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122 MODERN HARMONYEx.268. . . , /J.Andante. (J: 68.;8~C. ALBANESI, 5th Sonata.In the Debussy "Images," we have a suecession of "sixfours"very varied in quality, whilst on the other hand,in the " duodecuple scale " writing of C^sar Franck,ûJton^c" ^^ have the reproduction carried out exactly, inthe accompanying figure, and it should be noticedhow well the tonality is held together by the sustained Fsharp in the bass (Examples 269 and 270).Ex.269.hi^^ pp4lfiR'' ^DEBUSSYjimages"ffÎ:»!ff^JM^fTJr|J mt „r?
IMPRESSIONISTIC METHODS 123Ex.270. Allegro maestoso^ FRANCK "Piec e Heroique"This method of exact reproduction has led to what theolder theorists would call a succession of " dominant sevenths,"but, as a matter of fact, any of the forms of theSeventh chords inSeventh.Example 271 may be used in thismanner. In Examples 272, 273, and 274 we see theexact method of reproduction.Ex.271.(b) (c) (d) (e) (fjEx.272.Tempo di mazurka.CHOPIN, 21st Mazurka.Ex.273.*CHOPIN, Prelude in Ctt minor.u iJÛ \JluTsftj^y /»p
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CORNELLUNIVERSITYLIBRARYBOUGHT WITH
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The original of this book isinthe C
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Augener's Edition No. 10118MODERN H
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PEEFATOEY NOTEThe present work is i
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CONTENTSCHAPTER IINTRODUCTORYFirst
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CONTENTSxiCHAPTER VIIALTERED NOTES
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CONTENTSxiiiCHAPTER XVMODERN FORMTh
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2 MODERN HARMONYschools, or whateve
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4 MODERN HARMONYfourths favoured by
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6 MODERN HARMONYmusic. The percepti
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CHAPTER IIGREATER FREEDOM ON THE OL
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10 MODERN HARMONYEx.11.Meno mossei.
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12Ex.17.Tempo giustowMODERN HARMONY
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14Ex.24.VivacissimOjMODERN HARMONYP
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1 «16 MODERN HARMONYmultiply examp
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18MODERN HARMONYEx.37.LentoWAGNER,"
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20 MODERN HARMONYEx.42.A. HALM,"Har
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MODERN HARMONYEx.47.Allegro espress
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CHAPTER IIISCALES— (a)MODAX, INFL
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26 MODERN HARMONYEx.61.AUTHENTIC /c
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28Ex.58,Allegretto.MODERN HARMONYJ.
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30 MODERN HARMONYEx.60.Moderato.ELG
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32 MODERN HARMONYMany of the effect
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34 MODERN HARMONYthose are derived.
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S6MODERN HARMONYI.—A Tonal Centre
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i88 MODERN HARMONYEx.71.Andante.Voi
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40 MODERN HARMONYseem to be some po
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42 MODERN HARMONY^^^=^^^\h^K\%f^ft^
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uMODERN HARMONYEx. 84.\^vace (quasi
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46 MODERN HARMONYEx. 90.Adagio, mis
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MODERN HARMONYEx.95.Harmonic outlin
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50 MODERN HARMONY(a) a deliberate s
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62 MODERN HARMONYand such endings a
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54 MODERN HARMONYof a major third w
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i56MODERN HARMONYDEBUSSY, "Îmagesl
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58 MODERN HARMONYEx. 118.Allegro bu
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60 MODERN HARMONYIt is the Impressi
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62 MODERN HARMONYEx.130.DEBUSSY,''C
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(d)CHAPTER VIsome other scalesIn th
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Jjjj|J].jijj^66 MODERN HARMONYEx.13
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'MODERN HARMONYGEORGES hue;"Surl'ea
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70MODERN HARMONYEx. 147.^Method of
Page 92 and 93: 72 MODERN HARMONYEx. 152.C to C.Ex.
Page 94 and 95: 74 MODERN HARMONYHow the composer d
Page 96 and 97: 76Ex.162.Allegro.MODERN HARMONYSCRI
Page 98 and 99: CHAPTER VIIALTERED NOTES AND ADDED
Page 100 and 101: 80MODERN HARMONYAltered Notes in Ch
Page 102 and 103: 82 MODERN HARMONYThe principle of a
Page 104 and 105: 84 MODERN HARMONYMany passages in S
Page 106 and 107: 86 MODERN HARMONYdiatonic structure
Page 108 and 109: 88 MODERN HARMONYEx.183.Ex.t84.The
Page 110 and 111: CHAPTER VIIINEW METHODS OP CHORD-ST
Page 112 and 113: 92 MODERN HARMONYWhichever view of
Page 114 and 115: 94 MODERN HARMONYEx.194.Largamente.
