Grand Marais Art Colony
2012 Course Catalog - Grand Marais Art Colony
2012 Course Catalog - Grand Marais Art Colony
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2012 Course Catalog<br />
<strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong><br />
Erik Waterkotte<br />
Anthony Huonder<br />
Linda Gammell<br />
Dan Neff<br />
Kit Eastman<br />
Liz Sivertson<br />
Nurturing Creativity on Minnesota’s North Shore since 1947<br />
P a i n t i n g S F c u l p t u r e i b e r Printmaking<br />
D r a w i n g<br />
W r i t i n g<br />
C e r a m i c s G l a s s P h o t o g r a p h y<br />
M i x e d - M e d i a C o l l a g e
Joan Farnam<br />
Laurie Toth<br />
Nancy Seaton<br />
Matt Kania<br />
Bonnie Cutts<br />
David Seaton<br />
JD Jorgenson<br />
Jeanne Larson
The Mission of the<br />
<strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong><br />
is to Nurture Creativity<br />
on the North Shore<br />
Board of Directors<br />
Chair<br />
Sandi Pillsbury Gredzens<br />
Vice Chair<br />
Mike Carlson<br />
Treasurer<br />
Jan Morris<br />
Secretary<br />
Clare Shaw<br />
Members at Large<br />
David Hahn<br />
Jeri Person<br />
Sharon Frykman<br />
Staff<br />
Amy Demmer<br />
Executive Director<br />
Kjersti Vick<br />
Events & Communications Coordinator<br />
Jan Toftey<br />
Volunteer Office Assistant<br />
Joan Farnam<br />
Clay Studio Facilitator<br />
Sharon Frykman<br />
Glass Studio Facilitator<br />
Jerry Riach<br />
Print Studio Facilitator<br />
Table of Contents<br />
About.....................2<br />
Facilities . . . . . . . . . . . . . . . . . . . 3<br />
Class Overview . . . . . . . . . . . 4-5<br />
Class Description . . . . . . . 6-17<br />
Youth Classes . . . . . . . . . . . . . . 17<br />
Instructors . . . . . . . . . . . . . 18-21<br />
Registration . . . . . . . . . . . . . . . 22<br />
Membership . . . . . . . . . . . . . 23<br />
Business Members . . . . . . . . . . 24<br />
Events . . . . . . . . . . . . . . . . 25<br />
Welcome to the <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong><br />
The horizon of a new year is mirrored in the expanse of Lake Superior. With every<br />
lapping wave, lingering sunset or star-studded evening sky, each moment gives us a<br />
renewed opportunity to be inspired, connected and engaged.<br />
At the <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong>, the beauty of nature surrounds and nurtures us.<br />
It is within this atmosphere that we can disconnect from the distractions of daily life<br />
and reconnect with our innate creative spirits. We can be more fully present and<br />
focused to pursue our artistic endeavors.<br />
Whether you seek artistic instruction, a rejuvenating retreat into a professional art<br />
studio, active participation in an art-centered festival event or a deeper appreciation<br />
of art; this year at the <strong>Art</strong> <strong>Colony</strong> there are many opportunities to immerse yourself<br />
in a creative experience surrounded by an engaged and supportive community.<br />
We are really excited about our new <strong>Art</strong>ist-in-Residence program, which will feature<br />
artist Hazel Belvo this first year. Not only will Ms. Belvo produce a major body of<br />
large-scale work during her time at the <strong>Art</strong> <strong>Colony</strong>, she will also host three lectures<br />
and daily open studios for the public to learn, observe and experience the artistic<br />
process. Another new event is the Northern Fibers Retreat, a cozy festival in the<br />
heart of winter that celebrates the art and craft of fiber in a community of fellow<br />
fiber enthusiasts. These new events join our program roster that includes over 100<br />
classes, six other events and studio access in our four professional art studios.<br />
Let this new year be an endless horizon of creative exploration. Enter our<br />
community where strangers become friends and the artistic process is nurtured with<br />
support and authenticity. See you soon!<br />
Sincerely,<br />
Amy Demmer<br />
Executive Director<br />
Learning. Inspiration. Creation. Celebration.
A b o u t T h e G r a n d M a r a i s A r t C o l o n y<br />
Resting on the edge of the wilderness and Lake Superior is the <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong>, Minnesota’s longest-lived artist colony. For<br />
over 65 years, the <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong> has cultivated a relationship between outdoor inspiration and artistic pursuit. Founded as<br />
the Outdoor School of Painting, a project of the Minneapolis School of <strong>Art</strong> (MCAD), the <strong>Art</strong> <strong>Colony</strong> has grown to offer a sanctuary<br />
for the creative spirit allowing both emerging and professional artists to seek guidance, instruction and space to grow.<br />
A b o u t C o o k C o u n t y & G r a n d M a r a i s<br />
Cook County is made up of a series of small towns, each with a unique personality, linked together by the ancient Sawtooth<br />
Mountains, the pristine Boundary Waters Wilderness and the rugged shores of Lake Superior. For generations, visitors have flocked<br />
to this area to savor its grandeur and explore the surrounding boreal forest. At the center of Cook County is <strong>Grand</strong> <strong>Marais</strong>, a quaint<br />
harbor arts village where you will find eclectic galleries and shops, restaurants and a wide array of accommodations to suit your needs.<br />
Fall in love with small-town hospitality, be inspired by the landscape and develop a life-long relationship with the north shore.<br />
There are many places to explore in Cook County. Visit www.grandmaraisartcolony.org for more info on where to stay, eat and play.<br />
Office Hours<br />
Monday-Saturday (9am-4pm)<br />
Location<br />
120 W. 3rd Ave. : PO Box 626<br />
<strong>Grand</strong> <strong>Marais</strong>, MN 55604<br />
Located two blocks North of Downtown<br />
<strong>Grand</strong> <strong>Marais</strong> & the Harbor<br />
Contact<br />
(218) 387-2737 : arts@boreal.org<br />
www.grandmaraisartcolony.org<br />
Directions<br />
From Minneapolis/St. Paul: I-35N toward Duluth.<br />
Merge on to Highway 61 (follow signs to North Shore)<br />
continue for 107 miles to <strong>Grand</strong> <strong>Marais</strong>. In <strong>Grand</strong><br />
<strong>Marais</strong>, continue on Highway 61-the harbor will be on<br />
your right-when the lighthouse becomes perpendicular<br />
to you and the Java Moose Coffee Shop directly in front,<br />
turn left on to 3rd Ave. West (away from the harbor) and<br />
continue up the hill two blocks.<br />
Approximate travel time: 5 hours<br />
Visitor Information<br />
For comprehensive information on the area please<br />
contact the main tourism website www.donorth.com.<br />
2<br />
www.grandmaraisartcolony.org
Facilities & Studio Rental<br />
Historic Building: Built in 1916 as a<br />
mission Catholic Church, this building houses the<br />
Administration Office, Founders Hall and <strong>Art</strong> Library.<br />
Purchased in the 1960s as the permanent location<br />
for the <strong>Art</strong> <strong>Colony</strong>, this stately white building with<br />
forest green trim is located just two blocks up from<br />
downtown <strong>Grand</strong> <strong>Marais</strong> and the harbor.<br />
Founders Hall: This studio has been an inspiring sanctuary for<br />
generations of artists. Mainly used for our visual arts classes, over<br />
the years the Founders Hall has hosted a variety of events such as<br />
exhibits, dances, weddings, concerts and retreats. Superb north<br />
lighting, high ceilings, suspended hardwood floors and ample wall<br />
space make this studio an enchanting space.<br />
<strong>Art</strong> Library: A cozy loft which includes a growing reference library<br />
plus a photography work station to document your artwork.<br />
Retreat to the North Shore of Lake Superior<br />
to rejuvenate the soul & focus on your art.<br />
Access<br />
Studio<br />
Studio Access is available to <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong> Members<br />
Glass, Print & Clay Studio Rental: Daily $15 - Weekly $40 - Monthly $75<br />
Historic Founders Hall: $12.50 per hour - Full Day $125<br />
Y e a r - r o u n d p r o f e s s i o n a l w o r k i n g s t u d i o s<br />
Studio Building: The Studio Building opened in 2005, providing the <strong>Art</strong> <strong>Colony</strong> with much needed space to provide services to<br />
artists and expand our art education programs. Located adjacent to the Historic Building, it is connected by a deck that features one of the<br />
best views of Lake Superior and <strong>Art</strong>ist’s Point. This building includes a clay studio, glass studio, eco-friendly print studio, multi-purpose<br />
room and the CC Graham private visual arts studios.<br />
Multi-Purpose Gallery: A<br />
versatile room, this space is used for a<br />
variety of classes as well as a small gallery.<br />
Accepting proposals for artists seeking<br />
mini-gallery shows. Contact events@<br />
grandmaraisartcolony.org for more<br />
information.<br />
Clay Studio: Ground level studio.<br />
• Wheels: 6 electric Brent C, 1 Lockerbie kick<br />
• Kilns: 3 Skut electric, 1 wood-fire raku<br />
• North Star Slab Roller<br />
• Extruder<br />
• Peter Pugger pugmill<br />
• Glazing station<br />
• An assortment of tools<br />
Print Studio: One of the only eco-friendly print studios in the Midwest, this<br />
studio has incredible natural light & views of the harbor.<br />
• Takach 40”x72” etching press • UV light box<br />
• Vandercook Number 4 proof press • Paper drying rack, cutter & soaking trays<br />
• copper etching facility<br />
• An assortment of brayers & tools<br />
Glass Studio: This studio is set up for warm and cold glass as well as mosaics.<br />
• Kilns: one 24” X 42” Genesis kiln, one 23” X 23” Olympic, four 7” X 7” Caldera<br />
• Durable cement counters<br />
• Two grinders<br />
(218) 387-2737 arts@boreal.org<br />
• One Taurus 3 ring saw<br />
• well-ventilated space with great natural light<br />
3
<strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong> Classes 2012<br />
Visual <strong>Art</strong>s<br />
Life Drawing<br />
Jan. 25 – April 4<br />
Does Paint Freeze? Basic Winter<br />
Landscape Painting<br />
Neil Sherman : Jan. 31 – Feb. 1<br />
Landscapes in Oil<br />
Neil Sherman : Feb. 14 – March 13<br />
Still Life in Pastel<br />
Lisa Stauffer : March 10 – 11 & 12<br />
Still Life in Oil<br />
Neil Sherman : April 3 – 24<br />
Life Drawing<br />
April 25 – June 13<br />
The Shape of Shadows<br />
Sue Robinson : April 30 – May 9<br />
Oil Landscapes<br />
Neil Sherman : May 4 – 6<br />
Creative Genius:<br />
Mixed Watermedia & Collage<br />
Jeanne Larson : May 26 – 27<br />
Soft Pastel Painting<br />
Laurie Toth : June 1 – 3<br />
Quick Paint: The 45-Minute<br />
Outdoor Sketch<br />
Todd Voss : June 9 – 10<br />
Acrylics 101<br />
Liz Sivertson : June 16 – 17<br />
Geometry of <strong>Art</strong> & Design<br />
Tom Westbrook : June 16 -17<br />
A Still Life a Day<br />
Sally Nystrom : June 18 – 22<br />
Wildlife Study in Oil<br />
Stephen Krasemann : June 23 – 24<br />
Intro to Alkyd Painting<br />
Sandi Pillsbury Gredzens : June 25 – 27<br />
Abstract Drawing & Painting<br />
Jon Neuse : June 30 – July 1<br />
Encaustic Painting & Collage<br />
Jeff Hirst : July 6 – 8<br />
Capturing the Light with Watercolor<br />
Jeanne Larson : July 6 – 8<br />
Pastel Plein Air Painting<br />
Lisa Stauffer : July 9 – 13<br />
Camera Elements<br />
Linda Gammell : July 13 – 15<br />
Intro to Oils<br />
Todd Voss : July 14 – 15<br />
Acrylics, Inkjets & Collage<br />
Bonnie Cutts : July 18 – 20<br />
Drawing Basics<br />
Jayne Richards : July 19 – 20<br />
Gels & Grounds Galore<br />
Bonnie Cutts : July 21 – 22<br />
Mentored I<br />
Hazel Belvo : July 23 – 27<br />
Intro to Outdoor Oil Painting<br />
Neil Sherman : July 28 – 29<br />
Mentored II<br />
Hazel Belvo : July 30 – Aug. 3<br />
Guided Studio Time<br />
Todd Voss : Aug. 10 – 12<br />
Sumi-e: Painting from the Heart<br />
Susan Frame : Aug. 20 – 24<br />
Create Soft Pastel Sticks<br />
Laurie Toth : Aug. 25 - 26<br />
Personal <strong>Art</strong> Critique & Discussion<br />
Mary Pettis : Aug. 27<br />
Creative Breakthrough: Bring the <strong>Art</strong><br />
Spirit into Your Work<br />
Mary Pettis : Aug. 28 – 31<br />
Studio Immersion<br />
Hazel Belvo : Sept. 4 – 12<br />
Photograph the Fall Landscape<br />
Linda Gammell : Sept. 22 – 23<br />
Advanced Encaustic<br />
Jeff Hirst : Sept. 28 – 30<br />
Fall Colors in Oil<br />
Neil Sherman : Sept. 29 – 30 & Oct. 1<br />
Aged to Perfection: Elders & <strong>Art</strong>-Making<br />
Peggy Thompson : Oct. 4 – 5<br />
The Beauty of Pencil & Brush<br />
David Hahn : Oct. 6 – 7<br />
Open Visual <strong>Art</strong>s Studio<br />
Oct. 16 – Dec. 18<br />
Life Drawing<br />
Oct. 10 – Dec. 12<br />
Autumn in Pastel<br />
Lisa Stauffer : Oct. 13 – 14 & 15<br />
Fiber <strong>Art</strong>s<br />
Transforming Fiber into <strong>Art</strong><br />
Carolyn Halliday : Feb. 15 – 16<br />
Sculpting with Wasp Paper<br />
Kathleen Baleja : Feb. 17<br />
Origami I<br />
Kathleen Sheridan : Feb. 18<br />
Northwoods in Stitches<br />
Julie Crabtree : Feb. 18 – 19<br />
Silk Painting Scarves<br />
Karen Rognsvoog : Feb. 18 – 19<br />
Origami II<br />
Kathleen Sheridan : Feb. 19<br />
Felting as <strong>Art</strong>istic Expression<br />
Linda Bauer : June 4 – 25<br />
Bead-scapes: Land, Sea or Sky<br />
Jo Wood : July 20 – 22<br />
Japanese Shibori: Wearable <strong>Art</strong><br />
Karen Rognsvoog : Sept. 1 – 2<br />
Felted Ornaments<br />
Linda Bauer : Nov. 10<br />
Mosaic & Sculpture<br />
Mosaic <strong>Art</strong><br />
Tod Sylvester : April 3 – 24<br />
Animal Sculpture<br />
Judd Nelson : July 28 – 29<br />
North Shore Pebble Mosaic<br />
Laura Stone : Aug. 18 – 19<br />
Figurative Sculpture<br />
Judd Nelson : Aug. 25 – 26<br />
Mosaic <strong>Art</strong><br />
Tod Sylvester : Oct. 11 – Nov. 1<br />
Glass<br />
I Heart Glass<br />
Nancy Seaton : Feb. 11<br />
Kiln-carving Fused Glass<br />
Sharon Frykman : Feb. 18 – 19<br />
Intro to Glass Fusing<br />
Sharon Frykman : March 29 – April 19<br />
Open Glass Studio<br />
Sharon Frykman : April 26 – May 3<br />
Torch-working Glass<br />
Dan Neff : May 26 – 27<br />
4 www.grandmaraisartcolony.org
Fused Glass Jewelry<br />
Peachie Schmid : June 16 – 17<br />
Glass Beads<br />
Gretchen Lisdahl : June 23 – 24<br />
Fused Glass Tiles<br />
Sharon Frykman : July 13 – 15<br />
Slumping & Sagging Glass<br />
Sharon Frykman : Aug. 10 – 12<br />
Stained Glass Panel<br />
Peachie Schmid : Sept. 8 – 9<br />
Glass Holiday Ornaments<br />
Sharon Frykman & Nancy Seaton : Nov. 17<br />
Ceramics<br />
Beginning Clay<br />
Joan Farnam : Feb. 9 – March 29<br />
Wheel You Be Mine?<br />
Joan Farnam : Feb. 14<br />
Pots for Painting<br />
Joan Farnam : March 5 – April 9<br />
Intermediate Clay<br />
Ann Ward : April 17 – May 22<br />
Clay Garden <strong>Art</strong><br />
Joan Farnam : May 3 – 24<br />
Play with Clay<br />
Joan Farnam : May 31 – June 28<br />
Wood-Fire Raku<br />
Dorian Beaulieu : July 20 – 22<br />
Japanese Clay Techniques<br />
JD Jorgenson : July 28 – 29<br />
Adventures in Wheel-throwing<br />
Dorian Beaulieu : Aug. 6 – 10<br />
Majolica Tile: Explore the World of Color<br />
Karin Kraemer : Aug. 18 – 19<br />
Ceramic Teapots<br />
JD Jorgenson : Aug. 25 – 26<br />
Make-a-Bowl for Empty Bowls<br />
Sept. 30 – Oct. 22<br />
Paint-a-Bowl for Empty Bowls<br />
Oct. 27<br />
Beyond Centering: Intermediate Pottery<br />
Melissa Wickwire : Oct. 29 – Dec. 17<br />
Pots for Presents<br />
Joan Farnam : Oct. 30 – Dec. 18<br />
Printmaking<br />
Community Ink Day:<br />
Print Your Valentines<br />
Feb. 4<br />
Printmaking Sampler<br />
Kelly Dupre & Jerry Riach :<br />
Feb. 20 – March 19<br />
Open Print Studio<br />
Kelly Dupre & Jerry Riach :<br />
March 29 – June 28<br />
Lithographic Prints Made Easy<br />
Matt Kania : June 22 – 24<br />
Pop-up Field Guide to Wildflowers<br />
Shawn Sheehy : June 29 – July 1<br />
Monotype Prints<br />
Jon Neuse : July 2 – 3<br />
The Great American Poster<br />
Jim Horton : July 6 – 8, 2012<br />
Block Printing: Start to Finish<br />
Kelly Dupre : July 21 – 22 & 23<br />
Intro to Intaglio Printing<br />
Jerry Riach : July 28 – 29<br />
Collagraph Printmaking<br />
Erik Waterkotte : Aug. 11 – 12<br />
Mentorship in Printmaking<br />
James Burke : Aug. 13 – 17<br />
Katazome: Japanese Stencil Dye<br />
Kit Eastman : Aug. 18 – 19<br />
Wood Engraving<br />
Joanne Price : Aug. 18 – 19<br />
Totems, Temples & Talismans: Transfer<br />
