CORNELL

232 MODERN HARMONYObscuring the Tonic, 49" (Edipus Rex," 197Olsson, Otto, 27"Omar KhayyAm," 116Open mind, the, 193Orchestration, modern, 27, 41,46, 49, 60, 68, 71, 97, 100, 104,107, 108, 116, 121, 126, 128, 133,136, 137, 138, 139, 145, 146, 148,149, 150, 154, 155, 160, 162, 179,184, 186, 187, 188, 194, 195, 196,211Oriental philosopliy, 66Origin of minor triad, 91Outlining certain parts, 120, 160in sevenths and ninths, 161of the wood-wind, 128Outre, 154Paddings, 192Parisian schools, 119Parry, 31, 105, 185Parsifal extract, 41Part-writing, modern, 128, 129Passing-chords, 78, 79Passing-notes added to chords,82"whole-tone," 61Pastels, 189Pastorals, 189Pathetic cadence, 109Pedal as tonality, 41devices, 145mediant as, 20Pedal-chords, 139, 145, 147Pedal-figures, 147, 208Pedal-notes, 20Peutatonic scale, 66Perception, 6Percussive harmony, 154Permanent scale, no, 24Perpendicular harmony, 131, 15Persistence, 66"Peter Pan "suite, 189Phantasie, 189Phrygian mode, 25"Phryne,"67Pianoforte-duet writing, 208tone-production, 193Piern6, 193Pitch, 153Planes, harmonic, 100, 103, 138,142, 150, 162Plagal modes, 26Pointillism, 49, 154, 168Poldini, 20Polychromatic method, 15Polytony, 109, 129, 139, 151, 162,209Post-Impressionism, 36, 49, 50Post-Impressionistic styles, 191Pragmatists, 199Programme-music, 182, 183, 191Progression of ninth, 18, 19of parts, 56" Prometheus," 72, 74, 197Psychology, 163Puccini, 155Purcell, 2, 53, 114Pure modal use, 27scale, 22Pvirpose of the Exercises, 192Quadruplet, 171"Quintal" planes, 152Quintuple times, 173Quintuplet of quavers, 171of crotchets, 172Quotations and allusions, 28Ravel, basses, 44chords, 84feminine endings, 110modal use, 27, 28, 29phrases, 179semitone in harmony, 157Realism, 155Real vermis Diatonic reproduction,122Reeves, 174RebikofF, 26, 49, 116Refinement of rhythm. 180Reflection, 142. 154table, 103Reger, added-uote chords, 84Dorian-sixth chord, 25melody, 14resolutions, 105, 107"Theory of Modulation," 15variety of cadence, 110of phrase, 179Reicha, 174Reinhard, 197Relative minor, 25Resolutions, 59, 81, 105, 149