Page 116 and 117: 96 MODERN HARMONYEx.198,(a) (b) (c)
Page 118 and 119: 98 MODERN HARMONY(c)Mixed Structure
Page 120 and 121: 100 MODERN HARMONYOther chords are
Page 122 and 123: 102 MODERN HARMONYEx.220. MACKENZIE
Page 124 and 125: 104MODERN HARMONYEx.j827.STRAUSS,"
Page 126 and 127: 106 MODERN HARMONYto the tonic harm
Page 128 and 129: 108 MODERN HARMONY^^•^'- Presto s
Page 130 and 131: 110MODERN HARMONYEx.240.Allegro mod
Page 132 and 133: 112Ex.245.MODERN HARMONYrail, molto
Page 134 and 135: CHAPTER XIMPKESSIONISTIC METHODSBef
Page 136 and 137: 116 MODERN HARMONYBantock has shown
Page 138 and 139: 118EX.2B7.MODERN HARMONY4llegroMntr
Page 140 and 141: 120 MODERN HARMONYmuch better when
Page 144 and 145: 124MODERN HARMONYEx.274.^Molto adag
Page 146 and 147: 126 MODERN HARMONYis also real, the
Page 148 and 149: 128 MODERN HARMONYThe example by St
Page 150 and 151: 130 MODERN HARMONYThe foregoing rem
Page 152 and 153: 132 MODERN HARMONYEx. 291.(Orch.)ii
Page 154 and 155: 134 MODERN HARMONYmEx.295.(Chor.)(A
Page 156 and 157: 136 MODERN HARMONYEx. 299.Andante m
Page 158 and 159: lasMODERN HARMONYVns.Vas,Fls. Obs,C
Page 160 and 161: I140 MODERN HARMONYLet us pass on t
Page 162 and 163: 142 MODERN HARMONYExample 313 forms
Page 164 and 165: 144 MODERN HARMONYonly of the devic
Page 166 and 167: 146 MODERN HARMONYEx. 322.Allegro.B
Page 168 and 169: 148 MODERN HARMONYEx. 327.Allegro v
Page 170 and 171: 150 MODERN HARMONYEx. 338a.
Page 172 and 173: ^(Scheme.)etc.152 MODERN HARMONYg^
Page 174 and 175: CHAPTER XIIliATBB HARMONIC TENDENCI
Page 176 and 177: 156 MODERN HARMONYreach a point whe
Page 178 and 179: 158 MODERN HARMONYWe now turn to a
Page 180 and 181: 160 MODERN HARMONYIn Example 351 we
Page 182 and 183: 162MODERN HARMONYEx. 355.• J: 68.
Page 184 and 185: 164 MODERN HARMONYseem prone to int
Page 186 and 187: 166 MODERN HARMONYAsiatics vocalize
Page 188 and 189: 168 MODERN HARMONYThere is a sort o
Page 190 and 191: CHAPTER XIVMODERN RHYTHMThe term "r
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Ithe172 MODERN HARMONYNowadays, not
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174 MODERN HARMONYone of the beats.
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I176 MODERN HARMONYA recent innovat
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178 MODERN HARMONY"i ^ h 9 jk^ -'
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180 MODERN HARMONYand, indeed, all
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182 MODERN HARMONYcramping of the p
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184Ex.391.(a)Andante. ,MODERN HARMO
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186 MODERN HARMONYBridge.Subject. (
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188MODERN HARMONYEx.397,(a)^^Lento.
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190 MODERN HARMONYt^ jil\^- h^\iip
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192 MODERN HARMONYstyles of utteran
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194 MODERN HARMONYThe propeB apprec
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'196 MODERN HARMONYEx.402.Vivacecol
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198 MODERN HARMONYbut the most disa
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APPENDIX IEXERCISESAnything of the
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MODERN HARMONY11. Harmonise the fol
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204 MODERN HARMONY19. Harmonise for
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206 MODERN HARMONY26. Add 6 bars to
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208 MODERN HARMONY33. Write a short
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210 MODERN HARMONYIVMUSICAL FORM42.
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APPENDIX IIGLOSSARY OF TECHNICAL TE
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MODERN HARMONYConsecutive seconds,
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216 MODERN HARMONYLaissez vibrer, l
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218 MODERN HARMONYRegulated pulsati
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INDEX TO MUSICAL ILLUSTRATIONS{The
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22aBlgab (continued)Farjeon, H.Plot
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'224 MODERN HARMONYReger, MaxBlMSKY
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MODERN HARMONYMISCELLANEOUS.Chords,
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228 MODERN HARMONYBeethoven, Pastor
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230 MODERN HARMONYFive senses of mu
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232 MODERN HARMONYObscuring the Ton
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234 MODERN HARMONYStrauss, modernit
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"V '^5^^^^"V
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