Dye Collage<br />
Kimber Olson : Sept. 29 – 30<br />
Holiday Cards<br />
Kelly Dupre : Nov. 10 – 11<br />
Life Drawing<br />
Life Drawing provides<br />
a venue to practice the<br />
fundamentals of art. It<br />
increases drawing skills,<br />
enhances design and<br />
strengthens hand-eye<br />
coordination. These sessions are open to artists of<br />
all mediums, 18 and older unless accompanied by/<br />
permission from a parent or guardian. The first<br />
part is suited to quick gesture drawings and the<br />
(218) 387-2737 arts@boreal.org<br />
<strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong> Classes 2012<br />
Skill Building & Writing<br />
Festival Booth 101<br />
Michael Tonder : Feb. 25<br />
Digital Portfolio Pictures<br />
Tom Christiansen : March 1<br />
<strong>Art</strong>ist-to-Entrepreneur<br />
Joyce Yamamoto : May 1 – June 5<br />
Writing Our Stories<br />
Mary Ellen Ashcroft : May 17 – June 14<br />
Color Theory<br />
Jon Neuse : June 28 – 29<br />
Fundamentals of Design<br />
Jayne Richards : July 18<br />
The <strong>Art</strong> of Personal Writing<br />
Peter Blau : Aug. 18 – 19<br />
Rules of Perspective<br />
Tom Westbrook : Aug. 25 – 26<br />
Mat Your <strong>Art</strong><br />
Neil Sherman : Oct. 11<br />
Youth (page 17)<br />
Pencil Drawing for Kids<br />
David Hahn : Feb. 28 – March 20<br />
Young Adult Clay<br />
Melissa Wickwire : March 2 – 23<br />
Youth Masterpieces<br />
Sandi Pillsbury Gredzens : June 11 – 13<br />
Youth Summer <strong>Art</strong><br />
Rotating Local <strong>Art</strong>ists : July 27 – Aug. 17<br />
Youth Studio <strong>Art</strong><br />
Jo Ann Krause & Kelly Dupre : Aug. 13 – 15<br />
Young Adult Drawing<br />
David Hahn : Sept. 25 – Oct. 16<br />
Youth Clay<br />
Melissa Wickwire : Sept. 28 – Oct. 19<br />
second is focused on longer, extended poses. No<br />
instruction included.<br />
Wednesday evenings from 6:30-9pm<br />
Session I: Jan. 25 – April 4 : 10 Wednesdays<br />
Pre-register: $100 / Drop-in Fee per session: $12<br />
Session II: April 25 – June 13 : 8 Wednesdays<br />
Pre-register: $80 / Drop-in Fee per session: $12<br />
Session III: Oct. 10– Dec. 12 : 10 Wednesdays<br />
Pre-register: $100 / Drop-in Fee per session: $12<br />
5
January - February<br />
Does Paint Freeze?<br />
Basic Winter Landscape Painting<br />
Neil Sherman<br />
January 31–February 1: 2 days<br />
Tuition: $150<br />
Painting outdoors is a time-honored tradition<br />
for capturing the subtle beauty of nature. Winter<br />
offers the painter a different type of beauty from<br />
bright whites and cool blues to raking shadows. This class, for the beginner<br />
to experienced painter, will focus on how to create an outdoor painting by<br />
simplifying the landscape to its basic elements: atmospheric progression of<br />
sunlight and shadow. Students will be introduced to the aspects of winter plein air<br />
painting through the use of color, value, shape, composition and drawing.<br />
This class is part of the Winter Plein Air Festival held at YMCA Camp Menogyn.<br />
Lodging and food is not covered in the tuition but can be arranged with the <strong>Art</strong><br />
<strong>Colony</strong> ($35/night including meals).<br />
Community Ink Day<br />
Print Your Valentines<br />
February 4: 1– 4pm<br />
Drop-in fee: $5<br />
Join us for this all-ages event to make and take<br />
home handmade printed valentines. It’s an<br />
afternoon of hands-on creative fun. Experience the <strong>Art</strong> <strong>Colony</strong>’s eco-friendly,<br />
professional Print Studio with coaching and assistance from experienced<br />
printmakers. All supplies are provided for you to make your own unique<br />
monoprints and relief stamps.<br />
Beginning Clay<br />
Joan Farnam<br />
February 9–March 29: 8 Thursdays: 6–8pm<br />
Tuition: $150 / Supply Fee: $30<br />
Students with some previous clay experience and<br />
beginners alike will enjoy this class, which explores all<br />
things stoneware. Learn how to make bowls, mugs, jars<br />
and more in this eight-week class focused on wheelthrowing.<br />
Explore various glazing techniques and elements of functional pottery.<br />
This class includes 24-hour access to the clay studio during the session.<br />
I Heart Glass<br />
Nancy Seaton<br />
February 11: 1 day<br />
Tuition: $75 / Supply Fee: $35<br />
Warm your heart with the vibrant colors of glass as<br />
your creativity leaps in honor of Valentine’s Day.<br />
Spend a cozy winter day experimenting with glass<br />
and color. You’ll learn basic glass cutting and glass<br />
behavior as we explore kiln-carving and full-fuse<br />
techniques to create beautiful items for you, your home or special valentine.<br />
Optional kiln opening on Sunday, February 12 at 9:00am or your items can be<br />
mailed.<br />
Wheel You Be Mine?<br />
Joan Farnam<br />
February 14: 5:30–7pm<br />
Tuition: $12<br />
Spend Valentine’s Day enjoying wine and chocolates<br />
while making heart-shaped bowls. Participants will<br />
create both a wheel-thrown and hand-built ceramic<br />
bowl covered in colorful glazes. No experience<br />
necessary, a great activity for couples and singles alike<br />
who want to celebrate this holiday in an artful way.<br />
Northern Fibers Retreat : February 15-19<br />
Co-hosted with the North House Folk School and the Northwoods Fiber Guild<br />
Sculpting with Wasp Paper<br />
Kathleen Baleja<br />
February 17: 1 day<br />
Tuition: $190 / Supply Fee: $7<br />
Kiln-carved Fused Glass<br />
Sharon Frykman<br />
February 18-19: 1.5 days<br />
Day 1: 9am-4pm, Day 2: 9am-noon<br />
Tuition: $115 / Supply Fee: $40<br />
This is a fun introduction to glass fusing. Simply cut fiber paper shapes with<br />
scissors & x-acto blades and stack them in the kiln. Then melt your glass<br />
over these images to achieve beautiful, intricate designs with very little glass<br />
cutting required. This is a great class for beginners and advanced students.<br />
Origami I<br />
Kathleen Sheridan<br />
February 18: 1 day<br />
Tuition: $95<br />
Supply Fee: $44<br />
Learn the Japanese<br />
art of paper folding.<br />
The tradition started in the 17 th<br />
century and has become a modern<br />
art form. In this class, you will learn<br />
to transform paper into a finished<br />
piece of art – decoration, geometrical<br />
shape, useful item, animal – the list is<br />
unending!<br />
Landscapes in Oil<br />
Neil Sherman<br />
February 14–March 13:<br />
5 Tuesdays: 6–8:30pm<br />
Tuition: $115<br />
Transforming Fiber into <strong>Art</strong><br />
Carolyn Halliday<br />
February 15–16: 2 days<br />
Tuition: $190 / Supply Fee: $12<br />
Have you achieved a certain level of technical success<br />
in your textile work but are itching to communicate<br />
more, or further challenge your viewer? In this class,<br />
we will leap from tradition into contemporary art as<br />
students develop the ability to analyze their fiber<br />
work beyond the confines of technique. We will<br />
examine contemporary fiber artists, and students will complete an artist<br />
statement as a baseline for developing work. This class is individually driven,<br />
with studio time, private tutorials and mentoring.<br />
Experience the joy of creating art with organic<br />
materials. In this class, students will create a small<br />
sculpture using wasp nest paper and papier maché<br />
techniques. Small pottery bowls, saki glasses, or<br />
tennis balls will be used as a base form for the sculpture, which students<br />
will then embed with materials such as fiber, feathers, twigs, etc. Once the<br />
work is dry, further embellishments will be added, including thread, beads or<br />
organic materials.<br />
Origami II<br />
Kathleen Sheridan<br />
February 19: 1 day<br />
Tuition: $95<br />
Supply Fee: $44<br />
Build on previous<br />
knowledge of origami.<br />
Students create complex models and<br />
learn more about the art of paper<br />
folding. Students must have previous<br />
experience with origami or have<br />
taken Origami I.<br />
Painting in the studio is an important<br />
extension to outdoor painting. This oil<br />
painting class will focus on how to start a studio painting by simplifying the<br />
landscape to its basic elements: atmospheric progression of sunlight and shadow.<br />
Emphasis will be placed on translating the elements of painting such as drawing,<br />
color, value, shape and composition from a small reference source to a large-scale<br />
format. Students are welcome to work from photographic references.<br />
6 www.grandmaraisartcolony.org
Celebrate the <strong>Art</strong> and Craft of Fiber in the heart of cozy winter. This<br />
5-day retreat features a variety of classes, Lunch & Learn lectures and a<br />
community dance, all while celebrating with other fiber enthusiasts.<br />
Silk Painting Scarves<br />
Karen Rognsvoog<br />
Feb. 18-19: 2 days<br />
Tuition: $150 / Supply Fee: $39<br />
Painting on silk is a centuries-old art form<br />
originating in Asia. Students will use natural plant<br />
dyes to color the background of the silk scarves for their painting projects.<br />
Students will then use a Japanese Sumi-e brush to apply colors and designs.<br />
Other techniques include direct painting on silk with fabric paints, how to<br />
use a resist to prevent the paint from spreading, color mixing, composition<br />
and using silk salt for special effects. Students will bring home three unique<br />
silk scarves.<br />
Northwoods in Stitches<br />
Julie Crabtree<br />
February 18-19: 2 days<br />
Tuition: $190 / Supply Fee: $28<br />
Create a piece of textured stitchery inspired by<br />
the northwoods to decorate the front of a journal<br />
or sketchbook. Students will use dissolvable<br />
stabilizer, snippets of fabrics, hand stitching and<br />
free motion machine stitching to create textured trees, foliage, birch trees,<br />
ferns, etc. Once completed, we will add beads and attach the piece to the<br />
front of a journal.<br />
Festival Booth 101<br />
Michael Tonder<br />
February 25: 1 day<br />
Tuition: $75<br />
Interested in participating in the <strong>Grand</strong> <strong>Marais</strong><br />
<strong>Art</strong>s Festival or another art fair? This class<br />
will teach you the ins and outs of presenting<br />
your work in an outdoor venue from a veteran<br />
festival artist. Students will set up a few different canopy options and discuss the<br />
strengths and weakness of each. To determine the best presentation styles, we will<br />
set up an art fair booth and consider variations to accommodate each participant’s<br />
work. Discussion will also include customer interaction and art fair vehicles.<br />
Digital Portfolio Pictures<br />
Tom Christiansen<br />
March 1: 5-8pm<br />
Tuition: $10<br />
February - March<br />
Learn simple methods for digitally photographing<br />
your artwork to create a professional portfolio. This<br />
class will help you use a simple digital camera, natural<br />
light/hardware store lamps and sheets to take quality<br />
pictures of your work. We will cover methods for sizing<br />
your images for the web. This class is for all emerging<br />
artists, especially those interested in applying for the<br />
<strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong>s Festival. The <strong>Art</strong> <strong>Colony</strong> has lights and photo booth available for<br />
independent use after this class.<br />
Friday Feb. 17 | Noon | $12/person<br />
Lunch & Learn with Karen Lohn<br />
Peace Fibres: Stitching a Soulful<br />
World with Karen Lohn<br />
Fibre artists, dabblers & workers<br />
recognize that fibres offer an<br />
amazing web of connection… to<br />
self, others, and the larger world.<br />
In fact, fibre work also offers the<br />
intersection of the good (spirituality),<br />
the true (science), and the beautiful<br />
(art). Psychologist and author Karen<br />
Lohn of <strong>Grand</strong> <strong>Marais</strong> will share<br />
stories, slides, and inspiration from<br />
her book of the same title.<br />
Friday, Feb. 17 @ 7pm<br />
Show & Share<br />
organized by the<br />
Northwoods Fiber Guild<br />
@ the <strong>Art</strong> <strong>Colony</strong><br />
Saturday, Feb. 18 @7pm<br />
Community Dance<br />
sponsored by the North<br />
Shore Music Association<br />
@ North House<br />
Saturday Feb. 18 | Noon | $12/person<br />
Lunch & Learn with Nancy Daley<br />
What Can You Make Paper Out Of?<br />
with Nancy Daley<br />
The question should really be: What<br />
can you NOT make paper out of,<br />
since paper can be made of almost<br />
any fiber. What you want to use the<br />
paper for will determine what you<br />
use to make it. Participants will be<br />
able to see, smell, and handle papers<br />
made out of many different fibers, and<br />
watch a simple demo you can do in<br />
your kitchen.<br />
For a list of Fiber<br />
Retreat classes at<br />
North House:<br />
northhouse.org<br />
Pots for Painting<br />
Joan Farnam<br />
March 5-April 9: 6 Mondays: 6-8pm<br />
Tuition: $115 / Supply Fee: $25<br />
Introduction to Glass Fusing<br />
Sharon Frykman<br />
March 29-April 19: 4 Thursdays: 6-8:30pm<br />
Tuition: $120 / Supply Fee: $75<br />
During this four-week class, students will complete<br />
a small project each evening, touching on a range of<br />
fusing possibilities. Students will learn the basics of<br />
cutting glass and firing a kiln while experimenting with<br />
glass frit and sheet glass to create both 2-D and 3-D glass pieces.<br />
Explore the colorful world of majolica glazes in<br />
this six-week class. Students will make a variety of<br />
earthenware pots, bowls and tiles and then paint them<br />
with the colors of the rainbow. Perfect for beginner and<br />
intermediate potters who want to make beautiful pots<br />
and love color and design. This class includes 24-hour<br />
access to the clay studio during the session.<br />
Printmaking Sampler<br />
Kelly Dupre & Jerry Riach<br />
February 20-March 19: 5 Mondays: 6-8:30pm<br />
Tuition: $120 / Supply Fee: $33<br />
Curious about making prints but not ready to commit<br />
to a certain type of printmaking? Just want to<br />
experiment? Our sampler class is for you. Here you get<br />
to test the features of both intaglio and relief printing in<br />
a fun, explorative setting. You’ll get a feel for two of the<br />
types of printmaking and be able to take home your own prints made with these<br />
techniques. It could be the beginning of something grand.<br />
(218) 387-2737 arts@boreal.org<br />
Still Life in Pastel<br />
Lisa Stauffer<br />
March 10-11 & 12 (optional): 2 or 3 days<br />
Tuition: $150 : $225 / Supply Fee: Varies<br />
This class focuses on still life painting in the<br />
versatile medium of soft pastel as we explore<br />
pastel brands, papers and techniques. Topics<br />
covered include painting fundamentals, choosing your subject, and design and<br />
compositional considerations. We will paint still life indoors and learn how<br />
these lessons apply to all subject matter. Class time will include demonstrations,<br />
personal assistance at your easel, group critiques, and fun. A variety of pastels and<br />
paper will be available for purchase from your instructor.<br />
7
March - April<br />
Open Print Studio<br />
Kelly Dupre & Jerry Riach<br />
March 29-June 28:<br />
Last Thursday of the Month: 6-8:30pm<br />
Pre-register: $8/session<br />
Drop-in: $12/session<br />
Supply Fee: Varies<br />
Do you have unfinished blocks or copper plates<br />
collecting dust? Or perhaps you have an idea you want<br />
to try but need a refresher on how to use the press.<br />
If you have some experience making relief or intaglio prints but need a little<br />
helping hand, this open studio is for you. Kelly Dupre (relief) and Jerry Riach<br />
(intaglio) will be in the studio ready to help you complete your project or move<br />
on to the next step.<br />
Still Life in Oil<br />
Neil Sherman<br />
April 3-24: 4 Tuesdays: 6-8:30pm<br />
Tuition: $95<br />
We all have objects in our lives that have meaning.<br />
This four-week class will provide the student with<br />
a step-by-step method to capture those objects on<br />
canvas with a focus on oil painting. Steps include arranging objects, drawing out<br />
the objects, painting in shadows and color and refinement of the painting.<br />
<strong>Art</strong>ist-in-Residence with Hazel Belvo<br />
<strong>Art</strong>ist-in-<br />
Residence<br />
April 9-22<br />
Join us in a spring adventure with Hazel Belvo as she undertakes a major body<br />
of large-scale work at the <strong>Art</strong> <strong>Colony</strong>. She will open the studio and her heart,<br />
