Grand Marais Art Colony
2012 Course Catalog - Grand Marais Art Colony
2012 Course Catalog - Grand Marais Art Colony
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August<br />
Majolica Tile: Explore the World<br />
of Color<br />
Karin Kraemer<br />
August 18-19: 2 days<br />
Tuition: $150 / Supply Fee: $12<br />
This two-day tile class focuses on Majolica decorating,<br />
found in historic and contemporary tile and pottery.<br />
Tile design, history, color theory, and decorative techniques will be explored.<br />
On the first day, participants will paint with in-glaze stains on raw glazed<br />
majolica tile. The second day will focus on the technical aspects of tile making.<br />
We’ll make green tiles decorated with colored slips. Students will go home with<br />
finished majolica tiles and technical advice about working with clay and recipes.<br />
The <strong>Art</strong> of Personal Writing<br />
Peter Blau<br />
August 18-19: 2 days<br />
Tuition: $150 / Supply Fee: $6<br />
This class is designed to spark your creative juices and awaken the writer in you.<br />
It is open to all including beginning writers and those who want to begin again.<br />
You will be encouraged to explore and expand your writing voice, style, and<br />
purpose as you examine and discuss the writing process in a variety of forms:<br />
memoir, fiction, poetry, journaling and letter writing. All you need is a journal,<br />
your favorite pen and your imagination.<br />
North Shore Pebble Mosaic<br />
Laura Stone<br />
August 18-19: 2 days<br />
Tuition: $190 / Supply Fee: $28<br />
In this class, students will collect colorful pebbles to<br />
create one to three mosaic pavers, perfect for the yard or<br />
garden. Students will learn about color sorting, selection<br />
and application to create vibrant patterns. The drymortar<br />
method will be used which allows you to see the<br />
image as you build. Discussion about ancient and contemporary mosaic methods<br />
will be included and an extensive library will be available for study. Mosaics can<br />
be picked up the following day.<br />
Sumi-e: Painting from the Heart<br />
Susan Frame<br />
August 20-24: 5 days<br />
Tuition: $475<br />
This workshop is designed to have fun with ink,<br />
watercolor, and rice paper while studying with one<br />
of America’s leading Sumi-e painters. Class will<br />
cover traditional and contemporary Sumi-e (Asian ink painting) techniques and<br />
composition of landscape painting. Emphasis is on “fearless painting from the<br />
heart” (try new things) while interpreting the spirit and essence of Lake Superior<br />
and the surrounding woods, rocks, and waters. Some location sketching/painting<br />
(weather permitting), lots of demonstrations, individual painting time and<br />
encouragement will structure the class.<br />
Rules of Perspective<br />
Tom Westbrook<br />
August 25-26: 2 days<br />
Tuition: $150 / Supply Fee: $14<br />
A major part of the Renaissance was the understanding of measurable spatial<br />
relationships and the development of constructed perspective. In this class, we<br />
will learn how to establish a believable one- or two-point perspective, measure<br />
depth, orient the viewer and scale objects. Both observed and constructed<br />
perspective will be covered.<br />
Ceramic Teapots<br />
JD Jorgenson<br />
August 25-26: 2 days<br />
Tuition: $150 / Supply Fee: $20<br />
In this two-day class, students will learn to make<br />
and assemble clay teapots. Design, throwing, surface<br />
treatments, attaching lids, spouts and handles will be<br />
covered. Students will also learn about other materials that can be incorporated<br />
into a teapot design including rattan and jute. Students will practice each step of<br />
the process and leave with enough experience and information to make their own<br />
teapot. Previous clay experience is required.<br />
Create Soft Pastel Sticks<br />
Laurie Toth<br />
August 25-26: 2 days<br />
Tuition: $150 / Supply Fee: $75<br />
Ever reach into your box of pastels<br />
and not find the exact color you<br />
want? In this class, students will learn how to make their own soft pastel sticks<br />
-light lights, dark darks, or subtle grays and browns. With a few tricks and some<br />
elbow grease, you could increase your range by 100 or more colors and gain a<br />
greater understanding of color and this wonderful medium. This class is suited for<br />
beginners to professionals who are excited about expanding their pastel set.<br />
Figurative Sculpture<br />
Judd Nelson<br />
August 25-26: 2 days<br />
Tuition: $150 / Supply Fee: $28<br />
Bring the human form to life by welding, cutting,<br />
forging and hammering plate steel into a 16” figure<br />
sculpture. This class will emphasize two techniques –<br />
metal-working with forged and hammered steel and<br />
eight head high, a Middle Ages technique to achieve<br />
proper figure proportions. Finally, students will make<br />
an armature and forge it into a gesture before wrapping<br />
the figure in wire to give it mass.<br />
Personal <strong>Art</strong> Critique & Discussion<br />
Mary Pettis<br />
August 27: 5-8pm<br />
<strong>Art</strong> <strong>Colony</strong> Member Tuition: $20<br />
Non-member Tuition: $30<br />
In this special, informal class, instructor Mary Pettis<br />
will help you obtain a clear vision of your artistic<br />
goals and offer technical and practical suggestions to help you get there faster.<br />
Bring up to five paintings for a personal critique and discussion.<br />
Creative Breakthrough: Bring the<br />
<strong>Art</strong> Spirit into Your Work<br />
Mary Pettis<br />
August 28-31: 4 days<br />
Tuition: $395<br />
Through exercises, lectures, discussions and<br />
demonstrations, students will learn the path to<br />
finding their inner creative spirit. Each day we will paint - not to turn out finished<br />
pieces, but to get a sense of the exercises that will make stronger, more powerful<br />
paintings in each of six considerations: Line, Shape, Values, Color, Edges and<br />
Texture. Improve your work at an astonishing rate by understanding what makes a<br />
Master Painting: having something to say, and knowing how to say it.<br />
14 www.grandmaraisartcolony.org