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'224 MODERN HARMONYReger, MaxBlMSKY-KOBSAKOPPRonald, Landon-RubinsteinSaint-SaensSC3MITT, FLORBNTSCHONBERGSchrekerSchumannSCHUTT, E.Scott, CyrilScriabineSelva, B. -Sbbibyx -Sgambati -Sibelius -Gott des Himmels und der Erden, 26.Kyrie, 87.Intermezzo in G minor, 232.String Quartet, 47.Russian Songs, 57.Pens^e Musicale, 177.Pr6s les Ruisseaux, 45.Danse macabre, 328.D6janire, 221.D6sir de I'Orient (La Princesse Jaune), 140.Fifth Pianoforte Concerto, 352.Pri6re, 880.Suite Alg^rienne, 139.Cr6puscules, 384.La TragMie de Salome, 206.Drei Klavierstticke, 101, 102.Erwartung, 311, 403.First String Quartet, 363.Four Songs, 67.Ftinf Orchesterstticke, 3336, 400.Kammer-Symphonie, 394, 395, 396.Pell6as and M^lisande, 203.Second String Quartet, 48.Sextet : Verklarte Nacht, 93.Tonal Chords, 356." Der feme Klang," 401.Faschingsschwank aus Wien, 7.In May, 243.Valsette in A (Scale), 133.Jungle Book Impressions, 100, 149, 262.Poems, 99, 283, 331.Etude, 354.Impromptu, 889.Pianoforte Pieces, 248, 249, 250.Po6me Satanique, 353.Preludes, 5, 35, 239, 398.Prometheus, 157, 341, 366, 397.Seventh Sonata, 162, 163.Sixth Sonata, 160.Cloches au soleil, 330.Cloches dans le brume, 339.Les Petites Creoles, 340.Toccata, 69.Black Roses, 13.Fourth Symphony, 74, 151, 304, 371.Scale, 150.
INDEX TO MUSICAL ILLUSTRATIONS 225Smyth, B. M.Somervell, A.Stanford -StraussStravinskyTrevalsa, J.tschaikowskytschebepnineVaugha n-WilliamsVerdiVilleminWagnerWalford-DaviesWallace, W.Wesley -White, M. L.Wolf, HugoWolp-FerrariYork-Bowbn-Chrysilla, 46.Shepherd's Cradle Song, 8.First Irish Rhapsody, 326.AUerseelen, 814.Also sprach Zarathustra, 297.Don Quixote, 276, 288.Ein Heldenleben, 32, 78, 124,362, 364.Blektra, 68, 80, 227, 306, 355.Till Eulenspiegel, 174, 216, 226,Tod und Verklarung, 301.Feuerwerk, 286.L'Oiseau de Feu, 211, 294.Cowslips and Tulips, 325.Fifth Symphony, 61.Third Quartet, 231.Valse, 383.Nareisse, 97, 321.A Sea Symphony, 34, 79.Falstaff, 346.Otello, 62, 261.Requiem, 40, 358.fitude in Polytony, 337.Die Walkure, 37, 399.Gotterdammerung, 178, 230.Mastersingers, 392.Parsifal, 76, 94.Rheingold, 170, 171.Siegfried, 89, 95, 96, 214, 282,The Ring, 237.Tristan, 202, 219, 293,Everyman, 33.Villon's Prayer, 376.The Wilderness, 191.Fantasia : The Guestling, 292,Der Sehreekenberger, 369.The Jewels of the Madonna, 184,Second Suite, 210, 280, 327.126, 234, 303,236, 266, 309.' 'I f 305, 322, 329,
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CORNELLUNIVERSITYLIBRARYBOUGHT WITH
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The original of this book isinthe C
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Augener's Edition No. 10118MODERN H
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PEEFATOEY NOTEThe present work is i
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CONTENTSCHAPTER IINTRODUCTORYFirst
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CONTENTSxiCHAPTER VIIALTERED NOTES
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CONTENTSxiiiCHAPTER XVMODERN FORMTh
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2 MODERN HARMONYschools, or whateve
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4 MODERN HARMONYfourths favoured by
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6 MODERN HARMONYmusic. The percepti
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CHAPTER IIGREATER FREEDOM ON THE OL
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10 MODERN HARMONYEx.11.Meno mossei.
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12Ex.17.Tempo giustowMODERN HARMONY
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14Ex.24.VivacissimOjMODERN HARMONYP
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1 «16 MODERN HARMONYmultiply examp
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18MODERN HARMONYEx.37.LentoWAGNER,"
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20 MODERN HARMONYEx.42.A. HALM,"Har
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MODERN HARMONYEx.47.Allegro espress
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CHAPTER IIISCALES— (a)MODAX, INFL
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26 MODERN HARMONYEx.61.AUTHENTIC /c
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28Ex.58,Allegretto.MODERN HARMONYJ.
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30 MODERN HARMONYEx.60.Moderato.ELG
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32 MODERN HARMONYMany of the effect
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34 MODERN HARMONYthose are derived.