intellect, and creative process to the community through public lectures and<br />
daily open houses.<br />
:::: “Dispelling the Mystery & Building Community” ::::<br />
Three community presentations on the creative process<br />
April 9: The Language: Visual Content & Meaning. An introduction of the<br />
formal visual language as a separate and strong language with a structure and<br />
vocabulary of its own and a demonstration of how that language is used in<br />
creating a composition. A discussion of the ideas around this body of work.<br />
What does it mean?<br />
April 16: The Process: Techniques. A discussion and demonstration of the<br />
beginning drawing, underpainting, mixing the palette, application of paint and<br />
the struggles and joys of working in a large scale. Why does she do it?<br />
April 20: The Critique: Community Response. Based on the language,<br />
techniques and the content that she has presented and on the opportunity to<br />
have seen the process unfold, Hazel will ask the audience to participate in a<br />
discussion of the outcome. How do you talk about art?<br />
Community Conversations: April 9 • April 16 • April 20 @ 7pm<br />
Daily Open House from 5-6:30pm<br />
Mosaic <strong>Art</strong><br />
Tod Sylvester<br />
April 3-24: 4 Tuesdays: 6-8pm<br />
Tuition: $75 / Supply Fee: $22<br />
Learn the basics of creating your own mosaic in this introductory four-week class.<br />
Create a picture, garden rock, deco-mirror, flowerpot or vase – you choose. We<br />
will discuss everything from your base, glues, grouts, design layout, using a tile<br />
saw, materials and more. Students will take home one finished mosaic and be<br />
ready for your own projects. Caution: Sharp Edges!<br />
Intermediate Clay<br />
Ann Ward<br />
April 17-May 22: 6 Tuesdays: 6-8pm<br />
Tuition: $115 / Supply Fee: $30<br />
This class focuses on improving wheel-throwing<br />
techniques, while also expanding your skill set by<br />
learning how to make glazes and use the kilns.<br />
Students will focus on individual projects while receiving instructor input along<br />
with facilitated group demonstrations and discussions. This class includes 24-hour<br />
access to the clay studio during the session.<br />
Open Glass Studio<br />
Sharon Frykman<br />
April 26-May 3: 2 Thursdays: 6-8:30pm<br />
Pre-register: $10/session<br />
Drop-in: $15/session<br />
Supply Fee: Varies<br />
Do you have design questions or an unfinished stained<br />
or fused glass project that needs a little help? Need a<br />
refresher on firing a kiln? These sessions are open to<br />
address those individual projects and further creative endeavors in both cold and<br />
warm glass. Bring your own supplies or purchase directly from the instructor.<br />
The Shape of Shadows<br />
Sue Robinson<br />
April 30-May 9: Mondays & Wednesdays: 6-8pm<br />
Tuition: $75 / Supply Fee: $28<br />
Develop your own style of personal expression in<br />
this drawing class for beginners or those who want to<br />
begin again. Instructional emphasis will be on shaping<br />
form with light and shadow and developing dynamic<br />
compositions utilizing the principles of composition.<br />
After completing a series of introductory drawing<br />
exercises that feature a variety of drawing media, students will develop and<br />
complete a complex drawing with a subject matter of their own choosing.<br />
<strong>Art</strong>ist-to-Entrepreneur<br />
Joyce Yamamoto<br />
May 1-June 5: 6 Tuesdays: 6-9pm<br />
Tuition: $150 / Supply Fee: $30<br />
Turn your artistic passion into profit by creating a viable, income-producing<br />
business. Using a step-by-step workbook, artists will cover: planning for<br />
success, marketing, cash flow and business operation. Learn how other artists<br />
have successfully started and operated their art businesses, network and apply<br />
fundamental business tools and practices. With this class, you will have the skills<br />
to write your own business plan. Class schedule includes four weeks of instruction,<br />
one-on-one meetings with the instructor and independent study/writing time.<br />
Tuition grants available one month or more in advance of start date.<br />
8 www.grandmaraisartcolony.org
Clay Garden <strong>Art</strong><br />
Joan Farnam<br />
May 3-24: 4 Thursdays: 6-8pm<br />
Tuition: $75 / Supply Fee: $25<br />
Make colorful ceramics for your home & garden<br />
in this four-week class. We’ll use the potter’s wheel<br />
as well as hand-building to make pots, containers and garden art. Students will<br />
explore various glazing techniques. Beginners as well as experienced potters will<br />
have fun in this spring class, which includes 24-hour access to the clay studio<br />
during the session.<br />
Oil Landscapes<br />
Neil Sherman<br />
May 4-6: 3 days<br />
Tuition: $225<br />
Painting in the studio is an important<br />
extension to outdoor painting. This oil painting class will focus on how to start<br />
a studio painting by simplifying the landscape to its basic elements: atmospheric<br />
progression of sunlight and shadow. Emphasis will be placed on translating the<br />
elements of painting such as drawing, color, value, shape and composition from a<br />
small reference source to a large-scale format. Students are welcome to work from<br />
original reference material and/or photographic references.<br />
Writing our Stories<br />
Mary Ellen Ashcroft<br />
May 17-June 14: 5 Thursdays: 6-8:30pm<br />
Tuition: $120 / Supply Fee: $6<br />
As human beings we depend on stories to understand our lives— to come to terms<br />
with the past, to make meaning in the present and even to shape a future. As<br />
we look over our lives, what stories need to be told and retold? Using questions,<br />
prompts, and brief selections from great nonfiction writers, we will write toward<br />
understanding. Since most of us draw inspiration from deadlines and an audience,<br />
we will share our writing within the class.<br />
Creative Genius: Mixed Watermedia<br />
& Collage<br />
Jeanne Larson<br />
May 26-27: 2 days<br />
Tuition: $190 / Supply Fee: Varies<br />
Working from found images, memories and literary<br />
references, students will learn to combine disparate<br />
elements into a cohesive work of art. Students will<br />
receive step-by-step instruction on technique and design,<br />
handouts and demonstrations to unravel the maze of adhesives, mediums, and<br />
surfaces for watermedia painting and collage. Experience a fun and experimental<br />
way of painting that will strengthen your understanding of working on a multilayered<br />
surface.<br />
Torch-working Glass<br />
Dan Neff<br />
May 26-27: 2 days<br />
Tuition: $150 / Supply Fee: $33<br />
Torch-working is a form of glassblowing utilizing a<br />
torch to melt the glass. This class will focus on this<br />
technique and borosilicate glass, which has a higher<br />
melting point than other art glass. Students will<br />
learn a brief history of torch-working, safety issues, tool and equipment use, as<br />
well as beginner techniques that will allow the student to leave the class with<br />
multiple small projects such as pendants, icicles and marbles. Highly detailed<br />
demonstrations and explanations will be given as well as individual attention to<br />
troubleshooting.<br />
Play with Clay<br />
Joan Farnam<br />
May 31-June 28: 5 Thursdays: 6-8pm<br />
Tuition: $100 / Supply Fee: $25<br />
Have you always wanted to learn to work with clay or<br />
throw on a pottery wheel? Here’s your chance in this<br />
five-week basic class with local potter Joan Farnam.<br />
Class will cover hand-building and wheel-throwing<br />
techniques while making cool stuff for your garden,<br />
home, friends and family. Students will be working with<br />
stoneware clay and beautiful Cone 6 glazes. This class<br />
includes 24-hour access to the clay studio during the session.<br />
Felting as <strong>Art</strong>istic Expression<br />
Linda Bauer<br />
June 4-25: 4 Mondays: 6-8:30pm<br />
Tuition: $95 / Supply Fee: $28<br />
Soft Pastel Painting<br />
Laurie Toth<br />
June 1-3: 3 days<br />
Tuition: $225 / Supply Fee: $20<br />
May - June<br />
If you have always wanted to try soft pastels, this threeday<br />
class is for you. Discover how a colorful support can<br />
add depth and vibrancy to your soft pastel paintings.<br />
Use of color values, texture, and how to build layers<br />
will be taught. Each student will work on projects<br />
of their own choice with individual attention, class<br />
demonstrations and discussion. Students of all levels<br />
will gain new techniques from this class.<br />
Take the craft of felting into the realm of artistic<br />
expression. Students will create two pieces: an<br />
exploratory flat piece to learn the basics of wet<br />
and dry felting and a 3-D vessel. Natural fiber rovings and basic graphic principles<br />
will be the foundation of your work, to which you will add pictorial design via<br />
thread, roving, beads, buttons and other embellishments. Students will walk away<br />
empowered to create their own designs using this flexible and versatile medium.<br />
Coming in June: Exhibit, Workshop, Gallery Talk & Documentary<br />
“Minnesota Potters: Sharing the Fire”<br />
Traveling exhibit coming to the <strong>Art</strong> <strong>Colony</strong> in June.<br />
“Sharing the Fire” will provide a view into the lives and work of four pairs<br />
of artists whose unique relationships celebrate some of the many ways that<br />
knowledge, experience and spirit are passed from person to person in this field.<br />
The Exhibition. Minnesota Potters: Sharing the Fire, includes works<br />
by Robert Briscoe, Jason Trebs, Linda Christianson, Jil Franke, Warren<br />
MacKenzie and Guillermo Cuellar.<br />
The Documentary. Produced by Kathleen Laughlin, it tracks the amazing<br />
sphere of these potters' stories with each other - exposing the challenge of<br />
becoming and subsisting as a practicing potter.<br />
The Workshop & Gallery Talk. Lead by Robert Briscoe and Jason Trebs<br />
will be held in conjunction with the exhibition.<br />
Anoka-Ramsey Community College is a fiscal year 2012 recipient of an <strong>Art</strong>s Tour Minnesota<br />
grant from the Minnesota State <strong>Art</strong>s Board. This activity is funded, in part, by the arts and<br />
cultural heritage fund as appropriated by the Minnesota State Legislature with money from the<br />
Legacy Amendment vote of the people of Minnesota on November 4, 2008<br />
(218) 387-2737 arts@boreal.org<br />
9
June<br />
Quick Paint: The 45-Minute<br />
Outdoor Sketch<br />
Todd Voss<br />
June 9-10: 2 days<br />
Tuition: $150<br />
Learn to quickly capture the fleeting effects of<br />
light, atmosphere and the essentials of any scene.<br />
Working outdoors we will paint numerous small paintings, with an emphasis<br />
on simplifying the process and spontaneity. A great way to loosen up your<br />
brushwork, create fresh and lively pictures, and have fun. Students can work in<br />
oil or acrylic.<br />
Geometry of <strong>Art</strong> & Design<br />
Tom Westbrook<br />
June 16-17: 2 days<br />
Tuition: $150 / Supply Fee: $14<br />
Using the tools of the ancient geometers, a compass and straight edge, we will<br />
learn to construct fundamental 2-D and 3-D geometric figures. Together, we will<br />
explore the root and golden rectangles, develop proportional systems, explore<br />
tessellations and tiling, and discover underlying geometry of art, design, music,<br />
and the universe.<br />
Fused Glass Jewelry<br />
Peachie Schmid<br />
June 16-17: 2 days<br />
Tuition: $150 / Supply Fee: $55<br />
Acrylics 101<br />
Liz Sivertson<br />
June 16-17: 2 days<br />
Tuition: $190 / Supply Fee: $30 (optional)<br />
This class is an introduction to painting in acrylics that<br />
presents basic painting techniques, design principles,<br />
and some rudimentary tricks of illusion to get new<br />
painters started. No experience is necessary for this fun,<br />
supportive art experience. Liz will do a short painting<br />
demonstration each day, and be available to students<br />
to assist as needed during the rest of the studio time.<br />
Students can bring their own supplies or have the<br />
instructor provide them through the Supply Fee.<br />
Using simple fused glass techniques and the Beetle Bit<br />
Cutting System, you can easily create beautiful glass<br />
jewelry. In this class, students will learn the basics of<br />
glass fusing while creating sparkly dichroic pendants,<br />
earrings and bracelets. Using the correct glass, running a<br />
kiln, temperatures and types of fusing will be discussed.<br />
Advanced techniques will also be demonstrated including creating a jewelry bar,<br />
using a glass saw and fire polishing reworked pieces.<br />
A Still Life a Day<br />
Sally Nystrom<br />
June 18-22: 5 days<br />
Tuition: $425 / Supply Fee: $28<br />
Explore still life painting through five different artists<br />
from five periods of history. Music, food and related<br />
still life items will foster a deeper understanding of the<br />
theme and enable students to work faster and let go<br />
of the finished product while embracing the process.<br />
Work in the media of your choice as you open yourself<br />
to the depth of still life: sociologically, psychologically<br />
and historically. “There is nothing still about a still life!” – Cezanne.<br />
Glass Beads<br />
Gretchen Lisdahl<br />
June 23-24: 2 days<br />
Tuition: $150 / Supply Fee: $55<br />
10 www.grandmaraisartcolony.org<br />
Learn to make unique glass beads in this<br />
beginning to intermediate lamp-working<br />
class. Using a Hot Head torch and Mapp Pro<br />
gas, students will wind molten glass onto steel mandrels. Class will begin with<br />
basic glass application, adding multiple colors and shaping techniques. Students<br />
will progress to making a tiger print bead and using dots to create floral beads.<br />
Students will also work with the delicate dichroic coating on glass to add extra<br />
sparkle, making beads that shine.<br />
Wildlife Study in Oil<br />
Stephen Krasemann<br />
June 23-24: 2 days<br />
Tuition: $150<br />
Painting wildlife presents specific challenges<br />
to ensure the animal is the focal point of the<br />
painting. This class will focus on a mammal or bird of the northern forest as we<br />
learn the aspects of painting wildlife. Students will study the characteristics that<br />
make this particular wildlife species look as it does. Emphasis will be placed on<br />
anatomy, coloration and distinct features such as faces and legs. Students will start<br />
with a one-color value study and then create a full-color painting.<br />
Introduction to Alkyd Painting<br />
Sandi Pillsbury Gredzens<br />
June 25-27: 3 days<br />
Tuition: $225 / Supply Fee: $22<br />
Lithographic Prints Made Easy<br />
Matt Kania<br />
June 22-24: 2.5 days<br />
Day 1: 6-9pm, Day 2 & 3: 9am-4pm<br />
Tuition: $190 / Supply Fee: $20<br />
Make prints like Picasso, Matisse, Frankenthaler<br />
or Diebenkorn. Polyester plates are inexpensive,<br />
easy to use, portable, and require no chemical processing. Create simple (onecolor)<br />
or complex (multi-color) lithographs with the versatility of polyester plates.<br />
Learn lithographic drawing techniques, electronic imaging, inking procedures,<br />
multi-color registration, and how to pull a lithograph on an etching press.<br />
An easy-to-learn and versatile printing process, it is suitable for both seasoned<br />
printmakers and beginners alike.<br />
Have you ever wanted to paint with oils, but didn’t<br />
want the expense? Or you found the drying time to be<br />
a barrier? If so, this class is for you. Alkyd paint has all<br />
the richness and creaminess of oils, but is less costly<br />
and dries more quickly. Together, we will explore these<br />
incredible paints, color mixing, composition and the<br />
language of the elements and principles of art.<br />
Color Theory<br />
Jon Neuse<br />
June 28-29: 2 days<br />
Tuition: $190 / Supply Fee: $10<br />
Knowledge of color theory can unlock the door to new potential. In this class,<br />
students will learn the history of color theory and examine the use of color by<br />
20th-century and contemporary artists before delving into the emotional and<br />
manipulative impact of colors. Students will develop color “recipes,” learn how to<br />
properly use a color wheel and see how different colors impact the “feeling” of an<br />
image. This class will be useful for artists of any media.
