize
Page 188 and 189:
168 MODERN HARMONYThere is a sort o
Page 190 and 191:
CHAPTER XIVMODERN RHYTHMThe term "r
Page 192 and 193:
Ithe172 MODERN HARMONYNowadays, not
Page 194 and 195:
174 MODERN HARMONYone of the beats.
Page 196 and 197:
I176 MODERN HARMONYA recent innovat
Page 198 and 199:
178 MODERN HARMONY"i ^ h 9 jk^ -'
Page 200 and 201:
180 MODERN HARMONYand, indeed, all
Page 202 and 203:
182 MODERN HARMONYcramping of the p
Page 204 and 205:
184Ex.391.(a)Andante. ,MODERN HARMO
Page 206 and 207:
186 MODERN HARMONYBridge.Subject. (
Page 208 and 209:
188MODERN HARMONYEx.397,(a)^^Lento.
Page 210 and 211:
190 MODERN HARMONYt^ jil\^- h^\iip
Page 212 and 213:
192 MODERN HARMONYstyles of utteran
Page 214 and 215:
194 MODERN HARMONYThe propeB apprec
Page 216 and 217:
'196 MODERN HARMONYEx.402.Vivacecol
Page 218 and 219:
198 MODERN HARMONYbut the most disa
Page 220 and 221:
APPENDIX IEXERCISESAnything of the
Page 222 and 223:
MODERN HARMONY11. Harmonise the fol
Page 224 and 225:
204 MODERN HARMONY19. Harmonise for
Page 226 and 227:
206 MODERN HARMONY26. Add 6 bars to
Page 228 and 229:
208 MODERN HARMONY33. Write a short
Page 230 and 231:
210 MODERN HARMONYIVMUSICAL FORM42.
Page 232 and 233:
APPENDIX IIGLOSSARY OF TECHNICAL TE
Page 234 and 235:
MODERN HARMONYConsecutive seconds,
Page 236 and 237:
216 MODERN HARMONYLaissez vibrer, l
Page 238 and 239:
218 MODERN HARMONYRegulated pulsati
Page 240 and 241:
INDEX TO MUSICAL ILLUSTRATIONS{The
Page 242 and 243:
22aBlgab (continued)Farjeon, H.Plot
Page 244 and 245:
'224 MODERN HARMONYReger, MaxBlMSKY
Page 246 and 247:
MODERN HARMONYMISCELLANEOUS.Chords,
Page 248 and 249:
228 MODERN HARMONYBeethoven, Pastor
Page 250 and 251:
230 MODERN HARMONYFive senses of mu
Page 252 and 253:
232 MODERN HARMONYObscuring the Ton
Page 254 and 255:
234 MODERN HARMONYStrauss, modernit
Page 262:
"V '^5^^^^"V
show all

CORNELL

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?