CORNELL

GREATER FREEDOM ON THE OLD LINES 13Ex.21.J. S. BACH, Choral Prelude"Wenn wir in hochsten Noten sein."Side by side with the freer treatment of the notes of thediatonic scale comes a freer and often transferred resolutionof discords. In Example 22 the B in the treble resolves onthe A in the tenor. In the Beethoven Sonata, the seventh inthe bass skips to tonic ; in the Parry example, the bass noteof the augmented sixth flies similarly to the Tonic, whilst inthe beautiful Bridge anthem, the seventh in the bass doeslikewise. But this latter may be a case of Elision, a subjecttreated fully in Chapter IX.Ex.22.Andantino.COLERIDGE-TAYLOR,"a Tale of old Japan'.'Why she wept said Fen . koEX.2&Allegro con brio.BEETHOVEN,''Waldsteln" Soaata,Op.53.(Scheme)