June-July<br />
Pop-up Field Guide to<br />
Wildflowers<br />
Shawn Sheehy<br />
June 29-July 1: 3 days<br />
Tuition: $300 / Supply Fee: $17<br />
Create a pop-up book featuring North<br />
American wildflowers. In this three-day<br />
class, you will learn the fundamental<br />
structures, techniques and materials of<br />
pop-up engineering while building 10-12 exquisite flower forms. You can bind<br />
the structures together to create a book or keep them separate for gifting to<br />
family and friends. Either way, you will have the knowledge and skills to begin<br />
creating your own cards at home. No experience necessary, patience is a must.<br />
Capturing the Light with Watercolor<br />
Jeanne Larson<br />
July 6-8: 3 days<br />
Tuition: $285<br />
Watercolor is unique in its ability to capture light in<br />
luminous flowing washes. This class focuses on color<br />
and creating the illusion of light. Students will learn<br />
techniques to paint everything from sunlit summer<br />
landscapes to moody fog-filled village scenes. Create<br />
gems of transparent color surrounded with the more<br />
opaque but equally important earth colors. Emphasis on understanding the color<br />
wheel, basic color theory and mixing colors effectively will give more depth and<br />
drama to your paintings. For advanced beginners to intermediate students.<br />
Monotype Prints<br />
Jon Neuse<br />
July 2-3: 2 days<br />
Tuition: $190 / Supply Fee: $25<br />
Abstract Drawing & Painting<br />
Jon Neuse<br />
June 30-July 1: 2 days<br />
Tuition: $190 / Supply Fee: $10<br />
Students will develop abstract paintings by taking<br />
their first drawings of the class and moving those<br />
images toward greater and greater abstractions in<br />
subsequent paintings. You will begin with India ink drawings then move into the<br />
media of your choice. Besides learning how to create an abstract image, we will<br />
also look at the career development of famous artists as they moved from realism<br />
to abstraction.<br />
Students will print images using the monotype technique,<br />
combining painting and printing processes. A monotype<br />
is a single, unique print taken from an inked design on a<br />
sheet of Plexiglas. Students will learn basic intaglio press<br />
management skills, how to use various inks in multiple<br />
layers, and additive and subtractive techniques to create<br />
powerful images.<br />
The Great American Poster<br />
Jim Horton<br />
July 6-8: 3 days<br />
Tuition: $285 / Supply Fee: $28<br />
Get into the spirit of poster printing by creating an<br />
edition of unique posters by letterpress, using a variety<br />
of printing mediums. The posters can be fictitious<br />
with lots of artistic license, or to advertise a real event.<br />
The printing will be done on a Vandercook printing<br />
press. Students will use wood and metal hand-set type<br />
for text and illustrate by wood engraving, linocuts,<br />
woodcut and airbrush. There will also be some historic stock cuts available to use.<br />
Pastel Plein Air Painting<br />
Lisa Stauffer<br />
July 9-13: 5 days<br />
Tuition: $375<br />
Paint outside with pastels in beautiful <strong>Grand</strong><br />
<strong>Marais</strong>. The basics of outdoor painting will<br />
be discussed throughout the week, as well as<br />
topics including choosing your own subject,<br />
design and composition considerations, importance of accurate drawing, painting<br />
fundamentals and more as we work together. Instructor demonstrations, personal<br />
assistance at your easel and group critiques will give us a chance to learn as we<br />
explore plein air (outdoor) painting in a fun and supportive environment.<br />
Camera Elements<br />
Linda Gammell<br />
July 13-15: 3 days<br />
Tuition: $225 / Supply Fee: $28<br />
Make better photographs by applying classic<br />
elements to your pictures. Students will use place<br />
and landscape as our subject to explore light,<br />
spatial relationships, vantage point, time, and framing through exercises based on<br />
these visual elements. Class will edit photographs through discussions of strengths<br />
and weaknesses. Students should end up with 10 or more strong photographs for<br />
your portfolio or personal use. Please be familiar with your digital camera (either<br />
digital SLR or point-and-shoot models).<br />
Fused Glass Tiles<br />
Sharon Frykman<br />
July 13-15: 3 days<br />
Day 1: 4-7pm, Day 2: 9am-4pm, Day 3: 9am-noon<br />
Tuition: $190 / Supply Fee: $75<br />
This comprehensive class covers the basics of glass<br />
fusing. Design with frit (granulated glass) and<br />
cut stained glass pieces to create and fuse small, colorful tiles. Gain an<br />
understanding about firing schedules and confidence in small kiln operation.<br />
Encaustic Painting & Collage<br />
Jeff Hirst<br />
July 6-8: 3 days<br />
Tuition: $285 / Supply Fee: $80<br />
Encaustic painting is an ancient medium that<br />
combines molten beeswax and pigment to<br />
achieve luminous color and tactile surfaces.<br />
Students will explore how encaustic painting<br />
can be used with collage to develop imagery. Possible collage materials include<br />
photographs, drawings, found papers, organic material, and photo transfers. All<br />
painting materials are provided. Bring a variety of collage materials.<br />
Introduction to Oils<br />
Todd Voss<br />
July 14-15: 2 days<br />
Tuition: $150 / Supply Fee: Varies<br />
This beginner course will give students the<br />
inspiration, confidence and nuts and bolts to<br />
make beautiful oil paintings. You will learn<br />
how to tackle any subject as Todd guides you<br />
through a simple, step-by-step process. Emphasis will be on landscape. Topics will<br />
include seeing and mixing color, composition, perspective, brushwork and more!<br />
(218) 387-2737 arts@boreal.org<br />
11
July<br />
Fundamentals of Design<br />
Jayne Richards<br />
July 18: 1 day<br />
Tuition: $75 / Supply Fee: $10<br />
Learn the fundamentals of design. Emphasis will be<br />
placed on the elements and principles used to create<br />
dynamic designs and compositions. 3-D projects will be<br />
used to understand each element and explore the design<br />
principles. This class can be a precursor to Drawing Basics<br />
or a stand-alone class. Bring your creativity, design problems and questions.<br />
Drawing Basics<br />
Jayne Richards<br />
July 19-20: 2 days<br />
Tuition: $150 / Supply Fee: $15<br />
Acrylics, Inkjets & Collage<br />
Bonnie Cutts<br />
July 18-20: 3 days<br />
Tuition: $225 / Supply Fee: $44<br />
Embark on a creative journey at your comfort level<br />
as you collage your way through this class. Learn<br />
innovative ways to create collage elements using photos<br />
or drawings and an inkjet printer. Manipulate your<br />
personal images as you push acrylic materials to new<br />
heights. Practice transfer techniques with step-by-step<br />
instructions and explore different surfaces to draw and paint on. Learn great<br />
techniques while having fun applying them. All acrylic materials provided. This<br />
class can be taken with Gels & Grounds Galore.<br />
Drawing is the basis for all mediums of art. Working with<br />
pencil, charcoal and other basic drawing materials, we will<br />
develop an artistic understanding of line, shape and form.<br />
Students will walk through the techniques of drawing as<br />
they learn to interpret their vision on paper, enabling you<br />
to draw anything.<br />
Wood-Fire Raku<br />
Dorian Beaulieu<br />
July 20-22: 3 days<br />
Tuition: $285 / Supply Fee: $28<br />
Students will learn all facets involved with the woodfire<br />
raku process. Topics include: glazing, loading,<br />
firing, unloading and post-firing techniques. Students<br />
will work together to build a wood-fire raku kiln, a<br />
process that can be replicated at home. Students are<br />
encouraged to bring 10-15 small to medium size, cone<br />
05, bisqued raku vessels to the class. These vessels will<br />
be glazed and fired during the workshop. Wheel demonstrations and requests will<br />
be provided as time permits.<br />
Bead-scapes: Land, Sea or Sky<br />
Jo Wood<br />
July 20-22: 3 days<br />
Tuition: $255 / Supply Fee: $28<br />
This is an intermediate level class for people with<br />
some bead work or appliqué experience and a<br />
desire to expand their skills in composition, depth<br />
and texture. Project emphasis is placed on students<br />
painting a landscape of their choice with beads on felted wool. Additionally,<br />
students will create multiple small bead renderings to discuss and share with the<br />
group in a work/study format. Each day will focus on a different textural element,<br />
technique or pattern creation.<br />
12 www.grandmaraisartcolony.org<br />
Gels & Grounds Galore<br />
Bonnie Cutts<br />
July 21-22: 2 days<br />
Tuition: $150 / Supply Fee: $17<br />
Gloss or matte sheen, opaque or transparent<br />
ground, textural or smooth surface; all are<br />
considerations when working with acrylic grounds<br />
and gels. Explore a variety of seductive surfaces to paint or draw on with different<br />
combinations of materials suited to your individual style and imagery. Learn about<br />
different uses for gels, including making gel skins for collage and printing on.<br />
Clear explanations of materials used will be presented. Leave with worksheets filled<br />
with applications of materials for future reference. All acrylic materials provided.<br />
This class can be taken with Acrylics, Inkjets & Collage.<br />
Block Printing: Start to Finish<br />
Kelly Dupre<br />
July 21-22 & 23 (optional): 2 or 3 days<br />
Tuition: $150 / $225 / Supply Fee: $30<br />
Whether you are just beginning, or looking to<br />
expand your block printing knowledge, this<br />
class will get you excited about the world of<br />
Relief Printmaking. Students will walk through the block printing process while<br />
working on a variety of mini lessons that can be applied at any level of experience.<br />
Various printing topics and techniques will be covered such as single color prints,<br />
multi-colored blocks and reduction prints. Students will learn about and use the<br />
Vandercook printing press.<br />
Mentored I<br />
Hazel Belvo<br />
July 23-27: 5 days<br />
Tuition: $475<br />
In this workshop, artists work in the medium of their<br />
choice under the close mentorship of Hazel Belvo.<br />
This class is for practicing artists who have produced<br />
a body of work in a particular medium. Much like a<br />
“Master Class” setting, students will explore the artist within, elaborating on their<br />
own personal imagery. There will be group dialogue with specific topics that are<br />
critical to the artistic process and a final critique.<br />
Animal Sculpture<br />
Judd Nelson<br />
July 28-29: 2 days<br />
Tuition: $150 / Supply Fee: $28<br />
Bring metal to life by welding,<br />
cutting, melting, forging and<br />
hammering steel into a wild animal from the North Shore. In this metal-working<br />
class focused on forged and welded steel, students will make a 16” sculpture.<br />
Students will learn various techniques to make realistic sculptures that will be ready<br />
to set on a mantel or desk or even in the garden. Learn the basics of metalwork<br />
while learning to think and build in 3-D. Bring images of animals of interest.<br />
Introduction to Intaglio Printing<br />
Jerry Riach<br />
July 28-29: 2 days<br />
Tuition: $150 / Supply Fee: $33<br />
Learn the basics of Intaglio printing and open<br />
the door to a variety of printmaking techniques.<br />
In this class, we will use drypoint to apply and<br />
develop an image onto a copper plate and then<br />
print it using the intaglio process. Students will learn to make and modify a<br />
drypoint plate, prepare the ink, ink and wipe the plate, prepare the paper, and<br />
properly use the etching press. This class qualifies students to independently use the<br />
print studio.
July - August<br />
Japanese Clay Techniques<br />
JD Jorgenson<br />
July 28-29: 2 days<br />
Tuition: $150 / Supply Fee: $22<br />
In this class, students will learn the traditional<br />
aspects of Japanese pottery. Throwing techniques<br />
covered will include throwing off the hump,<br />
coiling and paddling. Students will have an<br />
opportunity to try the Japanese style Karatsu Kick Wheel as well as practicing<br />
various decorating techniques such as kohiki, dipped white slip, hakime, brushed<br />
slip, mishima, carving and slip inlay, sgraffito, iron painting and handles using<br />
rattan and jute. JD will provide hand-dug clay for students to experience.<br />
Guided Studio Time<br />
Todd Voss<br />
August 10-12: 3 days<br />
Tuition: $225<br />
Bring in an unfinished painting or drawing project<br />
or start a new one, and benefit from Todd’s 21 years<br />
of experience as a professional artist, to encourage,<br />
inspire and guide you, one-on-one, through the process. Students will work<br />
individually, at their own pace, in a creative small group atmosphere. Emphasis<br />
will be on problem-solving, strengthening fundamental skills, and achieving<br />
your goals. Each day will include short group discussions covering materials,<br />
techniques, experiences, etc.<br />
Introduction to Outdoor<br />
Oil Painting<br />
Neil Sherman<br />
July 28-29: 2 days<br />
Tuition: $150<br />
Interested in painting outdoors, but never picked<br />
up a paint brush? This class is for you, as we<br />
discuss the basic elements of plein air painting<br />
such as looking past the leaves, twigs and branches<br />
to paint a convincing forest, tips on mixing colors, materials and gear. Class will<br />
also cover artistic lingo like perspective, form, and value. Scenic <strong>Grand</strong> <strong>Marais</strong><br />
will be the outdoor subject and class structure will include short demonstrations,<br />
painting time and feedback at your easel.<br />
Mentored II<br />
Hazel Belvo<br />
July 30-August 3: 5 days<br />
Tuition: $475<br />
In this workshop, artists work in the<br />
medium of their choice under the close<br />
mentorship of Hazel Belvo. This class is<br />
for practicing artists who have produced a body of work in a particular medium.<br />
Much like a “Master Class” setting, students will explore the artist within,<br />
elaborating on their own personal imagery. There will be group dialogue with<br />
specific topics that are critical to the artistic process and a final critique.<br />
Adventures in Wheel-throwing<br />
Dorian Beaulieu<br />
August 6-10: 5 days<br />
Tuition: $475 / Supply Fee: $30<br />
This exciting class includes beginning to advanced<br />
wheel-throwing and hand-building techniques using<br />
stoneware and raku clay with under glazes, slips and<br />
commercial glazes. Marbleizing technique, mishima,<br />
sgraffito, texture, dry brush and resist decorative<br />
methods will be explored. The class will include<br />
technical demonstrations on clay construction, decorative methods and clay<br />
stamp-making exercise. Introductory information on kiln loading and firing<br />
processes will also be discussed. To learn the coil method, students will collaborate<br />
on a group vessel.<br />
Slumping & Sagging Glass<br />
Sharon Frykman<br />
August 10-12: 2.5 days<br />
Day 1 & 2: 9am-4pm, Day 3: 9am-noon<br />
Tuition: $190 / Supply Fee: $75<br />
Explore slumping techniques in clay molds and<br />
sagging through a drop ring. Participants will<br />
have the opportunity to complete two small 3-D<br />
glass pieces while learning the “how-to’s” of fusing<br />
and firing a kiln. No experience necessary.<br />
(218) 387-2737 arts@boreal.org<br />
Collagraph Printmaking<br />
Erik Waterkotte<br />
August 11-12: 2 days<br />
Tuition: $190 / Supply Fee: $44<br />
Collagraph is a low-tech, high-fun process that<br />
involves the creation of a printmaking plate or<br />
matrix from a variety of complex textures and<br />
marks. Using pressed cardboard, acrylic gel medium and various other media,<br />
we will easily create plates that yield complex results when run through a press.<br />
Students will learn basic collagraph platemaking as well as intaglio and relief<br />
printing, and multiple-page registration. For the beginner to advanced printmaker.<br />
Mentorship in Printmaking<br />
Jim Burke<br />
August 13-17: 5 days<br />
Tuition: $375 / Supply Fee: $10<br />
Join Louisiana State University professor James<br />
Burke for this mentorship-styled class focused on<br />
printmaking. Through the support of your instructor,<br />
follow your personal muse to a new, exciting place, or<br />
seek a different creative direction. Students can work in<br />
their printing technique of choice and the instructor will provide daily, individual<br />
input along with facilitated group discussion. View the week as an opportunity<br />
to try new ideas, react to a different point of view or find renewed energy for the<br />
creative process.<br />
Katazome: Japanese Stencil Dye<br />
Kit Eastman<br />
August 18-19: 2 days<br />
Tuition: $190 / Supply Fee: $28<br />
Explore this centuries-old Japanese surface design<br />
technique that incorporates elements of both<br />
printmaking and painting using simple, nontoxic<br />
materials. Students will design and cut stencils, apply a rice paste resist onto silk<br />
and cotton, and then paint them with natural pigments. Students will come away<br />
with a basic understanding of the materials and techniques of this beautiful textile<br />
tradition. Creations can be incorporated into quilting and/or wearable art projects.<br />
Wood Engraving<br />
Joanne Price<br />
August 18-19: 2 days<br />
Tuition: $150 / Supply Fee: $39<br />
Detailed drawings get a delicate graphic makeover<br />
with wood engraving’s distinctly intimate and bold<br />
characteristics. This intensive two-day class will<br />
familiarize artists with the tools, materials and printing process of wood engraving<br />
resulting in an editioned print. Students will learn to transform black and white<br />
images into various textures to express a full range of value. A print exchange at<br />
the class end will provide a start for your own wood engraving collection.<br />
13
August<br />
Majolica Tile: Explore the World<br />
of Color<br />
Karin Kraemer<br />
August 18-19: 2 days<br />
Tuition: $150 / Supply Fee: $12<br />
This two-day tile class focuses on Majolica decorating,<br />