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S6MODERN HARMONYI.—A Tonal Centre
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i88 MODERN HARMONYEx.71.Andante.Voi
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40 MODERN HARMONYseem to be some po
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42 MODERN HARMONY^^^=^^^\h^K\%f^ft^
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uMODERN HARMONYEx. 84.\^vace (quasi
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46 MODERN HARMONYEx. 90.Adagio, mis
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MODERN HARMONYEx.95.Harmonic outlin
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50 MODERN HARMONY(a) a deliberate s
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62 MODERN HARMONYand such endings a
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54 MODERN HARMONYof a major third w
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i56MODERN HARMONYDEBUSSY, "^Imagesl
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58 MODERN HARMONYEx. 118.Allegro bu
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60 MODERN HARMONYIt is the Impressi
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62 MODERN HARMONYEx.130.DEBUSSY,''C
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(d)CHAPTER VIsome other scalesIn th
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Jjjj|J].jijj^66 MODERN HARMONYEx.13
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'MODERN HARMONYGEORGES hue;"Surl'ea
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70MODERN HARMONYEx. 147.^Method of
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72 MODERN HARMONYEx. 152.C to C.Ex.
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74 MODERN HARMONYHow the composer d
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76Ex.162.Allegro.MODERN HARMONYSCRI
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CHAPTER VIIALTERED NOTES AND ADDED
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80MODERN HARMONYAltered Notes in Ch
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82 MODERN HARMONYThe principle of a
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84 MODERN HARMONYMany passages in S
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86 MODERN HARMONYdiatonic structure
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88 MODERN HARMONYEx.183.Ex.t84.The
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CHAPTER VIIINEW METHODS OP CHORD-ST
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92 MODERN HARMONYWhichever view of
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94 MODERN HARMONYEx.194.Largamente.
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96 MODERN HARMONYEx.198,(a) (b) (c)
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98 MODERN HARMONY(c)Mixed Structure
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100 MODERN HARMONYOther chords are
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102 MODERN HARMONYEx.220. MACKENZIE
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104MODERN HARMONYEx.j827.STRAUSS,"
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106 MODERN HARMONYto the tonic harm
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108 MODERN HARMONY^^•^'- Presto s
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110MODERN HARMONYEx.240.Allegro mod
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112Ex.245.MODERN HARMONYrail, molto
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CHAPTER XIMPKESSIONISTIC METHODSBef
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116 MODERN HARMONYBantock has shown
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118EX.2B7.MODERN HARMONY4llegroMntr
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120 MODERN HARMONYmuch better when
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122 MODERN HARMONYEx.268. . . , /J.
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124MODERN HARMONYEx.274.^Molto adag
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126 MODERN HARMONYis also real, the
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128 MODERN HARMONYThe example by St
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130 MODERN HARMONYThe foregoing rem
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132 MODERN HARMONYEx. 291.(Orch.)ii
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134 MODERN HARMONYmEx.295.(Chor.)(A
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136 MODERN HARMONYEx. 299.Andante m
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lasMODERN HARMONYVns.Vas,Fls. Obs,C
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I140 MODERN HARMONYLet us pass on t
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142 MODERN HARMONYExample 313 forms
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144 MODERN HARMONYonly of the devic
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146 MODERN HARMONYEx. 322.Allegro.B
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148 MODERN HARMONYEx. 327.Allegro v
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150 MODERN HARMONYEx. 338a.
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^(Scheme.)etc.152 MODERN HARMONYg^
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CHAPTER XIIliATBB HARMONIC TENDENCI
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156 MODERN HARMONYreach a point whe
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158 MODERN HARMONYWe now turn to a
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160 MODERN HARMONYIn Example 351 we
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162MODERN HARMONYEx. 355.• J: 68.
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164 MODERN HARMONYseem prone to int
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166 MODERN HARMONYAsiatics vocalize
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168 MODERN HARMONYThere is a sort o
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CHAPTER XIVMODERN RHYTHMThe term "r
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Ithe172 MODERN HARMONYNowadays, not
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Page 200 and 201: 180 MODERN HARMONYand, indeed, all
Page 202 and 203: 182 MODERN HARMONYcramping of the p
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Page 218 and 219: 198 MODERN HARMONYbut the most disa
Page 220 and 221: APPENDIX IEXERCISESAnything of the
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Page 224 and 225: 204 MODERN HARMONY19. Harmonise for
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Page 228 and 229: 208 MODERN HARMONY33. Write a short
Page 230 and 231: 210 MODERN HARMONYIVMUSICAL FORM42.
Page 232 and 233: APPENDIX IIGLOSSARY OF TECHNICAL TE
Page 234 and 235: MODERN HARMONYConsecutive seconds,
Page 236 and 237: 216 MODERN HARMONYLaissez vibrer, l
Page 238 and 239: 218 MODERN HARMONYRegulated pulsati
Page 240 and 241: INDEX TO MUSICAL ILLUSTRATIONS{The
Page 242 and 243: 22aBlgab (continued)Farjeon, H.Plot
Page 246 and 247: MODERN HARMONYMISCELLANEOUS.Chords,
Page 248 and 249: 228 MODERN HARMONYBeethoven, Pastor
Page 250 and 251: 230 MODERN HARMONYFive senses of mu
Page 252 and 253: 232 MODERN HARMONYObscuring the Ton
Page 254 and 255: 234 MODERN HARMONYStrauss, modernit
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