found in historic and contemporary tile and pottery.<br />
Tile design, history, color theory, and decorative techniques will be explored.<br />
On the first day, participants will paint with in-glaze stains on raw glazed<br />
majolica tile. The second day will focus on the technical aspects of tile making.<br />
We’ll make green tiles decorated with colored slips. Students will go home with<br />
finished majolica tiles and technical advice about working with clay and recipes.<br />
The <strong>Art</strong> of Personal Writing<br />
Peter Blau<br />
August 18-19: 2 days<br />
Tuition: $150 / Supply Fee: $6<br />
This class is designed to spark your creative juices and awaken the writer in you.<br />
It is open to all including beginning writers and those who want to begin again.<br />
You will be encouraged to explore and expand your writing voice, style, and<br />
purpose as you examine and discuss the writing process in a variety of forms:<br />
memoir, fiction, poetry, journaling and letter writing. All you need is a journal,<br />
your favorite pen and your imagination.<br />
North Shore Pebble Mosaic<br />
Laura Stone<br />
August 18-19: 2 days<br />
Tuition: $190 / Supply Fee: $28<br />
In this class, students will collect colorful pebbles to<br />
create one to three mosaic pavers, perfect for the yard or<br />
garden. Students will learn about color sorting, selection<br />
and application to create vibrant patterns. The drymortar<br />
method will be used which allows you to see the<br />
image as you build. Discussion about ancient and contemporary mosaic methods<br />
will be included and an extensive library will be available for study. Mosaics can<br />
be picked up the following day.<br />
Sumi-e: Painting from the Heart<br />
Susan Frame<br />
August 20-24: 5 days<br />
Tuition: $475<br />
This workshop is designed to have fun with ink,<br />
watercolor, and rice paper while studying with one<br />
of America’s leading Sumi-e painters. Class will<br />
cover traditional and contemporary Sumi-e (Asian ink painting) techniques and<br />
composition of landscape painting. Emphasis is on “fearless painting from the<br />
heart” (try new things) while interpreting the spirit and essence of Lake Superior<br />
and the surrounding woods, rocks, and waters. Some location sketching/painting<br />
(weather permitting), lots of demonstrations, individual painting time and<br />
encouragement will structure the class.<br />
Rules of Perspective<br />
Tom Westbrook<br />
August 25-26: 2 days<br />
Tuition: $150 / Supply Fee: $14<br />
A major part of the Renaissance was the understanding of measurable spatial<br />
relationships and the development of constructed perspective. In this class, we<br />
will learn how to establish a believable one- or two-point perspective, measure<br />
depth, orient the viewer and scale objects. Both observed and constructed<br />
perspective will be covered.<br />
Ceramic Teapots<br />
JD Jorgenson<br />
August 25-26: 2 days<br />
Tuition: $150 / Supply Fee: $20<br />
In this two-day class, students will learn to make<br />
and assemble clay teapots. Design, throwing, surface<br />
treatments, attaching lids, spouts and handles will be<br />
covered. Students will also learn about other materials that can be incorporated<br />
into a teapot design including rattan and jute. Students will practice each step of<br />
the process and leave with enough experience and information to make their own<br />
teapot. Previous clay experience is required.<br />
Create Soft Pastel Sticks<br />
Laurie Toth<br />
August 25-26: 2 days<br />
Tuition: $150 / Supply Fee: $75<br />
Ever reach into your box of pastels<br />
and not find the exact color you<br />
want? In this class, students will learn how to make their own soft pastel sticks<br />
-light lights, dark darks, or subtle grays and browns. With a few tricks and some<br />
elbow grease, you could increase your range by 100 or more colors and gain a<br />
greater understanding of color and this wonderful medium. This class is suited for<br />
beginners to professionals who are excited about expanding their pastel set.<br />
Figurative Sculpture<br />
Judd Nelson<br />
August 25-26: 2 days<br />
Tuition: $150 / Supply Fee: $28<br />
Bring the human form to life by welding, cutting,<br />
forging and hammering plate steel into a 16” figure<br />
sculpture. This class will emphasize two techniques –<br />
metal-working with forged and hammered steel and<br />
eight head high, a Middle Ages technique to achieve<br />
proper figure proportions. Finally, students will make<br />
an armature and forge it into a gesture before wrapping<br />
the figure in wire to give it mass.<br />
Personal <strong>Art</strong> Critique & Discussion<br />
Mary Pettis<br />
August 27: 5-8pm<br />
<strong>Art</strong> <strong>Colony</strong> Member Tuition: $20<br />
Non-member Tuition: $30<br />
In this special, informal class, instructor Mary Pettis<br />
will help you obtain a clear vision of your artistic<br />
goals and offer technical and practical suggestions to help you get there faster.<br />
Bring up to five paintings for a personal critique and discussion.<br />
Creative Breakthrough: Bring the<br />
<strong>Art</strong> Spirit into Your Work<br />
Mary Pettis<br />
August 28-31: 4 days<br />
Tuition: $395<br />
Through exercises, lectures, discussions and<br />
demonstrations, students will learn the path to<br />
finding their inner creative spirit. Each day we will paint - not to turn out finished<br />
pieces, but to get a sense of the exercises that will make stronger, more powerful<br />
paintings in each of six considerations: Line, Shape, Values, Color, Edges and<br />
Texture. Improve your work at an astonishing rate by understanding what makes a<br />
Master Painting: having something to say, and knowing how to say it.<br />
14 www.grandmaraisartcolony.org
September<br />
Japanese Shibori: Wearable <strong>Art</strong><br />
Karen Rognsvoog<br />
September 1-2: 2 days<br />
Tuition: $150 / Supply Fee: $39<br />
Shibori is a Japanese term meaning to bind, wrap,<br />
fold, twist, stitch or clamp to create a design on<br />
fabric. Students will learn the techniques used in<br />
Shibori designs to create subtle and intriguing patterns by manipulating the<br />
fabric, allowing dye to only partially penetrate the tightly compressed cloth.<br />
Natural plant dyes will be used and the supplied scarves will be silk and 100%<br />
cotton. The process can never be fully controlled, creating surprising works of art.<br />
Studio Immersion<br />
Hazel Belvo<br />
September 4-12: 9 days<br />
Tuition: $655<br />
This workshop is designed to provide artists special attention with Hazel Belvo for<br />
an intense week of independent studio time in a Master Class setting. This is an<br />
advanced class for artists who are practiced and skilled in the formal language of<br />
art. The application process requires review of a portfolio and a conversation with<br />
Hazel Belvo to determine if this class is appropriate for your needs.<br />
Stained Glass Panel<br />
Peachie Schmid<br />
September 8-9: 2 days<br />
Tuition: $150 / Supply Fee: $72<br />
Learn the copper foil method of stained glass while<br />
crafting a beautiful panel using bevels and art<br />
glass. Topics will include recognizing quality when<br />
selecting art glass as well as many valuable tips and tricks to make your stained<br />
glass experience fun and successful. Students will leave with valuable knowledge<br />
and a beautiful stained glass panel to hang in your home.<br />
Advanced Encaustic<br />
Jeff Hirst<br />
September 28-30: 3 days<br />
Tuition: $285 / Supply Fee: $80<br />
Photograph the<br />
Fall Landscape<br />
Linda Gammell<br />
September 22-23: 2 days<br />
Tuition: $150 / Supply Fee: $28<br />
With autumnal light and color<br />
as inspiration, learn to make better photographs by using the classic visual<br />
elements of photography. Place and the landscape will be our subject matter<br />
while exploring light, vantage point, spatial relationships, basic color theory,<br />
and framing. Participants will complete a series of exercises to strengthen visual<br />
awareness which will be edited and discussed as a class. Leave with 10 strong<br />
photographs. Please be familiar with operating your digital camera (either SLR or<br />
point-and-shoot models).<br />
This class is designed for those who have<br />
worked with hot wax and want to take<br />
their work to the next level. Focus will be on each student’s artistic vision and<br />
determining the best encaustic approaches and techniques to achieve that vision.<br />
Each student will work on two to three larger pieces that push the medium and<br />
arrive at completed work. Ongoing critiques, both formal and informal, will take<br />
place to benefit each student and the class as a whole.<br />
Totems, Temples & Talismans:<br />
Transfer Dye Collage<br />
Kimber Olson<br />
September 29-30: 2 days<br />
Tuition: $190 / Supply Fee: $33<br />
Create a fiber art hanging using your own personal<br />
printed collage imagery while learning about<br />
transfer dyes. Begin by making a series of quick<br />
improvisational drawings to generate imagery and<br />
symbolism that will inspire your collage ideas. Small collages are constructed from<br />
preprinted transfer dye papers and then sublimated to synthetic fibers using a heat<br />
press. Once printed, students will arrange the collages into compositions, which<br />
will be handstitched, wired and/or fused into a completed wall hanging.<br />
Fall Colors in Oil<br />
Neil Sherman<br />
September 29-30 & October 1 (optional): 2 or 3 days<br />
Tuition: $150/$225<br />
Fall on the North Shore is arguably the most<br />
spectacular season of the year, especially for outdoor<br />
painters. Autumn colors extend for miles and they<br />
can become overwhelming for the artist attempting to capture the fleeting scene.<br />
This class for the beginner to experienced painter will focus on simplifying the<br />
landscape to its basic elements: atmospheric progression of sunlight and shadow.<br />
Particular emphasis will be placed on organizing the reds, yellows and oranges of<br />
fall into an arrangement that has depth and impact.<br />
Empty Bowls<br />
Twelve percent of Cook County residents are hungry every month.<br />
Therefore, each year the <strong>Art</strong> <strong>Colony</strong> organizes the Empty Bowls<br />
Dinner, a community art fund-raiser for the local food shelf.<br />
Make-a-Bowl for Empty Bowls<br />
September 30–October 22<br />
Every Sunday: 2pm<br />
Every Monday: 7pm<br />
Pre-register per session: $5<br />
Help us make bowls to donate<br />
to this event. Participants will<br />
learn to make two different<br />
kinds of bowls: a hand-built<br />
and a wheel-thrown. Make-a-<br />
Bowl is open to all levels and ages. Get muddy, learn<br />
new skills and have fun - all for a good cause. Register<br />
early as space is limited.<br />
Paint-a-Bowl for Empty Bowls<br />
October 27: 10am-2pm<br />
Drop-in Fee: $5<br />
Paint colorful glazes onto pre-made bowls to donate<br />
to the event. Paint-a-Bowl is open to all levels and<br />
ages. A fun family experience that benefits a good<br />
cause. No registration necessary.<br />
Empty Bowls Dinner & Silent Auction:<br />
Thursday, November 8<br />
(218) 387-2737 arts@boreal.org<br />
15
October - November<br />
Aged to Perfection: Elders & <strong>Art</strong> Making<br />
Peggy Thompson<br />
October 4-5: 2 half days: 9am-noon<br />
Tuition: $75 / Supply Fee: $11<br />
This class is based partly on research that proves the older one gets, the more<br />
creative they become. People in their 70s, 80s and 90s are discovering new gifts<br />
like painting, woodcarving or writing poetry. This class will focus on watercolor to<br />
explore the process of creativity within each individual student while experiencing<br />
the act of creativity as life-giving and rejuvenating. Students will create three<br />
paintings over the two-day class that draws on a lifetime of rich experiences.<br />
The Beauty of Pencil & Brush<br />
David Hahn<br />
October 6-7: 2 days<br />
Tuition: $150<br />
There is nothing more basic and beautiful than<br />
working with the pencil and brush. In this class,<br />
we will examine these two instruments and<br />
their proper use as we apply them to watercolor still life and landscape painting.<br />
Emphasis will be made on layout and drawing with pencil before applying the<br />
brush. David will lead step by step as student and instructor draw and paint<br />
together. There will also be plenty of time to work individually.<br />
Open Visual <strong>Art</strong>s Studio<br />
October 16-December 18: 10 Tuesdays: 6-9pm<br />
Pre-register: $5/session<br />
Drop-in Fee: $10/session<br />
The best time to work is when you don’t feel<br />
like working! Sometimes working is easier<br />
when you’ve got someone to do it with. Think<br />
of this open studio as if you were meeting a<br />
friend on the Croftville Road for a walk or run. The goal is to commit to an<br />
evening of art making, amongst the fellowship of other artists, and start the<br />
project you’ve been putting off or finish the one you started. The Founders<br />
Hall will be open for artists to come and work. Bring your own materials and<br />
supplies. At least two people must be pre-registered per session to host Open<br />
Visual <strong>Art</strong>s Studio.<br />
Autumn in Pastel<br />
Lisa Stauffer<br />
October 13-14 & 15 (optional): 2 or 3 days<br />
Tuition: $150/$225 / Supply Fee: Varies<br />
Autumn on the North Shore is a magical season to<br />
capture in pastels. We will set up still life items with<br />
a fall theme, and experience how these studies apply<br />
to painting all subject matter. Bring photos of fall<br />
landscape or seasonal harvest with high contrast to<br />
use for composing a painting. Class time will include painting basics, demos and<br />
group critiques. A variety of pastels and papers will be available for purchase.<br />
Beyond Centering:<br />
Intermediate Pottery<br />
Melissa Wickwire<br />
October 29-December 17: 8 Mondays: 6-8pm<br />
Tuition: $150 / Supply Fee: $30<br />
Students comfortable with centering and ready to<br />
explore the pottery wheel at an intermediate level<br />
will enjoy this class. Basic forms will be reviewed and<br />
experimentation with sculptural elements and creative<br />
surface design will be encouraged. Class time will include<br />
demonstrations and guided independent work time and a variety of relevant<br />
artwork will be presented. Bring ideas of specific projects you’d like to create or<br />
just practice and explore. This class includes 24-hour access to the clay studio<br />
during the session.<br />
Handmade for the<br />
Holidays<br />
Give your friends and families a gift that they will<br />
cherrish, one that comes from the heart.<br />
cutter independently.<br />
Mat Your <strong>Art</strong><br />
Neil Sherman<br />
October 11: 6-9pm<br />
Tuition: $40 / Supply Fee: $11<br />
Mosaic <strong>Art</strong><br />
Tod Sylvester<br />
October 11-November 1: 4 Thursdays: 6-8pm<br />
Tuition: $75 / Supply Fee: $22<br />
This evening workshop will focus on the basics of<br />
mounting and matting artwork, specifically works<br />
on paper. Instruction on how to cut mats using the<br />
mat cutter, as well as specific mounting methods<br />
will be discussed. Each student should bring an<br />
image on paper to mat (approximately 8” x 10”).<br />
This class is a requirement to use the <strong>Art</strong> <strong>Colony</strong> mat<br />
Learn the basics of creating your own mosaic in this<br />
introductory, four-week class. Create a picture, garden<br />
rock, deco-mirror, flower pot or vase, you choose. We will<br />
discuss everything from your base, glues, grouts, design<br />
layout, using a tile saw, materials and more. Students will<br />
take home one finished mosaic and be ready for your own<br />
projects. Caution: Sharp Edges!<br />
Pots for Presents<br />
Joan Farnam<br />
October 30-December 18: 8 Tuesdays: 6-8pm<br />
Tuition: $150 / Supply Fee: $30<br />
This fun eight-week class is perfect for the beginning to<br />
intermediate potter who wants to make lots of stoneware<br />
pots for gifts and/or their own shelves. You’ll learn wheel<br />
and hand-building techniques, as well as explore colorful<br />
glazes. Kiln loading and firing will also be covered. This<br />
class is always bundles of fun. This class includes 24-hour<br />
access to the clay studio during the session.<br />
Felted Ornaments<br />
Linda Bauer<br />
November 10: 1-4pm<br />
Tuition: $40 / Supply Fee: $17<br />
Students will create at least one holiday ornament,<br />
which could also be turned into a pin or necklace<br />
element, using needle-felting techniques. Natural<br />
fiber rovings and basic graphic principles will lay<br />
the foundation for your work. You will learn how to<br />
embellish your design using beads, buttons, embroidery<br />
thread or special charms. Students will be given enough<br />
material and basic tools to be able to make several more ornaments at home.<br />
16 www.grandmaraisartcolony.org
Holiday Cards<br />
Kelly Dupre<br />
November 10-11: 2 days<br />
Tuition: $150 / Supply Fee: $28<br />
Give your very own handmade greeting cards this<br />
holiday season. Students will learn how to make<br />
single and/or multi-colored prints in the form of a<br />
card. Let your creativity run away as you turn your<br />
own images into printed masterpieces. All skill<br />
levels are welcome to join the fun of hand printing<br />
and using the Vandercook printing press. A variety of ways to use the relief<br />
printing medium will be explored as creativity leaps in honor of the holiday<br />
Glass Holiday Ornaments<br />
Sharon Frykman & Nancy Seaton<br />
November 17: 1 day<br />
Tuition: $75 / Supply Fee: $40<br />
Add color and light to your holiday season with your own<br />
glass holiday ornaments. Experiment with colored glass, frit<br />
and kiln-carving to create multiple ornaments. The kilncarving<br />
technique uses shapes cut with scissors from fiber<br />
paper. The glass is then melted over your images to achieve a<br />
beautiful, intricate design with little glass cutting required.<br />
Youth Classes<br />
Pencil Drawing for Kids : ages 7-11<br />
David Hahn<br />
February 28-March 20: 4 Tuesdays: 3:15-5:15pm<br />
Tuition: $25<br />
Join <strong>Grand</strong>pa David Hahn to learn the basics of drawing<br />
in this fun, introductory four-week class. Together we will draw a variety of still<br />
life objects while working on different drawing techniques including 3-D, realism,<br />
still life, and landscape. Drawing is the foundation of all art media, so jump-in<br />
and build skills that will last a lifetime.<br />
Young Adult Clay: ages 12-18<br />
Melissa Wickwire<br />
March 2-23: 4 Fridays: 3:15-5:15pm<br />
Tuition: $25<br />
Students will explore the ceramic process while having fun<br />
and sharing ideas in this class designed specifically for young<br />
adults. The primary focus will be on hand-building and<br />
using the pottery wheel to create finished pieces. The first<br />
three classes will focus on building and the last class will be dedicated to glazing<br />
work. For beginners and those with experience, all will build their pottery skills.<br />
Youth Masterpieces<br />
Sandi Pillsbury Gredzens<br />
June 11-13: 3 half days<br />
Session 1 (ages 5-8): 9am-noon<br />
Session 2 (ages 9-12): 1-4pm<br />
Tuition: $115 / Supply Fee: $17<br />
Together we will explore various famous artists, their<br />
unique styles and paintings. We will use this knowledge as a springboard to create<br />
our own masterpieces, using a variety of media: collage, watercolor, oil pastel,<br />
and acrylic paint. Students will learn about the language of art: the elements and<br />
principles that make a work of art come to life.<br />
November & Youth Classes<br />
Youth Summer <strong>Art</strong> : ages 7-12<br />
July 27-August 17: 4 Fridays: 10am-noon<br />
Pre-register: $60<br />
Drop-in Fee: $20/session<br />
High-quality art instruction by a rotating roster of<br />
local artists will be hosted in the professional <strong>Art</strong><br />
<strong>Colony</strong> studios. Each Friday, students will receive<br />
an introduction to a different art medium including<br />
clay, glass, printmaking and watercolor. All materials<br />
are provided. Pre-register to receive a discount on all<br />
classes or drop-in per session. Need a minimum of eight pre-registered students to<br />
host this class.<br />
July 27: Play with Clay – hand-build clay with Melissa Wickwire<br />
August 3: Fuse it Up – glass fusing ornament with Nancy Seaton<br />
August 10: Printmaking – stamps & cards with Kelly Dupre<br />
August 17: Watercolor Basics – watercolor on paper with David Hahn<br />
Youth Studio <strong>Art</strong><br />
Jo Ann Krause & Kelly Dupre<br />
August 13-15: 3 half days<br />
Session 1 (ages7-10): 9am-noon<br />
Session 2 (ages 11-14): 1-4pm<br />
Tuition: $115 / Supply Fee: $12<br />
This is the perfect opportunity for kids to enjoy<br />
summer art fun in the big studio. A variety of exciting techniques and activities<br />
will be introduced and explored. Students will create art with a variety of<br />
mediums including drawing, painting, printing, collage and mixed media, giving<br />
them the basis for future artistic expression.<br />
Young Adult Drawing : ages 12-18<br />
David Hahn<br />
September 25-October 16: 4 Tuesdays: 3:15-5:15pm<br />
Tuition: $25<br />
Take a trip through the art of drawing and watercolor<br />
painting as we explore still life, portraiture and<br />
landscapes. First draw it and then make it come alive with color. Bring a good<br />
pointed #10 brush, #HB or softer pencil and an eraser, we’ll provide the paper and<br />
paints. You’ll love what you’ll learn.<br />
Youth Clay : ages 7-11<br />
Melissa Wickwire<br />
September 28-October 19: 4 Fridays: 3:15-5:15pm<br />
Tuition: $25<br />
Explore the ceramic process while having a blast<br />
working with clay in this four-week class designed<br />
specifically for kids. Students will be introduced to<br />
hand-building and using the pottery wheel to create<br />
finished pieces. The first three classes will focus<br />
on building and the last class will be dedicated to<br />
glazing work.<br />
(218) 387-2737 arts@boreal.org<br />
17
Testimonials<br />
“Just being on the premises heightens<br />
one’s tactile and aesthetic senses.”<br />
“Having access to the <strong>Art</strong> <strong>Colony</strong> studios is the most extraordinary<br />
gift; it transforms your ability to create your art because you<br />
have the resources and community support to do it.”<br />
“I honestly don’t know where I would be had I<br />
not discovered <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong>”<br />
“A gem of a find! I had a fantastic and rewarding time.<br />
I will return.”<br />
“Between the <strong>Art</strong> <strong>Colony</strong> & the Lake,<br />
my spirit is full.”<br />
“This was my first experience at the <strong>Grand</strong> <strong>Marais</strong><br />
<strong>Art</strong> <strong>Colony</strong> and it was wonderful! I felt inspired<br />
by my fellow students, my talented teacher and the<br />
gorgeous area of <strong>Grand</strong> <strong>Marais</strong>.”<br />
“My week at the <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong><br />
carries me through the rest of the year.”<br />
“I am always uplifted by my creative experiences<br />
here! Thank you for providing such a wide<br />
variety of classes and experiences!”<br />
“Plein Air is a highlight of my year; the area is<br />
glorious to paint and it’s a well-run event.”<br />
Meet Our Instructors<br />
Mary Ellen Ashcroft is an English professor, Episcopal priest, retreat leader<br />
and writer. She has taught many writing classes, including creative nonfiction,<br />
fiction and environmental writing, as well as many literature courses. She is the<br />
author of a number of books including Dogspell: The Gospel According to Dog.<br />
Her passion is helping people look deeply into themselves to find meaning and<br />
authenticity.<br />
Kathleen Baleja is a visual multi-media, movement and performance artist. She<br />
studied with the Royal Winnipeg Ballet School, the Royal Conservatory of Music,<br />
and has attended numerous workshops. She enjoys using materials collected in her<br />
studio in unusual ways. In 1994, with quilter Judy Morningstar and weaver Elaine<br />
Rounds, Baleja created over 60 multi-media pieces, one of which was published<br />
in Fibre <strong>Art</strong>s Design Book Five. Kathleen has taught in schools, at the Thunder Bay<br />
<strong>Art</strong> Gallery and in the correctional system.<br />
Linda Bauer has a very eclectic interest in fiber, a flame she has carried for over<br />
50 years. Creative beadwork, bead embroidery and felt have come together in her<br />
most recent work often inspired and formed by the rocks of Lake Superior. She<br />
was a dancer/choreographer and taught dance for many years. In addition, she has<br />
a master’s degree in <strong>Art</strong> Education. You can see her work at regional arts festival<br />
and in The Garage in downtown <strong>Grand</strong> <strong>Marais</strong>.<br />
Dorian Beaulieu has been a ceramics and sculpture instructor at Lake Superior<br />
College in Duluth since 1994. He provides instruction in ceramics, sculpture and<br />
3-D design. His education includes a MA in Studio Curriculum from University<br />
of Wisconsin Superior (USW) and a BFA in K-12 <strong>Art</strong> Education from University<br />
of Minnesota Duluth. He is currently pursuing an MA in art history from UWS.<br />
During the winter of 2006 he was an instructor at the Guangzhou Academy of<br />
Fine <strong>Art</strong> in Guangzhou, China.<br />
Hazel Belvo is an artist, master teacher and mentor. She has exhibited<br />
nationally and internationally for 50 years and her work is in many public<br />
collections including the Minneapolis Institute of <strong>Art</strong>s, the Bezalel Museum,<br />
the Dewitt Wallace Collection, MMM and General Mills. Hazel was a Radcliffe<br />
Institute Scholar and WARM Gallery member. She is a professor emeritus at<br />
Minneapolis College of <strong>Art</strong> and Design after 34 years of teaching. She has taught<br />
at the <strong>Art</strong> <strong>Colony</strong> for 30 years and was added to the plaque in the Founders Hall<br />
in appreciation of her long-time commitment.<br />
Peter Blau teaches adults and children in a variety of venues in the Twin Cities,<br />
including the Loft Literary Center. He recently received the Minneapolis/St. Paul<br />
Magazine’s volunteer award for his writing classes in a correctional facility for<br />
women. In his classes, Peter focuses on using writing as a pathway to creativity,<br />
self-discovery, and imagination. His goal is to provide a safe, confidential<br />
environment for students as they move through their own personal writing<br />
journey. www.writecreatecommunicate.com<br />
James Burke taught intaglio printmaking for 31 years at Louisiana State<br />
University in Baton Rouge, where he is currently professor emeritus. Burke<br />
has exhibited his prints extensively throughout his career in local and national<br />
exhibitions. His work is in many private collections as well as museums including<br />
the New Orleans Museum of <strong>Art</strong>, the LSU Museum of <strong>Art</strong> at the Shaw Center,<br />
and the Mint Museum of <strong>Art</strong>, among others.<br />
18 www.grandmaraisartcolony.org
Tom Christiansen became interested in metal while witnessing his uncle repair<br />
implements. “It helped that it was kind of scary and you had to wear special stuff<br />
to do it,” he explains. Tom attended Minneapolis College of <strong>Art</strong> and Design and<br />
graduated with a BFA in Sculpture from the University of Minnesota. A fulltime<br />
artist since 1986, he established Last Chance Fabricating in Lutsen in 1994.<br />
He has completed commissions for garden installations, architectural elements,<br />
fountains, light fixtures, furniture and public sculpture.<br />
Julie Crabtree’s art background has given her the opportunity to develop<br />
stitchery work in a painterly manner. Utilizing the sewing machine, she draws<br />
freely over the canvas incorporating hand stitches, dyed threads, fabrics, beads<br />
and other experimental art techniques. Her love of the outdoors is reflected in<br />
her work, depicting woods, trees and other textured aspects of nature. Her work<br />
has been collected by individuals across the country and has won many awards at<br />
juried art shows in the Midwest, Southwest and East Coast.<br />
Bonnie Cutts, a Minnesota artist, was trained by Golden <strong>Art</strong>ist Colors in<br />
1998 for their Working <strong>Art</strong>ist Program. She has offered lectures and hands-on<br />
workshops throughout the Midwest since that time. She returns to share her<br />
wealth of information about acrylic materials and techniques. Bonnie’s artwork has<br />
been exhibited and collected nationally. She received a BFA from the University of<br />
Minnesota with a concentration in drawing and painting.<br />
Kelly Dupre is a <strong>Grand</strong> <strong>Marais</strong> artist and author. Primarily a printmaker, her<br />
art can be seen at Sivertson Gallery and throughout the North Shore. Kelly has<br />
written and/or illustrated several children’s books including The Raven’s Gift, The<br />
Lion’s Share and Becoming a Boundary Waters Family. The natural environment<br />
and the art of indigenous cultures are her greatest influences. She loves teaching<br />
a variety of mediums and age levels. She strives for joy, symbolism and a dash of<br />
humor in her art.<br />
Kit Eastman is a textile artist from St. Paul, Minnesota. She makes decorative<br />
and functional objects, as well as art textiles, hand-painted in the Japanese<br />
tradition of katazome, or stencil dyeing, using a natural dye palette of soft, rich<br />
and subtle color on linen, cotton and silk. Her work celebrates daily meetings with<br />
the wild birds, plants and lake breezes of her urban surroundings. See a gallery of<br />
her work, as well as information on her website: www.kiteastman.com<br />
Joan Farnam was born in Duluth and spent part of her childhood living in<br />
Canada. She has an MA in Anthropology from California State University, East<br />
Bay. She began taking ceramic classes at the Duluth <strong>Art</strong> Institute in 1999 and has<br />
experience in wheel throwing, primitive firing, raku and majolica painting. She<br />
regularly teaches classes at the <strong>Art</strong> <strong>Colony</strong>, where she is the Clay Studio Facilitator,<br />
and she writes a weekly blog, NorthShore <strong>Art</strong>Scene.<br />
Susan Frame, an American Sumi-e master, has been playing with ink for many<br />
years, specializing in contemporary and experimental techniques of painting and<br />
calligraphy. Her teachers include world renowned artists from the U.S., Japan,<br />
Taiwan, Hong Kong, and China. Susan has received many awards for her work,<br />
which is included in museum, corporate, and private collections. She exhibits<br />
nationally and internationally including in New York, Paris, Japan, China, and<br />
Korea; teaches workshops in locations from Alaska to Guatemala; and writes books<br />
about sumi-e.<br />
Sharon Frykman is an artist in both oils and glass. She received her BFA in<br />
painting from the Minneapolis College of <strong>Art</strong> and Design. There she studied<br />
under Birney Quick and first came to the <strong>Art</strong> <strong>Colony</strong> to teach in the summer<br />
of 1980. She began delving into stained glass in 1988. In 2000, she and her<br />
husband, Steve, attended warm-glass classes in Corning, NY. Together they<br />
specialize in architectural installations in glass, metal and wood through their<br />
business, Frykman <strong>Art</strong> Studio.<br />
(218) 387-2737 arts@boreal.org<br />
Linda Gammell’s photographs have been exhibited and collected nationally.<br />
She is the recipient of many fellowships and grants, including the Bush <strong>Art</strong>ist<br />
Fellowship, McKnight Fellowship, and the Minnesota State <strong>Art</strong>s Board. Her art<br />
projects explore concepts of place, including the prairies of the Great Plains and<br />
the forests and water of Lake Superior. She has taught photography at various<br />
institutions, including Minneapolis College of <strong>Art</strong> and Design, Colorado College,<br />
St. Olaf College, Hamline University, and the College of Visual <strong>Art</strong>s.<br />
Sandi Pillsbury Gredzens is a North Shore artist and educator. She has<br />
a BFA from University of California Santa Cruz, and a Masters in Education<br />
from Hamline. Also, she has a K-6 multi-subject teaching license and a K-12 art<br />
education license. Sandi has been a practicing artist for 40+ years, has taken classes<br />
at the <strong>Art</strong> <strong>Colony</strong> for 26 years and now has taught at the <strong>Art</strong> <strong>Colony</strong> for five years.<br />
She is currently the board chair of the <strong>Art</strong> <strong>Colony</strong>.<br />
Carolyn Halliday uses the vocabulary and skills of textiles to sculpt forms and<br />
2-D art that often reference body and/or nature. Primarily she hand knits wire<br />
and other nontraditional materials into forms that grow from simple elements<br />
of nature and life’s daily debris. She has exhibited in local and national juried<br />
shows for 15 years. Her work has been published in the book Knitting <strong>Art</strong>: 150<br />
Innovative Works from 18 Contemporary <strong>Art</strong>ists, Surface Design Journal, Interweave<br />
Knits, and Jaquard, an Italian Journal.<br />
David Hahn has always loved to draw. After two years at The Washington<br />
University School of Fine <strong>Art</strong>s, he worked at McDonnell Aircraft Corp. as a<br />
technical illustrator; the first of six companies. David and his wife Virginia retired<br />
to Hovland and he focused on painting water color landscapes. His work has<br />
shown at the CoHo Cafe, Johnson Heritage Post, Hovland <strong>Art</strong> Fair, Cook County<br />
High School Gym and at the <strong>Art</strong> <strong>Colony</strong>.<br />
Jeffrey Hirst is a painter/printmaker from Minneapolis. He received a BFA in<br />
printmaking from the University of Minnesota and a MFA in printmaking and<br />
painting from Louisiana State University. He has exhibited and given encaustic<br />
demonstrations and gallery talks throughout the United States at various<br />
conferences and universities. He has participated as a visiting artist at Normandale<br />
Community College in Bloomington, North Hennepin Community College in<br />
Brooklyn Center, and at the University of Wisconsin, River Falls.<br />
Jim Horton has practiced and instructed printmaking and graphic design for 42<br />
years. His studio is in rural Ann Arbor, Michigan. He is an honorary member of<br />
the Society of Wood Engravers in England. Jim has a keen interest in the history<br />
and use of mechanical printing devices and processes. Jim learned wood engraving<br />
from the remnants of one of the last commercial engraving companies (Sander) in<br />
Chicago. Jim helped to found an international group called the Wood Engravers’<br />
Network.<br />
JD Jorgenson is originally from Bismarck, ND, and completed his degree at the<br />
University of Iowa. He then moved to Minneapolis where he taught at Northern<br />
Clay Center. Jorgenson received a Jerome Foundation Emerging <strong>Art</strong>ist Grant.<br />
After the grant, he apprenticed to Richard Bresnahan. Jorgenson presented at the<br />
International Wood-Fired Ceramics conference in Flagstaff in 2006 and in Duluth<br />
in 2007. Jorgenson Pottery was established in 2004.<br />
Matt Kania is a member of the <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong>, the Northern<br />
Printmakers Alliance (Duluth) and the Highpoint Center for Printmaking<br />
(Minneapolis). Matt has exhibited his work at the Northern Prints Gallery, the<br />
Highpoint Center Gallery, Duluth <strong>Art</strong> Institute, <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong><br />
and the Bloomington <strong>Art</strong> Center. In recent years, he has focused on creating<br />
imagery using less toxic, portable printmaking techniques, such as polyester plate<br />
lithography. www.mattkania.com<br />
19
Karin Kraemer has a BFA in hot glass from St. Cloud State University and a<br />
MFA in ceramics from Southern Illinois University. She moved to Duluth several<br />
years ago after living all over the country, working and exploring, developing<br />
her work, making pottery and traveling. Karin loves to camp, garden and cook.<br />
These elements all come together in her work which celebrates everything from<br />
individual flowers in her garden to landscape, good friends and making food.<br />
Stephen Krasemann traveled the globe searching for wildlife with the<br />
Illustrations Division of the National Geographic Society. In 2001, he switched<br />
to painting full time and parked his easel between the Yukon Territory Mountains<br />
and the Lake Superior forests where he creates oil paintings from first-hand<br />
experiences. Stephen is a charter member of <strong>Art</strong>ists for Conservation and<br />
Worldwide Nature <strong>Art</strong>ists Group. His work is featured in public and private<br />
collections throughout the USA and Canada.<br />
Jo Ann Krause has a Masters of Education from the University of Minnesota<br />
and is a retired educator who taught elementary school and K-6 <strong>Art</strong>. She enjoys<br />
the experience of working with creative children of all ages during summer art<br />
sessions and private lessons. In her spare time she likes to work on printmaking,<br />
collage, jewelry, and fiber arts.<br />
Jeanne Larson has taught workshops and classes in both traditional watercolor<br />
and mixed watermedia/collage for many years in the Twin Cities and regional<br />
art centers. She’s been represented by several of the finest galleries in the region<br />
for over 20 years, has won awards and been a featured speaker for many arts<br />
organizations and societies. Her original paintings are included in corporate and<br />
private collections in homes and businesses in the USA and abroad.<br />
Gretchen Lisdahl started working with glass in 2002. Her first love was lampworking,<br />
and since has expanded her glass skills to stained and fused glass, mosaic<br />
and more. She has been working at Peachie’s Stained Glass for nine years. She<br />
considers herself blessed to continue to learn more about glass every day. Glass<br />
bead making continues to be her favorite media and she suspects it always will be.<br />
Dan Neff was born and raised in northeastern Minnesota. He took a<br />
Community Education class on torch-working glass followed by a two-year<br />
apprenticeship program learning the basics of the craft. After completing his<br />
apprenticeship, Dan began demonstrating his torch-working at festivals and fineart<br />
shows. After finishing his undergraduate studies at University of Minnesota,<br />
Duluth, Dan traveled around the country to learn from world-renowned glass<br />
marble artists such as John Kobuki and Gateson Recko.<br />
Judd Nelson has been creating forged and welded sculptures since he was 17<br />
and completed his formal training in art at the University of Minnesota. He has<br />
taught at the Minneapolis Institute of <strong>Art</strong>s as well as in Native American and<br />
public schools around the country. Judd also worked as a lead builder at Home<br />
Time, a national public television show. www.juddnelson.com<br />
Jon Neuse’s basic principles of art are experimentation and artistic judgment.<br />
Most of his imagery is abstracted from remembered landscape. He manipulates<br />
formal artistic elements to force competing images into lasting and taut<br />
relationships. “It’s difficult to make abstract art,” he says, “because there are no<br />
– nor should there be – definite rules for how to proceed. For me, art without<br />
playfulness is not serious art.” Neuse has been teaching art to adults for the past<br />
35 years.<br />
Sally Nystrom graduated from St. Catherine’s College. She furthered her<br />
studies with extensive classes in art history. She began teaching in 1996 in a<br />
private studio with Sally Brown (a WARM founder) and on her own, including<br />
for the University of Minnesota’s Split Rock program for 16 years. When Sally is<br />
not teaching, she works on a series of figurative oil paintings. She shows her work<br />
in Minnesota and Wisconsin. She is part of “The Rain Collective,” a professional<br />
artist group.<br />
Kimber Olson creates art textiles from various materials that she dyes, prints<br />
and paints. She’s worked exclusively with cloth since 1997 when she discovered<br />
the practice of surface design. Intense color, unique patterns and rich textures<br />
are hallmarks of her work, which has been exhibited locally and regionally. She<br />
recently completed a master’s degree in theology and art at United Theological<br />
Seminary where her studies explored the intersections of art, creativity and<br />
consciousness.<br />
Mary Pettis has been recognized as an eloquent and respected teacher.<br />
Classically trained, she has taught for 35 years in Wisconsin, Minnesota,<br />
Tuscany, Venice, France, and for Plein Air Painters of Hawaii in Maui. She has<br />
been juried into, and won, awards in national painting events and exhibitions<br />
in New York City to Scottsdale and Maui. Mary has exhibited at the Palais de<br />
Nations and at the United Nations in Geneva, Switzerland. For more info about<br />
Mary, visit her website at: www.marypettis.com<br />
Joanne Price is a Minnesota artist specializing in relief printmaking. In<br />
addition to exhibiting work internationally, Price was the recipient of the<br />
2009–2010 Jerome Book <strong>Art</strong>s Fellowship grant through the Minnesota Center<br />
for Book <strong>Art</strong>s (MCBA). She worked at Highpoint Center for Printmaking for<br />
more than seven years and organizes exhibits for the Wood Engravers’ Network.<br />
Currently, Mrs. Price teaches Printmaking and Typography at Augsburg College<br />
and is the Exhibitions Manager for the MCBA.<br />
Jerry Riach owned and operated The Raven Gallery in Minneapolis for<br />
10 years. He studied drawing at the Edina <strong>Art</strong> Center and printmaking at<br />
Minneapolis College of <strong>Art</strong> and Design, Highpoint Center for Printmaking and<br />
with Charles Beck. Jerry now lives in Little <strong>Marais</strong>, where he has a printmaking<br />
studio. His work is mostly inspired by nature and includes etching, drypoint,<br />
woodblock, wood engraving, and collagraph printmaking as well as drawing.<br />
Jayne Richards grew up in <strong>Grand</strong> <strong>Marais</strong> and completed her BFA from<br />
University of Minnesota, Duluth. Her Rock Series in pastel and acrylic have<br />
shown at the Johnson Heritage Post. She also shows her work at the <strong>Grand</strong><br />
<strong>Marais</strong> <strong>Art</strong> Festival. She taught graphic design at the Minnesota School of<br />
Business and currently works as a free-lance graphic designer, doing volunteer<br />
work for the Make-a-Wish Foundation and graphic support for the WJ Thom<br />
Company Promo Products.<br />
Sue Robinson is an artist, commercial illustrator, and educator. Her passion<br />
for the natural world is reflected in her project choices, such as illustrating the<br />
flora and fauna of the Everglades and Dry Tortugas for the US Park Service.<br />
She created “The Superior Experience” for the US Superior National Forest and<br />
illustrated two books on the Boundary Waters by Michael Furtman. For 15<br />
years, Sue taught middle school/high school visual art. She delights in guiding<br />
students on their path toward “personal voice.”<br />
Karen Rognsvoog has been dyeing natural fibers and growing plants for dye<br />
since the mid 1970s. She’s always been interested in the colors of nature. Boiling<br />
plants, weeds, flowers and bark for use with fibers became a passion. Rognsvoog<br />
teaches at various art and craft centers in Minnesota and Wisconsin including<br />
the North House Folk School and Minnetonka Center for the <strong>Art</strong>s. She is a<br />
professional pianist, teaches piano lessons and watercolor painting.<br />
Kathi “Peachie” Schmid started her obsession with stained glass in 1984. In<br />
1991, she turned her obsession into a career by opening Peachie’s Stained Glass.<br />
She has taken professional classes in every facet of hot and cold glass working,<br />
and continues her education every chance she gets. Glass fusing particularly<br />
20 www.grandmaraisartcolony.org
excites her because of the limitless projects that can be made. There is always<br />
something new to create!<br />
Nancy Seaton loves color and light. She received her BA from St. Olaf<br />
College where she focused on watercolor and blown glass. The <strong>Art</strong> <strong>Colony</strong>’s<br />
warm glass studio is a great resource she feels lucky to have as part of her life.<br />
She lives on the Gunflint Trail with her husband and two boys.<br />
Shawn Sheehy combines paper engineering and papermaking with an interest<br />
in biology and cultural evolution to produce sculptural pop-up books. Shawn<br />
has taught workshops at PBI, Penland, the Center for the Book <strong>Art</strong>s in Chicago<br />
and New York, and many other venues across the U.S. His commercial pop-up<br />
clients include American Greetings, PeeWee Herman and Vintage Magazine. To<br />
learn more, visit him at shawnsheehy.com<br />
Kathleen Sheridan is a self-taught origamist. She began folding in the<br />
fourth grade and is now a regular at national conventions and has origami<br />
friends across the globe. She runs a local group of folders, gives origami<br />
demonstrations and teaches summer camp origami classes for children. When<br />
asked why origami is such a passion, Kathleen says that after all these years of<br />
folding, it is still so amazing to her that something so beautiful can come from a<br />
piece of paper.<br />
Neil Sherman is primarily a plein air artist. He is the past board chair of the<br />
<strong>Art</strong> <strong>Colony</strong> and the current chair of the Events Committee. Before moving to<br />
<strong>Grand</strong> <strong>Marais</strong>, Neil was a classroom monitor for Joe Paquet at the Hurinenko<br />
and Paquet Studio, assisting with critiques for beginner and advanced students.<br />
Neil received his BA from St. John’s University and studied at the Minnesota<br />
River School of Fine <strong>Art</strong>s and the Hurinenko and Paquet Studio.<br />
Liz Sivertson credits her dad, Howard Sivertson, for her most valuable<br />
training in art. She credits her sister, Jan Sivertson (owner of Sivertson Gallery),<br />
as the one who “made a career out of it (art)” by selling over 800 of Liz’s original<br />
paintings to private collectors. Liz’s colorful acrylics illustrate a children’s book<br />
by Reeve Lindbergh, titled North Country Spring. Liz has a Bachelor of Fine <strong>Art</strong>s<br />
degree from the University of Minnesota, Duluth.<br />
Lisa Stauffer received a Masters in Design from the University of Minnesota<br />
and studied illustration at Parson’s School of Design. She has worked and taught<br />
in a wide variety of media; now she primarily focuses on soft pastel with a<br />
special focus on painting “en plein air” to indulge her fascination with light and<br />
color in the beautiful North Shore landscape. Lisa was awarded Master Circle<br />
status by the International Association of Pastel Societies in 2009.<br />
www.lisastauffer.com.<br />
Laura Stone began doing mosaics after a chance visit to the St. Louis Basilica,<br />
which has an extensive mosaic interior. She found the media to be a way to<br />
merge 30 years of drawing with her passion for stone and glass. Underlying<br />
her work is an ongoing fascination for natural dynamics including weather,<br />
water, geology, plant biology, psychology, and spirit. She has been on the faculty<br />
of Gustavus Adolphus College, Minneapolis College of <strong>Art</strong> and Design and<br />
teaches private workshops.<br />
Tod Sylvester grew up near the <strong>Art</strong> <strong>Colony</strong> and spent endless hours watching<br />
the founders lecture and produce art. In 1977, he was awarded a scholarship to<br />
work with founder Birney Quick in watercolors. He is a tile setter by trade and<br />
has incorporated artful mosaics into his commercial and residential jobs. He has<br />
also created and donated many mosaic pieces, most recently to WTIP radio and<br />
the Trout Lake Lodge.<br />
Peggy Thompson (who paints under the name of Margaret Carroll) completed<br />
her BFA and MFA at the School of the <strong>Art</strong> Institute of Chicago. Peggy has had<br />
numerous exhibits of her paintings throughout the region, including Chicago and<br />
in Australia. She began an arts program for elders which has been very successful<br />
and is now known statewide.<br />
Michael Tonder has been designing, producing and selling glass art work since<br />
the mid 1980s. He has traveled extensively doing both indoor and outdoor art fairs<br />
in the Midwest and southeast parts of the United States.<br />
Laurie Toth received a BA in painting from Minneapolis College of <strong>Art</strong> and<br />
Design where she studied under Birney Quick and attended the <strong>Art</strong> <strong>Colony</strong>,<br />
where she fell in love with landscape painting. Laurie’s primary medium is soft<br />
pastel and she makes her own sticks to augment the sets purchased. Laurie lives<br />
in Minneapolis and has 30 years of teaching experience at many of the local art<br />
centers. Laurie is currently illustrating a series of fictional historical short stories.<br />
Todd Voss was born and raised in Davenport, IA. In 1990, he received a BFA in<br />
oil painting from Maharishi International University, in Fairfield, IA. Todd lived for<br />
10 years on the North Shore, and now divides his time between there and Detroit<br />
Lakes. For over 20 years, Todd has painted the Upper Midwest landscape, as a fulltime<br />
artist, both outdoors and in the studio. He is represented by Sivertson Gallery<br />
and Fine Line Designs Gallery.<br />
Ann Ward received an art degree from Winona State University. She apprenticed<br />
with potter Jim Russell and then spent eight years working with potter Lynette<br />
Power. She lives in <strong>Grand</strong> <strong>Marais</strong>, and is part of the group known as “The <strong>Art</strong><br />
<strong>Colony</strong> Potters.” Ann has shown work at the Johnson Heritage Post, Cross River<br />
Heritage Center and Betsy Bowen’s Studio. You can find her pottery for sale at the<br />
farmers’ market during the summer in downtown <strong>Grand</strong> <strong>Marais</strong>.<br />
Erik Waterkotte received his MFA from the University of Alberta and his BFA<br />
from Illinois State University. Waterkotte has shown his prints both nationally and<br />
internationally. He is currently an Assistant Professor in the Department of <strong>Art</strong><br />
at Minnesota State University Mankato and was a Visiting Assistant Professor in<br />
Printmaking at Indiana University, Bloomington. Waterkotte has been a visiting<br />
artist at universities throughout the US and the recipient of a Minnesota State <strong>Art</strong>s<br />
Board Emerging <strong>Art</strong>ist Initiative Grant.<br />
Tom Westbrook is a teacher, designer, writer, artist, and craftsman. He studied<br />
<strong>Art</strong> History, Studio <strong>Art</strong>s and Architecture at the University of Minnesota. Currently<br />
he teaches at the University of Minnesota focusing on humanitarian and sustainable<br />
design and at the College of Visual <strong>Art</strong> where he teaches a visual geometry class. In<br />
addition to teaching and writing he is founding partner of realize, llc., a design and<br />
fabrication firm providing services to the design industry.<br />
Melissa Wickwire finds that teaching often inspires her own artwork and her<br />
artwork informs her teaching. She especially enjoys sharing her love of clay. Melissa<br />
studied ceramics and art education in upstate New York and taught art at a public<br />
school in Wyoming for six years before heading to the North Shore. When Melissa<br />
is not working as the Cook County Youth Coordinator you will find her with her<br />
family or in the Clay Studio at the <strong>Art</strong> <strong>Colony</strong>.<br />
Jo Wood is an award-winning bead and fiber artist who has practiced her skills<br />
for more than 40 years. Her “bead paintings” are a celebration of place, inspired by<br />
nature and life in northern Minnesota. She shares her passion for bead embroidery<br />
by teaching regionally and nationally. Jo’s beaded landscapes have appeared in<br />
various publications and juried exhibits. Her work is represented by several galleries<br />
and is found in homes and collections around the country and in Europe. www.<br />
jowoodbeads.com<br />
Joyce Yamamoto is a mixed-media collage artist who trains artists to be entrepreneurs.<br />
She believes artists who serve as resource people are community builders in<br />
the broadest sense. The transformation process is what fuels her creativity. She sees<br />
these transformations everywhere; paper plus paint become a painting, words plus<br />
paper fragments become a collage, clay plus high heat become pottery, and artists<br />
plus information become entrepreneurial.<br />
(218) 387-2737 arts@boreal.org<br />
21
Registration<br />
How to Register:<br />
• By Phone: (218) 387-2737<br />
• By Mail: Complete registration form, include payment information and<br />
mail to the <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong><br />
• Online: Download Registration PDF form, print, complete & mail<br />
• In Person: Stop by our office (Mon-Sat, 9am-4pm) located in the back of the<br />
Historic Building at: 120 West 3rd Ave, <strong>Grand</strong> <strong>Marais</strong>, MN<br />
Name: _____________________________________<br />
Address: ____________________________________<br />
City: _______________________________________<br />
State / Zipcode: ______________________________<br />
Phone: _____________________________________<br />
Email: ______________________________________<br />
Registering for (Class Title):<br />
___________________________________________<br />
Dates: _____________________________________<br />
Tuition: $___________ Supply Fee: $___________<br />
Total: $_________<br />
Deposit (1/2 of total): $_________<br />
Membership (see membership levels & benefits pg. 23)*<br />
_____ I am an existing member<br />
_____ I would like to become a member<br />
_____ Not at this time<br />
Membership Amount $_________<br />
Apply Membership Gift Certificate* $__________<br />
Total Amount Enclosed: $___________________<br />
Payment Type: Check<br />
Visa MC Gift Certificate*<br />
Credit Card# ________________________________<br />
Expiration: ______/______<br />
Name on card: _______________________________<br />
Signature: __________________________________<br />
Mail Registration to:<br />
<strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong><br />
PO Box 626<br />
<strong>Grand</strong> <strong>Marais</strong>, MN 55604<br />
Make checks payable to:<br />
<strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong><br />
Register Early:<br />
• Class sizes are limited and registrations are accepted on a first-come, first-served basis.<br />
• Early registration helps reduce workshop cancellation due to low enrollment; please enroll at<br />
your earliest convenience.<br />
Payment Information:<br />
• To reserve your spot in a class, a deposit of half of the Tuition and Supply Fee is required.<br />
• Remaining balance MUST BE PAID two weeks before the class begins.<br />
Cancellation Policy:<br />
• If the <strong>Art</strong> <strong>Colony</strong> cancels a class, we will inform you five business days before the start date and<br />
refund your payment in full.<br />
• If you withdraw from a class 30 or more days prior to start date, we will refund your deposit<br />
less a $25 processing fee.<br />
• No refunds will be issued for withdrawals within 30 days of class start date.<br />
• The <strong>Art</strong> <strong>Colony</strong> assumes no responsibility for losses incurred due to lodging or travel<br />
arrangements.<br />
Waitlist:<br />
• When a class fills, we will start a waitlist. If a space becomes available we will contact the<br />
first person on the waitlist; that person will have 24 hours to accept registration and complete<br />
payment before we move on to the next person.<br />
Classes:<br />
• Before the start of class the <strong>Art</strong> <strong>Colony</strong> will send a confirmation letter and supply list to<br />
registered participants via email.<br />
• All classes are 9am - 4pm unless otherwise noted.<br />
• Please check in at the office before your class begins.<br />
• Please contact instructors ONLY through the <strong>Art</strong> <strong>Colony</strong>.<br />
Admission Policy:<br />
• The <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong> welcomes all students regardless of age, race, sex, religion,<br />
nationality or ethnicity.<br />
• Students under the age of 14-16 must be accompanied by an adult also taking the class (with<br />
the exception of youth classes)<br />
• Classes are open to students of all skill levels, from beginner to advance unless otherwise noted.<br />
Membership:<br />
• It is not required to be an <strong>Art</strong> <strong>Colony</strong> member to attend classes. However, membership plays<br />
a vital role in health of the <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong>.<br />
• Membership Gift Cards can be applied toward your tuition payment. See opposite page for<br />
membership levels and benefits.<br />
• The <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong> is a 501(c)(3) nonprofit organization, making your donation<br />
tax deductible.<br />
Receive CEUs & College Credit for Classes<br />
Our classes qualify as Continuing Education Units and Undergraduate or<br />
Graduate Level Independent Study - ask for details!<br />
22 www.grandmaraisartcolony.org
B e c o m e a M e m b e r<br />
For 65 years, the <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong> has been an incubator of artistic creativity on the North Shore. Whether<br />
it is the child inspired by the potter’s wheel or a retiree finally investing in the joy of painting, the <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong><br />
<strong>Colony</strong> is a welcoming sanctuary for creation, inspiration and learning.<br />
As a member-supported organization, we rely on your contributions to ensure access to creative exploration for artists<br />
and art enthusiasts of all levels and media while providing you with unique benefits. Your generous support is what<br />
keeps art alive and thriving on the North Shore of Lake Superior for generations to come.<br />
Membership Benefits<br />
° Be in the Know. Members receive our monthly e-newsletter, our annual course catalog and invitations<br />
to events and exhibits.<br />
° Studio Access. Members can rent studio space to work in or host an event. Members can also check<br />
out books from the <strong>Art</strong> Library.<br />
° Sales. Members can exhibit in our Annual Member Show & Sale as well as receive notification of<br />
other art sale opportunities.<br />
° Voice. Share your thoughts about the <strong>Art</strong> <strong>Colony</strong> at the Annual Member Meeting.<br />
° Pride. Participate in an historic arts tradition and shape its future.<br />
° Receive an <strong>Art</strong> <strong>Colony</strong> Gift Card. The value increases with the level of your membership. The gift card<br />
value will be subtracted from your tax-deductible amount. If you do not want a gift card, please let us know.<br />
$25<br />
1 Make-a-Bowl event<br />
studio cost<br />
$50<br />
1 day of exhibit<br />
operations cost<br />
$75<br />
1 day of supplies for youth<br />
programming<br />
$100<br />
1 studio table<br />
$250<br />
1 studio easel<br />
$500<br />
1 month loan payment<br />
for new building<br />
$1,000<br />
1 month of winter<br />
utilities<br />
$25-$49 Individual<br />
$50-$74 Family<br />
$75-$99 Sustaining<br />
$100-$249 Sponsor +<br />
$250-$499 Patron ++<br />
$500-$999 Benefactor +++<br />
$1,000+ Partner ++++<br />
($5 gift card)<br />
($10 gift card)<br />
Members at the $100+ receive additional benefits:<br />
+ Recognition in the Annual Report<br />
++ a George Morrison Poster & above<br />
+++ Gift Membership & above<br />
++++ Name on <strong>Art</strong> <strong>Colony</strong> Plaque & above<br />
($15 gift card)<br />
($20 gift card)<br />
($40 gift card)<br />
($75 gift card)<br />
($150 gift card)<br />
B u s i n e s s M e m b e r s h i p<br />
(218) 387-2737 arts@boreal.org<br />
Other ways<br />
you can support the<br />
<strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong><br />
°Donate to the Birney Quick Endowment Fund to<br />
ensure long-term success for the <strong>Art</strong> <strong>Colony</strong><br />
°Fund a scholarship<br />
°Be a volunteer<br />
°Planned Giving & Bequests<br />
°Host a Fund- (or Friend-)raiser for the <strong>Art</strong> <strong>Colony</strong><br />
°Keep spreading the good word about the <strong>Art</strong><br />
<strong>Colony</strong>: Ask for extra brochures to hand out<br />
to friends, family and local coffee<br />
shops (etc.).<br />
There are many benefits to being a business member. Please contact<br />
the <strong>Art</strong> <strong>Colony</strong> to find out the various ways your business can help<br />
support our organization and the benefits you’ll receive in return.<br />
23
Business Members & Foundation Support<br />
<strong>Art</strong>s Partners<br />
<strong>Grand</strong> <strong>Marais</strong> Playhouse<br />
Creating community through high-quality theater<br />
since 1971 218-387-1284 ext. 2<br />
grandmaraisplayhouse.com<br />
North House Folk School<br />
An educational non-profit organization devoted to<br />
teaching traditional Northern craft<br />
(888) 387-9762 : northhouse.org<br />
North Shore Music Association<br />
Sponsoring North Shore musical performances and<br />
education since 1985<br />
(218) 387-1272 : northshoremusicassociation.com<br />
90.7 WTIP North Shore Community Radio<br />
Connect with Minnesota’s North Shore information,<br />
culture and entertainment<br />
(800) 473-9847 : wtip.org<br />
Business Partners<br />
Angry Trout Cafe<br />
Open seasonally from May - October<br />
218-387-1265 : angrytroutcafe.com<br />
Beth’s Fudge & Gifts<br />
Delicious fudge – 27 flavors, T’s and sweatshirts up to<br />
3XL, fun souvenirs (218) 387-2081<br />
Betsy Bowen Studio<br />
Hand-printed woodcuts from <strong>Grand</strong> <strong>Marais</strong> and Uganda.<br />
Open daily May through October<br />
(218) 387-1992 : woodcut.com<br />
Birchbark Books & Gifts<br />
Largest bookstore on the North Shore – jewelry, toys & gifts<br />
(218) 387-2315<br />
Chez Jude Restaurant & Wine Cafe<br />
Experience the art of dining – fresh North Shore cuisine –<br />
lake-view deck (218) 387-9113 : chezjude.com<br />
Christie Printing Company<br />
Promoting sustainable printing as Northern Minnesota’s<br />
only certified green printer<br />
(218) 722-2220 : christieprint.com<br />
Como Oil & Propane<br />
Delivering a lot more than fuel<br />
(218) 387-1165 : comooilandpropane.com<br />
Drury Lane Books<br />
Books for book lovers<br />
(218) 387-3370 : drurylanebooks.com<br />
Frykman <strong>Art</strong> Studio<br />
Specializing in architectural glass, metal and wood: By<br />
appointment (218) 387-1949<br />
George F. Maruska LTD, CPA<br />
Serving the North Shore since 1980 (218) 387-1180<br />
<strong>Grand</strong> <strong>Marais</strong> Family Dentistry<br />
Creating Healthy Smiles (218) 387-2774<br />
grandmaraisfamilydentistry.com<br />
<strong>Grand</strong> <strong>Marais</strong> Municipal Liquor Store<br />
The North Shore’s finest selection of beers<br />
and wine (218) 387-1630<br />
<strong>Grand</strong> <strong>Marais</strong> State Bank<br />
Serving the North Shore since 1916<br />
(218) 387-2441 : grandmaraisstatebank.com<br />
Johnson’s Foods<br />
Shop our small aisles; check out to big smiles since 1932<br />
(218) 387-2480<br />
Joynes Ben Franklin Department Store<br />
In downtown <strong>Grand</strong> <strong>Marais</strong> on the North Shore of<br />
Lake Superior (218) 387-2233<br />
Lake Superior Trading Post<br />
A <strong>Grand</strong> <strong>Marais</strong> tradition since 1971<br />
(218) 387-2020 : LSTP.com<br />
Last Chance Studio & Gallery<br />
Sculpture studio and contemporary fine art gallery in<br />
Lutsen (218) 663-7008 : lastchancefab.com<br />
Lutsen Mountains Corp.<br />
Mountain skiing on America’s North Coast!<br />
(218) 663-7281 : lutsen.com<br />
M Graphic Design<br />
Graphic design, editing, writing<br />
mgraphic@boreal.org<br />
Mike’s Holiday Station<br />
Shop at Holiday for all your convenience needs<br />
(218) 387-1043<br />
Norshor Insurance Agency<br />
Your local insurance store – home, auto, commercial &<br />
health (218) 387-9139<br />
North Shore Federal Credit Union<br />
Because if you’re up here, you belong here<br />
(218) 226-4401 : northshorefcu.org<br />
Northern Wilds Media<br />
Promoting the arts community monthly with North<br />
Shore Hwy 61<br />
(218) 387-9475 : northshorehwy61.com<br />
Sawbill Outfitters<br />
Sharing the art of canoeing for over 50 years<br />
(218) 663-7150 : sawbill.com<br />
Sivertson Gallery<br />
<strong>Art</strong> of the North – locations in <strong>Grand</strong> <strong>Marais</strong> &<br />
Duluth (888) 880-4369 : sivertson.com<br />
Stephan Hoglund Jewelry<br />
<strong>Art</strong>istry in jewelry design<br />
(218) 370-1314 : stephanhoglund.com<br />
Stephan Hoglund Photography / Boreal Light<br />
Imagery Gallery<br />
From wedding photography to creative commercial<br />
photography / photography gallery<br />
(218) 370-1314 : stephanhoglundphotography.com<br />
Stone Harbor Wilderness Supply<br />
Gear, tours, rental in <strong>Grand</strong> <strong>Marais</strong>. Open daily, year<br />
round (218) 387-3136 : stoneharborws.com<br />
The Pie Place Café<br />
New location, harbor view; breakfast, lunch, dinner,<br />
bakery; wine & beer<br />
(218) 387-1513 : northshorepieplace.com<br />
White Pine North<br />
Purveyors of Boundary Waters coffee, Northwoods gifts,<br />
resort wear and gourmet foods (218) 387-1695<br />
24 www.grandmaraisartcolony.org<br />
Lodging Partners<br />
Best Western Superior Inn & Suites<br />
On the shore of Lake Superior in downtown <strong>Grand</strong> <strong>Marais</strong><br />
(800) 842-8439 : bestwestern.com/superiorinn<br />
Bluefin Bay<br />
Never miss a wave (800) 258-3346 : bluefinbay.com<br />
Cascade Vacation Rentals<br />
Managing 75 privately owned and unique homes available<br />
for nightly rental<br />
(800) 950-4361 : cascadevacationrentals.com<br />
Croftville Road Cottages<br />
Family-owned and operated four-season cottages on Lake<br />
Superior (866) 387-1790 : croftvilleroadcottages.com<br />
Ella’s Inn Guesthouse<br />
Ella’s welcomes <strong>Art</strong> <strong>Colony</strong> attendees – your home away<br />
from home (218) 387-3131 : vrbo.com/359152<br />
Gunflint Motel<br />
Quaint five-unit motel located on historic Gunflint Trail<br />
(218) 387-1454 : gunflintmotel.com<br />
Harbor Inn<br />
Great harbor view, Wi-Fi, pet-rooms, room service & Pie<br />
Place Café (800) 595-4566 : bytheharbor.com<br />
Kah-Nee-Tah Gallery and Cottages<br />
We feature Minnesota artists & our lodging is pet-friendly<br />
(218) 387-2585 : kahneetah.com<br />
Lutsen Resort<br />
Minnesota’s first resort<br />
(800) 258-8736 : lutsenresort.com<br />
Mac<strong>Art</strong>hur House Bed & Breakfast<br />
<strong>Grand</strong> <strong>Marais</strong>’ premier bed & breakfast<br />
(800) 792-1840 : macarthurhouse.net<br />
Nelson’s Travelers Rest Cabins & Motel<br />
Premium in-town resort where guests become friends<br />
(218) 387-1464 : travelersrest.com<br />
Opel’s Lakeside Cabins<br />
On Lake Superior- two miles east of <strong>Grand</strong> <strong>Marais</strong> $95+<br />
2-bedroom cabins<br />
(800) 950-4361 : opelslakesidecabins.com<br />
Outpost Motel<br />
Lakeview rooms and kitchenette suites. Beach & hiking<br />
trails (218) 387-1833 : outpostmotel.com<br />
PinCushion B&B<br />
With spectacular Lake Superior views and serenity of the<br />
boreal forest (218) 387-2969 : pincushionbb.com<br />
Stephan Hoglund’s <strong>Art</strong>ist Loft<br />
Downtown lake view lodging created by artists for the artist<br />
within (218) 370-1314 : grandmaraisrentals.com<br />
Foundation Support<br />
Arrowhead Regional <strong>Art</strong>s Council<br />
Cook County, MN<br />
Cook County Visitors Bureau<br />
Lloyd K. Johnson Foundation<br />
Minnesota State <strong>Art</strong>s Board<br />
The Dorsey & Whitney Foundation<br />
The McKnight Foundation
Upcoming Events www.<strong>Grand</strong><strong>Marais</strong><strong>Art</strong><strong>Colony</strong>.Org<br />
Winter <strong>Art</strong>s<br />
Festival<br />
Northern<br />
Fibers Retreat<br />
Spring Theme<br />
Rhythms of<br />
Darkness & Light<br />
<strong>Art</strong>ist-in-<br />
Residence<br />
with<br />
Hazel Belvo<br />
<strong>Grand</strong> <strong>Marais</strong><br />
<strong>Art</strong>s Festival<br />
Plein Air<br />
<strong>Grand</strong> <strong>Marais</strong><br />
January 30 -<br />
February 12 February 15-19 March 23 - April 1 April 9 - 22 July 14 & 15 September 7 - 30<br />
Member<br />
Show<br />
Empty<br />
Bowls<br />
October 19 -<br />
November 21 November 8<br />
Winter <strong>Art</strong>s Festival<br />
January 30 - February 12<br />
Share the story of winter, celebrate the<br />
color of white and delve deeper into<br />
the creative spirit. Snow Carving<br />
Symposium & Winter Plein Air.<br />
Be a participant, an observer or a<br />
student…just dress warm.<br />
Exhibit: February 3-12<br />
Opening Reception: February 3 @ 6pm<br />
Northern Fibers Retreat<br />
February 15-19<br />
Celebrate the <strong>Art</strong> and Craft of Fibers in the<br />
heart of cozy winter. This 5-day retreat features<br />
a variety of classes, Lunch & Learn lectures and<br />
a featured speaker, all while celebrating with<br />
other fiber enthusiasts.<br />
Co-hosted with the North House Folk School & the<br />
Northwoods Fiber Guild. Classes & programs will be offered<br />
at both the <strong>Art</strong> <strong>Colony</strong> & North House.<br />
Rhythms<br />
of Darkness & Light<br />
Spring Theme Exhibit : March 23 - April 1<br />
Plein Air<br />
<strong>Grand</strong> <strong>Marais</strong><br />
September 7 - 30<br />
<strong>Art</strong>ist-in-Residence with<br />
Hazel Belvo<br />
April 9-22<br />
Join us in a spring adventure with Hazel Belvo<br />
as she undertakes a major body of large-scale<br />
work at the <strong>Art</strong> <strong>Colony</strong>. She will open the<br />
studio and her heart, intellect, and creative<br />
process to the community through public<br />
lectures and daily open houses.<br />
Community Conversations: April 9 • April 16 • April 20<br />
Empty Bowls<br />
Fund-raiser for the Cook County<br />
Food Shelf. A delicious way to raise<br />
money for a worthy cause.<br />
<strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong>s Festival<br />
July 14 & 15<br />
10,000 visitors<br />
~<br />
76 <strong>Art</strong>ist Booths<br />
~<br />
<strong>Art</strong>ist Demos & Talks<br />
November 8<br />
Application Deadline: March 16, 2012<br />
<strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong><br />
Member<br />
Show<br />
October 19 - November 21<br />
Competition: September 7 - 14<br />
Exhibit & Sale: September 14 - 30<br />
The <strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong> is supported by its members. The annual Member Show is<br />
an exhibition celebrating the diversity of these talented artists.<br />
The month-long exhibition will be on display for the holiday gift-buying season.
<strong>Grand</strong> <strong>Marais</strong> <strong>Art</strong> <strong>Colony</strong><br />
120 West 3rd Ave<br />
PO Box 626<br />
<strong>Grand</strong> <strong>Marais</strong>, MN 55604<br />
arts@boreal.org<br />
(218) 387-2737<br />
www.grandmaraisartcolony.org<br />
Shawn Sheehy<br />
Julie Crabtree<br />
Lisa Stauffer<br />
Events<br />
January 30 - February 12<br />
Winter <strong>Art</strong>s Festival<br />
February 15 - 19<br />
Northern Fibers Retreat<br />
March 23 - April 1<br />
Spring Theme Exhibit:<br />
Rhythms of<br />
Darkness & Light<br />
April 9-22<br />
<strong>Art</strong>ist-in-Residence<br />
with Hazel Belvo<br />
July 14 & 15<br />
<strong>Grand</strong> <strong>Marais</strong><br />
<strong>Art</strong>s Festival<br />
September 7 - 30<br />
Plein Air <strong>Grand</strong> <strong>Marais</strong><br />
October 19 - November 21<br />
Member Show<br />
November 8<br />
Empty Bowls<br />
Neil Sherman